1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack Team podcast 2 00:00:10,573 --> 00:00:32,693 Speaker 1: from news Talks at b Versus. Charlie x CYX. She's 3 00:00:32,693 --> 00:00:35,893 Speaker 1: a huge star. She wrote the song for the Barbie movie, 4 00:00:36,173 --> 00:00:40,373 Speaker 1: but since kind of taken on a deeper soiree into 5 00:00:40,413 --> 00:00:42,533 Speaker 1: the world of film. So this week it was announced 6 00:00:42,533 --> 00:00:44,813 Speaker 1: that Charlie x X is doing the soundtrack for the 7 00:00:44,853 --> 00:00:48,893 Speaker 1: new Wuthering Heights adaptation starring Margot Robbie and jacober Lordie. 8 00:00:48,933 --> 00:00:53,933 Speaker 1: Oh my goodness, I watched the trailer for that. Wowser's 9 00:00:54,133 --> 00:00:57,533 Speaker 1: there's nothing there's nothing kind of super explicit. It's just 10 00:00:57,693 --> 00:01:00,653 Speaker 1: very suggestive, would be my. There's a lot of like 11 00:01:01,413 --> 00:01:03,333 Speaker 1: there's a lot of sound, like a lot of like 12 00:01:04,413 --> 00:01:08,573 Speaker 1: quick breath and like you know that sort of thing. Yeah, anyway, 13 00:01:08,813 --> 00:01:11,653 Speaker 1: I won't go into too much detail anyway. Charlie xx 14 00:01:11,653 --> 00:01:14,453 Speaker 1: has also made her on screen debut at the Toronto 15 00:01:14,493 --> 00:01:17,693 Speaker 1: Film Festival in a film called Eruptsia. I've got a 16 00:01:17,693 --> 00:01:19,733 Speaker 1: pretty good reaction for a pop star turned actress. And 17 00:01:19,813 --> 00:01:22,533 Speaker 1: good thing too, because she has already shot roles in 18 00:01:22,693 --> 00:01:24,853 Speaker 1: six other features. So no doubt we're going to be 19 00:01:24,933 --> 00:01:27,813 Speaker 1: reviewing some Charlie XCX sometime soon. Twenty two to ten 20 00:01:27,933 --> 00:01:29,533 Speaker 1: on news Storks, there'd be time to catch up with 21 00:01:29,573 --> 00:01:34,373 Speaker 1: the film reviewer Francisca rud Can Have you seen that trailer, Francisca, let's. 22 00:01:34,093 --> 00:01:36,413 Speaker 2: Just call it. It's been described as soft porn. 23 00:01:37,893 --> 00:01:39,853 Speaker 1: Do you think I think that's a bit unfair. 24 00:01:40,253 --> 00:01:44,893 Speaker 2: I think okay, it's been described as it's been described 25 00:01:44,893 --> 00:01:46,453 Speaker 2: as kind of fifty shades of gray. 26 00:01:47,693 --> 00:01:50,693 Speaker 1: Yes, you know, there's a lot of sort of vision. Yeah, 27 00:01:51,053 --> 00:01:53,293 Speaker 1: it's very suggestive, would be my all right? 28 00:01:53,413 --> 00:01:57,053 Speaker 2: Look, I love Mago Robbie and I love Jacob Alordi. 29 00:01:57,213 --> 00:02:00,813 Speaker 2: I think they're absolutely fabulous. I understand that people and 30 00:02:00,853 --> 00:02:04,293 Speaker 2: I love Emerald film. I think she does brilliant films. 31 00:02:04,333 --> 00:02:07,933 Speaker 2: There is some issue around the changes that she's made 32 00:02:07,973 --> 00:02:10,573 Speaker 2: to Bronte's novel. I think if you're a huge Bronte fan, 33 00:02:10,613 --> 00:02:13,333 Speaker 2: then you are going to have issue with some of 34 00:02:13,373 --> 00:02:17,973 Speaker 2: the choices of casting. But hey, why not slap the 35 00:02:18,053 --> 00:02:18,613 Speaker 2: hype now? 36 00:02:18,933 --> 00:02:21,453 Speaker 1: Well, you know anyone's talking about maybe and maybe if 37 00:02:21,493 --> 00:02:23,333 Speaker 1: you're not a huge Bronte fan, then this could be 38 00:02:23,333 --> 00:02:24,453 Speaker 1: the film for you, you know. 39 00:02:24,493 --> 00:02:26,173 Speaker 2: Yeah, exactly, I can't wait. 40 00:02:27,453 --> 00:02:30,093 Speaker 1: Yeah, anyway, anyway, I did, Yeah, yeah, I may have 41 00:02:30,133 --> 00:02:33,373 Speaker 1: stumbled across that trailer something. Anyway, two different films to 42 00:02:33,413 --> 00:02:35,613 Speaker 1: talk about this morning. These ones are actually out at 43 00:02:35,613 --> 00:02:37,453 Speaker 1: the moment. I don't think Wuthering Heights comes out until 44 00:02:37,453 --> 00:02:39,213 Speaker 1: next year. So let's start off with the film showing 45 00:02:39,213 --> 00:02:41,973 Speaker 1: in cinemas at the moment. This is the Roses. 46 00:02:43,213 --> 00:02:46,213 Speaker 2: For you, dear, I do anything. I do. 47 00:02:46,333 --> 00:02:47,173 Speaker 1: Believe that's true. 48 00:02:50,973 --> 00:02:54,013 Speaker 2: Everybody seems to see we hate each other. Uppost sometimes 49 00:02:54,053 --> 00:03:00,613 Speaker 2: I do hate you. Yep, we are done. Say well, 50 00:03:00,613 --> 00:03:01,413 Speaker 2: we're done. 51 00:03:01,773 --> 00:03:02,933 Speaker 3: I just want the house. 52 00:03:03,453 --> 00:03:06,173 Speaker 1: Okay, that's the Roses. Couple of big names, Olivia Coleman 53 00:03:06,173 --> 00:03:08,253 Speaker 1: and Benedict Gumbabat starring in. 54 00:03:08,253 --> 00:03:10,453 Speaker 2: This one together, and that is the main reason you 55 00:03:10,493 --> 00:03:12,573 Speaker 2: should go and see this film. But absolutely, I mean 56 00:03:12,613 --> 00:03:14,613 Speaker 2: I just love this too. You know, I watch them, 57 00:03:14,973 --> 00:03:18,213 Speaker 2: you know, read the phone book. This is based on 58 00:03:18,333 --> 00:03:20,813 Speaker 2: the nineteen eighty one novel The War of the Roses 59 00:03:20,893 --> 00:03:23,173 Speaker 2: by Warren Adler. If you're a certain age, you will 60 00:03:23,173 --> 00:03:27,533 Speaker 2: remember Danny DeVito directed an adaptation of the starring Kathleen 61 00:03:27,573 --> 00:03:31,053 Speaker 2: Turner and Michael Douglas. At the heart of this film, 62 00:03:31,133 --> 00:03:33,173 Speaker 2: there is a story about a couple who are madly 63 00:03:33,213 --> 00:03:35,013 Speaker 2: in love and then life doesn't go so well, and 64 00:03:35,053 --> 00:03:36,973 Speaker 2: they don't cope with it very well as a couple, 65 00:03:37,053 --> 00:03:39,413 Speaker 2: and then they grow to despise each other and they 66 00:03:39,453 --> 00:03:44,013 Speaker 2: had this full on, all out crazy war, and this 67 00:03:44,053 --> 00:03:47,573 Speaker 2: film has been brought into the current day. Benedett Kababatch 68 00:03:47,693 --> 00:03:52,293 Speaker 2: and Olivia Coleman star as THEO and Ivy, and they 69 00:03:52,293 --> 00:03:54,613 Speaker 2: are both very committed to their roles and they're very 70 00:03:54,613 --> 00:03:56,973 Speaker 2: funny and they're very good at it. But there's this 71 00:03:57,013 --> 00:03:59,053 Speaker 2: moment at the beginning where they flash back and they 72 00:03:59,093 --> 00:04:01,653 Speaker 2: show you their meat cute you know, how they met 73 00:04:01,893 --> 00:04:08,213 Speaker 2: and she's a chef in a hotel restaurant and he's 74 00:04:08,253 --> 00:04:11,053 Speaker 2: a guest and he stumbles into the kitchen and literally 75 00:04:11,493 --> 00:04:15,893 Speaker 2: thirty seconds later they're having sex in the in the fridge, 76 00:04:16,453 --> 00:04:19,333 Speaker 2: in the freezer, and I'm like, I'm sorry, but I 77 00:04:19,333 --> 00:04:21,653 Speaker 2: don't think Olivia Coleman and Bennett coming back to act 78 00:04:21,773 --> 00:04:24,013 Speaker 2: like that. And so from the very I've just had 79 00:04:24,013 --> 00:04:26,573 Speaker 2: a little moment of kind of going, oh, it's a 80 00:04:26,573 --> 00:04:28,413 Speaker 2: bit of a stretch guard. I'm not sure I believe that, 81 00:04:28,693 --> 00:04:30,533 Speaker 2: and the problem with that, and I think that that 82 00:04:30,653 --> 00:04:33,053 Speaker 2: is a little bit of a problem with this film. Yes, 83 00:04:33,093 --> 00:04:34,733 Speaker 2: I think that there was a point where they love 84 00:04:34,773 --> 00:04:36,773 Speaker 2: each other. Yes, they go to despise each other, but 85 00:04:36,813 --> 00:04:40,093 Speaker 2: there's too long before we get to the really crazy, 86 00:04:40,173 --> 00:04:43,173 Speaker 2: all out war part of this film, which is which 87 00:04:43,213 --> 00:04:46,333 Speaker 2: is kind of what we know the story for. Really, 88 00:04:46,373 --> 00:04:49,253 Speaker 2: we spend most of the film watching two people whose 89 00:04:49,333 --> 00:04:52,333 Speaker 2: lives do change, and we watch them, we follow them 90 00:04:52,373 --> 00:04:55,013 Speaker 2: through a decade of dysfunction as they allow resentment and 91 00:04:55,053 --> 00:04:57,733 Speaker 2: anger and guilt and success and failure to come between them. 92 00:04:57,893 --> 00:05:00,013 Speaker 2: And it's a very slow and toxic decline. And I 93 00:05:00,493 --> 00:05:02,453 Speaker 2: think they did that because they were a bit worried 94 00:05:02,493 --> 00:05:05,053 Speaker 2: about them going each other too much. And then they 95 00:05:05,093 --> 00:05:06,653 Speaker 2: tried to pull it back and they're sort of saying 96 00:05:06,693 --> 00:05:09,933 Speaker 2: to us, hey, look they hate each other, but their 97 00:05:09,973 --> 00:05:12,373 Speaker 2: love brings them back together. But actually, even their children 98 00:05:12,413 --> 00:05:14,613 Speaker 2: in this film and looking at them going please separate. 99 00:05:14,933 --> 00:05:17,853 Speaker 2: So I'm not so sure. It kind of convinced me 100 00:05:18,893 --> 00:05:20,973 Speaker 2: on the same premise that they loved each other and 101 00:05:20,973 --> 00:05:23,213 Speaker 2: then they despise each other. I just yeah, And look, 102 00:05:23,213 --> 00:05:25,933 Speaker 2: it really depends on whether it's a different kind of 103 00:05:26,013 --> 00:05:27,733 Speaker 2: escape from It really does depend on whether you're in 104 00:05:27,773 --> 00:05:29,933 Speaker 2: the mood to sit and watch a couple destroy each other. Look, 105 00:05:29,973 --> 00:05:32,813 Speaker 2: there are some amazing observations about relationships. They are on 106 00:05:32,933 --> 00:05:36,453 Speaker 2: the money about a lot of that, and there's some 107 00:05:36,533 --> 00:05:43,053 Speaker 2: great other costars. Andy Samberg, Kate McKinnon, Alison Janie is 108 00:05:43,093 --> 00:05:45,173 Speaker 2: completely under you. She has this one scene which she 109 00:05:45,293 --> 00:05:47,373 Speaker 2: completely steals. Would have loved to have seen more than her. 110 00:05:47,853 --> 00:05:50,413 Speaker 2: It felt like it was really edgy and it had 111 00:05:50,453 --> 00:05:52,573 Speaker 2: a good edge. But then they kind of presented it 112 00:05:52,613 --> 00:05:55,213 Speaker 2: to us as a glossy rong com and it didn't 113 00:05:55,293 --> 00:05:55,853 Speaker 2: quite work. 114 00:05:56,013 --> 00:05:58,693 Speaker 1: Okay, all right, So that is The Roses with Olivia 115 00:05:58,773 --> 00:06:02,853 Speaker 1: Coleman and Bennett Cumberbats. Next up streaming on Prime Video, 116 00:06:03,013 --> 00:06:04,733 Speaker 1: this is Ice Road Vengeance. 117 00:06:05,653 --> 00:06:17,373 Speaker 3: We welcome mable Mount Everest. Here we come, keep driving 118 00:06:18,773 --> 00:06:21,293 Speaker 3: kidnappers in Nepal, don't leave witnesses. 119 00:06:25,133 --> 00:06:28,573 Speaker 1: Okay, that's Ice Road Vengeance, starring Liam Neeson. Something about 120 00:06:28,613 --> 00:06:31,293 Speaker 1: Liam Neeson that I've started to notice, and I'm not 121 00:06:31,333 --> 00:06:33,373 Speaker 1: sure if this has ever come across your mind, Francesca, 122 00:06:33,493 --> 00:06:34,853 Speaker 1: is that he needs to start are a lot of 123 00:06:34,893 --> 00:06:37,173 Speaker 1: films in which someone is getting kidnapped or taken and 124 00:06:37,293 --> 00:06:40,053 Speaker 1: he needs to fight and kill people. That's just a 125 00:06:40,093 --> 00:06:41,893 Speaker 1: little bit, you know, you just I don't want to 126 00:06:42,533 --> 00:06:43,493 Speaker 1: call me a centophile. 127 00:06:43,733 --> 00:06:48,293 Speaker 2: Yeah, he has done very well sort of creating this 128 00:06:48,573 --> 00:06:51,013 Speaker 2: new career for him, mate knife and look we talk 129 00:06:51,093 --> 00:06:54,693 Speaker 2: about we talk about women who are you know of 130 00:06:54,773 --> 00:06:56,413 Speaker 2: a certain ager once upon a time she broke a 131 00:06:56,453 --> 00:06:58,013 Speaker 2: forty Hollywood and want to pay attention to you. And 132 00:06:58,093 --> 00:07:00,533 Speaker 2: we see women in Hollywood have managed to create careers 133 00:07:00,573 --> 00:07:02,813 Speaker 2: and interesting characters and have these and so this is 134 00:07:02,893 --> 00:07:06,893 Speaker 2: sort of essentially what Li Liam's done as well. Watunately 135 00:07:07,253 --> 00:07:10,253 Speaker 2: doesn't quite pull it off in this film. And it's 136 00:07:10,453 --> 00:07:14,253 Speaker 2: not his fold. This film just does not have the 137 00:07:14,373 --> 00:07:18,373 Speaker 2: money to make it work. It's you might have seen 138 00:07:18,773 --> 00:07:22,453 Speaker 2: the original Icerod It was released I think twenty one. 139 00:07:22,853 --> 00:07:26,493 Speaker 2: He plays Mike McCann. He is a truck driver. He 140 00:07:26,613 --> 00:07:29,493 Speaker 2: goes on this dangerous mission over frozen lakes. So we're 141 00:07:29,493 --> 00:07:32,093 Speaker 2: trying to save some miners trapped in the mine. And look, 142 00:07:32,133 --> 00:07:34,453 Speaker 2: actually it was okay. It was quite good escapeism and 143 00:07:34,493 --> 00:07:36,853 Speaker 2: the idea for this on paper isn't too bad. His 144 00:07:36,973 --> 00:07:39,573 Speaker 2: brother has passed away. He really wants Mike to scatter 145 00:07:39,613 --> 00:07:42,253 Speaker 2: his ashes at Mount Everest, so off he heads to 146 00:07:42,333 --> 00:07:43,973 Speaker 2: do that. He ends up on this bus called the 147 00:07:44,053 --> 00:07:46,493 Speaker 2: Key We Express where the driver goes cured it and 148 00:07:46,573 --> 00:07:49,973 Speaker 2: then spends the rest of the film talking in Australian slang, 149 00:07:50,373 --> 00:07:52,613 Speaker 2: which at that point I went, oh, okay, we've got 150 00:07:52,653 --> 00:07:57,053 Speaker 2: a problem here. And then there's a young man on 151 00:07:57,453 --> 00:08:00,533 Speaker 2: the bus who is kidnapped because there's a corporate that 152 00:08:00,613 --> 00:08:02,373 Speaker 2: wants to build a dam in his village, but his 153 00:08:02,573 --> 00:08:04,893 Speaker 2: hand is holding out, and all of a sudden, it 154 00:08:04,893 --> 00:08:08,053 Speaker 2: always strangers, for some reason to get behind this young 155 00:08:08,133 --> 00:08:09,813 Speaker 2: man and go off on this mission to try and 156 00:08:09,893 --> 00:08:13,613 Speaker 2: save him and his family's land and things. It just 157 00:08:13,853 --> 00:08:16,253 Speaker 2: none of it really made sense. You don't know why 158 00:08:16,253 --> 00:08:18,533 Speaker 2: they were doing. The driving's great, like the driving. I 159 00:08:18,613 --> 00:08:22,933 Speaker 2: don't know whether they use cables in Nepal to allow 160 00:08:23,173 --> 00:08:25,893 Speaker 2: vehicles to travel down icy roads or whether they use 161 00:08:26,013 --> 00:08:28,933 Speaker 2: cranes to get them across gorgeous but look, the driving 162 00:08:29,133 --> 00:08:32,613 Speaker 2: was great, but all the special effects are so bad. Look. 163 00:08:32,613 --> 00:08:34,053 Speaker 2: I was trying to find a really fun film that 164 00:08:34,053 --> 00:08:36,253 Speaker 2: you could sit and watch with dad. You know this, 165 00:08:36,533 --> 00:08:40,533 Speaker 2: You know, maybe tomorrow afternoon or on Fatursday, And unless 166 00:08:40,533 --> 00:08:43,053 Speaker 2: your dad has really bad taste in films, probably isn't 167 00:08:43,053 --> 00:08:46,373 Speaker 2: gonna fly. But but you know, I do love Lambleason, 168 00:08:46,413 --> 00:08:49,133 Speaker 2: and I thought i'd give it a whirl. And it's 169 00:08:49,453 --> 00:08:52,853 Speaker 2: kind of. I actually sort of found it highly entertaining 170 00:08:52,893 --> 00:08:53,613 Speaker 2: for how bad it was. 171 00:08:53,693 --> 00:08:56,013 Speaker 1: Yeah, nice going, Okay, there you go, right, that'll be 172 00:08:56,013 --> 00:08:59,693 Speaker 1: a special one for dad. Then, thank you, Francisca. We 173 00:09:00,053 --> 00:09:02,533 Speaker 1: appreciate it. So that is Ice Road Vengeance. That's the 174 00:09:02,573 --> 00:09:04,573 Speaker 1: one starring La and Nis and that's on Prime Video. 175 00:09:05,013 --> 00:09:07,973 Speaker 1: The one with Olivia Coleman and Bennedtt Cumberbatches in Cinemas 176 00:09:08,013 --> 00:09:11,093 Speaker 1: Now that's called The Roses. We'll have details for both 177 00:09:11,133 --> 00:09:13,373 Speaker 1: of those films up on the News Talks. He'd be 178 00:09:13,493 --> 00:09:17,293 Speaker 1: website for more from Saturday Morning with Jack Tame. Listen 179 00:09:17,413 --> 00:09:20,173 Speaker 1: live to News Talks he'd be from nine am Saturday, 180 00:09:20,453 --> 00:09:22,493 Speaker 1: or follow the podcast on iHeartRadio