1 00:00:00,120 --> 00:00:02,599 Speaker 1: Daily bespoke content that you won't find on the radio 2 00:00:02,640 --> 00:00:05,800 Speaker 1: show The HURDARKI breakfast podcast time. 3 00:00:05,559 --> 00:00:06,359 Speaker 2: For the podcast. 4 00:00:06,880 --> 00:00:09,399 Speaker 3: It's podcast trying to cast a little bit of pod. 5 00:00:09,640 --> 00:00:12,040 Speaker 4: Sometimes you really have to fight. I don't know if 6 00:00:12,039 --> 00:00:13,720 Speaker 4: this actually should be on the podcast. 7 00:00:13,400 --> 00:00:14,520 Speaker 3: Before you're right to party. 8 00:00:14,640 --> 00:00:16,680 Speaker 4: No, you have to fight your instincts and and I 9 00:00:17,079 --> 00:00:19,920 Speaker 4: and pulling back the curtain behind the scenes. And I 10 00:00:20,000 --> 00:00:23,440 Speaker 4: just did a wonderful read of three ads for an 11 00:00:23,560 --> 00:00:27,760 Speaker 4: unnamed company, but a little while ago, man, I might 12 00:00:27,800 --> 00:00:31,120 Speaker 4: because my instinct when you are reading the script is to. 13 00:00:31,480 --> 00:00:33,200 Speaker 3: You read along, is to read. 14 00:00:33,080 --> 00:00:35,760 Speaker 4: Along, which I think I should do, but to nod. 15 00:00:36,000 --> 00:00:40,720 Speaker 3: It's very distress. As I'm reading, he's like, yeah, no, 16 00:00:40,840 --> 00:00:41,920 Speaker 3: I mean, no, one listen to this. 17 00:00:42,400 --> 00:00:43,239 Speaker 2: He got that line right. 18 00:00:43,479 --> 00:00:43,559 Speaker 3: Well. 19 00:00:43,600 --> 00:00:45,120 Speaker 5: He does the same thing to me when I read 20 00:00:45,159 --> 00:00:50,280 Speaker 5: the sport headlines, where he reads along and with me 21 00:00:51,280 --> 00:00:53,120 Speaker 5: just to make sure that I get the words right, 22 00:00:54,200 --> 00:00:56,560 Speaker 5: and then nods. And then if there's a mistake, you 23 00:00:56,560 --> 00:00:58,480 Speaker 5: will then go back, which would be in the script 24 00:00:58,480 --> 00:01:00,560 Speaker 5: maybe maybe maybe overack and. 25 00:01:00,520 --> 00:01:01,200 Speaker 2: Then correct it. 26 00:01:01,840 --> 00:01:02,319 Speaker 3: That's right. 27 00:01:02,360 --> 00:01:04,480 Speaker 2: I like that one, just the post correction. 28 00:01:04,720 --> 00:01:07,400 Speaker 4: I have to fight every instinct when you are reading 29 00:01:07,920 --> 00:01:12,240 Speaker 4: because I'm also I know that's what's that's what's so 30 00:01:12,319 --> 00:01:14,000 Speaker 4: distracted that I have to look just to. 31 00:01:14,160 --> 00:01:16,200 Speaker 2: Go about if you just listen and then you'll hear 32 00:01:16,240 --> 00:01:17,400 Speaker 2: if there's a mistake. 33 00:01:17,520 --> 00:01:19,640 Speaker 4: No, because I have to follow along because what if 34 00:01:19,640 --> 00:01:22,480 Speaker 4: he because ni Son is wonderfully natural every time he 35 00:01:22,520 --> 00:01:24,240 Speaker 4: reads it, but sometimes he might get a word wrong 36 00:01:24,400 --> 00:01:26,560 Speaker 4: and he might say it never happened in the middle 37 00:01:26,560 --> 00:01:28,000 Speaker 4: of it, what does happen? 38 00:01:28,280 --> 00:01:30,480 Speaker 3: But that happened a couple of years ago where I 39 00:01:30,520 --> 00:01:34,040 Speaker 3: was recording a few and I recorded them myself, and 40 00:01:34,080 --> 00:01:37,600 Speaker 3: I did the old A video just gone up about 41 00:01:37,640 --> 00:01:42,000 Speaker 3: fuck A videos just got fuck and then I recorded 42 00:01:42,000 --> 00:01:44,520 Speaker 3: that and I sent that through and then obviously that 43 00:01:44,560 --> 00:01:48,440 Speaker 3: then gets edited and then put onto the radio. Well 44 00:01:48,440 --> 00:01:51,440 Speaker 3: it didn't. They put the wrong file up, and so 45 00:01:52,280 --> 00:01:54,960 Speaker 3: it started playing everywhere, and I think it played on 46 00:01:55,040 --> 00:02:00,320 Speaker 3: zimb or something, and it was a videos going fuck. 47 00:01:59,680 --> 00:01:59,960 Speaker 2: Okay. 48 00:02:01,000 --> 00:02:03,160 Speaker 3: I started getting text from people being like, why are 49 00:02:03,240 --> 00:02:05,200 Speaker 3: you on the radio swearing? 50 00:02:05,360 --> 00:02:07,960 Speaker 2: This is always the problem. It's the worst. 51 00:02:08,200 --> 00:02:10,720 Speaker 3: Have you what you ever been talking into a microphone 52 00:02:10,760 --> 00:02:13,119 Speaker 3: for a job for longer than anyone in this country? Yeah, 53 00:02:13,320 --> 00:02:16,000 Speaker 3: what's the worst hot mic situation you've been had. 54 00:02:16,080 --> 00:02:19,960 Speaker 5: I've only ever well, I've done I've made two accidental 55 00:02:20,040 --> 00:02:23,080 Speaker 5: swear slop ups in my life. One was on this show, 56 00:02:23,320 --> 00:02:28,360 Speaker 5: but on the Export Ultra the head sports headlines thanks 57 00:02:28,360 --> 00:02:30,960 Speaker 5: to Export Ultra to be for here, where I said 58 00:02:31,200 --> 00:02:32,840 Speaker 5: at the end, I said, well, it's. 59 00:02:32,760 --> 00:02:34,280 Speaker 2: Just fucking one day they're fucking. 60 00:02:34,400 --> 00:02:37,440 Speaker 3: It was they playing at Newcastle? Was aware of the past. 61 00:02:37,560 --> 00:02:41,960 Speaker 5: Yeah, Oh that was really weird. That was bad because 62 00:02:42,000 --> 00:02:43,600 Speaker 5: normally I'm pretty good like that. And then the other 63 00:02:43,680 --> 00:02:46,440 Speaker 5: one was on seven chart once when I said the 64 00:02:46,480 --> 00:02:47,600 Speaker 5: word cunt by mistake. 65 00:02:47,760 --> 00:02:50,040 Speaker 2: That's right, so I'm in good company. 66 00:02:50,120 --> 00:02:52,480 Speaker 5: The a Simon Della also said he said credit cunt 67 00:02:52,520 --> 00:02:56,359 Speaker 5: instead of saying credit crunch once because obviously crunch and 68 00:02:56,440 --> 00:02:58,920 Speaker 5: then you get to kunt and then you stop because 69 00:02:58,919 --> 00:03:01,000 Speaker 5: you realize you haven't said the are and then it 70 00:03:01,000 --> 00:03:03,000 Speaker 5: sounds like can't. 71 00:03:03,040 --> 00:03:04,360 Speaker 2: So that happens. Have we got that? 72 00:03:04,440 --> 00:03:07,560 Speaker 4: We've probably got It's is Jerry c bomb. 73 00:03:07,680 --> 00:03:12,680 Speaker 5: Yeah, that's probably I tried on Dame Lisa Carrington's three 74 00:03:12,760 --> 00:03:13,920 Speaker 5: I had three on it once. 75 00:03:14,600 --> 00:03:16,440 Speaker 2: What does that mean? That's not only me but three 76 00:03:16,480 --> 00:03:17,960 Speaker 2: generations of my family. Can't? 77 00:03:20,080 --> 00:03:22,960 Speaker 4: That's not something else what you're doing? 78 00:03:23,400 --> 00:03:27,880 Speaker 3: Can again? I need to hear about Dame le Carrington. 79 00:03:28,480 --> 00:03:32,280 Speaker 5: I tried on Dame Lisa Carrington's three I had three 80 00:03:32,320 --> 00:03:32,840 Speaker 5: on it once. 81 00:03:33,520 --> 00:03:35,320 Speaker 2: What does that mean? That's not only me, but three 82 00:03:35,360 --> 00:03:36,880 Speaker 2: generations of my family. Can't. 83 00:03:38,840 --> 00:03:42,600 Speaker 5: I can't, I can't can't do something because I'm getting 84 00:03:43,080 --> 00:03:45,680 Speaker 5: that was We're talking about karma, and if you put 85 00:03:45,720 --> 00:03:48,320 Speaker 5: on the medal someone's middle, then you're never going to 86 00:03:48,360 --> 00:03:49,920 Speaker 5: get a middle of yourself because you haven't earned it. 87 00:03:50,000 --> 00:03:51,000 Speaker 2: Yeah, that was you. 88 00:03:51,000 --> 00:03:52,440 Speaker 3: I have no memory of that. I feel like there's 89 00:03:52,480 --> 00:03:56,680 Speaker 3: something i'd remember, can't remember it. 90 00:03:57,000 --> 00:03:58,880 Speaker 2: Yeah, that one's good. So there's been a couple of 91 00:03:59,000 --> 00:03:59,880 Speaker 2: couple of those ones. 92 00:04:00,040 --> 00:04:02,280 Speaker 3: Any hot mic situations where your micro's on and you 93 00:04:02,320 --> 00:04:03,160 Speaker 3: didn't know about it, No. 94 00:04:03,400 --> 00:04:05,080 Speaker 2: Never, I'm pretty aware of the hot mic. 95 00:04:05,200 --> 00:04:08,920 Speaker 5: Although I was once on an AD, working on an 96 00:04:08,920 --> 00:04:12,120 Speaker 5: AD and chatting away and I had a microphone on 97 00:04:12,760 --> 00:04:16,200 Speaker 5: and other people you admitted to a murder well, and 98 00:04:16,320 --> 00:04:18,560 Speaker 5: I was sitting in a b where so we'd done 99 00:04:18,560 --> 00:04:20,600 Speaker 5: a couple of takes and then and then they were 100 00:04:20,640 --> 00:04:24,039 Speaker 5: resetting the set and and I was sitting down with 101 00:04:24,040 --> 00:04:26,279 Speaker 5: a whole lot of people and I had a mic on, 102 00:04:26,960 --> 00:04:29,800 Speaker 5: and it was and then all of the clients had 103 00:04:29,880 --> 00:04:32,839 Speaker 5: headphones on, wandering around with headphones. 104 00:04:32,400 --> 00:04:34,359 Speaker 3: On, because usually if it's just the sound guy, he 105 00:04:34,440 --> 00:04:36,240 Speaker 3: knows what's going on, he'll turn you off. But if 106 00:04:36,279 --> 00:04:37,360 Speaker 3: it's a client, yeah. 107 00:04:37,200 --> 00:04:40,239 Speaker 5: Yeah, so they had and so one of the people 108 00:04:40,800 --> 00:04:43,559 Speaker 5: came up to me and said, how these how fucked 109 00:04:43,560 --> 00:04:47,200 Speaker 5: are these clients? And I was like, I was pointing 110 00:04:47,200 --> 00:04:49,120 Speaker 5: at my mic and they said Mike. They said, if 111 00:04:49,120 --> 00:04:50,640 Speaker 5: he does, if they does something to you as well, 112 00:04:52,240 --> 00:04:53,080 Speaker 5: and they started just. 113 00:04:53,240 --> 00:04:56,280 Speaker 2: And I was like and they were like, why, why 114 00:04:56,279 --> 00:04:57,360 Speaker 2: are you telling me to show? 115 00:04:58,360 --> 00:05:05,360 Speaker 5: And I'm like, absolutely, And I was wearing a wire sauce. 116 00:05:05,400 --> 00:05:07,520 Speaker 5: You get good at it after a while, knowing that 117 00:05:08,000 --> 00:05:09,320 Speaker 5: as soon as you go to mic on there's a 118 00:05:09,440 --> 00:05:11,839 Speaker 5: sex sense that you have to know that you can't 119 00:05:11,880 --> 00:05:14,960 Speaker 5: say what you would normally say. But I'm sure people 120 00:05:15,000 --> 00:05:16,920 Speaker 5: have got stories of me that I have said something 121 00:05:16,920 --> 00:05:19,400 Speaker 5: that I just don't even know that I've said. There 122 00:05:19,440 --> 00:05:21,400 Speaker 5: will be There'll be something out there, no doubt. 123 00:05:21,560 --> 00:05:24,680 Speaker 3: My go to because every time we'd film game and 124 00:05:24,760 --> 00:05:29,400 Speaker 3: two halves, then go to the you get micd up 125 00:05:29,400 --> 00:05:31,640 Speaker 3: pretty early doors weld then go to the pub. No, 126 00:05:31,760 --> 00:05:35,039 Speaker 3: but just before we go on here, I would go 127 00:05:35,080 --> 00:05:37,159 Speaker 3: to the tour. Nothing worse than having together for a 128 00:05:37,160 --> 00:05:41,280 Speaker 3: past when you're on here. Yeah, And every time I 129 00:05:41,279 --> 00:05:43,799 Speaker 3: would walk into the bathroom and be like into my collar, 130 00:05:43,960 --> 00:05:47,200 Speaker 3: hey me, and I hear I'm about to go to 131 00:05:47,200 --> 00:05:50,159 Speaker 3: the bathroom the sounder, I am about to go to 132 00:05:50,160 --> 00:05:53,160 Speaker 3: the bathroom. So turn me off if you want, or 133 00:05:53,279 --> 00:05:55,080 Speaker 3: leave me on up to you, but I'm just letting 134 00:05:55,120 --> 00:05:57,080 Speaker 3: you know I am about to go to the bathroom. 135 00:05:57,839 --> 00:06:01,039 Speaker 3: And yeah, love of them thanked me for enough, hey, 136 00:06:01,480 --> 00:06:02,600 Speaker 3: because sometimes. 137 00:06:02,200 --> 00:06:04,600 Speaker 2: They don't because they got so much for that. 138 00:06:04,680 --> 00:06:07,080 Speaker 3: Well they got seven or eight people miked up. Yeah, 139 00:06:07,760 --> 00:06:11,359 Speaker 3: person and shit, you know, yeah, you know you don't 140 00:06:11,360 --> 00:06:11,800 Speaker 3: want that. 141 00:06:11,920 --> 00:06:13,520 Speaker 2: You don't want that, You've never wanted that. 142 00:06:14,320 --> 00:06:17,080 Speaker 4: Imagine. I was on a stage show once and I 143 00:06:17,120 --> 00:06:19,400 Speaker 4: had to wear a microphone and they had to turn 144 00:06:19,440 --> 00:06:21,320 Speaker 4: them on and off because obviously you go off stage 145 00:06:21,320 --> 00:06:23,919 Speaker 4: and you might use the bathroom. And I was always 146 00:06:23,920 --> 00:06:26,400 Speaker 4: so worried that someone would be doing some emotional speech. 147 00:06:26,480 --> 00:06:28,320 Speaker 4: And then they hear me from the back game. 148 00:06:29,800 --> 00:06:34,599 Speaker 5: Police, that's like Frank Drebn, Frank Drebn and naked gun, 149 00:06:35,440 --> 00:06:38,159 Speaker 5: you did exactly that. 150 00:06:38,440 --> 00:06:39,680 Speaker 2: And he's walked off stage. 151 00:06:39,720 --> 00:06:42,600 Speaker 5: Meanwhile, is trying to do a serious speech, and he's going, 152 00:06:42,680 --> 00:06:44,040 Speaker 5: oh and just. 153 00:06:43,960 --> 00:06:45,520 Speaker 2: A strong stream. 154 00:06:45,800 --> 00:06:48,719 Speaker 5: Who does number to work for one of the great 155 00:06:48,839 --> 00:06:49,799 Speaker 5: one of the great moments. 156 00:06:50,080 --> 00:06:52,640 Speaker 3: I used to do it all through lockdown. I did 157 00:06:52,640 --> 00:06:55,800 Speaker 3: a podcast with a Lobo medi ward We talked about 158 00:06:55,800 --> 00:06:58,440 Speaker 3: this when he filled them while you were away, and 159 00:06:58,520 --> 00:07:01,279 Speaker 3: so we bought microphones. Is this during lockdown? We're doing 160 00:07:01,320 --> 00:07:04,159 Speaker 3: it from I was sitting in my wardrobe and I 161 00:07:04,240 --> 00:07:07,280 Speaker 3: had two Swan drives either side for sound dampening. He 162 00:07:07,400 --> 00:07:12,440 Speaker 3: called it Swan Dry Studios. And then Maddie was in 163 00:07:12,480 --> 00:07:14,440 Speaker 3: his spear room, and his spear room was right next 164 00:07:14,440 --> 00:07:16,920 Speaker 3: to his bathroom, and we bought these powerful mics we 165 00:07:16,960 --> 00:07:19,120 Speaker 3: didn't really know how to use, and so he was like, oh, 166 00:07:19,520 --> 00:07:22,000 Speaker 3: just before we record, I'm just gonna go for pursss agod. 167 00:07:22,520 --> 00:07:25,080 Speaker 3: And then he goes next door. The microphone would have 168 00:07:25,120 --> 00:07:28,640 Speaker 3: been about three feet away from the toilet bowl as 169 00:07:28,680 --> 00:07:31,480 Speaker 3: the crow flies, a thin, thin wall in between the two, 170 00:07:31,800 --> 00:07:34,520 Speaker 3: and he just middle of the middle of the water, 171 00:07:34,600 --> 00:07:37,000 Speaker 3: not the bowl, middle of the water, and he just 172 00:07:37,400 --> 00:07:42,760 Speaker 3: no prostat issues, just banged it in there, and man, 173 00:07:42,840 --> 00:07:45,560 Speaker 3: it was it was powerful right into my ears. It 174 00:07:45,640 --> 00:07:48,800 Speaker 3: was one of the most heinous. There was that, and 175 00:07:48,840 --> 00:07:50,800 Speaker 3: then the other there was a hot mic situation that 176 00:07:50,840 --> 00:07:54,440 Speaker 3: I kind of stitched him up with and it was 177 00:07:54,480 --> 00:07:58,120 Speaker 3: basically him he'd had one of those interactions with this 178 00:07:58,280 --> 00:08:01,120 Speaker 3: message and then come onto the podcast, she fucking said 179 00:08:01,160 --> 00:08:03,320 Speaker 3: this and that, and then I left it in the 180 00:08:03,360 --> 00:08:08,920 Speaker 3: podcast and it went up and it was so innocuous too, 181 00:08:08,960 --> 00:08:10,760 Speaker 3: it was like your toasters popped. 182 00:08:11,840 --> 00:08:16,320 Speaker 5: I interviewed Miriam Marghalese, the actress last night. 183 00:08:16,440 --> 00:08:17,040 Speaker 3: How you say that. 184 00:08:17,520 --> 00:08:23,080 Speaker 5: Miriam Marghalese mugged and she is one of the most 185 00:08:23,280 --> 00:08:25,320 Speaker 5: hilarious and outrageous people ever. 186 00:08:25,360 --> 00:08:25,840 Speaker 2: She's eighty. 187 00:08:25,880 --> 00:08:27,880 Speaker 5: If people don't know, she was in Harry Potter, I 188 00:08:27,920 --> 00:08:30,560 Speaker 5: can't remember what character she played before that. She was 189 00:08:30,600 --> 00:08:34,720 Speaker 5: a comedic actor. She was in Blackadder. She was also 190 00:08:36,480 --> 00:08:38,520 Speaker 5: for the longest time where how she actually made her 191 00:08:38,600 --> 00:08:41,080 Speaker 5: name was in radio plays back in the day in 192 00:08:41,120 --> 00:08:45,640 Speaker 5: the nineteen seventies and nineteen eighties in Britain. There were 193 00:08:45,679 --> 00:08:48,319 Speaker 5: heaps and yeah, heaps and she's just an amazing character 194 00:08:48,400 --> 00:08:51,360 Speaker 5: voice like next level. So anyway, we interviewed her and 195 00:08:51,440 --> 00:08:54,000 Speaker 5: famously she was on the Graham Norton Show and what 196 00:08:54,040 --> 00:08:56,360 Speaker 5: they generally use her on the Graham Norton show for 197 00:08:56,480 --> 00:08:58,920 Speaker 5: is I'll get you Wes stars and who know her 198 00:08:59,000 --> 00:09:01,400 Speaker 5: from the Harry Potter know that she's an actress, but 199 00:09:01,480 --> 00:09:05,280 Speaker 5: they don't know how shockingly inappropriate she is. She's like 200 00:09:05,760 --> 00:09:10,960 Speaker 5: this classic old lady. She's a lesbian, but she tries 201 00:09:11,000 --> 00:09:14,520 Speaker 5: to shock people, but she's so proper at the same time. Now, 202 00:09:14,559 --> 00:09:18,239 Speaker 5: I've got a little clip which I want to play you. 203 00:09:20,280 --> 00:09:21,520 Speaker 2: It has worked in the past. 204 00:09:21,720 --> 00:09:24,000 Speaker 4: It has worked in the past. We could have we 205 00:09:24,040 --> 00:09:26,480 Speaker 4: could have a break. You could put a link in 206 00:09:26,520 --> 00:09:28,720 Speaker 4: the dock. I could bring it up and then we 207 00:09:28,720 --> 00:09:29,640 Speaker 4: can play the clip. 208 00:09:29,720 --> 00:09:31,480 Speaker 5: Okay, all we can see if it plays on here, 209 00:09:31,520 --> 00:09:32,840 Speaker 5: but let's take a break and going. 210 00:09:32,679 --> 00:09:33,040 Speaker 2: Back with it. 211 00:09:33,920 --> 00:09:37,559 Speaker 1: Jeremy Wells and Manaia Stuart find them on Instagram at 212 00:09:37,600 --> 00:09:42,320 Speaker 1: Hodaki Breakfast. Jerry and Manaia joined the conflict the Hodaki 213 00:09:42,360 --> 00:09:44,439 Speaker 1: Breakfast discussion group on Facebook for. 214 00:09:44,480 --> 00:09:47,720 Speaker 3: More Right, let's have a wide hot crarec. 215 00:09:50,559 --> 00:09:50,800 Speaker 2: Coming. 216 00:09:51,080 --> 00:09:53,679 Speaker 4: It's coming out the side man, underneath your knees or something. 217 00:09:54,080 --> 00:09:57,400 Speaker 5: Okay, it's in the dock now, look, let's put it 218 00:09:57,440 --> 00:09:59,760 Speaker 5: in the put it on the dock and the what's 219 00:09:59,800 --> 00:10:00,480 Speaker 5: in the WhatsApp? 220 00:10:00,559 --> 00:10:03,680 Speaker 2: Sorry, on the what's yeah, ye ye yee. I was 221 00:10:03,679 --> 00:10:04,880 Speaker 2: on the weekend transfer. 222 00:10:05,600 --> 00:10:09,120 Speaker 4: I can bring that I can bring because there it 223 00:10:09,240 --> 00:10:13,240 Speaker 4: is there, it is okay, So well, thanks for putting 224 00:10:13,240 --> 00:10:14,920 Speaker 4: it in there, Jerry. I'll be able to bring it 225 00:10:15,000 --> 00:10:15,280 Speaker 4: up here. 226 00:10:15,320 --> 00:10:18,199 Speaker 6: It's a YouTube story and ask you to tell the 227 00:10:18,280 --> 00:10:19,040 Speaker 6: story a lot. 228 00:10:19,400 --> 00:10:20,120 Speaker 2: To the start of it. 229 00:10:20,520 --> 00:10:24,320 Speaker 5: So she was she came on Graham Norton, excuse me, 230 00:10:24,640 --> 00:10:27,559 Speaker 5: she came on. She came on, this is sorry, has 231 00:10:27,559 --> 00:10:31,920 Speaker 5: something to do. So she's lesbian. Miriam Margley is eighty 232 00:10:32,000 --> 00:10:35,600 Speaker 5: years old. She's about as wide as she is high 233 00:10:36,160 --> 00:10:41,559 Speaker 5: and coming on the Gray New Zealander. And she came 234 00:10:41,600 --> 00:10:44,160 Speaker 5: on and she was with will I am from black 235 00:10:44,160 --> 00:10:46,880 Speaker 5: Eyed Black Eyed Peace, and he didn't really know anything 236 00:10:46,920 --> 00:10:49,360 Speaker 5: about her. And then she told a story about when 237 00:10:49,360 --> 00:10:52,880 Speaker 5: she was wandering along in Edinburgh through the square there 238 00:10:52,920 --> 00:10:54,560 Speaker 5: and there was a guy up a tree, a soldier 239 00:10:54,640 --> 00:10:59,320 Speaker 5: up a tree, who was masturbating. And she walked past 240 00:10:59,480 --> 00:11:02,400 Speaker 5: and she said, come down from that tree, young man, 241 00:11:02,920 --> 00:11:05,520 Speaker 5: and he said I don't want to, and she said, 242 00:11:05,600 --> 00:11:08,640 Speaker 5: I insist you come down from that tree. And then 243 00:11:09,440 --> 00:11:11,200 Speaker 5: and then he came down from the tree. And then 244 00:11:11,240 --> 00:11:12,880 Speaker 5: when I says, and then what happened, and she said, 245 00:11:12,920 --> 00:11:15,320 Speaker 5: well I finished him off. Of course as well, she 246 00:11:15,400 --> 00:11:19,160 Speaker 5: said what you were like, what the fuck? Anyway, the 247 00:11:19,240 --> 00:11:22,840 Speaker 5: next time she went on Graham Norton, this is what happened. 248 00:11:23,800 --> 00:11:25,520 Speaker 6: There's a story. And I know people ask you to 249 00:11:25,559 --> 00:11:27,959 Speaker 6: tell this story a lot when you're doing your live shows. 250 00:11:28,200 --> 00:11:30,040 Speaker 6: I think it was when you're on with Will I 251 00:11:30,080 --> 00:11:31,760 Speaker 6: Am and you told the story and you know the 252 00:11:31,760 --> 00:11:34,880 Speaker 6: one I'm talking about where you're going home in Edinburgh 253 00:11:34,960 --> 00:11:37,439 Speaker 6: late at night and there's a man of a tree. 254 00:11:38,000 --> 00:11:42,200 Speaker 6: You assist him. But what you're revealing the book is 255 00:11:42,440 --> 00:11:44,280 Speaker 6: there's more to this story. 256 00:11:45,080 --> 00:11:45,320 Speaker 4: I know. 257 00:11:45,480 --> 00:11:49,520 Speaker 7: I didn't. I didn't tell it on television because I 258 00:11:49,520 --> 00:11:52,640 Speaker 7: felt nobody would believe me. But after I had helped 259 00:11:53,760 --> 00:11:55,160 Speaker 7: and supported the troop. 260 00:11:55,760 --> 00:12:00,480 Speaker 6: There was a soldier a tree, Miriam. When you want 261 00:12:00,480 --> 00:12:02,640 Speaker 6: to stop up a tree, he was. 262 00:12:02,640 --> 00:12:05,400 Speaker 7: Up a tree. I heard the rustles, I saw what 263 00:12:05,480 --> 00:12:08,319 Speaker 7: was going on, asked him to come down. I finished 264 00:12:08,360 --> 00:12:15,480 Speaker 7: him off very pleasantly, and there was no threats. I 265 00:12:15,559 --> 00:12:20,720 Speaker 7: was wiping my hand in the in the brass, and 266 00:12:21,600 --> 00:12:24,600 Speaker 7: a voice from the bushes. 267 00:12:24,920 --> 00:12:27,959 Speaker 6: This is the new part of the story, which when 268 00:12:27,960 --> 00:12:29,679 Speaker 6: we left this story, you were wiping your hand on 269 00:12:29,720 --> 00:12:30,120 Speaker 6: the grass. 270 00:12:30,200 --> 00:12:35,640 Speaker 7: Yes, I heard a voice come from the seat that 271 00:12:35,880 --> 00:12:40,800 Speaker 7: was just where I'd been, and a very nicely dressed 272 00:12:40,880 --> 00:12:47,560 Speaker 7: gentleman came forward and said, I couldn't help noticing what 273 00:12:47,800 --> 00:12:52,160 Speaker 7: you had done for that young man. And I wondered if, 274 00:12:52,360 --> 00:12:56,360 Speaker 7: if it was at all possible, whether you would do. 275 00:12:56,320 --> 00:12:57,360 Speaker 3: The same for me. 276 00:12:59,240 --> 00:13:04,760 Speaker 7: And I said, I thought to myself, well, I can't 277 00:13:04,760 --> 00:13:05,280 Speaker 7: say no. 278 00:13:08,000 --> 00:13:09,440 Speaker 3: Sorry, but you can't say no. 279 00:13:10,960 --> 00:13:12,280 Speaker 7: I just felt I couldn't. 280 00:13:12,679 --> 00:13:13,280 Speaker 2: That's the thing. 281 00:13:13,880 --> 00:13:14,120 Speaker 5: I say. 282 00:13:14,160 --> 00:13:15,560 Speaker 2: You're gonna love Pillion, but. 283 00:13:17,960 --> 00:13:19,240 Speaker 6: This could be a scene from me. 284 00:13:20,920 --> 00:13:25,840 Speaker 7: So I did what he asked me to do. Write 285 00:13:26,080 --> 00:13:28,920 Speaker 7: right there. There was nobody else there, you know. So 286 00:13:29,160 --> 00:13:32,000 Speaker 7: off he went, and I was wiping my hand McGrath 287 00:13:33,640 --> 00:13:36,600 Speaker 7: and lo and behold this is the bit nobody believes, 288 00:13:36,640 --> 00:13:40,800 Speaker 7: but it is true. A voice from the same place 289 00:13:42,000 --> 00:13:47,880 Speaker 7: said hey, Miriam, And it was someone I knew. He 290 00:13:48,040 --> 00:13:51,439 Speaker 7: was a young student that I had known in Oxford. 291 00:13:51,840 --> 00:13:54,520 Speaker 7: I went to Cambridge, but I met him in Oxford 292 00:13:54,520 --> 00:13:59,640 Speaker 7: because I lived there. And he said, listen, we're old friends, 293 00:14:00,080 --> 00:14:07,240 Speaker 7: you know. I said, oh, come on, that's fair, and 294 00:14:07,280 --> 00:14:09,600 Speaker 7: he said, oh, come on, Miriam. So I did. 295 00:14:11,760 --> 00:14:13,720 Speaker 3: Three for the price of one. 296 00:14:15,120 --> 00:14:16,359 Speaker 6: Beautiful story. 297 00:14:18,040 --> 00:14:19,960 Speaker 2: How crazy is that story? 298 00:14:21,040 --> 00:14:21,120 Speaker 6: Like? 299 00:14:21,800 --> 00:14:24,840 Speaker 5: So she's wondering that she's the most proper woman you've 300 00:14:24,840 --> 00:14:25,760 Speaker 5: ever met. 301 00:14:25,560 --> 00:14:30,280 Speaker 3: Me from the sounds? What did you say you met her? 302 00:14:30,800 --> 00:14:32,240 Speaker 2: Yes, I've met her a couple of times. 303 00:14:32,080 --> 00:14:36,360 Speaker 3: No, but you interviewed it last night on in person 304 00:14:37,160 --> 00:14:37,760 Speaker 3: on the Zone? 305 00:14:38,080 --> 00:14:39,280 Speaker 2: Okay, on the Zone? 306 00:14:39,320 --> 00:14:39,520 Speaker 4: Yeah? 307 00:14:39,600 --> 00:14:42,440 Speaker 3: Is she coming over to New Zealand? She's in a film. 308 00:14:43,200 --> 00:14:44,680 Speaker 5: I thought we would be great to try and get 309 00:14:44,680 --> 00:14:49,000 Speaker 5: her on the podcast because she's so funny like, and 310 00:14:49,040 --> 00:14:51,600 Speaker 5: then she didn't know she tells these crazy stories. 311 00:14:51,840 --> 00:14:53,440 Speaker 3: Of the craziest stories. 312 00:14:53,920 --> 00:14:56,920 Speaker 2: Is that a crazy story? These people kept popping up. 313 00:14:58,920 --> 00:15:00,160 Speaker 2: I'm just wondering if you could do it me? 314 00:15:00,200 --> 00:15:01,600 Speaker 3: Would you mind terribly. 315 00:15:03,280 --> 00:15:05,240 Speaker 2: If you give it? While you're giving them out? 316 00:15:05,800 --> 00:15:06,960 Speaker 3: Why was there a soldier? 317 00:15:07,560 --> 00:15:09,080 Speaker 2: I don't know why there was that. That was the 318 00:15:09,080 --> 00:15:09,680 Speaker 2: weirdest part. 319 00:15:09,720 --> 00:15:12,360 Speaker 5: The soldier in the tree story was so weird, and 320 00:15:12,480 --> 00:15:14,480 Speaker 5: the whole story was so insane. 321 00:15:14,760 --> 00:15:16,440 Speaker 3: Piled on top of that is what the fuck is 322 00:15:16,480 --> 00:15:20,400 Speaker 3: going on? To the women's sprint in fat on in 323 00:15:20,560 --> 00:15:22,560 Speaker 3: the in the winter Olympics? 324 00:15:22,560 --> 00:15:25,240 Speaker 2: What the hell is this doing? Weird stuff on skis 325 00:15:25,320 --> 00:15:26,040 Speaker 2: the weirdest. 326 00:15:26,080 --> 00:15:29,160 Speaker 3: They just ran through a maze and the and their 327 00:15:29,240 --> 00:15:31,720 Speaker 3: skis and then took them off and then had to 328 00:15:31,800 --> 00:15:32,600 Speaker 3: run up stairs. 329 00:15:32,760 --> 00:15:34,640 Speaker 4: Is this the same race that was just on before? 330 00:15:34,680 --> 00:15:36,600 Speaker 3: It like they were an amaze, yes, And now they're 331 00:15:36,640 --> 00:15:37,800 Speaker 3: just jumping off a jump. 332 00:15:38,280 --> 00:15:40,560 Speaker 2: This is doing weird things in the snow. 333 00:15:40,800 --> 00:15:42,960 Speaker 3: I'm so burnt out of the Winter Olympics. Like, I'm 334 00:15:42,960 --> 00:15:45,440 Speaker 3: proud of our athletes and I like watching our guys compete, 335 00:15:45,880 --> 00:15:48,160 Speaker 3: but fucking how many different ways are they to slide 336 00:15:48,160 --> 00:15:48,560 Speaker 3: down the hill? 337 00:15:49,120 --> 00:15:50,680 Speaker 2: Yeah, I'm sort of sick of it. 338 00:15:50,760 --> 00:15:50,960 Speaker 3: Well. 339 00:15:51,160 --> 00:15:56,160 Speaker 5: E Harrip won from France. M fatten a Alonzo Rodriguez 340 00:15:56,400 --> 00:15:56,840 Speaker 5: came in. 341 00:15:56,840 --> 00:15:58,720 Speaker 4: Third from Ianel. 342 00:15:58,960 --> 00:16:01,000 Speaker 2: Yeah, all right, can we know what's on the head? 343 00:16:01,120 --> 00:16:01,880 Speaker 2: Are we podcasting? 344 00:16:02,120 --> 00:16:04,840 Speaker 1: Jeri and Manaiah. Catch the radio show from six till 345 00:16:04,880 --> 00:16:07,080 Speaker 1: ten weekdays, The Hodaki Breakfast