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Speaker 1: Hello, it's Matt Heath here with a massive self source.

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Speaker 1: My number one best selling book, A Lifeless Punishing Thirteen

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Speaker 1: Ways to Love the Life You've Got, is out now.

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Speaker 1: It's the result of a deep dive I took into

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Speaker 1: how to deal with the emotions that make our lives

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Speaker 1: more punishing than they need to be. Karan Reid wrote,

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Speaker 1: Matt has a hilarious way of articulating an important message,

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Speaker 1: highly valuable advice for Anyone. Newsroom described it as good,

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Speaker 1: very good, indeed, and under Juris Dremy Well see had

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Speaker 1: met as a deep thinking, highly intelligent human being. The

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Speaker 1: number one best selling are Lifeless Punishing Thirteen Ways to

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Speaker 1: Love the Life You've Got, as available in all good bookstores.

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Speaker 2: Now let's get bizar.

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Speaker 3: Spoken soul all along to the Mat and Jerry Show podcast.

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Speaker 3: It is the eighth of the seventh month in the

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Speaker 3: Year of Our Lord, twenty twenty four. My name is

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Speaker 3: Mash and this is Ruda.

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Speaker 4: My name is Ruda, No mattal Jerry.

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Speaker 5: Today I work in the room next door.

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Speaker 3: Do you know what the planet of attack was for today?

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Speaker 3: Going into this week? I thought, by the way, if

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Speaker 3: you on you were around here, myself mash and this

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Speaker 3: is Ruda and we produced this show. Matt and Jerry

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Speaker 3: are both way today. The plan of attack was Matt

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Speaker 3: had a week off down in the pretty city of Dunedin,

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Speaker 3: but Jerry fell sick. So it's the two of us

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Speaker 3: today on the on the radio show, wasn't it?

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Speaker 4: Yeah?

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Speaker 5: And you know, to be fair, I do miss Jerry.

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Speaker 5: He's got a very calming influence.

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Speaker 3: Well, I miss Matt.

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Speaker 5: So I didn't mean that I didn't miss Matt. Sorry,

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Speaker 5: I didn't mean I don't.

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Speaker 3: Have Matt so much trouble.

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Speaker 5: Sorry, Can I just explain this? I mean because Matt

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Speaker 5: was supposed to be away, but I don't know Matt

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Speaker 5: will listen to this.

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Speaker 4: So will Matt listen to me?

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Speaker 5: I'm looking, I'm looking exactly where you would sit normally, Matt,

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Speaker 5: I would miss you when you're away, but I thought

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Speaker 5: you were already going to be away. So I was

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Speaker 5: saying Jerry, who I thought was going to be here,

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Speaker 5: I missed him.

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Speaker 3: But I still this is strange. So you've chosen Jerry's seat.

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Speaker 3: I've chosen my seat. Surprise, surprise, I've decided to keep

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Speaker 3: the same seat. You've chosen Jerry's seat. Matt seats to

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Speaker 3: the left of me. In the past, you've used Matt seat.

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Speaker 4: Yep.

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Speaker 5: Today Jerry's here, I've used met seat.

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Speaker 3: So your favorite position in the studio is for those

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Speaker 3: listening at home who can see the studio, there's there's

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Speaker 3: four mics in here. There's four hot spots. One me,

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Speaker 3: I'm behind the desk. R Jerry is to the right

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Speaker 3: of me of the top of some screens. And then

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Speaker 3: you've got Matt who will be to the left of me,

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Speaker 3: and then directly across from me as our guest Mike,

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Speaker 3: and that's usually you.

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Speaker 4: That's right.

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Speaker 5: That's where I would normally sit during a pod because

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Speaker 5: I don't come in during the radio show. Match very

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Speaker 5: simple reason I wouldn't sit at my normal seat because

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Speaker 5: I need computers in front of me for the radio show.

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Speaker 5: The main reason I'm sitting in Jeremy Well's seat because

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Speaker 5: I had my head and the headlines game. So I

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Speaker 5: feel like I need to sit in the same seat

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Speaker 5: because I knew I was reading the news headlines during

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Speaker 5: the radio show, and so to get my head in

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Speaker 5: the right space. Despite the fact that probably made up

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Speaker 5: about five percent of the radio show, sure, I wanted

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Speaker 5: to sit in the seat. It's not a good reason,

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Speaker 5: but it's enough of a reason and it feels like

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Speaker 5: the right kind of vibe.

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Speaker 3: Hey, can I play you something and then you can

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Speaker 3: shoot your thoughts on that.

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Speaker 4: I'd love you to do that.

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Speaker 3: Okay, are you ready for this? Oh? Wait, No, that's

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Speaker 3: not what I thought it was going to be. I've

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Speaker 3: just found the wrong page. Buttons here be with me

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Speaker 3: with me a lot. No, I wasn't the girl. No

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Speaker 3: looking for that there, and I'm looking for this here.

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Speaker 3: I crank it hoty ah. So yesterday I woke up

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Speaker 3: on a Sunday morning, m I love it. And there's

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Speaker 3: this new feature on Spotify and it's cooled. I think

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Speaker 3: it's just your daily mix. And the idea is that

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Speaker 3: when you start up your daily mix playlist, is it

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Speaker 3: takes what you usually like to listen to at that

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Speaker 3: time of the day. It's another one of those things

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Speaker 3: that's come out and it's gone. Radio is even more fucked,

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Speaker 3: but not really not really what I want to focus on,

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Speaker 3: as if when you crank up that playlist, it tells

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Speaker 3: you what you're used to listening to it at that

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Speaker 3: time of the day. So yesterday morning, on a Sunday morning.

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Speaker 3: I just started up my daily playlist, and I mean

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Speaker 3: glad Us Nights and the Perps comes on and tell

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Speaker 3: me a world where I'm supposed to have a bad

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Speaker 3: day after this song coming on at seven o'clock in

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Speaker 3: the morning on a Sunday, the sun's coming up.

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Speaker 5: Well, I'd rather live in this world.

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Speaker 6: Ah G on a mid that train.

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Speaker 3: And I was thinking to myself, you'd be the perfect

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Speaker 3: person to ask. And it's also something we've done here

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Speaker 3: in the past on the Meet and Jury Show podcast.

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Speaker 3: On this we used to do soft on a Monday.

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Speaker 3: We would play tunes that just keept us soft after

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Speaker 3: a big weekend on the Wheeze often often, And I thought,

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Speaker 3: is that there that tune? Were not trying to Georgia

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Speaker 3: by Gladys Night and don't forget the PEPs, no, the

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Speaker 3: pips there in the background. Is there the best possible

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Speaker 3: Sunday morning tune to come on?

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Speaker 6: We're out here the pers.

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Speaker 3: I mean glad Us Night Jesus.

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Speaker 5: So I'd possibly also float at you because of the

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Speaker 5: content of the subject, the lyrics. That's why I'm easy

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Speaker 5: easy like Sunday Morning. Sure, we'd be right up there.

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Speaker 3: Do you want to fire up your computer and then

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Speaker 3: you can start playing some stuff that you think of,

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Speaker 3: because if you've never done a soft on Monday before,

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Speaker 3: ruder though. One of the great things is if you

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Speaker 3: just fire up.

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Speaker 5: Your computer, we're not going to have that problem with it,

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Speaker 5: Jeremy as every time.

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Speaker 3: Ah, you've chosen that computer to sit out the one

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Speaker 3: air problem.

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Speaker 4: With the one air problem.

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Speaker 5: Can I can I just say actually about about this song? Yeah,

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Speaker 5: beautifully sun.

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Speaker 4: By. I wonder how many pips there were.

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Speaker 5: I'd always assume if you read about three, I reckon

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Speaker 5: this three there, yeah, maybe four?

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Speaker 4: Now I reckon there's three.

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Speaker 3: No more than four? Though, No, you reckon there's no

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Speaker 3: more than three. I mean they sound great anyway, what

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Speaker 3: you say, I.

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Speaker 5: Am going to go so far as to say, and

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Speaker 5: I paused because I wanted to consider what I was

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Speaker 5: about to say. I am going to go so far

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Speaker 5: as to say, this song contains some of the greatest

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Speaker 5: backing vocals of all time. They're very cleverly done, like

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Speaker 5: it's a whole different story in the background.

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Speaker 4: Of the song.

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Speaker 3: Oh, they sound great. It would be a great four

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Speaker 3: pilaze to run on the Managery Show. Actually, there's the

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Speaker 3: four pillars of backing vocals, because I think Ebba might

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Speaker 3: get close to it as well. What sorry, what Sunday

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Speaker 3: morning rendition? Were you looking for?

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Speaker 5: Sunday Easy by the commodorees.

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Speaker 3: That's the commodore's that's.

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Speaker 5: Not the faith, no more one, no, no, it's not

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Speaker 5: just Jesus. That's what you call a fear or cover.

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Speaker 3: Who's the Commodore's on here? Commodos and the system of

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Speaker 3: just just communists? No, not not not the communists either.

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Speaker 4: Are you sure?

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Speaker 3: Yeah? Here we go?

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Speaker 5: Okay, yes, I mean another great Sunday morning song.

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Speaker 3: But it's almost too literal for me because if I

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Speaker 3: wake up but it does on a Sunday morning and

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Speaker 3: someone's telling me it's easy like a Sunday morning, but

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Speaker 3: it doesn't get.

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Speaker 5: To the literal part of the song for a while.

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Speaker 5: So you've got the piano intro.

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Speaker 3: Oh this is great.

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Speaker 4: Then you're starting to wake up.

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Speaker 5: You're examining the crimes you're committed last night, not actual crimes,

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Speaker 5: and you're reflecting on maybe in unrequited love right there

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Speaker 5: because you're working up alone or next to the wrong

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Speaker 5: thrif And.

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Speaker 4: Then he's not even there yet.

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Speaker 6: Swammy.

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Speaker 5: See how long into the song is this? He doesn't

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Speaker 5: say it until over a minute. I mean it's a

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Speaker 5: great churn, pretty good backing vocals.

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Speaker 3: Just have me looked through my playlist so you have

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Speaker 3: seen what I'm running is of late Oh man, this

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Speaker 3: is great songs.

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Speaker 4: See the reason.

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Speaker 5: I'll just let you finish their line or sorry about that.

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Speaker 5: See the reason why I singled out the backing vocals

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Speaker 5: in Midnight Train to Georgia versus the backing vocals, And

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Speaker 5: that is because it's just ours or peating lines in

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Speaker 5: the song or harmonizing rather than a different story that's

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Speaker 5: going on.

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Speaker 3: This is another one that's going to high rotate for

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Speaker 3: me at the moment. I'm sure back in the day

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Speaker 3: when we were running soft on Mondays, you're on the

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Speaker 3: Meet Injury Show, this was brought up at some point.

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Speaker 3: But God, Dan Hill, you ask me I love you

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Speaker 3: in actual karma.

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Speaker 5: Reply that's the mislead you w that's not true you.

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Speaker 7: To judge.

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Speaker 3: I think that's a very good point, actually, Daranhill.

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Speaker 5: Just I I'd rather hurt you honestly than mislead you

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Speaker 5: with alive for instance, can you put sorry? Can you

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Speaker 5: pause it? Hey, mesh Yeah, bro did a great job

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Speaker 5: on the radioto this morning.

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Speaker 3: Well, I see that feels hard?

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Speaker 5: No, no, oh, hang on, So what is it? I'd

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Speaker 5: rather hurt you honestly than yeah, So what would you prefer?

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Speaker 5: I don't like ash great job pressing the buttons on

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Speaker 5: the radio show.

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Speaker 3: That's a lovely thing to say, if that's truthful.

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Speaker 4: But would you prefer that?

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Speaker 3: But are you misleading me with misleading you with a lie?

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Speaker 7: Sometimes?

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Speaker 5: Well, we touch all the song the honesty is too.

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Speaker 7: And I have to close.

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Speaker 3: My Okay, we're just going to pull you there, damn hill.

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Speaker 4: So have you ever played hide and seek?

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Speaker 3: Meshy, Well, every time we touched the honesties too much. Now,

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Speaker 3: there is some love in that cuddle, and I respect

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Speaker 3: sometimes I've just never felt that kind of love them before.

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Speaker 3: I've got to be honest with you. Ever felt the

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Speaker 3: embrace of a woman or a man and thought, God,

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Speaker 3: the honesty and this is just too much? So I'm

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Speaker 3: going to have to hide myself? Is that what he

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Speaker 3: essentially says?

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Speaker 5: There, I'm gonna I'm going to come out before he

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Speaker 5: closes his eyes and hides. Sometimes when we touch the

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Speaker 5: honesties whom that's.

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Speaker 4: Yeah, there's a few woman I can think of.

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Speaker 5: Two, lad I part makes perfect sense to break down.

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Speaker 6: Yeah, sure, to hold you till the food.

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Speaker 3: I mean, lovely stuff is that. I will say this,

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Speaker 3: there's nothing more beautiful than the moment if you ever

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Speaker 3: get to love someone and then hold them and then

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Speaker 3: embrace a cry togither, it's one of the more beautiful

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Speaker 3: moments of a life. Yeah, I've been crying with someone

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Speaker 3: is very full on.

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Speaker 5: It's always awkward though, when only one of your cries,

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Speaker 5: because like you know, and can I just clarify when

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Speaker 5: he cries for a good reason? Yeah, yes, because it's

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Speaker 5: It's a lot like the thing of maybe you're making

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Speaker 5: love to someone that's never said I love you before,

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Speaker 5: and then in the midst of the love making, Yeah,

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Speaker 5: they just yell out right.

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Speaker 3: Okay, do you know what this is making me think of?

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Speaker 3: I love it of a dire straight song that I'm

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Speaker 3: trying to find.

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Speaker 5: One where you're going what's that one called Romeo and Juliet?

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Speaker 5: Here are your muppets?

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Speaker 3: Then we find it?

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Speaker 5: Sorry, no, it's a right.

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Speaker 4: Do you want to take an ad break while you

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Speaker 4: find it? Is that possible?

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Speaker 3: My god? It's not in the system.

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Speaker 4: Yeah, Romeo and Juliet.

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Speaker 3: Romeo and Juliet. Okay, so that's not there. Where are

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Speaker 3: you Romeo and Juliet Keith Urban Oh oh, this is

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Speaker 3: a tune that I've just found on the way to that. Okay, cool, cool,

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Speaker 3: I've got that ready to go. We'll take a break

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Speaker 3: and we'll come back with that's breaking down Romeo and Juliet,

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Speaker 3: probably about the third time on the Mat and Jury Show,

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Speaker 3: Daly Bespoke Podcast. All right, okay, and we're back. We

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Speaker 3: took a break there as I found a couple more

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Speaker 3: tunes to play on this what is turning into a

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Speaker 3: soft on Monday, but not quite before you were talking

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Speaker 3: about making love to a woman and one of you crying, yeah,

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Speaker 3: but the other one of you not crying.

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Speaker 5: Well, this is when we make Oh hang on, yeah,

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Speaker 5: when we made love. You used to cry.

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Speaker 3: Every time I played this tune on the podcast. Gordon Kenny,

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Speaker 3: my father, reaches out and says, che son, he loves

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Speaker 3: a song.

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Speaker 7: I love struggling with meals just fiddling away back here,

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Speaker 7: lean everybody, lord, we love Solan Street.

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Speaker 5: Lad steps out of the sheet, says something.

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Speaker 2: You and me be.

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Speaker 3: He pulls that I can pulls that.

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Speaker 5: Sorry, a little problematic, finds a street light and steps

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Speaker 5: out of the shade.

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Speaker 4: So what was he doing in the shadows? Okay?

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Speaker 3: Oh so hang on, so he was away in the show.

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Speaker 3: And then he said Romeo.

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Speaker 4: Juliet's hiss, hats Rod again.

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Speaker 6: The window, the window, my body friends down.

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Speaker 4: You shouldn't come around here singing, singing up people, not sneaking.

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Speaker 3: What you're going to do about this chorus one of

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Speaker 3: the great choruses.

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Speaker 6: Here we go.

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Speaker 7: The dates was loaded from the start, and then the

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Speaker 7: movie song where You're going to realize it was.

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Speaker 5: Just ok, I think that's that's just that's a beautiful

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Speaker 5: saying when you're going to realize it was just that

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Speaker 5: the time was wrong. I don't know, man, there's another

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Speaker 5: Have you ever felt like that about a woman? Of course,

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Speaker 5: and you think this should have been really great? Yeah,

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Speaker 5: if you weren't with him.

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Speaker 3: I've got one x specifically that I think.

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Speaker 5: In a different and very specific of me.

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Speaker 3: So in another world that definitely could have worked out

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Speaker 3: just fine. Yeah, I'm sure a lot of people feel

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Speaker 3: like that day. I've been very lucky with the partners

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Speaker 3: that I've had though that I think in a different world,

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Speaker 3: all of them probably could have worked out.

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Speaker 4: Just who the time was wrong, just cheerly was wrong.

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Speaker 3: And this song he is also Morrison pisting away. This

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Speaker 3: is also a song that came on after glad Us

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Speaker 3: Knights and The Perch yesterday on My Daily Mix that

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Speaker 3: I'm now getting fed to me via Spotify. Isn't that

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Speaker 3: kind of wild though, that we live in a world

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Speaker 3: now where my phone has told me that I love

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Speaker 3: to listen to this type of music on a Sunday morning.

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Speaker 3: So here you go. Here's about thirty songs that we reckon.

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Speaker 3: You're gonna enjoy shuffle them, and not one song on,

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Speaker 3: not one song was a shitter.

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Speaker 5: How many songs are you talking?

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Speaker 7: I reckon?

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Speaker 4: I played seven or eight?

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Speaker 3: No, that doesn't sound like many, but seven or eight

309
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Speaker 3: good tunes back to back was Dre I'm just Gonna

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Speaker 3: Fire up a doctor hook song.

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Speaker 5: Was this on the list? Or is this just an

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Speaker 5: add on?

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Speaker 4: No? This from the Meshy.

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Speaker 3: No, this is not an ad on. This is also

315
00:16:25,280 --> 00:16:28,160
Speaker 3: what followed up this Morrison's song my Daily Mixed yesterday.

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Speaker 3: This is just I mean, this really is just a

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Speaker 3: soft on Monday. Here isn't it.

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Speaker 5: This is Sylvia's mother, This is Sylvia's mother.

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Speaker 3: It also came on yesterday morning.

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Speaker 5: I mean, come sorry, I came on Sylvia's mother.

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Speaker 3: I came on yesterday.

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Speaker 5: Morning, Sylvia's mother, Sylvia's.

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Speaker 4: Busy, thanks nearly trying the.

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Speaker 3: Vocal on this song has always impressed me because he

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Speaker 3: is so emotional about Sylvia's silvis.

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Speaker 8: Mother said, Sylvia's chim to start, you.

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Speaker 3: Would it's sad man, mother said, massive Pierce.

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Speaker 6: So why don't you relieve?

329
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Speaker 3: But it is so sad and quivery.

330
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Speaker 2: The vocals four cents more.

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Speaker 3: On the next three God jump.

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Speaker 2: Told me keep.

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00:17:38,440 --> 00:17:41,879
Speaker 3: Just hearing this back today. I'm gonna have to strip

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Speaker 3: the lorics of this song because this is heartbreaking.

335
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Speaker 5: I've said, if it happened to you, what slap me

336
00:17:48,520 --> 00:17:51,080
Speaker 5: hard in the face, and no names are about to

337
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Speaker 5: be mentioned. That's quite beautiful song that has happened to

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Speaker 5: me in person.

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Speaker 3: So what you're saying here is that you've had a

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Speaker 3: partner in the past, that you've gone separate ways, and

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Speaker 3: you've tried to reach out and the mother has said no,

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Speaker 3: she's trying to move on.

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Speaker 5: Yes, So let's call her Sylvia, not her real name.

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Speaker 5: Okay was overseas and sure, yeah, and Sylvia and I

345
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Speaker 5: had been hooking up and talking before she went overseas,

346
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Speaker 5: and then she went overseas, and Sylvia's mother found out.

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Speaker 4: Sylvia's mother called.

348
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Speaker 5: Me and said, you are going to come and have

349
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Speaker 5: a conversation with me because this is not this is

350
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Speaker 5: not happening, right.

351
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Speaker 3: So, so Sylvia's mother was not too stoked about that

352
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Speaker 3: you might have been distracting her daughter from having this

353
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Speaker 3: time overseas and reship.

354
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Speaker 2: Ah.

355
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Speaker 3: So it was actually she was not happy with you

356
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Speaker 3: in the relationship.

357
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Speaker 5: So she wasn't happy that I was taking Sylvia out

358
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Speaker 5: of another relationship.

359
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Speaker 3: Ah. There was a bit of a crossover situation. I

360
00:18:51,440 --> 00:18:53,359
Speaker 3: can understand maybe Sylvia's mother's thinking.

361
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Speaker 5: And Sylvia's mother threatened me, right, Sylvia's mother threatened that

362
00:18:59,440 --> 00:19:01,680
Speaker 5: her friend from South Africa was going to come over

363
00:19:01,720 --> 00:19:02,520
Speaker 5: and deal with me.

364
00:19:02,840 --> 00:19:06,080
Speaker 3: Okay, yeah, that's that's quite intense here. I mean, I

365
00:19:06,080 --> 00:19:08,240
Speaker 3: don't agree with that part of it from Sylvia's mother.

366
00:19:08,400 --> 00:19:12,879
Speaker 5: Sylvia's mother named a name and said this person is

367
00:19:12,920 --> 00:19:15,600
Speaker 5: going to come over from South Africa and deal with

368
00:19:15,640 --> 00:19:17,760
Speaker 5: this situation, and you don't want that to happen.

369
00:19:17,760 --> 00:19:25,399
Speaker 3: It wasn't Oscar Storious. Sorry, I'd be very fearful of all. No, okay, no,

370
00:19:25,560 --> 00:19:27,840
Speaker 3: that's good. I'm having a looking at the lyrics to

371
00:19:27,880 --> 00:19:32,800
Speaker 3: the song. It's absolutely tragic. So obviously Sylvia as a

372
00:19:32,960 --> 00:19:35,240
Speaker 3: person doctor Hooks dating. I don't know if it's his

373
00:19:35,280 --> 00:19:38,960
Speaker 3: real name, Doctor Hook. I know no information on that.

374
00:19:39,080 --> 00:19:41,480
Speaker 3: I should also like, I feel bad I'm leaving out

375
00:19:41,480 --> 00:19:43,760
Speaker 3: The Medicine Show because of course it's it's Doctor Hook

376
00:19:43,800 --> 00:19:45,400
Speaker 3: and the Medicine Show, is it? Yeah?

377
00:19:46,200 --> 00:19:47,919
Speaker 5: Well I did not know that.

378
00:19:48,240 --> 00:19:50,040
Speaker 3: Yeah album, Doctor Hook in the Medicine Show.

379
00:19:50,160 --> 00:19:52,400
Speaker 5: I know about Old Crow Medicine Show that did Wagon Will,

380
00:19:52,440 --> 00:19:53,640
Speaker 5: but I don't know about Doctor Hook.

381
00:19:53,800 --> 00:19:56,480
Speaker 3: What. Yeah, So the album that the songs on Sylvia's

382
00:19:56,520 --> 00:19:58,640
Speaker 3: Mother is Doctor Hook and the Medicine Show.

383
00:19:58,800 --> 00:20:00,919
Speaker 5: Oh fuck off, No it's not, but we're.

384
00:20:00,800 --> 00:20:04,120
Speaker 3: Not sure it is artist Doctor Hook in the Medicine Show.

385
00:20:04,560 --> 00:20:07,800
Speaker 3: Get this up here, Jesus Christ, look a thing?

386
00:20:08,240 --> 00:20:08,720
Speaker 4: The hell?

387
00:20:09,680 --> 00:20:09,960
Speaker 6: Wow?

388
00:20:11,800 --> 00:20:14,120
Speaker 3: I get yourself a favor. If you're listening along at home,

389
00:20:14,160 --> 00:20:18,080
Speaker 3: search up Dr Hook and the Medicine Show. Jesus Christ,

390
00:20:18,640 --> 00:20:23,159
Speaker 3: how are those pists coming up with beauty of such?

391
00:20:24,000 --> 00:20:25,720
Speaker 3: I mean, listen to this once more. I'm sorry to

392
00:20:25,720 --> 00:20:36,320
Speaker 3: bring this up, because it's quite wrong for you and charge.

393
00:20:37,440 --> 00:20:37,840
Speaker 6: How old.

394
00:20:39,920 --> 00:20:42,080
Speaker 3: Yeah, like I'm going to have to turn that off

395
00:20:42,160 --> 00:20:44,359
Speaker 3: just for your sake, sorry, mate, because that is that

396
00:20:44,520 --> 00:20:47,000
Speaker 3: is very very full. I just I just wanted to

397
00:20:47,040 --> 00:20:50,359
Speaker 3: talk to her, Yeah, of course, mate, And you know

398
00:20:50,400 --> 00:20:50,720
Speaker 3: what I.

399
00:20:50,680 --> 00:20:51,439
Speaker 4: Did talk to her.

400
00:20:51,680 --> 00:20:56,240
Speaker 5: Yeah, And that was the last conversation I had with there.

401
00:20:56,600 --> 00:21:00,120
Speaker 5: I talked to her. She was overseas. I was in Auckland.

402
00:21:00,760 --> 00:21:02,560
Speaker 3: It's amazing people hang on to things like this.

403
00:21:02,560 --> 00:21:09,320
Speaker 5: This is incredible, and she she has that. There was

404
00:21:09,359 --> 00:21:11,919
Speaker 5: no sorry there is. It was just this is not

405
00:21:11,960 --> 00:21:15,040
Speaker 5: going to happen. The mother had got to her and

406
00:21:15,640 --> 00:21:16,880
Speaker 5: the boyfriend had got to her.

407
00:21:17,160 --> 00:21:20,320
Speaker 3: So had she decided if we're getting too far into this,

408
00:21:20,320 --> 00:21:21,959
Speaker 3: it's totally fun and we can stop. But had she

409
00:21:22,000 --> 00:21:24,280
Speaker 3: did so, she decided to end things with you, had

410
00:21:24,320 --> 00:21:26,880
Speaker 3: you gone to see her and thought, you know what,

411
00:21:27,960 --> 00:21:29,800
Speaker 3: I'll take all this ship, I'd rather just be with you.

412
00:21:30,000 --> 00:21:32,760
Speaker 4: I had booked a flight to Sydney.

413
00:21:33,040 --> 00:21:35,880
Speaker 3: Yeah, it's at it amazing. I remember the last couple

414
00:21:35,920 --> 00:21:39,639
Speaker 3: of conversations I've had with all my very well, with

415
00:21:39,760 --> 00:21:42,600
Speaker 3: one in particular, a relationship that was very good to

416
00:21:42,640 --> 00:21:44,480
Speaker 3: me and she was amazing, and it's amazing how like

417
00:21:44,480 --> 00:21:47,520
Speaker 3: you remember those last their last interactions fall on man,

418
00:21:47,600 --> 00:21:51,399
Speaker 3: it's a memory that will never ever leave you. Right,

419
00:21:51,400 --> 00:21:53,040
Speaker 3: we'll take another break, and then should we come back

420
00:21:53,080 --> 00:21:54,480
Speaker 3: with a couple more soft ones and then we'll get

421
00:21:54,480 --> 00:21:57,240
Speaker 3: out of here. Are you okay? Do you need a second?

422
00:21:57,680 --> 00:21:58,399
Speaker 5: I need a break?

423
00:21:58,480 --> 00:22:05,199
Speaker 3: Okay, all right, and we're back. Rudy, you've had a

424
00:22:05,200 --> 00:22:07,520
Speaker 3: bit of a cry. You've got everything out of your system.

425
00:22:07,560 --> 00:22:08,280
Speaker 3: You're doing okay.

426
00:22:08,440 --> 00:22:08,760
Speaker 4: I'm good.

427
00:22:08,960 --> 00:22:11,800
Speaker 3: Sylvia's mother really broke your heart there, reminds.

428
00:22:11,400 --> 00:22:13,000
Speaker 4: You of such a familiar story.

429
00:22:13,080 --> 00:22:14,919
Speaker 3: Yeah, it is a beautiful story. It is a familiar

430
00:22:14,920 --> 00:22:15,800
Speaker 3: story to so many people.

431
00:22:16,000 --> 00:22:19,840
Speaker 5: Unnecessary the story. Yeah, that's need to happen that way.

432
00:22:20,000 --> 00:22:21,800
Speaker 3: Oh, I've got another tune for you, if it's okay,

433
00:22:21,880 --> 00:22:25,240
Speaker 3: Hopefully it doesn't stir up any issues from the past.

434
00:22:25,320 --> 00:22:29,360
Speaker 5: So this is from yours. So this is what Spotify

435
00:22:29,440 --> 00:22:31,359
Speaker 5: put on for you.

436
00:22:32,440 --> 00:22:34,800
Speaker 3: That's right, Rhoda used today. I cranked up my new

437
00:22:34,880 --> 00:22:39,080
Speaker 3: day list playlist, which is a which is a playlist

438
00:22:39,080 --> 00:22:41,840
Speaker 3: that Spotify makes for you on the history of what

439
00:22:41,840 --> 00:22:44,040
Speaker 3: you listen to at this time of the day. Laugh

440
00:22:44,080 --> 00:22:49,400
Speaker 3: with me and this song here just wound up rock set.

441
00:22:49,680 --> 00:22:51,760
Speaker 3: Must have been love. I mean, listening to this rude,

442
00:22:51,880 --> 00:22:52,560
Speaker 3: it's lovely stuff.

443
00:22:52,600 --> 00:22:53,960
Speaker 4: No, I know this song very well.

444
00:22:54,040 --> 00:23:00,280
Speaker 5: Actually it's like.

445
00:23:00,240 --> 00:23:01,960
Speaker 3: A slap dass. What's going on over there?

446
00:23:06,760 --> 00:23:13,800
Speaker 5: Soh Sylvia from Sylvia's Okay, right, the story I told

447
00:23:13,920 --> 00:23:14,960
Speaker 5: just before the ad break.

448
00:23:16,880 --> 00:23:18,000
Speaker 3: Don't ruin this song for me.

449
00:23:19,000 --> 00:23:22,520
Speaker 5: There was a particular love making incident with Sylvia not

450
00:23:22,560 --> 00:23:23,000
Speaker 5: her real.

451
00:23:22,920 --> 00:23:23,880
Speaker 3: Name, Sylvia's mother.

452
00:23:24,160 --> 00:23:26,000
Speaker 4: No no, no, no no no no no no no

453
00:23:26,000 --> 00:23:28,080
Speaker 4: no no no no no no no no no.

454
00:23:27,720 --> 00:23:29,239
Speaker 3: There would have been a real twist. Actually, can you

455
00:23:29,280 --> 00:23:41,280
Speaker 3: just put a pen in the last songo? Okay, as

456
00:23:41,280 --> 00:23:41,600
Speaker 3: you will.

457
00:23:44,320 --> 00:23:46,960
Speaker 5: So this was back in the day before people had

458
00:23:47,320 --> 00:23:48,840
Speaker 5: like phones with speakers and things.

459
00:23:49,000 --> 00:23:49,200
Speaker 3: Yeah.

460
00:23:49,320 --> 00:23:50,800
Speaker 4: Sure, And.

461
00:23:52,280 --> 00:23:56,320
Speaker 5: This particular song was on a playlist that I made

462
00:23:56,480 --> 00:24:02,760
Speaker 5: for Sylvia not her real name, and we were listening

463
00:24:02,920 --> 00:24:10,360
Speaker 5: to said playlist one day while making courtus and this

464
00:24:10,359 --> 00:24:16,480
Speaker 5: particular song I remember because Sylvia and I made love

465
00:24:16,520 --> 00:24:18,280
Speaker 5: to this song and both of us are wearing a

466
00:24:18,359 --> 00:24:24,720
Speaker 5: headphone each that was connected. Yeah, it was connected to

467
00:24:24,800 --> 00:24:25,400
Speaker 5: the iPod.

468
00:24:25,640 --> 00:24:27,119
Speaker 3: I was scared that your story is going to take

469
00:24:27,119 --> 00:24:28,639
Speaker 3: away from this song, but it's added to it. Rud

470
00:24:28,880 --> 00:24:33,240
Speaker 3: and oh yeah, you guys making a lie.

471
00:24:34,400 --> 00:24:40,320
Speaker 5: Yeah, and that one from memory that was the third

472
00:24:40,359 --> 00:24:47,320
Speaker 5: time of four times that particular day. Oh it was

473
00:24:47,359 --> 00:24:55,679
Speaker 5: the last time. Those where the water flows. After the

474
00:24:55,720 --> 00:24:59,159
Speaker 5: third time, we were in and showered and then did

475
00:24:59,200 --> 00:24:59,560
Speaker 5: it again.

476
00:25:00,000 --> 00:25:01,560
Speaker 3: Okay, we're going to move on from that song. So

477
00:25:01,640 --> 00:25:03,840
Speaker 3: that was song number five. I believe on my day

478
00:25:03,840 --> 00:25:05,520
Speaker 3: list that Oh my god, when I woke up on

479
00:25:05,520 --> 00:25:07,960
Speaker 3: Sunday morning. So far, I've had two songs in a

480
00:25:08,040 --> 00:25:11,320
Speaker 3: row that have reminded you of an ex lover real name. Now,

481
00:25:11,320 --> 00:25:16,679
Speaker 3: this was song number six that came on't Now, A

482
00:25:16,680 --> 00:25:18,399
Speaker 3: bit of a left field one. I didn't expect this

483
00:25:18,440 --> 00:25:21,800
Speaker 3: from Spotify, but they gave it to me, and tune

484
00:25:21,960 --> 00:25:25,200
Speaker 3: is well saying this is boys to men on bended knee. Ready,

485
00:25:25,480 --> 00:25:32,159
Speaker 3: good morning, song number six, ruder. You just wait for

486
00:25:32,160 --> 00:25:32,960
Speaker 3: the chorus of this bitch.

487
00:25:35,160 --> 00:25:41,480
Speaker 4: I know this one very well. I know I know

488
00:25:41,560 --> 00:25:42,800
Speaker 4: into the Road really well.

489
00:25:43,560 --> 00:25:46,240
Speaker 3: It's just waged. That's why I was surprised by the

490
00:25:46,280 --> 00:25:48,119
Speaker 3: selection from Spotify. Is I know the end of the

491
00:25:48,200 --> 00:25:48,880
Speaker 3: road really well, too.

492
00:25:48,920 --> 00:25:52,160
Speaker 5: Great tune and it's so hard to say good buddy yesterday.

493
00:25:52,160 --> 00:25:57,159
Speaker 3: Great tune. But listen to this ruder, let you go.

494
00:26:12,920 --> 00:26:15,879
Speaker 3: I needs this love this stuff.

495
00:26:14,600 --> 00:26:18,480
Speaker 5: Also, it's also got a really good love making temper.

496
00:26:18,920 --> 00:26:21,800
Speaker 3: It does for those that are at home who can't see.

497
00:26:21,720 --> 00:26:24,440
Speaker 3: Right now he is thrust in the disk with Jeremy

498
00:26:24,600 --> 00:26:27,399
Speaker 3: usually in which sons I think it might be a

499
00:26:27,440 --> 00:26:28,439
Speaker 3: key change in the song.

500
00:26:28,280 --> 00:26:30,240
Speaker 5: As well, which I'm sure there's a key change, which.

501
00:26:30,119 --> 00:26:31,600
Speaker 3: Also got me juzzed up. So if we could just

502
00:26:31,640 --> 00:26:33,240
Speaker 3: speak for the next couple of minutes, walk way for

503
00:26:33,280 --> 00:26:36,639
Speaker 3: the key change to kick in. You've got Spotify was

504
00:26:36,720 --> 00:26:38,479
Speaker 3: nailing it for me on Sunday morning, and I had

505
00:26:38,520 --> 00:26:41,680
Speaker 3: the thought, I thought, you know what radio is, fuck mate,

506
00:26:43,119 --> 00:26:46,119
Speaker 3: radio is fun. So I've decided to hand my resignation today.

507
00:26:47,280 --> 00:26:47,800
Speaker 8: No I haven't.

508
00:26:48,040 --> 00:26:51,600
Speaker 5: No, you you need to milk every drop out of

509
00:26:51,600 --> 00:26:52,040
Speaker 5: that today.

510
00:26:53,400 --> 00:26:56,399
Speaker 4: You need to milk every drop out of that radio today.

511
00:26:56,480 --> 00:26:58,680
Speaker 3: I'm going to still be sitting in this chair about

512
00:26:58,680 --> 00:27:00,359
Speaker 3: eighty years from now. No one's going to listen to

513
00:27:00,400 --> 00:27:02,840
Speaker 3: the radio in about forty of those years. But I'll

514
00:27:02,920 --> 00:27:04,840
Speaker 3: keep turning. I'll keep turning that Dill.

515
00:27:05,440 --> 00:27:07,560
Speaker 4: It's the morning, Meshy now.

516
00:27:07,840 --> 00:27:10,879
Speaker 5: Just I'm going to years of our Lord twenty one

517
00:27:10,920 --> 00:27:11,480
Speaker 5: to oh four.

518
00:27:12,200 --> 00:27:15,800
Speaker 3: So maybe tomorrow at the risk of injury both not

519
00:27:15,880 --> 00:27:18,919
Speaker 3: being back. If you could maybe send us on Instagram

520
00:27:19,000 --> 00:27:21,560
Speaker 3: your Sunday morning tunes, got'd be great. We could have

521
00:27:21,560 --> 00:27:22,880
Speaker 3: a look at some of those tomorrow if the boys

522
00:27:22,920 --> 00:27:37,040
Speaker 3: aren't here. Oh my god, voice to men's part of

523
00:27:37,080 --> 00:27:45,680
Speaker 3: your I think, I mean, it's a classic voice to me.

524
00:27:45,720 --> 00:27:47,560
Speaker 3: And they've shoved an extra couple of choruses in there

525
00:27:47,560 --> 00:27:49,320
Speaker 3: that we maybe didn't need. So the song ends up

526
00:27:49,320 --> 00:27:50,639
Speaker 3: being about five and a half minutes.

527
00:27:50,760 --> 00:27:53,520
Speaker 4: But you can forgive an extra chorus with a key.

528
00:27:53,440 --> 00:27:55,600
Speaker 3: Change if you're going to run It's actually it's a

529
00:27:55,600 --> 00:27:57,320
Speaker 3: great rule of thumb. If you're going to run a

530
00:27:57,320 --> 00:27:59,520
Speaker 3: third and fourth chorus, you better be a fucking key

531
00:27:59,600 --> 00:28:00,000
Speaker 3: change in there.

532
00:28:00,160 --> 00:28:02,840
Speaker 5: Where the world's got about ten choruses at the end

533
00:28:03,000 --> 00:28:04,360
Speaker 5: is only one key change though.

534
00:28:05,960 --> 00:28:06,920
Speaker 4: Oh but there's.

535
00:28:06,720 --> 00:28:12,159
Speaker 3: Also that sounds like a key change, and there's so

536
00:28:12,359 --> 00:28:17,840
Speaker 3: jar ringsteen this sea picture going on. Baby, I thought

537
00:28:17,840 --> 00:28:20,720
Speaker 3: about this part of the song. Yeah, so this eight

538
00:28:20,720 --> 00:28:21,920
Speaker 3: o'clock on a Sunday morning.

539
00:28:22,560 --> 00:28:25,960
Speaker 5: Please, I'm walking around my room, baby, and no, it's

540
00:28:26,119 --> 00:28:28,840
Speaker 5: just I know you're just christening and I'm.

541
00:28:28,680 --> 00:28:36,639
Speaker 6: Sorry for me.

542
00:28:37,520 --> 00:28:39,080
Speaker 3: I think it's the key change coming up here.

543
00:28:41,200 --> 00:28:41,720
Speaker 2: I want to know.

544
00:28:43,080 --> 00:29:16,440
Speaker 6: Here we go.

545
00:29:25,880 --> 00:29:29,440
Speaker 3: Okay, I'm just gonna fade out now apparently this song, well,

546
00:29:30,040 --> 00:29:32,240
Speaker 3: is that how that song ends?

547
00:29:32,600 --> 00:29:34,680
Speaker 5: Does that really how the song ends? I felt like

548
00:29:34,920 --> 00:29:37,880
Speaker 5: it's got to be some radio edit ship going on there.

549
00:29:37,960 --> 00:29:40,479
Speaker 3: Okay, No, that's fear then. And I can't remember what

550
00:29:40,560 --> 00:29:42,960
Speaker 3: song came after that on my day list Spotify playlist.

551
00:29:43,040 --> 00:29:45,240
Speaker 3: But that was a bit of an update there for

552
00:29:45,280 --> 00:29:48,160
Speaker 3: how my Sunday morning went. Yesterday with six great tunes.

553
00:29:48,200 --> 00:29:51,400
Speaker 3: We had Dan Hill and there dr Hook, Dire Straits.

554
00:29:52,440 --> 00:29:54,280
Speaker 3: It was all on and of course quite scarring that

555
00:29:54,360 --> 00:29:56,400
Speaker 3: episode for you thinking back to your ex.

556
00:29:56,240 --> 00:29:59,640
Speaker 5: Lover Sylvia, Sylvia not a real name.

557
00:30:00,040 --> 00:30:04,760
Speaker 3: And you hit that incident she almost got the man

558
00:30:04,800 --> 00:30:08,040
Speaker 3: on blades overhead her yeah, come get you?

559
00:30:08,120 --> 00:30:11,680
Speaker 5: Yeah okay, And then I saw Sylvia. There was this

560
00:30:11,720 --> 00:30:13,160
Speaker 5: one night I was playing in a band.

561
00:30:13,440 --> 00:30:14,240
Speaker 3: Did you see Sylvia?

562
00:30:14,360 --> 00:30:18,320
Speaker 5: Later in life, Sylvia came in? What she came in

563
00:30:19,000 --> 00:30:22,280
Speaker 5: because she was in She was at a birthday celebration

564
00:30:22,360 --> 00:30:25,480
Speaker 5: at the back of the bar and she came up

565
00:30:25,520 --> 00:30:26,080
Speaker 5: to the front.

566
00:30:26,960 --> 00:30:27,600
Speaker 3: Was the song.

567
00:30:27,440 --> 00:30:34,800
Speaker 5: Playing and instead of do you know what? This showed

568
00:30:34,840 --> 00:30:39,120
Speaker 5: me how mature Sylvia was at the time Sylvia walked

569
00:30:39,200 --> 00:30:42,360
Speaker 5: up to me as I was singing and playing guitar okay,

570
00:30:42,840 --> 00:30:46,959
Speaker 5: and she danced a little and she stood there and

571
00:30:47,000 --> 00:30:48,120
Speaker 5: did the fingers at me?

572
00:30:48,520 --> 00:30:48,920
Speaker 3: Did she?

573
00:30:49,200 --> 00:30:51,320
Speaker 4: Yeah? Sylvia fingers at me.

574
00:30:51,960 --> 00:30:54,640
Speaker 3: It wasn't like one of those flirtatious fingers, was it. No,

575
00:30:55,080 --> 00:30:56,000
Speaker 3: I haven't seen in a while.

576
00:30:56,040 --> 00:31:00,800
Speaker 5: It was like a real scowl on her face, middle fingers,

577
00:31:00,840 --> 00:31:01,560
Speaker 5: both hands.

578
00:31:01,960 --> 00:31:02,600
Speaker 3: What was up her?

579
00:31:02,880 --> 00:31:03,720
Speaker 4: And well?

580
00:31:03,960 --> 00:31:05,680
Speaker 3: So mother?

581
00:31:05,840 --> 00:31:07,880
Speaker 5: I think it was the boyfriend that had been involved.

582
00:31:08,360 --> 00:31:08,760
Speaker 3: Was he still?

583
00:31:09,120 --> 00:31:09,760
Speaker 4: He was around?

584
00:31:10,000 --> 00:31:13,760
Speaker 5: We're going to need some more Sylvia. The boyfriend was

585
00:31:13,760 --> 00:31:17,800
Speaker 5: waiting while I was pepping my stuff up. I was

586
00:31:17,920 --> 00:31:19,200
Speaker 5: just like, hid down.

587
00:31:19,000 --> 00:31:19,280
Speaker 2: I don't.

588
00:31:20,120 --> 00:31:23,120
Speaker 3: I'm sorry to hear that. Mate. Well, you know what

589
00:31:23,160 --> 00:31:25,720
Speaker 3: I might do? Just play this chorus one more time

590
00:31:25,800 --> 00:31:30,160
Speaker 3: to really cleanse the pellette for you. You're just thinking of this,

591
00:31:31,600 --> 00:31:33,320
Speaker 3: I think, one more time about Sylvia and then you

592
00:31:33,320 --> 00:31:36,200
Speaker 3: can let it go. Okay. After this chorus you're letting

593
00:31:36,200 --> 00:31:38,640
Speaker 3: her go, ruder. I always think you're gonna let it go.

594
00:31:38,760 --> 00:31:39,080
Speaker 6: Okay.

595
00:31:39,640 --> 00:31:55,880
Speaker 8: Here we go, Sylvia up one more time, a little baby.

596
00:32:03,840 --> 00:32:06,360
Speaker 3: Oh there you go, mate, You just gotta let it go.

597
00:32:06,480 --> 00:32:08,560
Speaker 3: Now you've heard that for one last time. You know,

598
00:32:08,600 --> 00:32:12,160
Speaker 3: it's like jokes aside as we talked about that, I

599
00:32:12,160 --> 00:32:14,160
Speaker 3: did think to myself, isn't it bizarre? You and I

600
00:32:14,200 --> 00:32:15,840
Speaker 3: are very similar to it in the sense the way

601
00:32:15,840 --> 00:32:19,360
Speaker 3: we think about people in our past is every story

602
00:32:19,400 --> 00:32:20,960
Speaker 3: is a sad story when it comes to people that

603
00:32:21,000 --> 00:32:22,640
Speaker 3: have come and gone for me for some reason as well.

604
00:32:22,680 --> 00:32:23,800
Speaker 4: Oh okay, And I.

605
00:32:23,720 --> 00:32:26,080
Speaker 3: Think about that with Sylvia as well. I hope you're

606
00:32:26,080 --> 00:32:27,240
Speaker 3: okay about Sylvia.

607
00:32:27,320 --> 00:32:29,080
Speaker 4: Oh look, you're also the.

608
00:32:29,080 --> 00:32:30,840
Speaker 3: Type of person a lot like me to think about

609
00:32:30,880 --> 00:32:33,520
Speaker 3: these things twenty years on, even if you don't have

610
00:32:33,560 --> 00:32:37,200
Speaker 3: feelings towards them anymore.

611
00:32:35,800 --> 00:32:38,560
Speaker 5: Like feeling towards the story in sixteen years later.

612
00:32:38,600 --> 00:32:40,480
Speaker 3: It's amazing how these things just hang around, don't.

613
00:32:40,280 --> 00:32:43,360
Speaker 5: They They do, But you know, they're all part of

614
00:32:43,400 --> 00:32:46,040
Speaker 5: the tapestry of life, and they all you know what,

615
00:32:46,320 --> 00:32:47,480
Speaker 5: you know what, you know what?

616
00:32:47,600 --> 00:32:51,200
Speaker 4: Actually sure what? Because I had a lot of guilt about.

617
00:32:50,960 --> 00:32:54,040
Speaker 5: That particular situation for a really long time, okay, but

618
00:32:54,240 --> 00:32:57,000
Speaker 5: and a lot of angst and a lot of sadness.

619
00:32:57,240 --> 00:33:00,240
Speaker 4: Yeah, And then one day my first.

620
00:33:00,160 --> 00:33:03,240
Speaker 5: Child was born, my daughter, Wow, And I looked at

621
00:33:03,320 --> 00:33:08,600
Speaker 5: her and I said to myself, all of this other

622
00:33:08,640 --> 00:33:11,320
Speaker 5: stuff that's happened that I've felt bad about, and that

623
00:33:11,320 --> 00:33:15,440
Speaker 5: I've felt guilt about. I need to not worry about

624
00:33:15,480 --> 00:33:17,600
Speaker 5: it anymore, because if it wasn't for that stuff, I

625
00:33:17,600 --> 00:33:20,120
Speaker 5: wouldn't be here right now with this beautiful baby.

626
00:33:20,200 --> 00:33:20,960
Speaker 3: Isn't it amazing?

627
00:33:21,320 --> 00:33:24,120
Speaker 5: And a perspective slap me on the face.

628
00:33:24,160 --> 00:33:26,480
Speaker 3: I reckon. I'm looking forward to that as well, because

629
00:33:26,480 --> 00:33:28,040
Speaker 3: I'm still the top. I'm still at that age where

630
00:33:28,040 --> 00:33:29,600
Speaker 3: you carry quite a lot of guilt with you. I

631
00:33:29,640 --> 00:33:32,760
Speaker 3: think about again, a previous relationship and stuff like that

632
00:33:32,760 --> 00:33:34,280
Speaker 3: that you got Jesus that I really have to be

633
00:33:34,400 --> 00:33:36,840
Speaker 3: like that, But I'm sure at some point, but a

634
00:33:36,840 --> 00:33:39,880
Speaker 3: perspective will slap me across the face. And mate, look

635
00:33:40,080 --> 00:33:41,560
Speaker 3: that's all going to be okay, you got some things

636
00:33:41,560 --> 00:33:45,920
Speaker 3: to focus on now to So shall we make shure?

637
00:33:45,920 --> 00:33:47,680
Speaker 3: We we're just going to bang this out, are we?

638
00:33:47,680 --> 00:33:50,080
Speaker 3: We're going to bang this out and we'll come back tomorrow.

639
00:33:50,080 --> 00:33:51,520
Speaker 5: Well, because I've heard of a sick to me, so

640
00:33:51,560 --> 00:33:53,560
Speaker 5: I couldn't. I'd have to probably carry the child.

641
00:33:54,000 --> 00:33:54,440
Speaker 6: I'll come.

642
00:33:56,960 --> 00:34:00,760
Speaker 4: Mad, comet what up there?

643
00:34:02,200 --> 00:34:04,480
Speaker 3: Okay, we'll see tomorrow over the boys a bag? Sorry

644
00:34:04,520 --> 00:34:07,920
Speaker 3: about that. Punishments, Oh God.

645
00:34:10,640 --> 00:34:13,080
Speaker 1: Hello, I'm Matt Heath. You have been listening to the

646
00:34:13,280 --> 00:34:16,520
Speaker 1: Matt and Jerry Daily Bespoke podcast. Right now you can

647
00:34:16,520 --> 00:34:20,640
Speaker 1: listen to our Radio Highlights podcast, which you will absolutely

648
00:34:20,680 --> 00:34:24,640
Speaker 1: get barred up about anyway, Sit to download, like, subscribe, write, review,

649
00:34:24,680 --> 00:34:27,200
Speaker 1: all those great things. It really helps myself and Jerry

650
00:34:27,280 --> 00:34:29,640
Speaker 1: and to a lesser extent, mess and ruder. If you

651
00:34:29,640 --> 00:34:31,879
Speaker 1: want to discuss anything raised in this pod, check out

652
00:34:31,880 --> 00:34:34,640
Speaker 1: the Conclave, a Matt and Jerry Facebook discussion group. And

653
00:34:34,680 --> 00:34:37,640
Speaker 1: while I'm plugging stuff, my book, A Lifeless Punishing Thirteen

654
00:34:37,640 --> 00:34:40,080
Speaker 1: Ways to Love the Life You've Got is out now

655
00:34:40,239 --> 00:34:42,760
Speaker 1: get it wherever you get your books, or just google

656
00:34:42,880 --> 00:34:43,560
Speaker 1: the bastard.

657
00:34:43,920 --> 00:34:46,040
Speaker 5: Anyway you seem busy, I'll let you go.

658
00:34:46,440 --> 00:34:49,279
Speaker 4: Bless Blessed, blessed. Give them a taste of keyw from me,