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Speaker 1: Hello, it's Matt Heath here with a massive self source.

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Speaker 1: My number one best selling book, A Lifeless Punishing Thirteen

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Speaker 1: Ways to Love the Life You've Got, is out now.

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Speaker 1: It's the result of a deep dive I took into

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Speaker 1: how to deal with the emotions that make our lives

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Speaker 1: more punishing than they need to be. Karan Reid wrote,

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Speaker 1: Matt has a hilarious way of articulating an important message,

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Speaker 1: highly valuable advice for Anyone. Newsroom described it as good,

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Speaker 1: very good, indeed, and under jurisicm me well see he

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Speaker 1: had met as a deep thinking, highly intelligent human being.

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Speaker 2: The number one.

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Speaker 1: Best selling are Lifeless Punishing Thirteen Ways to Love the

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Speaker 1: Life You've Got is available in all good bookstores.

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Speaker 3: Now, all right, no's get busy, No stop stop, okay, Matt,

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Speaker 3: So what's up?

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Speaker 4: Get busy?

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Speaker 5: It's your big opportunity.

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Speaker 4: Around Sorry, wrap your men around at this time in year.

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Speaker 5: Okay, yeah, sure, it's.

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Speaker 2: Your three year anniversary.

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Speaker 6: Mat, Why yeah, let's get busy.

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Speaker 4: That was the best you could do. It was just

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Speaker 4: a lost.

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Speaker 5: I had someone from matt seat pointing at me for.

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Speaker 2: I was putting on a thing, I was doing a bit.

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Speaker 2: I was putting on a character.

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Speaker 4: What character was that he was playing? Were you playing Debdy?

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Speaker 2: I was playing? No, I was playing a silly character.

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Speaker 2: I'm sorry, where are you? Yeah?

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Speaker 5: Why did you throw a mint at me? Mid drum roll, Jerry?

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Speaker 5: That's what I want to know.

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Speaker 2: Isn't that a musinix? Is it a small musinix?

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Speaker 4: I think it. I feel like it's a it's a sint.

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Speaker 5: Yeah, yeah, what is? Why did you?

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Speaker 4: You can get it in my mouth?

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Speaker 5: You really don't say things like that on the podcast.

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Speaker 2: Get it in his mouth?

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Speaker 5: Can I go? I'll go to the cameras on and

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Speaker 5: then we'll give us an nextual crack. We're going to

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Speaker 5: sit here until we get this.

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Speaker 2: Okay, I think I think. Well, Mesh walks away from

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Speaker 2: the microphones. It's actually a good time to congratulate him

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Speaker 2: on us three years at Radio Hedech.

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Speaker 4: Yeah, it's pretty amazing, isn't it? Three years? Three years

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Speaker 4: working for free? I mean, nobody's done. This is the

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Speaker 4: amazing thing. He has worked away quite tirelessly at times.

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Speaker 2: We've talked a lot of world records on the Madden

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Speaker 2: Jerry Show. I wonder if this would make the Guinness

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Speaker 2: Book of World Records. Three years is a.

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Speaker 4: Longest internship, longest unpaid internship. Are you googling it?

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Speaker 5: I'm back, what's going on?

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Speaker 2: You're just congratulating you.

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Speaker 4: You're congratulating you for being an intern for three years

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Speaker 4: saying nice things.

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Speaker 5: Yeah, I'll go back and never listening about it that way.

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Speaker 2: OK.

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Speaker 5: Cool, I'll listen to that back later on. Yeah, anyway,

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Speaker 5: I tuned the cameras on so we could do this

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Speaker 5: a little bit of a milk trait.

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Speaker 4: You're going to throw a mint into my mouth and

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Speaker 4: that's possibly going to get it in my throat and

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Speaker 4: I'm going to choke on it. So if I choke

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Speaker 4: on it, can someone pull the pull the Homeleck manual?

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Speaker 2: I can do the hard could we both do it?

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Speaker 2: I'll do it from the front.

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Speaker 4: That choked on some meat and she's now a nice U.

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Speaker 4: So you can gotta be careful choking. Choking. That's a

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Speaker 4: big problem.

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Speaker 5: Thanks for that little pick me up story. Okay, that

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Speaker 5: makes me feel great going into this.

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Speaker 2: There we get you ready from here around by reader

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Speaker 2: from your seat?

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Speaker 5: Do you want under arm over arm?

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Speaker 4: However you feel that you're more likely to get it

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Speaker 4: in my mouth? No?

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Speaker 5: This is actually this is a very good time to

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Speaker 5: bring this up. If this doesn't go in your goal,

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Speaker 5: but your fault, it's not the thrower's fall. I don't

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Speaker 5: want any of this kind of like not moving.

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Speaker 4: Oh what Yeah, I'm going to stay completely.

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Speaker 5: Still like one of those clowns at the fear they move.

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Speaker 4: Mate, I'm not moving.

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Speaker 5: Okay, Well, how about if you're going to do that

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Speaker 5: and not move? Yeah, shut your eyes. I want you

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Speaker 5: to close your eyes. Why why I close my eyes

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Speaker 5: because if you're not going to move, I just want

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Speaker 5: to try something.

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Speaker 4: Don't you biffit up my face? I won't bf as

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Speaker 4: hard as you can. Don't you dare befit?

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Speaker 2: Why can't you just do this in good faith? He's

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Speaker 2: asked you to have a bit of a fun game

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Speaker 2: to start off the podcast.

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Speaker 5: Exactly what do you think I'm going to do? Make

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Speaker 5: get my cock out?

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Speaker 4: No, but just don't biff it up my face. I've

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Speaker 4: got a TV show to do later on today. Don't

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Speaker 4: biffit up my face.

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Speaker 5: Do you think this tiny eclipse mint is going to hurt?

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Speaker 4: Are we sure it's a month that's that's been sitting

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Speaker 4: That month has been sitting here for so long. Please

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Speaker 4: don't get it in my mouth. Actually, here we go. Okay,

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Speaker 4: so this mont has been sitting here seriously for I'm

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Speaker 4: going to say two months.

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Speaker 2: Okay, are you ready longer? So we've got Meshy on

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Speaker 2: one microphone. He's raising his arm.

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Speaker 5: Did we decide under over however?

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Speaker 2: You want Meshis to choose how he wants to. That's

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Speaker 2: a big mouth, Wells is a very large mouth.

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Speaker 5: Is massive? Can you give your mouth?

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Speaker 4: Is not that bad?

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Speaker 5: Could you put it on the forty five? Plenty of

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Speaker 5: room to fit anything in the not facing that.

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Speaker 2: Way, facing facing towards him, well turns away. Wells turns

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Speaker 2: back towards Caddy. Caddy takes ay with a slightly overarm.

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Speaker 4: Are you ready?

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Speaker 2: Cocked elbow? He's got the mint between.

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Speaker 4: Say, before you throw this, I've got to put my

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Speaker 4: tongue in a position that means that the monch can't

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Speaker 4: go straight down my throat.

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Speaker 5: Yeah, well, imagine imagine how they feel, mate, they I

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Speaker 5: mean woman, Caddy cocks the elbow. That's not where your

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Speaker 5: tongue supposed to sit, mate, that's not going in.

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Speaker 4: That's that's to.

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Speaker 2: Make it sixty second penalty soon, guys, hang on.

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Speaker 5: Read So why is your tongue having to do that.

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Speaker 5: There's no way that going down my throat. Okay, well,

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Speaker 5: I don't notice. Can I go in like that?

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Speaker 2: Well it can go on. Yeah, it might just bounce out,

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Speaker 2: but it can still go in.

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Speaker 5: Are you ready?

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Speaker 4: Yeah, here we go.

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Speaker 2: He cocks his elbow.

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Speaker 4: Hold on, I'll actually just do it normal and we'll

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Speaker 4: just run the gornlet if it goes down. If you

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Speaker 4: kill me, I'm gonna be angry. Okay, if you die,

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Speaker 4: you'll be angry. Okay, that's if you die. I except

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Speaker 4: that you might be like you're going to get it anyway.

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Speaker 2: Mouth.

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Speaker 5: You're coming too close.

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Speaker 4: You've got you actually your arms extended. You've got to

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Speaker 4: go behind the microphone.

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Speaker 5: That's the way. If I stand back here, yep, still

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Speaker 5: a fly up.

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Speaker 2: Please stay with us. We will be coming back to

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Speaker 2: the actually right now live.

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Speaker 5: For those that won't be watching this, I think that

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Speaker 5: this is about a two meter throw. Yeah yeah, two minutes.

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Speaker 7: Ye.

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Speaker 2: He takes a cox the elbow to Caddy shoots and

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Speaker 2: the right bicep, he said, the right bicep.

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Speaker 7: No, a terrible throw. Fifty don't you dear? That was

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Speaker 7: a fifty cent of a throw. You dear can you

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Speaker 7: can you throw me that little thing back? And we're

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Speaker 7: going to try that again. I'm not accepting that as

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Speaker 7: our one attempt for the day. That was just there

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Speaker 7: was another.

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Speaker 2: You give me one more more are The good news

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Speaker 2: is it went on the floor, so now Jerry gets

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Speaker 2: to pick it up off the bear.

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Speaker 5: If you would you mind if I use it's.

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Speaker 2: Going on the floor again.

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Speaker 4: It's a it's a terrible idea. I just whipped it.

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Speaker 4: What are you really going to throw it again?

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Speaker 2: It's been on the floor twice.

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Speaker 5: It's now a good time to say something. You've just

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Speaker 5: thrown that back at me. Yeah, there's no ship, just

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Speaker 5: gone on my coffee.

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Speaker 4: H So do I win?

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Speaker 5: I'm pretty sure there's gone on my coffee. I can't

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Speaker 5: see you anywhere I thought it. Sorry, I was looking

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Speaker 5: at the desk thinking that mint is not here. Okay,

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Speaker 5: here we go. We're gonna wrap this up. Here we

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Speaker 5: go three two, we actually we just take a break

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Speaker 5: and come back with the final throw. Taking a break.

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Speaker 5: Come on.

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Speaker 2: When we're back live right If.

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Speaker 5: You are just joining us for the first time, would

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Speaker 5: be strange, But we're here, We're here. You don't need

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Speaker 5: to reach that we're in the podcast. What about what

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Speaker 5: was going on before I'm throwing them in?

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Speaker 2: Yeah? Bring that that elbow before it was cocked right

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Speaker 2: on the radio. Heard a mic and he's gone, oh.

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Speaker 4: That was pretty good.

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Speaker 5: That felt good that one. We're gonna have to come

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Speaker 5: back to this tomorrow. I mean, this is great stuff.

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Speaker 5: This is a new segment. What's in Jury's God? When

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Speaker 5: you open your God and I just throw stuff?

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Speaker 2: I tossed into Jerry's gob today?

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Speaker 5: And you remember how Watson Deddy's Coffee ended with your

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Speaker 5: downstairs going in the coffee? Yeah, what's in Jerry's gob

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Speaker 5: came in with fill in the black? Mate?

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Speaker 4: What about just his downstairs and tossing into Jerry's God?

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Speaker 4: It should be called tossing into Jerry's God? And you

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Speaker 4: toss something different thanto my GB every day every day.

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Speaker 5: I'd love to do that.

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Speaker 4: Well you try to?

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Speaker 5: Yeah, and then.

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Speaker 4: Sorry?

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Speaker 5: What did you say?

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Speaker 4: Sorry? I just then we finished the scene by you

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Speaker 4: actually tossing into me one day. That's where we're arking towards.

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Speaker 4: But it might take us some time to get this.

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Speaker 5: This is going out on social So can you just apologize.

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Speaker 4: To those that's I don't think that's going out anywhere

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Speaker 4: is it? This is not being.

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Speaker 5: Recorded tomorrow on the show. You heard it here first

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Speaker 5: I thought it was still in the breaking. What did

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Speaker 5: you decide that we're going to call it tossing?

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Speaker 4: Tossing into Jerry's gob It makes I mean, it'll win

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Speaker 4: us an award.

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Speaker 2: Now, it won't really comes off the tongue.

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Speaker 5: Yeah, there you go.

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Speaker 4: Thanks, it comes up. It's not allowed to come off

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Speaker 4: the tongue. What actually has to give them the go?

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Speaker 5: Do you know what's fun today is during the radio

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Speaker 5: show we found out that our our clock c l

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Speaker 5: O c K that tells us how long we've been

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Speaker 5: talking for isn't working. Oh well, we actually found out,

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Speaker 5: if you want a full story, that the remote that

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Speaker 5: runs the clock also runs the TV and when I

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Speaker 5: went to put the Euro semifinal on the clock cut out.

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Speaker 5: So we have no idea how long we've been talking

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Speaker 5: for today. So this podcast could go for as long

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Speaker 5: as short as we want.

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Speaker 2: I don't know.

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Speaker 5: Haven't been going for twenty minutes? Have we be going

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Speaker 5: for ten?

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Speaker 3: How long?

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Speaker 5: Will be throwing mins to your God?

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Speaker 4: For eleven minutes? Eleven seconds?

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Speaker 5: So we've still got another eight nine minutes we have

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Speaker 5: to do at least, so maybe we start, Maybe we

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Speaker 5: run the first rendition of tossing into Jury's goal right.

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Speaker 4: Now, tossing. Oh, we have done that, haven't we.

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Speaker 5: Well, that was the that was the kind of planning phase.

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Speaker 5: I don't know if that was officially. I mean, maybe

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Speaker 5: we could. Should I find some music.

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Speaker 4: For I can do the voice if you want so,

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Speaker 4: go something like this.

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Speaker 5: Hold, I just wait one second, just wait, once again,

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Speaker 5: here we go. Didn't we just find a music bed?

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Speaker 5: Actually we could all do this together. Yeah, let's just

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Speaker 5: look for a music bed. I'll play a few. You

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Speaker 5: can see if you like these, once again, tossing into

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Speaker 5: Jury's Yeah, I know that's just a cure song. Okay,

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Speaker 5: that's not good. I'm currently looking through the bed section

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Speaker 5: that we share with all the radio stations here at

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Speaker 5: en ZED Meet intro Bead.

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Speaker 8: What about this one, charl he's fifty thousand dollars, big

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Speaker 8: popper or thanks to help ee?

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Speaker 5: Yeah, welcome along to a new segment. It's called tossing

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Speaker 5: into Jerry's gob Does that work?

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Speaker 4: No, because it's another sting for another segment. Okay, let's

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Speaker 4: get what we need is more of a just like

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Speaker 4: that that blen that with the Watson Daddy's coffee. Oh,

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Speaker 4: it's tossing into Jerry's garb.

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Speaker 5: Oh you want to use the same image.

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Speaker 4: I mean, why not?

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Speaker 5: That's fine.

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Speaker 4: It was a successful segment.

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Speaker 5: Now I believe we still use that beard from the

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Speaker 5: successful segment Watson Daddy's Coffee during the radio show. So

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Speaker 5: I think I've got that here. Here we go. It

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Speaker 5: used to sound like this, didn't it.

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Speaker 4: What's in Daddy's coffee? Yeah, that's it. So this one

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Speaker 4: would go something like tossing into Jerry's garb. There we go.

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Speaker 4: I mean that sounds good to me.

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Speaker 5: A segment where you and which open your God, Jerry

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Speaker 5: and I throw something into it and you toss something

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Speaker 5: into it, all with the plan and three to four

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Speaker 5: weeks when we wrap the sigma up.

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Speaker 4: Of actually tossing off into my god.

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Speaker 5: Okay, there you go. That was a great brainstorm. I

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Speaker 5: feel excited about that, and I can't wait to come

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Speaker 5: to work tomorrow.

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Speaker 4: So that's tomorrow, is it?

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Speaker 5: Well, not the fines, not tomorrow, not the end?

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Speaker 4: No, no, not the end.

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Speaker 2: So it's just going to be a podcast only game,

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Speaker 2: or are we going to do it? During the FM broadcast.

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Speaker 5: This is I feel like this is more of an

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Speaker 5: FM only game. Oh I think that we could cut

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Speaker 5: it up and put in the Highlights podcast. Yeah, definitely,

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Speaker 5: you know, tossing into Jew's God. But I don't know

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Speaker 5: if just how do you feel like the whole country.

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Speaker 4: Has to hear it? Can we get a listener involved?

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Speaker 4: Like so listener calls up on our one hundred and

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Speaker 4: then they have the choice of two things, and you say,

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Speaker 4: right today, I can toss off a mint or I've

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Speaker 4: got a mystery off sherman's friend. Okay, what do you want?

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Speaker 4: And then the caller says, yeah, take the Fisherman's friend things.

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Speaker 4: And so they are represented by your toss and then

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Speaker 4: you tell and if they if they win, then they

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Speaker 4: win some prizes.

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Speaker 5: Okay, that's fantastic.

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Speaker 4: It to twisters.

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Speaker 5: And then on the finale, Yeah.

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Speaker 4: Then they come in, they come in and they toss

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Speaker 4: you off into your gob Yep, that makes sense. I

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Speaker 4: mean that's logical conclusion, isn't it?

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Speaker 5: But it is. And that's how these things as you work

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Speaker 5: is we have bosses that'll go you know, guys, the

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Speaker 5: segment's been great, but it has to kind of it

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Speaker 5: has to keep moving that radio works. It's an organism

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Speaker 5: that has to evolve over to look behind the curtains.

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Speaker 5: And if things aren't moving on then you got to

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Speaker 5: shut them down. And no, I mean, look, Pixie Campbell

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Speaker 5: is going to be stoked that we already have the

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Speaker 5: end in sight. We know where this is going to go.

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Speaker 5: We know that it ends with me tossing off in

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Speaker 5: your gob yep with the help of a listener.

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Speaker 4: Should we get them in here and just run run them,

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Speaker 4: run by them early and see what he's see what

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Speaker 4: he thinks.

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Speaker 2: I'd be interesting. Think that's a good idea.

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Speaker 4: Should we get it?

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Speaker 2: I'll go and get them, Okay, and mash when when

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Speaker 2: Todd Pixie Cambell comes in, I'm going to need you

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Speaker 2: to bring up the computer because I've just come up

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Speaker 2: with an idea for jingle introka for do you want

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Speaker 2: to do that now?

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Speaker 5: Or do you want to do that?

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Speaker 2: I'll do it. I'll do it as a surprise forever

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Speaker 2: run including Pixea Campbell.

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Speaker 5: Okay, sweet, that your fader that obviously you're staying. We've

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Speaker 5: talked about this a lot. You're sitting at Matt's seat.

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Speaker 5: That fader that your computer comes through. That's a that's

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Speaker 5: a kind of break in case of emergency fader. We

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Speaker 5: try not to play that one too much. It usually

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Speaker 5: results in ads a multiple tab at the same time situation.

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Speaker 5: So I'm hoping that you've you know, tabs shut one.

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Speaker 2: Do you want me to shut everything out? I want

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Speaker 2: you to know you don't have well shut mail, because

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Speaker 2: otherwise it will ding dang bloody email me all the time.

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Speaker 2: He comes about the show.

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Speaker 5: Jerry's back and here's Pixy as well.

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Speaker 2: So Jerry, I've come up with a jingle for the

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Speaker 2: start of it. So PIXI, you will need your some

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Speaker 2: have you got there?

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Speaker 5: You've come up with some?

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Speaker 2: There might be are the some in studio? Bout this

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Speaker 2: thing here is broken. I think that goes through one here,

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Speaker 2: So that'll be fine.

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Speaker 5: That'll be fun enough to get the job done. Welcome

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Speaker 5: along to the podcast.

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Speaker 8: First of all, Pisi, thank you guys for a while

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Speaker 8: for a long time, long time listener though really you

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Speaker 8: love it and go to sleep with Matt and Jerry

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Speaker 8: pod and away.

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Speaker 5: That your cameras lined up, you guys amongst your Yeah.

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Speaker 4: So so anyway, we're just brainstorming in your idea for

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Speaker 4: tomorrow's radio show.

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Speaker 2: Yeah, it could be podcast only, but we're thinking if

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Speaker 2: in broadcast.

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Speaker 4: Okay, yep, we just tried something before and it was

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Speaker 4: it was laugh out loud funny.

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Speaker 9: You guys have revived the jingle like sometimes I'm a

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Speaker 9: kid listening to Bads and Pilko on the radio when

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Speaker 9: we're singing away about how fantastic life Isn't it makes

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Speaker 9: me feel good?

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Speaker 4: Whose Bears and Pilker?

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Speaker 9: They were big in Australia, Hose Bears and Pilker, bas

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Speaker 9: Is Barry and John Pilco, Pilkington. So you see what

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Speaker 9: they've done there. Okay, they were on They started in Adelaide,

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Speaker 9: then got the Sydney no WS two WS.

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Speaker 4: I think she's as maybe you.

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Speaker 5: So I've been out of the studio for forty five

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Speaker 5: seconds making sure the cameras are lined up, and you're

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Speaker 5: chating about Ozzie Radio, the Bears and.

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Speaker 4: Pilco and Big Triv, Big Triang, Big Triv.

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Speaker 9: And they don't forget I was on the greatest named

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Speaker 9: radio show ever. Well, Triple Ta's Bad Boys in Pajamas,

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Speaker 9: Todd and Dave.

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Speaker 4: Radio.

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Speaker 2: They dressed us.

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Speaker 9: In these pajamas to put on the backs of buses

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Speaker 9: and billboards. Remember Banana's in pajamas that were what on air?

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Speaker 9: Mate Dave Noonan is former football of six six and

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Speaker 9: I'm short, and they did one of those little power

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Speaker 9: got you in the headlock shots and when the pixelation

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Speaker 9: was put on the bus, I literally had my head

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Speaker 9: over his downstairs operation and it's just haunted me forever.

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Speaker 9: The school kids at the bus stop because they'd see

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Speaker 9: you come out of the station, they just laugh.

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Speaker 5: Well, speaking of the downstairs operation, Jerry, have you pitched

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Speaker 5: this new idea?

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Speaker 4: I did acted while you were getting a team? So

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Speaker 4: you remember what's in Daddy's coffee? Jesus Christ, I remember what?

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Speaker 4: I remember It's penultimate moment or was its finale? I

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Speaker 4: remembered the pdunking what Daddy's coffee? Yeah, that was where

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Speaker 4: we put something in Daddy's coffee every day in the

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Speaker 4: I guess what are we trying to do? Well, what

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Speaker 4: were we trying to show? Yeah, we never knew what

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Speaker 4: we were doing, but in the different this is different.

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Speaker 4: So what happened before? As man just tried to chuck

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Speaker 4: a smint which has been sitting here now on this

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Speaker 4: part of the desk for two months. What is a

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Speaker 4: smith like a mint?

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Speaker 5: Like an eclipsement?

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Speaker 2: No smint, no kissed you?

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Speaker 4: And and he just tried to throw it in my

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Speaker 4: in my mouth. He missed. But it was good radio,

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Speaker 4: it was good video content. What we thought was maybe

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Speaker 4: a segment call. And so this is this is how

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Speaker 4: it would go.

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Speaker 2: Okay, Now we play a lot of offspring on radio Herdaki,

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Speaker 2: So I thought this would be a good idea.

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Speaker 5: Toss him up and to Jermie's God.

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Speaker 4: And so what Marge does is Mash tosses something and

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Speaker 4: my God every day and he's got to try and

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Speaker 4: get it in God. And our listener calls up and

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Speaker 4: and and basically Mash is tossing for the listener and

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Speaker 4: then and they and then if he gets it, and

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Speaker 4: then the listener wins a particular prize and then and

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Speaker 4: then we are around. We'll do it for some time.

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Speaker 4: And then in the end he actually does toss off.

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Speaker 4: Our listener calls out, and oh, listener turns up into

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Speaker 4: the studio on that day and as it tosses him off,

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Speaker 4: Oh damn, it doesn't reckon? What do you reckon?

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Speaker 3: Look?

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Speaker 9: Definitely before six thirty, I mean because I tell you,

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Speaker 9: I know the radio rulls inside and out. I'm literally

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Speaker 9: balls deep in a dozen emails about and you made

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Speaker 9: Mash and Joel have strangle sex on it. That's been

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Speaker 9: the hell of my life. So I'm weaving through that one.

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Speaker 5: The last thing you need is another kind.

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Speaker 9: Of you know, I'm not I'm probably objecting to that

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Speaker 9: final part, like, but I don't mind the first bit,

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Speaker 9: you know, catchy title.

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Speaker 4: Beginning your listener and here and actually tossing Meshy off

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Speaker 4: into my we'll do it behind like they can be

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Speaker 4: behind a screen or something.

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Speaker 9: Well, it's fine for early doors in Matchi's show before six,

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Speaker 9: anything goes I reckon, okay, and certainly for the podcast.

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Speaker 4: I mean you know yeah, So okay, that sounds like

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00:19:38,480 --> 00:19:40,639
Speaker 4: that sounds like a maybe or a year, so.

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Speaker 5: A seed with caution, okay, Okay, Well it feels like

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Speaker 5: we've gone into the shark tank. We've pitched our business idea.

439
00:19:47,359 --> 00:19:52,280
Speaker 5: We've gotten some kind of year maybe maybe Now Toddy,

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00:19:52,680 --> 00:19:54,680
Speaker 5: you duck out and we'll discuss it and then we'll

441
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Speaker 5: come back to you with another offer. Okay. Is that okay?

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Speaker 5: It's a pleasure doing business with that.

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Speaker 4: Thank you.

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Speaker 5: Mister Campbell, I really look behind the curtain for the podcast.

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00:20:02,520 --> 00:20:06,000
Speaker 4: That's there is why he was one half of the dynamic,

446
00:20:06,520 --> 00:20:08,360
Speaker 4: the the bad Boys in Pajamas.

447
00:20:09,280 --> 00:20:11,560
Speaker 5: That's exactly why we'll come again you later, Tody.

448
00:20:11,720 --> 00:20:14,080
Speaker 4: Yeah, that's that is exactly why he was doing that.

449
00:20:14,480 --> 00:20:16,800
Speaker 4: He knows he knows good content when he hears it.

450
00:20:17,000 --> 00:20:18,080
Speaker 4: So that was a good idea.

451
00:20:18,119 --> 00:20:21,040
Speaker 5: So what do you reckon? In all seriousness? Look, fellas,

452
00:20:21,320 --> 00:20:24,399
Speaker 5: I understand that, then maybe getting a listener and to

453
00:20:24,400 --> 00:20:26,880
Speaker 5: toss me off into your mouth, Jerry is a finale.

454
00:20:26,920 --> 00:20:28,760
Speaker 4: Well, let's not get let's not get ahead of ourselves.

455
00:20:28,800 --> 00:20:32,040
Speaker 4: That's gonna that's gonna come happen. Yeah, I was gonna say, come,

456
00:20:33,600 --> 00:20:35,800
Speaker 4: that will happen when it happens. Let's not get to

457
00:20:35,800 --> 00:20:36,440
Speaker 4: that point yet.

458
00:20:36,520 --> 00:20:39,399
Speaker 2: What if what if we're worry about your partner Lauren

459
00:20:39,760 --> 00:20:42,320
Speaker 2: to be that person rather rather than a listener because

460
00:20:42,320 --> 00:20:45,280
Speaker 2: we don't want to involve outside parties, whereas Lauren is

461
00:20:45,320 --> 00:20:46,000
Speaker 2: an insage.

462
00:20:46,720 --> 00:20:49,639
Speaker 5: Both of the same time, that's a fantastic thanks for

463
00:20:50,240 --> 00:20:52,919
Speaker 5: what we're going to do here. I think instead though.

464
00:20:52,840 --> 00:20:56,320
Speaker 2: Well, if you're listening, I got a mother nurse to.

465
00:20:56,320 --> 00:20:59,399
Speaker 5: Say, okay, So that's a go.

466
00:20:59,600 --> 00:21:00,199
Speaker 4: That's a go on.

467
00:21:00,520 --> 00:21:04,960
Speaker 2: Wow, are we going to do that tomorrow? Yeah, I

468
00:21:05,520 --> 00:21:07,480
Speaker 2: sing into Jerry Army's gone.

469
00:21:09,720 --> 00:21:11,000
Speaker 5: What I was just going to say is I think

470
00:21:11,040 --> 00:21:12,960
Speaker 5: that we should actually do that the first but it

471
00:21:13,000 --> 00:21:15,119
Speaker 5: is actually quite good. Yeah, okay, As I think that

472
00:21:15,160 --> 00:21:17,760
Speaker 5: maybe before six thirty tomorrow we'll try this new game.

473
00:21:17,840 --> 00:21:19,040
Speaker 4: Listener comes on the line.

474
00:21:19,040 --> 00:21:23,800
Speaker 5: And then I'm throwing for the listener. Yeah, you can commentate.

475
00:21:24,280 --> 00:21:27,840
Speaker 4: If you get it, and then then they win tickets

476
00:21:27,880 --> 00:21:32,119
Speaker 4: to Twisters. Yeah easy, Okay, I'm sure Twisters will be

477
00:21:32,160 --> 00:21:32,679
Speaker 4: stoked with that.

478
00:21:34,080 --> 00:21:36,879
Speaker 2: Well, Twisters is out tomorrow, yeah, so they'll be like,

479
00:21:37,600 --> 00:21:39,160
Speaker 2: any publicity is good publicity.

480
00:21:39,160 --> 00:21:40,679
Speaker 4: What about you have to twist? You have to go

481
00:21:40,760 --> 00:21:42,960
Speaker 4: around and round, you have to spin around and around.

482
00:21:43,000 --> 00:21:46,120
Speaker 4: You have to twist thrice and then you throw.

483
00:21:46,400 --> 00:21:48,880
Speaker 5: Now you're making the mistake that we've made a lot

484
00:21:48,880 --> 00:21:51,760
Speaker 5: on this show before, Jerry, as we get a little

485
00:21:51,760 --> 00:21:53,520
Speaker 5: bit carried away. We came up with a great idea

486
00:21:54,000 --> 00:21:56,240
Speaker 5: and we might be tending and went into a last

487
00:21:56,359 --> 00:21:59,800
Speaker 5: I'd hate that we what you've come up with already

488
00:22:00,320 --> 00:22:02,679
Speaker 5: in terms of tossing into Jerry's gob with Bruder on

489
00:22:02,720 --> 00:22:05,760
Speaker 5: the commentary, me tossing and then you receiving worth an

490
00:22:05,760 --> 00:22:08,320
Speaker 5: open gob. Yeah, it's a great idea.

491
00:22:08,400 --> 00:22:09,199
Speaker 4: Let's monetize it.

492
00:22:09,520 --> 00:22:11,240
Speaker 5: I don't know if we need to start twisting for

493
00:22:11,320 --> 00:22:12,080
Speaker 5: the movie Twists.

494
00:22:12,160 --> 00:22:14,159
Speaker 4: We're we're in commercial radio here. We need to make

495
00:22:14,200 --> 00:22:15,880
Speaker 4: some money out of the segment. We never made any

496
00:22:15,920 --> 00:22:17,840
Speaker 4: money out of what's in Daddy's gob. I mean, that's

497
00:22:17,920 --> 00:22:20,800
Speaker 4: part of the problem, is why Australian comment director Picts

498
00:22:20,880 --> 00:22:23,800
Speaker 4: Cambell wanted it to sort of finish, because there's no

499
00:22:23,800 --> 00:22:26,320
Speaker 4: money associate as soon as commercial radio, as soon as

500
00:22:26,320 --> 00:22:29,080
Speaker 4: his money associated with it and a client you watch,

501
00:22:29,160 --> 00:22:30,040
Speaker 4: that thing will just fly.

502
00:22:30,320 --> 00:22:32,200
Speaker 5: But mate, I had to break it to you. Twisters

503
00:22:32,280 --> 00:22:33,560
Speaker 5: has already given us their money.

504
00:22:34,680 --> 00:22:34,840
Speaker 4: Ah.

505
00:22:35,200 --> 00:22:37,719
Speaker 5: You know, we've been giving away tickets for three days, okay,

506
00:22:37,840 --> 00:22:40,919
Speaker 5: So I mean, I know added values is always important

507
00:22:40,920 --> 00:22:42,440
Speaker 5: because then Twisters the movie might come back in the

508
00:22:42,440 --> 00:22:43,719
Speaker 5: future and go how you want to spend some more

509
00:22:43,720 --> 00:22:45,159
Speaker 5: money with you? But I suppose a movie only does

510
00:22:45,200 --> 00:22:45,760
Speaker 5: come out once.

511
00:22:46,920 --> 00:22:49,359
Speaker 4: Maybe there's a small business owner out there at the

512
00:22:49,359 --> 00:22:52,440
Speaker 4: moment there's thinking about an opportunity to get in behind

513
00:22:52,560 --> 00:22:55,159
Speaker 4: a campaign on radio haacke Key and this is the

514
00:22:55,200 --> 00:22:56,479
Speaker 4: campaign that they'd be interested in.

515
00:22:56,640 --> 00:23:00,359
Speaker 2: So there's a salad shop in Auckland called Toss, a

516
00:23:01,880 --> 00:23:03,840
Speaker 2: toss salid shop on Wellesley Street West.

517
00:23:03,880 --> 00:23:06,000
Speaker 5: It's very close, okay, I mean, I see what you've

518
00:23:06,000 --> 00:23:07,240
Speaker 5: done with the name Toss.

519
00:23:07,400 --> 00:23:09,479
Speaker 4: How much money do Toss have to spend? I mean,

520
00:23:09,480 --> 00:23:11,520
Speaker 4: there's not a lot of people with marketing budget at

521
00:23:11,520 --> 00:23:11,879
Speaker 4: the moment.

522
00:23:12,720 --> 00:23:15,000
Speaker 5: There's got to be a business out there. We'll take anything,

523
00:23:16,560 --> 00:23:18,080
Speaker 5: We'll take anything. I think that's a great idea. If

524
00:23:18,119 --> 00:23:19,800
Speaker 5: we go out to PEXI and say, hey, PIXI, you

525
00:23:19,800 --> 00:23:22,159
Speaker 5: know this idea. You weren't stoked with the finale, but

526
00:23:22,240 --> 00:23:25,040
Speaker 5: that's just as what it is, you know, fucking tough today.

527
00:23:24,920 --> 00:23:27,560
Speaker 4: Mate, Yeah, yeah, he just let's pretend that that bit

528
00:23:27,600 --> 00:23:28,720
Speaker 4: of the conversation never happened.

529
00:23:28,720 --> 00:23:30,320
Speaker 5: Now, I reckon that's the best move as well. But

530
00:23:30,320 --> 00:23:31,919
Speaker 5: if we go to him with, hey, we've got this

531
00:23:32,080 --> 00:23:34,360
Speaker 5: company that wants to spend I don't know how much

532
00:23:34,359 --> 00:23:36,399
Speaker 5: do you reckon this segment's worth, fellas.

533
00:23:36,680 --> 00:23:38,320
Speaker 4: It depends on how long we do it for. But like,

534
00:23:38,400 --> 00:23:40,720
Speaker 4: if we do it for a month, I reckon it's

535
00:23:40,400 --> 00:23:41,679
Speaker 4: ten thousand dollars.

536
00:23:42,000 --> 00:23:45,359
Speaker 2: I reckon it's more. I reckon it's heading fitty if

537
00:23:45,400 --> 00:23:49,080
Speaker 2: we do it every day for four weeks, I reckon

538
00:23:49,119 --> 00:23:50,000
Speaker 2: it's fifty.

539
00:23:50,000 --> 00:23:52,680
Speaker 5: Okay, right, So are we going to come back tomorrow

540
00:23:52,720 --> 00:23:55,119
Speaker 5: whether or not we have a client on board, or

541
00:23:55,119 --> 00:23:55,880
Speaker 5: are we just going to.

542
00:23:55,960 --> 00:23:59,720
Speaker 4: We just hope that someone listening reaches out. I mean,

543
00:23:59,720 --> 00:24:01,639
Speaker 4: we know a lot of people our own businesses around

544
00:24:01,960 --> 00:24:02,800
Speaker 4: We do well.

545
00:24:03,040 --> 00:24:05,280
Speaker 5: I mean, do you own a lot of businesses yourself, Jerry,

546
00:24:05,280 --> 00:24:07,600
Speaker 5: do you want to get involved maybe something with my

547
00:24:07,640 --> 00:24:09,359
Speaker 5: own segment? Do you want to short the market? This

548
00:24:09,440 --> 00:24:11,680
Speaker 5: is brought to you by Bedford Liquor and Soda. I mean,

549
00:24:11,680 --> 00:24:14,320
Speaker 5: if if need be, maybe bed for Soda.

550
00:24:15,760 --> 00:24:17,840
Speaker 2: We give away bar tabs.

551
00:24:18,080 --> 00:24:23,280
Speaker 4: Yeah, okay, something good, stuffy And people said this podcast

552
00:24:23,560 --> 00:24:27,560
Speaker 4: was a load of crap. That is what people were saying.

553
00:24:27,600 --> 00:24:30,040
Speaker 5: Were they saying that, yeah, but clearly it's not. Hey,

554
00:24:30,080 --> 00:24:31,920
Speaker 5: you've taken the wind right out of my sales. Other

555
00:24:31,920 --> 00:24:32,720
Speaker 5: people were loving this.

556
00:24:32,920 --> 00:24:35,280
Speaker 4: No, people said that. People said, you today, your podcast

557
00:24:35,280 --> 00:24:38,239
Speaker 4: is an absolute piece of crap. But how could they

558
00:24:38,240 --> 00:24:40,920
Speaker 4: say that about today's podcast? There could be no complaints

559
00:24:40,920 --> 00:24:42,960
Speaker 4: about that. That's our best work.

560
00:24:43,560 --> 00:24:46,040
Speaker 2: Today's podcast is brought to you by Toss dot Co

561
00:24:46,160 --> 00:24:49,000
Speaker 2: dotting z, Fresh and Tasty salad's made to order in

562
00:24:49,080 --> 00:24:53,360
Speaker 2: Auckland hashtag we give a toss contact us Hello at

563
00:24:53,440 --> 00:24:54,480
Speaker 2: toss dot co dot in z.

564
00:24:54,720 --> 00:24:57,360
Speaker 5: Okay, there are pay clients. We don't give that kind

565
00:24:57,400 --> 00:24:58,520
Speaker 5: of love this podcast.

566
00:24:58,560 --> 00:24:59,840
Speaker 4: It was very money.

567
00:25:00,160 --> 00:25:02,560
Speaker 5: Brave you there, ruder on you.

568
00:25:01,960 --> 00:25:02,399
Speaker 4: Good on you.

569
00:25:02,760 --> 00:25:03,199
Speaker 2: I want to.

570
00:25:05,080 --> 00:25:05,320
Speaker 5: Go on.

571
00:25:05,960 --> 00:25:09,040
Speaker 4: Well you want some free toss sellards.

572
00:25:08,840 --> 00:25:10,680
Speaker 5: Finish now made or forever hold your jears.

573
00:25:13,200 --> 00:25:13,960
Speaker 2: That's all we've got.

574
00:25:13,960 --> 00:25:19,520
Speaker 1: Okay, okay, all right, all right, hello, I'm Matt Heath.

575
00:25:19,560 --> 00:25:22,320
Speaker 1: You have been listening to the Matt and Jerry Daily

576
00:25:22,320 --> 00:25:25,359
Speaker 1: Bespoke podcast. Right now you can listen to our Radio

577
00:25:25,440 --> 00:25:30,240
Speaker 1: Highlights podcast, which you will absolutely get barred up about anyway,

578
00:25:30,400 --> 00:25:33,480
Speaker 1: sit to download, like, subscribe, write, review, all those great things.

579
00:25:33,600 --> 00:25:36,199
Speaker 1: It really helps myself and Jerry and to a lesser extent,

580
00:25:36,280 --> 00:25:38,680
Speaker 1: mess and ruder. If you want to discuss anything raised

581
00:25:38,720 --> 00:25:40,760
Speaker 1: in this pod, check out the Conclave, a Matt and

582
00:25:40,840 --> 00:25:43,800
Speaker 1: Jerry Facebook discussion group. And while I'm plugging stuff, my

583
00:25:43,880 --> 00:25:46,480
Speaker 1: book Are Lifeless Punishing Thirteen Ways to Love the Life

584
00:25:46,480 --> 00:25:48,919
Speaker 1: You've Got is out now get it wherever you get

585
00:25:48,960 --> 00:25:53,160
Speaker 1: your books, or just google the bastard anyway you seem busy,

586
00:25:53,200 --> 00:25:55,320
Speaker 1: I'll let you go, bless blessed, blessed.

587
00:25:55,440 --> 00:25:57,119
Speaker 2: Give them a taste of key we from me

588
00:26:00,240 --> 00:26:00,480
Speaker 4: Well