1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack Tame podcast 2 00:00:10,573 --> 00:00:11,733 Speaker 1: from News Talks at b. 3 00:00:13,333 --> 00:00:20,253 Speaker 2: We are golden tonight, like two little children under covers 4 00:00:20,533 --> 00:00:25,333 Speaker 2: a drift in the night with the universe of Dad 5 00:00:26,053 --> 00:00:30,773 Speaker 2: and mom will make we know why it is that Mado, 6 00:00:31,253 --> 00:00:34,653 Speaker 2: but whatever it is, I know that is his own 7 00:00:35,013 --> 00:00:35,653 Speaker 2: just forgiving. 8 00:00:53,013 --> 00:00:57,533 Speaker 3: That is grown Ups by paulp Their first album since 9 00:00:57,613 --> 00:01:02,213 Speaker 3: two thousand and one is called More and the Stelle 10 00:01:02,213 --> 00:01:04,413 Speaker 3: Clifford Our Music Review has been listening. She's with us 11 00:01:04,413 --> 00:01:06,573 Speaker 3: this morning, Hostell, and. 12 00:01:06,533 --> 00:01:10,653 Speaker 4: You're celebrating Pulp everyone of course recognizing common people are 13 00:01:10,693 --> 00:01:13,093 Speaker 4: soon that you played earlier and then that song would 14 00:01:13,093 --> 00:01:15,933 Speaker 4: just come out of called grown Ups, which I think 15 00:01:16,133 --> 00:01:20,413 Speaker 4: is one of those things where the lead singer, Javis 16 00:01:20,453 --> 00:01:22,213 Speaker 4: Cocker is like, I don't really want to be one. 17 00:01:22,253 --> 00:01:24,053 Speaker 4: It's really hard to be one. Yeah, but here we 18 00:01:24,093 --> 00:01:25,813 Speaker 4: asked about wrinkles instead of bat me. 19 00:01:26,053 --> 00:01:26,253 Speaker 1: Yeah. 20 00:01:26,373 --> 00:01:26,653 Speaker 4: True. 21 00:01:26,733 --> 00:01:28,933 Speaker 3: I think I've said this already this morning, you know, 22 00:01:29,493 --> 00:01:31,413 Speaker 3: like I I, of course, when I think of pop, 23 00:01:31,453 --> 00:01:33,213 Speaker 3: I immediately think of Javis Cocker. And when I think 24 00:01:33,253 --> 00:01:35,373 Speaker 3: of Javis Cocker, I just think with a name like that, 25 00:01:35,413 --> 00:01:36,933 Speaker 3: you had to be a British rock star. 26 00:01:37,373 --> 00:01:39,213 Speaker 4: You couldn't be a quiet do day just. 27 00:01:39,693 --> 00:01:42,893 Speaker 3: Javiscock just it's just perfect, you know, Yeah. 28 00:01:42,773 --> 00:01:45,213 Speaker 4: Yeah, yeah, absolutely, And that's the interesting thing, like he 29 00:01:45,293 --> 00:01:47,133 Speaker 4: talks about that and the lyrics of these songs that 30 00:01:47,173 --> 00:01:48,693 Speaker 4: he was born to be a front man. He was 31 00:01:48,693 --> 00:01:51,493 Speaker 4: born to be up the front. Yeah, but also still 32 00:01:51,533 --> 00:01:55,493 Speaker 4: doing that struggle of like what is fame? What is real? 33 00:01:56,653 --> 00:01:56,853 Speaker 2: Yeah? 34 00:01:56,893 --> 00:01:59,733 Speaker 4: Yeah, yeah, yeah yeah. Pulp is kind of like the 35 00:01:59,893 --> 00:02:04,053 Speaker 4: other thing around since the eighties and sort of mixed vibes, 36 00:02:04,093 --> 00:02:05,573 Speaker 4: like some of the albums have really had. I think 37 00:02:05,573 --> 00:02:09,133 Speaker 4: the nineties US is really where most people will remember 38 00:02:09,173 --> 00:02:11,173 Speaker 4: Pulp and a lot of those albums are three albums 39 00:02:11,213 --> 00:02:13,293 Speaker 4: through the nineties did really really well for them, but 40 00:02:13,293 --> 00:02:15,253 Speaker 4: there's been a lot of messy stuff and changes of 41 00:02:15,293 --> 00:02:17,333 Speaker 4: band members and all sorts of things. But he was 42 00:02:17,373 --> 00:02:19,413 Speaker 4: the guy that kept going. He has one of those 43 00:02:19,453 --> 00:02:21,573 Speaker 4: voices too, like if you hear it, no matter who 44 00:02:21,573 --> 00:02:23,613 Speaker 4: he's playing with, it's going to be Polp because that's 45 00:02:23,653 --> 00:02:25,293 Speaker 4: the sound of it. Like you say, he's got the name, 46 00:02:25,373 --> 00:02:27,373 Speaker 4: and he's also got the voice that takes you through. 47 00:02:27,693 --> 00:02:30,133 Speaker 4: This is definitely a reunion album, Like he's got a 48 00:02:30,133 --> 00:02:32,853 Speaker 4: whole lot of past members who have come back. It 49 00:02:32,933 --> 00:02:37,053 Speaker 4: is also dedicated to Steve MACKI. Now, he's been part 50 00:02:37,093 --> 00:02:39,453 Speaker 4: of Pulp right through since the late eighties on every 51 00:02:39,493 --> 00:02:41,493 Speaker 4: single album, but he passed away a couple of years ago, 52 00:02:42,173 --> 00:02:43,813 Speaker 4: so I kind of like that there's a tribute to 53 00:02:44,333 --> 00:02:48,693 Speaker 4: the and then moving forward, there's plenty of what you'd expect. 54 00:02:48,893 --> 00:02:52,173 Speaker 4: I love this she found on one of their videos 55 00:02:52,173 --> 00:02:54,373 Speaker 4: that they've put out for Spike Island, which was the 56 00:02:54,453 --> 00:02:56,733 Speaker 4: lead single off this album. He sounds very Bowie in 57 00:02:56,773 --> 00:02:59,973 Speaker 4: it too. By the way, there were some fans, wouldn't 58 00:03:00,013 --> 00:03:02,573 Speaker 4: the fans have said, I've just been transformed from a 59 00:03:02,573 --> 00:03:05,373 Speaker 4: miserable old croc back to a carefree to a year 60 00:03:05,373 --> 00:03:10,093 Speaker 4: old again. I'm loving about the nineties kind of sound. 61 00:03:10,093 --> 00:03:14,773 Speaker 4: Does that so that brit pop thing like these guys 62 00:03:14,973 --> 00:03:16,733 Speaker 4: I think are quite good at that. There's a little 63 00:03:16,733 --> 00:03:19,493 Speaker 4: bit of sort of funk, some funky jams in there 64 00:03:19,493 --> 00:03:22,413 Speaker 4: where they've got some funk guitar going on, So a 65 00:03:22,453 --> 00:03:26,853 Speaker 4: little bit of maybe playing around with some other genre 66 00:03:26,933 --> 00:03:28,893 Speaker 4: is sort of but not really like mostly sticking to 67 00:03:29,213 --> 00:03:30,853 Speaker 4: what it is they know, and I think that's quite good. 68 00:03:30,933 --> 00:03:35,053 Speaker 4: There's still this signature sort of scathing Jarvis is quite 69 00:03:35,053 --> 00:03:38,173 Speaker 4: good at writing where he's always sort of I mean, 70 00:03:38,453 --> 00:03:40,533 Speaker 4: surely he is a rich dude, but he likes to 71 00:03:40,573 --> 00:03:42,973 Speaker 4: look at life like, oh my gosh, you poor rich people. 72 00:03:44,173 --> 00:03:47,333 Speaker 3: Yeah, I mean that's a lot of British pop and 73 00:03:47,333 --> 00:03:49,253 Speaker 3: a British rock, right. There's always the kind of the 74 00:03:49,493 --> 00:03:55,613 Speaker 3: the vein of classism kind of you know, kind of 75 00:03:55,653 --> 00:03:56,693 Speaker 3: goes through everything, you know. 76 00:03:57,373 --> 00:03:59,533 Speaker 4: And it's part of the British makeup. I suppose a 77 00:03:59,533 --> 00:04:02,933 Speaker 4: little bit, isn't it. So Yeah, In glam rock new wave, 78 00:04:03,133 --> 00:04:05,813 Speaker 4: there's like that sort of dark maybe the lyrics of 79 00:04:05,853 --> 00:04:07,373 Speaker 4: the sort of the dark and it's all of voices, 80 00:04:07,453 --> 00:04:09,173 Speaker 4: but there's sort of light like. There's a lot of 81 00:04:09,173 --> 00:04:12,173 Speaker 4: really forward movements in some fun kind of sound and 82 00:04:12,213 --> 00:04:14,093 Speaker 4: some really catchy tunes that I think they've managed to 83 00:04:14,133 --> 00:04:17,253 Speaker 4: capture in here are going back to that growing up song. 84 00:04:17,333 --> 00:04:19,373 Speaker 4: I think it's funny because it's like the alt version 85 00:04:19,413 --> 00:04:22,933 Speaker 4: of Inside Out movies. You know, I don't know if 86 00:04:22,933 --> 00:04:25,893 Speaker 4: you've seen those, but inside Out too. They keep on 87 00:04:25,933 --> 00:04:27,973 Speaker 4: trying to make nostalgia not come through the door, but 88 00:04:28,253 --> 00:04:33,933 Speaker 4: nostalgia is very heavy and that that song Spike Islands 89 00:04:33,933 --> 00:04:35,733 Speaker 4: You're going to play out of here? Like I said, 90 00:04:35,773 --> 00:04:38,813 Speaker 4: this sounds a bit Bowie in it. It takes mixed reviews, 91 00:04:38,893 --> 00:04:40,773 Speaker 4: like some people aren't digging it. They think it's just 92 00:04:40,813 --> 00:04:44,213 Speaker 4: a bit too basic. But you know, the cassio keyboards 93 00:04:45,053 --> 00:04:48,213 Speaker 4: is kind of also synonymous with pulp tunes, and I 94 00:04:48,573 --> 00:04:50,533 Speaker 4: actually think it's really catchy. I think it's quite good. 95 00:04:50,613 --> 00:04:52,413 Speaker 4: I think the music video that goes along with it 96 00:04:52,453 --> 00:04:54,493 Speaker 4: is definitely worth the watch. They've done some really clever 97 00:04:55,653 --> 00:04:57,813 Speaker 4: imagery in there and then sort of taking the mickey. 98 00:04:57,893 --> 00:04:59,853 Speaker 4: They put some words that come up through the video 99 00:04:59,973 --> 00:05:02,333 Speaker 4: and it's actually quite funny, taking them macke out of themselves, 100 00:05:02,373 --> 00:05:04,853 Speaker 4: which you can, can't you when you've been around since 101 00:05:04,853 --> 00:05:05,453 Speaker 4: the late ladies. 102 00:05:05,453 --> 00:05:09,213 Speaker 3: I think, yeah, yeah, oh nice. I'm looking forward to 103 00:05:09,213 --> 00:05:10,453 Speaker 3: having a bit more of a listening And so what 104 00:05:10,533 --> 00:05:12,013 Speaker 3: did you give it? What did you give more? 105 00:05:12,093 --> 00:05:13,253 Speaker 1: By by? 106 00:05:14,253 --> 00:05:15,893 Speaker 4: If you're already one of their fans, you're going to 107 00:05:15,933 --> 00:05:17,773 Speaker 4: really feel connected to this. It will take you back 108 00:05:17,813 --> 00:05:19,413 Speaker 4: to a time and place. And if you're new to them, 109 00:05:19,453 --> 00:05:21,333 Speaker 4: I think that new way brit pops thaying they do 110 00:05:21,373 --> 00:05:23,493 Speaker 4: it really well. So that's a good one to get 111 00:05:23,493 --> 00:05:25,013 Speaker 4: in on. I mean over, I'm going to give it 112 00:05:25,013 --> 00:05:25,773 Speaker 4: a seven out of ten. 113 00:05:25,933 --> 00:05:27,613 Speaker 3: Okay, seven out of ten. We'll have a bit more 114 00:05:27,653 --> 00:05:29,093 Speaker 3: of a listener in a couple of minutes. Thank you 115 00:05:29,213 --> 00:05:32,333 Speaker 3: very much to Stelle Pleasure, it is stale. Clifford Our 116 00:05:32,413 --> 00:05:35,373 Speaker 3: Music Review ejected that song sounds like early David Bowie. Yes, 117 00:05:35,533 --> 00:05:37,773 Speaker 3: I think this is very much by a design, so 118 00:05:37,813 --> 00:05:40,733 Speaker 3: you're not the only one to notice that little connection. 119 00:05:40,813 --> 00:05:42,253 Speaker 3: And if you like a bit of early Bowie, then 120 00:05:42,293 --> 00:05:44,173 Speaker 3: you'll probably like a little bit of Pulp as well. 121 00:05:44,253 --> 00:05:45,973 Speaker 3: So we'll pick out a good song to play in 122 00:05:45,973 --> 00:05:46,733 Speaker 3: a couple of minutes. 123 00:05:47,693 --> 00:05:50,813 Speaker 1: For more from Saturday Morning with Jack Tame, listen live 124 00:05:50,893 --> 00:05:53,693 Speaker 1: to news talks that'd be from nine am Saturday, or 125 00:05:53,773 --> 00:05:55,693 Speaker 1: follow the podcast on iHeartRadio.