1 00:00:00,240 --> 00:00:02,679 Speaker 1: Daily bespoke content that you won't find on the radio 2 00:00:02,800 --> 00:00:05,080 Speaker 1: show The Hurt I Keep Breakfast podcast. 3 00:00:05,400 --> 00:00:06,480 Speaker 2: Your legs hurt? Do they? 4 00:00:06,720 --> 00:00:07,240 Speaker 3: Yeah? 5 00:00:07,360 --> 00:00:08,760 Speaker 2: Is that from leg day? Yesterday? 6 00:00:08,920 --> 00:00:08,959 Speaker 4: No? 7 00:00:09,240 --> 00:00:12,680 Speaker 3: Leg that's tomorrow? Sho know that, Jarry? No, it's what 8 00:00:12,840 --> 00:00:17,280 Speaker 3: Day's leg day, Father's Day, it's whatever. It's my bloody 9 00:00:17,360 --> 00:00:20,160 Speaker 3: hip flexes man. Oh bro, Yeah, I'm got to stretch 10 00:00:20,160 --> 00:00:23,560 Speaker 3: them bitches. Stretch. Is there anything harder than to remember 11 00:00:23,560 --> 00:00:25,079 Speaker 3: to do than stretching after exercise? 12 00:00:25,720 --> 00:00:29,360 Speaker 2: I don't either. I can't. I find stretching so boring. 13 00:00:29,200 --> 00:00:31,200 Speaker 3: Same and I don't know if it's working. I'll tell 14 00:00:31,200 --> 00:00:32,480 Speaker 3: you what the next day. You know, and you didn't 15 00:00:32,520 --> 00:00:33,520 Speaker 3: do it? Yeah? 16 00:00:33,760 --> 00:00:36,640 Speaker 2: To My partner does a lot of stretching. It's very loose, 17 00:00:36,760 --> 00:00:39,400 Speaker 2: very limber. They come from a long line of stretchy, 18 00:00:39,440 --> 00:00:43,400 Speaker 2: limber people, though they genically lumber. Her dad still does seventies. 19 00:00:43,479 --> 00:00:45,599 Speaker 3: I always think this. I'm always like, do you are 20 00:00:45,640 --> 00:00:49,520 Speaker 3: you flexible because you stretch? Or do you stretch because 21 00:00:49,520 --> 00:00:51,279 Speaker 3: you're flexible and you realize that you're good at it? 22 00:00:51,400 --> 00:00:51,879 Speaker 3: You know what I mean? 23 00:00:52,000 --> 00:00:54,160 Speaker 2: Oh, totally, this is the whole thing. I'm so bad 24 00:00:54,160 --> 00:00:55,880 Speaker 2: at it. I've always been bad at it, so I 25 00:00:55,920 --> 00:00:57,400 Speaker 2: don't want to do it. I don't like doing things 26 00:00:57,400 --> 00:00:59,920 Speaker 2: and bad at no, no one does. Tossy's grandma was 27 00:01:00,160 --> 00:01:03,160 Speaker 2: eighty five. She was still doing yoga at eighty five, 28 00:01:03,800 --> 00:01:06,919 Speaker 2: like proper yoga, like really good, intense yoga. 29 00:01:07,000 --> 00:01:08,400 Speaker 3: That's why she made it to eighty five. 30 00:01:08,440 --> 00:01:10,399 Speaker 2: I reckon, yeah, I need to do I know I 31 00:01:10,440 --> 00:01:14,480 Speaker 2: need to do yoga. I hate the idea of doing yoga. 32 00:01:14,600 --> 00:01:17,440 Speaker 3: Face it, it's so boring. I did. 33 00:01:18,080 --> 00:01:20,920 Speaker 2: I know it's hard, but Tozzy forced me to do 34 00:01:21,240 --> 00:01:26,600 Speaker 2: yin yoga once, and yan yoga is so fucking boring. 35 00:01:26,800 --> 00:01:30,640 Speaker 2: It's the most boring thing. It's like meditative yoga, so 36 00:01:31,040 --> 00:01:33,360 Speaker 2: you move really slowly, and she tells, He's like, oh, 37 00:01:33,400 --> 00:01:35,200 Speaker 2: you'll be good at yan yoga. You'll be able to do. 38 00:01:35,200 --> 00:01:37,880 Speaker 2: It's just basically meditation. You hardly have to do anything. 39 00:01:38,520 --> 00:01:41,520 Speaker 2: They tried to get me under these positions. The woman 40 00:01:41,600 --> 00:01:43,880 Speaker 2: had to come and help me specifically, and I was like, 41 00:01:44,560 --> 00:01:47,600 Speaker 2: I was like the special needs kid that was having 42 00:01:47,640 --> 00:01:48,639 Speaker 2: to be helped in how. 43 00:01:48,520 --> 00:01:50,120 Speaker 3: To stretch additions. 44 00:01:50,160 --> 00:01:54,280 Speaker 2: And everyone was laughing, actually genuinely laughing at me, and 45 00:01:54,320 --> 00:01:55,880 Speaker 2: I was like, I don't even want to do this again. 46 00:01:55,920 --> 00:01:57,960 Speaker 2: I don't like. I don't like. I may being laughed 47 00:01:57,960 --> 00:01:59,960 Speaker 2: wor but I don't be laughed at. 48 00:02:00,360 --> 00:02:00,960 Speaker 3: I don't mate. 49 00:02:01,160 --> 00:02:01,400 Speaker 2: You know. 50 00:02:01,560 --> 00:02:03,240 Speaker 3: Well every once actually asked you if he was a 51 00:02:03,240 --> 00:02:08,000 Speaker 3: butt plug and he you know, if he's a butt 52 00:02:08,000 --> 00:02:12,640 Speaker 3: plugged dude. Ye, one day, he said, because he always 53 00:02:12,720 --> 00:02:14,160 Speaker 3: used to go over to the gym and do these 54 00:02:14,240 --> 00:02:16,120 Speaker 3: like stretching classes and stuff. And I was like, I'm 55 00:02:16,160 --> 00:02:17,639 Speaker 3: so stuff and rigid. I guess come to one of 56 00:02:17,680 --> 00:02:21,120 Speaker 3: these classes, right, And I walk in at the end 57 00:02:21,120 --> 00:02:23,840 Speaker 3: of the class and everyone's lying down with their hands 58 00:02:23,880 --> 00:02:25,800 Speaker 3: over their chest and I'm pretty sort of lady like, 59 00:02:25,840 --> 00:02:30,600 Speaker 3: the teacher up on the stage is crying. Other people 60 00:02:30,680 --> 00:02:33,160 Speaker 3: are out in the crowd, They are doing their stretches. 61 00:02:33,639 --> 00:02:35,400 Speaker 3: One lady are in the corners crying to him, and 62 00:02:35,400 --> 00:02:38,040 Speaker 3: I was like, the hell is this And it's just 63 00:02:38,040 --> 00:02:40,760 Speaker 3: some sort of deep seated trauma thing. I was like, 64 00:02:40,919 --> 00:02:41,680 Speaker 3: this looks shit. 65 00:02:41,840 --> 00:02:44,360 Speaker 2: It was deep seated trauma therapy. Well, no, it was 66 00:02:44,400 --> 00:02:44,920 Speaker 2: just stretching. 67 00:02:44,960 --> 00:02:46,400 Speaker 3: But I don't know it was the lady at the 68 00:02:46,400 --> 00:02:48,359 Speaker 3: front just got a bit too in touch with the 69 00:02:48,480 --> 00:02:50,720 Speaker 3: emotions and I was like, I don't I don't want this. 70 00:02:50,760 --> 00:02:52,120 Speaker 3: I don't want to go to the gym to cry. 71 00:02:52,680 --> 00:02:53,600 Speaker 3: I got to the pub for that. 72 00:02:54,919 --> 00:02:55,760 Speaker 2: I got home for that. 73 00:02:55,919 --> 00:02:58,240 Speaker 4: Yeah, I'm in to acting school. And they made us 74 00:02:58,240 --> 00:03:00,919 Speaker 4: do some yoga at acting school and this. There's two 75 00:03:00,960 --> 00:03:04,400 Speaker 4: things I remember about that. One was the teacher was like, 76 00:03:04,760 --> 00:03:07,600 Speaker 4: has anybody got any questions? And one of my mates. 77 00:03:07,360 --> 00:03:08,839 Speaker 3: Was like, why is my j's bottom of my ass? 78 00:03:09,840 --> 00:03:12,720 Speaker 4: No? No, we didn't ask her. That was someone else. 79 00:03:13,560 --> 00:03:17,240 Speaker 4: And one of my mates, Dave van Horn's gonna say, yeah, 80 00:03:17,320 --> 00:03:20,320 Speaker 4: Dave van Horn just said, kind of quietly under his breath, 81 00:03:20,560 --> 00:03:23,000 Speaker 4: does it fucking disturb you? You can bend in half? 82 00:03:23,720 --> 00:03:26,240 Speaker 4: And a few of us heard it and we just 83 00:03:26,280 --> 00:03:28,600 Speaker 4: would start laughing, and then it spread throughout the class. 84 00:03:28,720 --> 00:03:31,200 Speaker 4: But what you said about the girl that was crying, 85 00:03:31,280 --> 00:03:34,240 Speaker 4: there was another girl in our class that we were 86 00:03:34,280 --> 00:03:37,360 Speaker 4: all having to bend forward from our hips with our 87 00:03:37,560 --> 00:03:41,040 Speaker 4: feet splayed outwards and the further and it was one 88 00:03:41,080 --> 00:03:42,920 Speaker 4: of those situations where the teacher came along and was 89 00:03:42,920 --> 00:03:46,440 Speaker 4: pushing her down and you were watching, no, no, no, 90 00:03:46,880 --> 00:03:49,440 Speaker 4: you know, but we could hear it because we'd all 91 00:03:49,480 --> 00:03:52,880 Speaker 4: start looking up and she just and it was like 92 00:03:53,080 --> 00:03:56,840 Speaker 4: full whale crying because apparently the trauma and the tension 93 00:03:56,920 --> 00:04:01,080 Speaker 4: was being released from where her lower back from her hips, 94 00:04:01,160 --> 00:04:03,720 Speaker 4: her lower back. Do you keep your trauma in your hips? Yeah, 95 00:04:03,760 --> 00:04:04,720 Speaker 4: well apparently it's in. 96 00:04:04,680 --> 00:04:06,600 Speaker 3: Your chakra braly. 97 00:04:06,600 --> 00:04:09,520 Speaker 5: I've got a lot of have you Well you will 98 00:04:09,560 --> 00:04:15,800 Speaker 5: after whatever news today we've had a four. Okay, I 99 00:04:15,840 --> 00:04:19,039 Speaker 5: feel for you actually because you've had a tough You've 100 00:04:19,040 --> 00:04:19,400 Speaker 5: had a. 101 00:04:19,360 --> 00:04:20,920 Speaker 4: Tough twenty six. 102 00:04:21,839 --> 00:04:24,480 Speaker 2: You know, there's not a lot that's good that's happened 103 00:04:24,480 --> 00:04:28,200 Speaker 2: in twenty six. You've had. You know, the the old 104 00:04:28,240 --> 00:04:32,960 Speaker 2: dishwash has gone bun when you tried to fix it. 105 00:04:30,720 --> 00:04:35,000 Speaker 2: That was a fight, did yourself? Yeah, but that was 106 00:04:35,000 --> 00:04:35,400 Speaker 2: a fail. 107 00:04:35,600 --> 00:04:38,280 Speaker 4: It's still hurt, didn't it. Sometimes you can do things 108 00:04:38,279 --> 00:04:40,720 Speaker 4: to yourself. That's a good point. That's a good But 109 00:04:41,040 --> 00:04:44,800 Speaker 4: a hangover as the clearest example of that. My missus 110 00:04:44,800 --> 00:04:46,440 Speaker 4: is always like, yeah, but you did this to yourself. 111 00:04:46,440 --> 00:04:48,160 Speaker 4: I was like, I know, but I did do it, 112 00:04:48,400 --> 00:04:49,960 Speaker 4: you know what I mean? So I am still hungover. 113 00:04:50,240 --> 00:04:54,160 Speaker 4: So no, we're not running five k's today. Well I'm 114 00:04:54,200 --> 00:04:55,400 Speaker 4: not running five k's today. 115 00:04:55,680 --> 00:04:58,640 Speaker 2: Yeah you do, but you could still run. 116 00:05:00,440 --> 00:05:04,919 Speaker 4: I tried. I tried jogging home. That was stupid. Do 117 00:05:04,920 --> 00:05:07,719 Speaker 4: you fall again? No, it just hurt my knee even further. 118 00:05:07,839 --> 00:05:09,680 Speaker 3: Also, you know on the blood pumping when there's an 119 00:05:09,680 --> 00:05:11,080 Speaker 3: open wound on your hour. 120 00:05:11,160 --> 00:05:13,040 Speaker 4: I didn't think about that. I thought it was one 121 00:05:13,080 --> 00:05:15,520 Speaker 4: of those situations where it's just a little bit of 122 00:05:15,560 --> 00:05:17,800 Speaker 4: blood that's coming out of a small wound, and it 123 00:05:17,800 --> 00:05:19,320 Speaker 4: makes it look worse because it's raining on me. 124 00:05:19,880 --> 00:05:21,400 Speaker 3: Water makes blood look much worse. 125 00:05:21,440 --> 00:05:23,240 Speaker 4: And then I looked at it once it got cleaned up, 126 00:05:23,240 --> 00:05:24,400 Speaker 4: and it was fucking gross. 127 00:05:24,560 --> 00:05:27,760 Speaker 2: So when you did fall, when you did fall over, uh, 128 00:05:29,040 --> 00:05:31,880 Speaker 2: going for your run made my fall. Obviously you're on 129 00:05:31,920 --> 00:05:36,719 Speaker 2: a road. Do people see it or you can help you? 130 00:05:37,279 --> 00:05:37,320 Speaker 6: No? 131 00:05:37,400 --> 00:05:40,119 Speaker 4: One helped. A few cars drove past. There was another 132 00:05:40,160 --> 00:05:42,599 Speaker 4: couple walking a dog a little bit further up, and 133 00:05:42,600 --> 00:05:46,080 Speaker 4: I was worried that Betty the bearded colligue would run 134 00:05:46,120 --> 00:05:49,279 Speaker 4: after that dog, because she did run away from me. 135 00:05:50,040 --> 00:05:52,440 Speaker 4: At the time, I was listening to drive by the cars. 136 00:05:53,400 --> 00:05:57,400 Speaker 4: It's gone and drive your home right to night. And 137 00:05:57,440 --> 00:06:02,320 Speaker 4: then you so you run, said yep, well I try, 138 00:06:02,360 --> 00:06:04,840 Speaker 4: and I try and not go too fast. And then 139 00:06:04,880 --> 00:06:07,920 Speaker 4: after that was handle with cre by the traveling Whilberries. 140 00:06:07,920 --> 00:06:10,600 Speaker 2: I don't think you need to try not to go fast. No, 141 00:06:10,720 --> 00:06:13,200 Speaker 2: I just think you'll just go not fast if. 142 00:06:13,160 --> 00:06:15,120 Speaker 4: I if I push it down to that six minutes, 143 00:06:15,640 --> 00:06:19,040 Speaker 4: I'll wear myself out. What six minutes per kilomet's too 144 00:06:19,040 --> 00:06:21,159 Speaker 4: fast for me? Only the six and six twenty to 145 00:06:21,200 --> 00:06:21,720 Speaker 4: six thirty. 146 00:06:21,760 --> 00:06:23,839 Speaker 2: What's going to happen if you go under six minutes? 147 00:06:23,880 --> 00:06:25,880 Speaker 3: Ok, I get wiped out? 148 00:06:26,560 --> 00:06:30,200 Speaker 2: Well, he was going over six minutes, fall out of 149 00:06:30,200 --> 00:06:32,800 Speaker 2: the shoes, still wiped out. So what would happened to 150 00:06:32,800 --> 00:06:34,120 Speaker 2: Do you think your heart would explode? 151 00:06:34,279 --> 00:06:36,520 Speaker 4: No? I just I get tired after like two kilometers 152 00:06:36,560 --> 00:06:38,960 Speaker 4: and then after the walk you keep going, keep running. No, 153 00:06:39,040 --> 00:06:41,200 Speaker 4: I can't keep running and keep going because get. 154 00:06:41,080 --> 00:06:44,000 Speaker 2: Into the pain cave. You need to get into the 155 00:06:44,000 --> 00:06:44,520 Speaker 2: paint cave. 156 00:06:44,600 --> 00:06:46,320 Speaker 4: Well, then I start crying, don't know, because I'm in 157 00:06:46,320 --> 00:06:46,920 Speaker 4: the pain cave. 158 00:06:47,680 --> 00:06:49,839 Speaker 2: That's the that's the that's the crying room. 159 00:06:49,960 --> 00:06:50,679 Speaker 3: The sad cave. 160 00:06:50,880 --> 00:06:52,480 Speaker 2: It's a different thing, nick cave. 161 00:06:52,960 --> 00:06:55,360 Speaker 3: It's cave and the traveling wilberries. Do you want to 162 00:06:55,360 --> 00:06:56,760 Speaker 3: talk about the what is it? 163 00:06:56,800 --> 00:06:59,520 Speaker 4: The two I Got Too Bad too bab from the 164 00:06:59,600 --> 00:07:03,080 Speaker 4: year too thousand, from the year two thousand, apparently, so 165 00:07:03,160 --> 00:07:04,799 Speaker 4: this is an ad campaign. 166 00:07:04,320 --> 00:07:07,400 Speaker 2: To promote Channel two, the TV two brand. 167 00:07:07,400 --> 00:07:10,600 Speaker 4: Ad was that two thousand wasn't apparently, according to New 168 00:07:10,680 --> 00:07:17,560 Speaker 4: Zealand on Screen EWE for the YEP and we've had 169 00:07:17,560 --> 00:07:20,840 Speaker 4: a few people on the conclave. The Dacke Briekfast discussion 170 00:07:20,840 --> 00:07:23,760 Speaker 4: group on Facebook ask for a bit of a debrief 171 00:07:23,800 --> 00:07:26,560 Speaker 4: on this Jerry you do feature. I was going to 172 00:07:26,600 --> 00:07:28,240 Speaker 4: say heavily, not heavily, you. 173 00:07:28,160 --> 00:07:30,760 Speaker 2: Do venture in this. Yeah, I remember this well. 174 00:07:30,880 --> 00:07:32,640 Speaker 4: I'm sure you have a few stories that believe. It 175 00:07:32,680 --> 00:07:36,720 Speaker 4: starts off with Kevin Smith, r I P and what's 176 00:07:36,760 --> 00:07:39,600 Speaker 4: her name? Stephanie to here? Thank you? 177 00:07:39,840 --> 00:07:40,240 Speaker 2: All right? 178 00:07:46,000 --> 00:07:46,640 Speaker 6: We war. 179 00:07:49,960 --> 00:08:02,960 Speaker 7: Nice harmonylor guy Skirt Harley and squired as well. Oh 180 00:08:03,000 --> 00:08:04,119 Speaker 7: that's Anthony Ray Parker. 181 00:08:04,200 --> 00:08:04,360 Speaker 2: Is it. 182 00:08:05,920 --> 00:08:10,280 Speaker 4: Okay? I'm going to stop there. Katrina Divine from Minny 183 00:08:10,320 --> 00:08:15,400 Speaker 4: Crozier juweting with a guy from an American TV show. 184 00:08:15,440 --> 00:08:20,160 Speaker 2: So they've obviously, you know, they did. They did compole, 185 00:08:20,280 --> 00:08:22,760 Speaker 2: so that that was taken. You might might be able 186 00:08:22,760 --> 00:08:25,480 Speaker 2: to see that it's it's been split screen, but you 187 00:08:25,520 --> 00:08:29,760 Speaker 2: can't tell the magic of television early digital television actually 188 00:08:29,800 --> 00:08:35,360 Speaker 2: there two thousand and yeah. Who is it though? Is 189 00:08:35,360 --> 00:08:37,560 Speaker 2: a guy from Scrubs or Freaks and Geeks or. 190 00:08:37,559 --> 00:08:40,959 Speaker 4: Someone wanted to say, like some kind of Superman superhero. 191 00:08:42,080 --> 00:08:46,559 Speaker 2: Lois and and Clark. I don't know how that guy. 192 00:08:47,360 --> 00:08:50,480 Speaker 4: She's wearing a Hollywood T shirt underneath that purple jacket. 193 00:08:50,520 --> 00:08:52,439 Speaker 4: In case you're wondering, Okay, all right. 194 00:08:53,040 --> 00:08:56,440 Speaker 1: Jerreny Wells and the Nia Stewart find them on Instagram 195 00:08:56,480 --> 00:09:00,800 Speaker 1: at Hodaki Breakfast. Jerry and Manaia join the complaint the 196 00:09:00,880 --> 00:09:05,200 Speaker 1: Hidaki Breakfast discussion group on Facebook for more, I got 197 00:09:05,280 --> 00:09:06,000 Speaker 1: you bred. 198 00:09:07,400 --> 00:09:14,040 Speaker 2: That's that's Strals and Teddy Beer and Chucky would Jane 199 00:09:14,080 --> 00:09:15,640 Speaker 2: Kyly je Kylie. 200 00:09:20,280 --> 00:09:24,120 Speaker 4: Tim more raptly is this like a what now crew? 201 00:09:24,320 --> 00:09:26,040 Speaker 4: Isn't the spit here? 202 00:09:30,360 --> 00:09:36,200 Speaker 2: Erica Cherica's pekash here, I come here, I come. 203 00:09:37,440 --> 00:09:41,800 Speaker 6: Well sas too long. I don't care. 204 00:09:45,240 --> 00:09:46,240 Speaker 4: Okay, we're just going to pause it. 205 00:09:46,320 --> 00:09:51,959 Speaker 3: There it was me and with Porsche de Rossie. Porsche. 206 00:09:52,120 --> 00:09:57,599 Speaker 2: Porsche was obviously comped in now. Yes, I remember that 207 00:09:57,760 --> 00:10:00,640 Speaker 2: well shot on shot on sixteen mil film, and. 208 00:10:00,800 --> 00:10:02,839 Speaker 3: I was wondering what male film they shot that on. 209 00:10:03,000 --> 00:10:05,280 Speaker 2: On those days they used to shoot those brand ads. 210 00:10:05,520 --> 00:10:08,200 Speaker 2: Millions of dollars were spent on that ad. So she's 211 00:10:08,240 --> 00:10:09,160 Speaker 2: came up with the concept. 212 00:10:09,920 --> 00:10:12,520 Speaker 3: What was the concept? The concept was singing I got 213 00:10:12,559 --> 00:10:12,920 Speaker 3: too bad. 214 00:10:13,000 --> 00:10:16,560 Speaker 2: I got you, babe, I got too bo They would 215 00:10:16,559 --> 00:10:16,800 Speaker 2: have got. 216 00:10:16,760 --> 00:10:18,560 Speaker 3: Paid millions of dollars for the guy that came up 217 00:10:18,600 --> 00:10:20,479 Speaker 3: with that. That drives me insane. 218 00:10:20,600 --> 00:10:23,079 Speaker 2: I got too bad. The thing about it was that 219 00:10:23,240 --> 00:10:26,679 Speaker 2: it's your friend. TV two is your friend. I got you, 220 00:10:26,920 --> 00:10:29,160 Speaker 2: I got two. It's my it's my friend. I'm a 221 00:10:29,200 --> 00:10:32,360 Speaker 2: lonely person with no no one to chat to, but 222 00:10:32,559 --> 00:10:35,560 Speaker 2: I've got the television, and people on television are my friends. 223 00:10:35,880 --> 00:10:37,839 Speaker 2: Because that was a nice concept. I think, I think 224 00:10:37,880 --> 00:10:40,000 Speaker 2: that's quite a nice idea, because you are you're providing 225 00:10:40,080 --> 00:10:42,920 Speaker 2: company to people and all sorts of stuff. You are 226 00:10:42,960 --> 00:10:46,079 Speaker 2: people's friend. And that was I'm pretty sure. The only 227 00:10:47,160 --> 00:10:50,800 Speaker 2: now when we went into the recording both to sing 228 00:10:50,960 --> 00:10:55,080 Speaker 2: this is because I clearly dubbed over the top. Yes, yeah, yeah, 229 00:10:55,800 --> 00:10:58,280 Speaker 2: the bit was the bit the shot on sex emal 230 00:10:58,400 --> 00:11:01,319 Speaker 2: film isn't when we're actually singing. We recorded the song 231 00:11:01,880 --> 00:11:03,920 Speaker 2: and then later we were brought in to do the 232 00:11:04,280 --> 00:11:07,839 Speaker 2: filming of it, and when we did the song, the 233 00:11:07,920 --> 00:11:10,960 Speaker 2: song was produced by Murray Grinley, Legend Shoop Shoop did 234 00:11:11,000 --> 00:11:13,920 Speaker 2: He What Come? And I'm a Wang Dang and the 235 00:11:14,040 --> 00:11:18,680 Speaker 2: Crunchy Bar commercial and Cats prefer chef me out lots 236 00:11:18,760 --> 00:11:23,000 Speaker 2: of it, our greatest jingles and so the old have. 237 00:11:23,160 --> 00:11:27,679 Speaker 2: I went first, noted singer, he's had a number one single. 238 00:11:27,800 --> 00:11:29,920 Speaker 2: I'm going to his gig this rod there we go. 239 00:11:30,280 --> 00:11:32,880 Speaker 2: He knew Murray Grinley. They had met each other before. 240 00:11:33,760 --> 00:11:36,880 Speaker 2: Murray's in the in the booth there, hard task master 241 00:11:37,320 --> 00:11:38,559 Speaker 2: on the darts in those days. 242 00:11:38,640 --> 00:11:38,840 Speaker 4: Good. 243 00:11:39,280 --> 00:11:42,400 Speaker 2: So he's there and Mikey does it. He goes, great work, Mike, 244 00:11:42,480 --> 00:11:45,880 Speaker 2: that's lovely, and then goes another take and he goes, yep, 245 00:11:45,960 --> 00:11:49,280 Speaker 2: he does another take, and then I stepped in and 246 00:11:49,400 --> 00:11:52,680 Speaker 2: I thought, you know, I thought I was in chois 247 00:11:52,720 --> 00:11:54,880 Speaker 2: at school, and I thought, this is going to be 248 00:11:54,920 --> 00:11:56,640 Speaker 2: my time to people don't know that I can sing. 249 00:11:57,040 --> 00:11:59,040 Speaker 2: I'm going to prove that I can sing him find 250 00:11:59,080 --> 00:12:02,160 Speaker 2: out they think I'm something, but I'm actually something else. 251 00:12:03,000 --> 00:12:06,760 Speaker 2: And there's another string to my bow. And so pride 252 00:12:06,840 --> 00:12:09,240 Speaker 2: comes before or fall. That's what I would always say, 253 00:12:09,280 --> 00:12:11,760 Speaker 2: and I say to my children. So I stood in 254 00:12:11,840 --> 00:12:15,480 Speaker 2: there and they played it back to me, and then 255 00:12:15,559 --> 00:12:18,320 Speaker 2: I sang, and then Murray goes, you're just a wee 256 00:12:18,360 --> 00:12:20,240 Speaker 2: bit flat there, Jeremy, would you like to have another 257 00:12:20,280 --> 00:12:23,640 Speaker 2: crack at it, and I said, really, I thought I 258 00:12:23,800 --> 00:12:26,960 Speaker 2: wasn't flat? Was I flat? I thought nobody's ever said 259 00:12:26,960 --> 00:12:29,240 Speaker 2: that saying flat? And then I had another go and 260 00:12:29,320 --> 00:12:32,839 Speaker 2: he goes again, just on that second part, just you're 261 00:12:32,880 --> 00:12:34,080 Speaker 2: a wee bit flat. 262 00:12:33,960 --> 00:12:35,719 Speaker 3: Just project like you're singing in the back of the room. 263 00:12:36,240 --> 00:12:38,040 Speaker 2: And then he goes, but no worries, We'll just give 264 00:12:38,040 --> 00:12:39,839 Speaker 2: it one more crack and we can always auto tune you. 265 00:12:40,720 --> 00:12:44,480 Speaker 4: Oh so auto tune, so I said, I thought it wasself. 266 00:12:45,080 --> 00:12:49,240 Speaker 2: By this stage, my confidence was eroding. And then I 267 00:12:49,320 --> 00:12:51,880 Speaker 2: gave it another go, third take. He didn't have enough time, 268 00:12:51,920 --> 00:12:53,840 Speaker 2: and he goes, don't worry about it, mate, your voice 269 00:12:53,880 --> 00:12:55,840 Speaker 2: sounds okay. We'll just we'll pitch you up a little 270 00:12:55,840 --> 00:12:57,920 Speaker 2: bit and it'll be good to go. And I exited 271 00:12:58,000 --> 00:13:00,079 Speaker 2: there and I thought I will never possibly sing the 272 00:13:00,120 --> 00:13:02,120 Speaker 2: song of the Beginning in my life. And that was 273 00:13:02,160 --> 00:13:04,480 Speaker 2: the end of me. I have another listen to it. 274 00:13:04,720 --> 00:13:05,640 Speaker 2: It's auto tune. 275 00:13:15,640 --> 00:13:19,200 Speaker 3: I was going to say, yeah, clearly, it sounds really polished. 276 00:13:21,280 --> 00:13:21,520 Speaker 4: It is. 277 00:13:21,800 --> 00:13:23,800 Speaker 3: And I was wondering, why couldn't they just let you 278 00:13:23,920 --> 00:13:25,839 Speaker 3: be flat on the recording, you know what I mean? Like, 279 00:13:25,960 --> 00:13:28,199 Speaker 3: that's what you sound like. But the reason why is 280 00:13:28,240 --> 00:13:31,480 Speaker 3: because they're harmonizing with that other girls. Yes, so they 281 00:13:31,520 --> 00:13:33,160 Speaker 3: can't have you flat because then she'll be out. 282 00:13:33,400 --> 00:13:36,719 Speaker 2: Yes, But I actually with the order, I mean with 283 00:13:36,840 --> 00:13:46,719 Speaker 2: the auto tune, can I just hear it one back 284 00:13:46,760 --> 00:13:48,840 Speaker 2: to the original with the old heavos at the beginning. 285 00:13:49,640 --> 00:13:54,600 Speaker 2: I mean, I'm I'm actually, you know, I'm pleased about 286 00:13:54,600 --> 00:13:55,840 Speaker 2: the fact that the auto tune. 287 00:14:00,559 --> 00:14:01,959 Speaker 6: Loves O. 288 00:14:02,320 --> 00:14:02,760 Speaker 2: Cary. 289 00:14:07,080 --> 00:14:08,800 Speaker 4: You kind of do look like a Make a Wish 290 00:14:08,880 --> 00:14:10,640 Speaker 4: kid in that video with Mikey. 291 00:14:11,840 --> 00:14:13,600 Speaker 2: I love doing that. That was the thing that's one 292 00:14:13,600 --> 00:14:17,240 Speaker 2: of the highlights of my life shown on sixty email film. 293 00:14:17,280 --> 00:14:17,760 Speaker 2: Did I say that? 294 00:14:18,280 --> 00:14:24,440 Speaker 3: Why didn't Why didn't they swap your lines around? Because 295 00:14:24,480 --> 00:14:26,160 Speaker 3: your line could have just been anything. It could have 296 00:14:26,200 --> 00:14:28,720 Speaker 3: been flat, could have been in any key. I mean, 297 00:14:28,760 --> 00:14:31,280 Speaker 3: Haveo's line, and then he could have sung. 298 00:14:32,200 --> 00:14:34,760 Speaker 2: And I reckon, he's about flat. I reckon have those 299 00:14:34,760 --> 00:14:35,240 Speaker 2: about flair? 300 00:14:35,280 --> 00:14:37,000 Speaker 3: But that's what I mean, like it can be. 301 00:14:37,160 --> 00:14:38,320 Speaker 2: Do you reckon he's about flatman? 302 00:14:38,400 --> 00:14:48,280 Speaker 4: I know, but really, okay, one's a bit flats. 303 00:14:49,720 --> 00:14:54,360 Speaker 2: Care sign absolutely pitch perfect. 304 00:14:54,400 --> 00:14:54,760 Speaker 6: I don't know. 305 00:14:54,880 --> 00:14:56,680 Speaker 2: I think he's just a fraction flat. 306 00:14:58,360 --> 00:15:00,920 Speaker 3: You also got the auto tuned you're on the p ds. 307 00:15:01,320 --> 00:15:02,520 Speaker 3: You're on the Chad GPTs. 308 00:15:03,040 --> 00:15:04,920 Speaker 2: I should have never told you that back in the day, 309 00:15:04,920 --> 00:15:06,480 Speaker 2: I never should have told you that. I should have 310 00:15:06,560 --> 00:15:09,280 Speaker 2: just accused him of being flat and that, and then 311 00:15:09,520 --> 00:15:11,640 Speaker 2: I come and pitch perfect. Damn it. 312 00:15:11,880 --> 00:15:13,440 Speaker 4: How good would you feel if you found out that 313 00:15:13,480 --> 00:15:15,680 Speaker 4: you were actually never auto tuned and they listened to 314 00:15:15,720 --> 00:15:18,880 Speaker 4: it later, I went, he's actually he's on here, he's 315 00:15:18,960 --> 00:15:20,000 Speaker 4: on that heavo guys. 316 00:15:21,080 --> 00:15:28,680 Speaker 2: I once interviewed the guys from Split Ends and they 317 00:15:28,760 --> 00:15:31,880 Speaker 2: were talking about remastering some of their old stuff and 318 00:15:32,160 --> 00:15:37,760 Speaker 2: Eddie Rainer rain was he was the genius. Not that, no, 319 00:15:38,040 --> 00:15:40,840 Speaker 2: not that that's a different one. He was a key 320 00:15:40,960 --> 00:15:44,000 Speaker 2: artist and he and he remastered a whole lot of stuff. 321 00:15:44,040 --> 00:15:46,640 Speaker 2: And then he said, you know, I said it any 322 00:15:46,720 --> 00:15:49,000 Speaker 2: times that Tim and Neil, you have to give him 323 00:15:49,000 --> 00:15:52,160 Speaker 2: the auto tune. He that actually have to auto tune 324 00:15:53,440 --> 00:15:55,440 Speaker 2: him a couple of times. And Tim thinks he's got 325 00:15:55,520 --> 00:15:59,840 Speaker 2: perfect pitch, but I turns out not always. And then 326 00:15:59,880 --> 00:16:01,920 Speaker 2: I interviewed Terminator and I said, id he said that 327 00:16:01,960 --> 00:16:06,880 Speaker 2: you're flat. Yes, he was not happy about it. He was, 328 00:16:07,080 --> 00:16:07,840 Speaker 2: I am not flat. 329 00:16:08,040 --> 00:16:09,320 Speaker 3: Do you auto change you? You're flat? 330 00:16:09,680 --> 00:16:10,520 Speaker 2: Never been flat. 331 00:16:10,640 --> 00:16:12,080 Speaker 3: No, you are flat, Zeed. Do you ort to change? 332 00:16:12,160 --> 00:16:13,520 Speaker 2: I said, that's not what ed is. 333 00:16:13,840 --> 00:16:16,680 Speaker 3: I think that as AI music becomes more and more 334 00:16:16,720 --> 00:16:18,840 Speaker 3: popular than flat parts and the parts where you miss 335 00:16:19,120 --> 00:16:21,600 Speaker 3: is what you're actually going to recognize about you know 336 00:16:21,640 --> 00:16:23,920 Speaker 3: what I mean? Like when it's absolutely perfect, it just 337 00:16:23,960 --> 00:16:25,160 Speaker 3: won't seem like real music. 338 00:16:25,320 --> 00:16:26,360 Speaker 2: But they didn't share me. 339 00:16:26,480 --> 00:16:27,080 Speaker 4: You know, it wasn't. 340 00:16:28,960 --> 00:16:30,760 Speaker 2: There wasn't any of those ones. It was like you're 341 00:16:30,760 --> 00:16:35,480 Speaker 2: singing into a desk fan. It doesn't sound like it's 342 00:16:35,520 --> 00:16:36,200 Speaker 2: been auto tuned. 343 00:16:36,400 --> 00:16:39,640 Speaker 4: Further evidence of the AI. I Got you babe, Share 344 00:16:41,040 --> 00:16:42,960 Speaker 4: Dan Dan just like that. 345 00:16:43,880 --> 00:16:46,160 Speaker 3: Should we end up there, yeah, I'm just going to 346 00:16:46,200 --> 00:16:46,600 Speaker 3: play out the. 347 00:16:46,600 --> 00:16:49,880 Speaker 4: Rest for all of the listeners, still listening, all of them, 348 00:16:50,720 --> 00:16:51,120 Speaker 4: four of them. 349 00:16:51,200 --> 00:16:52,680 Speaker 3: Yeah, we don't have to play for us. We don't 350 00:16:52,680 --> 00:16:53,080 Speaker 3: have to listen to that. 351 00:16:58,840 --> 00:17:07,639 Speaker 6: I got to old my hair, I Got you, I 352 00:17:07,840 --> 00:17:22,320 Speaker 6: got you, what we got you? I Got you 353 00:17:25,000 --> 00:17:27,480 Speaker 1: Jerry And when I catch the radio show from six 354 00:17:27,600 --> 00:17:29,920 Speaker 1: tweteen weekdays, The Hodaky Breakfast