1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack Team podcast 2 00:00:10,573 --> 00:00:59,333 Speaker 1: from News Talks at B. 3 00:00:37,493 --> 00:00:40,013 Speaker 2: It's got a bit of a cosmic vibe, this doesn't it. 4 00:00:40,413 --> 00:00:43,213 Speaker 2: That song is called Aperture by Harry Styles has promised 5 00:00:43,213 --> 00:00:45,453 Speaker 2: he dropped a new single ahead of his upcoming album 6 00:00:45,493 --> 00:00:49,133 Speaker 2: release in March. He has also announced that Harry is 7 00:00:49,133 --> 00:00:52,053 Speaker 2: going to be going on tour. So far tour dates 8 00:00:52,333 --> 00:00:55,853 Speaker 2: do hit Australia, so fingers crossed he makes it to 9 00:00:55,933 --> 00:01:00,253 Speaker 2: New Zealand as well. Libby producer Libby has never heard 10 00:01:00,253 --> 00:01:02,733 Speaker 2: of frisbee golf, never heard of disc golf. I actually 11 00:01:02,733 --> 00:01:05,933 Speaker 2: think this is a bit of a controversial thing. I 12 00:01:06,453 --> 00:01:09,493 Speaker 2: actually think an underrated sport. I actually think frisbee related 13 00:01:09,533 --> 00:01:11,853 Speaker 2: sports are underrated. When was the last time we threw 14 00:01:11,893 --> 00:01:15,053 Speaker 2: a frisbee? So much fun? It's like flying a kite 15 00:01:15,213 --> 00:01:19,293 Speaker 2: and yeah, frisbee golf. It's actually it's a rational sport. 16 00:01:19,613 --> 00:01:22,813 Speaker 2: It's entirely rational, pretty easy to understand, entirely rational. And 17 00:01:22,933 --> 00:01:24,653 Speaker 2: she's never seen one of those cage things that they 18 00:01:24,733 --> 00:01:27,733 Speaker 2: use for holes in a park. Anyway, twenty three minutes 19 00:01:27,773 --> 00:01:30,213 Speaker 2: to ten on your Saturday Morning, which teams, It's time 20 00:01:30,213 --> 00:01:32,653 Speaker 2: to get your film picks for this weekend. Francesca Radkin 21 00:01:33,173 --> 00:01:34,933 Speaker 2: is here with us this morning, killed her. 22 00:01:35,573 --> 00:01:36,133 Speaker 3: Good morning. 23 00:01:36,733 --> 00:01:40,413 Speaker 2: The Oscar noms are out this week, My goodness, some 24 00:01:40,533 --> 00:01:43,893 Speaker 2: interesting ones to go through there. Sinners picking up sixteen noms, 25 00:01:43,893 --> 00:01:47,653 Speaker 2: setting the all time record. But another film that has 26 00:01:47,693 --> 00:01:51,853 Speaker 2: been recognized with nine nominations is Marty Supreme. So let's 27 00:01:51,893 --> 00:01:52,333 Speaker 2: ever listen. 28 00:01:53,733 --> 00:01:57,493 Speaker 1: I haven't called this, okay, let me ask you something. 29 00:01:58,093 --> 00:02:00,253 Speaker 3: Do you make money off this little table tennis thing? 30 00:02:00,773 --> 00:02:01,333 Speaker 1: No? Ye? 31 00:02:01,733 --> 00:02:03,533 Speaker 3: Do you have a child? No? 32 00:02:04,893 --> 00:02:08,053 Speaker 1: How do you live with the conference of I believing myself? 33 00:02:08,093 --> 00:02:09,093 Speaker 3: The money will follow. 34 00:02:17,613 --> 00:02:21,933 Speaker 2: Right? Starring Timothy Chamalat, Gwyneth Paltrow friend Dresha tell us 35 00:02:21,973 --> 00:02:22,973 Speaker 2: about Marty Supreme. 36 00:02:23,533 --> 00:02:26,133 Speaker 3: Okay, So this is a film by Josh Safety and 37 00:02:26,213 --> 00:02:29,773 Speaker 3: he has in the past directed films along with his 38 00:02:29,853 --> 00:02:32,373 Speaker 3: brother Benny, And then they did a film and you 39 00:02:32,533 --> 00:02:35,293 Speaker 3: probably know Uncut Gems and Good Time, and then they 40 00:02:35,293 --> 00:02:39,213 Speaker 3: sort of separated and Josh has done Marty Supreme and 41 00:02:39,253 --> 00:02:42,213 Speaker 3: Benny went on to do the Smashing Machine with the Rock. 42 00:02:43,013 --> 00:02:44,813 Speaker 3: It didn't do quite so well in the Oscars. They 43 00:02:44,853 --> 00:02:47,413 Speaker 3: got one non first sort of makeup and hair, I believe, 44 00:02:47,533 --> 00:02:49,733 Speaker 3: but the Rock missed out. On the best actor, which, 45 00:02:49,773 --> 00:02:51,693 Speaker 3: to be honest with you, I'm not hugely surprised anyway, 46 00:02:52,013 --> 00:02:55,213 Speaker 3: Josh Safety, He's a director that everybody is talking about. 47 00:02:55,253 --> 00:02:57,813 Speaker 3: I saw this film late last year. I was very 48 00:02:57,853 --> 00:03:00,533 Speaker 3: fortunate to get an early screening, but I was embargoed 49 00:03:00,573 --> 00:03:03,093 Speaker 3: and I couldn't say anything about it, and people would 50 00:03:03,093 --> 00:03:04,653 Speaker 3: say to me, what's it like? And then I just 51 00:03:04,693 --> 00:03:09,893 Speaker 3: look at them silently to burst because I haven't seen 52 00:03:09,933 --> 00:03:11,733 Speaker 3: the film like this in a long time. We know 53 00:03:11,813 --> 00:03:14,653 Speaker 3: these guys are well known for their New York based, chaotic, 54 00:03:14,813 --> 00:03:18,053 Speaker 3: gritty kind of films, but this one really takes it 55 00:03:18,093 --> 00:03:20,053 Speaker 3: to a whole other level. And I had an actual 56 00:03:20,133 --> 00:03:23,453 Speaker 3: visceral response watching this film. Thankfully, there weren't many people 57 00:03:23,533 --> 00:03:25,653 Speaker 3: in the room so as I talked to the screen 58 00:03:25,813 --> 00:03:28,653 Speaker 3: or was just like what no, oh, my god. Like 59 00:03:28,893 --> 00:03:33,933 Speaker 3: Timothy Charlamage's character is absolutely infuriating. He's one of the 60 00:03:33,933 --> 00:03:36,453 Speaker 3: most annoying characters you will possibly see on screen this year. 61 00:03:36,453 --> 00:03:40,413 Speaker 3: But his dedication to playing this role is incredible. And look, 62 00:03:41,013 --> 00:03:45,933 Speaker 3: his table tennis is remarkable. They do they do? They 63 00:03:45,933 --> 00:03:49,093 Speaker 3: did put the balls in in post, but the choreography 64 00:03:49,133 --> 00:03:51,773 Speaker 3: and the way they've shot it, and you believe that 65 00:03:51,853 --> 00:03:55,093 Speaker 3: he is a world class table tennis back. Okay, so 66 00:03:55,133 --> 00:04:00,013 Speaker 3: basically very loosely based on a real life character from 67 00:04:00,013 --> 00:04:04,413 Speaker 3: the nineteen fifties, Marty the Needle Riseman. He was us 68 00:04:04,453 --> 00:04:08,293 Speaker 3: table table tennis champ. As I watched this film, all 69 00:04:08,293 --> 00:04:09,573 Speaker 3: I could think of was, I'm going to have to 70 00:04:09,613 --> 00:04:11,493 Speaker 3: google this because if this is really his life, this 71 00:04:11,613 --> 00:04:15,293 Speaker 3: is outrageous. This is just incredible. But it is actually 72 00:04:15,493 --> 00:04:18,853 Speaker 3: very loosely based on his life. And Timdy Shaller play 73 00:04:19,093 --> 00:04:22,453 Speaker 3: shallow plays Marty Mauser, and he is just this malthy, 74 00:04:22,613 --> 00:04:25,773 Speaker 3: live why character willing to do whatever it takes to 75 00:04:25,773 --> 00:04:28,213 Speaker 3: get to this table tennis championship in Britain. So he's 76 00:04:28,213 --> 00:04:30,653 Speaker 3: trying to make this money and off we go on 77 00:04:30,653 --> 00:04:32,773 Speaker 3: this journey. The thing is that everybody that kind of 78 00:04:32,813 --> 00:04:37,733 Speaker 3: gets sucked into this narcissis's life suffers, and it's not 79 00:04:37,893 --> 00:04:41,493 Speaker 3: he just doesn't notice. At heart of this film, what 80 00:04:41,533 --> 00:04:45,573 Speaker 3: they are trying to say is we no longer dream big, 81 00:04:45,693 --> 00:04:48,493 Speaker 3: we no longer put everything on the line for the 82 00:04:48,573 --> 00:04:52,373 Speaker 3: American dream. We've lost our ambition, you know. And this 83 00:04:52,413 --> 00:04:54,813 Speaker 3: is a very extreme way of getting that message across. 84 00:04:54,813 --> 00:04:58,053 Speaker 3: But there is quite an interesting sort of underlying message 85 00:04:58,053 --> 00:05:00,653 Speaker 3: at the heart of all this chaos. You're either going 86 00:05:00,693 --> 00:05:03,733 Speaker 3: to love it or hate it. The casting is fantastic, 87 00:05:03,813 --> 00:05:08,893 Speaker 3: it is outrageous, it's nuts, it's highly entertaining. The tone 88 00:05:09,013 --> 00:05:13,173 Speaker 3: is unforgivingly exhausting, and it's filled with inexcusable characters. Go 89 00:05:14,493 --> 00:05:17,613 Speaker 3: enjoy and see what you think. You've got to see it. 90 00:05:17,693 --> 00:05:18,573 Speaker 3: You've got to see it. 91 00:05:18,693 --> 00:05:22,413 Speaker 2: It sounds good, yeah, I mean it sounds yeah, unusual. 92 00:05:22,733 --> 00:05:26,693 Speaker 2: I mean yeah, yeah, yeah, yeah, yeah yeah. And you know, 93 00:05:27,053 --> 00:05:30,413 Speaker 2: even seeing the trailer with Timothy Schammelay, I'm like, oh, yeah, 94 00:05:30,453 --> 00:05:32,613 Speaker 2: this is this is gonna be worth watching. Okay, So 95 00:05:32,693 --> 00:05:35,253 Speaker 2: that is Marty's supremeut showing in cinemas at the moment. 96 00:05:35,333 --> 00:05:39,533 Speaker 2: Next up, a film screening on Netflix starring Matt Damon 97 00:05:39,613 --> 00:05:42,533 Speaker 2: and Ben Affleck. This is the rep. 98 00:05:42,533 --> 00:05:46,773 Speaker 1: From the outside looking in, it seems simple, seize the cash, 99 00:05:47,013 --> 00:05:48,613 Speaker 1: count it and turn it in. 100 00:05:51,693 --> 00:05:57,373 Speaker 3: On the inside, it's different. We got this smart right now, 101 00:05:57,613 --> 00:06:00,733 Speaker 3: we got this mis stay after radios. 102 00:06:00,453 --> 00:06:06,293 Speaker 2: No call out, Okay, tell us about the rip. 103 00:06:07,213 --> 00:06:10,253 Speaker 3: Always enjoy Matt Damien, Ben Affleck together, they have such 104 00:06:10,253 --> 00:06:12,693 Speaker 3: a great chemistry. Always sit down and watch a film 105 00:06:12,693 --> 00:06:15,013 Speaker 3: that they make. This one is screening on Netflix, which 106 00:06:15,013 --> 00:06:17,573 Speaker 3: I think is probably exactly where it should be. This 107 00:06:17,613 --> 00:06:19,053 Speaker 3: is the kind of film that you might want to 108 00:06:19,093 --> 00:06:20,693 Speaker 3: watch tonight, and if you've got nothing else on and 109 00:06:20,733 --> 00:06:23,373 Speaker 3: you're in a home and you want some easy entertainment, 110 00:06:23,853 --> 00:06:27,173 Speaker 3: then this is probably it. It takes a very simple premise. 111 00:06:27,173 --> 00:06:30,013 Speaker 3: The story just unfolds under one night, and it kind 112 00:06:30,053 --> 00:06:33,893 Speaker 3: of convolutes it into what they were hoping would be 113 00:06:33,933 --> 00:06:37,053 Speaker 3: a very sort of twisty, turny thriller. Filled the surprises, 114 00:06:37,093 --> 00:06:38,893 Speaker 3: but I think you can sort of see most of 115 00:06:38,893 --> 00:06:41,573 Speaker 3: them coming. The setup is a bit clunky, but look, 116 00:06:41,693 --> 00:06:44,213 Speaker 3: just stick with it. It does kind of fall into 117 00:06:44,253 --> 00:06:45,613 Speaker 3: place and it gets into a little bit of a 118 00:06:45,653 --> 00:06:49,893 Speaker 3: rhythm as we follow this group of tactical narcotics cops. 119 00:06:50,093 --> 00:06:57,133 Speaker 3: They go to they sort of do a They enter 120 00:06:57,133 --> 00:06:59,093 Speaker 3: a house, they know that there's money, drug money there, 121 00:06:59,133 --> 00:07:02,533 Speaker 3: they're going to take it, you know, the job. But 122 00:07:02,573 --> 00:07:04,813 Speaker 3: when they get there, there's a huge amount of money there, 123 00:07:04,853 --> 00:07:06,933 Speaker 3: and then all of a sudden, you're not sure who's 124 00:07:06,933 --> 00:07:08,413 Speaker 3: a good guy and who's a bad guy, and are 125 00:07:08,453 --> 00:07:11,253 Speaker 3: the cops actually going to take this money for themselves? 126 00:07:11,333 --> 00:07:12,573 Speaker 3: Are they going to hand it in? And who can 127 00:07:12,613 --> 00:07:14,453 Speaker 3: you trust and who can't you trust? And off we go. 128 00:07:14,573 --> 00:07:17,413 Speaker 3: So it's it's kind of as simple as that. It's 129 00:07:17,413 --> 00:07:19,893 Speaker 3: a great cast. We don't really get to know any 130 00:07:19,933 --> 00:07:22,373 Speaker 3: of these characters in any great depth, but we don't 131 00:07:22,413 --> 00:07:24,693 Speaker 3: need to. It's just sort of an enjoyable right. 132 00:07:24,733 --> 00:07:27,253 Speaker 2: Yeah, Okay, Well that sounds good. So that's the rip 133 00:07:27,413 --> 00:07:30,013 Speaker 2: that's on Netflix, Money, Supreme and Cinemas and all the 134 00:07:30,013 --> 00:07:32,253 Speaker 2: details for those films will be on the website. Francisca, 135 00:07:32,333 --> 00:07:35,853 Speaker 2: what did you think of the Oscar nominations? More broadly? 136 00:07:35,893 --> 00:07:38,693 Speaker 2: Were you surprised at sixteen nods for Sinners? 137 00:07:40,053 --> 00:07:41,693 Speaker 3: Ah? 138 00:07:41,813 --> 00:07:43,893 Speaker 2: Yeah, that's pretty that's the highest ever. 139 00:07:44,613 --> 00:07:46,733 Speaker 3: Yeah, no, it's impressive. But you know what, we watched 140 00:07:46,733 --> 00:07:48,693 Speaker 3: that film again the other day, and it is it 141 00:07:48,733 --> 00:07:52,013 Speaker 3: is screening I think on that at the moment, but 142 00:07:52,053 --> 00:07:53,453 Speaker 3: you know what, I saw it on the big screen, 143 00:07:53,533 --> 00:07:55,613 Speaker 3: and on the big screen it did take an awful 144 00:07:55,613 --> 00:07:57,973 Speaker 3: lot of those boxes. The only thing I will probably 145 00:07:58,013 --> 00:08:00,493 Speaker 3: say about the Oscars, I mean, look, there's lots of 146 00:08:00,533 --> 00:08:04,413 Speaker 3: always sort of I'd say it's a pretty good representation 147 00:08:04,653 --> 00:08:07,093 Speaker 3: of movies nast year the own. The issue I have 148 00:08:07,253 --> 00:08:09,173 Speaker 3: is that if one should not be in Best Picture, 149 00:08:09,533 --> 00:08:17,853 Speaker 3: that is a joke. It was. Yeah, that's probably my 150 00:08:18,533 --> 00:08:23,053 Speaker 3: one and only and I think it probably should have 151 00:08:23,133 --> 00:08:28,133 Speaker 3: been replaced with the Iranian film. It was just an accident, 152 00:08:28,253 --> 00:08:30,613 Speaker 3: and then I would have gone, yep, no, that's a 153 00:08:30,613 --> 00:08:33,293 Speaker 3: pretty good representative, you know, that's that they should all 154 00:08:33,333 --> 00:08:35,013 Speaker 3: be there, But that was the only one that sort 155 00:08:35,053 --> 00:08:36,933 Speaker 3: of struck me. I think it's going to be really 156 00:08:36,973 --> 00:08:41,373 Speaker 3: interesting to see how things unfold. It's hard to pick 157 00:08:41,613 --> 00:08:44,293 Speaker 3: just one. Actually, when I looked at all carries a 158 00:08:44,373 --> 00:08:46,533 Speaker 3: good Okay, those two are probably up for those two, 159 00:08:46,533 --> 00:08:49,293 Speaker 3: you know, like it wasn't sometimes you know, it's kind 160 00:08:49,333 --> 00:08:51,173 Speaker 3: of obviously you think it's going to take it away. 161 00:08:51,373 --> 00:08:53,093 Speaker 3: But it's going to be really interesting to watch the match. 162 00:08:53,133 --> 00:08:55,813 Speaker 2: Yeah, very good. Okay, Hey, thanks Francisco. We will catch 163 00:08:55,853 --> 00:08:59,053 Speaker 2: again next weekend. That is Francisco Regan, our film reviewer 164 00:08:59,093 --> 00:08:59,573 Speaker 2: This Morning. 165 00:09:00,093 --> 00:09:03,213 Speaker 1: For more from Saturday Morning with Jack Tame, listen live 166 00:09:03,293 --> 00:09:06,093 Speaker 1: to news talks that'd be from nine am Saturday, or 167 00:09:06,453 --> 00:09:08,093 Speaker 1: of the podcast on iHeartRadio.