1 00:00:00,080 --> 00:00:02,160 Speaker 1: The Mitch James story is one of music's better ones. 2 00:00:02,240 --> 00:00:04,440 Speaker 1: I think open mic knights and busking on the streets 3 00:00:04,480 --> 00:00:06,559 Speaker 1: of London, where if the public weren't generous with the 4 00:00:06,600 --> 00:00:09,080 Speaker 1: tips then he'd be sleeping on the street that particular night. 5 00:00:09,119 --> 00:00:12,760 Speaker 1: Eleven years later, we think we've got his final single, 6 00:00:12,800 --> 00:00:15,480 Speaker 1: Beautiful Strange of the final single is from the album 7 00:00:15,960 --> 00:00:20,160 Speaker 1: which is due shortly. So is it really over? Mitch 8 00:00:20,239 --> 00:00:22,800 Speaker 1: James as well? It's good to see you again always mate. 9 00:00:22,960 --> 00:00:24,040 Speaker 1: Now is it over? 10 00:00:24,800 --> 00:00:25,000 Speaker 2: Yeah? 11 00:00:25,000 --> 00:00:25,960 Speaker 3: It is, Yeah, it is. 12 00:00:27,200 --> 00:00:29,800 Speaker 2: It's it's been a crazy journey, like you alluded to. 13 00:00:30,160 --> 00:00:32,720 Speaker 2: I remember coming in here about eight years ago, scruffy 14 00:00:32,760 --> 00:00:36,000 Speaker 2: little warriors had on and everything. But yeah, it's been 15 00:00:36,040 --> 00:00:39,559 Speaker 2: a crazy journey. But I think personally, I've just come 16 00:00:39,600 --> 00:00:41,680 Speaker 2: to the end of my teather with with the industry. 17 00:00:41,720 --> 00:00:45,240 Speaker 2: It's a very messed up and at times evil industry. 18 00:00:45,320 --> 00:00:48,880 Speaker 2: That yeah, I think I've got nothing more to prove. 19 00:00:49,000 --> 00:00:52,599 Speaker 2: And when you're sort of stuck in that, in that 20 00:00:52,800 --> 00:00:56,120 Speaker 2: washing machine of an industry with you evil people and 21 00:00:56,320 --> 00:00:59,200 Speaker 2: thieves and snakes, you know, when you don't have much 22 00:00:59,240 --> 00:01:01,920 Speaker 2: more to prove and you're looking at the guitar in 23 00:01:01,960 --> 00:01:04,399 Speaker 2: the morning and it's not looking as beautiful as it 24 00:01:04,520 --> 00:01:06,520 Speaker 2: used to. I felt like I just needed to step 25 00:01:06,560 --> 00:01:09,759 Speaker 2: away to sort of preserve that care love for the music. 26 00:01:10,000 --> 00:01:12,400 Speaker 1: Wow, So what's gone wrong? 27 00:01:13,680 --> 00:01:14,080 Speaker 3: I think? 28 00:01:14,520 --> 00:01:16,840 Speaker 2: Firstly, I think, you know, I'm grateful that a lot 29 00:01:16,880 --> 00:01:19,120 Speaker 2: went right. You know, I think ninety nine point nine 30 00:01:19,160 --> 00:01:22,160 Speaker 2: percent of musicians aren't lucky enough to be in the 31 00:01:22,160 --> 00:01:24,920 Speaker 2: position that I've been able to, you know, tour the 32 00:01:24,920 --> 00:01:28,080 Speaker 2: world and play with my heroes and get hundreds of 33 00:01:28,080 --> 00:01:32,280 Speaker 2: millions of plays. But I think to keep it succinct, 34 00:01:32,280 --> 00:01:35,080 Speaker 2: because I could. I could be here for hours explaining 35 00:01:36,040 --> 00:01:38,600 Speaker 2: the ins and outs of it. But I think, you know, 36 00:01:38,840 --> 00:01:41,640 Speaker 2: I fell out of favor with a record label and 37 00:01:41,680 --> 00:01:45,240 Speaker 2: trying to basically climb up the ladder. And then once 38 00:01:45,319 --> 00:01:50,960 Speaker 2: I got onto this newer, bigger record label, the executive 39 00:01:51,200 --> 00:01:54,080 Speaker 2: who was in charge of sort of championing championing me, 40 00:01:54,720 --> 00:01:57,760 Speaker 2: he got into a very big scandal over in Australia 41 00:01:57,760 --> 00:02:00,880 Speaker 2: which was national news over there, and got fired and 42 00:02:00,960 --> 00:02:04,280 Speaker 2: all his team got fired, and then I was sort 43 00:02:04,280 --> 00:02:07,760 Speaker 2: of the casualty. Yeah, I was a casualty and very 44 00:02:07,840 --> 00:02:10,960 Speaker 2: much the little cousin from New Zealand. As we see 45 00:02:11,000 --> 00:02:15,080 Speaker 2: with Australia, in all sorts of areas, and I came 46 00:02:15,120 --> 00:02:17,480 Speaker 2: back with my tail in between my legs, and I 47 00:02:18,040 --> 00:02:21,160 Speaker 2: was no longer viewed in a positive light by people 48 00:02:21,240 --> 00:02:22,119 Speaker 2: in the industry here. 49 00:02:22,400 --> 00:02:25,000 Speaker 3: And is that on you. 50 00:02:25,120 --> 00:02:28,120 Speaker 1: Or was that just a set of circumstances beyond dual control. 51 00:02:28,480 --> 00:02:31,000 Speaker 2: I think it's, you know, in retrospect, it's probably a 52 00:02:31,040 --> 00:02:35,400 Speaker 2: bit of both. You know, I always had the idea 53 00:02:35,520 --> 00:02:38,680 Speaker 2: and mindset of I'm going to put New Zealand on 54 00:02:38,720 --> 00:02:42,079 Speaker 2: my back and take it to the world. And I 55 00:02:42,120 --> 00:02:46,760 Speaker 2: was never never ashamed of that, and I definitely wasn't 56 00:02:46,800 --> 00:02:49,359 Speaker 2: afraid to step on some throats but to do that, 57 00:02:49,480 --> 00:02:51,880 Speaker 2: And I think I had the right sort of mindset. 58 00:02:52,560 --> 00:02:54,600 Speaker 2: But you know, when you try and apply that in 59 00:02:54,600 --> 00:02:56,960 Speaker 2: a very radical way, sometimes it comes back to. 60 00:02:57,080 --> 00:02:59,239 Speaker 1: So you're a bit competitive for their liking. 61 00:02:59,840 --> 00:03:01,800 Speaker 2: I think that's a great way of putting it. 62 00:03:01,840 --> 00:03:04,040 Speaker 1: Yeah, Okay, So what they would like is for you 63 00:03:04,080 --> 00:03:06,160 Speaker 1: to come along, be grateful that you're a talent being 64 00:03:06,200 --> 00:03:08,720 Speaker 1: picked up by a record label. They'll manage you, you 65 00:03:08,760 --> 00:03:10,760 Speaker 1: do as you say, and that'll all work out well. 66 00:03:10,840 --> 00:03:12,520 Speaker 1: Is that's sort of the way it's supposed to work. 67 00:03:12,760 --> 00:03:14,520 Speaker 2: Yeah, And to be fair, you know, all of my 68 00:03:14,560 --> 00:03:19,480 Speaker 2: initial success was with this record label. But yeah, it's 69 00:03:19,520 --> 00:03:23,200 Speaker 2: a petty game and a lot of people are very yeah, 70 00:03:23,360 --> 00:03:25,639 Speaker 2: very petty, and so you know, once I came back 71 00:03:25,639 --> 00:03:28,160 Speaker 2: with my tail between my legs, I think, you know, 72 00:03:28,320 --> 00:03:30,800 Speaker 2: they wanted to prove a point and sort of bury 73 00:03:30,880 --> 00:03:33,840 Speaker 2: my stuff and it never sort of reached the same 74 00:03:33,880 --> 00:03:36,120 Speaker 2: heights as it did. But you know, I have a 75 00:03:36,160 --> 00:03:39,120 Speaker 2: great core group of fans who you know, I still 76 00:03:39,120 --> 00:03:41,840 Speaker 2: got to tour the world after on my own world tour, 77 00:03:41,920 --> 00:03:46,240 Speaker 2: and that was amazing. But you know, to reach those heights, 78 00:03:46,440 --> 00:03:48,360 Speaker 2: you definitely need a machine behind me. 79 00:03:48,440 --> 00:03:50,280 Speaker 1: I was going to ask that. So you're still telling 80 00:03:50,320 --> 00:03:52,400 Speaker 1: me in twenty twenty four, because there's so much of this. 81 00:03:52,480 --> 00:03:54,120 Speaker 1: I did it in my bedroom, and I've got my 82 00:03:54,120 --> 00:03:56,000 Speaker 1: own recorder, and i put it on TikTok, and I've 83 00:03:56,040 --> 00:03:59,000 Speaker 1: gone to the world and beaten success. You're arguing that 84 00:03:59,040 --> 00:04:01,520 Speaker 1: there's still a structure in the music industry that requires 85 00:04:01,520 --> 00:04:03,640 Speaker 1: an established record label or a group of people to 86 00:04:03,640 --> 00:04:05,040 Speaker 1: get you out to the world successfully. 87 00:04:05,320 --> 00:04:08,080 Speaker 2: I would definitely say so. And I could sit here 88 00:04:08,200 --> 00:04:11,400 Speaker 2: and debate that point for a very long time. You know, 89 00:04:11,680 --> 00:04:15,680 Speaker 2: I think people like to have the idea that you 90 00:04:15,760 --> 00:04:18,760 Speaker 2: can do it from your bedroom, and that it seems 91 00:04:18,800 --> 00:04:21,840 Speaker 2: like a very attractive idea and theory. But the way 92 00:04:21,880 --> 00:04:24,960 Speaker 2: that the Internet works and the current industry works, I 93 00:04:24,960 --> 00:04:28,599 Speaker 2: would argue you need a structure more than ever, just 94 00:04:28,640 --> 00:04:31,320 Speaker 2: with the way it sort of goes at the moment. 95 00:04:32,320 --> 00:04:33,880 Speaker 2: And yeah, I wouldn't know where to start off if 96 00:04:33,920 --> 00:04:35,800 Speaker 2: I were if I were starting off now, And like 97 00:04:35,839 --> 00:04:37,839 Speaker 2: I was saying to you off air, I'm very grateful for, 98 00:04:38,360 --> 00:04:41,120 Speaker 2: you know, the journey that I had, even in retrospect 99 00:04:41,160 --> 00:04:43,520 Speaker 2: with all the ups and downs, I'm grateful that I 100 00:04:43,560 --> 00:04:46,119 Speaker 2: did have that machine to take me to places because 101 00:04:46,520 --> 00:04:48,280 Speaker 2: I wouldn't know where to begin now. But yeah, I 102 00:04:48,320 --> 00:04:52,479 Speaker 2: would say that you definitely need those people more than ever. 103 00:04:52,560 --> 00:04:55,120 Speaker 2: But they're just sort of disguised in different ways, I guess. 104 00:04:55,240 --> 00:04:57,960 Speaker 1: So what's your state of mind where as this realization 105 00:04:58,120 --> 00:05:00,840 Speaker 1: came to you? You bit or angry, grateful? 106 00:05:01,520 --> 00:05:03,640 Speaker 3: I think, yeah, probably all of the above. 107 00:05:03,720 --> 00:05:06,800 Speaker 2: I think it's Yeah, I think once you you know, 108 00:05:06,880 --> 00:05:10,080 Speaker 2: once you've tasted these heights, it's it's hard to let 109 00:05:10,160 --> 00:05:13,200 Speaker 2: go of. You know, everyone has an ego. But yeah, 110 00:05:13,440 --> 00:05:17,200 Speaker 2: I'm very very grateful. I think grateful would be a 111 00:05:17,240 --> 00:05:20,839 Speaker 2: good sixty five percent chunk of that pipe. But yeah, 112 00:05:20,960 --> 00:05:23,760 Speaker 2: there's it's it's an ongoing sort of I wouldn't call 113 00:05:23,800 --> 00:05:25,160 Speaker 2: it a bat or, it's sort of call it a 114 00:05:25,240 --> 00:05:27,960 Speaker 2: journey that I'm sort of on at the moment. You know, 115 00:05:28,080 --> 00:05:31,560 Speaker 2: some days I wake up and I sort. 116 00:05:31,360 --> 00:05:33,480 Speaker 3: Of clinched my first at the air. 117 00:05:33,440 --> 00:05:35,960 Speaker 2: And think, you know, I still I still have it 118 00:05:36,000 --> 00:05:38,640 Speaker 2: in the tank, you know, like I can still play 119 00:05:38,680 --> 00:05:41,400 Speaker 2: for thousands of people, and I feel like I'm better 120 00:05:41,440 --> 00:05:43,960 Speaker 2: than ever, and I feel like my songs and songwriting 121 00:05:44,040 --> 00:05:46,600 Speaker 2: is getting better than ever. So that in a sense, 122 00:05:46,680 --> 00:05:50,240 Speaker 2: you know, it's it's very bittersweet, but you know, I'd 123 00:05:50,320 --> 00:05:53,479 Speaker 2: be silly to not be grateful for the amazing experiences 124 00:05:53,480 --> 00:05:57,240 Speaker 2: I've had, you know, like I came into music with 125 00:05:57,279 --> 00:05:59,400 Speaker 2: the goal of playing R and V and having one 126 00:05:59,440 --> 00:06:01,800 Speaker 2: hundred thousand and streams on my song, and you know, 127 00:06:01,839 --> 00:06:04,680 Speaker 2: I got to open for each year and have my 128 00:06:04,720 --> 00:06:07,160 Speaker 2: own world tour, and I got three hundred million streams. 129 00:06:07,200 --> 00:06:10,560 Speaker 2: So it's you know, I really blew it out out 130 00:06:10,600 --> 00:06:13,520 Speaker 2: their part compared to my initial expectations. 131 00:06:13,560 --> 00:06:16,800 Speaker 3: But you know it's like once you taste that, you 132 00:06:16,880 --> 00:06:17,400 Speaker 3: want more. 133 00:06:17,560 --> 00:06:17,760 Speaker 4: You know. 134 00:06:17,920 --> 00:06:20,640 Speaker 2: Yeah, I think everyone sort of can allude to that 135 00:06:20,680 --> 00:06:23,039 Speaker 2: in their own way in their life. But you know, 136 00:06:23,160 --> 00:06:26,880 Speaker 2: looking back and looking forward, I've got some really exciting 137 00:06:26,920 --> 00:06:30,200 Speaker 2: doors that are opening and other fields. And you know, 138 00:06:30,320 --> 00:06:32,480 Speaker 2: if it was never going to happen in the future, 139 00:06:32,520 --> 00:06:35,720 Speaker 2: I can definitely look back and be incredibly grateful. It's 140 00:06:36,480 --> 00:06:39,040 Speaker 2: a zero point zero zero zero one thing that I've 141 00:06:39,040 --> 00:06:41,240 Speaker 2: got to do. And you know, the people are the 142 00:06:41,400 --> 00:06:43,560 Speaker 2: are the ones that come to the shows and listen 143 00:06:43,640 --> 00:06:47,159 Speaker 2: to the music. So I'm forever grateful for anyone who's 144 00:06:47,160 --> 00:06:48,440 Speaker 2: listened or got more tender. 145 00:06:48,960 --> 00:06:51,039 Speaker 1: So you've got an album still to come as a 146 00:06:51,080 --> 00:06:52,760 Speaker 1: story behind that we don't have time to tell, but 147 00:06:52,800 --> 00:06:54,560 Speaker 1: it will be out hopefully by the end of the year. 148 00:06:54,800 --> 00:06:56,760 Speaker 1: If you're doing a little bit over the summer, I think. 149 00:06:57,120 --> 00:06:59,480 Speaker 2: Yeah, confess and there yeah. 150 00:06:59,480 --> 00:07:01,560 Speaker 1: And you're going to sing us a song that has 151 00:07:01,680 --> 00:07:05,280 Speaker 1: never been released till Mitch James for the final time, 152 00:07:05,360 --> 00:07:07,520 Speaker 1: until he announces has come back and out of retirement 153 00:07:07,600 --> 00:07:10,840 Speaker 1: con sort of stuff. What's the song called? 154 00:07:10,920 --> 00:07:13,160 Speaker 3: The song is called my Favorite Color and fantastic. 155 00:07:13,160 --> 00:07:15,800 Speaker 1: It's never been hood, it's not really, it's not out 156 00:07:15,800 --> 00:07:17,600 Speaker 1: there only for you by. 157 00:07:24,000 --> 00:07:26,000 Speaker 3: Trying to meeting someone know too. 158 00:07:29,880 --> 00:07:37,360 Speaker 4: He always feels kind of good too, until that one 159 00:07:37,480 --> 00:07:41,800 Speaker 4: part of the night when they ask my favorite color, 160 00:07:42,680 --> 00:07:46,200 Speaker 4: and I have to lay because how could I ever telling? 161 00:07:48,600 --> 00:07:52,800 Speaker 4: It's not blue like the Arsan, it's not quite like 162 00:07:52,880 --> 00:07:57,720 Speaker 4: the skies. It's deeper than the stormy seas. 163 00:07:57,760 --> 00:08:03,720 Speaker 3: Even when they cry, it's not like me to start 164 00:08:03,760 --> 00:08:05,040 Speaker 3: off telling lies. 165 00:08:06,080 --> 00:08:12,720 Speaker 4: But how could I ever describe the color of your uses? 166 00:08:16,320 --> 00:08:22,960 Speaker 4: The color of your use? A Hi, It's in my 167 00:08:23,080 --> 00:08:30,640 Speaker 4: head and in warm move coming in like a tide too. 168 00:08:34,520 --> 00:08:38,720 Speaker 4: I thought it faded with the time, but when I'm 169 00:08:38,840 --> 00:08:43,200 Speaker 4: out with another it goes all right. So they ask 170 00:08:43,360 --> 00:08:50,080 Speaker 4: my favorite color. It's not green like the forest. It's 171 00:08:50,200 --> 00:08:51,920 Speaker 4: not green like the high. 172 00:08:52,840 --> 00:08:56,040 Speaker 3: That we had at my flat that day. We laughed 173 00:08:56,200 --> 00:09:01,480 Speaker 3: and said we cried high. It's not like me to 174 00:09:01,559 --> 00:09:04,360 Speaker 3: start I'm telling lies, But. 175 00:09:04,480 --> 00:09:10,440 Speaker 4: How could I ever describe the color of your art, 176 00:09:14,360 --> 00:09:23,680 Speaker 4: the color of your It's not that I've been trying 177 00:09:24,679 --> 00:09:29,000 Speaker 4: to keep you in my mind. It don't matter. 178 00:09:28,920 --> 00:09:31,280 Speaker 3: The person to ask me. 179 00:09:31,440 --> 00:09:38,520 Speaker 4: Every time when you'd ask me, I've never had to lie. 180 00:09:39,280 --> 00:09:43,760 Speaker 4: I couldn't wait to say your favorite line, it's the 181 00:09:43,840 --> 00:09:46,840 Speaker 4: color of your eyes. 182 00:09:48,720 --> 00:09:51,400 Speaker 1: Say in sessional, Well done, I it's been a pleasure. 183 00:09:51,520 --> 00:09:53,520 Speaker 1: We'll meet again and talking all that sort of stuff. 184 00:09:53,800 --> 00:09:56,160 Speaker 1: Give us thirty seconds on your new job. Can you 185 00:09:56,160 --> 00:09:57,640 Speaker 1: tell us thirty seconds on your new job? 186 00:09:57,760 --> 00:09:59,480 Speaker 3: Absolutely, I can reveal a little bit. 187 00:10:00,320 --> 00:10:02,319 Speaker 2: I'm trying to get into the well, I am getting 188 00:10:02,320 --> 00:10:06,200 Speaker 2: into the sports media space. I'm doing my own thing 189 00:10:06,280 --> 00:10:10,520 Speaker 2: with someone who's actually in this building, and that'll be 190 00:10:10,600 --> 00:10:13,240 Speaker 2: called I'll give it Away. I'll give it away for you, Mike. 191 00:10:13,280 --> 00:10:15,800 Speaker 2: You've been nice to me over the years. It's a 192 00:10:15,880 --> 00:10:20,280 Speaker 2: sports culture and sports bidding podcast called Our Year, which 193 00:10:20,320 --> 00:10:23,040 Speaker 2: is sort of an alluding to the Warriors. It's our 194 00:10:23,120 --> 00:10:26,720 Speaker 2: Year every year. And I've got a few really exciting 195 00:10:26,800 --> 00:10:29,640 Speaker 2: things in the space that I can't reveal too much 196 00:10:29,640 --> 00:10:34,240 Speaker 2: about because there was some other and bigger entities. But yeah, 197 00:10:34,520 --> 00:10:38,600 Speaker 2: I'm looking to get knees deep into the sports media space. 198 00:10:38,640 --> 00:10:42,440 Speaker 2: And that's been a passion of mine much longer than 199 00:10:42,520 --> 00:10:46,559 Speaker 2: music had been. So I'm very excited and I'm looking 200 00:10:46,600 --> 00:10:48,560 Speaker 2: forward to chasing another passion. 201 00:10:48,600 --> 00:10:50,720 Speaker 1: Good on you, mate, Well go well with it, and 202 00:10:50,840 --> 00:10:53,240 Speaker 1: you're welcome back here anytime. And I've thoroughly enjoyed meeting 203 00:10:53,240 --> 00:10:54,920 Speaker 1: and chatting with you and listening to your music over 204 00:10:54,920 --> 00:10:55,199 Speaker 1: the years. 205 00:10:55,200 --> 00:10:55,960 Speaker 2: And stuff Always Myke. 206 00:10:55,960 --> 00:11:00,440 Speaker 1: Thanks Mitch James. For more from the Mic Hosking Breakfast, 207 00:11:00,559 --> 00:11:03,920 Speaker 1: listen live to news Talks at B from six am weekdays, 208 00:11:04,160 --> 00:11:06,200 Speaker 1: or follow the podcast on iHeartRadio