1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack Team podcast 2 00:00:10,613 --> 00:00:11,693 Speaker 1: from News Talks V. 3 00:00:24,293 --> 00:00:29,813 Speaker 2: Is the Secret Key, Still in Your Hearts? 4 00:00:29,893 --> 00:00:46,533 Speaker 3: Your Oh So Good? A More and New Zealand You 5 00:00:46,573 --> 00:00:50,133 Speaker 3: were Jack Team. This is News Talk V. I'm here 6 00:00:50,133 --> 00:00:54,213 Speaker 3: through the midday today. Woman has all of the ingredients 7 00:00:54,533 --> 00:00:57,013 Speaker 3: for a good time. You got your food, you got 8 00:00:57,053 --> 00:01:01,053 Speaker 3: your dancing, your arts, and an incredible lineup of local 9 00:01:01,133 --> 00:01:05,653 Speaker 3: and international artists and even some who cover both of 10 00:01:05,693 --> 00:01:10,413 Speaker 3: those categories. The English slash ki we rock band the Vales. 11 00:01:10,773 --> 00:01:12,973 Speaker 3: We're announced this week in the first lineup of acts 12 00:01:12,973 --> 00:01:17,453 Speaker 3: to headline next year's Woe Mad Festival. The enigmatic indie 13 00:01:17,493 --> 00:01:21,373 Speaker 3: band have a reputation for intense live performances, and The 14 00:01:21,413 --> 00:01:24,053 Speaker 3: Vales front man Finn Andrews is with us this morning. 15 00:01:24,133 --> 00:01:25,693 Speaker 3: Could Finn thank you for being with us? 16 00:01:26,373 --> 00:01:27,693 Speaker 2: Calder Jack, nice to speak with you. 17 00:01:27,813 --> 00:01:30,493 Speaker 3: Yeah, nice to be speaking with you. So Woe Mad 18 00:01:31,013 --> 00:01:32,893 Speaker 3: and the Veils are teaming up for a bit of 19 00:01:32,893 --> 00:01:36,493 Speaker 3: a collab right with some classical musicians Amalia Hall, Ashley 20 00:01:36,533 --> 00:01:39,453 Speaker 3: Brown and Sony Kim of Enzied Trio. So what's what's 21 00:01:39,453 --> 00:01:40,813 Speaker 3: the plan there? How does that work? 22 00:01:42,053 --> 00:01:44,293 Speaker 2: Yeah, it's a good question. We've played together a couple 23 00:01:44,333 --> 00:01:49,773 Speaker 2: of times before in sort of smaller contexts. But they're 24 00:01:49,813 --> 00:01:53,373 Speaker 2: just the most amazing musicians I've ever played with, I think, 25 00:01:53,493 --> 00:01:56,773 Speaker 2: and they can kind of do anything you ask of them. 26 00:01:56,933 --> 00:01:58,813 Speaker 2: So it's been a lot of fun coming up with 27 00:01:58,893 --> 00:02:04,453 Speaker 2: new ways to sort of expand on the vales. And yeah, 28 00:02:04,613 --> 00:02:06,973 Speaker 2: it's and this is the thing time we've done it 29 00:02:06,973 --> 00:02:09,493 Speaker 2: with the full Veils band though as well. I've kind 30 00:02:09,493 --> 00:02:11,613 Speaker 2: of done it playing solo with them, but this is 31 00:02:11,653 --> 00:02:14,453 Speaker 2: the full band with them as well. So it's going 32 00:02:14,493 --> 00:02:17,733 Speaker 2: to be a pretty raucous affair. 33 00:02:18,013 --> 00:02:20,053 Speaker 3: Yes, Is it going to be raucous? That was going 34 00:02:20,133 --> 00:02:23,213 Speaker 3: to be my next question, because when you hear you know, 35 00:02:23,693 --> 00:02:26,373 Speaker 3: classical musicians getting involved, you think, oh, it's probably less 36 00:02:26,413 --> 00:02:28,613 Speaker 3: likely to be raucous, but that's not necessarily the case. 37 00:02:29,173 --> 00:02:33,533 Speaker 2: I think it gives you the option to, yeah, get 38 00:02:33,653 --> 00:02:38,453 Speaker 2: really big and scary, but also get really small and intimate, 39 00:02:38,653 --> 00:02:43,253 Speaker 2: which is kind of what the Veils have done on 40 00:02:43,293 --> 00:02:45,493 Speaker 2: these records throughout the years. We kind of like to 41 00:02:45,573 --> 00:02:50,693 Speaker 2: lean into the extremes. So yeah, it kind of it 42 00:02:50,773 --> 00:02:53,453 Speaker 2: just intensifies that even more. I think it's going to 43 00:02:53,493 --> 00:02:57,933 Speaker 2: be really full on and really yeah and really quiet 44 00:02:58,533 --> 00:03:01,053 Speaker 2: intimate as well. That's that's the plan anyway. 45 00:03:00,893 --> 00:03:03,333 Speaker 3: Because and I'm going to get to es Fidel's in 46 00:03:03,373 --> 00:03:05,893 Speaker 3: a couple of minutes, which I think you have been 47 00:03:06,013 --> 00:03:08,573 Speaker 3: recorded it around here lately, and I think for as 48 00:03:08,653 --> 00:03:13,333 Speaker 3: Fidel's you also brought in some strings and some classical elements, right, 49 00:03:13,373 --> 00:03:15,653 Speaker 3: So I'm getting the sense that in the last couple 50 00:03:15,693 --> 00:03:18,213 Speaker 3: of years, between your solo work and the stuff with 51 00:03:18,253 --> 00:03:22,933 Speaker 3: the Veils, you have really kind of leaned into classical 52 00:03:22,933 --> 00:03:26,613 Speaker 3: influences and classical contributions. Is that a fair assessment. 53 00:03:27,493 --> 00:03:30,893 Speaker 2: I suppose We've always used a lot of strings in 54 00:03:30,933 --> 00:03:33,733 Speaker 2: our records. I've always loved that part of it, This 55 00:03:33,933 --> 00:03:36,493 Speaker 2: kind of you know, you work on these things for 56 00:03:36,613 --> 00:03:38,533 Speaker 2: years and then on the last day in the studio 57 00:03:38,573 --> 00:03:41,613 Speaker 2: you get to bring in these incredible players and this 58 00:03:41,693 --> 00:03:44,853 Speaker 2: whole other texture gets brought in, and I feel like 59 00:03:44,933 --> 00:03:48,173 Speaker 2: that's always been a part I've really enjoyed. Actually, And 60 00:03:48,253 --> 00:03:50,813 Speaker 2: one of the great discoveries of moving back to New 61 00:03:50,893 --> 00:03:53,173 Speaker 2: Zealand a few years ago was Victoria Kelly, who wrote 62 00:03:53,173 --> 00:03:57,813 Speaker 2: all the arrangements for this record and the two previous 63 00:03:57,973 --> 00:03:59,853 Speaker 2: and that's kind of how I got linked up with 64 00:03:59,973 --> 00:04:04,773 Speaker 2: the trio. So yeah, It's something I've always enjoyed. But 65 00:04:04,853 --> 00:04:08,573 Speaker 2: I guess meeting Victoria, who's been a real kind of 66 00:04:08,853 --> 00:04:12,653 Speaker 2: collaborator on these last few records, it's kind of maybe 67 00:04:12,653 --> 00:04:15,013 Speaker 2: gotten more more and more extreme. 68 00:04:15,293 --> 00:04:19,013 Speaker 3: Yeah, how has it been From a creative perspective coming home? 69 00:04:20,773 --> 00:04:24,013 Speaker 2: It's been great? Yeah. New Zealand's always been such a 70 00:04:24,093 --> 00:04:26,013 Speaker 2: huge part of my life, and I think I often 71 00:04:26,093 --> 00:04:28,613 Speaker 2: ran away back here when I was living in London 72 00:04:28,693 --> 00:04:30,093 Speaker 2: for that twenty years. 73 00:04:30,293 --> 00:04:31,093 Speaker 3: Do you call the time? 74 00:04:32,213 --> 00:04:34,853 Speaker 2: Oh, very much so? Now, Yeah, I was, I was 75 00:04:34,853 --> 00:04:37,453 Speaker 2: sort of I don't know, I don't know if I 76 00:04:37,493 --> 00:04:40,053 Speaker 2: ever felt truly at home in London, but I've kind 77 00:04:40,053 --> 00:04:42,413 Speaker 2: of always bounced between the two places, so they both 78 00:04:42,533 --> 00:04:45,893 Speaker 2: have a place in my life. But I've had a 79 00:04:45,973 --> 00:04:48,053 Speaker 2: child now as well, and we're very much sort of 80 00:04:48,053 --> 00:04:51,053 Speaker 2: settled here, so it feels it feels very homely. 81 00:04:51,493 --> 00:04:57,613 Speaker 3: Yeah, compilations and from a creative perspective as well, it's 82 00:04:57,653 --> 00:04:58,773 Speaker 3: a nourishing place to be. 83 00:04:59,653 --> 00:05:02,533 Speaker 2: Oh, it is. I mean, I've always felt very fortunate 84 00:05:02,653 --> 00:05:04,813 Speaker 2: to have this place in my life, and I think 85 00:05:04,853 --> 00:05:07,613 Speaker 2: it's always been a lot of sort of landscapes in 86 00:05:07,653 --> 00:05:10,653 Speaker 2: our songs and or at least I can I feel 87 00:05:10,693 --> 00:05:12,453 Speaker 2: like I can see a lot of landscapes in them, 88 00:05:12,533 --> 00:05:15,893 Speaker 2: and they've always been New Zealand once, so that seems 89 00:05:15,933 --> 00:05:18,173 Speaker 2: to just, yeah, be carrying on as well. 90 00:05:18,333 --> 00:05:22,093 Speaker 3: Yeah, right, it's twenty years since the Vails debut record, 91 00:05:22,173 --> 00:05:24,893 Speaker 3: or it's slightly more twenty one years. No one's counting, 92 00:05:24,893 --> 00:05:28,333 Speaker 3: don't worry, oh dear me, But I saw that you 93 00:05:28,613 --> 00:05:31,693 Speaker 3: said you felt a bit. Do you feelt kind of 94 00:05:32,133 --> 00:05:34,893 Speaker 3: a bit of an existential kind of feeling when reflecting 95 00:05:34,893 --> 00:05:37,733 Speaker 3: on the runaway found and the time that's passed since. 96 00:05:38,213 --> 00:05:41,613 Speaker 3: Is that something you've been afflicted by or struck by? 97 00:05:42,733 --> 00:05:45,253 Speaker 2: Yeah, I mean I'm prone to those sorts of a 98 00:05:45,293 --> 00:05:47,813 Speaker 2: little I don't know, existential dread from time to time 99 00:05:47,933 --> 00:05:50,653 Speaker 2: as it is. But someone uploaded a picture of all 100 00:05:50,693 --> 00:05:54,333 Speaker 2: of our records like in a row. I'd never really 101 00:05:54,373 --> 00:05:57,573 Speaker 2: seen them all together before. I think that was the 102 00:05:57,573 --> 00:06:02,013 Speaker 2: beginning of, Yes, this sort of there's feelings. 103 00:06:02,733 --> 00:06:04,333 Speaker 3: I mean, yeah, tell me about that. This seems like 104 00:06:04,373 --> 00:06:06,173 Speaker 3: a pretty simple thing to have not first of all, 105 00:06:06,213 --> 00:06:09,573 Speaker 3: to have not seen ye for that seems like quite 106 00:06:09,613 --> 00:06:10,373 Speaker 3: a simple trigger. 107 00:06:11,173 --> 00:06:13,653 Speaker 2: Yeah it is. It's weird, right you kind of. I mean, 108 00:06:13,813 --> 00:06:19,173 Speaker 2: it's been the beautiful part of having a long hit 109 00:06:19,333 --> 00:06:21,093 Speaker 2: or you know, twenty years, I guess there's a long 110 00:06:21,133 --> 00:06:26,213 Speaker 2: time and having your life sort of marked with these 111 00:06:26,253 --> 00:06:28,813 Speaker 2: records like EA, each record just reminds me of this 112 00:06:28,933 --> 00:06:31,333 Speaker 2: very specific point in my life and the first record 113 00:06:31,373 --> 00:06:33,253 Speaker 2: I made when I was, you know, sixteen or whatever. 114 00:06:33,293 --> 00:06:34,813 Speaker 2: So it's kind of all of these songs from my 115 00:06:35,933 --> 00:06:39,053 Speaker 2: adolescents that are just sort of still there and you 116 00:06:39,093 --> 00:06:41,213 Speaker 2: can just sort of dip back into them, and it's 117 00:06:41,253 --> 00:06:43,453 Speaker 2: a very odd feeling. It's not something you think about 118 00:06:43,453 --> 00:06:45,213 Speaker 2: when you're starting. I suppose that your life will be 119 00:06:46,013 --> 00:06:50,293 Speaker 2: marked in this way, but it's a beautiful part of it. Yeah, 120 00:06:50,333 --> 00:06:52,733 Speaker 2: But occasionally it does get a bit overwhelming use of 121 00:06:53,533 --> 00:06:56,293 Speaker 2: oh god, I've been doing this quite a long time. 122 00:06:56,133 --> 00:06:59,293 Speaker 3: Now, because you guys took a break for a couple 123 00:06:59,333 --> 00:07:02,293 Speaker 3: of years and you were doing a bit of your 124 00:07:02,293 --> 00:07:04,613 Speaker 3: solo work and then you join them back up together 125 00:07:04,693 --> 00:07:08,693 Speaker 3: and recording music performing live. How important do you think 126 00:07:08,733 --> 00:07:11,213 Speaker 3: that little spell, a little bit of time a part 127 00:07:11,333 --> 00:07:14,173 Speaker 3: has been in, you know, in the in the kind 128 00:07:14,213 --> 00:07:17,653 Speaker 3: of process for you guys continuing develop to develop from here. 129 00:07:18,773 --> 00:07:21,613 Speaker 2: Yeah, it was important, I think. Yeah, through all the 130 00:07:21,613 --> 00:07:24,413 Speaker 2: COVID times, you know, everyone kind of took this time 131 00:07:24,453 --> 00:07:28,533 Speaker 2: out from what they did. I. Yeah, I think you're 132 00:07:28,573 --> 00:07:32,573 Speaker 2: always trying to find the worth in what you do, 133 00:07:32,653 --> 00:07:36,613 Speaker 2: and it's a hard thing sometimes to maintain. That is 134 00:07:36,813 --> 00:07:40,493 Speaker 2: kind of Yeah. I think I've I've found that again. 135 00:07:40,733 --> 00:07:43,733 Speaker 2: And all these various people, as they say, that I've 136 00:07:43,733 --> 00:07:47,373 Speaker 2: been collaborating with that's really revitalized it, and such amazing 137 00:07:47,453 --> 00:07:52,973 Speaker 2: musicians over here. Yeah, I think, Yeah, you have to 138 00:07:53,013 --> 00:07:55,333 Speaker 2: keep finding the thing that makes you fall in love 139 00:07:55,333 --> 00:07:59,093 Speaker 2: with it again and keep keep wanting to do it. 140 00:07:59,693 --> 00:08:01,853 Speaker 2: So far, I've always you know, you're always kind of 141 00:08:01,893 --> 00:08:04,333 Speaker 2: monkey swinging from one thing to the next. Year. So far, 142 00:08:04,613 --> 00:08:07,653 Speaker 2: so far, there's always in a vine in front of me, 143 00:08:07,733 --> 00:08:08,773 Speaker 2: which I'm grateful for. 144 00:08:10,253 --> 00:08:12,213 Speaker 3: That's a very good analogy. What was it like when 145 00:08:12,213 --> 00:08:14,813 Speaker 3: you guys, you know, after the kind of COVID times 146 00:08:14,853 --> 00:08:17,173 Speaker 3: got back together and started performing live again. Did you 147 00:08:17,213 --> 00:08:19,973 Speaker 3: feel did it kind of feel like you'd reset a bit, 148 00:08:20,053 --> 00:08:21,733 Speaker 3: or did it feel like you you know, there was 149 00:08:21,773 --> 00:08:24,413 Speaker 3: there a rush that perhaps might not have been there otherwise. 150 00:08:25,053 --> 00:08:26,893 Speaker 2: Yeah, I think it was. I mean, just since I 151 00:08:26,893 --> 00:08:29,733 Speaker 2: was sixteen, I'm just towed and towed and towed all 152 00:08:29,933 --> 00:08:33,453 Speaker 2: around the world constantly, and so that little break. It 153 00:08:33,533 --> 00:08:35,893 Speaker 2: was nice to come back to it fresh, and that 154 00:08:35,973 --> 00:08:38,853 Speaker 2: tour we did in Europe last year was one of 155 00:08:38,853 --> 00:08:41,533 Speaker 2: the best times of my life, I think, sort of 156 00:08:41,573 --> 00:08:44,813 Speaker 2: coming back into that world again. And I guess you 157 00:08:44,973 --> 00:08:49,093 Speaker 2: you know, you forget anyone kind of cares about what 158 00:08:49,093 --> 00:08:51,213 Speaker 2: you do after a while as well when you're out 159 00:08:51,213 --> 00:08:53,253 Speaker 2: of it, and it was nice just to remember that 160 00:08:53,493 --> 00:08:57,973 Speaker 2: this is important to a few people and that's you know, 161 00:08:58,333 --> 00:09:01,853 Speaker 2: kind of the most motivating force in the whole thing. 162 00:09:02,013 --> 00:09:04,693 Speaker 2: So yeah, that felt amazing to be back over there 163 00:09:04,813 --> 00:09:06,293 Speaker 2: and all these venues. You know, I really have spent 164 00:09:07,133 --> 00:09:10,733 Speaker 2: all of my adult life in these things, so I 165 00:09:10,773 --> 00:09:12,453 Speaker 2: feel and all the people you know that you meet 166 00:09:13,213 --> 00:09:15,573 Speaker 2: in these places over the years, I'd really missed all 167 00:09:15,573 --> 00:09:18,653 Speaker 2: of them. So yeah, it was really revitalizing. 168 00:09:18,813 --> 00:09:21,653 Speaker 3: Oh fantastic. So tell us what you can about s 169 00:09:21,733 --> 00:09:23,733 Speaker 3: Fidels because you've been recording that at round here right. 170 00:09:24,733 --> 00:09:24,933 Speaker 1: Yeah. 171 00:09:25,773 --> 00:09:28,693 Speaker 2: We recorded it last year and it's coming out early 172 00:09:28,773 --> 00:09:32,293 Speaker 2: next year. It was recorded in four days, so it 173 00:09:32,333 --> 00:09:35,133 Speaker 2: was that by far the fastest thing we've ever done. 174 00:09:35,253 --> 00:09:37,653 Speaker 2: The last record took I think four years, so this 175 00:09:37,813 --> 00:09:40,333 Speaker 2: was very much a reaction to that. I think a 176 00:09:40,413 --> 00:09:43,013 Speaker 2: kind of antidote to how intense that was. This was 177 00:09:43,133 --> 00:09:47,053 Speaker 2: just songs that I'd been working on for a long time, 178 00:09:47,093 --> 00:09:48,933 Speaker 2: but we just sort of went in live, played them 179 00:09:48,933 --> 00:09:52,933 Speaker 2: with the band and with strings and yeah, so it 180 00:09:53,333 --> 00:09:56,533 Speaker 2: has a quality in a directness, I hope because of 181 00:09:56,573 --> 00:09:59,253 Speaker 2: that that there wasn't any time to faf around with anything. 182 00:09:59,333 --> 00:10:03,333 Speaker 2: It's very live feeling, and yeah, I'm really proud of it, 183 00:10:03,373 --> 00:10:05,533 Speaker 2: and I'm really pleased. We've got a label now and 184 00:10:05,573 --> 00:10:08,293 Speaker 2: everything's lined up for early next year. 185 00:10:08,333 --> 00:10:11,253 Speaker 3: Now, Oh fantastic. So you're going to be touring Europe 186 00:10:11,493 --> 00:10:14,173 Speaker 3: from very start of next year, from January or so, 187 00:10:14,253 --> 00:10:15,893 Speaker 3: and then Womade is in March. Have you been to 188 00:10:15,893 --> 00:10:16,613 Speaker 3: Wymade before? 189 00:10:17,733 --> 00:10:21,173 Speaker 2: Yeah, I went in twenty nineteen when I was doing 190 00:10:21,213 --> 00:10:22,413 Speaker 2: the sort of solo project. 191 00:10:22,493 --> 00:10:24,813 Speaker 3: All right, yeah, what was your impression of it? I 192 00:10:24,853 --> 00:10:26,933 Speaker 3: always think Mad is like a it's kind of hard 193 00:10:26,933 --> 00:10:29,653 Speaker 3: to describe in a sense, So it is. 194 00:10:29,813 --> 00:10:32,653 Speaker 2: I mean, genuinely, it was one of the most beautiful 195 00:10:33,093 --> 00:10:38,413 Speaker 2: festival experiences I've ever had. It was right after Yeah, 196 00:10:38,413 --> 00:10:41,213 Speaker 2: oh man, it was such a strange time. It was 197 00:10:41,253 --> 00:10:45,173 Speaker 2: a really beautiful weekend and I I'm really happy to 198 00:10:45,173 --> 00:10:46,773 Speaker 2: get to do it with the band, I was sort 199 00:10:46,773 --> 00:10:48,813 Speaker 2: of doing it and with the solo thing it was 200 00:10:48,813 --> 00:10:52,653 Speaker 2: a sort of quieter affair. But yeah, as I say, 201 00:10:52,693 --> 00:10:54,293 Speaker 2: I think this will just be the perfect place for 202 00:10:54,653 --> 00:10:55,893 Speaker 2: what we're going to do with this show. 203 00:10:56,093 --> 00:10:57,973 Speaker 3: Yeah, and am I right in thinking you are? As 204 00:10:57,973 --> 00:11:00,333 Speaker 3: well as touring with the band, you'd also doing some 205 00:11:00,373 --> 00:11:01,213 Speaker 3: new solo music pick. 206 00:11:03,213 --> 00:11:03,493 Speaker 1: Yeah. 207 00:11:03,573 --> 00:11:06,773 Speaker 2: I mean, I've always got a few irons and fire, 208 00:11:07,013 --> 00:11:09,893 Speaker 2: but right now it's all about the Veils again and 209 00:11:09,973 --> 00:11:12,533 Speaker 2: I'm really enjoying being back in that in that world. 210 00:11:13,213 --> 00:11:15,493 Speaker 3: Well, we're delighted that you're going to be performing at Woman. 211 00:11:15,533 --> 00:11:18,693 Speaker 3: That is such exciting news. All the very best for 212 00:11:18,773 --> 00:11:21,053 Speaker 3: the months in between, for the release of Affidels, for 213 00:11:21,293 --> 00:11:23,213 Speaker 3: your tour through Europe, and we look forward to seeing 214 00:11:23,253 --> 00:11:24,173 Speaker 3: you performing in March. 215 00:11:24,693 --> 00:11:26,413 Speaker 2: Cheers, Jack, thanks very much, really. 216 00:11:26,333 --> 00:11:29,693 Speaker 3: Appreciate your time. That is Finn Andrews, the frontman of 217 00:11:29,853 --> 00:11:30,653 Speaker 3: The Veils. 218 00:11:31,093 --> 00:11:34,213 Speaker 1: For more from Saturday Morning with Jack Tame, listen live 219 00:11:34,293 --> 00:11:37,093 Speaker 1: to News talks ' b from nine am Saturday, or 220 00:11:37,173 --> 00:11:39,093 Speaker 1: follow the podcast on iHeartRadio.