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Speaker 1: You're listening to the Saturday Morning with Jack Team podcast

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Speaker 1: from News Talks at b OH.

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Speaker 2: I know it's been a bumpy keep thinking there's somebody

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Speaker 2: good to.

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Speaker 3: Take a little ground. It's amazing. If we made it here,

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Speaker 3: then we made it.

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Speaker 2: No bit of this sad part of the love people

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Speaker 2: him ever t of the time to celebrate it.

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Speaker 4: But if we made it here, then we met it.

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Speaker 5: Ah, so good eh.

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Speaker 6: Six sixty have spent more than fifteen years working on

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Speaker 6: their craft. Now with the heights of reached, you might

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Speaker 6: forgive the lads for taking a bit of time to

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Speaker 6: kick back and relax, but there is no stopping them Matcheu,

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Speaker 6: Marlon G and Chris. They've just released their fifth album.

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Speaker 6: It's called Right Here, Right Now. And what makes this

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Speaker 6: album so special is that it is all recorded live,

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Speaker 6: So every single track is a one take wonder to

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Speaker 6: celebrate it's a rival.

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Speaker 5: The lads are here with us in studio, gentlemen, Kiota,

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Speaker 5: good morning. So things have been done a little differently

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Speaker 5: this time around. You guys just trying to save on

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Speaker 5: studio costs?

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Speaker 1: Was that.

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Speaker 5: Give me the ethos? Why did you want to do

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Speaker 5: every track in one take?

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Speaker 3: Well?

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Speaker 7: That actually wasn't the plan, was it?

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Speaker 5: No, You're just so good you just got in there,

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Speaker 5: and you like, can't improve on perfection.

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Speaker 7: We had had the songs, really, we had the studio

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Speaker 7: booked out, and we know, we decided we wanted to

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Speaker 7: at least try to capture things live and like, and

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Speaker 7: I guess we kept talking about trying a lot on

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Speaker 7: the human element of our process and of music right

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Speaker 7: in general, and no better way to do that than

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Speaker 7: kind of just press play and have everyone put their

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Speaker 7: noise through a can.

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Speaker 5: You know what does the human element mean? Does that

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Speaker 5: mean like the kind of fridge on that comes from

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Speaker 5: the pressure of all having to be in the right

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Speaker 5: headspace in that moment, or does it mean mistakes?

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Speaker 7: Well, it ends up I guess to the lame and

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Speaker 7: it is mistakes. Yeah, But mistakes happen because we're forced

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Speaker 7: to consider each other in the process and listen to

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Speaker 7: the song intently and where you are in the song,

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Speaker 7: and you can iron out the mistakes, but we just

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Speaker 7: show we just chose not to, I think because once

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Speaker 7: we did try and iron them out, they actually the

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Speaker 7: spirit of the songs changed in a negative way. And

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Speaker 7: so we're just like, let's just stop tattooing with us

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Speaker 7: and it was magic. It felt like magic making it.

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Speaker 5: That's amazing. So would I be able to notice? Like

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Speaker 5: if I would, I have to really like keenly study

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Speaker 5: each recording, like sit down, you know, with like the

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Speaker 5: perfect seat of headphones.

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Speaker 7: If you did that, you might find things, you know,

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Speaker 7: for yourself. Yeah, it made sense to it, But I

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Speaker 7: think it's probably more feeling. I think generally the music

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Speaker 7: feels more alive. It's a little bit more on edge

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Speaker 7: because you might not know that's all of us in

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Speaker 7: a room playing a single take. But I don't just

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Speaker 7: feel like.

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Speaker 8: When you do things live and you know something could

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Speaker 8: go wrong at any moment and everyone feels that pressure. Yeah,

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Speaker 8: and the fun of it, that's the fun of it.

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Speaker 8: Like there a certain party of brain that actually turns

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Speaker 8: off when you get into like an improvising space and

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Speaker 8: so you're free. It's a I was just reading about

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Speaker 8: it this morning, that it actually gets rid of the

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Speaker 8: party of brain that has fear or embarrassment.

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Speaker 6: Really.

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Speaker 8: Yeah, as soon as you get into like an improvising

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Speaker 8: kind of especially when you're with people you trust, right, yeah, absolutely, Yeah,

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Speaker 8: and so you end up doing things you wouldn't normally do,

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Speaker 8: or expressing yourself in ways you wouldn't nomally express because

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Speaker 8: you don't have to put it through age and.

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Speaker 7: R and we and we really fought the urge to

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Speaker 7: do the seventh, eighth, ninth, tenth, eleventh, twelfth, Yeah right,

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Speaker 7: you know we did three. We're like, you know, we

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Speaker 7: could do twenty takes. Yeah, but then we're just be

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Speaker 7: jaded and bored of it. You know, if it's enough

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Speaker 7: that we felt magic and we're all smiling, you know

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Speaker 7: at the end of it, going nocking at each other, Yeah,

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Speaker 7: as the symbol rings out.

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Speaker 8: Yeah, you try not to make any noise.

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Speaker 5: I had wondered if there was going to be like

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Speaker 5: one member of the team, like leading everyone down, like

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Speaker 5: you guys, like, oh there was there was so good.

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Speaker 7: Like everyone's on a channel week. We have some modern freedoms.

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Speaker 7: Everyone's on a separate channel weeks.

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Speaker 5: Yeah. The creativity thing is I hadn't thought about their component.

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Speaker 5: And I suppose it speaks to the human element, right,

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Speaker 5: Like if you are if you were just recording your

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Speaker 5: bit and a thing, and you're sitting there in a

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Speaker 5: little booth and you listening to everyone else, then perhaps

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Speaker 5: you aren't kind of driven to try a little lick

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Speaker 5: or something that you might otherwise try.

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Speaker 8: Is that we su Yeah, basically.

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Speaker 3: I don't know.

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Speaker 8: It just you have to listen to each other in

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Speaker 8: a different way because there's a push and pool that

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Speaker 8: that you know, Gie has listened to me, I'm listening

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Speaker 8: to Gie, and then Marles listen to Gie and me.

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Speaker 8: We're all listening to each other. Yeah, right, that doesn't

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Speaker 8: happen if you're all recording individually, because you're just kind

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Speaker 8: of locking in. So there's there's a push and pool

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Speaker 8: element that it's lost. And also I think because of

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Speaker 8: that listening, it means you end up maybe playing a

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Speaker 8: little less, right, and then that gives you more air.

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Speaker 8: And I think air is also something that is lost

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Speaker 8: in modern music a lot.

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Speaker 5: You mean, like kind of like space, like actually, yeah,

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Speaker 5: actual air really in a way, yeah, right, the room

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Speaker 5: and all those kind of things, rather than being just

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Speaker 5: squashed into a computer and all being done in a box.

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Speaker 3: You know, many instruments gone.

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Speaker 7: Yeah, that's interesting space.

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Speaker 5: Yeah, yeah, yeah, because it's kind of you know, they

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Speaker 5: reckon and broadcasting and interviewing it's the same thing, right,

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Speaker 5: Like there's a kind of human compulsion, especially when you're

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Speaker 5: on show and you're being recorded to fill every single silence,

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Speaker 5: and actually the kind of control to be able to

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Speaker 5: hold back sometimes it makes all the difference. You said,

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Speaker 5: these are some of the best songs you've ever written.

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Speaker 7: I think so. Yeah, yeah, I think, and I look

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Speaker 7: people as people say that every album. Yeah, but I

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Speaker 7: do genuinely think that. And these songs are are beautiful

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Speaker 7: and they're the truth, you know, like a long way

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Speaker 7: through the process for like this just has to be

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Speaker 7: beautifully simple. It's four chords and the truth. They need

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Speaker 7: to be playable on acoustic. I can imagine these in

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Speaker 7: the stadium. They can work in a garage with the boys,

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Speaker 7: which is the testament of a of a good song,

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Speaker 7: I think. And yeah, they're just I don't know, they're

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Speaker 7: just simple, which I love about music.

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Speaker 5: So you've got some interesting performances coming up, but you're

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Speaker 5: also going to be playing I think it's called the

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Speaker 5: Takaha one Stadium in christ He So talk to me

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Speaker 5: a little bit about that performance. When is it April May?

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Speaker 7: Yeah, Yeah, that one's pretty amazing. The last the last

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Speaker 7: six months of shows, I've been pretty incredible. We've gone

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Speaker 7: from Chadam Islands to the Sydney Opera House, steps to back,

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Speaker 7: you know, now into the Convention Center. Like, we just

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Speaker 7: love that we're in a position where we can make

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Speaker 7: it work.

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Speaker 1: You know.

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Speaker 7: I think we're proud that is a testament of a

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Speaker 7: good band. Like put us anywhere and we can you know,

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Speaker 7: we always sit from the start, let's make it. We

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Speaker 7: want pubs to feel like stadiums, and stadiums to feel

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Speaker 7: like pubs, you know, be able to give that energy.

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Speaker 7: And then the stadium is just yeah, we're kind of.

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Speaker 5: I mean, there is going to be, is it.

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Speaker 8: Yes, we're lucky enough to go look around. Do we

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Speaker 8: like high hats, high hats and hard hats and high

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Speaker 8: vers and all that kind of stuff, But yeah, it's

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Speaker 8: pretty cool stadium. Yeah, I'm really excited.

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Speaker 7: It's going to be an emotional night, I think so.

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Speaker 7: I thing for our shows tend to be emotionally driven anyway,

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Speaker 7: But considering what they've all been through and how long

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Speaker 7: I've been waiting for this, we want to do it justice.

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Speaker 5: Like what it represents to have an event like that

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Speaker 5: after all of these years in christ and just like

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Speaker 5: I just can you imagine how keen that one. It's

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Speaker 5: going to be nuts. It's going to be nuts. Yeah,

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Speaker 5: that's going to be really special. So you mentioned you

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Speaker 5: did the Chatams, the Sydney Opera house steps, but you

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Speaker 5: guys are also hidden back down to donners when you can.

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Speaker 5: You because the university just started, they've got the scholarship

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Speaker 5: round up and going. Now how does that work?

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Speaker 7: Well, I mean, for those who don't know, a few

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Speaker 7: years back, we bought the house that we started everything

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Speaker 7: in and with the purpose of starting this foundation. We're

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Speaker 7: putting four kids free rent through each year and it's

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Speaker 7: just an amazing chance for us to give back. And

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Speaker 7: you know, we we took a less traditional route into

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Speaker 7: the music. Well that we weren't kind of music school kids,

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Speaker 7: and we wanted to provide an avenue for people similar

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Speaker 7: like that.

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Speaker 1: You know.

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Speaker 7: I think the fact that we didn't have that formal

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Speaker 7: training you call it whatever, that it actually suggested the

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Speaker 7: music that we make. And I think there's a really

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Speaker 7: there's a really big space for that for that type

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Speaker 7: of music. Yeah, and just I don't know, kind of

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Speaker 7: untrained you know. Yeah, I actually like quite often I

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Speaker 7: think about leaving a level of naivety and stupidity with

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Speaker 7: the I don't want to know everything when I go

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Speaker 7: into a writing process. It's kind of got to be

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Speaker 7: a bit like I don't know what I'm doing.

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Speaker 5: Yeah, right to such a dangerous thing, right yeah, yeah, yeah, yeah,

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Speaker 5: yeah yeah yeah.

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Speaker 7: Yeah. It's been and it's been really fulfilling. So we'll

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Speaker 7: go down again, I think in the next couple of

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Speaker 7: months and go through the process of meeting the new

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Speaker 7: kids and picking the following ones and ah, there's a

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Speaker 7: mental ship part of It's really really cool. That's such

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Speaker 7: a good thing.

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Speaker 5: Yeah, really really yeah, that's amazing. Well, congratulations on right here,

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Speaker 5: right now. We are delighted about the new album Delights.

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Speaker 5: You're going to be playing it in a few different places,

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Speaker 5: and you've gotta performance for us this morning.

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Speaker 7: Yeah mate, good morning everybody. This is six sixty live

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Speaker 7: in the studio. We're going to play a song called

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Speaker 7: Knocking at Your Door off our brand new album right here,

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Speaker 7: right now.

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Speaker 3: I said I would and cray.

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Speaker 4: Bing up looking into your I can feeling in muscle.

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Speaker 4: You make me lose control.

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Speaker 9: You keeping knock, knocking, knocking, natural door, you keeping knocking.

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Speaker 3: I just can't get in.

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Speaker 9: No, I'm addicted to your juge.

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Speaker 3: I've never felt so free.

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Speaker 1: With you.

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Speaker 3: Are more than I used to be.

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Speaker 9: And you keeping knock knock knocking natural door. You keeping

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Speaker 9: knock knock knocking that your door, and I.

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Speaker 3: Just can't take it anymore.

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Speaker 4: You keeping knocking, Oh mynuts in your head?

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Speaker 3: No never, mother smoke to him, Oh why I would

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Speaker 3: not pretend take me out of nover again? Yeah? Whoa?

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Speaker 4: You keep me knocking at your door? You make a

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Speaker 4: dead dream feel softy. I be a dead man if

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Speaker 4: looks cooky. Now I know where I'm be it long

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Speaker 4: in your arms.

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Speaker 3: I'm right at home.

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Speaker 9: And you keeping knock knock knocking at your door. You

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Speaker 9: keep the knock knock knocking at.

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Speaker 3: Your door, and I just can't take it anymore. You

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Speaker 3: keep them knocking, Oh man, huts in your head. No never,

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Speaker 3: I smoke to him, Oh wow, would I pretend tep me? O? Whoa?

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Speaker 3: You keep me knocking? And shure.

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Speaker 7: Beautiful? Let thank you so much? One take care.

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Speaker 5: You certainly did right here right now is out now?

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Speaker 5: That is six sixty so good.

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Speaker 1: As for more from Saturday Morning with Jack Tame, listen

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Speaker 1: live to news Talks it'd b from nine am Saturday,

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Speaker 1: or follow the podcast on iHeartRadio,