1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack Team podcast 2 00:00:10,573 --> 00:00:11,453 Speaker 1: from News Talks. 3 00:00:11,453 --> 00:00:15,413 Speaker 2: A'd be friends. Our film reviewer is here with us 4 00:00:15,453 --> 00:00:18,453 Speaker 2: this morning in person morning. So good to see you. 5 00:00:19,253 --> 00:00:22,733 Speaker 2: Two films this morning, and I mean House under You. 6 00:00:23,173 --> 00:00:24,293 Speaker 2: I've seen one of them. 7 00:00:25,893 --> 00:00:27,853 Speaker 3: Well, I picked it to talk about because I thought 8 00:00:27,853 --> 00:00:30,573 Speaker 3: you'd find it really interesting. And then maybe your producer 9 00:00:30,613 --> 00:00:31,893 Speaker 3: when you're not going to believe. 10 00:00:31,613 --> 00:00:35,453 Speaker 2: This stunning, stunning for the man who only saw the 11 00:00:35,453 --> 00:00:40,333 Speaker 2: Shortshank Redemption about two years ago. We'll have a listen 12 00:00:40,373 --> 00:00:43,333 Speaker 2: to that one first. So this is a film currently 13 00:00:43,333 --> 00:00:45,853 Speaker 2: screening on Netflix. It's called Deeper. 14 00:00:46,573 --> 00:00:47,373 Speaker 1: There's not a lot of. 15 00:00:47,373 --> 00:00:51,333 Speaker 2: Cave diaring accellent, Dially, don't. 16 00:00:53,373 --> 00:00:57,053 Speaker 1: This cave in New Zealand, called the Pierce Resurgence. 17 00:00:56,853 --> 00:00:59,973 Speaker 2: Has the potential to be the deepest dived cave in 18 00:00:59,973 --> 00:01:00,373 Speaker 2: the world. 19 00:01:01,173 --> 00:01:02,253 Speaker 1: We had to give it a try. 20 00:01:04,733 --> 00:01:06,893 Speaker 2: Did you have to give it a try? You have to, 21 00:01:06,973 --> 00:01:07,653 Speaker 2: Harry Well. 22 00:01:07,733 --> 00:01:10,093 Speaker 3: I'm glad that someone else did because the reason I 23 00:01:10,173 --> 00:01:12,093 Speaker 3: was interested in this film the same reason why I 24 00:01:12,133 --> 00:01:16,173 Speaker 3: loved Free Solo, you know Solo, is these are things 25 00:01:16,173 --> 00:01:18,733 Speaker 3: I would never do. The thought of cave diving just 26 00:01:18,773 --> 00:01:21,013 Speaker 3: makes me feel claustrophobic and slightly claim me just the 27 00:01:21,053 --> 00:01:23,173 Speaker 3: thought of it, you know, and I'll never be able 28 00:01:23,213 --> 00:01:25,253 Speaker 3: to dive a couple of hundred meters into the depths 29 00:01:25,333 --> 00:01:28,093 Speaker 3: of this planet. So I was really intrigued. I was 30 00:01:28,973 --> 00:01:30,893 Speaker 3: dying to see this film because I thought it's going 31 00:01:30,973 --> 00:01:33,973 Speaker 3: to take me somewhere beautiful and stunning, and I thought 32 00:01:33,973 --> 00:01:37,653 Speaker 3: that it was going to be this sort of esthetically 33 00:01:37,773 --> 00:01:42,293 Speaker 3: pleasing documentary that you know, that showed us the wonders 34 00:01:42,293 --> 00:01:45,533 Speaker 3: of the world. And actually it's just a cave, yeah, underwater. 35 00:01:45,613 --> 00:01:46,213 Speaker 2: Yeah, it's not. 36 00:01:46,693 --> 00:01:49,373 Speaker 3: It's not stunning like I thought it was. It's kind 37 00:01:49,413 --> 00:01:53,133 Speaker 3: of how I expected it to be. But actually this 38 00:01:53,173 --> 00:01:56,853 Speaker 3: film isn't necessarily just about the pes resurgence and the 39 00:01:56,853 --> 00:01:59,013 Speaker 3: cave itself, which, by the way, I would walk past 40 00:01:59,613 --> 00:02:02,653 Speaker 3: the entrance to this cave if you were. It's kind 41 00:02:02,653 --> 00:02:06,093 Speaker 3: of it's just it's sort of this doesn't look like much, 42 00:02:06,093 --> 00:02:07,733 Speaker 3: but it is obviously, you. 43 00:02:07,693 --> 00:02:10,813 Speaker 2: Know, it's just out of the ground. Yeah, isn't this a. 44 00:02:10,893 --> 00:02:14,493 Speaker 3: Very very deep cave that we have? But actually this 45 00:02:14,893 --> 00:02:20,613 Speaker 3: documentary is a really interesting look at exploration and the 46 00:02:20,693 --> 00:02:25,093 Speaker 3: question of risk versus reward and asks the question much 47 00:02:25,213 --> 00:02:28,173 Speaker 3: like they do with the mountain climbing films and things. 48 00:02:28,693 --> 00:02:33,733 Speaker 3: Why because it's clearly an incredibly dangerous activity, so it 49 00:02:33,773 --> 00:02:36,013 Speaker 3: cannot as you were talking about, you couldn't believe it 50 00:02:36,013 --> 00:02:36,853 Speaker 3: only takes something. 51 00:02:37,133 --> 00:02:40,293 Speaker 2: Yeah, I mean they're going a couple hundred meters deep, yes, 52 00:02:40,533 --> 00:02:41,653 Speaker 2: which is crazy. 53 00:02:41,813 --> 00:02:43,773 Speaker 3: So you're down there, but then it takes you the 54 00:02:43,813 --> 00:02:45,533 Speaker 3: rest of the day to come up because of course 55 00:02:45,533 --> 00:02:48,973 Speaker 3: you have to decompress in things. Their gear is immense 56 00:02:49,093 --> 00:02:52,773 Speaker 3: and complicated. There is a lot of problem solving that 57 00:02:52,893 --> 00:02:56,413 Speaker 3: has to take place, a lot of preparation, like get 58 00:02:56,413 --> 00:02:58,493 Speaker 3: helicoptered in for a few weeks, and they plan and 59 00:02:58,493 --> 00:03:01,613 Speaker 3: they prey for this, for this, for this record breaking 60 00:03:01,693 --> 00:03:03,413 Speaker 3: dive and things, and we watch them go through the 61 00:03:03,453 --> 00:03:06,133 Speaker 3: process and the further that the closer they get to 62 00:03:06,573 --> 00:03:08,933 Speaker 3: doing the dive, the more nervous I got, because it 63 00:03:08,973 --> 00:03:13,013 Speaker 3: did feel like it was all a little bit up 64 00:03:13,053 --> 00:03:14,773 Speaker 3: in the air, that's the best way to put it. 65 00:03:14,973 --> 00:03:19,253 Speaker 2: Yeah, it's generous. Yeah, I think they were not. They're 66 00:03:19,253 --> 00:03:22,373 Speaker 2: obviously experts, but I was like shocked at how kind 67 00:03:22,413 --> 00:03:23,733 Speaker 2: of unprepared they were. 68 00:03:23,973 --> 00:03:28,213 Speaker 3: Well, you have these incredibly bright people who are led 69 00:03:28,253 --> 00:03:31,653 Speaker 3: by Richard Harris, as you mentioned, and his partner, doctor Craigchell, 70 00:03:31,693 --> 00:03:33,013 Speaker 3: And they were the two of Cours as you mentioned, 71 00:03:33,053 --> 00:03:36,173 Speaker 3: who were part of the rescuing the boys, the Soccer boys, 72 00:03:36,173 --> 00:03:38,813 Speaker 3: out of the Tay Caves. They are some of the 73 00:03:38,853 --> 00:03:43,293 Speaker 3: most experienced cave divers in the world, and yet you know, 74 00:03:43,453 --> 00:03:45,373 Speaker 3: they were sort of struggling to get things right and 75 00:03:45,373 --> 00:03:47,093 Speaker 3: to work out whether they sure or they shouldn't go. 76 00:03:47,573 --> 00:03:51,613 Speaker 3: They also throw into the mix hydrogen yes, which is 77 00:03:51,653 --> 00:03:55,533 Speaker 3: a very unusual. You know, only very few people use 78 00:03:55,573 --> 00:03:58,013 Speaker 3: this for diving off and it's used for expert diving. 79 00:03:58,013 --> 00:04:00,053 Speaker 2: And the reason they don't usually throw it. 80 00:04:00,013 --> 00:04:02,773 Speaker 3: They don't really throw into the mix because it explodes. 81 00:04:02,813 --> 00:04:07,053 Speaker 3: So there's lots of conversations about using it, how they're 82 00:04:07,053 --> 00:04:10,093 Speaker 3: going to use it, will it explode, won't it explode? 83 00:04:10,173 --> 00:04:13,093 Speaker 3: And the whole thing just becomes incredibly nerve wrecking. I 84 00:04:13,213 --> 00:04:15,813 Speaker 3: found it fascinating from a human point of view. 85 00:04:15,973 --> 00:04:20,493 Speaker 2: Yeah, you know, but it's not like an as you say, 86 00:04:20,533 --> 00:04:24,453 Speaker 2: You're not like seeing oh the Majesty of the cave. No, No, 87 00:04:24,893 --> 00:04:28,653 Speaker 2: it's really dark hole. Yeah, it makes. 88 00:04:28,493 --> 00:04:30,693 Speaker 3: Me want to go there, but i'd love Yes, I'd 89 00:04:30,733 --> 00:04:31,453 Speaker 3: like to look at the entrance. 90 00:04:31,573 --> 00:04:32,213 Speaker 2: Yeah, yeah, I do. 91 00:04:32,293 --> 00:04:32,813 Speaker 3: Want to dive. 92 00:04:32,973 --> 00:04:34,773 Speaker 2: No, no, no, I don't want to die. No no, no, 93 00:04:34,813 --> 00:04:36,653 Speaker 2: Look I like doing crazy things, but not like that. 94 00:04:36,733 --> 00:04:38,133 Speaker 3: It's in the kahrang your national part. 95 00:04:38,213 --> 00:04:40,373 Speaker 2: Yeah, just probably. You can't walk towards now you can. 96 00:04:40,413 --> 00:04:42,893 Speaker 2: You've got to walk up the creek though. So yeah, 97 00:04:42,893 --> 00:04:45,213 Speaker 2: it's probably about three or four hours each way, I think, 98 00:04:45,253 --> 00:04:51,053 Speaker 2: which isn't too bad right out the back of Mortwica. Yeah, yeah, fascinating. 99 00:04:51,253 --> 00:04:52,933 Speaker 3: But it is on at some cinemas. If you get 100 00:04:52,973 --> 00:04:55,053 Speaker 3: the cinema, go and see in the cinema. I think 101 00:04:55,053 --> 00:04:56,293 Speaker 3: it might look more majestic. 102 00:04:56,853 --> 00:05:00,733 Speaker 2: Yeah, I mean the Kahudani looks majestic. Yes, yeah, yeah, 103 00:05:00,733 --> 00:05:02,573 Speaker 2: the cave itself. Yeah, no, it's not not a bit 104 00:05:02,613 --> 00:05:04,253 Speaker 2: of me. Have you your scuba diver? 105 00:05:04,693 --> 00:05:06,413 Speaker 3: No, I can snorkel. That's as far as I No, 106 00:05:07,173 --> 00:05:08,933 Speaker 3: I think i'd panic. I love being on the water, 107 00:05:08,973 --> 00:05:10,613 Speaker 3: in the water, but going to. 108 00:05:10,613 --> 00:05:13,573 Speaker 2: Great I think thirty two or thirty three meters is 109 00:05:13,573 --> 00:05:16,693 Speaker 2: the deepest I've been scuba diving, which was fine, but 110 00:05:16,733 --> 00:05:19,813 Speaker 2: I remember looking up and being like, oh, yeah's that's 111 00:05:19,853 --> 00:05:22,733 Speaker 2: pretty deep. But to go to two hundred and thirty 112 00:05:22,813 --> 00:05:25,373 Speaker 2: or something, yeah, well, this is the thing you can't 113 00:05:25,413 --> 00:05:27,533 Speaker 2: just look up and see the surface, right, Like, it's 114 00:05:27,653 --> 00:05:31,293 Speaker 2: very much you're very much enclosed. It's like, yeah, yeah, 115 00:05:31,333 --> 00:05:34,133 Speaker 2: it's like going to two hundred and thirty meters in 116 00:05:34,173 --> 00:05:37,173 Speaker 2: the space like a you know, large refrigerator or something. Look. 117 00:05:37,213 --> 00:05:39,293 Speaker 3: I like to be adventurous, but I'm also very aware 118 00:05:39,293 --> 00:05:41,133 Speaker 3: of my limits. Yeah, I just panics. 119 00:05:41,213 --> 00:05:42,813 Speaker 2: I think we know pey cool. Yeah, that's not the 120 00:05:42,813 --> 00:05:43,893 Speaker 2: sort of thing you want to be doing if you're 121 00:05:43,893 --> 00:05:45,773 Speaker 2: gonna be down there for eighteen how so, that is deeper. 122 00:05:45,853 --> 00:05:49,653 Speaker 2: That is streaming on Netflix and in some cinemas. Our 123 00:05:49,693 --> 00:05:52,813 Speaker 2: next film this Morning, is a South Korean black comedy 124 00:05:52,853 --> 00:05:54,493 Speaker 2: called No Other Choice. 125 00:05:54,813 --> 00:05:57,253 Speaker 3: This is by Pak Chan, who is well known for 126 00:05:57,333 --> 00:06:02,693 Speaker 3: creating beautiful, sort of stylized action films like Old Boy 127 00:06:02,693 --> 00:06:05,693 Speaker 3: and The Handmaiden, and here he takes quite an edgy 128 00:06:05,733 --> 00:06:11,253 Speaker 3: and cynical look at family dysfunction, identity, fragile masculinity. In 129 00:06:11,293 --> 00:06:14,973 Speaker 3: the Threat of Our Eyes. Basically, we have this lovely character. 130 00:06:15,013 --> 00:06:17,253 Speaker 3: He's been working in a paper mill for twenty years. 131 00:06:17,253 --> 00:06:23,253 Speaker 3: He's a family man, very ordinary, everyday Korean man, and 132 00:06:24,133 --> 00:06:26,453 Speaker 3: his company is taken over by an American company and 133 00:06:26,453 --> 00:06:29,613 Speaker 3: he's made redundant which is quite a shock. At first, 134 00:06:29,613 --> 00:06:32,333 Speaker 3: he's very confident he will get another job, and then 135 00:06:32,373 --> 00:06:35,093 Speaker 3: it becomes apparent that it's actually pretty hard to get 136 00:06:35,133 --> 00:06:39,373 Speaker 3: another job because everybody's downsizing and there's a lot of 137 00:06:39,373 --> 00:06:42,613 Speaker 3: competition out there, and he starts to get a little 138 00:06:42,613 --> 00:06:45,893 Speaker 3: bit depressed and upset about all this, and he can't 139 00:06:45,933 --> 00:06:48,333 Speaker 3: provide for his family, and he's kind of lost his 140 00:06:48,413 --> 00:06:50,813 Speaker 3: identity because he's been very proud of about the fact 141 00:06:50,853 --> 00:06:53,453 Speaker 3: that he'd been a paperman working in this paper mill 142 00:06:53,813 --> 00:06:56,493 Speaker 3: for twenty years and things, and he kind of comes 143 00:06:56,573 --> 00:06:59,413 Speaker 3: up with this crazy idea to take out any competition 144 00:06:59,613 --> 00:07:01,293 Speaker 3: to make it easier for him to get a job, 145 00:07:01,613 --> 00:07:03,893 Speaker 3: and this is what part cham does. He does he 146 00:07:03,933 --> 00:07:06,013 Speaker 3: does a really good job of kind of keeping keeping 147 00:07:06,013 --> 00:07:08,653 Speaker 3: a guest and throwing in these little surprises into this film. 148 00:07:09,093 --> 00:07:11,253 Speaker 3: So he puts a fake ad out, he gets people 149 00:07:11,293 --> 00:07:14,693 Speaker 3: to apply, he works out who the top candidates would 150 00:07:14,693 --> 00:07:17,893 Speaker 3: be for a potential job that he would also go for, 151 00:07:18,013 --> 00:07:20,293 Speaker 3: and then he sets about killing them. But he's not 152 00:07:20,413 --> 00:07:22,013 Speaker 3: a murdering kind and it's all a bit of a 153 00:07:22,093 --> 00:07:23,813 Speaker 3: nightmare and a bit of a disaster at first, and 154 00:07:23,853 --> 00:07:25,693 Speaker 3: then he sort of finds his feet and off we go, 155 00:07:26,213 --> 00:07:29,013 Speaker 3: and throughout the film, everyone he encounters, all everyone he says, 156 00:07:29,133 --> 00:07:31,333 Speaker 3: Everyone says, look, I have no other choice, the Americans, 157 00:07:31,493 --> 00:07:33,053 Speaker 3: I have no other choice but to lay people off 158 00:07:33,053 --> 00:07:34,933 Speaker 3: to make this millwork. And he has no other choice 159 00:07:34,933 --> 00:07:36,813 Speaker 3: but to kill the competitism or to get a job, 160 00:07:37,173 --> 00:07:41,213 Speaker 3: and so it kind of builds. It's so clever. He 161 00:07:41,333 --> 00:07:46,373 Speaker 3: merges social commentary, drama and comedy and a little bit 162 00:07:46,413 --> 00:07:49,733 Speaker 3: of violence in there, all together to create a slightly 163 00:07:49,853 --> 00:07:52,093 Speaker 3: overly long which seems to be the trend of twenty 164 00:07:52,093 --> 00:07:53,773 Speaker 3: twenty six. All the film seemed to be slightly too 165 00:07:53,813 --> 00:07:56,693 Speaker 3: long at the moment, but the ending is absolutely fantastic. 166 00:07:56,733 --> 00:07:59,413 Speaker 3: It's a little bit of a cynical look at Ai 167 00:07:59,733 --> 00:08:01,253 Speaker 3: and how it's sort of taking Oh. 168 00:08:01,773 --> 00:08:04,453 Speaker 2: Yeah, very good, Okay, cool, So that is no other 169 00:08:04,573 --> 00:08:07,693 Speaker 2: choice that showing in cinemas now. Deeper is Francisca's first 170 00:08:07,733 --> 00:08:09,333 Speaker 2: pick for us this week. Mars has just flick us 171 00:08:09,333 --> 00:08:11,333 Speaker 2: to night to say deeper. I could not think of 172 00:08:11,413 --> 00:08:14,493 Speaker 2: anything more terrifying. I think Mars is probably speaking for 173 00:08:14,573 --> 00:08:18,533 Speaker 2: us all if you're a cave diver, by all means 174 00:08:18,653 --> 00:08:20,853 Speaker 2: flickers of text, let us know what the attraction really is. 175 00:08:21,893 --> 00:08:23,733 Speaker 2: And thank you very much, Francisca. Those films will be 176 00:08:23,773 --> 00:08:26,293 Speaker 2: on the news Talk said B website. 177 00:08:25,973 --> 00:08:29,093 Speaker 1: For more from Saturday Morning with Jack Tame. Listen live 178 00:08:29,173 --> 00:08:31,933 Speaker 1: to news Talk said B from nine am Saturday, or 179 00:08:32,053 --> 00:08:33,973 Speaker 1: follow the podcast on iHeartRadio