WEBVTT - EP 30 - Theo Dāvid

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<v Speaker 1>It's the Flavor Podcast Network.

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<v Speaker 2>Island Roots Auckland Ways.

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<v Speaker 3>This one's for the Brown brothers and sisters who want

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<v Speaker 3>to be one with themselves, their culture, their identity, their roots.

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<v Speaker 2>This is Island Roots Auckland Ways.

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<v Speaker 1>It's holler for love everyone and welcome back to Island

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<v Speaker 1>Roots Auckland Ways.

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<v Speaker 3>Hey everyone, week knew me, week knew you.

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<v Speaker 1>Okay, But by the time you hear this, I'm still

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<v Speaker 1>going with seventy five has. Hopefully I'm not struggling because

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<v Speaker 1>as a time of recording a little bit struggle.

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<v Speaker 3>I feel like maybe your first week will be difficult

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<v Speaker 3>because you're getting into the routine. But I mean, you've

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<v Speaker 3>already got the meal prepping down, girl, You've already got

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<v Speaker 3>the mindset. I feel yes like you wanted to start

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<v Speaker 3>seventy five hard before you did. But we we see

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<v Speaker 3>to Maz, we all see two mares in the Flavor studio.

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<v Speaker 3>You cannot start something five year.

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<v Speaker 2>Before the Radio Awards because we need to get drunk

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<v Speaker 2>the radio.

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<v Speaker 1>We bloody won it.

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<v Speaker 2>We didn't.

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<v Speaker 1>Who this week on the podcast is Theo David.

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<v Speaker 3>O King, a true icon and he's on the most

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<v Speaker 3>iconic TV show in New Zealand. His story short Street.

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<v Speaker 3>I really wanted to introduce him by going is it you?

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<v Speaker 1>Is it me?

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<v Speaker 2>No, it's Theodavid. But then I was like, that's really

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<v Speaker 2>critic a little bit.

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<v Speaker 1>A little bit if I linked.

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<v Speaker 3>Into it, embraced the silliness as our friend created tarriage

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<v Speaker 3>or now I would have said, but.

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<v Speaker 1>Yeah, well here is the chat. Now.

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<v Speaker 3>Welcome back to another episode of Island Routes Auckland Ways.

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<v Speaker 3>We have the incredible, multi talented, amazing Shorty Streetsir, Theo,

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<v Speaker 3>David and the building. A listener of the podcast, so

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<v Speaker 3>we love.

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<v Speaker 2>But do you still live in clean?

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<v Speaker 4>I don't live in Clontalkland button right, My parents are

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<v Speaker 4>still out there them every week. Take them outside the

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<v Speaker 4>house and this house in New Zealand, house where grew up.

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<v Speaker 1>Exacting thing doesn't work out. Welcome to Alan Roots Auckland Ways.

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<v Speaker 1>And you'll know from listening that every episode we talk

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<v Speaker 1>about what we love about home. So whatever homers to you,

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<v Speaker 1>whether that is Clinton or we currently live where you

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<v Speaker 1>feel most grounded. What is home to you and what

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<v Speaker 1>do you love about it? We'll start off first, Alyssa,

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<v Speaker 1>do you care to start off things for us?

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<v Speaker 3>Oh? I'm really having to think now, I think going

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<v Speaker 3>off the Clinton HATI Clinton.

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<v Speaker 4>Everyone always talks about, But there's this Clanton.

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<v Speaker 3>And I remember Clinton town Sinton when it was a

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<v Speaker 3>New world and now it's a pack and Save.

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<v Speaker 1>I also.

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<v Speaker 3>So, I yeah, my dad used to take me every

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<v Speaker 3>Monday night, so you stay my Dad's every Monday night.

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<v Speaker 2>After swimming.

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<v Speaker 3>He would take me to Mecca's at Clinton, which is

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<v Speaker 3>also next to T A B.

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<v Speaker 2>But that's clear.

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<v Speaker 3>I mean after a while I was like, Dad, I

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<v Speaker 3>don't want to do Meccas anymore. So we graduated to

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<v Speaker 3>the Brandy's Roast, which is also in.

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<v Speaker 2>The same conflict.

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<v Speaker 1>Yeah.

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<v Speaker 2>Yeah, so Clinton Town Center, that's where it's sat.

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<v Speaker 1>Do you reckon? They brought a Pack and Save there

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<v Speaker 1>because that's Clinton, of course, but they still have New

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<v Speaker 1>world and Sophomore, which I.

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<v Speaker 4>Like, Yeah, it's not me. I don't know of many

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<v Speaker 4>new worlds.

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<v Speaker 1>There's a New worlds my money sub.

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<v Speaker 4>What's that about?

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<v Speaker 2>What is it about food?

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<v Speaker 1>Stuff? Pack and so be cheap? They'd be eating that

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<v Speaker 1>up in the price of heart.

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<v Speaker 2>Are you a pack and Save shopper for you?

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<v Speaker 4>When I was living in Clinton, because that was like

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<v Speaker 4>down the road, I loved it. They never did bags.

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<v Speaker 4>They yet to grab a box.

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<v Speaker 1>In your One thing about peck your own.

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<v Speaker 4>Save us our because I love peking.

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<v Speaker 1>Shout Cleveland shopping, what loves of my mind free. I

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<v Speaker 1>always think about this. This is my Roman Empire. The

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<v Speaker 1>fact there is a warehouse in Clinton.

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<v Speaker 2>Literally and it's huge.

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<v Speaker 3>It's actually really big, and you can always find stuffinite

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<v Speaker 3>that's Crazy's.

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<v Speaker 4>Like our landmarket. How far do you have from.

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<v Speaker 2>Clinton from Clinton Warehouse? But then also behind the warehouse

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<v Speaker 2>there's the library. This even lean is it a whims

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<v Speaker 2>of course, there's a laundry mass laun.

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<v Speaker 3>Get into it, a pharmacy and doctor, a post office,

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<v Speaker 3>everything you need, everything you could possibly need, and also

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<v Speaker 3>wild people just some.

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<v Speaker 2>Some characters.

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<v Speaker 4>And then there's the Cleanton Bakery as well.

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<v Speaker 1>Yeah, people say that'd be a good ass bakery and.

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<v Speaker 2>I think it's good.

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<v Speaker 4>Okay, okay, baking and slice that is what I recommend.

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<v Speaker 4>Note you gotta get a slice slice Okay.

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<v Speaker 1>They also say that potato top pie was pretty good.

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<v Speaker 4>Yeah, I work went over in the weekend and she

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<v Speaker 4>writes she said it was a.

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<v Speaker 1>Never had You better put some respect one.

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<v Speaker 4>But also don't flock there at once.

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<v Speaker 3>We need to get you. Yeah, like, actually it's not

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<v Speaker 3>that good at all, don't.

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<v Speaker 1>Actually terrible rated?

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<v Speaker 2>Yeah, that was such.

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<v Speaker 1>A good one.

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<v Speaker 3>I think.

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<v Speaker 1>Then what I love about homes So the gonut you

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<v Speaker 1>so classic, Like I went home yesterday, I had guli

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<v Speaker 1>with rice and it's just so simple but so good

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<v Speaker 1>feeds the soul. There's nothing like well that eo.

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<v Speaker 4>Do you know whenever you tell your nonsemone mates about

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<v Speaker 4>they sort of hold it in respect to it more

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<v Speaker 4>so than you. Like, if you say you're busy on Sunday,

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<v Speaker 4>they'll be like, do you have okay? All good?

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<v Speaker 2>I feel like even.

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<v Speaker 3>Though Sunday is one of my days off my friends, no,

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<v Speaker 3>Sundays might not be the best day to try and

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<v Speaker 3>might hang out because there's always going to be stuff

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<v Speaker 3>to do and there's always going to be a family.

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<v Speaker 1>Lunch and is the day of the law the day.

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<v Speaker 2>Of the law? Yeah yeah, yeah, God, bless.

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<v Speaker 1>You, God, bless you listening. Well, thank you Alyssa for

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<v Speaker 1>sharing your blessing. Yeah, what do you love about?

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<v Speaker 4>I love? I love And it's not exclusive to South Auckland,

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<v Speaker 4>but it's those you know, those bongo chips, the Green Packer,

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<v Speaker 4>namely the best flavor. But I don't know something about today.

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<v Speaker 4>Just when I see that pecker, it just reminds me

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<v Speaker 4>of like, oh, that's the like looking way dairy suns.

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<v Speaker 4>There's all like. And when I see those ships, I'm

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<v Speaker 4>always reminded of my like my mum beck in the

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<v Speaker 4>early two thousands, she's still alive, by begging the early

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<v Speaker 4>two thousands, when housey was a massive thing a she

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<v Speaker 4>she'd have Becky in one hand. She'd ever she'd buy

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<v Speaker 4>like the fat capt marker for her numbers and she'd

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<v Speaker 4>walk out with the green packet like that's South.

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<v Speaker 1>Auklands are superior green Gurley or pink gurly.

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<v Speaker 3>Okay, this is when the me being brought up with

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<v Speaker 3>a white mom really, because bongo wasn't huge, but my

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<v Speaker 3>dad would always bring freak what's it called?

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<v Speaker 1>It was like.

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<v Speaker 3>No, no, it was like it was like a mix

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<v Speaker 3>and it.

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<v Speaker 2>Was called like.

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<v Speaker 3>Yes, So that was that's my bongo.

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<v Speaker 1>These are some hood snacks per years.

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<v Speaker 2>Really brings you back.

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<v Speaker 1>I was allowed to go to housy, not always see

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<v Speaker 1>it stay home.

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<v Speaker 4>Oh we never win. We would just drop you just

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<v Speaker 4>do the drop off face. Whenever they would lose, they'd

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<v Speaker 4>be like it's your attitude.

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<v Speaker 1>And then you'd be like and housing has really evolved

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<v Speaker 1>with the times and now do it over zoos, especially

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<v Speaker 1>during COVID, and you would have like your eight your eighth, Yeah,

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<v Speaker 1>and like the housing ladies, they're fast with it. There's

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<v Speaker 1>a lot at steak Yeah. Money, I can't see truly.

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<v Speaker 4>Bring that back.

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<v Speaker 1>And this cost a little bit crisis. Well THEO thank

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<v Speaker 1>you for joining us. People will know you best. Airs

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<v Speaker 1>really yummy. So on Shortland Street, tell us about your

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<v Speaker 1>journey way before Shortland Street when you first started acting.

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<v Speaker 1>We talked a little bit about it.

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<v Speaker 4>Off the mate. So I did my first ever drama

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<v Speaker 4>all acting workshop with Massive Theater Company back in twenty ten.

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<v Speaker 4>And this was while this was my first year in

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<v Speaker 4>high school as well. I went to seek Kendigan's College.

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<v Speaker 4>We said three names, that's right. I was there on

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<v Speaker 4>a Rugby scholarship, and so I remember my first memories

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<v Speaker 4>of drama, also my first memories of rugby and how

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<v Speaker 4>it is clashed and then back I think I might

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<v Speaker 4>have been year twelve or something. I remember I was

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<v Speaker 4>cast in the school play, but I was also in

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<v Speaker 4>the first thing and I just remember having to lie

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<v Speaker 4>to my rugby coaches going, I'm so sorry, so I

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<v Speaker 4>got to go do this chemistry into an or have

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<v Speaker 4>to find out how much vitamin see rabina when actually

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<v Speaker 4>I was going to rehearsals and the stuff. So yeah,

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<v Speaker 4>it was like it was like high school musical but

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<v Speaker 4>like not. And Troy.

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<v Speaker 2>From Glee when he was remember the season, Yeah, when

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<v Speaker 2>he was like having to like.

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<v Speaker 5>Or am I And you know, the more I listened

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<v Speaker 5>to like actors, namely some more Nectars talk about their

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<v Speaker 5>how they got into theater, it's always because like rugby

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<v Speaker 5>was the opposing thing.

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<v Speaker 4>Yeah, and I think there are a lot of us

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<v Speaker 4>with the same story where we were like, man, we

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<v Speaker 4>had this rugby thing, but we also, you know, we

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<v Speaker 4>had this adrenaline rush from being on stage. So it

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<v Speaker 4>was kind of the know which way to choose. Ended

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<v Speaker 4>up choosing drama. Sat Kings to decided just to change

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<v Speaker 4>my rugby scholarship to a drama one. Yeah, it was, honestly,

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<v Speaker 4>it was that easy. In my head, I was like,

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<v Speaker 4>I'm going to get kicked out, my mum's going to

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<v Speaker 4>just own me a monologue and then yeah, I just

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<v Speaker 4>started doing the drama for the rest of my time.

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<v Speaker 4>In high school while still working with Massive Theater Company and.

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<v Speaker 1>Then and so you had stuck with them.

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<v Speaker 4>Yeah, they had stuck with me, to be honest, because

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<v Speaker 4>I was like, like with my mom. Mom definitely can

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<v Speaker 4>be a headache at times. And I remember it was

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<v Speaker 4>my final year of school and I called Samantha Scott,

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<v Speaker 4>who is the artistic director of a massive company, and

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<v Speaker 4>I was just like, hey, I could go to drama

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<v Speaker 4>school or I could stay in Auckland and train with you.

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<v Speaker 4>What do you reckon? And she was very unbiased. She

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<v Speaker 4>was like, this is what to CARDI can offer you.

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<v Speaker 4>What I can offer you this co And I stuck

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<v Speaker 4>with her and we still have a good relationship today,

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<v Speaker 4>still popping in back to the Theater company and stuff.

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<v Speaker 4>The Massive Theater Company in twenty sixteen, twenty seventeen came around,

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<v Speaker 4>was working in a cafe, didn't really know if the

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<v Speaker 4>acting thing was gonna pop. Literally, yeah, just I remember

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<v Speaker 4>I was on the train and I didn't have any

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<v Speaker 4>gigs lined up. I had enrolled into Auckland UNI to

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<v Speaker 4>study occupational therapy and I just remember being on the

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<v Speaker 4>train and I get a call from Midiama mcdell.

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<v Speaker 2>Oh.

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<v Speaker 4>She called me and she goes, hey, for you really

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<v Speaker 4>out of the blue, do you have a Shakespeare monologue handy,

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<v Speaker 4>And like, I love Shakespeare all of high school, so

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<v Speaker 4>my immediate unswer was yes. And she said can you

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<v Speaker 4>go audition today like at ten? And I was like yes,

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<v Speaker 4>And then I just remember going off a phone call,

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<v Speaker 4>just recounting the monologue in my head, going to this

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<v Speaker 4>empty warehouse at the time, doing it for this company

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<v Speaker 4>cast the very next day, quit my job that Sunday,

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<v Speaker 4>and then just off going Shakespeare for like four years.

0:12:54.800 --> 0:12:57.440
<v Speaker 1>I feel like I feel like I just heard the

0:12:57.600 --> 0:12:59.040
<v Speaker 1>plot for a movie right now.

0:13:00.120 --> 0:13:04.400
<v Speaker 4>One phone called Yeah. No, It's just there's so many

0:13:04.440 --> 0:13:05.839
<v Speaker 4>listens you can get from it. But I feel like

0:13:05.880 --> 0:13:07.920
<v Speaker 4>I take something from that story every time I come

0:13:07.960 --> 0:13:10.120
<v Speaker 4>back to it, so there's not like there's not one

0:13:10.240 --> 0:13:11.160
<v Speaker 4>thing to learn from it.

0:13:11.320 --> 0:13:12.000
<v Speaker 1>I guess Yeah.

0:13:13.320 --> 0:13:16.560
<v Speaker 4>Third pop up globe which was the Yeah, which was

0:13:16.559 --> 0:13:19.320
<v Speaker 4>the globe he had rebuilt in Auckland for about four

0:13:19.400 --> 0:13:23.520
<v Speaker 4>years that got shut down in twenty twenty COVID happened.

0:13:24.120 --> 0:13:28.120
<v Speaker 4>Arch jobs are really scarce. Twenty twenty one, rolled around

0:13:28.440 --> 0:13:31.959
<v Speaker 4>got this audition from Shorties after having auditioned for them,

0:13:32.040 --> 0:13:33.280
<v Speaker 4>like five other times.

0:13:33.480 --> 0:13:36.559
<v Speaker 1>Oh okay, so you had auditions before, which.

0:13:36.400 --> 0:13:40.120
<v Speaker 4>Is a common story. Actually yeah, excuse me. And then

0:13:40.200 --> 0:13:44.920
<v Speaker 4>you know the role opened it uh late thirties, early forties,

0:13:45.320 --> 0:13:55.480
<v Speaker 4>Tongulans sit in the waiting room like all these old

0:13:55.480 --> 0:13:58.280
<v Speaker 4>dectors walk out, and I'm just like, what are you

0:13:58.400 --> 0:14:03.160
<v Speaker 4>up to out go and do an audition? Yeah, get

0:14:03.200 --> 0:14:05.440
<v Speaker 4>called back on the Thursday. And I remember when I

0:14:05.440 --> 0:14:07.680
<v Speaker 4>got called back. So they and then you do a

0:14:07.720 --> 0:14:10.280
<v Speaker 4>screen test and there were three other names or two

0:14:10.320 --> 0:14:12.560
<v Speaker 4>other names on the board and I was last, and

0:14:12.720 --> 0:14:15.959
<v Speaker 4>first on the board was Vince Harder's name, and I

0:14:16.000 --> 0:14:20.760
<v Speaker 4>was like, well, it's been a good rite, Yeah, thank you.

0:14:20.840 --> 0:14:24.240
<v Speaker 4>Names THEO just swing and then I need to call

0:14:24.320 --> 0:14:26.840
<v Speaker 4>back the following Monday, going yeah you're on tomorrow.

0:14:27.520 --> 0:14:28.920
<v Speaker 2>Wow, that's weird.

0:14:28.960 --> 0:14:31.400
<v Speaker 4>How this like a phone The phone call happens to

0:14:31.440 --> 0:14:34.640
<v Speaker 4>like pop up a lot of ye but yeah, a

0:14:34.640 --> 0:14:36.360
<v Speaker 4>lot of fast turned around in my life. It's kind

0:14:36.360 --> 0:14:39.880
<v Speaker 4>of ye. Stay ready, it's incredible. That was long. Sorry

0:14:39.920 --> 0:14:41.400
<v Speaker 4>about that, My gosh.

0:14:41.240 --> 0:14:43.280
<v Speaker 3>No, no, no no, but I have so many questions. First

0:14:43.280 --> 0:14:46.840
<v Speaker 3>of all, as someone who wanted to pursue acting as

0:14:46.840 --> 0:14:52.400
<v Speaker 3>a drama practitioner, if you will. I used to walk

0:14:52.400 --> 0:14:56.160
<v Speaker 3>into auditions and oh my, go's so cringe and be like,

0:14:56.240 --> 0:14:57.720
<v Speaker 3>I'm going to be the first time one woman to

0:14:57.760 --> 0:15:00.360
<v Speaker 3>win the Best Actress Oscar Yeah, and then I'm never

0:15:00.440 --> 0:15:03.280
<v Speaker 3>doesn't get the job. But Toy for Caadi was always

0:15:03.280 --> 0:15:05.600
<v Speaker 3>the thing that people would be like, get experienced, then

0:15:05.640 --> 0:15:07.960
<v Speaker 3>go to toy for CADDI like, that is your break?

0:15:08.480 --> 0:15:08.800
<v Speaker 2>Did you?

0:15:09.480 --> 0:15:09.800
<v Speaker 5>Like do?

0:15:10.760 --> 0:15:12.960
<v Speaker 3>Like what was your thinking around not going to Toy

0:15:13.000 --> 0:15:15.520
<v Speaker 3>for Caddy? Because to me, or at least at the time,

0:15:15.920 --> 0:15:18.760
<v Speaker 3>when I was even in first year of unis studying drama,

0:15:18.800 --> 0:15:20.280
<v Speaker 3>I was still like, yeah, I'm just gonna do one

0:15:20.320 --> 0:15:21.840
<v Speaker 3>year here and then I'm gonna go Toy for Caddy.

0:15:22.000 --> 0:15:24.000
<v Speaker 3>Like you know, I thought I was the man, but like,

0:15:24.080 --> 0:15:26.600
<v Speaker 3>why why was it not the right decision for you?

0:15:27.040 --> 0:15:29.720
<v Speaker 4>Well, I mean, I'm sure I think that it wasn't

0:15:29.720 --> 0:15:31.720
<v Speaker 4>the right decision for me, and I think it would

0:15:31.760 --> 0:15:33.360
<v Speaker 4>like if you ask someone else, they'll probably go, I

0:15:33.360 --> 0:15:35.600
<v Speaker 4>don't really like what massive does, so I'll go here.

0:15:35.640 --> 0:15:39.960
<v Speaker 4>But I don't think theo. I I couldn't learn drama

0:15:40.880 --> 0:15:45.720
<v Speaker 4>or theater in an institution, like I couldn't know if

0:15:45.800 --> 0:15:48.000
<v Speaker 4>something is compulsory to me then I kind of feel

0:15:48.040 --> 0:15:50.880
<v Speaker 4>repelled by it. Then I don't really want to do

0:15:50.960 --> 0:15:54.000
<v Speaker 4>it anymore. And Massive Theater Company met up every second

0:15:54.000 --> 0:15:56.600
<v Speaker 4>Saturday of the school term and then did a week

0:15:56.680 --> 0:16:00.400
<v Speaker 4>long intensive and then you kind of just back to

0:16:00.440 --> 0:16:02.120
<v Speaker 4>your life and you could do things during the day

0:16:02.400 --> 0:16:04.480
<v Speaker 4>and it was all hands on, like there were no exams.

0:16:04.520 --> 0:16:07.360
<v Speaker 4>It was never sitting down and talking about stuff. We

0:16:07.440 --> 0:16:10.200
<v Speaker 4>worked a lot at Massive were our and I'm not

0:16:10.240 --> 0:16:12.800
<v Speaker 4>I'm not trying to shun. I never went there. I

0:16:12.840 --> 0:16:13.600
<v Speaker 4>don't really know what.

0:16:13.760 --> 0:16:15.960
<v Speaker 3>I think it's good for young aspiring actors to know

0:16:16.000 --> 0:16:21.600
<v Speaker 3>that these options, Yeah.

0:16:19.880 --> 0:16:24.640
<v Speaker 4>And so I leaned more towards Massive because at the

0:16:24.680 --> 0:16:28.240
<v Speaker 4>basis of all this workers this it's this French idea

0:16:28.360 --> 0:16:31.360
<v Speaker 4>called complicity. And I don't think it has a like

0:16:31.440 --> 0:16:35.040
<v Speaker 4>an English translation, but what it roughly translates to is

0:16:35.400 --> 0:16:38.440
<v Speaker 4>the secret between people or the game between people. And

0:16:38.480 --> 0:16:40.520
<v Speaker 4>it's just this idea that if you ever walk out,

0:16:40.600 --> 0:16:42.680
<v Speaker 4>even in life all but mainly, if you walk out

0:16:42.720 --> 0:16:45.040
<v Speaker 4>on stage with someone else, like the rapport I have

0:16:45.160 --> 0:16:47.400
<v Speaker 4>worth mes here, it will be totally different to the

0:16:47.480 --> 0:16:51.360
<v Speaker 4>rapport I have with you. And it's trying to get

0:16:51.400 --> 0:16:55.800
<v Speaker 4>the audience in on that connection, and then it's about

0:16:55.840 --> 0:16:58.680
<v Speaker 4>trying to put that on stage and not having to

0:16:58.960 --> 0:17:01.880
<v Speaker 4>like whip yourself out the back or you know, pluck

0:17:01.880 --> 0:17:03.800
<v Speaker 4>a nose here so you're gonna have tears when you

0:17:03.800 --> 0:17:06.840
<v Speaker 4>walk out on stage. It's about absolutely being present in

0:17:06.920 --> 0:17:09.439
<v Speaker 4>this moment and going this is meant to be a

0:17:09.440 --> 0:17:11.920
<v Speaker 4>sad scene. It doesn't feel like we're going to cry,

0:17:12.040 --> 0:17:14.080
<v Speaker 4>so you know what, let's not cry. Let's just play

0:17:14.080 --> 0:17:18.159
<v Speaker 4>it as we are right now. And and honestly, like

0:17:19.400 --> 0:17:21.800
<v Speaker 4>you just, Massive was a place about you could be

0:17:21.800 --> 0:17:23.720
<v Speaker 4>a dick and you wouldn't be shamed for You could

0:17:23.720 --> 0:17:25.920
<v Speaker 4>be loud and you wouldn't be shamed for it. I'll

0:17:25.920 --> 0:17:28.600
<v Speaker 4>warm up every time you go there. It's like the

0:17:28.600 --> 0:17:32.480
<v Speaker 4>most intense game of handball ever. And I remember they

0:17:32.520 --> 0:17:35.919
<v Speaker 4>would hold these like they do hold these introduction workshops

0:17:36.000 --> 0:17:39.120
<v Speaker 4>to the company and Sam Scott, she's got the best

0:17:39.200 --> 0:17:42.240
<v Speaker 4>eye in all of theater to me in the New Zealand.

0:17:42.480 --> 0:17:46.640
<v Speaker 4>She will see someone play handball and know if they're right. Yeah,

0:17:47.200 --> 0:17:48.679
<v Speaker 4>you know, I don't know how she does it, but

0:17:48.800 --> 0:17:50.240
<v Speaker 4>you know, you'll get some people who you just come

0:17:50.280 --> 0:17:52.199
<v Speaker 4>and want to play the game, who want to be

0:17:52.359 --> 0:17:54.480
<v Speaker 4>in on that connection, and then you get other people

0:17:54.480 --> 0:17:56.240
<v Speaker 4>who are just like, you know, too cool. You know,

0:17:56.280 --> 0:17:57.920
<v Speaker 4>they don't want to do anything. When do we start

0:17:57.920 --> 0:18:01.160
<v Speaker 4>saying the words? When do we start doing there? But yeah,

0:18:01.200 --> 0:18:05.000
<v Speaker 4>I lean towards messive because yeah, it was physical, a

0:18:05.040 --> 0:18:08.280
<v Speaker 4>rugby background. It was a base and emphasis sorry on

0:18:08.480 --> 0:18:11.560
<v Speaker 4>connection and you yeah, you could just pretend to be

0:18:11.640 --> 0:18:12.840
<v Speaker 4>anything you wanted to know.

0:18:14.760 --> 0:18:16.440
<v Speaker 2>I love that. That's so cool.

0:18:18.000 --> 0:18:20.359
<v Speaker 3>This is as someone I feel like when I was

0:18:20.400 --> 0:18:22.560
<v Speaker 3>studying drama, everyone would always be like.

0:18:22.520 --> 0:18:24.439
<v Speaker 2>Oh, what do you prefer? Stage or screen? But like

0:18:24.520 --> 0:18:25.800
<v Speaker 2>you've had this extensive pop.

0:18:25.720 --> 0:18:28.200
<v Speaker 3>Up globe history. It's a big part of your TV.

0:18:28.560 --> 0:18:31.400
<v Speaker 3>But then you're also your day job. It's on the TV,

0:18:32.040 --> 0:18:32.679
<v Speaker 3>So what is it?

0:18:33.080 --> 0:18:34.080
<v Speaker 2>Is it stage or screen?

0:18:34.560 --> 0:18:40.440
<v Speaker 4>Stage? By five? Like you just theater kids, the theater

0:18:40.560 --> 0:18:42.720
<v Speaker 4>paid as much as screen or film that I don't

0:18:42.760 --> 0:18:46.080
<v Speaker 4>think anyone would ever truly. Yeah, there's nothing like how

0:18:46.119 --> 0:18:48.720
<v Speaker 4>we are talking now. Like a good play will feel

0:18:48.720 --> 0:18:50.880
<v Speaker 4>like you're looking into people's eyes for the first time

0:18:51.359 --> 0:18:53.520
<v Speaker 4>and you know they might feel something and you'll feel

0:18:53.560 --> 0:18:57.520
<v Speaker 4>it too. And especially with screen, you can you know,

0:18:57.560 --> 0:19:00.479
<v Speaker 4>you can have REGOs and you can fake everything on stage.

0:19:00.840 --> 0:19:04.720
<v Speaker 4>If you see a performance, and if they feel awkward,

0:19:05.040 --> 0:19:07.400
<v Speaker 4>you as an audience will feel with them. And there's

0:19:07.440 --> 0:19:11.880
<v Speaker 4>no way that lesson is harder and it's more rewarding.

0:19:12.080 --> 0:19:13.879
<v Speaker 1>Yeah, and there's no.

0:19:16.720 --> 0:19:19.360
<v Speaker 4>And to that point, to the show that you give

0:19:19.440 --> 0:19:22.280
<v Speaker 4>tonight is for that audience, and you will never give

0:19:22.320 --> 0:19:25.680
<v Speaker 4>that show even though you're saying the same lines, doing

0:19:25.720 --> 0:19:29.000
<v Speaker 4>the same moves tomorrow night. You might stumble over a

0:19:29.040 --> 0:19:31.080
<v Speaker 4>line and it might be funny and the audience will laugh.

0:19:31.520 --> 0:19:34.199
<v Speaker 4>Nobody else will ever get that stumble over that line

0:19:34.440 --> 0:19:36.879
<v Speaker 4>ever again, So what about you?

0:19:37.800 --> 0:19:40.800
<v Speaker 3>For sure, there's something about just like letting go of

0:19:40.880 --> 0:19:43.480
<v Speaker 3>every inhibition and just being like fuck.

0:19:43.359 --> 0:19:47.080
<v Speaker 4>It, you know, like that's like the overarching phrase.

0:19:50.000 --> 0:19:52.360
<v Speaker 3>Yeah, Like there's something about being like, okay, we'll ever

0:19:52.400 --> 0:19:54.119
<v Speaker 3>who's it like this, but I'm going to make a

0:19:54.200 --> 0:19:56.640
<v Speaker 3>choice and like maybe the choice isn't going to pay

0:19:56.640 --> 0:19:59.000
<v Speaker 3>off and that's okay, but the choice might pay off

0:19:59.000 --> 0:20:01.960
<v Speaker 3>and then everyone laugh, you know, Like there's just something

0:20:02.000 --> 0:20:03.720
<v Speaker 3>about stage that.

0:20:04.040 --> 0:20:04.240
<v Speaker 2>Yeah.

0:20:04.240 --> 0:20:07.760
<v Speaker 3>And also I just don't think personally not built. I'm

0:20:07.800 --> 0:20:11.600
<v Speaker 3>not built to be a screen actor, but stage stage

0:20:11.640 --> 0:20:15.040
<v Speaker 3>all the way, Like it's in the moment and then

0:20:15.040 --> 0:20:16.479
<v Speaker 3>when it's done, just let it go.

0:20:16.600 --> 0:20:17.719
<v Speaker 2>Yeah, it's done.

0:20:17.920 --> 0:20:20.800
<v Speaker 1>We've probably already talked about this, but for all our

0:20:20.840 --> 0:20:24.040
<v Speaker 1>new listeners, would you go back to your acting day?

0:20:24.280 --> 0:20:31.440
<v Speaker 3>Yes, yes, I'm curious for context. I have a drama degree,

0:20:31.480 --> 0:20:33.960
<v Speaker 3>so my undergrads and Pacific Studies and drama. And I

0:20:34.000 --> 0:20:38.680
<v Speaker 3>think I realized when I was doing drama that I

0:20:38.840 --> 0:20:41.040
<v Speaker 3>like the behind the scenes, like I like the producing

0:20:41.400 --> 0:20:43.720
<v Speaker 3>putting people in the room. But I don't know if

0:20:43.760 --> 0:20:46.760
<v Speaker 3>I enjoyed. That's not true. I love acting. Acting is

0:20:46.800 --> 0:20:48.720
<v Speaker 3>so much fun, but I found it really hard to

0:20:48.800 --> 0:20:51.600
<v Speaker 3>let go of a character or like not hold on

0:20:51.640 --> 0:20:54.440
<v Speaker 3>to whatever they were going through. How do you shake

0:20:54.520 --> 0:20:56.760
<v Speaker 3>off an emotional day on set? Like?

0:20:56.800 --> 0:20:58.240
<v Speaker 2>How do you become THEO again?

0:20:59.440 --> 0:21:02.000
<v Speaker 4>We'll acting. We're in the arts. So even in these

0:21:02.119 --> 0:21:05.280
<v Speaker 4>dark moments, there does have to be some a little

0:21:05.280 --> 0:21:08.040
<v Speaker 4>bit of joy in what you're doing, because then otherwise

0:21:08.040 --> 0:21:12.240
<v Speaker 4>you're just whipping yourself and there has to be coming

0:21:12.280 --> 0:21:14.840
<v Speaker 4>out of it. There has to be hope. But for me,

0:21:14.880 --> 0:21:17.199
<v Speaker 4>it's always been there. It's always been about holding on too.

0:21:17.320 --> 0:21:20.119
<v Speaker 4>Like I like, I love to pretend. I love this

0:21:20.240 --> 0:21:23.560
<v Speaker 4>craft so much. I know that when they call cut,

0:21:23.680 --> 0:21:26.080
<v Speaker 4>I can just drop this And this is what my

0:21:26.160 --> 0:21:29.040
<v Speaker 4>character is going through I'm saying these words. These aren't

0:21:29.080 --> 0:21:32.040
<v Speaker 4>my words, but I mean to your point though, like

0:21:32.080 --> 0:21:35.840
<v Speaker 4>when you ever you deal with stuff like that, it's

0:21:35.880 --> 0:21:38.119
<v Speaker 4>your your real body is taking a toll on that

0:21:38.240 --> 0:21:41.359
<v Speaker 4>a So even if your even if your character is crying,

0:21:41.560 --> 0:21:45.000
<v Speaker 4>those are like those are your real tears, and your

0:21:45.000 --> 0:21:47.840
<v Speaker 4>body doesn't actually know when you're exactly or not. So

0:21:48.160 --> 0:21:50.520
<v Speaker 4>like you know, you probably find yourself driving home after

0:21:50.640 --> 0:21:52.920
<v Speaker 4>something intense and you're just shaking it the steering wheel

0:21:52.960 --> 0:21:56.280
<v Speaker 4>and you can see us I've replaying it. I don't

0:21:56.320 --> 0:21:58.680
<v Speaker 4>have an answer to that, but I think it is

0:21:58.720 --> 0:22:01.600
<v Speaker 4>a it's a skill to be able to brush off

0:22:01.640 --> 0:22:04.840
<v Speaker 4>your character not take your work home. Unfortunate that I

0:22:04.880 --> 0:22:07.520
<v Speaker 4>have like a twenty five minute drive from work to

0:22:07.560 --> 0:22:09.960
<v Speaker 4>my house, so it's like a nice debrief.

0:22:09.600 --> 0:22:12.560
<v Speaker 1>Year, like literally exiting the space.

0:22:12.359 --> 0:22:15.439
<v Speaker 4>Literally literally, you know, just chuck Chuck a podcast on

0:22:15.480 --> 0:22:16.640
<v Speaker 4>there's a small one called Ira.

0:22:20.840 --> 0:22:21.240
<v Speaker 2>Podcast.

0:22:22.160 --> 0:22:24.399
<v Speaker 4>Check that one on space.

0:22:24.880 --> 0:22:25.240
<v Speaker 1>We ate.

0:22:27.320 --> 0:22:30.399
<v Speaker 3>But I think, actually I'm thinking so much about like

0:22:30.640 --> 0:22:33.080
<v Speaker 3>my training and how so much of my training was

0:22:33.119 --> 0:22:37.480
<v Speaker 3>like Stanislavski based, which is like realism, realism like being

0:22:38.440 --> 0:22:41.080
<v Speaker 3>you know, not being able to let go. So yeah,

0:22:41.200 --> 0:22:43.879
<v Speaker 3>you can google it and find out. But knowing that,

0:22:44.680 --> 0:22:47.000
<v Speaker 3>I don't know, maybe if I've been training people going

0:22:47.000 --> 0:22:49.680
<v Speaker 3>tom worry illustrates, pretend you don't mean to think about

0:22:49.680 --> 0:22:52.119
<v Speaker 3>that time that your grand dad died, you know.

0:22:53.000 --> 0:22:56.119
<v Speaker 4>To your point, though, I think the mythod the mythod

0:22:56.119 --> 0:22:58.640
<v Speaker 4>actors cop a lot of flak because you know, they

0:22:59.000 --> 0:23:01.560
<v Speaker 4>go out and build up barn because their characters are

0:23:01.680 --> 0:23:03.879
<v Speaker 4>carpenter of something. But like that's just one way of

0:23:04.000 --> 0:23:07.240
<v Speaker 4>getting to the character and there's no right way. Like

0:23:07.359 --> 0:23:09.800
<v Speaker 4>at the end of the day, whatever gets you to

0:23:09.880 --> 0:23:13.879
<v Speaker 4>that point is kind of not as important as getting

0:23:14.280 --> 0:23:16.119
<v Speaker 4>to that point unless you go home and you know,

0:23:16.720 --> 0:23:22.280
<v Speaker 4>start being a bott dude. And but no, yeah, I

0:23:22.280 --> 0:23:24.560
<v Speaker 4>think whoever comes up with the answer to that, you

0:23:24.600 --> 0:23:25.440
<v Speaker 4>make sure you let us know.

0:23:27.480 --> 0:23:28.120
<v Speaker 1>And real talk.

0:23:28.160 --> 0:23:30.320
<v Speaker 4>We've lost a lot of people because they you know,

0:23:30.520 --> 0:23:32.600
<v Speaker 4>they didn't know how to handle coming out of character

0:23:33.000 --> 0:23:35.440
<v Speaker 4>and then they turned to like all these different substances.

0:23:36.920 --> 0:23:39.520
<v Speaker 4>So it's real. It's definitely real.

0:23:39.560 --> 0:23:43.960
<v Speaker 1>Conver to have are the many specific and acting right now.

0:23:44.760 --> 0:23:48.720
<v Speaker 4>A lot heaps are untapped potential. Like the one thing

0:23:48.720 --> 0:23:51.800
<v Speaker 4>about being a brown actor in New Zealand is that

0:23:52.720 --> 0:23:56.280
<v Speaker 4>we've been pushed this narrative that like when you make

0:23:56.320 --> 0:23:59.199
<v Speaker 4>it the question, they're always asking you what makes you

0:23:59.240 --> 0:24:01.280
<v Speaker 4>different from that brown? What makes you different? But it's

0:24:01.320 --> 0:24:03.760
<v Speaker 4>like and then our own people start saying that to us,

0:24:03.760 --> 0:24:05.960
<v Speaker 4>and it's like, okay, what makes you different from the

0:24:06.000 --> 0:24:09.240
<v Speaker 4>guy down the road. But isn't the idea that it

0:24:09.280 --> 0:24:11.400
<v Speaker 4>doesn't matter who's eating at the table, it's just as

0:24:11.440 --> 0:24:14.639
<v Speaker 4>many of us at the table as possible. And it

0:24:14.680 --> 0:24:18.040
<v Speaker 4>really fucks me off because, like I've said it, now,

0:24:18.040 --> 0:24:20.640
<v Speaker 4>you've probably had it. You've probably had it when you

0:24:20.880 --> 0:24:22.920
<v Speaker 4>turn on your TV and you see someone who looks

0:24:22.960 --> 0:24:24.920
<v Speaker 4>like you and sounds like you, You go, I want

0:24:24.920 --> 0:24:26.639
<v Speaker 4>to do that because I sound like that and I

0:24:26.680 --> 0:24:28.520
<v Speaker 4>look like that. And then you get there and their

0:24:28.520 --> 0:24:31.680
<v Speaker 4>first question to you what makes you different? And it's like,

0:24:31.920 --> 0:24:34.320
<v Speaker 4>but I've just heard people sound like me, Like now

0:24:34.359 --> 0:24:38.000
<v Speaker 4>you don't want me to be so yeah, there's a

0:24:38.000 --> 0:24:39.960
<v Speaker 4>lot of us, but they only want one type of

0:24:40.000 --> 0:24:44.640
<v Speaker 4>us and they all look the same. Yeah, it gets cussed,

0:24:45.320 --> 0:24:48.040
<v Speaker 4>so yeah, yeah, there just needs to be a lot

0:24:48.040 --> 0:24:48.520
<v Speaker 4>more of us.

0:24:48.800 --> 0:24:54.080
<v Speaker 3>Truth, I'm thinking it was a strange right now.

0:24:55.560 --> 0:24:58.600
<v Speaker 1>Radio once we might be on fourth of.

0:25:00.600 --> 0:25:02.879
<v Speaker 3>Has the you are obviously very proud to be some

0:25:03.640 --> 0:25:04.600
<v Speaker 3>What villagees are you from?

0:25:04.840 --> 0:25:05.000
<v Speaker 1>Ah?

0:25:05.200 --> 0:25:07.760
<v Speaker 4>My come to you by way or by muscle?

0:25:08.080 --> 0:25:11.600
<v Speaker 3>And now okay, muscles right next to my village?

0:25:11.960 --> 0:25:14.400
<v Speaker 4>Oh really? Yeah, I haven't heard of that villain. Only

0:25:14.480 --> 0:25:15.119
<v Speaker 4>know my villages.

0:25:15.200 --> 0:25:22.280
<v Speaker 1>But what is so he pretty much just see it.

0:25:23.280 --> 0:25:23.840
<v Speaker 4>I don't know how.

0:25:26.119 --> 0:25:27.320
<v Speaker 1>So we've got some town?

0:25:29.640 --> 0:25:29.800
<v Speaker 5>Is that?

0:25:29.960 --> 0:25:30.280
<v Speaker 4>Okay?

0:25:30.400 --> 0:25:32.040
<v Speaker 2>Yep, city girls, that's what we are.

0:25:32.200 --> 0:25:34.000
<v Speaker 4>I don't go back often, and I know I'm going

0:25:34.080 --> 0:25:36.320
<v Speaker 4>to look back on my life and go you should

0:25:36.359 --> 0:25:37.640
<v Speaker 4>have gone back more.

0:25:37.800 --> 0:25:40.000
<v Speaker 3>Has there ever been anything with Billyami? We were like,

0:25:40.160 --> 0:25:42.680
<v Speaker 3>culturally that would be such a no, like what the pick?

0:25:42.920 --> 0:25:43.840
<v Speaker 2>Don't don't do that?

0:25:44.080 --> 0:25:47.800
<v Speaker 4>Do you know what? They've actually been really good because

0:25:47.960 --> 0:25:53.360
<v Speaker 4>we have a Salmon advisor and it is like all

0:25:53.400 --> 0:25:57.160
<v Speaker 4>our dialogue, like any storylines that potentially might cause friction

0:25:57.320 --> 0:25:59.760
<v Speaker 4>with our community. They're really quick to get her in

0:25:59.760 --> 0:26:04.959
<v Speaker 4>the room and goes this all right, Bella, Bella, she

0:26:04.960 --> 0:26:08.000
<v Speaker 4>plays my sister on the show. Yeah, we just try

0:26:08.040 --> 0:26:10.600
<v Speaker 4>and ham up the brother sister dynamic for all the time,

0:26:10.640 --> 0:26:13.560
<v Speaker 4>and yeah we hate each other.

0:26:16.000 --> 0:26:17.960
<v Speaker 1>Oh that's so good, and of course for many years.

0:26:17.960 --> 0:26:21.399
<v Speaker 1>But the Roger, that's right, you know.

0:26:21.960 --> 0:26:23.840
<v Speaker 4>I don't know if you remember this episode that he wrote,

0:26:23.880 --> 0:26:28.600
<v Speaker 4>but it was when was on the show and his

0:26:28.720 --> 0:26:30.480
<v Speaker 4>brother was on the show, and there was the storyline

0:26:30.520 --> 0:26:35.720
<v Speaker 4>where someone patient came in and Robbie Mangi's character clocked

0:26:35.760 --> 0:26:38.480
<v Speaker 4>him and was like, oh no, please, don't don't come here,

0:26:38.720 --> 0:26:41.159
<v Speaker 4>and one of the other niss was like, he speaks someone.

0:26:41.480 --> 0:26:45.320
<v Speaker 4>So the someone patient goes, gets dealt with, leaves the

0:26:45.320 --> 0:26:48.200
<v Speaker 4>hospital and Robbie's character is just being like dark the

0:26:48.240 --> 0:26:50.399
<v Speaker 4>whole day, and he was like, what's going on with him?

0:26:50.400 --> 0:26:52.760
<v Speaker 4>And he was like, just make sure you're at work tomorrow.

0:26:52.840 --> 0:26:56.040
<v Speaker 4>The next day, the whole Salmon community is at street

0:26:58.640 --> 0:27:04.880
<v Speaker 4>wanted to get free from his character. But like Victor

0:27:04.960 --> 0:27:07.760
<v Speaker 4>Roger wrote that episode, yea, And to me that's like

0:27:07.800 --> 0:27:09.640
<v Speaker 4>one of the earliest, not the only example, but that's

0:27:09.640 --> 0:27:13.040
<v Speaker 4>my earliest earliest example of like someone who knows the

0:27:13.040 --> 0:27:16.040
<v Speaker 4>culture writing a story about what the culture is about.

0:27:16.280 --> 0:27:18.040
<v Speaker 3>One thing that I remember this was always stick in

0:27:18.040 --> 0:27:20.280
<v Speaker 3>my mind. It must have been like Rugby World Cup time,

0:27:20.440 --> 0:27:22.439
<v Speaker 3>and you know how people are so haughty, maybe not

0:27:22.480 --> 0:27:24.520
<v Speaker 3>as hearty as the Tonguans, but very hatty. This was

0:27:24.520 --> 0:27:29.560
<v Speaker 3>back in twenty eleven in the episode. It was written

0:27:29.560 --> 0:27:32.119
<v Speaker 3>into the episode that there was like it wasn't like

0:27:32.160 --> 0:27:34.160
<v Speaker 3>a legit parade, but it was like a parade through

0:27:34.160 --> 0:27:38.000
<v Speaker 3>the hospital of like the it was like Robbie MANGACEIVERI

0:27:38.960 --> 0:27:41.359
<v Speaker 3>and they were like holding like sumone flags and like

0:27:41.480 --> 0:27:45.040
<v Speaker 3>cheh and someone who was like, you know, still learning

0:27:45.080 --> 0:27:45.760
<v Speaker 3>about their culture.

0:27:45.800 --> 0:27:47.800
<v Speaker 2>I was like, oh my god, there's white people.

0:27:48.000 --> 0:27:50.840
<v Speaker 4>Yeah. All it takes is just to see that. Yeah,

0:27:51.119 --> 0:27:53.200
<v Speaker 4>one person to go, I'm going to give this a grreat.

0:27:53.560 --> 0:27:54.840
<v Speaker 1>That was iconic era.

0:28:01.359 --> 0:28:12.040
<v Speaker 4>Was via the player. It was.

0:28:12.200 --> 0:28:15.040
<v Speaker 1>Do you have any goals? And acting like is it

0:28:15.200 --> 0:28:18.080
<v Speaker 1>like a dream position that you want to hold? Like

0:28:18.280 --> 0:28:19.040
<v Speaker 1>do you want to end up?

0:28:20.280 --> 0:28:23.040
<v Speaker 4>I want to end up on superhero movie. I think

0:28:23.080 --> 0:28:25.800
<v Speaker 4>superhero movies have always been like, well get me excited

0:28:25.800 --> 0:28:30.520
<v Speaker 4>about Yeah, I'd love I think the structure of my career,

0:28:30.520 --> 0:28:33.760
<v Speaker 4>I'd love to be able to transition between theater and

0:28:33.880 --> 0:28:38.400
<v Speaker 4>film and and movies. Did Washington has a He's a

0:28:38.400 --> 0:28:40.080
<v Speaker 4>great actor, but he's got a really great career because

0:28:40.120 --> 0:28:44.200
<v Speaker 4>he's able to do that. I'm also not getting any younger,

0:28:44.280 --> 0:28:47.040
<v Speaker 4>So I think we spoke about rome and Juliet before.

0:28:47.080 --> 0:28:48.840
<v Speaker 4>I think Romeo is like the one role where I

0:28:48.880 --> 0:28:54.160
<v Speaker 4>feel like think I'm running out of time. Yeah, hopefully

0:28:54.200 --> 0:28:55.000
<v Speaker 4>I can crack that one.

0:28:55.000 --> 0:28:58.400
<v Speaker 3>Because you played Paris, I have yeah, anywhere.

0:28:58.000 --> 0:29:01.000
<v Speaker 4>Else I don't know if you. I played a characterical

0:29:01.040 --> 0:29:04.000
<v Speaker 4>cludier and much do about now? Oh yes, I played

0:29:04.200 --> 0:29:08.200
<v Speaker 4>the Thetaming of the Shrew. Nice Richard the third a

0:29:08.360 --> 0:29:12.680
<v Speaker 4>fellow that a couple, but I think, yeah, the young lovers,

0:29:13.320 --> 0:29:14.560
<v Speaker 4>I mean you just have to say his name and

0:29:14.600 --> 0:29:19.560
<v Speaker 4>people have like connotations to today. Just to be able

0:29:19.600 --> 0:29:22.240
<v Speaker 4>to provide for my family financially, whether that's doing the

0:29:22.240 --> 0:29:24.520
<v Speaker 4>stage stuff for the big movies and stuff, I think

0:29:24.520 --> 0:29:25.520
<v Speaker 4>that's the big, big goal.

0:29:25.880 --> 0:29:29.520
<v Speaker 1>Oh that's so cool. For any aspiring actors out there,

0:29:29.640 --> 0:29:31.240
<v Speaker 1>what would be your advice.

0:29:32.560 --> 0:29:36.040
<v Speaker 4>To do the thing. As much as I love drama classes,

0:29:36.080 --> 0:29:40.400
<v Speaker 4>as much as I love studying Shakespeare in your English class,

0:29:40.600 --> 0:29:46.520
<v Speaker 4>this is a very action based occupation, hobby job. So yeah,

0:29:46.520 --> 0:29:48.760
<v Speaker 4>you're going to do these internals, but make sure you're

0:29:48.760 --> 0:29:50.560
<v Speaker 4>able to get up on your feet and do the job.

0:29:50.600 --> 0:29:54.160
<v Speaker 4>There's lots of community theaters in Auckland, there are lots

0:29:54.160 --> 0:29:58.280
<v Speaker 4>of free workshops for young emerging actors in Auckland. So

0:29:58.880 --> 0:30:02.080
<v Speaker 4>do the thing and watch go out and watch, you know,

0:30:02.160 --> 0:30:05.040
<v Speaker 4>I feel like you cannot and like our live performance

0:30:05.080 --> 0:30:07.040
<v Speaker 4>on the screen is good, but go to your theater

0:30:07.120 --> 0:30:09.280
<v Speaker 4>and watch it and let it affect you and be

0:30:09.360 --> 0:30:10.200
<v Speaker 4>open to it.

0:30:10.240 --> 0:30:12.360
<v Speaker 3>Has there been a stage show recently that you've gone

0:30:12.360 --> 0:30:13.840
<v Speaker 3>through that you were like far out?

0:30:13.920 --> 0:30:14.440
<v Speaker 2>That got me?

0:30:14.720 --> 0:30:14.960
<v Speaker 3>Yeah?

0:30:14.960 --> 0:30:17.840
<v Speaker 4>I went to I mean a nice top on about

0:30:17.960 --> 0:30:19.800
<v Speaker 4>massive theater company a lot, but they had a show

0:30:19.800 --> 0:30:20.320
<v Speaker 4>called I Love You.

0:30:23.960 --> 0:30:24.200
<v Speaker 3>Yeah.

0:30:24.320 --> 0:30:27.280
<v Speaker 4>I felt like that was like massive theater work to

0:30:27.400 --> 0:30:29.960
<v Speaker 4>a t. It was like physical and parts. It was

0:30:29.960 --> 0:30:31.040
<v Speaker 4>their Storian parts.

0:30:31.200 --> 0:30:34.200
<v Speaker 1>What a beautiful well yeah, and like it was.

0:30:34.200 --> 0:30:37.960
<v Speaker 4>Just them being them, yeah, and not trying to answer

0:30:38.080 --> 0:30:41.040
<v Speaker 4>anything for us and just going putting it out there.

0:30:41.480 --> 0:30:45.120
<v Speaker 4>Whatever lens you view this with, have a jam. But yeah,

0:30:45.240 --> 0:30:48.320
<v Speaker 4>actually I did see Priscilla like a couple of years ago,

0:30:48.400 --> 0:30:49.560
<v Speaker 4>and that one was like at the Civic.

0:30:49.760 --> 0:30:51.440
<v Speaker 1>Oh that was Queen.

0:30:54.680 --> 0:30:57.200
<v Speaker 4>I was like, holy, this is what this can be.

0:30:57.560 --> 0:31:01.040
<v Speaker 1>Yeah, one more question, because I'm just curious if you

0:31:01.080 --> 0:31:05.200
<v Speaker 1>had to act alongside anyone who would be a.

0:31:05.840 --> 0:31:08.720
<v Speaker 4>Probably there's a her, her name, she's not acting anymore.

0:31:09.680 --> 0:31:10.520
<v Speaker 4>Her name is Denise.

0:31:11.320 --> 0:31:16.160
<v Speaker 1>I don't know if you know. Yeah, yeah, yeah.

0:31:19.560 --> 0:31:21.760
<v Speaker 4>I hope I'm not outing her story, but she was

0:31:21.800 --> 0:31:23.840
<v Speaker 4>with an acting agency and she said that after she

0:31:23.840 --> 0:31:27.800
<v Speaker 4>fell pregnant, they dropped you. But she is honestly like

0:31:27.880 --> 0:31:31.280
<v Speaker 4>one of the most powerful actors less extras I've ever

0:31:31.320 --> 0:31:34.240
<v Speaker 4>been on stage with, I've ever seen and performance. She's

0:31:34.280 --> 0:31:36.560
<v Speaker 4>one of those people that can just stand there and

0:31:36.600 --> 0:31:39.560
<v Speaker 4>you just go. You just want to watch it all

0:31:39.600 --> 0:31:41.360
<v Speaker 4>the time. So Denise, if you hear this, please get

0:31:41.400 --> 0:31:46.200
<v Speaker 4>back into it the service to by raising your son.

0:31:52.320 --> 0:31:54.640
<v Speaker 1>Well, before we go, we want to play a little

0:31:54.720 --> 0:31:57.160
<v Speaker 1>rapid fire Kim. As you would know. This is a

0:31:57.200 --> 0:31:59.520
<v Speaker 1>part of our podcast, just for us to have a

0:31:59.520 --> 0:32:02.440
<v Speaker 1>little bit of one to wrap up the pod Letdlebox

0:32:02.760 --> 0:32:05.520
<v Speaker 1>is a movie review website and on your profile you

0:32:05.560 --> 0:32:09.600
<v Speaker 1>can highlight up your top four films of all time.

0:32:10.080 --> 0:32:12.800
<v Speaker 1>So what are your top four films of all time?

0:32:13.160 --> 0:32:14.400
<v Speaker 2>And we can give you ours as well.

0:32:14.560 --> 0:32:22.239
<v Speaker 4>Yeah sure, yeah, I will go Avengers one. Okay, just

0:32:22.360 --> 0:32:24.840
<v Speaker 4>this idea of people and then they did too much.

0:32:24.960 --> 0:32:32.680
<v Speaker 4>Yeah yeah, Venges one. I would go Stump the yard.

0:32:32.720 --> 0:32:34.960
<v Speaker 4>These are like influential movies growing up to me. I

0:32:35.000 --> 0:32:39.240
<v Speaker 4>watched that movie every day for the school holidays. Two

0:32:39.760 --> 0:32:43.200
<v Speaker 4>we spoke about which I really love and Roman Juliet

0:32:43.320 --> 0:32:47.400
<v Speaker 4>n ninety six. If you haven't seen it, go and

0:32:47.400 --> 0:32:47.880
<v Speaker 4>watch it.

0:32:47.800 --> 0:32:50.280
<v Speaker 3>If I've got it on a hard drive somewhere if

0:32:50.280 --> 0:32:51.400
<v Speaker 3>you need it.

0:32:51.680 --> 0:32:52.120
<v Speaker 4>Amazing.

0:32:52.160 --> 0:32:55.840
<v Speaker 3>It's my favorite. My top four, I think, oh gosh,

0:32:55.880 --> 0:33:01.240
<v Speaker 3>I've been waiting. My goodness, okay, my top My first

0:33:01.240 --> 0:33:06.880
<v Speaker 3>one would be Rocky Horror Pic sure my second favorite

0:33:06.920 --> 0:33:07.720
<v Speaker 3>musical behind.

0:33:07.600 --> 0:33:10.120
<v Speaker 4>Me making that like a sequel or something.

0:33:10.280 --> 0:33:13.720
<v Speaker 3>Oh my ho To be honest, it's so campy and

0:33:13.800 --> 0:33:17.160
<v Speaker 3>like almost ugly, like grotesque that I feel like you shouldn't.

0:33:17.320 --> 0:33:19.360
<v Speaker 2>You can't remake Wow that.

0:33:20.720 --> 0:33:25.240
<v Speaker 3>Yeah, you know what I mean. Yeah, anyway, the secondest Wana. Obviously,

0:33:25.880 --> 0:33:28.360
<v Speaker 3>people have like some criticisms of it and blah blah

0:33:28.400 --> 0:33:28.840
<v Speaker 3>blah blah.

0:33:28.920 --> 0:33:30.880
<v Speaker 2>But I think I just remember.

0:33:30.600 --> 0:33:32.600
<v Speaker 3>Going to that for the first time and like being like,

0:33:32.640 --> 0:33:35.000
<v Speaker 3>oh my god, like I feel like I am one,

0:33:35.760 --> 0:33:39.240
<v Speaker 3>and my little baby cousin was like, oh, it's.

0:33:39.040 --> 0:33:41.560
<v Speaker 2>Not cool on screen to one of the characters. And

0:33:41.560 --> 0:33:42.800
<v Speaker 2>it's like moments like that.

0:33:42.720 --> 0:33:46.800
<v Speaker 3>Where you're like, this is representation, you know. My third

0:33:46.880 --> 0:33:50.160
<v Speaker 3>is One Thousand Ropes, which was made by the same

0:33:50.200 --> 0:33:53.360
<v Speaker 3>guy who made The Orator. But one thousand Ropes to

0:33:53.400 --> 0:33:55.520
<v Speaker 3>me is just I give it as a reference whenever

0:33:55.600 --> 0:33:57.680
<v Speaker 3>people ask me for advice on their work, especially if

0:33:57.680 --> 0:34:01.680
<v Speaker 3>it's like a pacificer dark a themed piece of like

0:34:01.720 --> 0:34:04.040
<v Speaker 3>body of work. I'm always like, go watch One Thousand

0:34:04.120 --> 0:34:05.920
<v Speaker 3>Ropes because they do it so good. They do that,

0:34:07.680 --> 0:34:09.000
<v Speaker 3>they just do it so it's such.

0:34:08.840 --> 0:34:09.400
<v Speaker 2>A good movie.

0:34:09.640 --> 0:34:11.680
<v Speaker 3>And then my last one would be Jordan Peele's get Out,

0:34:11.680 --> 0:34:12.799
<v Speaker 3>which I always tell people was.

0:34:12.800 --> 0:34:16.360
<v Speaker 2>My comfort film. I love that movie. That's my comfort film.

0:34:17.080 --> 0:34:18.840
<v Speaker 2>I love that.

0:34:21.520 --> 0:34:22.439
<v Speaker 4>No, really good movie.

0:34:22.840 --> 0:34:23.719
<v Speaker 2>Yes, so good.

0:34:24.600 --> 0:34:26.800
<v Speaker 1>I'd be scared of that.

0:34:26.840 --> 0:34:27.720
<v Speaker 2>It's scary.

0:34:28.160 --> 0:34:33.760
<v Speaker 4>That's it's more like because it feels real horror through racism,

0:34:34.360 --> 0:34:36.840
<v Speaker 4>like life.

0:34:36.960 --> 0:34:45.719
<v Speaker 1>That's the one about the white family and the lobotomies. Yes,

0:34:44.920 --> 0:34:52.440
<v Speaker 1>I love. I don't know, I'm not a movie person a.

0:34:53.160 --> 0:34:57.400
<v Speaker 1>I like Lelant Disney movie on all time. I like

0:34:57.680 --> 0:35:00.040
<v Speaker 1>on his one. Yeah, I just feel like there's so

0:35:00.080 --> 0:35:05.840
<v Speaker 1>any like that, just like epitomizes the mid two thousands

0:35:05.840 --> 0:35:06.080
<v Speaker 1>for me.

0:35:06.239 --> 0:35:11.080
<v Speaker 3>Yeah, the soundtrack on the sound soundtrack, bro, I've got

0:35:11.080 --> 0:35:12.120
<v Speaker 3>it saved on my Spotify.

0:35:13.680 --> 0:35:15.760
<v Speaker 1>I also like The Lovely Bones.

0:35:16.680 --> 0:35:17.719
<v Speaker 2>You Are Deranged.

0:35:18.160 --> 0:35:21.600
<v Speaker 1>No, that's not my comfort film. It's really sad. It's

0:35:21.640 --> 0:35:23.919
<v Speaker 1>such a sad movie. But so well done.

0:35:25.160 --> 0:35:27.120
<v Speaker 3>What's her first name? Salmon is the last name of

0:35:27.200 --> 0:35:30.960
<v Speaker 3>the main character her monologue at the start of the film. Yeah,

0:35:31.040 --> 0:35:32.480
<v Speaker 3>that was one of my things, right, I be like

0:35:34.040 --> 0:35:35.719
<v Speaker 3>that was like the thing I would pull out in

0:35:35.760 --> 0:35:36.360
<v Speaker 3>my back pocket.

0:35:36.560 --> 0:35:43.200
<v Speaker 1>Oh yeah, it's yeah, it's heavy. It's heavy, as I think.

0:35:43.239 --> 0:35:45.319
<v Speaker 1>I watched it when I was a kid because I

0:35:45.400 --> 0:35:47.960
<v Speaker 1>was on TV three and like, you just watched What's

0:35:48.000 --> 0:35:50.160
<v Speaker 1>on the TV and you've seen it since, like you, Yeah,

0:35:50.200 --> 0:35:53.439
<v Speaker 1>I've watched it many times since. And I don't really

0:35:53.440 --> 0:35:54.799
<v Speaker 1>have any other standouts, to be.

0:35:54.719 --> 0:35:57.200
<v Speaker 2>Honest, you literally have one more. Surely there's one more,

0:35:57.600 --> 0:35:58.240
<v Speaker 2>one more.

0:35:58.920 --> 0:36:04.080
<v Speaker 1>I like. Oh see, I like kids moving.

0:36:07.120 --> 0:36:10.680
<v Speaker 4>Because they end up having an effect on Yeah.

0:36:10.760 --> 0:36:12.680
<v Speaker 1>Leland's stitch is such a good one. The soundtrack for

0:36:12.760 --> 0:36:16.759
<v Speaker 1>that hurts as well. I don't know.

0:36:18.840 --> 0:36:22.800
<v Speaker 3>Mes okay, Ma's doesn't know anything like song lyrics.

0:36:23.040 --> 0:36:26.080
<v Speaker 1>Yeah, I'm a bloody radio host, don't even anything.

0:36:26.600 --> 0:36:28.200
<v Speaker 3>So you know what, Yeah, you keep your three out

0:36:28.200 --> 0:36:34.319
<v Speaker 3>of four three. Thank you so much for joining us.

0:36:34.600 --> 0:36:39.000
<v Speaker 4>Thank you for having me your award business podcast, and

0:36:39.080 --> 0:36:40.279
<v Speaker 4>he gave us chocolates.

0:36:40.320 --> 0:36:45.239
<v Speaker 1>Literally, what you appreciate you bro? You guys, do I

0:36:45.239 --> 0:36:48.359
<v Speaker 1>actually remember meeting you for the first time outside. I know.

0:36:49.480 --> 0:36:55.000
<v Speaker 4>I have you guys been before? Ye, I didn't get

0:36:55.000 --> 0:36:58.160
<v Speaker 4>at I caught the vibe and I was like, I

0:36:58.200 --> 0:37:03.120
<v Speaker 4>thinks might be not with us, right, So I was like,

0:37:03.200 --> 0:37:07.480
<v Speaker 4>I love you.

0:37:08.040 --> 0:37:11.239
<v Speaker 1>What were you doing or someone's birthday? And I was

0:37:11.400 --> 0:37:14.200
<v Speaker 1>drunk And that was my first time at Rudy and

0:37:14.360 --> 0:37:16.120
<v Speaker 1>my last since.

0:37:16.680 --> 0:37:18.399
<v Speaker 2>Are you a big frequenter of the town.

0:37:18.520 --> 0:37:22.000
<v Speaker 4>No, no, this was maybe two years ago. Yeah, I

0:37:22.560 --> 0:37:25.480
<v Speaker 4>very really go out. Okay, pretty boring my dad now Yeah.

0:37:25.880 --> 0:37:34.400
<v Speaker 3>So yeah, thank you so much, such a treat.

0:37:34.520 --> 0:37:35.920
<v Speaker 2>Thank you back.

0:37:37.080 --> 0:37:39.080
<v Speaker 1>And we'll see you next week on Islands Aukland Wet.

0:37:39.120 --> 0:37:43.880
<v Speaker 1>Don't forget to follow us on the socials, you guys.

0:37:44.200 --> 0:37:48.000
<v Speaker 3>Every every morning I get on my zoom and I

0:37:48.440 --> 0:37:51.120
<v Speaker 3>do the social So can you just comment, please.

0:37:50.880 --> 0:37:54.000
<v Speaker 1>Help us out. Please, We'll see you next week.

0:37:54.080 --> 0:37:54.279
<v Speaker 2>By