1 00:00:00,000 --> 00:00:02,320 Speaker 1: Tim Wilson's Weathers, along with Kate Hawk's be good morning to. 2 00:00:02,279 --> 00:00:06,680 Speaker 2: You, Good morning hey, Red christ Church restaurant recommendations. They 3 00:00:06,800 --> 00:00:12,240 Speaker 2: just have to say yes that you failed to mention anati. 4 00:00:12,360 --> 00:00:14,880 Speaker 2: And my sister was there last night and she claims 5 00:00:14,920 --> 00:00:17,080 Speaker 2: it's the greatest food in the world. And they do 6 00:00:17,120 --> 00:00:23,320 Speaker 2: the most phenomenal duck trumpets that they're famous for trumpets. 7 00:00:23,800 --> 00:00:26,840 Speaker 1: Everything comes into a trumpet these days. It started from 8 00:00:26,840 --> 00:00:28,960 Speaker 1: Heston Bloom and Feld. And you make something into a 9 00:00:29,000 --> 00:00:31,640 Speaker 1: trumpet or a little cone, and it looks like an 10 00:00:31,640 --> 00:00:32,959 Speaker 1: ice cream, but it tastes like. 11 00:00:33,159 --> 00:00:35,600 Speaker 3: Does it have does it have wafer waifer? It like 12 00:00:35,800 --> 00:00:36,480 Speaker 3: the wafer cones. 13 00:00:36,560 --> 00:00:38,280 Speaker 1: Yep, can be the little wafer cones, a little mini 14 00:00:38,320 --> 00:00:40,720 Speaker 1: wafer cones, or they hand make them with something like seaweed. 15 00:00:40,760 --> 00:00:42,840 Speaker 1: You like a little seaweed cone and you'll get something 16 00:00:42,880 --> 00:00:45,720 Speaker 1: that's called crayfish cone or something like that. Very nice. 17 00:00:45,760 --> 00:00:48,519 Speaker 2: They dotef beef donuts. I don't think they're called I 18 00:00:48,520 --> 00:00:51,040 Speaker 2: think they're called something more flash though this. 19 00:00:52,520 --> 00:00:53,200 Speaker 3: Cuisine. 20 00:00:53,600 --> 00:00:57,240 Speaker 1: Yes, well, my recommendations reasonable. So if I said twenty 21 00:00:57,240 --> 00:01:02,680 Speaker 1: seven cheers steps rather twenty seven steps, Bessie, we did 22 00:01:02,920 --> 00:01:05,480 Speaker 1: Bessie was very good, and that's got fabulous steak if 23 00:01:05,480 --> 00:01:07,360 Speaker 1: you're into steak and an arty. I don't think we've 24 00:01:07,360 --> 00:01:09,319 Speaker 1: ever been to an arty, have we No? 25 00:01:09,400 --> 00:01:12,000 Speaker 2: But our family, parents, siblings are all obsessed with that. 26 00:01:12,080 --> 00:01:14,039 Speaker 2: We yet too, We yet to go, but we've heard 27 00:01:14,080 --> 00:01:16,040 Speaker 2: amazing things. That's why we haven't been. 28 00:01:16,120 --> 00:01:18,040 Speaker 1: It's too expensive and we've got no money. 29 00:01:18,200 --> 00:01:20,360 Speaker 2: It's not too expensive. 30 00:01:20,840 --> 00:01:23,360 Speaker 1: It was okay, it's. 31 00:01:23,400 --> 00:01:27,240 Speaker 2: Very it's not fine dining, but it's probably very very. 32 00:01:27,240 --> 00:01:29,600 Speaker 1: Since telling me twenty eight to thirty two for remain, 33 00:01:29,720 --> 00:01:30,560 Speaker 1: that's a bargain. 34 00:01:31,720 --> 00:01:34,200 Speaker 3: That's quite that's quite. That sounds quite good. Hey, you know, 35 00:01:34,520 --> 00:01:36,080 Speaker 3: can we get back to David Byrne. You know when 36 00:01:36,080 --> 00:01:38,479 Speaker 3: you were playing that, Mike, I thought that was you singing? 37 00:01:40,000 --> 00:01:42,640 Speaker 3: Did you sound like David Byrne? Because i've heard you, 38 00:01:42,640 --> 00:01:44,080 Speaker 3: you know, I have a few guys at it, and 39 00:01:44,360 --> 00:01:46,360 Speaker 3: I thought, initially this is hoskag. 40 00:01:46,400 --> 00:01:49,560 Speaker 1: That's unsaying. It's unfortunate because I didn't think much of it. 41 00:01:50,040 --> 00:01:52,000 Speaker 1: And so therefore what you're saying is you don't think 42 00:01:52,040 --> 00:01:53,680 Speaker 1: much of my singing, which is fair enough, because I 43 00:01:53,680 --> 00:01:58,520 Speaker 1: give you a few lines of second I'm not giving. 44 00:01:58,320 --> 00:02:01,840 Speaker 3: Actually actually, in fact, I had lunch with David Byrne once. 45 00:02:01,960 --> 00:02:03,400 Speaker 1: Did you wear at an arty? 46 00:02:04,720 --> 00:02:07,800 Speaker 3: No, not an ARTI at my mate's place in Connecticut. 47 00:02:08,120 --> 00:02:10,880 Speaker 3: He was a bit grim was your mate's place on 48 00:02:10,960 --> 00:02:11,640 Speaker 3: can sort of? 49 00:02:12,360 --> 00:02:14,400 Speaker 1: Was he there and you just turned up? Or did 50 00:02:14,440 --> 00:02:16,480 Speaker 1: you go, hey, David, let's have lunch. I've got a 51 00:02:16,480 --> 00:02:18,720 Speaker 1: mate in Connecticut, will go there? Or did you. 52 00:02:20,680 --> 00:02:23,880 Speaker 3: My dear friend Helen, she organized that she. 53 00:02:23,760 --> 00:02:25,079 Speaker 1: Knew him, so she knew David. 54 00:02:25,120 --> 00:02:28,040 Speaker 3: But I know the schmuck from New Zealand who loves 55 00:02:28,080 --> 00:02:30,840 Speaker 3: I mean, a big fan of talking heads. Yes, were 56 00:02:30,880 --> 00:02:34,360 Speaker 3: you overwhelmed? I think I was a bit as well, 57 00:02:34,520 --> 00:02:37,320 Speaker 3: sort of like you know, watching your p's and q's. 58 00:02:37,480 --> 00:02:38,640 Speaker 3: Oh and he's so quiet? 59 00:02:38,840 --> 00:02:41,679 Speaker 1: Oh is he? Do you have some good stories to tell? 60 00:02:43,400 --> 00:02:46,320 Speaker 1: Not that I recall, Okay, because I remember. The only 61 00:02:46,360 --> 00:02:48,080 Speaker 1: reason I know about Cones is I hung out with 62 00:02:48,280 --> 00:02:52,200 Speaker 1: Heston Blum and film for a while and he was 63 00:02:52,320 --> 00:02:54,840 Speaker 1: he was, he was a fantastically I flew across the 64 00:02:54,880 --> 00:02:57,800 Speaker 1: Tasman with him. As the point anyway, he was doing 65 00:02:57,800 --> 00:02:59,639 Speaker 1: a show here and I sort of got hooked into 66 00:02:59,639 --> 00:03:02,520 Speaker 1: the show, and so they flew me over to Brisbane 67 00:03:02,560 --> 00:03:04,000 Speaker 1: to see a show. So I knew what the hell 68 00:03:04,040 --> 00:03:05,919 Speaker 1: I was doing when he brought a show to New Zealand. 69 00:03:06,000 --> 00:03:08,400 Speaker 1: So I flew back from Brisbane with him. And he's 70 00:03:08,440 --> 00:03:11,120 Speaker 1: an awfully likable guy and so I learned a lot 71 00:03:11,160 --> 00:03:12,960 Speaker 1: of good time. Yeah, very good time, and I was. 72 00:03:13,240 --> 00:03:15,160 Speaker 1: But I'm very sad to see what happened to him 73 00:03:15,160 --> 00:03:18,519 Speaker 1: in later years and all that sort of stuff. Katie 74 00:03:18,600 --> 00:03:20,760 Speaker 1: the business, I'm quite overwhelm. Can I tell you the 75 00:03:20,800 --> 00:03:24,120 Speaker 1: story that Kerry machaiber Woodham and I can never remember 76 00:03:24,160 --> 00:03:27,760 Speaker 1: which one it is, but Kerry Woodham came in before 77 00:03:27,960 --> 00:03:30,680 Speaker 1: and you, apparently Katie know about this. She presented me 78 00:03:30,720 --> 00:03:31,720 Speaker 1: with a bottle of wine. 79 00:03:32,720 --> 00:03:34,600 Speaker 2: I told her not to do that. I said, just 80 00:03:34,600 --> 00:03:37,960 Speaker 2: give him a big kiss, don't buy him wine, can. 81 00:03:37,880 --> 00:03:39,680 Speaker 1: I be honest? And so I'd rather have the wine. 82 00:03:40,600 --> 00:03:42,840 Speaker 2: I know why we both laughed when I said. 83 00:03:42,680 --> 00:03:46,200 Speaker 1: It, because she's presented me with her She walked in 84 00:03:46,280 --> 00:03:47,800 Speaker 1: with a bottle of wine. The wine's in a box 85 00:03:48,320 --> 00:03:50,040 Speaker 1: and it's a beautiful bottle of wine. It's a fabulous 86 00:03:50,040 --> 00:03:52,560 Speaker 1: bottle of wine. She sent me a card and she 87 00:03:52,720 --> 00:03:55,520 Speaker 1: and I said what is this? And she goes, I 88 00:03:55,720 --> 00:03:57,600 Speaker 1: just want to say thank you, And I said what for? 89 00:03:57,680 --> 00:04:00,560 Speaker 1: She goes just for everything, and I thought, oh, this 90 00:04:00,640 --> 00:04:03,320 Speaker 1: is this is not good. I said, are you leaving? 91 00:04:03,520 --> 00:04:05,200 Speaker 1: And she goes, no, not that I know of. I said, 92 00:04:05,200 --> 00:04:07,120 Speaker 1: it's just that Jason was saying the stuff the other day, 93 00:04:07,160 --> 00:04:12,000 Speaker 1: and I clearly just got back to you. Anyway. I 94 00:04:12,000 --> 00:04:13,680 Speaker 1: had to suck the fue out of a bob, but 95 00:04:13,800 --> 00:04:16,320 Speaker 1: I loved it. She said she was just thanking me 96 00:04:16,520 --> 00:04:20,880 Speaker 1: for being successful, and that success then translates and allows 97 00:04:20,920 --> 00:04:23,719 Speaker 1: her to do her show more successfully because of the 98 00:04:23,720 --> 00:04:27,520 Speaker 1: success at this time of the morning. Isn't that singularly 99 00:04:27,680 --> 00:04:31,760 Speaker 1: the nicest thing you've ever experienced in your life. 100 00:04:32,320 --> 00:04:34,839 Speaker 2: She's a good person. That's very generous. I did did 101 00:04:34,880 --> 00:04:38,200 Speaker 2: beg her not to spend money on your sort of 102 00:04:38,240 --> 00:04:40,600 Speaker 2: wine tastes, and so I'm sad she's done that. 103 00:04:40,800 --> 00:04:42,880 Speaker 1: No, well, you said you shouldn't be, said, I'm not 104 00:04:42,920 --> 00:04:47,039 Speaker 1: sharing it with you. I would not. You should share 105 00:04:47,080 --> 00:04:48,919 Speaker 1: it with Carry. I should share it with Carry. 106 00:04:49,240 --> 00:04:51,160 Speaker 3: You should. Actually, why don't you crack it. 107 00:04:51,120 --> 00:04:53,040 Speaker 1: After the show? I would not because I got to 108 00:04:53,080 --> 00:04:55,800 Speaker 1: go home. I would not be number one without inheriting 109 00:04:55,839 --> 00:04:58,520 Speaker 1: a tsunami of listeners from you, which I ride for 110 00:04:58,560 --> 00:05:04,839 Speaker 1: three hours before crashing it. This needs to be acknowledged 111 00:05:04,880 --> 00:05:07,799 Speaker 1: and I hope this token of appreciation helps you watch 112 00:05:07,839 --> 00:05:12,360 Speaker 1: the warriors. Kerry kiss it and can I a wall? 113 00:05:12,480 --> 00:05:12,520 Speaker 4: It? 114 00:05:12,680 --> 00:05:12,880 Speaker 3: Nice? 115 00:05:13,080 --> 00:05:16,920 Speaker 1: It is nice? And just to round this lovely story off, 116 00:05:17,080 --> 00:05:19,359 Speaker 1: what it is? Just so people because everyone will go 117 00:05:19,440 --> 00:05:22,120 Speaker 1: during the break, what is it? Mike King of Snake 118 00:05:22,240 --> 00:05:24,920 Speaker 1: is an oldie, but of goody. That's fair enough, isn't 119 00:05:25,000 --> 00:05:30,200 Speaker 1: Katie King Snake? Innati great but small portions. I hate 120 00:05:30,240 --> 00:05:32,880 Speaker 1: it when people say that it's just the it's just 121 00:05:33,000 --> 00:05:36,240 Speaker 1: the it's the gluttony of the Western Well, I tell 122 00:05:36,279 --> 00:05:38,200 Speaker 1: you what, there's not much on the plate. Is there 123 00:05:38,920 --> 00:05:42,800 Speaker 1: seventeen dollars for that scooping? I wouldn't mind another couple 124 00:05:42,800 --> 00:05:46,839 Speaker 1: of those innati. Trust the chef, the staff for great. 125 00:05:48,000 --> 00:05:49,520 Speaker 1: Get to have a good chat with them and let 126 00:05:49,520 --> 00:05:51,840 Speaker 1: them serve you a dining masterpiece. It's an experience. So 127 00:05:51,920 --> 00:05:57,599 Speaker 1: there you now the next problem. Oh it's a peach 128 00:05:57,680 --> 00:05:58,200 Speaker 1: on comtesse. 129 00:05:59,400 --> 00:06:01,520 Speaker 3: Oh there we go. Yeah, I was wondering when we're 130 00:06:01,560 --> 00:06:02,880 Speaker 3: going to hear about the grog. 131 00:06:03,640 --> 00:06:07,240 Speaker 1: It's not it's not grog, it's a it's a bottle. 132 00:06:07,640 --> 00:06:12,400 Speaker 1: It's a phone contest, which is a second growth from 133 00:06:12,440 --> 00:06:18,120 Speaker 1: the Left Bank and Bordeaux from Oh Saint Julienne from 134 00:06:18,120 --> 00:06:21,960 Speaker 1: the Apal St. Julienne and is one of the finest 135 00:06:22,200 --> 00:06:26,279 Speaker 1: fine of the finest wines in the world. Wow, it's amazing. 136 00:06:26,880 --> 00:06:31,000 Speaker 1: Next problem. Next problem, Jason's children are into the marimba. 137 00:06:32,800 --> 00:06:37,720 Speaker 1: What's that? Good question? So Jason's the boss, now the marimba? 138 00:06:38,040 --> 00:06:38,760 Speaker 1: What do you reckon? 139 00:06:39,240 --> 00:06:39,320 Speaker 3: It? 140 00:06:39,360 --> 00:06:45,840 Speaker 1: Would god? I'll do the murumb before you go. You 141 00:06:45,960 --> 00:06:47,120 Speaker 1: got it. 142 00:06:47,320 --> 00:06:48,880 Speaker 3: It's David Byrne. It's David. 143 00:06:51,480 --> 00:06:52,520 Speaker 2: I don't know what's happening. 144 00:06:52,680 --> 00:06:56,240 Speaker 3: I don't know. Yes, I know that this was a 145 00:06:56,440 --> 00:06:58,000 Speaker 3: this was an a briefing document. 146 00:06:58,120 --> 00:07:06,120 Speaker 1: Was okay the walk or something? You've opened it already. Anyway, 147 00:07:06,240 --> 00:07:08,599 Speaker 1: I said, how many people pay the murma? So I'm 148 00:07:08,600 --> 00:07:10,280 Speaker 1: looking up the murumba? Do you know what you can 149 00:07:10,320 --> 00:07:14,360 Speaker 1: pay for a marimba? You listen to here's the it's 150 00:07:14,360 --> 00:07:20,920 Speaker 1: a musical instrument. It's Paul Simon, It's Graceland. It is 151 00:07:22,200 --> 00:07:30,160 Speaker 1: and he maimaima, isn't it. I'm sorry. You can buy 152 00:07:30,200 --> 00:07:34,440 Speaker 1: the Majestic four three h maurimba from the rock. Is 153 00:07:34,440 --> 00:07:40,520 Speaker 1: it a keyboard? Oh my lord, it's like listen played again, Glenn. 154 00:07:41,440 --> 00:07:46,280 Speaker 1: This is the marimba. How does it make the sound? 155 00:07:46,560 --> 00:07:50,880 Speaker 2: Glen's given up and I'm not surprised, and then. 156 00:07:50,800 --> 00:07:55,680 Speaker 4: It just here it is, okay, so you've got the 157 00:07:55,720 --> 00:07:58,360 Speaker 4: little so this guy's play actually playing it with with 158 00:07:58,600 --> 00:08:01,560 Speaker 4: two sticks in each hand, which I'm pretty sure Jason's 159 00:08:01,600 --> 00:08:03,239 Speaker 4: kids won't be well. 160 00:08:03,080 --> 00:08:05,680 Speaker 1: Not until they get to the advanced courses. Where are 161 00:08:05,720 --> 00:08:08,000 Speaker 1: they learning at Marimba school? 162 00:08:09,200 --> 00:08:11,200 Speaker 3: This is this like they dump in Ta and it's 163 00:08:11,280 --> 00:08:14,040 Speaker 3: Marimbus greater and Murimber. 164 00:08:14,280 --> 00:08:17,800 Speaker 1: It's like it's like Tracy's Murumba school. You pay, you 165 00:08:17,800 --> 00:08:21,280 Speaker 1: pay Tracy's mate anyway, the Majestic Inmate four three h 166 00:08:21,400 --> 00:08:24,240 Speaker 1: murimba from the rock shop. How much is it? 167 00:08:24,280 --> 00:08:28,800 Speaker 3: Tim two thousand, seven hundred and eighty dollars two thousand, 168 00:08:28,840 --> 00:08:31,200 Speaker 3: seven hundred eighty How much you reckon it's Caddie. 169 00:08:31,240 --> 00:08:33,040 Speaker 2: One hundred and eighty nine ninety five. 170 00:08:34,760 --> 00:08:36,160 Speaker 1: Twenty three thousand dollars. 171 00:08:37,080 --> 00:08:39,680 Speaker 2: What ridiculous. 172 00:08:39,880 --> 00:08:42,120 Speaker 1: This is what kids get you into. They come home 173 00:08:42,160 --> 00:08:43,040 Speaker 1: and they go, wow. 174 00:08:43,000 --> 00:08:45,280 Speaker 3: Baby grand So you're still up being on the world 175 00:08:45,320 --> 00:08:47,240 Speaker 3: a boast the door for exactly if we get one 176 00:08:47,280 --> 00:08:47,600 Speaker 3: of those. 177 00:08:47,720 --> 00:08:50,080 Speaker 1: So it's a recording, you start with. The recorder costs nothing. 178 00:08:50,120 --> 00:08:51,960 Speaker 1: Next thing. They know. They want the saxophone. They've got 179 00:08:52,000 --> 00:08:54,280 Speaker 1: to buy a saxophone in thew thousands. So Jason's kids 180 00:08:54,280 --> 00:08:55,680 Speaker 1: are bringing home they say, I want to pay them 181 00:08:55,720 --> 00:08:58,439 Speaker 1: mariumba twenty three thousand and ninety five dollars from the 182 00:08:58,520 --> 00:08:59,000 Speaker 1: rock shop. 183 00:09:00,040 --> 00:09:00,439 Speaker 2: What do you do? 184 00:09:01,760 --> 00:09:03,439 Speaker 1: It's so dad toe right. 185 00:09:03,520 --> 00:09:05,640 Speaker 3: So I'm not buying you a damn recorder because it'll 186 00:09:05,720 --> 00:09:07,920 Speaker 3: end up in a marember. And we're twenty three k 187 00:09:07,960 --> 00:09:09,080 Speaker 3: and a whole forget about it. 188 00:09:09,200 --> 00:09:11,040 Speaker 1: We're not crying and much before you get to the 189 00:09:11,080 --> 00:09:13,520 Speaker 1: transportation of them, I rember. They haven't thought this through. 190 00:09:13,880 --> 00:09:16,360 Speaker 1: No way you can transport this thing. It's like I 191 00:09:16,400 --> 00:09:19,920 Speaker 1: said of drums, it's ridiculous. Quick comment, Katie before we 192 00:09:19,960 --> 00:09:22,280 Speaker 1: go on nole in Tarua. Fair or unfair? 193 00:09:23,040 --> 00:09:25,760 Speaker 2: Oh, it's a disgrace. It's so unfair. And what we've 194 00:09:25,760 --> 00:09:27,880 Speaker 2: got is a generational issue where we've got we've got 195 00:09:27,880 --> 00:09:30,200 Speaker 2: too many soccer bubers coming through the ranks. We've we've 196 00:09:30,200 --> 00:09:32,920 Speaker 2: got a we've got a resilience problem with youth and 197 00:09:32,960 --> 00:09:35,240 Speaker 2: they're not up for it. They're not tough enough and 198 00:09:35,280 --> 00:09:37,360 Speaker 2: they don't like to be told what to do, when 199 00:09:37,360 --> 00:09:38,120 Speaker 2: to do, and how to do. 200 00:09:38,160 --> 00:09:38,240 Speaker 3: It. 201 00:09:38,280 --> 00:09:40,800 Speaker 2: They want to boost into tears and say everybody's being mean. 202 00:09:41,200 --> 00:09:42,400 Speaker 2: So I'm with Noline. 203 00:09:42,880 --> 00:09:44,000 Speaker 1: I think everyone's with Nolan. 204 00:09:44,040 --> 00:09:46,280 Speaker 3: Want Tim what Katie said times too. 205 00:09:46,400 --> 00:09:48,080 Speaker 1: There we go as simple as that, there's another week, 206 00:09:48,160 --> 00:09:49,480 Speaker 1: just like that. Tim Wilson, Kate hawks me. 207 00:09:49,960 --> 00:09:52,800 Speaker 3: For more from The Mike Asking Breakfast, Listen live to 208 00:09:52,960 --> 00:09:56,040 Speaker 3: news talks. It'd be from six am weekdays, or follow 209 00:09:56,080 --> 00:09:57,640 Speaker 3: the podcast on iHeartRadio