1 00:00:00,160 --> 00:00:02,559 Speaker 1: Daily bespoke content that you won't find on the radio 2 00:00:02,680 --> 00:00:04,960 Speaker 1: show The Hurdarky Breakfast Podcast. 3 00:00:05,200 --> 00:00:09,120 Speaker 2: Daniel Weatman from The Black Seeds joins us this morning. 4 00:00:09,240 --> 00:00:12,080 Speaker 3: Daniel, how are you im good? Thank you? Yeah, very good. 5 00:00:12,160 --> 00:00:12,799 Speaker 3: Thanks for coming in. 6 00:00:12,880 --> 00:00:15,960 Speaker 2: I hear you've got the morning off your normal job 7 00:00:16,840 --> 00:00:18,560 Speaker 2: this morning to do the to do? 8 00:00:18,840 --> 00:00:23,160 Speaker 3: Are you doing the rounds or just you guys exclusively? 9 00:00:23,280 --> 00:00:26,479 Speaker 3: Just to you guys. Wow, we don't wait what we are. 10 00:00:26,640 --> 00:00:31,960 Speaker 2: We're super lucky and your work normally, Daniel, is I. 11 00:00:31,280 --> 00:00:36,080 Speaker 3: Do height installs. Supervise some young lads to do high 12 00:00:36,080 --> 00:00:41,080 Speaker 3: installs like installing excess letters to your roofs, anchors on 13 00:00:41,120 --> 00:00:43,919 Speaker 3: the roofs, pathways and stuff like that. So a lot 14 00:00:43,960 --> 00:00:44,519 Speaker 3: of hepwork. 15 00:00:44,840 --> 00:00:46,640 Speaker 4: So like the guys, there's some of them out there 16 00:00:46,680 --> 00:00:48,760 Speaker 4: at the moment repelling down the side of the building. 17 00:00:48,800 --> 00:00:51,040 Speaker 4: I think they're cleaning the windows. Yeah, but that sort 18 00:00:51,080 --> 00:00:51,479 Speaker 4: of stuff. 19 00:00:51,920 --> 00:00:54,400 Speaker 3: Yeah, I don't supervise that. I used to hang off buildings, 20 00:00:54,440 --> 00:00:58,240 Speaker 3: but I don't know's it's only so much of that 21 00:00:58,280 --> 00:00:58,640 Speaker 3: you can do. 22 00:00:58,840 --> 00:00:59,080 Speaker 5: Yeah. 23 00:00:59,240 --> 00:01:01,640 Speaker 3: I used to get very nervous doing that day you 24 00:01:01,680 --> 00:01:03,120 Speaker 3: really Yeah we're afraid of heights? 25 00:01:04,280 --> 00:01:06,840 Speaker 2: Yeah, well yeah, what a strange profession to go into 26 00:01:06,920 --> 00:01:08,080 Speaker 2: if you're afraid of heights. 27 00:01:08,240 --> 00:01:11,399 Speaker 3: Well, I kind of fell into it really. I was 28 00:01:11,440 --> 00:01:15,679 Speaker 3: working for a sign installation company and the guy said, hey, 29 00:01:16,040 --> 00:01:17,360 Speaker 3: we're going to I'm going to pull all the boys 30 00:01:17,400 --> 00:01:20,319 Speaker 3: through their tickets to do irata. That's one of the 31 00:01:20,319 --> 00:01:23,000 Speaker 3: seats that you can get. And I said, yeah, I'll 32 00:01:23,000 --> 00:01:27,479 Speaker 3: do it. And I didn't really think about it enough. 33 00:01:27,480 --> 00:01:28,920 Speaker 3: I knew we were going to be hanging off buildings, 34 00:01:28,959 --> 00:01:30,920 Speaker 3: but it's yeah, it's quite complicated. It's in the tense. 35 00:01:31,520 --> 00:01:34,920 Speaker 3: Five days of training and yeah, I did it. And 36 00:01:34,959 --> 00:01:38,040 Speaker 3: then I guess as you you know, you hang off buildings, 37 00:01:38,040 --> 00:01:40,399 Speaker 3: you get used to that feeling of the fair and 38 00:01:40,400 --> 00:01:41,880 Speaker 3: then once you're there where you just got to do 39 00:01:41,920 --> 00:01:44,319 Speaker 3: the work and kind of look at what you're doing 40 00:01:44,360 --> 00:01:46,480 Speaker 3: in front of you rather than looking down. 41 00:01:46,840 --> 00:01:49,960 Speaker 4: Yeah, have you seen that thing on Netflix, that guy 42 00:01:50,040 --> 00:01:52,560 Speaker 4: that Alex Honald, the free solo guy. Have you seen 43 00:01:52,600 --> 00:01:54,680 Speaker 4: that he climbed I have Type one O one is 44 00:01:54,720 --> 00:01:57,320 Speaker 4: like the second biggest building in the world. That is terrifying. 45 00:01:57,400 --> 00:02:01,160 Speaker 3: I mean he's next level though, but just this the stress. 46 00:02:00,800 --> 00:02:04,360 Speaker 4: That like the butthole puckering when you're watching this and 47 00:02:04,360 --> 00:02:06,640 Speaker 4: then the drone shots around it as someone who's been 48 00:02:06,720 --> 00:02:08,480 Speaker 4: up like, what did you think when you were watching 49 00:02:08,520 --> 00:02:10,200 Speaker 4: it bring back some trick? 50 00:02:10,360 --> 00:02:12,120 Speaker 3: Yeah, it definitely brings it back, and you feel it 51 00:02:12,160 --> 00:02:15,400 Speaker 3: in your body for sure. I mean yeah, I mean 52 00:02:15,440 --> 00:02:20,359 Speaker 3: that's he's a unique individual, isn't he. Yeah, but you 53 00:02:20,400 --> 00:02:23,400 Speaker 3: would have to be. I think it's I think it's 54 00:02:23,440 --> 00:02:27,000 Speaker 3: a great thing to do to face your fears, such 55 00:02:27,040 --> 00:02:28,880 Speaker 3: as anything in life and when you're hanging off a 56 00:02:28,880 --> 00:02:33,600 Speaker 3: building and having to use your tools and do the job. 57 00:02:33,680 --> 00:02:36,200 Speaker 3: I think I think it's helped me in a lot 58 00:02:36,240 --> 00:02:36,560 Speaker 3: of ways. 59 00:02:36,639 --> 00:02:39,440 Speaker 2: Yeah, I like to face my fears, Daniel, but generally 60 00:02:39,480 --> 00:02:41,880 Speaker 2: not in a physical sense. So I think like I'm 61 00:02:42,280 --> 00:02:45,000 Speaker 2: facing them. Well, I think in a mental sense, you know, 62 00:02:45,320 --> 00:02:46,000 Speaker 2: like things. 63 00:02:45,800 --> 00:02:47,120 Speaker 3: That you worry about. 64 00:02:47,360 --> 00:02:51,840 Speaker 2: But physically I feel like that's my that's my brain 65 00:02:51,960 --> 00:02:54,560 Speaker 2: saying you shouldn't be up there doing that, and your 66 00:02:54,560 --> 00:02:58,000 Speaker 2: brain does right, and my brain is right, you know. 67 00:02:58,320 --> 00:02:59,880 Speaker 4: So you just like to think about them rather than 68 00:03:00,240 --> 00:03:00,600 Speaker 4: do them. 69 00:03:00,680 --> 00:03:02,840 Speaker 2: Well, there's a lot I mean in a broadcasting sense, 70 00:03:02,880 --> 00:03:06,600 Speaker 2: you know, where you're worried about how something might play out, 71 00:03:06,680 --> 00:03:08,400 Speaker 2: how that might affect you. 72 00:03:08,120 --> 00:03:09,040 Speaker 4: Your for the wrangles. 73 00:03:09,200 --> 00:03:13,440 Speaker 2: Then yeah, then that's something that you can face and realize. 74 00:03:13,480 --> 00:03:15,400 Speaker 2: Oh okay, well I was always going to survive that. 75 00:03:15,919 --> 00:03:17,920 Speaker 3: Yeah, it's funny because that's what I was thinking when 76 00:03:17,960 --> 00:03:19,760 Speaker 3: I came to the interview. It's always a bit of 77 00:03:19,960 --> 00:03:23,480 Speaker 3: nerve wrecking to come and speak, but you know, you 78 00:03:23,600 --> 00:03:25,240 Speaker 3: have to do it. And I think it's the same 79 00:03:25,919 --> 00:03:28,320 Speaker 3: as ab sailing. I had to go over the bit, 80 00:03:28,360 --> 00:03:29,799 Speaker 3: I had to do the job. I had to get 81 00:03:29,840 --> 00:03:33,480 Speaker 3: over the building and facing that fear was great. 82 00:03:33,639 --> 00:03:36,840 Speaker 2: Is there going to be any ab sailing that you 83 00:03:36,880 --> 00:03:40,160 Speaker 2: could incorporate into the Black Seeds performance perhaps? 84 00:03:40,760 --> 00:03:43,720 Speaker 4: I mean, have you considered a concert from the side 85 00:03:43,720 --> 00:03:44,240 Speaker 4: of a building. 86 00:03:44,560 --> 00:03:47,640 Speaker 2: I saw Jane's Addiction at Lolapalooza not long ago, and 87 00:03:47,840 --> 00:03:55,720 Speaker 2: they had people on these like like strings basically strings probably, 88 00:03:56,440 --> 00:04:00,320 Speaker 2: and they were just flying out into the crowd out 89 00:04:01,240 --> 00:04:04,520 Speaker 2: dressed in kind of bondage gear as they would you 90 00:04:04,720 --> 00:04:07,880 Speaker 2: and and sort of getting kind of and some were 91 00:04:07,880 --> 00:04:10,720 Speaker 2: attached like to this skin like. 92 00:04:12,240 --> 00:04:13,680 Speaker 3: Yeah, it was quite full on. 93 00:04:13,920 --> 00:04:15,760 Speaker 4: Any plans for that for the Black Seeds. 94 00:04:17,640 --> 00:04:21,080 Speaker 2: Through the skin, through the skin like like hooks, hooks 95 00:04:21,120 --> 00:04:23,640 Speaker 2: through the skin, and they were they were been flowing out. 96 00:04:23,800 --> 00:04:25,560 Speaker 3: Wow, the whole the whole game. 97 00:04:27,400 --> 00:04:27,719 Speaker 2: Wow. 98 00:04:27,920 --> 00:04:29,560 Speaker 3: I love that j adiction. I mean that would have 99 00:04:29,560 --> 00:04:34,479 Speaker 3: been that sounds amazing, But for the Seeds probably not. 100 00:04:35,080 --> 00:04:37,680 Speaker 3: I get a bit nerdy when I go to gigs 101 00:04:37,720 --> 00:04:40,920 Speaker 3: and see how they're rigged up and there's this, you know, 102 00:04:41,000 --> 00:04:43,919 Speaker 3: all the lighting gets rigged up by reggas who do 103 00:04:44,000 --> 00:04:48,320 Speaker 3: EBB sailing. Usually I sort of check out that. But 104 00:04:49,000 --> 00:04:52,560 Speaker 3: for the Seeds, no. I mean, going back to when 105 00:04:52,560 --> 00:04:55,000 Speaker 3: I was like eight, my parents took me to see 106 00:04:55,000 --> 00:04:57,760 Speaker 3: Lionel Richie and he had that song dancing on the 107 00:04:57,760 --> 00:05:01,880 Speaker 3: ceiling and then half of the alder, half of the 108 00:05:01,920 --> 00:05:04,640 Speaker 3: people that were playing on stage actually got pulled up 109 00:05:04,680 --> 00:05:06,240 Speaker 3: on wires like that. 110 00:05:06,560 --> 00:05:06,839 Speaker 4: Wow. 111 00:05:07,320 --> 00:05:09,039 Speaker 3: At the end of the concert. Yeah, it was quite 112 00:05:09,480 --> 00:05:12,400 Speaker 3: where did you see Lionel Richard Western Springs? 113 00:05:12,560 --> 00:05:12,960 Speaker 4: Oh? 114 00:05:13,000 --> 00:05:13,279 Speaker 3: Wow? 115 00:05:13,600 --> 00:05:19,480 Speaker 2: Yeah it at Lionel's Linel was just like Linel loomed large. 116 00:05:19,560 --> 00:05:21,520 Speaker 2: That would have been like eighty five eighty six. Ye 117 00:05:21,839 --> 00:05:25,320 Speaker 2: vibe man, he loomed large of over nineteen eighty five 118 00:05:25,360 --> 00:05:27,560 Speaker 2: eighty six. And he's on the other world at the 119 00:05:27,560 --> 00:05:28,400 Speaker 2: time as well. 120 00:05:28,440 --> 00:05:31,200 Speaker 4: Just after that, I mean, he put the whole thing together, 121 00:05:31,240 --> 00:05:31,520 Speaker 4: didn't he. 122 00:05:31,800 --> 00:05:37,080 Speaker 2: Linel basically yeah, Lionel, Lionel We interviewed Lionel the while back, 123 00:05:37,120 --> 00:05:42,719 Speaker 2: and he is one of the nicest, most charming people 124 00:05:42,760 --> 00:05:44,640 Speaker 2: you'll ever meet in your entire He's one of the 125 00:05:44,960 --> 00:05:47,760 Speaker 2: you know what the with the list of kind of 126 00:05:47,800 --> 00:05:51,080 Speaker 2: celebrities that you meet, the real top of the top, 127 00:05:51,600 --> 00:05:55,760 Speaker 2: like the Linel Riches of the world, the nicest people. 128 00:05:56,320 --> 00:05:59,880 Speaker 2: They are always like the AAA's are always the nice, 129 00:06:00,200 --> 00:06:03,040 Speaker 2: most charming, like ridiculous people you've ever met. And they 130 00:06:03,080 --> 00:06:05,719 Speaker 2: just have a gift. They'll remember your name. They'll call 131 00:06:05,760 --> 00:06:08,280 Speaker 2: you your name during the interview in order like you're 132 00:06:08,320 --> 00:06:12,920 Speaker 2: sort of overwhelmed, you know, is your name, and seems 133 00:06:12,960 --> 00:06:15,800 Speaker 2: to keep remembering it the whole time during the interview. 134 00:06:16,800 --> 00:06:18,719 Speaker 2: And then I find that it's not kind of the 135 00:06:18,760 --> 00:06:21,960 Speaker 2: case with everybody, but but guys like him, You're like, 136 00:06:21,960 --> 00:06:23,320 Speaker 2: oh man, you've got the gift. 137 00:06:23,560 --> 00:06:26,800 Speaker 3: Like the now, I want to know who was the worst? 138 00:06:28,600 --> 00:06:29,080 Speaker 3: Can you say? 139 00:06:29,360 --> 00:06:35,240 Speaker 2: Yeah, No, I'll openly say I think it's I think 140 00:06:35,279 --> 00:06:35,760 Speaker 2: it's fair. 141 00:06:36,560 --> 00:06:46,039 Speaker 3: Remember Barker, really exactly Barker. He's on flight of. 142 00:06:46,040 --> 00:06:49,520 Speaker 4: The concourse, the flat mate. 143 00:06:49,520 --> 00:06:52,600 Speaker 2: I think, yeah, well here that here the bandana, and 144 00:06:52,640 --> 00:06:54,160 Speaker 2: he was like the American. 145 00:06:55,040 --> 00:07:02,640 Speaker 4: I think he's Canadian, such a Dick, and it was like, 146 00:07:03,000 --> 00:07:04,200 Speaker 4: what is up with that guy? 147 00:07:04,480 --> 00:07:05,120 Speaker 3: He turned up? 148 00:07:05,240 --> 00:07:08,000 Speaker 2: He turned up just like you did today, Daniel, exactly 149 00:07:08,000 --> 00:07:09,960 Speaker 2: the same and. 150 00:07:09,920 --> 00:07:11,280 Speaker 4: Repelled into the building and. 151 00:07:11,480 --> 00:07:14,480 Speaker 2: Was here to promote something like he was wanting to 152 00:07:14,480 --> 00:07:19,120 Speaker 2: sell tickets to a show and just kind of acted like, 153 00:07:19,920 --> 00:07:22,720 Speaker 2: I don't know, like he just did not want to 154 00:07:22,720 --> 00:07:27,320 Speaker 2: be here at all and was a real we're just asking, 155 00:07:27,520 --> 00:07:29,240 Speaker 2: just trying to have a chat like we're having now, 156 00:07:29,760 --> 00:07:33,560 Speaker 2: and he just shut everything down, like completely shut everything. 157 00:07:33,640 --> 00:07:36,720 Speaker 3: Was like, oh, you're coming here to promote your thing. 158 00:07:36,920 --> 00:07:39,440 Speaker 2: We don't really care that much about ash, Like I 159 00:07:39,480 --> 00:07:42,960 Speaker 2: don't really care that much about as chat. Always happy 160 00:07:42,960 --> 00:07:46,280 Speaker 2: to chalk, and he was like, man, it was weird. 161 00:07:46,320 --> 00:07:48,280 Speaker 2: And then afterwards we chatted to a couple of the 162 00:07:48,280 --> 00:07:50,400 Speaker 2: other comedians who have dealt with him that you know, 163 00:07:50,480 --> 00:07:52,960 Speaker 2: that's just something he just hates. He's just a bit 164 00:07:53,000 --> 00:07:53,560 Speaker 2: of an ahole. 165 00:07:53,640 --> 00:07:55,080 Speaker 4: You probably, I guess. 166 00:07:56,840 --> 00:07:56,920 Speaker 2: What. 167 00:07:57,680 --> 00:08:00,200 Speaker 4: You must have met some pretty big musicians touring over 168 00:08:00,200 --> 00:08:00,600 Speaker 4: the years. 169 00:08:01,760 --> 00:08:04,680 Speaker 3: I got a good one. Yeah. We were in Switzerland. 170 00:08:05,040 --> 00:08:11,440 Speaker 3: We did this festival and Smashing Punkins were playing, and 171 00:08:11,440 --> 00:08:14,680 Speaker 3: then their room actually ended up being right next to ours, 172 00:08:15,280 --> 00:08:19,120 Speaker 3: and we finished the gig early, did the rounds checking 173 00:08:19,120 --> 00:08:23,040 Speaker 3: out the festival, came back. I was a few drinks down, 174 00:08:23,120 --> 00:08:29,800 Speaker 3: so I was, yeah, confident, so confident. His bodyguard was 175 00:08:30,360 --> 00:08:33,160 Speaker 3: really into the Warriors and we were chatting about that. 176 00:08:34,200 --> 00:08:40,640 Speaker 3: A bodyguard, Yeah, tell them the one New Zealand Warriors. 177 00:08:41,600 --> 00:08:41,760 Speaker 5: Yeah. 178 00:08:41,840 --> 00:08:47,040 Speaker 3: Yeah. He was a multifiler. So we were chatting, rocking, 179 00:08:47,520 --> 00:08:50,880 Speaker 3: see you later, and and then I peered through the 180 00:08:50,960 --> 00:08:54,800 Speaker 3: door and then there's Billy Corgan there just having a 181 00:08:54,880 --> 00:08:58,599 Speaker 3: nap and and I just kind of rocked in this. 182 00:08:58,960 --> 00:09:04,160 Speaker 3: I think I woke them up. Yeah yeah, I said hey, hey, hey, Billy, 183 00:09:04,400 --> 00:09:06,200 Speaker 3: and he got over. He was like, well he man. 184 00:09:06,720 --> 00:09:08,480 Speaker 3: I said, oh, I'm Daniel from the Black Seas. You know, 185 00:09:08,559 --> 00:09:10,640 Speaker 3: really fastar. We just played a girl. I've just got 186 00:09:10,640 --> 00:09:12,360 Speaker 3: the room next year. I just wanted to say I 187 00:09:12,520 --> 00:09:23,320 Speaker 3: just love the first two albums. Just that's too long ago. 188 00:09:24,559 --> 00:09:25,000 Speaker 5: A lot. 189 00:09:26,480 --> 00:09:30,120 Speaker 3: Just made one album. You need to do a double seat. 190 00:09:30,840 --> 00:09:32,600 Speaker 3: Who knows what we're happening if I told him that. 191 00:09:33,040 --> 00:09:35,360 Speaker 3: But he was great. He was like, you know, he 192 00:09:35,480 --> 00:09:38,240 Speaker 3: had a bit of a chair, but he remembered. He said, oh, 193 00:09:38,520 --> 00:09:41,120 Speaker 3: New Zealand, I haven't been back there since the big 194 00:09:41,200 --> 00:09:44,480 Speaker 3: day out. And they never invaded us back, and I 195 00:09:44,520 --> 00:09:45,520 Speaker 3: was like, okay. 196 00:09:46,040 --> 00:09:47,960 Speaker 2: I think they would have invited you. I think they 197 00:09:48,000 --> 00:09:51,400 Speaker 2: would have invited like that open to inviting. I'm sure 198 00:09:51,440 --> 00:09:52,400 Speaker 2: it's pumpkins. 199 00:09:52,520 --> 00:09:56,760 Speaker 3: Sure. He was great. And then the bodyguards came in. 200 00:09:56,800 --> 00:09:59,439 Speaker 3: There was a there was a German bodyguard with the 201 00:09:59,520 --> 00:10:02,480 Speaker 3: multi fil and I just felt this huge hand just 202 00:10:02,600 --> 00:10:05,480 Speaker 3: grabbed my arm and I was like, oh, okay, because 203 00:10:05,480 --> 00:10:07,679 Speaker 3: I just wanted in there. They had done their job, 204 00:10:08,120 --> 00:10:10,760 Speaker 3: they hadn't done their job, and so they've probably been embarrassed. 205 00:10:10,800 --> 00:10:12,360 Speaker 3: And I just kind of looked at Billy, and Billy 206 00:10:12,440 --> 00:10:14,920 Speaker 3: was like, yeah, that's okay, that's okay. And he said, oh, 207 00:10:14,920 --> 00:10:16,880 Speaker 3: I guess this is where we do bones. And we 208 00:10:16,960 --> 00:10:19,600 Speaker 3: did bones and I said thank you, and that was that. 209 00:10:19,800 --> 00:10:21,360 Speaker 3: See you later. He was really cool. 210 00:10:21,679 --> 00:10:24,000 Speaker 2: Billy Corgan asleep asleep. 211 00:10:24,600 --> 00:10:26,040 Speaker 3: He probably probably. 212 00:10:25,720 --> 00:10:28,480 Speaker 2: Thought when you woke him that you were coming from. 213 00:10:28,960 --> 00:10:32,480 Speaker 3: I was pretty relaxed. But he was the older version 214 00:10:33,200 --> 00:10:37,280 Speaker 3: of Billy Corgan where he's got the whole black attire 215 00:10:37,559 --> 00:10:40,880 Speaker 3: and but it's a bit overweight. He's got the pot 216 00:10:40,880 --> 00:10:43,480 Speaker 3: belly and and that sort of hanging out underneath his 217 00:10:43,520 --> 00:10:45,280 Speaker 3: T shirt and but he was a lovely guy. 218 00:10:45,360 --> 00:10:45,640 Speaker 4: It was a. 219 00:10:50,800 --> 00:10:54,199 Speaker 1: Jeeringy Wells and the Nia Stuart. Find them on Instagram 220 00:10:54,280 --> 00:10:58,120 Speaker 1: at Hdarchy Breakfast Jerry and then I joined the Conflict 221 00:10:58,200 --> 00:11:00,920 Speaker 1: the Hidaky Breakfast discussion group on Facebook for. 222 00:11:00,960 --> 00:11:05,720 Speaker 3: More what's happening with Symphony? So you guys are a big. 223 00:11:05,520 --> 00:11:06,040 Speaker 2: Part of it. 224 00:11:07,280 --> 00:11:10,520 Speaker 3: Yeah, I mean we're playing at the show. When it 225 00:11:10,640 --> 00:11:12,840 Speaker 3: first got announced to us, we thought that we were 226 00:11:12,840 --> 00:11:15,040 Speaker 3: going to be playing with the symphony, which I thought, Wow, 227 00:11:15,120 --> 00:11:18,040 Speaker 3: that's that's quite a big task to do. But we're not. 228 00:11:18,080 --> 00:11:20,480 Speaker 3: We're just coming to play our tunes, which I think 229 00:11:20,600 --> 00:11:24,440 Speaker 3: is great. And it's an early show, and you know, 230 00:11:24,720 --> 00:11:28,760 Speaker 3: I'm from Auckland, so playing in the hometown show like that, 231 00:11:28,880 --> 00:11:31,079 Speaker 3: And that's going to be our last show of our 232 00:11:31,200 --> 00:11:33,559 Speaker 3: summer stunt, so it's going to be great. Going to 233 00:11:33,640 --> 00:11:36,040 Speaker 3: take my son and my mum along and they're going 234 00:11:36,120 --> 00:11:40,320 Speaker 3: to love that. And yeah, just really looking forward to 235 00:11:40,679 --> 00:11:44,480 Speaker 3: playing some new tunes and some old classics. And it's 236 00:11:44,520 --> 00:11:47,640 Speaker 3: a it's a it's only going to be like fifty minutes. 237 00:11:47,679 --> 00:11:49,800 Speaker 3: So that's that's an easy job for us, is it right? 238 00:11:50,080 --> 00:11:51,760 Speaker 4: How many songs you get away fifty minutes? 239 00:11:52,320 --> 00:12:00,280 Speaker 3: Fifty minutes? Maybe maybe ten one instrumental really long. 240 00:12:00,720 --> 00:12:03,959 Speaker 2: So have you guys been in the studio recording anything 241 00:12:04,000 --> 00:12:04,640 Speaker 2: new at the moment. 242 00:12:04,720 --> 00:12:07,640 Speaker 3: Yeah, we released a song late last year, this track 243 00:12:07,679 --> 00:12:10,719 Speaker 3: called Compassion, and now we're just working on well, it's 244 00:12:10,760 --> 00:12:14,240 Speaker 3: pretty much finished this new track eight bit it's called 245 00:12:14,280 --> 00:12:16,880 Speaker 3: and so that's going to be released god, probably in 246 00:12:16,920 --> 00:12:19,320 Speaker 3: the next three weeks, so you hear about that. And 247 00:12:19,360 --> 00:12:21,480 Speaker 3: then we've got a whole lot of demos. You know, 248 00:12:21,520 --> 00:12:23,800 Speaker 3: we live all over the country. It's really hard to 249 00:12:23,840 --> 00:12:27,600 Speaker 3: get us all together in the one room. So over 250 00:12:27,640 --> 00:12:30,440 Speaker 3: the last couple of years we've got together down at 251 00:12:31,080 --> 00:12:35,440 Speaker 3: Wellington and recorded a whole lot of tracks and yeah, 252 00:12:35,480 --> 00:12:37,679 Speaker 3: we just need to get some vocals and more overdubs 253 00:12:37,720 --> 00:12:40,120 Speaker 3: over them. But we're pretty excited about it, you know. 254 00:12:41,240 --> 00:12:44,040 Speaker 3: So we're excited about that for the for the coming 255 00:12:44,280 --> 00:12:47,360 Speaker 3: rest of the year, we'll release singles along the way 256 00:12:47,440 --> 00:12:51,079 Speaker 3: and then and then we've got Canada coming up in June, 257 00:12:51,160 --> 00:12:56,840 Speaker 3: which is exciting based around this Victoria's scar Festival, and 258 00:12:56,920 --> 00:12:58,520 Speaker 3: so it'd be great to get back to Canada. 259 00:12:59,080 --> 00:13:02,560 Speaker 4: Is it a bit more like you mentioned releasing the singles? 260 00:13:02,600 --> 00:13:04,440 Speaker 4: Is it more of these days about just once you've 261 00:13:04,480 --> 00:13:06,320 Speaker 4: got a song put it out rather than compiling an 262 00:13:06,320 --> 00:13:07,480 Speaker 4: album because it's all online. 263 00:13:07,559 --> 00:13:10,840 Speaker 3: Right. Yeah, man, it's a funny one day. When we started, 264 00:13:11,000 --> 00:13:13,720 Speaker 3: you know, you know, we've been going, what is it 265 00:13:13,760 --> 00:13:16,959 Speaker 3: twenty seven years now? We started, you know, it was 266 00:13:17,000 --> 00:13:19,240 Speaker 3: it was album based. Yeah, we didn't have Spotify, we 267 00:13:19,240 --> 00:13:21,760 Speaker 3: didn't have these streaming services. So that's what we're focused on. 268 00:13:21,840 --> 00:13:25,679 Speaker 3: And then now recently we just made that decision like, yeah, 269 00:13:25,800 --> 00:13:31,520 Speaker 3: let's just release the singles. Let it's release tracks and yeah, and. 270 00:13:31,520 --> 00:13:34,679 Speaker 4: Rather than waiting to have a random number the. 271 00:13:34,640 --> 00:13:38,600 Speaker 3: Whole package, yeah, which I think is healthy and keeps 272 00:13:38,679 --> 00:13:41,079 Speaker 3: us motivated to finish the blood yell. 273 00:13:41,480 --> 00:13:43,120 Speaker 2: And I feel like you guys do a lot of 274 00:13:43,160 --> 00:13:45,520 Speaker 2: overseas touring in the past. 275 00:13:45,559 --> 00:13:48,160 Speaker 3: You have, Yeah, Jeremy is the type of it. 276 00:13:48,520 --> 00:13:50,480 Speaker 2: Is it because of the genre of music that you're 277 00:13:50,520 --> 00:13:54,880 Speaker 2: playing that it's got an international appeal? Is that what's 278 00:13:54,920 --> 00:13:57,480 Speaker 2: going on? Because I mean not, there's not a huge 279 00:13:57,480 --> 00:14:00,800 Speaker 2: amount of New Zealand groups that are doing a whole 280 00:14:00,800 --> 00:14:02,360 Speaker 2: lot of international I. 281 00:14:02,280 --> 00:14:04,880 Speaker 3: Think it's all the work that we did over the years, 282 00:14:05,320 --> 00:14:08,280 Speaker 3: going back to like the just after the first album, 283 00:14:08,559 --> 00:14:11,480 Speaker 3: keep on pushing, Well, actually that was after on the 284 00:14:11,520 --> 00:14:13,200 Speaker 3: Sun and then we started to go to England and 285 00:14:13,240 --> 00:14:15,800 Speaker 3: I think we were going a lot twice a year 286 00:14:17,400 --> 00:14:20,880 Speaker 3: Europe and the States and just putting in that groundwork 287 00:14:21,240 --> 00:14:23,560 Speaker 3: has put our name out there on the international circuit. 288 00:14:23,680 --> 00:14:28,040 Speaker 3: So it's great to be us back. You know, we 289 00:14:28,680 --> 00:14:33,560 Speaker 3: possibly go back to Europe next year. So yeah, it's 290 00:14:33,600 --> 00:14:34,440 Speaker 3: all that sort of work. 291 00:14:34,480 --> 00:14:34,720 Speaker 4: Really. 292 00:14:34,760 --> 00:14:37,280 Speaker 3: I mean bands these days who are starting, I think 293 00:14:37,280 --> 00:14:40,240 Speaker 3: you've just you know, we get into complete debt from 294 00:14:40,280 --> 00:14:42,240 Speaker 3: going overseas, but you've got to get out there. And 295 00:14:43,200 --> 00:14:47,480 Speaker 3: because releasing a song is really not going to people 296 00:14:47,480 --> 00:14:48,720 Speaker 3: are going to play it, but they're not going to 297 00:14:48,840 --> 00:14:52,160 Speaker 3: it's seen you live, which is where they get convinced, 298 00:14:52,920 --> 00:14:55,480 Speaker 3: and being present out there, going out speaking to media 299 00:14:55,600 --> 00:14:58,160 Speaker 3: out there. So yeah, I think it's all that, all 300 00:14:58,200 --> 00:15:00,480 Speaker 3: that work that we've done in the past. I think 301 00:15:00,480 --> 00:15:02,480 Speaker 3: it puts that down to that and doing good shows 302 00:15:02,480 --> 00:15:02,920 Speaker 3: over there. 303 00:15:03,000 --> 00:15:05,840 Speaker 4: And well, where are some of the countries that you've 304 00:15:05,840 --> 00:15:09,080 Speaker 4: been you mentioned in the UK we're about. Is Germany 305 00:15:09,080 --> 00:15:10,120 Speaker 4: a big one for you guys? 306 00:15:10,120 --> 00:15:11,480 Speaker 3: Germany is great for us. 307 00:15:11,640 --> 00:15:13,800 Speaker 4: Yeah, they love Rega and stuff in Germany, they do. 308 00:15:14,000 --> 00:15:20,760 Speaker 3: Yeah, it always Ah, I think there's there's I don't 309 00:15:20,800 --> 00:15:22,600 Speaker 3: know in a lot of countries. They love reggae music, 310 00:15:22,680 --> 00:15:23,760 Speaker 3: reggae dub music. 311 00:15:24,440 --> 00:15:28,680 Speaker 4: I don't associate Germany with you know what I mean produces. 312 00:15:28,720 --> 00:15:33,760 Speaker 4: Germans probably hadn't this, but I just hof yeah, David. 313 00:15:38,160 --> 00:15:40,520 Speaker 4: But then they've also got just a massive low and 314 00:15:40,640 --> 00:15:44,080 Speaker 4: know Fat Freddy's tour a lot over there. Seed I 315 00:15:44,080 --> 00:15:45,800 Speaker 4: think that's a German reggae band. 316 00:15:46,440 --> 00:15:50,600 Speaker 3: They French or yeah, maybe French, European European, yes. 317 00:15:50,640 --> 00:15:54,080 Speaker 4: With about five hundred people in the band. But yeah, 318 00:15:54,120 --> 00:15:55,600 Speaker 4: so I don't know what it is about Europe. They 319 00:15:55,640 --> 00:15:56,400 Speaker 4: just they just love. 320 00:15:56,280 --> 00:15:59,240 Speaker 3: It, yeah, I mean, and like I said, we've just 321 00:15:59,280 --> 00:16:02,120 Speaker 3: got to get out there and play to them. And 322 00:16:02,160 --> 00:16:05,720 Speaker 3: we're really grateful to get back to Canada. There's a 323 00:16:05,760 --> 00:16:08,920 Speaker 3: there's a massive scene there as well, you know, I mean, 324 00:16:09,000 --> 00:16:12,800 Speaker 3: regae is I think you know, Bob Marley did the work. 325 00:16:13,840 --> 00:16:17,240 Speaker 3: Thank you, thank you, thank you very much. You did 326 00:16:17,280 --> 00:16:20,520 Speaker 3: always think Bob, Thank you, Bob. 327 00:16:20,640 --> 00:16:22,920 Speaker 2: And so you guys are all living in different places 328 00:16:24,320 --> 00:16:26,480 Speaker 2: and that must be cool as well, because you're if 329 00:16:26,520 --> 00:16:28,400 Speaker 2: you're not seeing each other a whole lot, and then 330 00:16:28,400 --> 00:16:31,200 Speaker 2: all of a sudden you get together back to tour 331 00:16:31,840 --> 00:16:33,000 Speaker 2: and go overseas again. 332 00:16:33,200 --> 00:16:36,600 Speaker 3: Yeah, that must be cool it is. I mean, it's 333 00:16:36,640 --> 00:16:39,640 Speaker 3: an amazing bunch of guys. There's eight of us. I mean, 334 00:16:39,720 --> 00:16:42,960 Speaker 3: if we're around each other, I would think that we 335 00:16:43,000 --> 00:16:46,720 Speaker 3: would still have great relationships. But I mean when we 336 00:16:46,760 --> 00:16:48,840 Speaker 3: get back together, it's it's it's like getting back with 337 00:16:48,880 --> 00:16:51,920 Speaker 3: old mates. It's just hanging out and doing a doing 338 00:16:51,960 --> 00:16:55,600 Speaker 3: a great job. And it's and it's the same in 339 00:16:55,640 --> 00:17:00,360 Speaker 3: the studio. Yeah, I'm very grateful. 340 00:17:00,400 --> 00:17:04,200 Speaker 4: Does it take much practice or rehearsal at this point 341 00:17:04,280 --> 00:17:06,480 Speaker 4: or could you guys just walk into a room and just. 342 00:17:06,520 --> 00:17:08,320 Speaker 3: Wow, that's a funny one. I know, we've been put 343 00:17:08,359 --> 00:17:10,840 Speaker 3: into this situation where we can't rehearse all the time. 344 00:17:10,960 --> 00:17:17,000 Speaker 3: So it's like everybody rehearse at home. But and then 345 00:17:17,119 --> 00:17:19,359 Speaker 3: you know, the set list will get changed to what 346 00:17:19,359 --> 00:17:22,119 Speaker 3: what do we really know? But we've been doing it 347 00:17:22,160 --> 00:17:24,960 Speaker 3: for so long the way that if we do add something, 348 00:17:25,000 --> 00:17:29,200 Speaker 3: and we'll try and do it at sound check, right, yeah, 349 00:17:29,240 --> 00:17:31,760 Speaker 3: and if it works there, then okay, let's let's keep going. 350 00:17:32,320 --> 00:17:35,120 Speaker 3: And you know, a lot of eye contact, a lot 351 00:17:35,119 --> 00:17:39,320 Speaker 3: of you know, come on, here's the change, right, So 352 00:17:39,720 --> 00:17:41,520 Speaker 3: MOR's coming up. So I think it makes you a 353 00:17:41,520 --> 00:17:46,520 Speaker 3: better musician, just been that intensity on stage. That's you know, 354 00:17:46,840 --> 00:17:49,280 Speaker 3: to make it right. Yeah, doesn't. Yeah. 355 00:17:49,520 --> 00:17:53,880 Speaker 2: So it's all happening in Auckland Domain Minucure Fuel Symphony Saturday. 356 00:17:53,920 --> 00:17:56,080 Speaker 2: That's not the said day, but the following Saturday, Saturday, 357 00:17:56,119 --> 00:17:59,120 Speaker 2: the twenty first of March. There's still some tickets available. 358 00:17:59,160 --> 00:18:03,480 Speaker 2: It's always yes, it's always a good vibe and popular. 359 00:18:03,920 --> 00:18:08,679 Speaker 2: Obviously you've got the Black Seeds, shape Shift Exponents, nice 360 00:18:08,359 --> 00:18:16,400 Speaker 2: and shape Shifting, Faithless Saga, Bellly Belle Harmony going on. 361 00:18:16,880 --> 00:18:21,119 Speaker 2: It's a it's a fantastic event, Daniel, thank you so 362 00:18:21,240 --> 00:18:23,439 Speaker 2: much for coming on. Jeez, guys, lovely to see you 363 00:18:23,600 --> 00:18:25,520 Speaker 2: and and best of luck with the gigs. 364 00:18:25,600 --> 00:18:28,080 Speaker 3: Yeah, thank you very much. Keep up the great work, guys, 365 00:18:29,920 --> 00:18:39,360 Speaker 3: walking were coming. Compassion must. 366 00:18:44,160 --> 00:18:55,200 Speaker 5: Welcome with compassion must becomment fashion 367 00:19:01,119 --> 00:19:03,800 Speaker 1: Jerry and Maniah catch the radio show from six to 368 00:19:03,960 --> 00:19:06,080 Speaker 1: ten weekdays, The Hodaki Breakfast