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Speaker 1: Welcome along to the podcast how's your holiday going?

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Speaker 2: How's your holiday? Do you remember when the Irish touring

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Speaker 2: traveling family were getting about There's a guy that waited.

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Speaker 2: They were getting about in Bunning's hats. That's where I

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Speaker 2: go for all of my supplies. And they were not

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Speaker 2: try for something. It's like public nuisance or lettering or something.

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Speaker 2: They were they were lettering. Yeah, and then they came

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Speaker 2: out and there was just some battler standing outside the

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Speaker 2: courtroom with his phone wristed on his gut gun.

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Speaker 3: How's your holiday?

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Speaker 2: Mine's going about as good as theirs? Was the second

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Speaker 2: most popular podcast we did in the calendar year twenty

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Speaker 2: twenty five. Was featured dear friends of the show, Matt

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Speaker 2: Heath you may remember him, and he came into fire Mesh. Yeah,

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Speaker 2: it was messhes last year.

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Speaker 1: Let's have a listen number two?

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Speaker 3: That is what the list Keep busy, bro, how does

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Speaker 3: it go? I don't know how to do it?

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Speaker 1: Good?

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Speaker 4: There's something before let's do something. It doesn't it start music?

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Speaker 2: You all of the si.

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Speaker 3: Let's get busy? How do you?

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Speaker 4: Doesn't it start with some music and then we.

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Speaker 1: Go, let's get and then we go Okay, okay, okay,

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Speaker 1: there we go.

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Speaker 5: Let's get buzzard that again.

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Speaker 2: But that was when do we come in?

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Speaker 3: And then as soon as he goes bus the music

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Speaker 3: comes in and then.

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Speaker 2: We go, oh yeah, I'll just follow you. Okay, good.

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Speaker 3: We go.

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Speaker 1: We need to wait for the music before we do

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Speaker 1: the Oh yeah, right, so does it have a few

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Speaker 1: beats and it goes here goes Oh yeah, just like

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Speaker 1: riding a bike.

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Speaker 5: Yes, just like writing it again, because I've also got

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Speaker 5: to come in on the right note on the music

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Speaker 5: as well.

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Speaker 6: Go by.

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Speaker 1: It's Friday, the twenty eighth of March twenty twenty five.

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Speaker 1: Special guest on the podcast mad Heath Maddie Stewart's here.

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Speaker 1: She's last podcast.

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Speaker 5: Oh yeah, oh yeah, no, great to be here. And

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Speaker 5: can I just on the roses I gave you? Can

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Speaker 5: I just have a warning they've got prickles.

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Speaker 3: Yes, I've already taken one off.

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Speaker 4: I gave him ten read roses and I pricked myself,

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Speaker 4: is it tin?

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Speaker 3: There?

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Speaker 2: What is tin?

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Speaker 4: I'm just making that out.

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Speaker 3: Okay, let's count of look like tender one? There is?

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Speaker 4: I asked for tin, you got ten asked for tin?

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Speaker 5: But I don't know what the meaning of ten, you'd

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Speaker 5: know Jarry because you used to make those awesome bouquets

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Speaker 5: and you'd give them names.

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Speaker 1: Yes, so I did, but I didn't often work with

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Speaker 1: red roses or roses.

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Speaker 3: I didn't.

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Speaker 1: I normally worked with lilies and chrysanthemums, aga panthers, never

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Speaker 1: an aga panther.

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Speaker 2: Do you build a.

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Speaker 4: Based around it? Because when I just got raw, I

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Speaker 4: feel like a raw dog.

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Speaker 5: Those that bouquet to you mesh because I think you

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Speaker 5: need to build some other kind of foliage around it

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Speaker 5: for it to really work well.

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Speaker 1: What the red roses say is that I love you

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Speaker 1: and I want to make love to you. That's what

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Speaker 1: red roses say, so.

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Speaker 4: That a message got through themselves.

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Speaker 1: They say I just want to fuck you.

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Speaker 4: Yeah right, as long as they got through yeah so, But.

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Speaker 1: If you put other flowers around it, it complicates the message, right,

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Speaker 1: complict it.

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Speaker 2: But what I would say is they wrapped in twine

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Speaker 2: and brown paper, which is quite an aggressive I want

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Speaker 2: to make love to you, in my books.

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Speaker 4: Is to say unprotected.

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Speaker 3: Yeah, that's what it feels like. I think maybe we're

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Speaker 3: going out today at some point and no doubt.

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Speaker 5: Yeah, so to you getting squeezed like you hurting yourself

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Speaker 5: on the prickles. That says unprotected sex, doesn't it. So

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Speaker 5: the message is clear and the messages every rose has

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Speaker 5: its thorn.

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Speaker 1: And I think that's a nice message to give a

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Speaker 1: twenty five year old as he goes to work with Gulane,

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Speaker 1: because you know, you might think Julane is a rose.

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Speaker 1: But I'll tell you what, that rose has got some thorns.

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Speaker 5: I like to look at it a different way, Jimmy.

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Speaker 5: I like to I like to think every thorn has

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Speaker 5: its rose.

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Speaker 4: See, that's beautiful, and that's why we miss you. Yeah,

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Speaker 4: I like to go the other way.

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Speaker 3: It's a glass halful approach to the rose before.

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Speaker 4: It doesn't work in the case of Gulane.

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Speaker 1: I think every thorn has more thorns would be the situation. Yeah,

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Speaker 1: once you get under the no, that's a good thing

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Speaker 1: about a gorse bush. You see it, you know it's

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Speaker 1: a gorse bush, and you stay the funk away from us.

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Speaker 1: You know you're give it a you give it a

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Speaker 1: white birth, whereas the rose lures you in.

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Speaker 4: Same with a BlackBerry bush.

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Speaker 2: That will lure you in with berries.

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Speaker 5: With the berries, a lot of drunk people have gone

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Speaker 5: in for berries and ended up wrapped up in thauns.

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Speaker 1: Yeah, where's Glane. You just see that bloody horrific big

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Speaker 1: gorse washing and say I'm not going anywhere near that.

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Speaker 3: Well, there's warnings.

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Speaker 5: It's just like you can if you get embroiled with

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Speaker 5: Gla and that's your own fault, you fence, you've stripped

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Speaker 5: off and jumped into some gorse.

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Speaker 3: Basically, the horse.

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Speaker 1: Was originally brought over here as a fence stop you

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Speaker 1: from going, and that's exactly what Lane does.

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Speaker 2: It's like in nature, they'll always give you a warning,

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Speaker 2: like a brightly colored frog is often poisonous. And when

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Speaker 2: you hear or see Glaan and you'll be like, steer

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Speaker 2: clear of him. He's probably poisonous. He's a fence. He's

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Speaker 2: an offensive fence. But I think you'll go, well there,

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Speaker 2: I think you'll fit in. It's not like it's an

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Speaker 2: unknown quantity.

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Speaker 3: Do you know what I'm excited about.

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Speaker 2: I grew up.

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Speaker 3: I remember when the sec fist started. It was when

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Speaker 3: I first started taking you know.

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Speaker 4: Drugs, acid, yes, and sick days also sick days, sleeping,

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Speaker 4: started taking notice of what was going on around the place.

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Speaker 3: It feels quite bizarre to be a part of it now,

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Speaker 3: Like I remember you guys. It's quite strange that it's

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Speaker 3: the same ACC because you would have been fifteen or fourteen.

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Speaker 3: First started fifteen when you guys have out that caravan

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Speaker 3: for the first time. So who was that at the

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Speaker 3: time that you guys had it would have been was

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Speaker 3: mana Were you working at Radio Hadeki at that time?

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Speaker 3: On that now prim night that's prim and easy. So

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Speaker 3: it was you guys, and then it was Lee Hart

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Speaker 3: was involved a Ford, Yeah, Lee Baker.

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Speaker 2: Yeah, Leehart, Jace Lee Hart and Jace, Terry Salamanderman And

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Speaker 2: that's it.

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Speaker 4: All those people are still involved, don't they.

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Speaker 3: Yeah? Sweet?

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Speaker 4: Yeah, So you haven't got rid of anyone.

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Speaker 3: That's good.

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Speaker 1: No, it's like Hotel California. You can you can check

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Speaker 1: out anytime. You were like, but you can't leave.

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Speaker 7: I was.

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Speaker 5: I was in a meeting the other day and someone

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Speaker 5: was an a SEC fan but they'd worked with Paul

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Speaker 5: Stuart Ford and and then one day, like after all

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Speaker 5: these years, they just were in a meeting and they went.

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Speaker 4: You're not the fucking Paul Ford on the ACC, are you?

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Speaker 3: Wow?

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Speaker 4: That would have been amazing because he's quite so he.

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Speaker 5: Was a fan but he could he was working with Paul,

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Speaker 5: but he could never put the two personalities together because

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Speaker 5: Paul was.

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Speaker 2: Such a superstar.

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Speaker 3: He's a high powered operator.

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Speaker 5: Doctor Jekyll missed the Hyde situation, you know, operating in

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Speaker 5: plain sight of the world.

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Speaker 3: Yeah. I think that happens quite a lot though than this,

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Speaker 3: because you you ham up to whatever you lean into

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Speaker 3: or whatever. Like, I remember people quite often because when

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Speaker 3: you're on the show, especially meeting Ninety percent of my

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Speaker 3: job was just being a psarchiastic fuck in the corner,

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Speaker 3: and then you'd meet people and they'd be like, oh,

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Speaker 3: you're actually quite nice, okay, sweet, and yeah, well this

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Speaker 3: is kind of how it goes. But Paul Ford is

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Speaker 3: a great example because he's a high level individual.

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Speaker 7: Hi.

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Speaker 1: That just reminds me remember when we had you on

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Speaker 1: the chod table, because I think Banga was pushing the buttons,

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Speaker 1: that's the and we had Meshi was learning how to

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Speaker 1: press the buttons, but we didn't want them getting too

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Speaker 1: close to the show.

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Speaker 3: I think that was what it was.

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Speaker 1: So you're allowed to be on a chow table inside

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Speaker 1: the studio. Do you have your own microphone as well?

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Speaker 3: At the show? I think we might up because of

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Speaker 3: Mike set up here.

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Speaker 1: Yeah, and you were just behind being on this weird

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Speaker 1: little metal table.

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Speaker 3: No table.

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Speaker 5: I remember when we were negotiating the percentage that you

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Speaker 5: were taught, and we floated like five percent, and then

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Speaker 5: Texas was like, I think two percent has a been

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Speaker 5: another just.

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Speaker 3: To start with, Well, there were allegations two percent of

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Speaker 3: the timeline. There were allegations after a while that there

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Speaker 3: might have been an eighteen percent show, and that was a.

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Speaker 4: Disaster, was too much.

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Speaker 3: I also got a text last night from someone and

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Speaker 3: it was about a time where and I had actually

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Speaker 3: minister e raise it from my memory, but when I

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Speaker 3: was single at the time, I'd gone through a breakup

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Speaker 3: after I'd moved up here from Crash.

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Speaker 4: So Lauren didn't have a boyfriend for a while. Whatn't

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Speaker 4: someone bloody.

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Speaker 3: About that? This was before I met Lauren.

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Speaker 4: Thankfully, Actually, now I think about it, I don't think

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Speaker 4: there was a bit Monday, and I.

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Speaker 3: Remember it might have been a bit, and I remember

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Speaker 3: we was even fucking going with that. I got districted.

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Speaker 3: You didn't have a girlfriend, and I remember you guys,

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Speaker 3: you were worried about the fact that I was going

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Speaker 3: out on the weekends on my own and you were

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Speaker 3: embarrassed about the fact that there might be someone broadcasting

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Speaker 3: on your show that perhaps had an STI and you

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Speaker 3: and you said that it's not it's not fear on

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Speaker 3: the listeners to be at risk of being infected. So

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Speaker 3: every time you speak, you please ring a doorbell and

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Speaker 3: then repeat unclean, unclean, and clean three times before speaking.

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Speaker 3: That's right. And then I think that evolved into the doorbell.

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Speaker 3: There was about a year there, ye.

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Speaker 5: When we were trying to manage and get out, well,

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Speaker 5: we started kicking you out of the studio because I

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Speaker 5: had to ring the doorbell to come out. Yeah, yeah, yeah,

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Speaker 5: and you come welco because we were actually educating you

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Speaker 5: and broadcasting and you there's a line in broadcasting that

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Speaker 5: you know, long term broadcasters like us. I think Jerry's

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Speaker 5: had fifty years in the business or something, you.

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Speaker 4: Know the line.

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Speaker 5: And you didn't know the line, so you're he was

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Speaker 5: often going over the line. Yeah, and we had to

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Speaker 5: and so we had to kick him out. You're arguing me, Yeah,

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Speaker 5: that was you.

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Speaker 3: Me arguing me. Yeah, yeah, you you were. You're getting

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Speaker 3: me to scrub the deck of our podcast for a while,

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Speaker 3: which just or slam and focused.

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Speaker 4: So Edmond focused?

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Speaker 1: Have you got the have you got that? The collection

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Speaker 1: of people giving messages to your mesh farewell messages?

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Speaker 3: Let me have a look. Got that on the wall anyway,

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Speaker 3: put it on there. I like to hear that.

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Speaker 1: There's some, there's some, there's some great missas. There's one

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Speaker 1: particularly from the notorious pants Man Joel Harrison, which covers

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Speaker 1: off some really important.

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Speaker 4: Oh god, lest we forget the notorious.

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Speaker 3: Do you know that his message was the closest I

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Speaker 3: got the hearing up on today? Same here. I don't

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Speaker 3: know why that the Pantsman has never said anything that.

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Speaker 4: Just throw them out when you leave Mesh. Don't worry

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Speaker 4: about that.

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Speaker 3: What one is this? What are you showing me?

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Speaker 4: Dark blue?

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Speaker 3: Okay? Thanks? Ready, all right, there's this one here. Shall

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Speaker 3: we skip through the other ones and just get to

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Speaker 3: the pants.

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Speaker 2: Karen read first.

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Speaker 3: Congratulations on completing the internship, mate, Jesus.

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Speaker 4: Probably the longest internship of I've seen five years.

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Speaker 2: Very impressive or maybe not so impressive, But anyway.

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Speaker 1: Mate, I know you're going to take all these lessons

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Speaker 1: and go well on that next chapter for you, mate,

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Speaker 1: So enjoy that been good to see you finally got

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Speaker 1: to see the real mash in the last week, the

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Speaker 1: juggler and unicyclist.

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Speaker 3: So mate, all the best, go well.

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Speaker 8: Hi guys, Lasim of Gold is here. Look, I just

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Speaker 8: wanted to ring and this isn't ringing, and this is

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Speaker 8: a voice recording. I just wanted to send a voice

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Speaker 8: recording into wish Mesh. You're the very best of luck

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Speaker 8: and it's next Endeavors. I think he's making a massive mistake.

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Speaker 8: But that's neither here nor there. Mashie. We love you,

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Speaker 8: you know, I particularly love you seeing as you look

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Speaker 8: so much like my husband. But go well, my friends,

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Speaker 8: everything you want it to be. You've done a great

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Speaker 8: job with Matt and Jerry and now Jerry and Maniah.

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Speaker 8: You're a good human. Still look a lot like my husband.

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Speaker 8: But anyway, that's neither here. Wanted to go well, Mesh,

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Speaker 8: that's a love er.

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Speaker 6: Mashi Diahim when he had wade to Town Primary School,

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Speaker 6: just wanted to say cond greats on your last day. Mate.

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Speaker 6: I knew from the minute I saw you with Click

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Speaker 6: me as a sort of mid forties guy, you as

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Speaker 6: a young twenty year old boy really coming into your

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Speaker 6: own you know, I just wanted to climb in like

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Speaker 6: a curtain and be a mate and mat twe became.

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Speaker 6: And it's beautiful to see You've been under the wing

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Speaker 6: of Radio had Aki, the acc every time you've delivered.

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Speaker 6: That's why they call you the dairy as a postman.

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Speaker 7: Hey, Yido Mashi, it's the notorious pants man Joel Harrison here. Look,

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Speaker 7: I just wanted to congratulate you, mate, on a great

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Speaker 7: career you've had so far at Radio Hodarchy six years,

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Speaker 7: only twenty five, majority of that time in the hot

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Speaker 7: seat on breakfast as well. It's a pretty cool accomplishment.

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Speaker 7: A lot of people would kill for that job.

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Speaker 3: You've earned it as well. You kill it every single.

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Speaker 7: Day and I'm looking forward to seeing what's next for you.

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Speaker 7: I'll always cherish those moments we had together at hod Aki.

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Speaker 7: I mean, you think back to the bamboo tiger bed,

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Speaker 7: you think back to gravy, you think back to the

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Speaker 7: Ajax Paatel ten wickets create day Jeremy Wells. How you

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Speaker 7: think of all those crimes you committed and the didneed and.

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Speaker 3: Be fast last year? What a time it was, mate.

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Speaker 3: I wish it could be with you celebrating tonight.

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Speaker 7: Watch out pray go watch out for those cubicles round

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Speaker 7: pomps and be watch out.

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Speaker 3: Caro'd love you, Mashie, all the.

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Speaker 9: Best, Massie Ben Hurley here. Look, we're going to miss

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Speaker 9: you very very much. You are very much a part

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Speaker 9: of all of our lives. I just remember this very pale,

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Speaker 9: slightly chubby country boy coming to the big city with

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Speaker 9: stars in his eyes and a cardboard suitcase and a

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Speaker 9: heart full of dreams, and soon enough you were just

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Speaker 9: all a part of the furniture. And I remember, you know,

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Speaker 9: one time, dancing till to Jimmy Barnes after the Pie

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Speaker 9: Awards until dawn, and then you went home with some

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Speaker 9: girl called Lauren, leaving me there like Cinderella. Just so

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Speaker 9: many good times. You producing the Mad Monday podcast out

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Speaker 9: every Wednesday these days, and you know me there in

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Speaker 9: the morning when I've been filling in on the Hodaky Breakfast.

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Speaker 9: So you know, I just feel like we've shared so

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Speaker 9: much and I'm so close to you, but you know

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Speaker 9: we've shared all that. I still have absolutely no idea

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Speaker 9: what your real name is.

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Speaker 3: Mashy, my boy.

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Speaker 5: Congratulations on one now of a shift pushing the buttons

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Speaker 5: on the hood.

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Speaker 3: Ducky breakfast mate. I don't know how you've done it.

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Speaker 9: Put up with Jerry Wells, Matt Heath and now min

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Speaker 9: I a shield for so bloody long and even me

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Speaker 9: pisting year drums for the odd week here and there.

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Speaker 3: Love your work mate.

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Speaker 2: Hopefully in the new role that you're going into, they

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Speaker 2: teach you how to one scull of campus and two

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Speaker 2: pull them off, mate, keep.

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Speaker 3: It on, go well to on.

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Speaker 4: It's unfair to say that you couldn't pull them up.

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Speaker 3: I think a previous voicemail there I proved that you could.

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Speaker 4: Yeah, yeah, shout out to the Laura on my goldtrip.

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Speaker 4: By the way, there was the one before that. Oh yeah,

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Speaker 4: anyway was it Candy, Oh Candy? Yeah, yeah yeah.

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Speaker 3: The message in there though that I agree with you

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Speaker 3: on Laura. The old that's going to cause an issue

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00:15:03,400 --> 00:15:06,160
Speaker 3: as old as I'm not sure why pants Man felt

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Speaker 3: like you had to have such a direct and intentional

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Speaker 3: throwback to Gravy for some reason. I think Gravy just

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Speaker 3: that he threw that away beautifully.

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Speaker 4: And we've had some great times on the bed at Bamboo,

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Speaker 4: We've had some great times. Pamboo Tiger, it.

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Speaker 3: Was a go to for Yeah, we had a couple

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Speaker 3: of seasons at Bamboo Tiger. There are a couple of

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Speaker 3: seasons there.

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Speaker 1: Well, it came off the back of our to Your

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Speaker 1: Face Off specials. We'd often go to Your Face Off,

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Speaker 1: specially on a Friday, and then you know, you'd immediately

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Speaker 1: start thinking, oh jeez, it's the dance falls ok, and.

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Speaker 5: The Natroy's Pantsman. Being a member of the d Auckland

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Speaker 5: dance community, didn't have had any ends.

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Speaker 4: All we never ended up was that.

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Speaker 3: I've just found it.

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Speaker 10: It's time for Matt and Jerry's to Your Face Off Fridays.

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Speaker 10: This is where we put songs that have been submitted

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Speaker 10: by you to the panel, all with the aim to

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00:16:04,800 --> 00:16:10,000
Speaker 10: make the official to your Face Off fails. You can

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Speaker 10: submit songs for future episodes by sliding into the Matt

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Speaker 10: and Jerry Show in box or email us at Matt

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Speaker 10: and Jerry at yahoo dot com, search radio how Rocky

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Speaker 10: on the songs that have made the cards so far,

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00:16:26,240 --> 00:16:28,760
Speaker 10: so long's that.

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Speaker 3: Was the first thing you've ever made? That was the

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Speaker 3: first thing.

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00:16:31,960 --> 00:16:33,360
Speaker 1: It was the first thing you've ever made, and it

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Speaker 1: was so long?

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Speaker 4: Can I can I bring the whole chap around to me?

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Speaker 3: Please do it?

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00:16:37,160 --> 00:16:38,800
Speaker 4: No, please do do you know what I've missed.

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Speaker 5: Most so I've lift d It's it's you guys, But

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Speaker 5: it's also how do I put this baby belly? Floroughly

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Speaker 5: miss baby them? And I think man I would probably

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Speaker 5: know the manirahs in the and the bis seat really

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Speaker 5: and there we go.

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Speaker 1: Yeah said they don't have a baby belly up at news.

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Speaker 4: No, we're on the We're up in the air. I

377
00:17:02,360 --> 00:17:03,160
Speaker 4: actually up in the air.

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Speaker 2: I actually arranged this for Mesh's last day for the

379
00:17:05,520 --> 00:17:08,080
Speaker 2: podcast Little Special podcast Traders are cooking a couple of

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Speaker 2: babes into the alley, please be honest.

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Speaker 1: Belly has really been firing in the last Yeah, a

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Speaker 1: couple of weeks particularly.

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Speaker 4: See it's because because you, Mesh, like you.

384
00:17:18,040 --> 00:17:19,879
Speaker 5: When I was here, you'd see me look up and

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00:17:19,920 --> 00:17:21,840
Speaker 5: then your head would whip around at such a pace

386
00:17:22,440 --> 00:17:27,000
Speaker 5: that Jeremy talking about something and then or I'd be

387
00:17:27,000 --> 00:17:28,360
Speaker 5: talking about something and I'd stopped talking.

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Speaker 4: I'll be looking out the window and then mashing it.

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00:17:31,800 --> 00:17:34,080
Speaker 4: It was like mere cats. Everything froze and.

390
00:17:34,119 --> 00:17:36,080
Speaker 3: Then mid break, Jury's out there floundering on his own

391
00:17:36,119 --> 00:17:38,399
Speaker 3: because we having a perb out the window here, I.

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00:17:38,560 --> 00:17:40,960
Speaker 1: Like God, desperately seeking Susan out here that we've.

393
00:17:40,840 --> 00:17:45,600
Speaker 2: Got drop something off peacock. I I'm liking it so

394
00:17:45,760 --> 00:17:47,520
Speaker 2: particularly in the three seats that we're sitting in the

395
00:17:48,280 --> 00:17:50,720
Speaker 2: heath at the moment in mesh, it's like the clowns

396
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Speaker 2: at the carnival with the mouth open.

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Speaker 4: I even missed the non babes from Baybelly. Actually, you

398
00:17:58,040 --> 00:17:59,400
Speaker 4: know you do this once.

399
00:17:59,480 --> 00:18:01,479
Speaker 5: You see every at certain times and they're like your

400
00:18:01,520 --> 00:18:04,040
Speaker 5: little your little sad little vaping friends.

401
00:18:04,119 --> 00:18:07,359
Speaker 2: We have given them all, don't know.

402
00:18:08,960 --> 00:18:13,480
Speaker 4: Oh, here we go a couple of as.

403
00:18:12,680 --> 00:18:14,080
Speaker 2: Our bosses bosses.

404
00:18:18,160 --> 00:18:19,200
Speaker 3: You away from a microphone.

405
00:18:19,200 --> 00:18:22,119
Speaker 5: I'm in a bit of trouble for where for When

406
00:18:22,200 --> 00:18:24,760
Speaker 5: me and and I are won the Super Bowl film,

407
00:18:25,040 --> 00:18:27,840
Speaker 5: I decided to go and fall z b regalia, you

408
00:18:27,920 --> 00:18:31,520
Speaker 5: know merch, and then I celebrated by just drinking out

409
00:18:31,560 --> 00:18:34,240
Speaker 5: of the the you know, about eight cans of beer

410
00:18:34,320 --> 00:18:36,320
Speaker 5: out of the trophy and pouring.

411
00:18:36,160 --> 00:18:38,200
Speaker 2: It right down the front, destrimental to the brand.

412
00:18:38,240 --> 00:18:40,640
Speaker 4: Apparently it's not on brand for Really, it's because it's

413
00:18:40,680 --> 00:18:43,960
Speaker 4: on brand for its brand for me, and it's on

414
00:18:44,080 --> 00:18:46,520
Speaker 4: brand for the A C. C. Apparently not on brand

415
00:18:46,600 --> 00:18:48,720
Speaker 4: for a lot of beer down your front.

416
00:18:48,760 --> 00:18:51,240
Speaker 1: Would thought there's some drinkers out there.

417
00:18:52,040 --> 00:18:55,399
Speaker 3: Surely wine Like maybe it would have been more appropriate

418
00:18:55,440 --> 00:18:58,560
Speaker 3: if you just box wind it. You know that if

419
00:18:58,600 --> 00:19:00,679
Speaker 3: you just goooned it, if just getting it, if youre

420
00:19:00,680 --> 00:19:01,960
Speaker 3: guilty of anything, it's not girning.

421
00:19:02,000 --> 00:19:03,679
Speaker 2: I would also say you've now got dirt on your

422
00:19:03,720 --> 00:19:06,920
Speaker 2: boss because he's just wandered up babelly for no good reason.

423
00:19:07,119 --> 00:19:09,240
Speaker 3: Yeah, I see what are you saying? And he operates

424
00:19:09,280 --> 00:19:09,800
Speaker 3: some babelly.

425
00:19:09,800 --> 00:19:11,400
Speaker 4: You're saying he doesn't deserve to be in babelly.

426
00:19:11,920 --> 00:19:13,520
Speaker 3: You have no right to be in babelly.

427
00:19:13,600 --> 00:19:15,560
Speaker 2: Mate, I think we can all agree he's got no right.

428
00:19:16,680 --> 00:19:23,639
Speaker 3: He's doing a bit of a drive by baby. Yeah, God, okay,

429
00:19:23,920 --> 00:19:25,720
Speaker 3: well cannet guy funk off. I don't know what he's

430
00:19:25,720 --> 00:19:26,080
Speaker 3: doing there.

431
00:19:26,080 --> 00:19:28,080
Speaker 2: You get out, Well, there's always a guy out there.

432
00:19:28,160 --> 00:19:30,280
Speaker 2: You need to get to the meshes off.

433
00:19:31,200 --> 00:19:32,320
Speaker 1: You guys have got babelly.

434
00:19:32,359 --> 00:19:34,119
Speaker 3: I've got my own baby belly going on out the

435
00:19:34,240 --> 00:19:34,680
Speaker 3: other window.

436
00:19:34,720 --> 00:19:35,200
Speaker 2: That's not bad.

437
00:19:38,760 --> 00:19:41,439
Speaker 1: I wonder trust rooted a sneak And as soon as

438
00:19:41,440 --> 00:19:43,800
Speaker 1: baby Belly's going off, like when I was.

439
00:19:44,200 --> 00:19:45,720
Speaker 4: When I was working here, I really wanted to get

440
00:19:45,880 --> 00:19:47,960
Speaker 4: at like some kind of intercom out there. So you

441
00:19:48,000 --> 00:19:48,879
Speaker 4: can move people on.

442
00:19:52,400 --> 00:19:55,000
Speaker 1: Walking you were walking occupying space.

443
00:19:55,160 --> 00:19:57,320
Speaker 3: Keep going with the touch of the meshes. Please move

444
00:19:57,400 --> 00:20:02,280
Speaker 3: on anyway, it's this guy here.

445
00:20:02,600 --> 00:20:04,080
Speaker 4: People see in from Baybelly and.

446
00:20:06,480 --> 00:20:09,200
Speaker 3: To find out we could give this lady a wave. Yeah, okay,

447
00:20:09,560 --> 00:20:10,680
Speaker 3: we got no no one's waving.

448
00:20:12,240 --> 00:20:16,440
Speaker 2: I guess yes, they can't see us. No, we don't

449
00:20:16,440 --> 00:20:17,080
Speaker 2: want you to do anything.

450
00:20:18,520 --> 00:20:28,080
Speaker 3: Not Mess two point oh are you too? Fucking's getting uncomfortable.

451
00:20:28,119 --> 00:20:29,920
Speaker 5: Let's a break because someone so much to have told

452
00:20:29,920 --> 00:20:31,400
Speaker 5: me that about ten years ago that they could see

453
00:20:31,440 --> 00:20:31,679
Speaker 5: it here.

454
00:20:31,920 --> 00:20:35,680
Speaker 4: Let's take a break anyway, Let's make it more about Mesh.

455
00:20:35,880 --> 00:20:37,880
Speaker 3: Thanks, and where do you want to start.

456
00:20:37,880 --> 00:20:40,720
Speaker 5: Well, let's start back with a young man who was

457
00:20:41,200 --> 00:20:44,560
Speaker 5: teamed up with a legendary broadcaster going one of the greats.

458
00:20:45,720 --> 00:20:49,240
Speaker 5: You know what a way to cut your teeth in broadcasting,

459
00:20:49,920 --> 00:20:54,000
Speaker 5: fain Curd. I mean, if you've got a young guy,

460
00:20:54,400 --> 00:20:56,680
Speaker 5: you know who's come up from the South Island, he's

461
00:20:56,720 --> 00:20:59,520
Speaker 5: got dreams, he's he's done very well at broadcasting school,

462
00:20:59,640 --> 00:21:01,920
Speaker 5: very well whenever you talk to it. And they knew

463
00:21:01,960 --> 00:21:05,240
Speaker 5: that Mess was the star just was. He was great

464
00:21:05,280 --> 00:21:07,360
Speaker 5: on the min and they thought we need to put

465
00:21:07,440 --> 00:21:10,159
Speaker 5: him with the best of the absolute best. You know,

466
00:21:10,280 --> 00:21:11,920
Speaker 5: you could just put him with some useless piece of

467
00:21:11,960 --> 00:21:14,400
Speaker 5: ship that's got fired from everywhere he's work, and thank

468
00:21:14,440 --> 00:21:18,240
Speaker 5: god they didn't. You could do that like like you know,

469
00:21:18,800 --> 00:21:20,600
Speaker 5: less of people would have done that, less of people

470
00:21:20,600 --> 00:21:22,320
Speaker 5: would have but but no, they put you with an

471
00:21:22,400 --> 00:21:25,200
Speaker 5: absolute legend the crap.

472
00:21:27,840 --> 00:21:29,840
Speaker 3: And then I worked there and then thank god for

473
00:21:29,960 --> 00:21:31,359
Speaker 3: Gelane yanking me off that thing.

474
00:21:31,600 --> 00:21:34,880
Speaker 4: Yeah, for Glane yanking you off at what about?

475
00:21:35,440 --> 00:21:37,560
Speaker 1: So you remember that that first gig that you had

476
00:21:37,600 --> 00:21:41,399
Speaker 1: the Radiohatockie where you were working with that broadcasting Lenjard

477
00:21:41,840 --> 00:21:42,800
Speaker 1: Dane Kirby and.

478
00:21:43,080 --> 00:21:45,359
Speaker 2: Brought in to replace me when I got sacked my

479
00:21:45,760 --> 00:21:46,080
Speaker 2: sack and.

480
00:21:46,200 --> 00:21:50,359
Speaker 4: I that's the fucking irony of the whole thing. I

481
00:21:50,480 --> 00:21:51,800
Speaker 4: forgot about that piece of the.

482
00:21:52,720 --> 00:21:55,280
Speaker 1: Just the full circle, so the circles being completed.

483
00:21:55,800 --> 00:21:56,320
Speaker 9: So what.

484
00:21:58,000 --> 00:21:59,639
Speaker 4: What was wrong with Manya?

485
00:21:59,760 --> 00:22:01,760
Speaker 5: Then that isn't wrong with him now, it's not like

486
00:22:01,800 --> 00:22:05,280
Speaker 5: he's got better, It's not like we haven't learned more

487
00:22:05,280 --> 00:22:06,359
Speaker 5: about Manyah.

488
00:22:06,160 --> 00:22:07,560
Speaker 3: Love, I've regressed if anything.

489
00:22:08,040 --> 00:22:14,280
Speaker 1: But now yeah, well that's the Yeah, that's actually you're right.

490
00:22:14,400 --> 00:22:18,040
Speaker 1: So if I wonder if Maniah, so I'm going back

491
00:22:18,080 --> 00:22:20,240
Speaker 1: because The reason that Matt and I started was because

492
00:22:21,920 --> 00:22:25,520
Speaker 1: Ian Stables punched a person in the face at a

493
00:22:25,840 --> 00:22:28,600
Speaker 1: chicken on the way going a Jetstar employee on the

494
00:22:28,640 --> 00:22:30,560
Speaker 1: way at an airport, and he was meant to be

495
00:22:30,600 --> 00:22:32,400
Speaker 1: coming doing the Hdocky Drive Show.

496
00:22:32,440 --> 00:22:34,040
Speaker 2: That was the flight to come and do this show.

497
00:22:34,520 --> 00:22:36,600
Speaker 1: It was at the Sunday night and he was meant

498
00:22:36,600 --> 00:22:38,720
Speaker 1: to do it on the Monday afternoon, the first Drive Show.

499
00:22:38,760 --> 00:22:40,280
Speaker 1: He's signed a contract, everything done.

500
00:22:40,520 --> 00:22:42,560
Speaker 4: And then it was just a but in the contract

501
00:22:42,600 --> 00:22:44,240
Speaker 4: about putting the company into distribute.

502
00:22:44,440 --> 00:22:47,720
Speaker 1: Heired before he even did a show, which is remarkable.

503
00:22:47,960 --> 00:22:50,560
Speaker 1: Matt got called and to do that show, and then

504
00:22:50,640 --> 00:22:52,879
Speaker 1: blah blah blah dah. We ended up doing breat and

505
00:22:52,960 --> 00:22:56,400
Speaker 1: then Matt started doing Breakfast with me. I was brought

506
00:22:56,440 --> 00:23:00,080
Speaker 1: into a that situation. Now, Maniah, you were doing the

507
00:23:00,160 --> 00:23:02,600
Speaker 1: Drive Show and then fired.

508
00:23:02,880 --> 00:23:05,640
Speaker 4: And I came in to do one of those weird

509
00:23:05,680 --> 00:23:06,280
Speaker 4: prime jobs.

510
00:23:06,400 --> 00:23:09,280
Speaker 2: I was doing promos out there and Joe Jury and I.

511
00:23:09,359 --> 00:23:10,680
Speaker 2: This was back in the day when you used to

512
00:23:10,720 --> 00:23:12,879
Speaker 2: talk about how you were on a registry and you

513
00:23:12,960 --> 00:23:15,840
Speaker 2: were allowed to be sent tramadoles and then immediately a

514
00:23:15,920 --> 00:23:18,560
Speaker 2: million people would send tramadols into the studio and as

515
00:23:18,600 --> 00:23:21,159
Speaker 2: a service to you, Joe and I would steal those tramadoles.

516
00:23:21,440 --> 00:23:23,440
Speaker 2: We'd pull the lazy boys up to our desk on

517
00:23:23,520 --> 00:23:26,000
Speaker 2: a Friday afternoon and have tram me Fridays.

518
00:23:26,080 --> 00:23:28,639
Speaker 4: So that's a real service because I do have a

519
00:23:28,720 --> 00:23:33,399
Speaker 4: problem with prescription jokes. So that wasn't great for hoteching productivity,

520
00:23:33,440 --> 00:23:35,600
Speaker 4: but it was great for my drug addiction.

521
00:23:35,760 --> 00:23:37,480
Speaker 2: We did that for you and on a Monday morning

522
00:23:37,520 --> 00:23:39,040
Speaker 2: you come in and read the emails you send on

523
00:23:39,080 --> 00:23:39,840
Speaker 2: a Friday afterday.

524
00:23:39,880 --> 00:23:41,000
Speaker 3: But what the fuck was that?

525
00:23:41,720 --> 00:23:46,159
Speaker 2: And then when Jace lift, I sat closest to the door,

526
00:23:46,240 --> 00:23:48,080
Speaker 2: so they brought me into the air. Yeah, right, And

527
00:23:48,160 --> 00:23:50,399
Speaker 2: then they sacked me for a bit of broadcaster.

528
00:23:50,160 --> 00:23:52,480
Speaker 1: And then they bought k Then they brought Kirby on, yes,

529
00:23:52,680 --> 00:23:55,000
Speaker 1: and then so but what I'm saying is if it

530
00:23:55,119 --> 00:23:57,200
Speaker 1: wasn't for the series events where you were taking the

531
00:23:57,280 --> 00:24:01,199
Speaker 1: tramadoles and then really found your voice through that tremadol addiction,

532
00:24:01,840 --> 00:24:03,320
Speaker 1: through taking that and through.

533
00:24:03,200 --> 00:24:06,560
Speaker 5: The lovely people of Hadaki that were trying to continue

534
00:24:06,600 --> 00:24:08,680
Speaker 5: that addiction by sending their excess tremadol so much is

535
00:24:08,720 --> 00:24:10,000
Speaker 5: beautiful thing to do, isn't it.

536
00:24:10,160 --> 00:24:12,280
Speaker 3: Yeah, and then if you.

537
00:24:12,320 --> 00:24:14,720
Speaker 1: Weren't fired, and then thank Kirby didn't arrive, then what

538
00:24:14,920 --> 00:24:17,280
Speaker 1: would Mash have ever been put on as his.

539
00:24:18,520 --> 00:24:20,320
Speaker 2: No, because I would have no, because I would have

540
00:24:20,359 --> 00:24:24,520
Speaker 2: made sure that Mash was let go. Yeah, and so

541
00:24:24,680 --> 00:24:26,880
Speaker 2: that's he never would have been brought on as a producer.

542
00:24:26,920 --> 00:24:29,800
Speaker 2: And at that point then he so that that started

543
00:24:29,920 --> 00:24:32,040
Speaker 2: that year, Domino.

544
00:24:31,760 --> 00:24:33,600
Speaker 5: And then and then the reason why Mash ended up

545
00:24:33,640 --> 00:24:35,200
Speaker 5: on our shows because we did a cross with him

546
00:24:36,280 --> 00:24:38,680
Speaker 5: and when you were traveling up and down the country

547
00:24:38,760 --> 00:24:42,040
Speaker 5: for some wounding radio humiliator, that's right, and then we

548
00:24:42,160 --> 00:24:45,520
Speaker 5: got on well on the mic and then we're like, yeah,

549
00:24:45,520 --> 00:24:47,959
Speaker 5: we like that guy, Mashi. So it's all sliding doors, Hey?

550
00:24:48,200 --> 00:24:48,760
Speaker 3: Is that? Why?

551
00:24:49,359 --> 00:24:51,920
Speaker 1: Is that why stories like that are so cool and

552
00:24:52,040 --> 00:24:55,080
Speaker 1: so interesting is because you when you go back and

553
00:24:55,200 --> 00:24:58,719
Speaker 1: you started a particular point, you realize that the connections

554
00:24:58,760 --> 00:25:01,439
Speaker 1: that occur and the events that happen and the randomness

555
00:25:01,480 --> 00:25:05,880
Speaker 1: of this crazy universe are so cool when you look

556
00:25:05,960 --> 00:25:06,520
Speaker 1: back on them.

557
00:25:06,640 --> 00:25:09,639
Speaker 2: But that it gets even crazy because Lane created the

558
00:25:09,760 --> 00:25:12,119
Speaker 2: role of the ACC as a way of bringing me

559
00:25:12,359 --> 00:25:15,399
Speaker 2: back from the mainstream sports media after firing it. Then

560
00:25:15,400 --> 00:25:18,560
Speaker 2: when you left after firing me, Yes, maybe as a

561
00:25:18,600 --> 00:25:21,600
Speaker 2: way of trying to absolve his own guilt. Yes, then

562
00:25:21,640 --> 00:25:23,359
Speaker 2: when you leave cancer at the time, he did have

563
00:25:23,480 --> 00:25:27,240
Speaker 2: cancer at the time, giants on his head. Then you left,

564
00:25:27,640 --> 00:25:30,920
Speaker 2: and then I came in here, thereby freeing up the

565
00:25:31,000 --> 00:25:32,919
Speaker 2: role at the ACC for Mash to go over there.

566
00:25:33,640 --> 00:25:37,480
Speaker 1: Another part of that, if Lane hadn't have got that

567
00:25:37,680 --> 00:25:40,480
Speaker 1: cancer and warn those massive tits on his head, you

568
00:25:40,560 --> 00:25:42,920
Speaker 1: wouldn't have been potentially fired on the first place. Minn

569
00:25:43,119 --> 00:25:46,840
Speaker 1: maybe not, which would have meant that Dane Kirby never

570
00:25:46,880 --> 00:25:48,920
Speaker 1: would have come in, which would have meant that in

571
00:25:48,960 --> 00:25:51,720
Speaker 1: the space time continuum, Mash never would have come into

572
00:25:51,800 --> 00:25:54,520
Speaker 1: that production role, which couldn't have enabled you to then

573
00:25:54,640 --> 00:25:57,320
Speaker 1: go to the ACC, which wouldn't have enabled Mash to

574
00:25:57,359 --> 00:25:59,159
Speaker 1: then come into this role, which wouldn't have enabled you

575
00:25:59,280 --> 00:26:01,960
Speaker 1: to then come into the roll, and then Mesh to

576
00:26:02,040 --> 00:26:03,040
Speaker 1: leave back to the A C C.

577
00:26:03,119 --> 00:26:04,639
Speaker 2: I would have been okay with not been fired though,

578
00:26:04,720 --> 00:26:08,720
Speaker 2: to be fair, Yeah, so I wouldn't have a forklift license.

579
00:26:09,160 --> 00:26:10,520
Speaker 3: So who did it work out well for me? I

580
00:26:10,760 --> 00:26:13,560
Speaker 3: was the winner in that situation. You guys had to

581
00:26:13,600 --> 00:26:16,479
Speaker 3: suck it. Yeah, Yeah, you spent some time at at

582
00:26:16,520 --> 00:26:18,239
Speaker 3: a brewery intimately.

583
00:26:18,080 --> 00:26:20,199
Speaker 2: Around a warehouse for a brewery. Yeah, that's why I've

584
00:26:20,240 --> 00:26:23,280
Speaker 2: got a a forklift license. And I also unloaded ships.

585
00:26:23,359 --> 00:26:23,960
Speaker 3: At the Wolf.

586
00:26:26,200 --> 00:26:27,720
Speaker 1: Who wouldn't want to be a Steve Adore.

587
00:26:29,359 --> 00:26:30,800
Speaker 2: Anyone that does a steved Probably?

588
00:26:31,680 --> 00:26:34,000
Speaker 3: No, that's fair, all right, Well it's been a place. Boys.

589
00:26:34,840 --> 00:26:35,959
Speaker 1: Are you happy where you are now?

590
00:26:36,160 --> 00:26:36,280
Speaker 3: Ah?

591
00:26:36,440 --> 00:26:39,359
Speaker 1: Look because if you aren't there, If you are, then

592
00:26:39,480 --> 00:26:41,520
Speaker 1: all of the events that happened before that, you've got

593
00:26:41,640 --> 00:26:42,560
Speaker 1: to say we're good events.

594
00:26:43,200 --> 00:26:45,760
Speaker 2: I will say, Heath, is there any truth of the

595
00:26:45,800 --> 00:26:47,520
Speaker 2: allegations that all of the people that have left have

596
00:26:47,560 --> 00:26:49,600
Speaker 2: been fired by Jerry? And should I be worried about?

597
00:26:49,920 --> 00:26:52,199
Speaker 2: Maybe my role on this show seemed to be.

598
00:26:52,280 --> 00:26:54,800
Speaker 1: The last I'm the last, I'm the last thing.

599
00:26:55,760 --> 00:26:59,000
Speaker 4: I don't know if I was fired by Jerry, But

600
00:26:59,800 --> 00:27:00,960
Speaker 4: I'm pretty sry I find myself.

601
00:27:01,000 --> 00:27:03,560
Speaker 5: But you never know what's you know, what's lurking in

602
00:27:03,600 --> 00:27:05,840
Speaker 5: the background, you know what kind of Maybe he's a

603
00:27:05,880 --> 00:27:08,280
Speaker 5: bit of a frank undwood of a guy that operates

604
00:27:08,359 --> 00:27:09,159
Speaker 5: behind the scenes.

605
00:27:09,200 --> 00:27:11,800
Speaker 4: And I felt like I left for Zebbie on my

606
00:27:11,840 --> 00:27:12,280
Speaker 4: own volition.

607
00:27:12,440 --> 00:27:15,240
Speaker 5: But maybe maybe what you thought, that's what you're going

608
00:27:15,280 --> 00:27:20,640
Speaker 5: to make people think maybe Jerry was undermining Cybarnett's confidence

609
00:27:21,840 --> 00:27:24,560
Speaker 5: in the background and engineering a spot.

610
00:27:24,320 --> 00:27:24,960
Speaker 3: For me to go to.

611
00:27:25,280 --> 00:27:28,840
Speaker 1: I'm sick of people leaving. Actually, I'm sick of people.

612
00:27:29,080 --> 00:27:31,200
Speaker 1: I'm sick of people leaving. Now I realized as I

613
00:27:31,359 --> 00:27:34,240
Speaker 1: was doing that last break today, I'm like, I'm tearing

614
00:27:34,320 --> 00:27:36,560
Speaker 1: up again. I'm like, I'm sick. I'm sick of tearing

615
00:27:36,680 --> 00:27:37,000
Speaker 1: up again.

616
00:27:37,960 --> 00:27:40,920
Speaker 5: People are always leaving, people always leaving. Gravy she left

617
00:27:41,160 --> 00:27:46,800
Speaker 5: that time. Else gravy, gravy.

618
00:27:46,840 --> 00:27:52,359
Speaker 1: Gravy, the ones, the ones that have cut me up

619
00:27:52,400 --> 00:27:56,200
Speaker 1: the most. And the other one is Mark Clampert. Those

620
00:27:56,280 --> 00:27:57,800
Speaker 1: two are huge losses.

621
00:27:57,920 --> 00:27:59,600
Speaker 4: Mark Clambert, Oh, my huge.

622
00:27:59,400 --> 00:28:05,240
Speaker 1: Losses to the station in many ways, many ways not

623
00:28:05,320 --> 00:28:06,080
Speaker 1: always obvious.

624
00:28:06,240 --> 00:28:09,640
Speaker 5: When the first well with mash leaving, is there now

625
00:28:09,920 --> 00:28:12,280
Speaker 5: sliding door opportunity for Mark Clampett to come down?

626
00:28:14,080 --> 00:28:16,400
Speaker 1: I say, because people brings clamp It up.

627
00:28:16,359 --> 00:28:16,920
Speaker 2: With me a lot.

628
00:28:17,040 --> 00:28:21,800
Speaker 5: It's Ma Clamper, not Mark Clampe. Yeah, no, Ma, I

629
00:28:21,920 --> 00:28:26,760
Speaker 5: have heard about this before, like Grandma clamp the Beverly hillbilly,

630
00:28:28,000 --> 00:28:31,639
Speaker 5: Mark Mark Clampet. But who Mark Clampert is is another

631
00:28:34,080 --> 00:28:37,399
Speaker 5: I'll take that to my grave. Who Mark Clampitt actually

632
00:28:37,520 --> 00:28:41,000
Speaker 5: is so also Banger Left. I sent an apology to Banger.

633
00:28:42,400 --> 00:28:46,000
Speaker 3: Yesterday. You last week you I've got no concept of time.

634
00:28:46,480 --> 00:28:47,719
Speaker 9: What? Uh?

635
00:28:48,200 --> 00:28:52,960
Speaker 4: Well, Sorry for for always making fun of you, for

636
00:28:53,360 --> 00:28:54,080
Speaker 4: enjoying if one.

637
00:28:54,640 --> 00:28:56,120
Speaker 5: Sorry for the time I said it was just a

638
00:28:56,160 --> 00:28:58,880
Speaker 5: stupid slot car set. Sorry for saying that your Ferrari

639
00:28:59,000 --> 00:29:05,240
Speaker 5: jacket looked dumb. Sorry for calling it a precision Yeah, because.

640
00:29:05,040 --> 00:29:06,320
Speaker 3: He was early Formula one, wasn't he?

641
00:29:06,440 --> 00:29:07,120
Speaker 2: Yeah, big time?

642
00:29:07,160 --> 00:29:09,680
Speaker 4: Because now I'm so obsessed with Formula one and I

643
00:29:09,960 --> 00:29:12,640
Speaker 4: fucking totally get it. Yeah, I just needed the key

644
00:29:12,680 --> 00:29:12,880
Speaker 4: we in.

645
00:29:13,120 --> 00:29:14,000
Speaker 3: Do you know the thing about?

646
00:29:14,600 --> 00:29:16,440
Speaker 4: And now the key we in? And I'm happy to

647
00:29:16,480 --> 00:29:18,080
Speaker 4: be a bandwagon jumper and on it.

648
00:29:18,400 --> 00:29:22,360
Speaker 3: But then the reaminations, now you take it now he's out.

649
00:29:22,560 --> 00:29:25,760
Speaker 4: Well, he's going to be in Red bull racing. He's

650
00:29:25,840 --> 00:29:28,120
Speaker 4: still in the race. Do you think I think it's good.

651
00:29:28,320 --> 00:29:30,280
Speaker 5: Let's not get into it. It's ninety percent of the

652
00:29:30,320 --> 00:29:33,880
Speaker 5: talk on news if one. It's the only sport that

653
00:29:34,440 --> 00:29:39,160
Speaker 5: ZB listeners care about. One hundreds insist if you ever

654
00:29:39,240 --> 00:29:39,960
Speaker 5: mentioned if one.

655
00:29:40,040 --> 00:29:40,320
Speaker 3: It's like.

656
00:29:42,160 --> 00:29:45,600
Speaker 4: You mentioned rugby. Yeah, yeah, you mentioned the Warriors.

657
00:29:46,400 --> 00:29:48,200
Speaker 3: Oh yeah, but more than the rugby.

658
00:29:48,400 --> 00:29:52,400
Speaker 1: Yeah, that's fandom, mate, that's actually that rugby doesn't have

659
00:29:52,480 --> 00:29:53,280
Speaker 1: the fandom anymore.

660
00:29:53,520 --> 00:29:56,840
Speaker 5: No, the thing about rugby is, I notice, and this

661
00:29:56,880 --> 00:29:58,360
Speaker 5: is the kind of shit we talked about on the gender.

662
00:29:58,840 --> 00:30:01,360
Speaker 5: It doesn't have the drama. And for sport to be

663
00:30:01,480 --> 00:30:03,600
Speaker 5: really fucking great, it has to have for the personalities

664
00:30:03,680 --> 00:30:06,400
Speaker 5: and the drama and the dynasties and the companies and

665
00:30:06,440 --> 00:30:08,440
Speaker 5: the bad guys and the good guys.

666
00:30:08,680 --> 00:30:10,080
Speaker 4: And what we've tried to do with rugby in New

667
00:30:10,160 --> 00:30:12,480
Speaker 4: Zealand and even League to a certain extent, it's just

668
00:30:12,640 --> 00:30:15,080
Speaker 4: sanitized the ship out of it. But you can't do

669
00:30:15,200 --> 00:30:17,400
Speaker 4: that and IF one because it's just these egos with

670
00:30:17,720 --> 00:30:22,920
Speaker 4: shitloads of money and the nepotism, and there's there's skullduggery

671
00:30:23,320 --> 00:30:28,440
Speaker 4: and and there's fidelity and fidelity. There's favoring high fidelity. Yeah,

672
00:30:28,480 --> 00:30:29,920
Speaker 4: this high fidelity, there's.

673
00:30:29,640 --> 00:30:31,160
Speaker 1: A few people that with it pends a little bit

674
00:30:31,200 --> 00:30:33,680
Speaker 1: too high, which is always good to have in an organization.

675
00:30:34,040 --> 00:30:36,080
Speaker 4: Yeah, oh, absolutely, get him right up there.

676
00:30:36,120 --> 00:30:37,960
Speaker 3: Do you boys think that the issue with Banger and

677
00:30:38,000 --> 00:30:39,880
Speaker 3: Formula one though, was he made it sound far more

678
00:30:39,880 --> 00:30:42,720
Speaker 3: confusing than what it was because he'd watched the season

679
00:30:43,040 --> 00:30:46,160
Speaker 3: on about a five week delay pre record them.

680
00:30:46,120 --> 00:30:51,479
Speaker 4: And rescind my apology to Banger. Yeah, that guy because

681
00:30:52,240 --> 00:30:56,520
Speaker 4: he had a complete media blanket blackout on Formula one, because.

682
00:30:56,280 --> 00:30:57,320
Speaker 2: He was so far behind.

683
00:30:57,520 --> 00:30:59,520
Speaker 4: Yeah that we were allowed to know anything about it.

684
00:30:59,680 --> 00:31:03,120
Speaker 4: Just we slipped up. I'm going to text him back

685
00:31:03,120 --> 00:31:06,760
Speaker 4: and say changing he wanted all to himself.

686
00:31:06,880 --> 00:31:07,080
Speaker 3: Yeah.

687
00:31:07,160 --> 00:31:09,040
Speaker 1: The other thing is he never explained what was good

688
00:31:09,040 --> 00:31:09,360
Speaker 1: about it.

689
00:31:11,440 --> 00:31:13,600
Speaker 2: He couldn't, But I reckon.

690
00:31:13,680 --> 00:31:16,440
Speaker 5: I'm like, you know Springfield on The Simpsons, they all

691
00:31:16,600 --> 00:31:18,720
Speaker 5: run often think of New Zealand like that.

692
00:31:18,920 --> 00:31:20,120
Speaker 4: We all get to get it.

693
00:31:20,160 --> 00:31:22,480
Speaker 5: We'll say, like when there's a problem at the observatory,

694
00:31:22,600 --> 00:31:26,040
Speaker 5: everyone in the sea, Captains down Smothers is down there,

695
00:31:26,280 --> 00:31:28,720
Speaker 5: mister Burns, Scanner, they all go one place.

696
00:31:29,360 --> 00:31:32,480
Speaker 4: And because Liam Lawson was if one, the entire country

697
00:31:32,600 --> 00:31:34,920
Speaker 4: just have gone. We're now fucking if one tip the

698
00:31:34,960 --> 00:31:38,000
Speaker 4: country over into the sea. And then some yachting turns

699
00:31:38,080 --> 00:31:39,719
Speaker 4: up and we're like, fucking yachting.

700
00:31:40,000 --> 00:31:41,120
Speaker 3: Yes, we love yachting.

701
00:31:41,440 --> 00:31:44,280
Speaker 2: Remember when we were kids growing up, Tuesdays and Thursdays training,

702
00:31:44,600 --> 00:31:45,640
Speaker 2: Saturday regatta?

703
00:31:46,880 --> 00:31:48,680
Speaker 4: Are you going to be a coming?

704
00:31:49,240 --> 00:31:49,720
Speaker 3: We're all.

705
00:31:51,120 --> 00:31:54,520
Speaker 2: You're optimists. Never gone down to the gattern.

706
00:31:55,000 --> 00:31:58,200
Speaker 4: I remember putting on the tie and going down for wines.

707
00:31:57,840 --> 00:31:58,080
Speaker 3: As the.

708
00:32:00,200 --> 00:32:00,680
Speaker 1: Squadron.

709
00:32:02,600 --> 00:32:05,320
Speaker 4: What are your associations with you're going to be going forward, Meshing.

710
00:32:05,440 --> 00:32:07,440
Speaker 3: I'm no sure, mate, I'm not too sure. Not a lot,

711
00:32:07,480 --> 00:32:08,680
Speaker 3: I think, to be honest, doing it.

712
00:32:09,800 --> 00:32:10,880
Speaker 2: What did when I do?

713
00:32:12,160 --> 00:32:13,840
Speaker 5: All I ever saw them doing was like traveling around

714
00:32:13,840 --> 00:32:16,440
Speaker 5: the country having expert ultras A.

715
00:32:16,840 --> 00:32:18,360
Speaker 3: Yeah, I feel like that's what it might turn into.

716
00:32:18,480 --> 00:32:19,960
Speaker 3: Is that. I think it's going to turn into that.

717
00:32:20,160 --> 00:32:22,640
Speaker 3: But the contract I signed said something which, by the way,

718
00:32:23,000 --> 00:32:26,760
Speaker 3: the contract I signed, Oh no, lucrative. Lucrative.

719
00:32:26,880 --> 00:32:29,800
Speaker 1: Oh wow, yeah, well, I think because you've been an

720
00:32:29,840 --> 00:32:31,640
Speaker 1: intern on the show for so long and you only

721
00:32:31,840 --> 00:32:33,960
Speaker 1: just got paid this year. It was the first time,

722
00:32:34,160 --> 00:32:38,280
Speaker 1: and we put you on the lucrative for Meshing's lucrative.

723
00:32:40,000 --> 00:32:42,360
Speaker 4: He goes into you know, social welfare and goes, is

724
00:32:42,400 --> 00:32:43,240
Speaker 4: this what you're talking about?

725
00:32:44,240 --> 00:32:49,880
Speaker 3: Luc will not that lucrative. But I did say sports,

726
00:32:50,200 --> 00:32:51,880
Speaker 3: sports commentating and podcast hosting.

727
00:32:51,920 --> 00:32:56,080
Speaker 4: Apparently you will. You will travel around the country and

728
00:32:56,280 --> 00:32:58,680
Speaker 4: get your points so you will eventually get call to excess.

729
00:32:58,720 --> 00:33:01,320
Speaker 3: So you know that as the genuine excitement for me,

730
00:33:01,400 --> 00:33:02,760
Speaker 3: but not true.

731
00:33:03,000 --> 00:33:07,360
Speaker 2: I accrued thirty air points dollars over my two years

732
00:33:08,560 --> 00:33:09,160
Speaker 2: on the cheap.

733
00:33:09,160 --> 00:33:11,640
Speaker 4: Budget flights that don't get the fucking probably.

734
00:33:11,480 --> 00:33:15,000
Speaker 2: No, they just don't accrue. They don't accrue like they

735
00:33:15,120 --> 00:33:15,360
Speaker 2: use the.

736
00:33:15,400 --> 00:33:19,640
Speaker 1: Motherfucker got fully flixy refund and you get like if

737
00:33:19,680 --> 00:33:23,800
Speaker 1: you book fully for these sorts of gigs corporate gags,

738
00:33:23,840 --> 00:33:26,520
Speaker 1: you won't won't book the flight. What mesh your partner's

739
00:33:26,560 --> 00:33:27,080
Speaker 1: booking the flights?

740
00:33:27,120 --> 00:33:27,400
Speaker 3: Didn't you.

741
00:33:29,400 --> 00:33:32,760
Speaker 1: Fully flexy refund? And basically if you go from walkingand

742
00:33:32,760 --> 00:33:35,160
Speaker 1: to christ Church fully fleixy refund. Here's a little tip

743
00:33:35,280 --> 00:33:38,240
Speaker 1: for for people who are you are who are dining

744
00:33:38,280 --> 00:33:42,120
Speaker 1: out on the company dime, get fully flexy refund because look,

745
00:33:42,200 --> 00:33:43,480
Speaker 1: you might need to change who knows.

746
00:33:43,520 --> 00:33:45,760
Speaker 4: Anyway, it's very easy to go. I'm pretty sure I

747
00:33:45,800 --> 00:33:48,560
Speaker 4: can do that. Just book it now. There's a few

748
00:33:48,640 --> 00:33:51,400
Speaker 4: moving parts, yep, and then they go flexi and then

749
00:33:51,440 --> 00:33:52,160
Speaker 4: you get the airpoints.

750
00:33:52,760 --> 00:33:53,400
Speaker 3: How many points?

751
00:33:53,640 --> 00:33:55,320
Speaker 1: So if you'll get you get more air points for

752
00:33:55,400 --> 00:33:59,680
Speaker 1: going a walking to christ Church fully flixy refund, then

753
00:33:59,760 --> 00:34:03,520
Speaker 1: you do like works, you know, going from.

754
00:34:03,480 --> 00:34:07,040
Speaker 5: Auckland fifteen Auckland to dned and probably on fully flicks

755
00:34:07,040 --> 00:34:08,239
Speaker 5: you wouldn't you at least.

756
00:34:08,080 --> 00:34:10,160
Speaker 4: I reckon yeah, more like thirty yeah, and.

757
00:34:10,320 --> 00:34:12,719
Speaker 3: Is that dollars Like that converts the dollars.

758
00:34:12,760 --> 00:34:14,880
Speaker 5: And this is the problem with the carew lounge, and

759
00:34:14,880 --> 00:34:16,719
Speaker 5: this is this fucks me off with it. And look,

760
00:34:16,800 --> 00:34:18,319
Speaker 5: this may seem elitist, but a lot of people are

761
00:34:18,360 --> 00:34:21,200
Speaker 5: just getting in there on their credit card points nowadays. Ah,

762
00:34:21,440 --> 00:34:23,200
Speaker 5: because you just run it through. You're on your gas

763
00:34:23,239 --> 00:34:24,719
Speaker 5: and everything through your credit card and that's the best

764
00:34:24,719 --> 00:34:27,200
Speaker 5: way to get get ye, don't go into it. But

765
00:34:27,280 --> 00:34:29,640
Speaker 5: airlines aren't really about traveling people around. They make their

766
00:34:29,680 --> 00:34:31,840
Speaker 5: money on their association with their airpoints.

767
00:34:31,520 --> 00:34:32,600
Speaker 2: Dollars right there.

768
00:34:32,680 --> 00:34:36,400
Speaker 4: They're they're they're neutral and making money from flying planes,

769
00:34:36,760 --> 00:34:38,520
Speaker 4: but they actually make their money. They're kind of like, weird,

770
00:34:38,640 --> 00:34:39,200
Speaker 4: Why don't they.

771
00:34:39,320 --> 00:34:40,719
Speaker 2: Gouge my eyes out when I want to take a

772
00:34:40,760 --> 00:34:41,359
Speaker 2: bag on them?

773
00:34:41,880 --> 00:34:45,359
Speaker 1: Well, that's just that's craft. That's just to cover their

774
00:34:45,440 --> 00:34:49,120
Speaker 1: costs of aviation fuel and stuff and then tissue.

775
00:34:49,120 --> 00:34:50,719
Speaker 2: And then some dude is one hundred and sixty care

776
00:34:50,719 --> 00:34:53,279
Speaker 2: of those gets on you're well you're gonna Yeah.

777
00:34:53,480 --> 00:34:56,399
Speaker 1: The deals that they have with like BP and all

778
00:34:56,440 --> 00:34:58,720
Speaker 1: of the other people that they do their airports working

779
00:34:58,840 --> 00:35:01,400
Speaker 1: supermarkets are huge because the supermarkets.

780
00:35:01,440 --> 00:35:03,520
Speaker 3: Want all of the people using the Can I make

781
00:35:03,520 --> 00:35:05,520
Speaker 3: a complain about this podcast? Yeah? Please?

782
00:35:06,040 --> 00:35:10,359
Speaker 5: So I was in a on a plane recently. Three

783
00:35:10,400 --> 00:35:12,319
Speaker 5: times recently, I've been on a plane and as I'm

784
00:35:12,320 --> 00:35:14,560
Speaker 5: walking in, someone said, oh, you're not going to destroy

785
00:35:14,600 --> 00:35:20,319
Speaker 5: the toilet. And then the next plane someone said, stay

786
00:35:20,360 --> 00:35:22,080
Speaker 5: in your seat. I hope you've been in the COREW.

787
00:35:23,400 --> 00:35:25,919
Speaker 3: These are all from rumors that a fear.

788
00:35:26,320 --> 00:35:28,479
Speaker 1: One time I was on a plane with you, I'd

789
00:35:28,520 --> 00:35:30,799
Speaker 1: be thinking the same thing. Yeah, you're going to drag

790
00:35:30,880 --> 00:35:33,120
Speaker 1: that thing all the way back to row twenty two one.

791
00:35:33,719 --> 00:35:36,800
Speaker 1: One time after brutal weekend on the pork belly.

792
00:35:37,160 --> 00:35:38,719
Speaker 4: Yeah, backfired a little bit.

793
00:35:39,160 --> 00:35:40,200
Speaker 3: It was a second time.

794
00:35:40,719 --> 00:35:41,480
Speaker 4: There was a second time.

795
00:35:41,520 --> 00:35:42,600
Speaker 3: You're sort of a defender.

796
00:35:42,800 --> 00:35:45,080
Speaker 2: I had someone open the emergency exit at thirty thousand

797
00:35:45,120 --> 00:35:46,160
Speaker 2: feet because the smells that it.

798
00:35:46,800 --> 00:35:49,759
Speaker 5: I like, I just want to push back on this.

799
00:35:49,800 --> 00:35:53,319
Speaker 5: If anyone's listening. Still, you don't know, because people say

800
00:35:53,360 --> 00:35:56,200
Speaker 5: why don't you go in the COREW, But you don't

801
00:35:56,280 --> 00:35:59,799
Speaker 5: necessarily know when you're going to go. Yeah, and the thing,

802
00:36:00,120 --> 00:36:02,080
Speaker 5: the whole bowels quiet, and then you get on the plane.

803
00:36:02,080 --> 00:36:06,000
Speaker 5: I think it's something about the altitude that loosens things up.

804
00:36:05,920 --> 00:36:08,320
Speaker 4: A little bit, the cabin pressure an we're angle of

805
00:36:08,360 --> 00:36:10,719
Speaker 4: the planer, And why do they have the ability to

806
00:36:10,760 --> 00:36:12,360
Speaker 4: shit on a plane if you're not supposed to do it,

807
00:36:12,600 --> 00:36:15,799
Speaker 4: you know what I mean? Although equally people that are

808
00:36:15,880 --> 00:36:20,120
Speaker 4: in mobile homes, Yes, because I got a caller on

809
00:36:20,200 --> 00:36:21,600
Speaker 4: z B the other day for a guy that when

810
00:36:21,680 --> 00:36:25,319
Speaker 4: he went away, they had a toilet in the mobile home.

811
00:36:25,480 --> 00:36:27,359
Speaker 4: And this guy that it was a couple that just met,

812
00:36:27,880 --> 00:36:30,680
Speaker 4: and the husband kept on just using the toilet while

813
00:36:30,680 --> 00:36:33,600
Speaker 4: everyone was in there. So people were sitting down for dinner,

814
00:36:33,680 --> 00:36:37,360
Speaker 4: and it's you know, it's a really small, chemical chemical toilet.

815
00:36:37,400 --> 00:36:39,080
Speaker 4: That's about as far as I am from hum and

816
00:36:39,120 --> 00:36:41,839
Speaker 4: I the guy was just going in there during dinner time.

817
00:36:41,920 --> 00:36:44,480
Speaker 3: And you don't even use those toilets.

818
00:36:44,560 --> 00:36:47,200
Speaker 1: Like when we went on our campventing to the guy goes,

819
00:36:47,600 --> 00:36:50,160
Speaker 1: there's got a toilet that's just so use it. It

820
00:36:50,280 --> 00:36:53,640
Speaker 1: sloshes around in there and it will sometimes overflow. Use

821
00:36:53,680 --> 00:36:55,080
Speaker 1: the camping ground toilets.

822
00:36:54,719 --> 00:36:55,080
Speaker 3: If you can.

823
00:36:55,120 --> 00:36:56,440
Speaker 2: That's all I can think about when I see one

824
00:36:56,480 --> 00:36:58,280
Speaker 2: of those, is that they're driving around with a bucket

825
00:36:58,320 --> 00:37:00,719
Speaker 2: full of their own shirt any given time.

826
00:37:00,920 --> 00:37:03,040
Speaker 4: Is there a lever you can pull that just dumps

827
00:37:03,040 --> 00:37:05,839
Speaker 4: in on the road oils like they should be used.

828
00:37:06,080 --> 00:37:11,279
Speaker 4: The Mario cards button, I've got rid of that. Now,

829
00:37:11,800 --> 00:37:13,880
Speaker 4: can we address before we knock this thing on the

830
00:37:13,920 --> 00:37:16,080
Speaker 4: head for the second time. You're now going to be

831
00:37:16,160 --> 00:37:18,880
Speaker 4: working with your partner. This isn't interesting dynamic.

832
00:37:19,200 --> 00:37:21,040
Speaker 2: This is something we didn't address when she was on

833
00:37:21,120 --> 00:37:21,839
Speaker 2: the show this morning.

834
00:37:22,000 --> 00:37:26,279
Speaker 4: No, she didn't touching my downstairs? How biggy button that

835
00:37:26,360 --> 00:37:27,600
Speaker 4: happened downstairs?

836
00:37:27,719 --> 00:37:30,279
Speaker 1: We got we got a couple of mystery guests on

837
00:37:30,400 --> 00:37:33,239
Speaker 1: and then we blindfolded Mesh. You can listen to this

838
00:37:33,360 --> 00:37:36,480
Speaker 1: on the radio highlights pod and blindfolded Mash and then

839
00:37:36,480 --> 00:37:37,040
Speaker 1: we said.

840
00:37:37,120 --> 00:37:38,720
Speaker 4: This was already, Oh that was the previous.

841
00:37:39,440 --> 00:37:42,120
Speaker 1: This is a mystery guest came into the studio, Mash

842
00:37:42,200 --> 00:37:44,040
Speaker 1: and I said, normally you know, and this is your life?

843
00:37:44,080 --> 00:37:47,560
Speaker 1: They say, do you remember this voice? And then there's

844
00:37:47,600 --> 00:37:51,080
Speaker 1: the voice that comes over Lances And then.

845
00:37:51,040 --> 00:37:52,719
Speaker 5: The lance Kins one was the worst because he was

846
00:37:52,760 --> 00:37:56,160
Speaker 5: deaf and dumb. He could remember, he couldn't he couldn't

847
00:37:56,200 --> 00:37:57,480
Speaker 5: hear or remember anyone.

848
00:37:58,880 --> 00:38:02,360
Speaker 1: This is your life, Lance, I gave birth to you

849
00:38:02,560 --> 00:38:07,200
Speaker 1: all these years ago. And then because you couldn't hear her.

850
00:38:07,640 --> 00:38:10,279
Speaker 1: But anyway, Lauren came around the back and I said,

851
00:38:10,600 --> 00:38:12,560
Speaker 1: instead of saying do you remember this voice, I said,

852
00:38:13,040 --> 00:38:16,960
Speaker 1: do you remember these hands? And Lauren started touching me

853
00:38:17,160 --> 00:38:19,800
Speaker 1: and she goes, no, I got dangerous, and then I

854
00:38:19,920 --> 00:38:23,120
Speaker 1: pointed as dounsairs and then Lauren went down and grabbed

855
00:38:23,120 --> 00:38:24,120
Speaker 1: his cock and so.

856
00:38:24,320 --> 00:38:24,680
Speaker 2: And he went.

857
00:38:24,800 --> 00:38:29,759
Speaker 4: Jeremy he went, and then that was but he was

858
00:38:30,080 --> 00:38:32,600
Speaker 4: he was also small hands, I guess compared to Jerry's

859
00:38:32,600 --> 00:38:34,080
Speaker 4: got quite big hands.

860
00:38:34,080 --> 00:38:35,759
Speaker 2: But he was also between a rock and a hard place.

861
00:38:35,800 --> 00:38:38,960
Speaker 2: Because that's a tough guest to get wrong. Yeah, so

862
00:38:39,040 --> 00:38:40,800
Speaker 2: I just grabbed his car and he's just like boulders.

863
00:38:45,600 --> 00:38:48,200
Speaker 3: I was thinking to myself, like, just don't say your

864
00:38:48,280 --> 00:38:49,719
Speaker 3: name so you don't get wrong.

865
00:38:49,880 --> 00:38:50,319
Speaker 2: That's right.

866
00:38:50,640 --> 00:38:52,879
Speaker 4: Yeah you did do that, But how did you did

867
00:38:52,960 --> 00:38:55,719
Speaker 4: you feel? And I say, turned on, yeah, just some

868
00:38:55,800 --> 00:38:56,640
Speaker 4: blood rush down there.

869
00:38:57,280 --> 00:38:57,840
Speaker 3: She went down there.

870
00:38:57,880 --> 00:38:59,440
Speaker 1: I think the blood had already rushed down and he's

871
00:38:59,480 --> 00:39:02,279
Speaker 1: a five is running a constant raga and so he

872
00:39:02,360 --> 00:39:06,279
Speaker 1: was running trigger down there, so small breeze. She just

873
00:39:06,360 --> 00:39:08,640
Speaker 1: brushed by him at the beginning and immediately went hard

874
00:39:08,680 --> 00:39:12,120
Speaker 1: and then she she was straight down there, and.

875
00:39:12,440 --> 00:39:12,840
Speaker 3: So did it go.

876
00:39:13,040 --> 00:39:15,760
Speaker 4: Did you did it continue on mat? Did you move nowhere?

877
00:39:16,040 --> 00:39:16,480
Speaker 2: Did you cop?

878
00:39:16,600 --> 00:39:17,640
Speaker 3: Did you have sex on the dip?

879
00:39:17,719 --> 00:39:21,120
Speaker 2: Yeah? They did? Yeah, it was full like full Howard's goined.

880
00:39:23,200 --> 00:39:26,840
Speaker 3: Nineties. She read a sybian machine. Anyway.

881
00:39:28,440 --> 00:39:30,040
Speaker 4: That's the bit that everyone remembers because.

882
00:39:32,880 --> 00:39:34,759
Speaker 2: Because that was the only time I've ever heard or

883
00:39:34,800 --> 00:39:38,480
Speaker 2: seen it before. The saddle, the vibrating saddle. Basically, Yeah, anyway,

884
00:39:38,560 --> 00:39:41,399
Speaker 2: so your messes, you're going to be working with either

885
00:39:41,440 --> 00:39:44,399
Speaker 2: of you two ever worked with your partners before?

886
00:39:45,040 --> 00:39:49,520
Speaker 5: I used to tour and support of my partner's band. Yeah,

887
00:39:49,560 --> 00:39:51,400
Speaker 5: we used to open. I used to open for her.

888
00:39:51,800 --> 00:39:52,439
Speaker 5: That sounds weird.

889
00:39:53,080 --> 00:39:56,000
Speaker 3: How did that go? Yeah? I used to open for you. No,

890
00:39:57,880 --> 00:40:01,800
Speaker 3: I used to open for her. Was it degrading?

891
00:40:03,160 --> 00:40:03,920
Speaker 4: I think that's part of it.

892
00:40:05,600 --> 00:40:06,600
Speaker 2: That was part of the attraction.

893
00:40:08,120 --> 00:40:11,399
Speaker 3: I don't know how that's going to go. But never

894
00:40:11,520 --> 00:40:12,000
Speaker 3: I've worked with.

895
00:40:12,080 --> 00:40:14,960
Speaker 2: My missus ones on the On Your Appearance Farm and

896
00:40:15,080 --> 00:40:20,480
Speaker 2: we were wrapping silent and I was throwing tires that

897
00:40:20,560 --> 00:40:22,719
Speaker 2: were filled with three year old rainwater at her. Oh

898
00:40:23,080 --> 00:40:25,239
Speaker 2: and she stormed off. So I can vouch for the

899
00:40:25,280 --> 00:40:27,560
Speaker 2: fact that it doesn't go well, does it?

900
00:40:28,080 --> 00:40:29,600
Speaker 4: Do you kind of work with your partner.

901
00:40:29,640 --> 00:40:31,760
Speaker 5: When you're living with them, you kind of are working

902
00:40:31,840 --> 00:40:33,879
Speaker 5: with them in a way on a kind of sort

903
00:40:33,920 --> 00:40:35,000
Speaker 5: of dysfunctional project.

904
00:40:36,239 --> 00:40:42,560
Speaker 4: Is life imagine project. It's like like like a project

905
00:40:42,600 --> 00:40:43,520
Speaker 4: that needs a massive audit.

906
00:40:44,880 --> 00:40:47,000
Speaker 2: It's glearing we need a Canadian billionaire.

907
00:40:47,280 --> 00:40:50,759
Speaker 4: Structural problems in this project terrible, But you kin'd are

908
00:40:50,800 --> 00:40:53,840
Speaker 4: working with them on your life. Yeah, it's just a

909
00:40:54,000 --> 00:40:56,440
Speaker 4: fucking massive lost leader of a situation.

910
00:40:56,640 --> 00:40:58,560
Speaker 2: How's the work. I mean, I suppose you guys already

911
00:40:58,560 --> 00:41:00,560
Speaker 2: sort of work pretty adjacent to each other anyway.

912
00:41:00,800 --> 00:41:02,440
Speaker 3: We try not to talk about work too much at home,

913
00:41:03,040 --> 00:41:04,480
Speaker 3: so we'll just probably keep it to work. It's not

914
00:41:04,520 --> 00:41:06,920
Speaker 3: going to I mean, that is weird to think about

915
00:41:07,200 --> 00:41:08,480
Speaker 3: working with your partner, but it'll be fine.

916
00:41:08,680 --> 00:41:10,480
Speaker 4: But she knows where you're going. I think it's an

917
00:41:10,520 --> 00:41:11,920
Speaker 4: event because she books the tickets right.

918
00:41:12,120 --> 00:41:15,640
Speaker 3: Yeah, oh my god, book the fully flexy refunds. Fully

919
00:41:15,680 --> 00:41:17,200
Speaker 3: Flexi refunds will be booked.

920
00:41:17,239 --> 00:41:18,920
Speaker 5: But but what I'm saying with that is it's not

921
00:41:19,000 --> 00:41:20,799
Speaker 5: like where you go, because the main problem I get

922
00:41:20,880 --> 00:41:22,919
Speaker 5: in my life is I never know where I'm going. Yeah,

923
00:41:23,120 --> 00:41:26,080
Speaker 5: Like this week, I had two EMC gigs on at

924
00:41:26,120 --> 00:41:28,000
Speaker 5: the same time, and one was in a different city and.

925
00:41:28,000 --> 00:41:29,360
Speaker 3: I had no idea. That's impressive.

926
00:41:29,400 --> 00:41:31,279
Speaker 5: And then I got a call from the CEO saying,

927
00:41:31,320 --> 00:41:32,799
Speaker 5: you're supposed to do this. You can't be going off

928
00:41:32,840 --> 00:41:34,759
Speaker 5: to one and chriss you know, but she would know

929
00:41:34,880 --> 00:41:38,879
Speaker 5: that she's a woman. Tracy came to me and she goes,

930
00:41:39,160 --> 00:41:41,520
Speaker 5: you're fucking more on. Can you just work out your calendar?

931
00:41:41,719 --> 00:41:43,680
Speaker 5: But she's she will always know where you're going to be,

932
00:41:43,760 --> 00:41:45,560
Speaker 5: so she won't be annoyed when you're going away because

933
00:41:46,160 --> 00:41:47,000
Speaker 5: because it's her fault.

934
00:41:47,160 --> 00:41:47,319
Speaker 9: Yeah.

935
00:41:47,400 --> 00:41:49,239
Speaker 1: Sure, but then he's not going to be able to

936
00:41:49,320 --> 00:41:52,680
Speaker 1: run every part came here. She'll know exactly where he's

937
00:41:52,719 --> 00:41:55,240
Speaker 1: meant to be at every given time, and they're at work.

938
00:41:55,200 --> 00:41:56,959
Speaker 3: With her or at home.

939
00:41:57,200 --> 00:41:59,239
Speaker 4: But you could get like a prosy into your hotel room.

940
00:42:00,480 --> 00:42:02,880
Speaker 1: I don't think you could because she'll be She'll be

941
00:42:03,160 --> 00:42:03,680
Speaker 1: there with her.

942
00:42:05,600 --> 00:42:07,200
Speaker 3: She might not be up there with you though, will

943
00:42:07,280 --> 00:42:08,440
Speaker 3: she probably?

944
00:42:08,960 --> 00:42:09,120
Speaker 1: Well?

945
00:42:09,200 --> 00:42:12,839
Speaker 3: Maybe sometimes wow, But if she's not. Jerry, Jesus, real

946
00:42:12,920 --> 00:42:14,880
Speaker 3: inside of your life here looking at you? What are

947
00:42:14,920 --> 00:42:15,320
Speaker 3: you trying to do?

948
00:42:15,960 --> 00:42:16,120
Speaker 1: Five?

949
00:42:16,160 --> 00:42:17,640
Speaker 3: I mean everyone should be running a woman in the.

950
00:42:17,680 --> 00:42:20,239
Speaker 5: Report when you're this is the pretty much Jerry and

951
00:42:20,320 --> 00:42:21,960
Speaker 5: I'm sure it's come up on the show since I left.

952
00:42:22,000 --> 00:42:24,400
Speaker 5: But he has huge amountual regret because he was faithful

953
00:42:24,440 --> 00:42:25,920
Speaker 5: to his girlfriends in this heyday.

954
00:42:26,080 --> 00:42:28,120
Speaker 2: Yeah, any hard regrets, it you can tell, you can tell.

955
00:42:28,160 --> 00:42:31,920
Speaker 5: It's just so much regret, probably because it wreaks up.

956
00:42:33,400 --> 00:42:36,160
Speaker 5: What is so stupid about that there was no phones

957
00:42:36,239 --> 00:42:38,080
Speaker 5: or social media back then? He could have just got

958
00:42:38,120 --> 00:42:41,360
Speaker 5: away with anything like someone might. Maybe someone might have written.

959
00:42:41,920 --> 00:42:45,840
Speaker 4: Like a worded letter to his partner, or was the

960
00:42:45,960 --> 00:42:47,720
Speaker 4: only way, the only way that you'd get caught.

961
00:42:48,160 --> 00:42:49,279
Speaker 2: A day that goes by that.

962
00:42:49,400 --> 00:42:52,880
Speaker 4: I don't think what the why Madi observer might have

963
00:42:52,960 --> 00:43:01,760
Speaker 4: written the advertiser advertiser took a lady back to the motel.

964
00:43:03,960 --> 00:43:05,480
Speaker 2: The only way hotel.

965
00:43:07,080 --> 00:43:10,279
Speaker 3: I have regrets, that's understandable.

966
00:43:10,440 --> 00:43:13,000
Speaker 5: Yeah, But what might happen is when you're away with

967
00:43:13,120 --> 00:43:15,200
Speaker 5: Lauren because she books the ACM, you might be put

968
00:43:15,239 --> 00:43:16,760
Speaker 5: on the executives or honeymoon.

969
00:43:17,080 --> 00:43:17,880
Speaker 3: That's what I'm hoping for.

970
00:43:17,960 --> 00:43:24,440
Speaker 4: Because right now, because with the prosy though, you're not

971
00:43:24,480 --> 00:43:26,120
Speaker 4: getting out of six with the prozy every time you

972
00:43:26,200 --> 00:43:28,799
Speaker 4: go away. No, let's get that out in the open now,

973
00:43:30,080 --> 00:43:33,239
Speaker 4: let's just get that. But what I will say to you, though,

974
00:43:34,239 --> 00:43:37,319
Speaker 4: mesh is that when I was working there, she would

975
00:43:37,360 --> 00:43:38,640
Speaker 4: book the executive.

976
00:43:38,200 --> 00:43:39,080
Speaker 2: Suite for me and her.

977
00:43:39,280 --> 00:43:42,320
Speaker 4: Right, Okay, so there is a street, there's president.

978
00:43:42,360 --> 00:43:43,480
Speaker 2: I imagine she'll keep doing that.

979
00:43:43,600 --> 00:43:45,440
Speaker 3: Yeah, I'm sure she will. So are you telling me?

980
00:43:45,640 --> 00:43:47,400
Speaker 3: I just can't believe you're telling me that that I

981
00:43:47,800 --> 00:43:50,480
Speaker 3: can't have sex with THEROI on every work trip.

982
00:43:50,800 --> 00:43:52,960
Speaker 1: Not every work trip, Yeah, I don't think many at

983
00:43:53,000 --> 00:43:54,800
Speaker 1: all work trips, I mean, and the other things you

984
00:43:55,360 --> 00:43:57,480
Speaker 1: maybe one and five. Well, because you've also got a

985
00:43:57,640 --> 00:44:00,160
Speaker 1: big in a place that has prozis and good not

986
00:44:00,239 --> 00:44:02,360
Speaker 1: every not every place you'll be going to his prosies

987
00:44:02,920 --> 00:44:05,560
Speaker 1: like where now, like Tim for example, no prois in.

988
00:44:07,280 --> 00:44:10,000
Speaker 3: Yeah, everyone's a prosy.

989
00:44:13,000 --> 00:44:17,239
Speaker 4: Twenty five. You offer them a way out.

990
00:44:19,000 --> 00:44:19,920
Speaker 2: How do you think I got here?

991
00:44:22,360 --> 00:44:25,360
Speaker 4: You're too good. I didn't just book a ticket. He

992
00:44:25,480 --> 00:44:28,800
Speaker 4: had to sleep his way out of that offer.

993
00:44:28,800 --> 00:44:30,279
Speaker 1: The offer of a way out, And then you have

994
00:44:30,400 --> 00:44:34,600
Speaker 1: six and then that office sort of starts over the

995
00:44:34,680 --> 00:44:36,320
Speaker 1: next three or four hours.

996
00:44:36,920 --> 00:44:37,120
Speaker 3: Yeah.

997
00:44:37,480 --> 00:44:39,480
Speaker 4: Well, this sort of clarity comes in.

998
00:44:39,880 --> 00:44:43,280
Speaker 1: Promise you may he promised me bright lights in the future.

999
00:44:43,719 --> 00:44:46,600
Speaker 4: He would have meant it in the mentor, Yeah, he

1000
00:44:46,760 --> 00:44:48,799
Speaker 4: meant it at the time and then he got some clarity. Yeah,

1001
00:44:49,040 --> 00:44:49,840
Speaker 4: and sobriety.

1002
00:44:49,880 --> 00:44:51,239
Speaker 2: But you gotta take that up with doctor Jack.

1003
00:44:53,719 --> 00:44:54,520
Speaker 3: I look forward to those.

1004
00:44:54,800 --> 00:44:57,800
Speaker 5: Just don't put the Prozzy on. I'll put it on

1005
00:44:57,880 --> 00:45:00,320
Speaker 5: g Lane's credit cat because that massage and it's just

1006
00:45:00,360 --> 00:45:01,799
Speaker 5: credit cases all roaded with crime.

1007
00:45:02,200 --> 00:45:02,879
Speaker 2: He knows that hide.

1008
00:45:02,920 --> 00:45:05,920
Speaker 4: It would just be it's too much, too much to

1009
00:45:05,960 --> 00:45:09,800
Speaker 4: do it on GLA. Yeah, terrible, misogenous, it's just the worst.

1010
00:45:10,200 --> 00:45:12,120
Speaker 3: Yeah. Oh well, thanks boys, I've got to go and

1011
00:45:12,160 --> 00:45:14,439
Speaker 3: apparently record it an a gender podcast whatever.

1012
00:45:14,480 --> 00:45:17,560
Speaker 1: They also because also for people who are listening, how

1013
00:45:17,600 --> 00:45:19,960
Speaker 1: do keep you know, listeners, you're still going to be

1014
00:45:20,000 --> 00:45:26,440
Speaker 1: doing the the the Morning Mesty from five point thirty

1015
00:45:26,520 --> 00:45:28,879
Speaker 1: to six I don't think I am.

1016
00:45:29,239 --> 00:45:31,759
Speaker 3: What what do you mean? What's every of the Morning

1017
00:45:31,840 --> 00:45:34,080
Speaker 3: Mesty all the three breaks that I get between five

1018
00:45:34,120 --> 00:45:34,640
Speaker 3: and six am.

1019
00:45:34,760 --> 00:45:36,960
Speaker 1: Yeah, well, surely you're still doing the mornings.

1020
00:45:37,239 --> 00:45:40,640
Speaker 3: No, No, the Morning Mesha didn't come up and negotiating.

1021
00:45:40,320 --> 00:45:42,759
Speaker 4: Back for the Mastery Jay Reeves not.

1022
00:45:47,640 --> 00:45:54,520
Speaker 2: It's not probably doing then you're doing the masty, not

1023
00:45:54,600 --> 00:45:54,840
Speaker 2: doing the.

1024
00:45:55,320 --> 00:46:01,439
Speaker 3: Called the Morning Ruder, Morning Ruder, the Rude to Rise.

1025
00:46:01,600 --> 00:46:03,880
Speaker 3: I think I think it might be prebs. Actually no,

1026
00:46:04,040 --> 00:46:06,360
Speaker 3: Pixie Campbell said that he wanted a shot on it.

1027
00:46:07,160 --> 00:46:08,280
Speaker 1: You can't Campbell.

1028
00:46:08,600 --> 00:46:09,400
Speaker 4: The Pixie missed it.

1029
00:46:09,480 --> 00:46:14,040
Speaker 1: You can't doing that that first five thirty to six, right,

1030
00:46:14,880 --> 00:46:16,400
Speaker 1: the touch can't.

1031
00:46:16,239 --> 00:46:16,840
Speaker 3: Have the toucher.

1032
00:46:19,320 --> 00:46:22,600
Speaker 1: Okay, that's that sits the table for the dangerous president.

1033
00:46:22,719 --> 00:46:24,759
Speaker 3: That sits the table for the shape. Yeah.

1034
00:46:25,040 --> 00:46:28,839
Speaker 5: Anyway, MESHI, can I just say please, love you, love you, mate,

1035
00:46:28,880 --> 00:46:31,680
Speaker 5: and glad you're only moving about just down the five

1036
00:46:31,760 --> 00:46:34,160
Speaker 5: meters to the five left.

1037
00:46:34,200 --> 00:46:36,600
Speaker 2: Stuff we said about the machinations and ramifications of how

1038
00:46:36,640 --> 00:46:38,440
Speaker 2: we ended up here, is it just the case that

1039
00:46:38,520 --> 00:46:40,439
Speaker 2: they never hire anyone else and they just keep hiring

1040
00:46:40,480 --> 00:46:41,239
Speaker 2: the same people the.

1041
00:46:41,239 --> 00:46:45,959
Speaker 4: Same I don't know. They tried a lot of people

1042
00:46:46,040 --> 00:46:46,480
Speaker 4: before they.

1043
00:46:49,000 --> 00:46:49,440
Speaker 2: Just went.

1044
00:46:53,120 --> 00:46:54,200
Speaker 3: Yeah, I'll be back in about six.

1045
00:46:57,880 --> 00:47:00,760
Speaker 2: Thank you for every Okay, I don't wan the podcast

1046
00:47:00,960 --> 00:47:02,120
Speaker 2: because then that's MESHI done.

1047
00:47:02,000 --> 00:47:04,040
Speaker 4: For Oh I've been holding on.

1048
00:47:04,280 --> 00:47:06,120
Speaker 3: It's forty eight minutes, but I do want to go

1049
00:47:06,200 --> 00:47:09,120
Speaker 3: to Meshi. You hang it. Big shout out to the

1050
00:47:09,160 --> 00:47:11,279
Speaker 3: podcast listeners. I think as you left medi as well,

1051
00:47:11,360 --> 00:47:13,359
Speaker 3: you said that it's this twenty five to thirty minutes

1052
00:47:13,360 --> 00:47:15,359
Speaker 3: each day that I think I'm definitely gonna miss the most,

1053
00:47:15,480 --> 00:47:15,880
Speaker 3: so I.

1054
00:47:15,920 --> 00:47:17,080
Speaker 2: Can come back in and do it if you want.

1055
00:47:17,120 --> 00:47:20,719
Speaker 4: Okay, sweet, well might as well delete this pot.

1056
00:47:20,800 --> 00:47:37,960
Speaker 1: Then it's maybe realized listening to that that we should

1057
00:47:38,040 --> 00:47:39,319
Speaker 1: fire Mesh every year.

1058
00:47:39,440 --> 00:47:40,319
Speaker 3: Yeah, that's right, I think.

1059
00:47:40,480 --> 00:47:43,600
Speaker 2: I mean, as we can only go after numbers, and

1060
00:47:43,680 --> 00:47:46,840
Speaker 2: the numbers are people loved when we fired Mesh. This

1061
00:47:46,920 --> 00:47:48,920
Speaker 2: is the second most popular podcast that we had. It

1062
00:47:48,960 --> 00:47:50,439
Speaker 2: actually eclipsed Joe Rogan that week.

1063
00:47:51,320 --> 00:47:55,200
Speaker 1: It's a bit like Haga Ginger Day, you know. It's

1064
00:47:55,239 --> 00:47:58,279
Speaker 1: that kind of thing that, well, I think more people

1065
00:47:58,320 --> 00:48:01,280
Speaker 1: should call up, more people should he ends up getting

1066
00:48:01,320 --> 00:48:02,839
Speaker 1: fired by a whole nation every year.

1067
00:48:03,360 --> 00:48:04,840
Speaker 3: It means that you can get a little bit of.

1068
00:48:04,840 --> 00:48:06,840
Speaker 1: Your frustration out for people that you want to fire,

1069
00:48:06,880 --> 00:48:09,319
Speaker 1: but you just fire mass. So everyone just fires Mash

1070
00:48:09,480 --> 00:48:10,160
Speaker 1: like burning Man.

1071
00:48:10,280 --> 00:48:13,880
Speaker 2: Yeah, burning Man, it's just burning burning Mesh.

1072
00:48:13,719 --> 00:48:16,520
Speaker 1: And you just everyone fires him every year. He can

1073
00:48:16,680 --> 00:48:19,439
Speaker 1: He's got some sturdy shoulders, he can take it. Yeah.

1074
00:48:19,480 --> 00:48:21,879
Speaker 2: And then people call in and they don't use the name,

1075
00:48:21,960 --> 00:48:23,480
Speaker 2: but then they just go through all the lists of

1076
00:48:23,600 --> 00:48:25,800
Speaker 2: why they want to fire that person, and then we

1077
00:48:26,120 --> 00:48:27,239
Speaker 2: ceremonially fire them.

1078
00:48:27,360 --> 00:48:27,520
Speaker 3: Yeah.

1079
00:48:27,560 --> 00:48:29,920
Speaker 1: It's also I think it's a lot of frustration out

1080
00:48:29,960 --> 00:48:32,480
Speaker 1: for people who employers out there who are dealing with

1081
00:48:32,680 --> 00:48:35,040
Speaker 1: really difficult employment situations. But you've got to go through

1082
00:48:35,160 --> 00:48:36,439
Speaker 1: processes and all that crap.

1083
00:48:36,520 --> 00:48:38,640
Speaker 2: Hard to sack someone in New Zealand, doesn't it so hard?

1084
00:48:39,400 --> 00:48:42,200
Speaker 3: And so instead you just sack mash every year, burning mesh.

1085
00:48:42,320 --> 00:48:42,960
Speaker 2: It's a great idea.

1086
00:48:43,000 --> 00:48:44,920
Speaker 3: I think we should sack mash every year. Be good

1087
00:48:44,920 --> 00:48:45,400
Speaker 3: for the numbers.