1 00:00:00,080 --> 00:00:00,720 Speaker 1: So kir We. 2 00:00:00,840 --> 00:00:03,440 Speaker 2: Audiences were first introduced to our next guest when she 3 00:00:03,520 --> 00:00:06,560 Speaker 2: was fourteen years old, Cassie Henderson. She went on X 4 00:00:06,600 --> 00:00:09,039 Speaker 2: Factor made it all the way to the quarter final. 5 00:00:09,560 --> 00:00:11,680 Speaker 2: Fast forward eleven years later, it's been a big year 6 00:00:11,680 --> 00:00:14,440 Speaker 2: for Cassie. She's taken some time off from music, been 7 00:00:14,520 --> 00:00:16,800 Speaker 2: back in a big way, though credits her ex boyfriend 8 00:00:16,920 --> 00:00:19,200 Speaker 2: for it, which is very adele like. She brought out 9 00:00:19,200 --> 00:00:21,520 Speaker 2: a couple of EPs this year. Her latest one just 10 00:00:21,640 --> 00:00:24,560 Speaker 2: out is called The Yellow Chapter. Cassie, good morning, Hello, 11 00:00:24,640 --> 00:00:26,880 Speaker 2: how you doing well? Thank you, thanks for coming in. 12 00:00:26,920 --> 00:00:27,800 Speaker 2: So you've quit your job? 13 00:00:27,840 --> 00:00:29,760 Speaker 3: Have you? I have quit my job. I've quit my 14 00:00:29,880 --> 00:00:33,320 Speaker 3: job last year and I've been doing music full time 15 00:00:33,360 --> 00:00:33,920 Speaker 3: ever since. 16 00:00:34,080 --> 00:00:35,440 Speaker 2: Did you have to quit your job to do it? 17 00:00:35,760 --> 00:00:38,600 Speaker 2: Your marketing job, your well paid marketing job, to do music? 18 00:00:38,840 --> 00:00:39,000 Speaker 4: Oh? 19 00:00:39,240 --> 00:00:42,120 Speaker 3: I mean I have juggled both for a very very 20 00:00:42,120 --> 00:00:44,560 Speaker 3: long time. Like while I was at university, I was 21 00:00:44,640 --> 00:00:47,160 Speaker 3: doing music, and while I was working, I was doing music. 22 00:00:47,200 --> 00:00:49,839 Speaker 3: And I found that the progress I made as soon 23 00:00:49,880 --> 00:00:53,720 Speaker 3: as I quit my job was an extreme amount compared 24 00:00:53,720 --> 00:00:54,680 Speaker 3: to while I was trying to juggle. 25 00:00:54,680 --> 00:00:56,920 Speaker 2: Because are you one of those people who you have 26 00:00:57,040 --> 00:00:59,760 Speaker 2: to focus on something totally or you don't focus enough. 27 00:01:00,160 --> 00:01:03,400 Speaker 3: Well, I think I can do both and I enjoy both. 28 00:01:03,480 --> 00:01:07,000 Speaker 3: Like I enjoyed working in marketing, but I think I 29 00:01:07,040 --> 00:01:09,000 Speaker 3: reached a point where I was like, I don't want 30 00:01:09,000 --> 00:01:12,040 Speaker 3: the rest of my life to be a marketing manager 31 00:01:12,120 --> 00:01:14,160 Speaker 3: or a marketing assistant. I want to be a musician. 32 00:01:14,200 --> 00:01:17,000 Speaker 3: And when I kind of came to that conclusion, I 33 00:01:17,040 --> 00:01:19,040 Speaker 3: was like, there's no point in me being here right now. 34 00:01:19,080 --> 00:01:20,240 Speaker 3: I need to chase this story. 35 00:01:20,400 --> 00:01:21,800 Speaker 2: Or what about the money point? 36 00:01:22,360 --> 00:01:24,119 Speaker 3: Well, I mean the money comes if you work hard 37 00:01:24,200 --> 00:01:25,120 Speaker 3: enough for the other side. 38 00:01:25,200 --> 00:01:28,919 Speaker 2: So yeah, so it can be quite lucrative. And also 39 00:01:28,959 --> 00:01:31,679 Speaker 2: you seem to have like a real pressure on you 40 00:01:31,800 --> 00:01:33,440 Speaker 2: time wise that you're putting on yourself. 41 00:01:33,640 --> 00:01:33,840 Speaker 4: Yeah. 42 00:01:33,840 --> 00:01:36,920 Speaker 3: Well, I think just the nature of especially being a 43 00:01:36,959 --> 00:01:39,520 Speaker 3: female in this industry is that you're always going to 44 00:01:39,560 --> 00:01:41,160 Speaker 3: have a bit of a ticking time bomb on you. 45 00:01:41,319 --> 00:01:44,600 Speaker 3: But the industry is kind of changing a little bit 46 00:01:44,600 --> 00:01:48,160 Speaker 3: around that, Like we're not just expectant of child stars constantly, 47 00:01:48,360 --> 00:01:52,640 Speaker 3: like we're accepting like older women coming into this industry. 48 00:01:52,720 --> 00:01:56,040 Speaker 2: So do you think do you think that the limit 49 00:01:56,160 --> 00:01:58,640 Speaker 2: was that we only want hot young babes when it's women, 50 00:01:58,800 --> 00:02:00,720 Speaker 2: But when it's old dudes can handle a bit of 51 00:02:00,760 --> 00:02:01,880 Speaker 2: a Barry Man alone or something. 52 00:02:01,960 --> 00:02:04,840 Speaker 3: Yeah, I honestly do. I think we're a lot more 53 00:02:04,880 --> 00:02:09,520 Speaker 3: accepting of like older, older male artists coming in, but 54 00:02:09,680 --> 00:02:11,600 Speaker 3: older women we're kind of like, wait, you can't still 55 00:02:11,639 --> 00:02:14,040 Speaker 3: be talking about your boyfriends, Like that's strange. 56 00:02:14,200 --> 00:02:16,280 Speaker 2: I'm wrecking my brain now to think of old lady 57 00:02:16,400 --> 00:02:18,519 Speaker 2: artists aren't really well. 58 00:02:18,960 --> 00:02:21,560 Speaker 3: Adele is an incredible example of a woman who has 59 00:02:21,639 --> 00:02:24,440 Speaker 3: just continued to like speak a truth in all of 60 00:02:24,440 --> 00:02:27,000 Speaker 3: her music, and I think that's something that really inspires me. 61 00:02:27,760 --> 00:02:29,799 Speaker 3: But like you have people artists like Pink and they're 62 00:02:29,840 --> 00:02:31,280 Speaker 3: not old but not at. 63 00:02:31,200 --> 00:02:34,000 Speaker 2: All, and like, what are these women in their forties? Yeah, 64 00:02:34,000 --> 00:02:36,720 Speaker 2: exact contrasts like Bruce Springsteen. 65 00:02:36,960 --> 00:02:39,400 Speaker 3: Men a lot, who's doing the big tours still? Yeah, 66 00:02:39,560 --> 00:02:44,400 Speaker 3: so Stewart, Yeah, headlined Glastonbury exactly, and they're all incredible artists. 67 00:02:44,400 --> 00:02:46,880 Speaker 3: I think it's just we were just a lot more 68 00:02:46,880 --> 00:02:50,839 Speaker 3: fond of like maybe even in Britney Spears's time, when 69 00:02:50,880 --> 00:02:53,760 Speaker 3: like these young artists were coming up and dancing on 70 00:02:53,800 --> 00:02:56,200 Speaker 3: the stage and that was kind of almost felt like 71 00:02:56,480 --> 00:02:58,040 Speaker 3: all we were kind of good for was that young 72 00:02:58,080 --> 00:03:00,440 Speaker 3: period of our lives, but I've I feel like I 73 00:03:01,040 --> 00:03:02,920 Speaker 3: just write about my life and the things that have 74 00:03:02,960 --> 00:03:05,240 Speaker 3: happened to me, and so hopefully that continues to be 75 00:03:05,280 --> 00:03:06,119 Speaker 3: relevant to my life. 76 00:03:06,120 --> 00:03:08,399 Speaker 2: I did wonder though, if that's because maybe women sort 77 00:03:08,400 --> 00:03:11,080 Speaker 2: of get over it, Like we're much more rational than guys, 78 00:03:11,080 --> 00:03:12,480 Speaker 2: do you know what I mean? So you guys like 79 00:03:12,520 --> 00:03:14,280 Speaker 2: I want to be young forever, whereas women get to 80 00:03:14,320 --> 00:03:16,160 Speaker 2: a point where we're like, actually, i've made enough money, 81 00:03:16,200 --> 00:03:17,640 Speaker 2: I should do the gardens now. 82 00:03:18,400 --> 00:03:18,880 Speaker 5: Some gardening. 83 00:03:19,320 --> 00:03:25,040 Speaker 3: Yeah, I don't know. I think I will constantly just 84 00:03:25,320 --> 00:03:27,480 Speaker 3: never be able to get over anything in my entire life, 85 00:03:27,520 --> 00:03:30,800 Speaker 3: which is kind of what I've seen from my past breakups. 86 00:03:30,800 --> 00:03:32,960 Speaker 3: I could just continue to write about them, so maybe 87 00:03:32,960 --> 00:03:35,280 Speaker 3: that'll maybe that'll keep me in the industry for long. 88 00:03:35,360 --> 00:03:38,200 Speaker 2: So I heard your song not realizing it was your 89 00:03:38,280 --> 00:03:40,920 Speaker 2: song on the radio, and I thought it was taite. 90 00:03:41,480 --> 00:03:43,360 Speaker 3: I love that. That's my favorite compliment. 91 00:03:43,920 --> 00:03:45,200 Speaker 2: Did you mean for that to happen? 92 00:03:45,360 --> 00:03:47,600 Speaker 3: Which one was that with the most recent one? Seeking 93 00:03:47,640 --> 00:03:51,120 Speaker 3: sim Nay, I mean for me. Actually that song wasn't 94 00:03:51,360 --> 00:03:53,200 Speaker 3: really I didn't really have much of a Taylor's with 95 00:03:53,440 --> 00:03:56,400 Speaker 3: reference point on that one. But she's been my idol 96 00:03:56,440 --> 00:04:00,960 Speaker 3: and like she doesn't know it, but my mentor throughout 97 00:04:00,960 --> 00:04:04,200 Speaker 3: my entire career, so sare her writing style is definitely 98 00:04:04,240 --> 00:04:05,960 Speaker 3: heavily ingrained into how I write. 99 00:04:06,040 --> 00:04:08,360 Speaker 2: Yeah, so maybe subconsciously you were doing it. Yeah, did 100 00:04:08,360 --> 00:04:10,280 Speaker 2: you mean to go hard on the eighty synth in that? 101 00:04:10,440 --> 00:04:14,200 Speaker 2: Because totally I love an eighty synth and I was 102 00:04:14,280 --> 00:04:16,000 Speaker 2: loving that it was in there so heavily. 103 00:04:16,160 --> 00:04:18,080 Speaker 3: It's so good, and I think I love that it's 104 00:04:18,080 --> 00:04:20,560 Speaker 3: coming back around into pop music, like you're hearing them 105 00:04:20,640 --> 00:04:23,880 Speaker 3: so much more these days. And I think for us, 106 00:04:23,960 --> 00:04:26,200 Speaker 3: we were We just really wanted to speak the truth 107 00:04:26,240 --> 00:04:30,600 Speaker 3: of the song, which was this like happy, upbeat feeling 108 00:04:30,640 --> 00:04:33,719 Speaker 3: of a New Year's Eve party while also like being 109 00:04:33,760 --> 00:04:36,440 Speaker 3: sat next to a miserable, sad person who's just been 110 00:04:36,480 --> 00:04:38,640 Speaker 3: stood up, which is kind of the vibe you get 111 00:04:38,720 --> 00:04:41,040 Speaker 3: musically in the song as well, Like those eighties sents 112 00:04:41,120 --> 00:04:43,080 Speaker 3: kind of give you that upbeat, but also. 113 00:04:43,320 --> 00:04:45,000 Speaker 2: And what are you? Who are you and the song? 114 00:04:45,040 --> 00:04:46,960 Speaker 2: Are you the miserable person or you're the upbeat person. 115 00:04:47,000 --> 00:04:47,919 Speaker 3: I'm the miserable person. 116 00:04:47,960 --> 00:04:51,320 Speaker 2: Oh, you're the one's moved down because of the breakoup? 117 00:04:51,400 --> 00:04:52,080 Speaker 2: Is that what it was? 118 00:04:52,279 --> 00:04:52,479 Speaker 5: Well? 119 00:04:52,560 --> 00:04:55,480 Speaker 3: I think I think at those parties, the miserable people 120 00:04:55,560 --> 00:04:57,360 Speaker 3: are usually the most fun because they're just trying to 121 00:04:57,360 --> 00:04:58,919 Speaker 3: pretend like they're not sad. 122 00:04:59,080 --> 00:05:02,359 Speaker 2: You know, from one extreme to the other. Guessie, what 123 00:05:02,400 --> 00:05:04,600 Speaker 2: did this guy do to you? You've written an entire 124 00:05:04,640 --> 00:05:05,359 Speaker 2: album about it? 125 00:05:05,560 --> 00:05:09,000 Speaker 3: Oh, honestly, it's I don't write specifically about like one 126 00:05:09,080 --> 00:05:11,360 Speaker 3: thing or one person. I get inspired by different things 127 00:05:11,400 --> 00:05:14,719 Speaker 3: that have happened to me over my life, and this 128 00:05:14,839 --> 00:05:17,640 Speaker 3: situation was inspired by a story where I was kind 129 00:05:17,680 --> 00:05:20,599 Speaker 3: of stood up on New Year's Eve. Yeah, and I 130 00:05:20,680 --> 00:05:23,240 Speaker 3: mean they might say I wasn't stood up in my head, 131 00:05:23,279 --> 00:05:28,160 Speaker 3: I was, but feeds into the delusion. But yeah, it's 132 00:05:28,320 --> 00:05:30,039 Speaker 3: it's based off a real event that happened to me, 133 00:05:30,080 --> 00:05:32,000 Speaker 3: and I thought that would make a really great song. 134 00:05:32,080 --> 00:05:36,720 Speaker 2: So yeah, I love that you described writing songs as 135 00:05:36,720 --> 00:05:40,200 Speaker 2: folding washing, which is what I mean. It sounds romantic 136 00:05:40,200 --> 00:05:42,159 Speaker 2: to the rest of us who don't write songs, but actually, 137 00:05:42,160 --> 00:05:43,600 Speaker 2: for you, it's just a day job, isn't it. 138 00:05:43,880 --> 00:05:46,280 Speaker 3: Yeah, well, it's a day job. And it's also it 139 00:05:46,360 --> 00:05:49,320 Speaker 3: is just like something that you have to do every day. 140 00:05:49,440 --> 00:05:51,360 Speaker 3: I think like it has to be done every day 141 00:05:51,400 --> 00:05:54,679 Speaker 3: otherwise you don't develop the skill and when you boil 142 00:05:54,760 --> 00:05:58,960 Speaker 3: it down to that, it's really it's not that romantic sometimes. 143 00:05:59,279 --> 00:06:02,080 Speaker 2: Now, I was reading something that you've given an interview about. 144 00:06:02,120 --> 00:06:03,760 Speaker 2: I can't remember what it was, but you said that 145 00:06:03,760 --> 00:06:05,520 Speaker 2: you were going to go, you want to take this overseas? 146 00:06:05,560 --> 00:06:06,440 Speaker 2: So what are you waiting for? 147 00:06:06,880 --> 00:06:09,240 Speaker 3: Oh? Well, I definitely, I definitely am. I think at 148 00:06:09,240 --> 00:06:12,279 Speaker 3: the moment, I have want to finish my current project, 149 00:06:12,360 --> 00:06:16,320 Speaker 3: which is the Chronicles of a Heartbroken Trilogy EPs, put 150 00:06:16,360 --> 00:06:18,400 Speaker 3: out my first tool already, I've got one more to go, 151 00:06:18,600 --> 00:06:20,760 Speaker 3: and then I think I've got a really solid musical 152 00:06:20,760 --> 00:06:22,520 Speaker 3: ground to start expanding overseas. 153 00:06:22,640 --> 00:06:24,520 Speaker 2: Because do you have to take when you go overseas, 154 00:06:24,600 --> 00:06:26,880 Speaker 2: like a portfolio of work and sell yourself with it. 155 00:06:27,120 --> 00:06:29,000 Speaker 3: Yeah, like you have to take a portfolio. You have 156 00:06:29,080 --> 00:06:32,160 Speaker 3: to be able to show that you can perform live, 157 00:06:32,320 --> 00:06:34,920 Speaker 3: you can do it basically anything that anybody asks of 158 00:06:34,960 --> 00:06:37,240 Speaker 3: you when you go over there. And that's what I've 159 00:06:37,240 --> 00:06:39,360 Speaker 3: been doing while i've been here is really building up 160 00:06:39,360 --> 00:06:41,840 Speaker 3: my skill set and making sure that when I go, 161 00:06:42,080 --> 00:06:44,400 Speaker 3: I am one hundred percent ready to do that. 162 00:06:44,600 --> 00:06:47,520 Speaker 2: Yeah, Because you've got to be able to head a stage, yeah, 163 00:06:47,640 --> 00:06:50,320 Speaker 2: not feel nervous know what you're doing, know how to 164 00:06:50,360 --> 00:06:52,359 Speaker 2: pose for your photographs, right, It's a. 165 00:06:52,360 --> 00:06:54,400 Speaker 3: Skill that I've been working on currently. I was terrible, 166 00:06:54,520 --> 00:06:55,279 Speaker 3: terrible model. 167 00:06:55,600 --> 00:06:58,200 Speaker 2: So what's going for it? How nice? Because we all 168 00:06:58,200 --> 00:06:58,560 Speaker 2: need it. 169 00:06:58,760 --> 00:07:01,359 Speaker 3: I don't think I really have one. I think you 170 00:07:01,440 --> 00:07:03,560 Speaker 3: just have to find somebody who can make you comfortable. 171 00:07:03,600 --> 00:07:05,200 Speaker 2: But do you drop your chin? Don't you? 172 00:07:05,360 --> 00:07:05,560 Speaker 1: Yeah? 173 00:07:05,600 --> 00:07:07,600 Speaker 3: I hear you drop the chin and you look above 174 00:07:07,720 --> 00:07:10,320 Speaker 3: the camera. Maybe, but that makes me look a little 175 00:07:10,320 --> 00:07:14,080 Speaker 3: crazy sometimes. Honestly, I'm still working on it. But yeah, no, 176 00:07:14,120 --> 00:07:17,000 Speaker 3: I've just been I've been really working hard to come 177 00:07:17,080 --> 00:07:20,160 Speaker 3: over as a solid package that knows what they want 178 00:07:20,200 --> 00:07:22,720 Speaker 3: and knows what they want to do. And that's it's 179 00:07:22,720 --> 00:07:24,720 Speaker 3: a difficult thing to work out who you are as 180 00:07:24,760 --> 00:07:25,240 Speaker 3: an artist. 181 00:07:25,280 --> 00:07:27,200 Speaker 2: So yeah, is he going to sing as a song? 182 00:07:27,240 --> 00:07:27,760 Speaker 2: What's the song? 183 00:07:28,000 --> 00:07:28,720 Speaker 5: This song is. 184 00:07:28,640 --> 00:07:31,560 Speaker 3: Called seconds to Midnight and what's my song? Yeah? 185 00:07:32,080 --> 00:07:34,240 Speaker 2: All right, yeah, off you go? 186 00:07:39,040 --> 00:07:42,440 Speaker 5: Why do I feel like I'm the one with issues 187 00:07:42,480 --> 00:07:43,880 Speaker 5: with that? Coming on? Too? 188 00:07:43,920 --> 00:07:44,320 Speaker 6: Strong? 189 00:07:44,480 --> 00:07:44,680 Speaker 4: Guy? 190 00:07:45,000 --> 00:07:49,920 Speaker 5: Wrong? When I kissed you, I kill you and Babytha, 191 00:07:50,280 --> 00:07:58,520 Speaker 5: you know, dancing in the dark isn't hard, it's mysterious. 192 00:07:58,640 --> 00:08:02,560 Speaker 5: Your handle them my hard in your arms. It was serious. 193 00:08:02,760 --> 00:08:10,160 Speaker 5: I wanted you. You said you want me to, but 194 00:08:10,320 --> 00:08:14,160 Speaker 5: it out eleven fifty nine and stood under the sky 195 00:08:14,440 --> 00:08:21,000 Speaker 5: and saw by your side while I was calm, God. 196 00:08:22,360 --> 00:08:28,320 Speaker 1: Oh, this was meant to be the best night. You 197 00:08:28,520 --> 00:08:30,200 Speaker 1: chose to stand me up. 198 00:08:30,280 --> 00:08:34,760 Speaker 4: But that's fine, old man. I can't get it why 199 00:08:34,840 --> 00:08:35,160 Speaker 4: you did? 200 00:08:35,400 --> 00:08:36,920 Speaker 2: Run for dear life? 201 00:08:37,360 --> 00:08:43,520 Speaker 4: Seconds to midnight? Just seconds to midnight? 202 00:08:47,440 --> 00:08:51,080 Speaker 5: But wait, just a minute, she's a friend. Are you kidding? 203 00:08:51,240 --> 00:08:55,160 Speaker 5: Know it's happening again, will it? And now I'm spinning 204 00:08:55,440 --> 00:09:03,600 Speaker 5: like a didser. I always danced with you, so now 205 00:09:03,640 --> 00:09:07,800 Speaker 5: I'm someone in the street. The city's gonna know. You 206 00:09:07,920 --> 00:09:10,920 Speaker 5: couldn't be the screen. Now I'll never let it go. 207 00:09:11,880 --> 00:09:16,240 Speaker 4: And now you choose some girl you'll never know. 208 00:09:19,440 --> 00:09:23,880 Speaker 5: But at eleven fifty nine, stood under the sky and 209 00:09:24,120 --> 00:09:25,520 Speaker 5: saw by your. 210 00:09:25,440 --> 00:09:30,000 Speaker 4: Side, Why was calm? And die? 211 00:09:31,640 --> 00:09:37,840 Speaker 1: No, this was meant to be your first night. You 212 00:09:38,000 --> 00:09:41,800 Speaker 1: chose to stand me up. But that's fine. A man 213 00:09:42,960 --> 00:09:46,520 Speaker 1: can't get it right. They've run for dear life. 214 00:09:47,000 --> 00:09:53,319 Speaker 4: Sacads to midnight, tall dark and hand me like a firework. 215 00:09:54,040 --> 00:10:00,240 Speaker 6: He chance to me because I'll never call my man babe, 216 00:10:00,679 --> 00:10:02,200 Speaker 6: mcast run. 217 00:10:02,160 --> 00:10:09,800 Speaker 4: For dear life sadds to midnight to sadamenta. 218 00:10:13,679 --> 00:10:18,120 Speaker 5: But when the sun rises and the drinks weear off, 219 00:10:18,360 --> 00:10:23,559 Speaker 5: do you think about it? Do you carry on the 220 00:10:24,360 --> 00:10:26,360 Speaker 5: lies you in the break. 221 00:10:26,240 --> 00:10:28,800 Speaker 2: Got to think of me? 222 00:10:29,600 --> 00:10:34,840 Speaker 5: How you got it wrong? God is wrong? You got 223 00:10:35,080 --> 00:10:38,720 Speaker 5: it wrong. You'll think of me when you. 224 00:10:38,880 --> 00:10:40,400 Speaker 4: Hear this side. 225 00:10:44,160 --> 00:10:49,280 Speaker 3: Oh, this is meant to be a first time. 226 00:10:50,080 --> 00:10:53,880 Speaker 4: You chose to send me up. And that's fine a 227 00:10:54,320 --> 00:10:59,920 Speaker 4: time baby Mom's Ryan's run for dear life and say 228 00:11:00,160 --> 00:11:10,440 Speaker 4: pegs to dog you hand me live files. 229 00:11:08,960 --> 00:11:20,640 Speaker 6: Guys, cost for denstant. 230 00:11:20,880 --> 00:11:26,839 Speaker 4: To save me, to sack me? 231 00:11:29,800 --> 00:11:30,400 Speaker 3: How good? 232 00:11:31,000 --> 00:11:31,400 Speaker 1: So good? 233 00:11:31,480 --> 00:11:32,760 Speaker 2: And do you see what I mean? I mean you 234 00:11:32,800 --> 00:11:35,080 Speaker 2: don't need me to tell you this, but tit. Oh, 235 00:11:35,440 --> 00:11:37,679 Speaker 2: thank you vibes, thank you. 236 00:11:37,920 --> 00:11:40,600 Speaker 3: She is my inspirationion icon mother. 237 00:11:41,280 --> 00:11:43,480 Speaker 2: Cassie, thank you so much for coming and go well 238 00:11:43,559 --> 00:11:47,480 Speaker 2: with everything you've got planned for yourself. Thank you, Cassie. Yeah, 239 00:11:47,520 --> 00:11:48,559 Speaker 2: and if you want to get a hold of it, 240 00:11:48,640 --> 00:11:51,520 Speaker 2: the EP is called the Yellow Chapter. For more from 241 00:11:51,559 --> 00:11:54,640 Speaker 2: the Mic Asking Breakfast, listen live to news talks. It'd 242 00:11:54,679 --> 00:11:58,520 Speaker 2: be from six am weekdays, or follow the podcast on iHeartRadio.