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Speaker 1: Get a it's Deary here from the Headachy Breakfast, just

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Speaker 1: letting you know that if you're listening to the podcast

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Speaker 1: but didn't know that we also do a live radio show,

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Speaker 1: we do. And if you're wondering how to find out

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Speaker 1: what frequency to listen to us in your area, just

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Speaker 1: takes north or South as an Island to three four

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Speaker 1: eight three and we'll let you know. And now let's

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Speaker 1: get on with the podcast. Welcome along to the podcast Monday,

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Speaker 1: the eighth of September twenty twenty five. And if you're

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Speaker 1: just wondering what the weather's going to be like in

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Speaker 1: Wellington this Saturday night, I am, yes, i am showers,

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Speaker 1: cold southerlyes.

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Speaker 2: You know what if I had to GISs, I probly

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Speaker 2: wit a gist showers, cold southerleys.

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Speaker 1: Yeah for Wellington.

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Speaker 2: That's funny and that's about how that goes.

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Speaker 3: So that's on Saturday night. What is it like on

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Speaker 3: Friday night? For instance?

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Speaker 1: Can you see Thatriday nights? Yeah, it's not bad, actually

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Speaker 1: quite nice. Oh yeah, why what's happening on Friday night?

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Speaker 3: I'm just wondering if it was just the same for

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Speaker 3: Friday night, Sunday night, Thursday night, well, I.

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Speaker 2: Mean, I suppose the All Blacks are only playing on

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Speaker 2: the Saturday, so.

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Speaker 3: I can't beat Wellington on a good day.

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Speaker 2: Though I haven't seen one. I lived there for a year.

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Speaker 2: I haven't seen one. I think I might have saw

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Speaker 2: one a good day. I think I might have saw

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Speaker 2: one good day and then the rest was like, this

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Speaker 2: is shit, poor old well Yeah, poor old Wellington.

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Speaker 1: But this is no reflection a drive by on Wellington's

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Speaker 1: with it is not a drive by Wellington.

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Speaker 2: No, right, but it makes the people agitated.

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Speaker 1: That's what's happening in the atmosphere has nothing to do

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Speaker 1: with what's happening on the land.

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Speaker 2: Well, I think it's got a lot.

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Speaker 1: To do with Well, they're not creating, if you know

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Speaker 1: what I mean.

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Speaker 2: No, they're not. They're not. And then you know, I mean,

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Speaker 2: do your own research. They might be, but they're not.

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Speaker 2: But they could be cloud seating.

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Speaker 1: They're not cloud seating.

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Speaker 2: I've experienced cloud seating before. Allegedly, the Cryer of bay

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Speaker 2: Belly resumes his seats at nine fourteen on a Monday morning.

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Speaker 1: Okay, jot that down, thanks Ruder in the minutes.

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Speaker 2: Thirty four not out, she will resume from the Struker's

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Speaker 2: end this morning.

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Speaker 1: She's working the vape and the close up.

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Speaker 2: Oh, she's very close.

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Speaker 1: What is she doing it closer to herself. She's talking

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Speaker 1: into the thing.

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Speaker 2: Oh, she's talking into it whilst also vaping.

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Speaker 3: I don't know if she's talking into it. She's scrolling close.

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Speaker 2: She's having always scroll.

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Speaker 3: Jerry, you're probably the only one that can see your face.

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Speaker 1: She's covered by here. Okay, she's got the curtains down.

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Speaker 2: She's girt by here.

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Speaker 1: Her head is girt bye here.

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Speaker 2: Vape abounds in Pete pretty short, the crow of baby belly.

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Speaker 3: What are you reckon?

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Speaker 1: Five?

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Speaker 2: Three of beauty? Yeah, she's got.

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Speaker 1: She's in black. Looks like she's more the loss of

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Speaker 1: someone history page. Look at our new uniforms. Look at

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Speaker 1: us bro Bro check it bro.

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Speaker 2: Actually, honestly, I was on the office before I caught

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Speaker 2: a glance story reflection. I was like, they're actually pretty cool.

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Speaker 3: Yeah, a lotments in the office.

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Speaker 2: They are actually pretty cool. And a few ticks coming

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Speaker 2: in this morning as well, saying can we get them?

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Speaker 2: Can we sell them somehow? Can we get them into

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Speaker 2: the conclict? I don't know how would we do that?

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Speaker 2: We would need a certain amount of orders before I

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Speaker 2: think they could make another run.

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Speaker 1: Do we want to get into the merch business?

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Speaker 2: Do we want to get into the rag trade? That's

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Speaker 2: all you're asking. I mean, we wouldn't turn a profit

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Speaker 2: on it.

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Speaker 1: We're in the content creation business.

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Speaker 2: We are down the content coal mines day and day out.

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Speaker 1: Stay down there, right, yeah?

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Speaker 2: But yeah, but yeah, but that was my thing.

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Speaker 1: Ratling it, that's your thing, rightly. You can't touch it?

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Speaker 2: Well, I have to touch it now because it's you

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Speaker 2: can you touch it's because rattling. We're going to try

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Speaker 2: and stop it.

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Speaker 1: I told you there we go.

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Speaker 3: Okay, What I was going to say, is.

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Speaker 1: Any kind of like I mean, I we can I

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Speaker 1: wonder like if you're listening, can you tell us is

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Speaker 1: it really annoying? Like those see those sounds there? Does

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Speaker 1: that make you not want to listen?

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Speaker 2: I know that it's annoying because g Lane when he

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Speaker 2: does the Agenda podcast, he when he talks, he hits

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Speaker 2: the desk to emphasize his points and you can hear

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Speaker 2: its strong as he's.

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Speaker 1: I don't think there should be no sound other than

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Speaker 1: the voice.

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Speaker 2: But anyway, yeah, we're down the content con we're content

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Speaker 2: coal miners I know of another podcast, so refers them

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Speaker 2: to himself as the content cartel, which I quite liked.

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Speaker 2: But we're down the content We're in the content conclave.

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Speaker 1: Yeah, we're definitely.

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Speaker 2: We're definitely a primary industry or an essential industry. I

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Speaker 2: mean all through COVID, I was still working. That was

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Speaker 2: all they did was come in here and Mayor Matt

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Speaker 2: Wood would come in and Corona, who was struggling with

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Speaker 2: some brand hygiene isshes everyone. It's drunking Corona and the

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Speaker 2: pandemic broke out. They seen us a pellet of person there,

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Speaker 2: Mety with only two people who came in. So every

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Speaker 2: day we're just come in here and get blind drunk

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Speaker 2: to a radio show and then drive home again.

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Speaker 1: It was an interesting time, wasn't it Strange? Strange? It

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Speaker 1: was good legitly, it was good in the fact that

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Speaker 1: you actually had you could have contact with people.

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Speaker 3: What coming into work, Yeah, should if I get I

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Speaker 3: got pulled over once actually driving home in that same situation,

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Speaker 3: not drunk, No.

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Speaker 2: Just what are you doing? Yeah?

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Speaker 1: What do you fuck?

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Speaker 3: I felt like a criminal?

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Speaker 1: Show us your papers, yeah, show us. Yeah.

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Speaker 2: I had a part. There was one where I was

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Speaker 2: driving along and you know, there's the signs off the

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Speaker 2: top of the motorway and they usually say thirty minutes

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Speaker 2: to this off rame and then crash here whatever. I

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Speaker 2: just said, stay safe, stay safe, be kind or something

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Speaker 2: like that, and there was a plastic bag floated across

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Speaker 2: an empty five lane motorway.

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Speaker 1: I was like, yeah, I saw a thing on Ponsonby

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Speaker 1: Road where I came around the corner. There was not

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Speaker 1: a single person anywhere. It was the middle of the day, and.

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Speaker 2: I watched this.

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Speaker 1: Homeless gentleman, unhoused. Yeah, unhoused gentleman came up the road

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Speaker 1: and then he entered. I was at the lights waiting

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Speaker 1: for no one, and he he walked up on the

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Speaker 1: bonds of the road and he looked around and you

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Speaker 1: could see him looking up and down the road, and

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Speaker 1: he was completely baffled because I don't think he was

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Speaker 1: tuned into social media or the radio or TV.

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Speaker 2: Yeah, and here like, where the fuck is everyone?

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Speaker 1: Yeah? I could see him looking completely thinking, geez, where

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Speaker 1: is everyone? It was so confused. It was.

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Speaker 2: There was a couple doing like the kipler track or something.

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Speaker 2: Couple of I think they were Germanic gentlemen, and they

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Speaker 2: were gone for about a week, and I think they

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Speaker 2: were the last. They were the last people to find out.

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Speaker 2: I think they came back to civilization. We're like, what

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Speaker 2: the fuck? Where is everyone? Because to and we're like, yo,

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Speaker 2: some dude ate like a panglin or something, and now

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Speaker 2: we are going to stay inside.

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Speaker 1: Have we ever got to the bottom of it? How

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Speaker 1: it started?

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Speaker 3: When?

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Speaker 2: Will? We never will because there's so many different theories

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Speaker 2: and everyone and it's such a point for people to

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Speaker 2: come on the must research.

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Speaker 3: Do your research, manarch. There's quite a bit on YouTube

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Speaker 3: and Facebook.

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Speaker 2: Just go check it out. Go watch eight hour YouTube, man,

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Speaker 2: and it will tell you. It'll affirm what tell me,

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Speaker 2: It'll confirm whatever. Whatever theory you want to have, you

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Speaker 2: will be able to confirm that.

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Speaker 3: And topical, you'll find out some stuff about September eleven

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Speaker 3: as well. You'll find some stuff out.

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Speaker 1: You will find National Institutes of Health Origins of COVID

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Speaker 1: nineteen pandemic. A brief over if you're doing it now,

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Speaker 1: it's forty pages long.

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Speaker 2: It's not a brief over yours God hooks. Fuck fuck

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Speaker 2: that thing. It's all behind us. Leave it in the past.

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Speaker 2: There was something I was going to address in the podcast,

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Speaker 2: and I've forgotten that.

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Speaker 3: We were talking about the uniforms. Oh yeah, Bay Belly

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Speaker 3: cry God in the middle of it all.

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Speaker 2: And now Jerry, a man in his forties, has been

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Speaker 2: sidetracked by conspiracy theory on the internet.

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Speaker 1: Mm hmm, the natural origin hypothesis, the lab leak hypothesis,

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Speaker 1: and there's no consensus. So that seems really weird that

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Speaker 1: you wouldn't find out the origin of what.

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Speaker 2: Are they cover up?

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Speaker 1: Well, you would think that that's pretty weird, like the

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Speaker 1: most major event that's happened, certainly in modern history.

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Speaker 2: To your own research, man, this is this is the

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Speaker 2: thing to do your own research, man. Theo's how this works.

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Speaker 2: Everything's a conspiracy theory. We don't understand how anything.

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Speaker 1: Works, it says contradictory claims. The debate has been complicated

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Speaker 1: by misinformation and politically charged statements from various sources, including China,

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Speaker 1: which has made unsubstantiated claims that the virus originated from

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Speaker 1: the States. Well, what we know is that didn't happen. Definitely.

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Speaker 2: You don't know that, man, How do you know? How

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Speaker 2: do you know? Are you a guy that knows? Because

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Speaker 2: it didn't own research? Man? Nah Panglin shot on a

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Speaker 2: bat and then episode fact, everyone died and this weapened

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Speaker 2: and I won't look any further into it. Hey should

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Speaker 2: take a quick break and come back and talk about

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Speaker 2: fucking anything other than this.

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Speaker 1: At the minutes of the meeting, tell the story that

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Speaker 1: the crow Bay Bellley has left the buildings. Well, she's

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Speaker 1: left the.

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Speaker 2: The alley.

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Speaker 1: She's exited at nine to twenty one.

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Speaker 2: That's six minutes of vaping on her phone. Shout out

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Speaker 2: to it. We never did find out exactly what she

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Speaker 2: was crying about.

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Speaker 1: We never did find out what flavor she was vaping.

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Speaker 1: I want to know the flavor and I want to

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Speaker 1: know the amount of nicotine in that vape.

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Speaker 2: Fifteen milligrams. Peach looks it looks peachy? Does look peche?

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Speaker 2: She's definitely running a fruit situation. Oh that's what we're

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Speaker 2: going to talk about. I We're going to talk about

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Speaker 2: me running all the time. Do you know I find

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Speaker 2: my Instagram feed lately has filled up with people running?

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Speaker 2: Does that happened to you? Guys? Like the Instagram stories

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Speaker 2: are all people posting their Strava fucking times and that,

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Speaker 2: And it's one of those ones to me where I'm like,

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Speaker 2: who First off, who gives it? It's like your Spotify wrapped, like,

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Speaker 2: look at it yourself. Sure it's interesting to you. No

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Speaker 2: one else gives a shit. Gotta be honest. This is

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Speaker 2: gonna hurt some people out there. But is your kids?

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Speaker 2: No one else gives a fuck?

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Speaker 1: Of course?

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Speaker 2: Hold on, look at them yourself? Amazing, incredible, So proud

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Speaker 2: of your kid.

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Speaker 1: Why do people post get their father's on Father's Day

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Speaker 1: when their fathers aren't on Instagram?

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Speaker 2: Mona munching anyone. That's exactly what it is.

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Speaker 1: If your father's not on Instagram. Even if your father

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Speaker 1: is on Instagram, why don't you.

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Speaker 2: Why don't you message him and say Happy Father's Day

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Speaker 2: instead of post? Yeah, because the end of run, it's

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Speaker 2: not about this is and this is the thing is,

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Speaker 2: it's not about doing it actually do it yourself.

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Speaker 3: What's that just showing this time? It's impressive.

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Speaker 1: It's just come through. It just literally came through. Does

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Speaker 1: your screen report just come from?

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Speaker 3: It hasn't?

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Speaker 1: But why has it not come through? Come through? At

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Speaker 1: quarter past nine on a Monday morning?

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Speaker 3: No?

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Speaker 1: See that?

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Speaker 2: Do I look like? Mister? Your phone's gone? Sam?

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Speaker 1: Can you read that?

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Speaker 2: Last week you averaged one hour fifty six minutes of

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Speaker 2: screen time per day.

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Speaker 3: Your ship? Is that what you want?

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Speaker 2: Now? What I want you to know is what's more

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Speaker 2: impressive than that is the fact that I could read

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Speaker 2: that from across that it was impressive.

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Speaker 1: I think that's quite impressive myself.

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Speaker 3: Mine's inaccurate. Why well, mine says I averaged an hour

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Speaker 3: six minutes, which is just not fucking possible.

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Speaker 2: That's claim it, you bet, Jerry, this.

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Speaker 3: Is down eighty down eighty three percent. That's a lot.

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Speaker 3: I don't think that's true.

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Speaker 2: So but anyway, Yeah, people posting their runs is like,

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Speaker 2: gun do it? Sure, but don't no one else you

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Speaker 2: know what I mean? Does anyone else care? Certainly if

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Speaker 2: you don't running, you don't care. And the other thing is,

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Speaker 2: how do I know that you didn't just jump on

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Speaker 2: a Lime scooter, you know what I mean, and then

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Speaker 2: post your graph afterwards?

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Speaker 1: Oh? I mean, I suppose people are proud, and I've

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Speaker 1: been proud of the occasional run that I've run, Like,

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Speaker 1: I'm oh, that's quite a good time. Oh yeah, and

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Speaker 1: I have it has gone through my mind to post it. Definitely.

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Speaker 1: If I'm honest, I'm like, oh, i'd quite like people

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Speaker 1: don't know that I ran really fast, But.

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Speaker 2: I think that most people that don't run don't know.

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Speaker 2: They don't know how fast or how far is a

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Speaker 2: good run? Nah, And then anybody that does run is

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Speaker 2: probably faster and fitter than you.

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Speaker 1: So and once that moment's over, you've lost all your

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Speaker 1: dignity because yeah, you've posted your run.

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Speaker 2: Social media kind of ruins hobbies for a lot of

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Speaker 2: people I like, because then all of a sudden you

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Speaker 2: feel like you have to run further and faster because

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Speaker 2: you're going to post it on your Instagram, and so

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Speaker 2: then you feel like you have to run further and faster.

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Speaker 2: I am. Having said all of that, I'm about to

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Speaker 2: talk about me running on a podcast. It's slightly different,

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Speaker 2: slightly different. It's not pretty bad you want me to

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Speaker 2: ask you because if I ask you, because it's got

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Speaker 2: none to do with how far or fast I'm running,

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Speaker 2: but the frequency is.

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Speaker 1: But if I ask you, how's your running go at

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Speaker 1: least it opens the door for you.

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Speaker 2: Or yeah, that's going really well, thanks too.

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Speaker 1: Oh good.

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Speaker 2: But no, all I want to talk about was what

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Speaker 2: you listen to when you go for a run, because

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Speaker 2: there's various different approaches to this. I know some people

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Speaker 2: listen to podcasts while they're running. I feel like that

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Speaker 2: doesn't fire me up enough. You know, it can often

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Speaker 2: be too tedious, too boring.

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Speaker 1: I don't like podcasts and I'm running either music.

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Speaker 2: I know only one person, one person only that I've

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Speaker 2: ever met in my life who runs without music, exclusively

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Speaker 2: without music. They don't have never run with music. And

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Speaker 2: he was a professional athlete, as Baber, he used to

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Speaker 2: just because all he wanted to do was focus on

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Speaker 2: how hard he's pushing himself. Well, that's why you made

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Speaker 2: the All Blacks and I didn't.

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Speaker 1: Is because oh, well he wants to get into the

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Speaker 1: paint room. Yeah, yeah, he loves the pain right. Yeah,

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Speaker 1: that's like Hayden Wild. Hayden Wild genuinely loves the paint room. Yeah,

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Speaker 1: he talks about it. He's like, this is my happy place.

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Speaker 1: Your heavy places at the paint rooms.

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Speaker 2: The Frank's brothers the reason they were working out the

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Speaker 2: next morning after the you know the story about the

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Speaker 2: twenty e Living World Cup. They're in the gym the

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Speaker 2: next morning, everyone else still in the pass. That's because

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Speaker 2: they just love the hurt Locker.

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Speaker 1: They love it.

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Speaker 2: They love that ship. Now ninety nine point nine percent

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Speaker 2: of people don't love that shit. That's why it's the

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Speaker 2: hurt locker. And so what you listen to when you run,

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Speaker 2: U says, I think says a lot about it. And

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Speaker 2: for me, I listened to music that I wish I was.

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Speaker 2: I picture myself playing it up on a stage as

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Speaker 2: a concert, and I feel like that fires me out.

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Speaker 3: So do you want to give us some examples? I see,

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Speaker 3: if what do you open your seat with?

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Speaker 2: I'll bring the I'll bring up, I'll bring the playlist up.

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Speaker 2: Now I'm ready to okay, white room, cree room with.

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Speaker 1: Yeah, because it's got the color. Try and then it stops. Yep,

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Speaker 1: I mean it's great intro.

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Speaker 2: Bam, Yeah, there you go.

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Speaker 1: Yeah.

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Speaker 2: This as I'm starting, I feel like a fucking desperado

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Speaker 2: running down the main street of a wild West town.

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Speaker 2: The bells about to toll twelve noon.

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Speaker 1: This is a.

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Speaker 3: Good hour starter for the radio show that we also best.

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Speaker 1: But though here we go, here we.

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Speaker 2: Go, one more note after that, there's always one more yellow.

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Speaker 1: With black. Then he gets into his little fils ginger

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Speaker 1: Baker on drums. Great drama, yeah, great dramma. Actually great

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Speaker 1: band cream, they claim that they were the best band

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Speaker 1: in the world.

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Speaker 2: Roast at the top.

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Speaker 1: Yeah, great guitarist, great musicianship.

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Speaker 3: I know I'm not no Ginger Baker on the drums,

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Speaker 3: but I would have run a couple of crashes there.

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Speaker 2: But don't.

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Speaker 3: Why didn't he do that?

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Speaker 1: Was he too much smack? I think probably was? The

347
00:16:03,240 --> 00:16:07,120
Speaker 1: problem is massively on the heroin. Oh there, he goes to.

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Speaker 2: Her, and then as the song wears on, Eric really

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Speaker 2: gets into his work and just starts wailing towards the end.

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Speaker 2: Now with his guitar, would you argue that.

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Speaker 1: Here we go Ginger, that's what Ginger does here.

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Speaker 2: You flame? But he is because he's I don't think.

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Speaker 1: I don't think he's allowed. I don't think he's allowed

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Speaker 1: to do anything.

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Speaker 2: I think Clapton's shooting him filthy looks. If he's trying anything, is.

356
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Speaker 1: I allowed to do it?

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Speaker 2: Here?

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Speaker 1: Yeah?

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00:16:41,880 --> 00:16:42,560
Speaker 3: There was one there.

360
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Speaker 1: He's allowed a little something in there. He's holding back.

361
00:16:49,000 --> 00:16:54,520
Speaker 2: Because Clapton's standing up the front gun and shooting him

362
00:16:54,560 --> 00:16:56,640
Speaker 2: filthy looks. All he's don't you shut the fuck up,

363
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Speaker 2: I'm doing this.

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00:17:04,240 --> 00:17:07,119
Speaker 1: That was good, but it was mate, That was the

365
00:17:07,240 --> 00:17:10,159
Speaker 1: questions Jerry. I know, but you've got to say he

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Speaker 1: did a lot there.

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00:17:11,040 --> 00:17:11,680
Speaker 2: He was competing.

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00:17:11,800 --> 00:17:14,560
Speaker 1: How Becky help Becky help beg them.

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Speaker 2: So anyway, I'm Eric Clapton at this point of my right,

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Speaker 2: I stick with Cream. I then go to cross Roads

371
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Speaker 2: that one because I feel like you're sick in song.

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Speaker 2: That first one's about three and a half minutes long,

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Speaker 2: and then you need you need the pace to pack

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Speaker 2: up a little bit from your music. Yeah, you'll know,

375
00:17:32,480 --> 00:17:33,960
Speaker 2: you'll know when you're it may not even be in.

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Speaker 3: The sister again.

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00:17:39,880 --> 00:17:41,840
Speaker 2: So I'm really packing up the pace now.

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Speaker 1: I can see you.

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00:17:46,760 --> 00:17:49,280
Speaker 2: Yeah, yeah, Jesus be hard not to spread. I know

380
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Speaker 2: I've actually got I think I should bump that one

381
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Speaker 2: down the order a little bit.

382
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Speaker 3: I really, I really thought for a moment when I

383
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Speaker 3: you meant.

384
00:18:00,080 --> 00:18:04,359
Speaker 2: Bomb, bom bomb my mummy, e rac him. I don't

385
00:18:04,359 --> 00:18:05,600
Speaker 2: even know what I'm jameson yet.

386
00:18:05,640 --> 00:18:08,040
Speaker 1: But no, no, no phone tugs in harmony.

387
00:18:08,119 --> 00:18:08,320
Speaker 2: Yeah.

388
00:18:08,320 --> 00:18:09,720
Speaker 3: See at the Crossroads.

389
00:18:11,200 --> 00:18:14,440
Speaker 2: You bone folks thugs. No, I don't go bone thugs

390
00:18:14,480 --> 00:18:17,639
Speaker 2: and hay then I'm into my all along the watchtowers,

391
00:18:17,640 --> 00:18:18,920
Speaker 2: your voodoo Child's.

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Speaker 1: You're basically tur of duty two.

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00:18:21,240 --> 00:18:24,119
Speaker 3: Yeah, hang on, so for you're all along the watchtowers. No,

394
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Speaker 3: sorry for your vooo childs. Do you use that full

395
00:18:26,840 --> 00:18:28,840
Speaker 3: one minute fifty wounding intro.

396
00:18:29,000 --> 00:18:30,240
Speaker 2: Slight return one?

397
00:18:30,280 --> 00:18:30,560
Speaker 3: That is.

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00:18:32,359 --> 00:18:34,760
Speaker 1: This is ter of Duty two? Is this the cet

399
00:18:35,080 --> 00:18:36,360
Speaker 1: the CD tur of Duty two?

400
00:18:36,520 --> 00:18:36,720
Speaker 2: Yeah?

401
00:18:38,440 --> 00:18:38,560
Speaker 1: Uh.

402
00:18:39,800 --> 00:18:44,520
Speaker 2: At that point, I'm transitioning into led Zip Cashmere. We'll

403
00:18:44,560 --> 00:18:46,920
Speaker 2: get a booth. Arctic Monkeys. Do I want to know?

404
00:18:47,080 --> 00:18:49,280
Speaker 2: Okay your mind fake Tales of San Francisco.

405
00:18:49,320 --> 00:18:52,040
Speaker 1: He's still running at the stage, I'm still running. He's

406
00:18:52,040 --> 00:18:53,520
Speaker 1: still running. How long are you rating?

407
00:18:53,640 --> 00:18:55,440
Speaker 2: Well now I'm starting to Now I'm starting to die.

408
00:18:55,520 --> 00:18:58,320
Speaker 2: No ass. So this is where it gets a bit

409
00:18:58,400 --> 00:19:00,440
Speaker 2: ranked from here. Don't sit down because I've moved your chair.

410
00:19:00,640 --> 00:19:03,800
Speaker 2: Arctic Monkeys. That one's quite rank. Then we go into

411
00:19:04,240 --> 00:19:08,480
Speaker 2: Knights of Sidonium. Muse, that's right because that song gallops

412
00:19:09,280 --> 00:19:10,320
Speaker 2: and you need that.

413
00:19:13,119 --> 00:19:15,000
Speaker 3: So this is you warming up for the gallop.

414
00:19:16,400 --> 00:19:16,840
Speaker 1: This is me.

415
00:19:19,200 --> 00:19:25,560
Speaker 2: Endangered brown runner trampling the walkways of two Peninsula.

416
00:19:29,480 --> 00:19:32,720
Speaker 1: Look Out, Jesus, I'm walking along the bath and I'm

417
00:19:32,720 --> 00:19:37,040
Speaker 1: looking out for you. You're gonna smash away My night's coming.

418
00:19:38,680 --> 00:19:40,440
Speaker 2: And then if I'm still going at that point, that's

419
00:19:40,480 --> 00:19:43,160
Speaker 2: where we get into our queenstan Stone Age b side

420
00:19:43,200 --> 00:19:47,359
Speaker 2: Shiitters Royal Blood will get a run little on parades

421
00:19:47,400 --> 00:19:47,840
Speaker 2: in there.

422
00:19:47,800 --> 00:19:49,679
Speaker 1: Right, never get to underworld slippery, but.

423
00:19:53,280 --> 00:19:58,400
Speaker 2: I did not get to bone slipping because I can't

424
00:19:58,440 --> 00:20:02,280
Speaker 2: picture myself being on stage shouting Lager Lager Lagger.

425
00:20:02,760 --> 00:20:03,480
Speaker 1: You should start with.

426
00:20:03,520 --> 00:20:07,479
Speaker 2: Those, but but again I don't put a good stretch.

427
00:20:08,000 --> 00:20:11,159
Speaker 1: Can you imagine yourself on starting your set here?

428
00:20:12,600 --> 00:20:16,600
Speaker 2: No, because again I'm picturing myself performing it. This doesn't

429
00:20:16,600 --> 00:20:19,480
Speaker 2: never get out one of my no drums twisted a

430
00:20:19,520 --> 00:20:21,960
Speaker 2: couple of knobs. Are you not playing drums.

431
00:20:23,200 --> 00:20:23,919
Speaker 1: A couple of knobs?

432
00:20:24,600 --> 00:20:26,240
Speaker 2: Yeah, no, I just can't picture it.

433
00:20:27,960 --> 00:20:29,560
Speaker 1: It's going on the great build up stairs.

434
00:20:31,600 --> 00:20:35,360
Speaker 2: Text for the podcast next to me, you're walking. Yeah,

435
00:20:35,400 --> 00:20:37,560
Speaker 2: well maybe this has been my cool down song.

436
00:20:37,680 --> 00:20:41,560
Speaker 1: Good good spot for a vape. I can see you

437
00:20:41,560 --> 00:20:42,359
Speaker 1: on the market.

438
00:20:44,400 --> 00:20:47,520
Speaker 2: Shouting loger loger loger logger.

439
00:20:49,960 --> 00:20:53,080
Speaker 1: Too many boys in there. Boy doesn't rhyme a boy mate.

440
00:20:55,040 --> 00:21:00,000
Speaker 2: Boys and girls. So yeah, that's my running running player

441
00:21:00,359 --> 00:21:01,280
Speaker 2: running Ethos.

442
00:21:01,840 --> 00:21:05,240
Speaker 1: Always liked I'm not running now, but I liked running

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00:21:05,440 --> 00:21:11,200
Speaker 1: to songs that I don't know very well listen which

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00:21:11,200 --> 00:21:13,879
Speaker 1: you might discover weekly whilst running.

445
00:21:13,920 --> 00:21:18,359
Speaker 2: I thought you can say foreign language, Oh right, like

446
00:21:18,560 --> 00:21:19,600
Speaker 2: buen of us, the social.

447
00:21:19,400 --> 00:21:23,440
Speaker 1: Clove of French house or something with some vocals germ

448
00:21:23,520 --> 00:21:27,480
Speaker 1: and rega. Yeah. No, I like listening to my Discover Weekly.

449
00:21:27,560 --> 00:21:30,320
Speaker 1: I found that that's a big thing since I stoppedrunning,

450
00:21:30,320 --> 00:21:34,160
Speaker 1: as I have not been listening to new music, because

451
00:21:34,160 --> 00:21:37,359
Speaker 1: the Discover Weekly is when it knows you, when your

452
00:21:37,440 --> 00:21:41,240
Speaker 1: kids don't get onto your bloody Spotify and ruin it

453
00:21:41,359 --> 00:21:47,440
Speaker 1: for you with timmy trumpet, then it's it's a great thing.

454
00:21:47,600 --> 00:21:49,399
Speaker 3: I thought you used to run to this one a

455
00:21:49,440 --> 00:21:50,399
Speaker 3: lot to your actually.

456
00:21:55,520 --> 00:21:56,639
Speaker 2: Because this is running in it.

457
00:21:58,160 --> 00:21:59,480
Speaker 3: It was this evermore.

458
00:22:00,160 --> 00:22:01,560
Speaker 2: No, what do you what does they mean?

459
00:22:01,920 --> 00:22:02,040
Speaker 1: Who?

460
00:22:02,520 --> 00:22:02,920
Speaker 2: Who is this?

461
00:22:03,200 --> 00:22:03,600
Speaker 1: He said?

462
00:22:03,920 --> 00:22:05,320
Speaker 3: No, like he doesn't understand.

463
00:22:05,760 --> 00:22:07,080
Speaker 1: You really need a blasting.

464
00:22:10,920 --> 00:22:13,600
Speaker 2: Yeah, that's what I want. If I'm looking for music

465
00:22:13,680 --> 00:22:15,920
Speaker 2: to run to, I just want the word running in it.

466
00:22:16,640 --> 00:22:19,640
Speaker 2: That's what it gets me. Go alright, it's just about

467
00:22:19,680 --> 00:22:20,800
Speaker 2: knock this thing on the head. We just had a

468
00:22:20,840 --> 00:22:23,280
Speaker 2: text through for the podcast on three four eight three.

469
00:22:23,320 --> 00:22:25,800
Speaker 2: Feel free to text on the podcast anywhere between sort

470
00:22:25,800 --> 00:22:28,160
Speaker 2: of nine and nine thirty will be in here. Feel

471
00:22:28,160 --> 00:22:29,800
Speaker 2: fred to give us a call. I eight hundred haidak

472
00:22:29,800 --> 00:22:32,199
Speaker 2: you eight hundred forty eight seventy five ticks for the podcast.

473
00:22:32,320 --> 00:22:34,320
Speaker 2: Next year, Hidak, you should run a top twenty four

474
00:22:34,359 --> 00:22:37,359
Speaker 2: thy nine hundred. That's one hundred songs for every working

475
00:22:37,440 --> 00:22:39,679
Speaker 2: day of the year. It might finally stop your rivals

476
00:22:39,720 --> 00:22:41,600
Speaker 2: stupidly long countdown that I have to hear at work

477
00:22:41,640 --> 00:22:42,000
Speaker 2: each year.

478
00:22:43,760 --> 00:22:44,240
Speaker 1: Good idea.

479
00:22:44,440 --> 00:22:46,399
Speaker 3: We had the idea for the hook what was it,

480
00:22:46,520 --> 00:22:48,840
Speaker 3: the hook five hundred, and it was just five hundred

481
00:22:48,880 --> 00:22:50,000
Speaker 3: hooks through the morning and that was it.

482
00:22:51,320 --> 00:22:53,640
Speaker 2: Howks just the good part that you play hooks?

483
00:22:53,720 --> 00:22:56,040
Speaker 1: Yeah yeah, so you get like, you get forty five

484
00:22:56,119 --> 00:22:58,080
Speaker 1: seconds of song and then you get us talking for

485
00:22:58,119 --> 00:22:58,960
Speaker 1: another five minutes.

486
00:22:59,080 --> 00:23:05,360
Speaker 3: Yeah, so more us, more US number hooks number five hundred, Rihanna.

487
00:23:09,960 --> 00:23:14,320
Speaker 2: That reminds me of every school ball after party that's

488
00:23:14,359 --> 00:23:15,160
Speaker 2: all came out around.

489
00:23:15,200 --> 00:23:18,840
Speaker 1: Then, all right, thanks for listening, all right, see you tomorrow.