1 00:00:00,200 --> 00:00:03,080 Speaker 1: Get a wounders. Matt Heath here, as we build up 2 00:00:03,120 --> 00:00:06,240 Speaker 1: to the final week of The Matten Jerry Show, the 3 00:00:06,400 --> 00:00:10,000 Speaker 1: Victory Lap slash mea culpa. I've put together a little 4 00:00:10,000 --> 00:00:12,240 Speaker 1: bit of a story of the history of the Matt 5 00:00:12,240 --> 00:00:14,400 Speaker 1: and Jerry Show and my time at Radiohodaki. You can 6 00:00:14,440 --> 00:00:17,880 Speaker 1: read it at Matt Heeath dot substack dot com. That's 7 00:00:17,960 --> 00:00:20,960 Speaker 1: Matt dot subsack dot com. Maybe you want to subscribe. 8 00:00:21,400 --> 00:00:24,000 Speaker 1: It can be free if you want. Anyway, Blessed, blessed, blessed. 9 00:00:24,000 --> 00:00:27,080 Speaker 1: Give them a taste of Kiwi. Love you all, see 10 00:00:27,120 --> 00:00:27,920 Speaker 1: you next week. 11 00:00:28,320 --> 00:00:31,360 Speaker 2: All right, chick check one too, Get a ruder? 12 00:00:32,320 --> 00:00:34,519 Speaker 1: Do we not even have the r Do we not 13 00:00:34,560 --> 00:00:36,479 Speaker 1: have it in here? I suppose we don't? Do we? 14 00:00:36,960 --> 00:00:38,800 Speaker 1: I mean we can do You want to do a manue? 15 00:00:38,880 --> 00:00:41,839 Speaker 2: Well, the thing is is going to be one, you 16 00:00:41,880 --> 00:00:44,560 Speaker 2: know on the as we talk about war about to 17 00:00:44,600 --> 00:00:46,959 Speaker 2: do this week on the podcast point yeah, anyway, get 18 00:00:47,200 --> 00:00:48,880 Speaker 2: it is Meshy here and Ruder. 19 00:00:48,920 --> 00:00:50,800 Speaker 1: We're just, yeah man, treading the boards this week. 20 00:00:50,800 --> 00:00:53,000 Speaker 2: We're getting ready for the Meet and Jury Show Victory Lap, 21 00:00:53,000 --> 00:00:55,480 Speaker 2: which of course is commencing next week. It feels weird 22 00:00:55,480 --> 00:00:56,320 Speaker 2: to be back on the podcast. 23 00:00:56,360 --> 00:00:58,000 Speaker 1: I have to say, it feels weird to be back 24 00:00:58,040 --> 00:00:58,720 Speaker 1: on the podcast. 25 00:00:59,040 --> 00:01:02,880 Speaker 3: It feels weird to be warming up and a stopgap 26 00:01:02,960 --> 00:01:05,160 Speaker 3: measure type thing for what's coming next week, because I'm. 27 00:01:05,000 --> 00:01:07,360 Speaker 1: Actually now that thing about it. I'm really excited about 28 00:01:07,440 --> 00:01:07,880 Speaker 1: next week. 29 00:01:07,959 --> 00:01:12,000 Speaker 3: Yes, same, Yeah, it's one of those things. I think 30 00:01:12,000 --> 00:01:13,800 Speaker 3: we talked about it on the podcast last week that 31 00:01:13,840 --> 00:01:15,640 Speaker 3: it was genuinely. 32 00:01:15,280 --> 00:01:16,640 Speaker 1: So sad last Wednesday. 33 00:01:16,760 --> 00:01:20,240 Speaker 3: Yeah, man, And now we've had what's that, another couple 34 00:01:20,280 --> 00:01:24,520 Speaker 3: of days to get it in our heads. And if 35 00:01:24,560 --> 00:01:27,200 Speaker 3: you mister radio show this morning, and Mett Heath actually 36 00:01:27,280 --> 00:01:29,039 Speaker 3: came in for a very short amount of time. 37 00:01:29,440 --> 00:01:29,880 Speaker 1: That's right. 38 00:01:29,920 --> 00:01:32,080 Speaker 3: We haven't seen him for like five days, and god, 39 00:01:32,120 --> 00:01:34,520 Speaker 3: it was really frighteningly good to see you. 40 00:01:34,720 --> 00:01:35,920 Speaker 2: Yeah, so nice to see him. 41 00:01:35,959 --> 00:01:36,119 Speaker 1: Yes. 42 00:01:36,120 --> 00:01:38,280 Speaker 2: So at the moment, myself and Rudor we're going to 43 00:01:38,280 --> 00:01:40,360 Speaker 2: be filling in on the hoech Root for show sixteen 44 00:01:40,880 --> 00:01:44,319 Speaker 2: weekdays on the film Dial or the home speaker or 45 00:01:44,360 --> 00:01:46,039 Speaker 2: whatever way you'd like to find us. We're not going 46 00:01:46,120 --> 00:01:48,120 Speaker 2: to be highlighting that podcast, not going to bother. We're 47 00:01:48,200 --> 00:01:50,280 Speaker 2: kind of too busying up the victory Leap next week, 48 00:01:50,320 --> 00:01:52,200 Speaker 2: and there's not a lot of you know, new or 49 00:01:52,240 --> 00:01:55,240 Speaker 2: fresh content going on. So we thought we would stick 50 00:01:55,280 --> 00:01:57,400 Speaker 2: to one podcast episode to day this week. And what 51 00:01:57,440 --> 00:01:59,160 Speaker 2: that's going to be is I've reached out to medi 52 00:01:59,240 --> 00:02:02,520 Speaker 2: Ruder asked him, you know what, Meddi, the bespokey dookies 53 00:02:02,560 --> 00:02:03,640 Speaker 2: are the ones that are going through it the most 54 00:02:03,680 --> 00:02:06,560 Speaker 2: at the moment. I think is that the biggest heartbreaks 55 00:02:06,560 --> 00:02:08,920 Speaker 2: that I've seen, especially on the Mattajury Show Facebook page, 56 00:02:08,919 --> 00:02:10,600 Speaker 2: which is called the Conclave. You're welcome to join that 57 00:02:10,639 --> 00:02:12,920 Speaker 2: if you haven't already. I'm in real that they are 58 00:02:12,960 --> 00:02:14,960 Speaker 2: the people that are hurting the most alongside you, and 59 00:02:15,000 --> 00:02:17,840 Speaker 2: I suppose m yeah, probably well, and probably met for 60 00:02:17,840 --> 00:02:21,200 Speaker 2: that matter. So I reached out to Meddie and I said, hey, mate, 61 00:02:21,240 --> 00:02:24,360 Speaker 2: any chance you could send me through about five episodes 62 00:02:24,680 --> 00:02:26,160 Speaker 2: It just come to mind. They might not be his 63 00:02:26,240 --> 00:02:28,120 Speaker 2: five favorites, but they just came to his mind and 64 00:02:28,880 --> 00:02:30,720 Speaker 2: bodies that he enjoyed doing. And I thought we could 65 00:02:30,720 --> 00:02:32,160 Speaker 2: replay those and then do a bit of an intruth 66 00:02:32,160 --> 00:02:33,760 Speaker 2: for them each day. If that works for. 67 00:02:33,720 --> 00:02:36,600 Speaker 3: You, Yeah, I think that's a good idea. A couple 68 00:02:36,840 --> 00:02:39,320 Speaker 3: spring to mind immediately, Shall I say what they are? 69 00:02:39,400 --> 00:02:41,160 Speaker 2: Shall I just seah, that's a good idea. 70 00:02:41,320 --> 00:02:42,720 Speaker 1: So what ones do you like the most. 71 00:02:42,800 --> 00:02:45,079 Speaker 3: Well, the first one that sprang to mind, because Matt's 72 00:02:45,080 --> 00:02:47,800 Speaker 3: an absolute sexual devient is the market to sad. 73 00:02:48,280 --> 00:02:51,000 Speaker 2: Yeah, that is good, and I Will used that as 74 00:02:51,000 --> 00:02:53,120 Speaker 2: a replay in the past as well, and I think 75 00:02:53,280 --> 00:02:55,040 Speaker 2: I think we played that as a replay but over 76 00:02:55,080 --> 00:02:57,400 Speaker 2: the Christmas break last time, because people do always love 77 00:02:57,400 --> 00:02:59,480 Speaker 2: a market to say conversation. God, I haven't thought about 78 00:02:59,480 --> 00:03:01,760 Speaker 2: the market de sad in a while. He loomed large 79 00:03:01,760 --> 00:03:03,839 Speaker 2: over twenty twenty three than he for the mad Jury show. 80 00:03:04,960 --> 00:03:07,200 Speaker 1: Yeah, he feels like a very tall individual. The market 81 00:03:07,200 --> 00:03:07,519 Speaker 1: just sad. 82 00:03:08,360 --> 00:03:10,520 Speaker 3: A couple of people actually on the Conclave has suggested 83 00:03:11,200 --> 00:03:14,120 Speaker 3: the story about Matt shitting himself after the radio awards, 84 00:03:14,160 --> 00:03:16,000 Speaker 3: and we've started doing a bit of a deep dive 85 00:03:16,080 --> 00:03:19,560 Speaker 3: trying to find that not one hundred percent sure we've 86 00:03:19,560 --> 00:03:20,520 Speaker 3: got the right one. 87 00:03:21,040 --> 00:03:21,840 Speaker 1: So if you go to the. 88 00:03:21,760 --> 00:03:25,840 Speaker 3: Conclave on Facebook, the Madenery Facebook discussion group and just 89 00:03:25,919 --> 00:03:27,399 Speaker 3: let us know which. 90 00:03:27,200 --> 00:03:28,800 Speaker 1: One is the right one. 91 00:03:29,400 --> 00:03:32,440 Speaker 2: Yeah, because of course that I mean, that's slightly confusing 92 00:03:32,480 --> 00:03:35,440 Speaker 2: because did he shoot himself after the radio awards or 93 00:03:35,600 --> 00:03:38,160 Speaker 2: was that podcast after the Radio awards where he talks 94 00:03:38,160 --> 00:03:39,000 Speaker 2: about shitting himself. 95 00:03:39,040 --> 00:03:39,520 Speaker 1: You know what I mean. 96 00:03:39,960 --> 00:03:41,400 Speaker 2: Here's a bit of a difference. I know what you 97 00:03:41,440 --> 00:03:43,440 Speaker 2: mean because I know when the Radio Awards were last year. 98 00:03:43,480 --> 00:03:45,000 Speaker 2: We could go back and find the date on that. 99 00:03:45,320 --> 00:03:47,800 Speaker 2: Maybe that's actually a place to start potentially. 100 00:03:47,800 --> 00:03:50,200 Speaker 3: The other thing is you're incriminating a man by suggesting 101 00:03:50,240 --> 00:03:53,120 Speaker 3: he's shot himself more than once after the radio wards. 102 00:03:53,200 --> 00:03:54,080 Speaker 1: Yeah, no, true. 103 00:03:54,280 --> 00:03:55,560 Speaker 3: Oh, here we go, Here we go. This is from 104 00:03:55,600 --> 00:03:58,320 Speaker 3: a guy called John Tiffin. Yeah, shitting his pants when 105 00:03:58,360 --> 00:04:02,000 Speaker 3: almost home the night after the Radio Awards for starters. 106 00:04:03,840 --> 00:04:04,400 Speaker 1: I thought there was. 107 00:04:04,400 --> 00:04:06,360 Speaker 2: A story about Maddi shitting himself on the way back 108 00:04:06,400 --> 00:04:08,080 Speaker 2: from a yoga retreat or something like that. 109 00:04:08,200 --> 00:04:08,480 Speaker 1: There was. 110 00:04:08,720 --> 00:04:10,400 Speaker 3: There was also that one from his book that he 111 00:04:10,480 --> 00:04:14,200 Speaker 3: read and that wasn't Yes, that's true. No, it wasn't 112 00:04:14,280 --> 00:04:16,599 Speaker 3: him that shed on the couch. It is girl friend's 113 00:04:16,640 --> 00:04:18,080 Speaker 3: house or something, the in laws. 114 00:04:18,160 --> 00:04:20,919 Speaker 2: Okay, But anyway, Maddie here seen through five podcasts, okay, 115 00:04:21,040 --> 00:04:23,359 Speaker 2: and we will have a chat each day beforehand. But 116 00:04:23,480 --> 00:04:25,560 Speaker 2: today's podcast is one that I thought was really sweet 117 00:04:25,560 --> 00:04:30,640 Speaker 2: that he mentioned. It is an episode from about a 118 00:04:30,720 --> 00:04:34,920 Speaker 2: Yogo When we reviewed the Greatest Night in Pop documentary 119 00:04:34,920 --> 00:04:37,560 Speaker 2: that came out about we Are the World A song 120 00:04:37,600 --> 00:04:40,120 Speaker 2: that you know looms large. Sorry used that phrase again 121 00:04:40,760 --> 00:04:43,200 Speaker 2: over the Matt and Jury Show for the last eleven years. 122 00:04:43,240 --> 00:04:45,840 Speaker 2: In fact, I think the only place growing up before 123 00:04:45,839 --> 00:04:47,040 Speaker 2: a week in the Matt and Jury Show. I think 124 00:04:47,080 --> 00:04:48,680 Speaker 2: the only time I really heard that song was on 125 00:04:48,680 --> 00:04:51,840 Speaker 2: the Matt and Jury Show. So it actually feels quite 126 00:04:51,880 --> 00:04:54,120 Speaker 2: full circle moment looking about this one. 127 00:04:54,000 --> 00:04:55,680 Speaker 1: Looms large for you, then it. 128 00:04:55,760 --> 00:04:58,040 Speaker 2: Looms large for me especially. Yeah, so I think we'll 129 00:04:58,040 --> 00:04:59,920 Speaker 2: play this one. This is a podcast from about Yogo 130 00:05:00,120 --> 00:05:01,120 Speaker 2: talking about the Greatest. 131 00:05:00,920 --> 00:05:01,440 Speaker 1: Night and Pop. 132 00:05:01,880 --> 00:05:03,359 Speaker 2: I was having to listen to it before, just to 133 00:05:03,360 --> 00:05:06,000 Speaker 2: make sure that, you know, a year ago, you know, 134 00:05:06,080 --> 00:05:10,000 Speaker 2: times change, making sure everything's still okay and good. Yeah, 135 00:05:10,000 --> 00:05:10,640 Speaker 2: everything's fine. 136 00:05:10,800 --> 00:05:13,040 Speaker 3: Good idea, because we wouldn't want, you know, that stuff 137 00:05:13,080 --> 00:05:17,600 Speaker 3: to come out from that other one. Remember, Yeah, there'll 138 00:05:17,640 --> 00:05:18,760 Speaker 3: be the end of areas. 139 00:05:18,520 --> 00:05:19,880 Speaker 2: All right, Time to get an eye you up, and 140 00:05:19,880 --> 00:05:22,039 Speaker 2: you suppose we'll pass you on to an episode of 141 00:05:22,040 --> 00:05:24,320 Speaker 2: the podcast from a year or so ago. Do enjoy, 142 00:05:24,360 --> 00:05:26,560 Speaker 2: and we'll be back tomorrow tuning from sixteen of course 143 00:05:26,600 --> 00:05:29,400 Speaker 2: if you want to hear myself and ready treating the boards. 144 00:05:29,400 --> 00:05:32,200 Speaker 2: But until then, thinking of all of you that are 145 00:05:32,200 --> 00:05:34,520 Speaker 2: going through it right now, as are we. And we're 146 00:05:34,560 --> 00:05:36,680 Speaker 2: all in this together. 147 00:05:36,279 --> 00:05:40,159 Speaker 1: Aren't we. Yeah, it's like a threesome, you, me and 148 00:05:40,200 --> 00:05:40,760 Speaker 1: the listener. 149 00:05:42,279 --> 00:05:43,960 Speaker 2: All right, let's kick it off. 150 00:05:58,920 --> 00:06:12,479 Speaker 1: Let's get biz. It is the second to second twenty 151 00:06:12,560 --> 00:06:15,000 Speaker 1: twenty four. This is your daily Bespoke podcast. It's a 152 00:06:15,040 --> 00:06:18,960 Speaker 1: special edition as mentioned on the Conclave, the Met and 153 00:06:19,120 --> 00:06:25,160 Speaker 1: Jerry Show private discussion group on Facebook. Today is all 154 00:06:25,200 --> 00:06:31,360 Speaker 1: about the documentary The Greatest Night and Pop that's up 155 00:06:31,360 --> 00:06:34,080 Speaker 1: on Netflix at the moment. The greatest artists of a 156 00:06:34,200 --> 00:06:38,840 Speaker 1: generation came together to save some lives. Let's be in 157 00:06:38,920 --> 00:06:39,320 Speaker 1: a dream. 158 00:06:40,400 --> 00:06:43,440 Speaker 2: But we only had one night to get this right. 159 00:06:43,920 --> 00:06:47,680 Speaker 1: Let's get this party started. It was just a wish list, 160 00:06:48,160 --> 00:06:50,640 Speaker 1: so yes, without annoying, it was going to be honest. 161 00:06:51,240 --> 00:06:55,039 Speaker 2: Bob Dylan, Stevie Wonder, Paul Simon, Cyndi lauper At Nitler, 162 00:06:55,160 --> 00:06:58,080 Speaker 2: Billy Georges, Steve Perry, Willie Nelson, I think we have 163 00:06:58,240 --> 00:07:00,280 Speaker 2: tea y, Diana. 164 00:07:00,440 --> 00:07:03,240 Speaker 1: Everybody was there. So this is a real feather in 165 00:07:03,279 --> 00:07:06,040 Speaker 1: our cat this The Greatest Night and Pop being the 166 00:07:06,120 --> 00:07:10,520 Speaker 1: number one movie on Netflix globally at the moment. Because 167 00:07:10,960 --> 00:07:12,800 Speaker 1: we were on a limb when we did our live 168 00:07:13,000 --> 00:07:15,960 Speaker 1: podcast recording where we started and ended the show with 169 00:07:16,000 --> 00:07:18,080 Speaker 1: a rendition of where Are the World? People said we 170 00:07:18,080 --> 00:07:21,200 Speaker 1: were crazy, people said no one give a shit. But 171 00:07:21,240 --> 00:07:23,400 Speaker 1: then we noticed when we were doing the live podcast 172 00:07:23,480 --> 00:07:26,280 Speaker 1: record at the theater that people did care and they 173 00:07:26,320 --> 00:07:28,760 Speaker 1: did did sing where are the World. I feel like 174 00:07:28,800 --> 00:07:30,440 Speaker 1: we changed some lives actually that night. We did. 175 00:07:30,440 --> 00:07:32,160 Speaker 2: Actually, I've actually got a bit of an apology to 176 00:07:32,160 --> 00:07:34,440 Speaker 2: make about this situation, because I felt for a long 177 00:07:34,480 --> 00:07:36,600 Speaker 2: time that I probably didn't appreciate this song as much 178 00:07:36,600 --> 00:07:38,720 Speaker 2: as I should have been a part of this show, 179 00:07:38,760 --> 00:07:41,680 Speaker 2: and you boys that often I thought might be the 180 00:07:41,680 --> 00:07:45,960 Speaker 2: only kind of bestions of this of this tune left 181 00:07:45,960 --> 00:07:47,400 Speaker 2: in you know, twenty twenty. 182 00:07:47,160 --> 00:07:48,880 Speaker 1: Four custodians, would you call it? 183 00:07:48,960 --> 00:07:51,680 Speaker 2: Yeah, custodians of this song? Is about the only two 184 00:07:51,680 --> 00:07:53,200 Speaker 2: people I know that are still talking about the. 185 00:07:53,200 --> 00:07:56,880 Speaker 1: Song, well men. Jeremy famously met to the song at 186 00:07:56,880 --> 00:07:59,560 Speaker 1: a karaoke bar, yes when he was singing the song, 187 00:07:59,600 --> 00:08:02,920 Speaker 1: and I joined him on stage, and we change lives 188 00:08:02,920 --> 00:08:03,240 Speaker 1: that night. 189 00:08:03,360 --> 00:08:06,320 Speaker 2: So that's beautiful, Just like these I don't know, fifty 190 00:08:06,320 --> 00:08:09,840 Speaker 2: odd yeah, thirty odd forty odd stars did yeah that 191 00:08:10,000 --> 00:08:11,440 Speaker 2: on that night of nineteen eighty five. 192 00:08:11,520 --> 00:08:14,520 Speaker 1: Well did for January bespokes that are listening now, you 193 00:08:14,600 --> 00:08:17,880 Speaker 1: bespokey dokies, did you do your homework and watch the documentary? 194 00:08:17,920 --> 00:08:20,120 Speaker 1: That's a question I've got to ask for these people. 195 00:08:20,160 --> 00:08:23,200 Speaker 1: I did, I did, I did. Okay, So we've all 196 00:08:23,280 --> 00:08:26,440 Speaker 1: and so hopefully everyone listening has has watched it. If 197 00:08:26,440 --> 00:08:28,280 Speaker 1: they haven't, then they need to get around to watching it, 198 00:08:28,280 --> 00:08:30,000 Speaker 1: because it's it's a good time. Yeah. Some of the 199 00:08:30,040 --> 00:08:33,679 Speaker 1: main talking points Lionel Richie. What a great man Lionel 200 00:08:33,760 --> 00:08:36,120 Speaker 1: Richie is. He pulled the whole thing together. Not only 201 00:08:36,120 --> 00:08:38,200 Speaker 1: did he write the song with Michael Jackson and the 202 00:08:38,200 --> 00:08:40,800 Speaker 1: difficult circumstances being attacked at one point by one of 203 00:08:40,840 --> 00:08:47,520 Speaker 1: Michael Jackson's snakes, high time Pythion, also hosting the American 204 00:08:47,600 --> 00:08:52,640 Speaker 1: Music Awards and writing the song, and then just keeping 205 00:08:52,640 --> 00:08:55,480 Speaker 1: everyone together and being a peacemaker on the actual recording 206 00:08:55,559 --> 00:08:58,520 Speaker 1: day right through the night, being there right through till 207 00:08:58,880 --> 00:09:01,760 Speaker 1: when recording finished at eight am. Because it's a big. 208 00:09:01,720 --> 00:09:03,520 Speaker 4: Night for those guys, because not only they go the 209 00:09:03,559 --> 00:09:08,520 Speaker 4: awards which finished at what ten pm or something, Yeah, 210 00:09:08,559 --> 00:09:13,960 Speaker 4: but then they recorded all night and quite difficult circumstances 211 00:09:13,960 --> 00:09:16,040 Speaker 4: because you were around a whole lot of people who 212 00:09:16,040 --> 00:09:18,960 Speaker 4: were amazing singers, so there was a lot of intimidation 213 00:09:19,040 --> 00:09:21,400 Speaker 4: in the room. I don't think Lionel was particularly intimidated 214 00:09:21,400 --> 00:09:22,880 Speaker 4: by any of the other stars. Line, it was a 215 00:09:22,880 --> 00:09:23,960 Speaker 4: massive star himself. 216 00:09:24,240 --> 00:09:26,960 Speaker 1: Linel Richie felt like just one of those guys that's 217 00:09:26,960 --> 00:09:29,040 Speaker 1: just got a positive attitude towards life. 218 00:09:28,880 --> 00:09:30,680 Speaker 4: And he had a good vibe going, and he was 219 00:09:30,720 --> 00:09:33,800 Speaker 4: making jokes that people said that about Linel Richie and 220 00:09:34,400 --> 00:09:35,880 Speaker 4: and someone else. 221 00:09:36,000 --> 00:09:38,200 Speaker 1: Have you blasted him in the ass by blasting the ass, 222 00:09:38,240 --> 00:09:39,200 Speaker 1: I mean interviewed him. 223 00:09:39,960 --> 00:09:44,040 Speaker 4: No, but Hillary has interviewed him, and he is one 224 00:09:44,080 --> 00:09:46,600 Speaker 4: of those guys, and she's got this theory. She reckons 225 00:09:46,600 --> 00:09:49,440 Speaker 4: that there is a level of star that when you 226 00:09:49,520 --> 00:09:53,120 Speaker 4: interview them, you realize they're actually quite phenomenal human beings 227 00:09:53,480 --> 00:09:55,680 Speaker 4: and they are always nice to you. And then there's 228 00:09:55,720 --> 00:09:59,199 Speaker 4: a level down which is not which are oftentimes kind 229 00:09:59,200 --> 00:10:01,960 Speaker 4: of assholes, and they're not quite the same. And he 230 00:10:02,120 --> 00:10:04,240 Speaker 4: is the kind of he as the kind of person 231 00:10:04,280 --> 00:10:07,240 Speaker 4: when you interview I'm with Heller anyway where he learns 232 00:10:07,240 --> 00:10:09,480 Speaker 4: the name of the person who's interviewing you and finds 233 00:10:09,480 --> 00:10:12,760 Speaker 4: out something about the person and he actually talks to 234 00:10:12,760 --> 00:10:13,360 Speaker 4: you like your. 235 00:10:13,280 --> 00:10:16,400 Speaker 1: Enormous Hey, Hillary, so here you've got a hot husband. 236 00:10:16,800 --> 00:10:19,199 Speaker 4: Yeah that's not what he said, but that sort of 237 00:10:19,280 --> 00:10:22,800 Speaker 4: vibe totally. But she said, yeah, he's he's like funny 238 00:10:22,880 --> 00:10:25,960 Speaker 4: and normal and he's a very talented individual obviously. 239 00:10:26,520 --> 00:10:28,839 Speaker 1: And then Michael Jackson. I can't get out of Michael Jackson. 240 00:10:28,840 --> 00:10:30,600 Speaker 1: And it's caloss to get Lionel Richie on the show 241 00:10:30,640 --> 00:10:32,280 Speaker 1: to talk about this fucking documentary. Can we do that? 242 00:10:32,320 --> 00:10:33,560 Speaker 1: How do we do that? How do we all write 243 00:10:33,559 --> 00:10:36,720 Speaker 1: that might be able to do that? Yeah, because he 244 00:10:36,800 --> 00:10:38,680 Speaker 1: might be on the promotion for the Stocco at the moment, 245 00:10:38,720 --> 00:10:41,920 Speaker 1: I like to call him Leonel. Yeah, that is the 246 00:10:41,920 --> 00:10:44,240 Speaker 1: There was one part of the documentary documentary I didn't 247 00:10:44,320 --> 00:10:49,120 Speaker 1: understand is that Lionel Richie and Michael Jackson were good 248 00:10:49,120 --> 00:10:51,599 Speaker 1: friends because Lionel Richie had been the singer of the 249 00:10:51,640 --> 00:10:54,240 Speaker 1: Commodorees and Michael Jackson was the singer of the Jackson Vibe, 250 00:10:54,360 --> 00:10:58,160 Speaker 1: and they bonded in similar age I guess motown and 251 00:10:58,200 --> 00:11:01,760 Speaker 1: motown such and much like. And then the first time 252 00:11:01,800 --> 00:11:04,000 Speaker 1: Michael Jackson got a license, he drove around to a 253 00:11:04,200 --> 00:11:07,760 Speaker 1: line or Richie's house, and then later on he goes, 254 00:11:07,800 --> 00:11:09,760 Speaker 1: I'm going to go and record the song, write the song, 255 00:11:09,760 --> 00:11:12,560 Speaker 1: and he went round to Neverland, which is Michael Jackson's house, 256 00:11:12,880 --> 00:11:14,720 Speaker 1: and that's when he nearly got attacked by the snake 257 00:11:14,760 --> 00:11:18,319 Speaker 1: and Michael Jackson was getting him to pest around bubbles 258 00:11:18,360 --> 00:11:20,840 Speaker 1: and such, and then he goes, and then of what goes. 259 00:11:20,840 --> 00:11:23,440 Speaker 1: I realized we'd never spent time together before, and that 260 00:11:23,520 --> 00:11:25,760 Speaker 1: was the first time he'd been to Michael Jackson's house. Yeah, 261 00:11:25,800 --> 00:11:27,840 Speaker 1: But just earlier in the documentary was saying that Michael 262 00:11:27,880 --> 00:11:29,079 Speaker 1: Jackson used to drive around to his house. 263 00:11:29,760 --> 00:11:32,240 Speaker 2: I assumed that that was about that. It was the 264 00:11:32,240 --> 00:11:33,440 Speaker 2: first time I've written together. 265 00:11:34,760 --> 00:11:37,040 Speaker 1: But I might be wrong. Well, maybe that would make sense. 266 00:11:37,080 --> 00:11:39,080 Speaker 1: Maybe we was just slightly said wrong. We hadn't spent 267 00:11:39,120 --> 00:11:41,360 Speaker 1: time doing this before, yeah, or I hadn't spent time 268 00:11:41,400 --> 00:11:42,480 Speaker 1: around it never Land because. 269 00:11:42,280 --> 00:11:45,640 Speaker 4: Michael Jackson just turns out he hums and makes noises yeah, 270 00:11:45,800 --> 00:11:49,360 Speaker 4: and linel of course as a virtuoso pianist, yeah, and 271 00:11:49,400 --> 00:11:52,520 Speaker 4: writes normally on the piano and also multi instrumentals. 272 00:11:53,280 --> 00:11:56,280 Speaker 1: That's the real musicians blow my mind. Like say, for example, 273 00:11:56,320 --> 00:11:58,040 Speaker 1: Stevie Wonder was supposed to write the song, but didn't 274 00:11:58,040 --> 00:12:00,400 Speaker 1: write the song because he didn't answer the call. And 275 00:12:00,440 --> 00:12:02,520 Speaker 1: he turned up on the day to record it and 276 00:12:02,559 --> 00:12:05,559 Speaker 1: thought there was the writing day. Wonder is a bit useless, 277 00:12:05,559 --> 00:12:07,319 Speaker 1: it turns out, and Quincy took him down the hall 278 00:12:07,320 --> 00:12:09,280 Speaker 1: and said, hey mate, it's already been written then. And 279 00:12:09,360 --> 00:12:11,200 Speaker 1: Stevie Wonder was a bit cheeky about a few things, 280 00:12:11,240 --> 00:12:14,040 Speaker 1: and it was a bit of a troublemaker, but he 281 00:12:14,080 --> 00:12:16,160 Speaker 1: made a great joke at one point. Was what was 282 00:12:16,200 --> 00:12:19,079 Speaker 1: the joke about he goes line leading the blind? No, 283 00:12:19,080 --> 00:12:21,000 Speaker 1: I know there was one before that when Stevie yelled out, 284 00:12:21,040 --> 00:12:23,400 Speaker 1: he goes, you get that wrong again. Everyone that gets 285 00:12:23,440 --> 00:12:25,760 Speaker 1: it wrong, it gets driven home by me or Rachel 286 00:12:29,080 --> 00:12:32,480 Speaker 1: the whole of course, famously two blind people, Rachel's and 287 00:12:32,480 --> 00:12:35,840 Speaker 1: Stevie Wonder. Yeah. But then it's amazing how Stevie Wonder 288 00:12:35,840 --> 00:12:38,360 Speaker 1: could just sit down and immediately play the song and 289 00:12:38,360 --> 00:12:41,200 Speaker 1: a flourishes to it and play it in different styles. 290 00:12:41,400 --> 00:12:43,360 Speaker 1: He started playing it in the sort of Georgia on 291 00:12:43,400 --> 00:12:46,720 Speaker 1: my mind, Yeah, sort of soulful style. Yeah. So they 292 00:12:46,760 --> 00:12:47,560 Speaker 1: said that Stevie Wonder. 293 00:12:47,600 --> 00:12:50,160 Speaker 4: I didn't realize this, but Stevie Wonder apparently a great 294 00:12:50,280 --> 00:12:53,520 Speaker 4: mimic and so he can he can mimic any other 295 00:12:53,640 --> 00:12:54,440 Speaker 4: singer's voice. 296 00:12:54,960 --> 00:12:57,000 Speaker 1: The most heartfelt part of the documentary for me was 297 00:12:57,040 --> 00:13:00,840 Speaker 1: the whole Bob Dylan arc. So Bob Dylan turns up there. 298 00:13:00,840 --> 00:13:02,800 Speaker 1: He's not a He's not He's a great writer and 299 00:13:02,840 --> 00:13:04,640 Speaker 1: a superstar, you know, one of the most famous people 300 00:13:04,679 --> 00:13:07,360 Speaker 1: in the room, but not a great singer in the 301 00:13:07,400 --> 00:13:11,079 Speaker 1: sense that Lionel Ritchie or or Michael Jerry or Steve 302 00:13:11,120 --> 00:13:13,640 Speaker 1: Perry as And so you could see that not only 303 00:13:13,760 --> 00:13:18,400 Speaker 1: was Bob Dylan dangerously stoned, but also feeling quite uncomfortable. 304 00:13:18,440 --> 00:13:20,280 Speaker 1: And then at that moment where he's trying to sing 305 00:13:20,280 --> 00:13:21,439 Speaker 1: it and he can't get it, and he doesn't even 306 00:13:21,440 --> 00:13:24,400 Speaker 1: know what he's supposed to do, and then Stevie Wonder 307 00:13:24,440 --> 00:13:27,959 Speaker 1: calls him over and then imitates Bob Dylan's voice and 308 00:13:28,480 --> 00:13:32,080 Speaker 1: vocal style to him, and then and then gets him 309 00:13:32,120 --> 00:13:35,480 Speaker 1: to do it and go, there's a judgement're making. Where's 310 00:13:35,520 --> 00:13:39,800 Speaker 1: Stephen or Lot to do? We make it better, just 311 00:13:39,880 --> 00:13:42,040 Speaker 1: you and me and does it in the Bob Dylan 312 00:13:42,080 --> 00:13:44,760 Speaker 1: style to fair Mesh does a very good impression of 313 00:13:44,760 --> 00:13:45,200 Speaker 1: Bob Dylan. 314 00:13:45,240 --> 00:13:48,160 Speaker 2: Don't you make Yeah, that's true, but I was also 315 00:13:48,880 --> 00:13:52,040 Speaker 2: thinking at the same line of about you, I. 316 00:13:52,000 --> 00:13:55,360 Speaker 1: Don't want to do it. Come on, Bob Dylan in Possession, 317 00:13:55,520 --> 00:13:56,920 Speaker 1: I don't really come on. 318 00:13:57,080 --> 00:13:59,079 Speaker 2: Well, it's more of a visual thing because I usual 319 00:13:59,160 --> 00:14:01,240 Speaker 2: I impersonated when he's doing the chorus. 320 00:14:01,480 --> 00:14:05,199 Speaker 4: Oh, just standing there, just looking forward, looking like he 321 00:14:05,240 --> 00:14:06,800 Speaker 4: would rather be us in the world. 322 00:14:07,720 --> 00:14:10,240 Speaker 2: The Bob Dylan kind of actually made me the most 323 00:14:10,640 --> 00:14:12,720 Speaker 2: most emotional as well, because we've given him a lot 324 00:14:12,720 --> 00:14:13,360 Speaker 2: of stick on the show. 325 00:14:13,520 --> 00:14:15,319 Speaker 1: Yeah, we have, and you kind of think when you're 326 00:14:15,320 --> 00:14:17,400 Speaker 1: watching it, Oh, he's hating it, and he thinks he's 327 00:14:17,440 --> 00:14:19,800 Speaker 1: better than that, And then you realize, no, he doesn't 328 00:14:19,800 --> 00:14:21,760 Speaker 1: think he's better than that. He knows he's not good 329 00:14:21,840 --> 00:14:24,080 Speaker 1: enough for it. He's not good enough to sing with 330 00:14:24,120 --> 00:14:28,120 Speaker 1: all these people. Yeah, And then and then he tries, 331 00:14:28,160 --> 00:14:29,840 Speaker 1: and they clear the whole room out, and then and 332 00:14:29,880 --> 00:14:31,200 Speaker 1: they just find a way. And then the way he 333 00:14:31,280 --> 00:14:34,320 Speaker 1: hugs Stevie Wonder for helping him. He doesn't get offended 334 00:14:34,320 --> 00:14:36,280 Speaker 1: that Stevie Wonders imitated him and told him how to sing. 335 00:14:36,320 --> 00:14:38,680 Speaker 1: It is that relief. He just goes thank you. He 336 00:14:39,160 --> 00:14:41,680 Speaker 1: he goes thank you, I can do this, because how 337 00:14:41,680 --> 00:14:42,640 Speaker 1: intimidating would. 338 00:14:42,440 --> 00:14:45,240 Speaker 4: It be the fact that he decided at the end 339 00:14:45,240 --> 00:14:49,520 Speaker 4: he go you me instead of instead of doing it 340 00:14:49,600 --> 00:14:50,640 Speaker 4: in a normal kind. 341 00:14:50,520 --> 00:14:59,200 Speaker 1: Of a way. 342 00:15:00,920 --> 00:15:03,160 Speaker 3: I just thought it was funny because he always looked 343 00:15:03,280 --> 00:15:06,200 Speaker 3: like some invisible person was pushing his head backwards the 344 00:15:06,200 --> 00:15:06,640 Speaker 3: whole time. 345 00:15:06,680 --> 00:15:09,400 Speaker 1: He was just so shocked at all. 346 00:15:09,240 --> 00:15:10,960 Speaker 3: Of the people in their own when I thought, he 347 00:15:11,040 --> 00:15:14,280 Speaker 3: looks like constantly like someone's just pushing his here. 348 00:15:14,320 --> 00:15:15,840 Speaker 4: Yeah, well, I got a bone to pick with you 349 00:15:15,880 --> 00:15:18,760 Speaker 4: actually met, because I remember when we talked about this 350 00:15:18,800 --> 00:15:21,200 Speaker 4: a while ago. You were on the case of Lauper 351 00:15:21,720 --> 00:15:26,360 Speaker 4: and you said, rubbish effort from you, Lauper. Oh, rubbish effort, Lapa. 352 00:15:26,440 --> 00:15:28,920 Speaker 4: What are you doing, Lauper? You've come in with your 353 00:15:29,360 --> 00:15:30,120 Speaker 4: wow wow. 354 00:15:30,080 --> 00:15:30,920 Speaker 1: Whoa whoa. 355 00:15:31,000 --> 00:15:33,760 Speaker 4: Let's you've come in with your woh woh wohs. You're 356 00:15:33,760 --> 00:15:36,120 Speaker 4: stealing the show. What are you doing, Lauper? Will you 357 00:15:36,200 --> 00:15:38,880 Speaker 4: revisit those comments that you made about Lapa after watching 358 00:15:38,920 --> 00:15:40,120 Speaker 4: the documentary. 359 00:15:39,560 --> 00:15:41,520 Speaker 1: I'd like to walk back those comments about Lauper. I 360 00:15:41,520 --> 00:15:45,440 Speaker 1: thought it was a trouble maker and as a Quincy 361 00:15:45,520 --> 00:15:47,920 Speaker 1: Jones said, I don't want to walk back back, walk 362 00:15:47,960 --> 00:15:50,160 Speaker 1: back back, because then I didn't look so I was 363 00:15:50,200 --> 00:15:52,920 Speaker 1: watching it then I didn't realize how brilliant Quincy Jones 364 00:15:53,000 --> 00:15:55,400 Speaker 1: was and the people that put it together, that they 365 00:15:55,400 --> 00:15:58,560 Speaker 1: were making people be who they were, like the cartoon 366 00:15:58,720 --> 00:16:03,120 Speaker 1: version of themselves. So each solo was an opportunity to 367 00:16:03,200 --> 00:16:05,760 Speaker 1: show who they were, which makes total sense because he's 368 00:16:05,760 --> 00:16:08,480 Speaker 1: got these stars here. So Michael Jackson, so Michael Jackson, 369 00:16:08,880 --> 00:16:15,000 Speaker 1: and and Bruce Springsteen. He just finished the US Born 370 00:16:15,000 --> 00:16:17,560 Speaker 1: in the USA tour, so his voice was quite fucked, 371 00:16:17,560 --> 00:16:20,520 Speaker 1: but he was more Bruce Springsteen than Bruce Springsteen's ever been. 372 00:16:20,560 --> 00:16:22,680 Speaker 1: Bob Dylan was more Bob Dylan than Bob Dylan has 373 00:16:22,720 --> 00:16:26,200 Speaker 1: ever been. And Cindy Lauper was more Cindy Lauper than 374 00:16:26,240 --> 00:16:28,720 Speaker 1: she's ever been. And that was what they wanted. They 375 00:16:28,760 --> 00:16:31,760 Speaker 1: wanted everyone to step up and and then and that's 376 00:16:31,800 --> 00:16:36,400 Speaker 1: what the songs like you go yes yes, So Bruce Springsteen. 377 00:16:35,960 --> 00:16:40,040 Speaker 4: Their bits are so there, buts and Tina Turner A 378 00:16:40,080 --> 00:16:42,440 Speaker 4: not a lot was talking about Tina Turner's role in that. 379 00:16:42,720 --> 00:16:44,080 Speaker 4: I thought she was outstanding. 380 00:16:44,600 --> 00:16:47,280 Speaker 3: Yeah, Well, they said that they'd put her there because 381 00:16:47,320 --> 00:16:50,160 Speaker 3: she had such for a woman, she had such a 382 00:16:50,200 --> 00:16:53,320 Speaker 3: good lower range, and so she matched up really well 383 00:16:53,360 --> 00:16:54,440 Speaker 3: with Billy Joel, I'll tell her. 384 00:16:54,360 --> 00:16:58,000 Speaker 1: What are there? Paul Simon and Kenny Rodgers. The harmony 385 00:16:58,200 --> 00:17:02,400 Speaker 1: that they hit on the greatest gift of all so beautiful, 386 00:17:02,440 --> 00:17:05,040 Speaker 1: you know, after and it's time to lend a hand. 387 00:17:05,320 --> 00:17:08,439 Speaker 5: The greatest gift of Yeah it's nyl in that but 388 00:17:08,520 --> 00:17:13,199 Speaker 5: as well, oh yeah, because it goes Lionel Richie, then 389 00:17:13,200 --> 00:17:16,080 Speaker 5: Stevie Wonder, then Paul Simon, then brilliantly, Paul Simon and 390 00:17:16,160 --> 00:17:19,880 Speaker 5: Kenny Rogers together brilliantly, And good on Kenny. 391 00:17:19,760 --> 00:17:24,720 Speaker 1: Rogers for wearing the shirt. And now Diana Ross. Good 392 00:17:24,800 --> 00:17:27,399 Speaker 1: talking about Diana. Kenny Rodgers had a good time that 393 00:17:27,640 --> 00:17:30,040 Speaker 1: Kenny Rodgers a fan of the Nose guy. 394 00:17:30,359 --> 00:17:32,400 Speaker 2: It was laying it was. 395 00:17:34,680 --> 00:17:37,600 Speaker 4: He turned up and yeah, it was like it was 396 00:17:37,640 --> 00:17:40,440 Speaker 4: like he drove himself in like a Japanese hatchback. 397 00:17:41,840 --> 00:17:45,439 Speaker 1: And so and so the two people that drove themselves 398 00:17:45,440 --> 00:17:48,160 Speaker 1: for Bruce Springsteen. He just pulled up in some pretty 399 00:17:48,200 --> 00:17:51,200 Speaker 1: average just crossed the road and jumped out and found 400 00:17:51,200 --> 00:17:51,600 Speaker 1: a park. 401 00:17:52,640 --> 00:17:55,199 Speaker 4: Some people tuning up and Lamos Kem Khan stand up 402 00:17:55,240 --> 00:17:57,480 Speaker 4: in a lomo, a massive line of nose kinds. 403 00:17:57,600 --> 00:18:02,199 Speaker 1: Yeah, Keim Karn It was almost like limo almost lowered 404 00:18:02,240 --> 00:18:05,280 Speaker 1: you didn't it, Yeah, a limo like the really kick 405 00:18:05,320 --> 00:18:09,040 Speaker 1: ass perform was like Bruce Springsteen. And also Quincy Jones 406 00:18:09,119 --> 00:18:11,919 Speaker 1: drove there. We didn't drive. He was driven, but he 407 00:18:12,000 --> 00:18:13,080 Speaker 1: was just in his car. 408 00:18:13,160 --> 00:18:15,600 Speaker 4: Apparently the limoso were waiting at the outside of the 409 00:18:15,640 --> 00:18:17,439 Speaker 4: AMAS to pick them up and take them to that 410 00:18:17,560 --> 00:18:21,080 Speaker 4: particular location. So I guess some people were probably on 411 00:18:21,119 --> 00:18:22,600 Speaker 4: the back of a couple of drinks or whatever. In 412 00:18:22,600 --> 00:18:24,720 Speaker 4: those days you could drink drive though quite a different 413 00:18:24,760 --> 00:18:27,840 Speaker 4: sort of a quite a different thing. But Dinah Ross, yeah, 414 00:18:28,720 --> 00:18:32,560 Speaker 4: who arguably has one of the greatest voices. I love 415 00:18:32,640 --> 00:18:35,200 Speaker 4: Diana Ross's voice. And she was wearing the T shirt 416 00:18:35,320 --> 00:18:38,800 Speaker 4: much like much like Kenny, You're getting on board, and 417 00:18:38,880 --> 00:18:41,000 Speaker 4: Dinah didn't want to leave. At the end of it, 418 00:18:41,040 --> 00:18:42,919 Speaker 4: she was in tears because she said it was one 419 00:18:42,960 --> 00:18:44,760 Speaker 4: of the great she wants. She said, I don't want 420 00:18:44,760 --> 00:18:48,640 Speaker 4: this night to end. That's a woman who understands, has 421 00:18:48,640 --> 00:18:52,000 Speaker 4: a sense of history and had been around for a 422 00:18:52,040 --> 00:18:55,399 Speaker 4: long time, and she goes, you know what, this is 423 00:18:55,880 --> 00:18:58,960 Speaker 4: gonna be hard to better. She understood the gravity of 424 00:18:59,280 --> 00:18:59,680 Speaker 4: the event. 425 00:19:00,880 --> 00:19:04,560 Speaker 1: And another brilliant piece from Quincy Jones was getting Bruce 426 00:19:04,600 --> 00:19:09,280 Speaker 1: Springsteen to be the the cheerleader, he said, of the choruses. So, 427 00:19:09,320 --> 00:19:11,760 Speaker 1: Bruce Springsteen's done, and you got that voice coming to 428 00:19:11,800 --> 00:19:14,159 Speaker 1: the chorus. So so gravelly, you know when he was like, 429 00:19:14,320 --> 00:19:18,360 Speaker 1: cut cuts, we are. 430 00:19:19,760 --> 00:19:22,480 Speaker 4: Because because the great thing about that is it's kind 431 00:19:22,480 --> 00:19:26,760 Speaker 4: of the anti it's the anti chral singing. You know, 432 00:19:26,840 --> 00:19:29,640 Speaker 4: you could never sing like that in a choir. No, 433 00:19:30,040 --> 00:19:32,760 Speaker 4: you would stand out like dogs balls. And so that 434 00:19:32,840 --> 00:19:35,200 Speaker 4: was a great thing about that. A ranger, yeah who 435 00:19:35,240 --> 00:19:36,800 Speaker 4: I can't remember his name now, but he would work 436 00:19:36,840 --> 00:19:40,400 Speaker 4: with Quincy Jones. Yeah, and he just went he listened 437 00:19:40,400 --> 00:19:42,080 Speaker 4: to all those things, and okay, I've got a big 438 00:19:42,119 --> 00:19:43,640 Speaker 4: con it's all about contrasts. 439 00:19:43,680 --> 00:19:46,000 Speaker 1: That song other brilliant stories. I liked that they used 440 00:19:46,040 --> 00:19:49,400 Speaker 1: Daryl Hall. But they didn't let that piss anywhere near 441 00:19:49,400 --> 00:19:51,119 Speaker 1: the mine. No, they didn't. They didn't. 442 00:19:52,280 --> 00:19:53,800 Speaker 2: I was quite intrigued by that, and I was wondering 443 00:19:53,800 --> 00:19:55,280 Speaker 2: if you there was a question that I had written 444 00:19:55,320 --> 00:19:57,840 Speaker 2: under my notes, is do you know what the situation 445 00:19:58,000 --> 00:20:01,080 Speaker 2: was there? Was he more famous out of the two 446 00:20:01,119 --> 00:20:02,320 Speaker 2: at the time, or was he the only one that 447 00:20:02,320 --> 00:20:02,840 Speaker 2: can sing well? 448 00:20:02,880 --> 00:20:05,520 Speaker 1: He was the singer normally. Yeah, Okay, So Oats was 449 00:20:05,560 --> 00:20:08,200 Speaker 1: allowed to be in the chorus only just so Oats 450 00:20:08,240 --> 00:20:10,840 Speaker 1: was there in the course. You can't see him in 451 00:20:10,880 --> 00:20:13,920 Speaker 1: the photo because he's he's so sure that its was 452 00:20:13,960 --> 00:20:16,640 Speaker 1: there early. But did the Oats storm out? Because when 453 00:20:17,040 --> 00:20:19,800 Speaker 1: Darryl Hall was given. But if you just believe, there's 454 00:20:19,840 --> 00:20:21,040 Speaker 1: nowhere we can find. 455 00:20:22,960 --> 00:20:26,280 Speaker 4: Why wasn't Lindsay Buckingham from Fleetwood Matt given any of those? 456 00:20:26,359 --> 00:20:30,359 Speaker 1: Why would why would Elderro get a bit? Fuck Aldiou 457 00:20:30,480 --> 00:20:34,400 Speaker 1: and over and over he fuck that drunk piece of ship, Eldero. 458 00:20:34,480 --> 00:20:37,240 Speaker 1: The only thing he's ever done is I'm sorry, I'm 459 00:20:37,280 --> 00:20:38,440 Speaker 1: strying to get angry about. 460 00:20:39,520 --> 00:20:40,879 Speaker 2: While you seage that up. Can we just take a 461 00:20:40,960 --> 00:20:42,240 Speaker 2: quick break and we are going to come back to 462 00:20:42,280 --> 00:20:50,160 Speaker 2: this in just a moment, and we're back in matter. 463 00:20:50,160 --> 00:20:53,119 Speaker 2: I think it's still switching up that one thing that 464 00:20:53,160 --> 00:20:54,320 Speaker 2: Aldirow has ever done. 465 00:20:54,320 --> 00:20:58,240 Speaker 1: And I don't even know if this is Ldro, but 466 00:20:58,240 --> 00:20:59,880 Speaker 1: but I feel like it might be the song here. 467 00:21:03,080 --> 00:21:04,560 Speaker 1: Oh that's a pretty good job. 468 00:21:05,320 --> 00:21:08,679 Speaker 2: This is quite good. This is a good tune. Actually, 469 00:21:08,680 --> 00:21:11,800 Speaker 2: I'll take everything back Une, drink all the wine you want, mate. 470 00:21:12,920 --> 00:21:15,679 Speaker 2: He did he was on the past, wasn't he? And 471 00:21:15,840 --> 00:21:18,600 Speaker 2: Lea now had to stop giving him the wine. 472 00:21:18,640 --> 00:21:29,560 Speaker 1: Is that right? Sure? Yeah? Ja, oh my god, I 473 00:21:29,720 --> 00:21:30,960 Speaker 1: go Giro settled down. 474 00:21:31,080 --> 00:21:33,159 Speaker 2: I do have to say though, Giro's part in the 475 00:21:33,280 --> 00:21:36,080 Speaker 2: song is one of the parts that probably halts the 476 00:21:36,080 --> 00:21:40,000 Speaker 2: most for me. His voice is quite bizarre, and he 477 00:21:40,040 --> 00:21:41,800 Speaker 2: gives it a little bit too much. He really doles 478 00:21:41,800 --> 00:21:43,359 Speaker 2: it up to one hundred and twenty on that one. 479 00:21:44,119 --> 00:21:48,520 Speaker 1: I've got a question for the conclave, which is US 480 00:21:48,560 --> 00:21:50,720 Speaker 1: and the also the Facebook group if they want to 481 00:21:50,760 --> 00:21:53,160 Speaker 1: discuss that. Yes, but do you think that was cleaned 482 00:21:53,200 --> 00:21:55,239 Speaker 1: up and washed up? Because could you seriously have that 483 00:21:55,280 --> 00:21:59,760 Speaker 1: many rock stars and pop stars, superstars in a room 484 00:22:00,040 --> 00:22:05,200 Speaker 1: at the Nose kai being all over the especially since 485 00:22:05,240 --> 00:22:05,600 Speaker 1: they were. 486 00:22:05,480 --> 00:22:07,320 Speaker 4: There all night. You had a couple of hero and 487 00:22:07,359 --> 00:22:11,240 Speaker 4: addicts in there. So you had Ray Charles, yeah, famous 488 00:22:11,240 --> 00:22:14,480 Speaker 4: hero and addict and at the time was still on 489 00:22:14,600 --> 00:22:15,280 Speaker 4: the junk. 490 00:22:16,560 --> 00:22:19,640 Speaker 1: Who else did you have? Bob Bob Dylan was here. 491 00:22:19,600 --> 00:22:24,040 Speaker 2: Ridden spake or not? Boyl yeah, Founds yeah, always on 492 00:22:24,119 --> 00:22:27,920 Speaker 2: the Maners, Yeah, Buckingham. 493 00:22:27,560 --> 00:22:31,080 Speaker 1: Was on the massively on the nose Kuy, So I 494 00:22:31,160 --> 00:22:32,720 Speaker 1: think that part of it must be cleaned up. You 495 00:22:32,760 --> 00:22:34,399 Speaker 1: know that Kenny Rodgers wasn't on the nose, kay, the 496 00:22:34,440 --> 00:22:36,680 Speaker 1: way he laid into that burger when the food came out. 497 00:22:37,280 --> 00:22:39,399 Speaker 1: You know, no one on nose kai has even been 498 00:22:39,520 --> 00:22:42,600 Speaker 1: that night. But famously Kenny Rodgers did enjoy the nose 499 00:22:42,640 --> 00:22:44,119 Speaker 1: kind in his day. But I think that night, the 500 00:22:44,160 --> 00:22:45,760 Speaker 1: way he laid into that burger, I don't think he's 501 00:22:45,760 --> 00:22:47,119 Speaker 1: a nose that. 502 00:22:47,280 --> 00:22:51,840 Speaker 4: Night, nobody And I think I am claiming racism here. 503 00:22:51,920 --> 00:22:53,880 Speaker 4: Nobody's mentioning Dion Warwick. 504 00:22:55,280 --> 00:22:56,159 Speaker 1: Now I don't know a lot. 505 00:22:57,000 --> 00:22:58,800 Speaker 4: She has a great part in it. I think her 506 00:22:58,880 --> 00:23:00,720 Speaker 4: bit is one of the but it's in one of 507 00:23:00,760 --> 00:23:04,919 Speaker 4: the greatest voices of all time. Dion war God alternative, 508 00:23:05,000 --> 00:23:05,439 Speaker 4: take on it. 509 00:23:07,160 --> 00:23:09,280 Speaker 1: In your heart. I'm better than you because I like 510 00:23:09,400 --> 00:23:15,240 Speaker 1: deon ward. Well, then she came with Willie. They put 511 00:23:15,320 --> 00:23:22,240 Speaker 1: Willie with the weird and Willie, how fucking you man. 512 00:23:22,440 --> 00:23:27,359 Speaker 1: Wie Nelson's got the best voice in the world, Bloody weird. Okay, 513 00:23:27,400 --> 00:23:30,240 Speaker 1: that's what I'm saying. It's not a classic voice. You 514 00:23:30,320 --> 00:23:32,639 Speaker 1: can take chemic Spanish angels and shove them up your 515 00:23:32,680 --> 00:23:34,720 Speaker 1: ass if you're gonna keep talking like that blue guy 516 00:23:35,680 --> 00:23:39,639 Speaker 1: shouting on me blues. It does sound like he. 517 00:23:44,359 --> 00:23:44,399 Speaker 5: Was. 518 00:23:44,440 --> 00:23:47,480 Speaker 2: There was a whistle for I've never understood that this 519 00:23:47,640 --> 00:23:48,439 Speaker 2: is always a whistle. 520 00:23:48,800 --> 00:23:51,480 Speaker 1: How come out. He's on the manas big time. I 521 00:23:51,520 --> 00:23:54,040 Speaker 1: want to I want to talk about b J blow jobs. 522 00:23:54,240 --> 00:23:56,040 Speaker 2: That's a different moment. We should probably keep it on 523 00:23:56,119 --> 00:23:57,240 Speaker 2: the topic of this documentary. 524 00:23:57,280 --> 00:23:59,399 Speaker 1: No mash and I can see how you made that mistake, 525 00:23:59,680 --> 00:24:01,399 Speaker 1: and I probably shouldn't be more clear that I was 526 00:24:01,440 --> 00:24:05,240 Speaker 1: talking about Billy Joel. Billy Joel was just didn't get 527 00:24:05,440 --> 00:24:07,320 Speaker 1: he was just shoved up the ars teen attorney. 528 00:24:07,520 --> 00:24:09,400 Speaker 4: I can tell you why, because actually, when you listen 529 00:24:09,440 --> 00:24:12,080 Speaker 4: to the lineup of all those other voices, he's pretty 530 00:24:12,880 --> 00:24:15,560 Speaker 4: I love Billy Joe, great voice, great songwriter, all that 531 00:24:15,640 --> 00:24:18,439 Speaker 4: sort of stuff, huge commercial success. But when you look 532 00:24:18,480 --> 00:24:22,720 Speaker 4: at those other people, his solo and amongst the lot 533 00:24:22,960 --> 00:24:24,280 Speaker 4: is pretty nondescript. 534 00:24:24,359 --> 00:24:25,200 Speaker 1: It's pretty standard. 535 00:24:25,880 --> 00:24:28,320 Speaker 4: You know. It doesn't have the same character that a 536 00:24:28,400 --> 00:24:31,440 Speaker 4: lot of those other voices have, right, I reckon, But 537 00:24:31,560 --> 00:24:33,440 Speaker 4: they needed to put him in there because he was 538 00:24:33,800 --> 00:24:35,480 Speaker 4: at the time, he'd just done Uptown Girl. 539 00:24:36,320 --> 00:24:36,840 Speaker 6: He was big. 540 00:24:37,440 --> 00:24:40,560 Speaker 2: Yeah, yeah, I can we talk about maybe one of 541 00:24:40,800 --> 00:24:42,679 Speaker 2: my favorite kind of character arcts of the whole thing, 542 00:24:42,840 --> 00:24:45,040 Speaker 2: and that was the Huey Lewis situation. 543 00:24:46,400 --> 00:24:49,560 Speaker 1: Yeah, what a story to get huy Lewis on the podcast. 544 00:24:50,280 --> 00:24:54,280 Speaker 1: Huey Lewis seems like a great interview subject. He would be. 545 00:24:54,760 --> 00:24:57,679 Speaker 1: I would love to have Huey Lewis. The news can 546 00:24:57,880 --> 00:24:59,840 Speaker 1: fuck off? How big is the news? 547 00:24:59,880 --> 00:25:01,720 Speaker 2: How many members are in the news one. 548 00:25:01,760 --> 00:25:06,239 Speaker 1: Five the news? But like Huey Lewis, we seemed such 549 00:25:06,280 --> 00:25:10,440 Speaker 1: such a good guy and podcasts and interviews. Have you 550 00:25:10,560 --> 00:25:13,119 Speaker 1: seen him recently? He did that? You know, there's that 551 00:25:13,200 --> 00:25:16,119 Speaker 1: scene in American Psycho that talks about Huey Lewis and 552 00:25:16,160 --> 00:25:18,560 Speaker 1: the news that you know, the albums and and and stuff. 553 00:25:18,800 --> 00:25:20,879 Speaker 1: He's done the reverse of it. That's really good. Well 554 00:25:20,920 --> 00:25:24,760 Speaker 1: what's that? Well, he's in the in Patrick Bateman's apartment, 555 00:25:25,640 --> 00:25:27,360 Speaker 1: can get Yeah's go back to what you're saying. 556 00:25:27,359 --> 00:25:31,840 Speaker 2: Mass So Prince obviously wasn't able to make it. He 557 00:25:32,040 --> 00:25:36,080 Speaker 2: just clean swept the American Music Awards, essentially beating out 558 00:25:36,200 --> 00:25:38,879 Speaker 2: what was pretty much him and Michael Jackson up for everything. 559 00:25:39,200 --> 00:25:39,400 Speaker 6: Yeah. 560 00:25:39,440 --> 00:25:42,360 Speaker 2: Yeah, and of course it's humanly had himself go watch 561 00:25:42,359 --> 00:25:44,040 Speaker 2: the doc I he hadn't seen it him up because 562 00:25:44,359 --> 00:25:47,360 Speaker 2: this is just just to see Prince's bodyguard is enough 563 00:25:47,440 --> 00:25:47,800 Speaker 2: to watch this? 564 00:25:48,080 --> 00:25:51,000 Speaker 1: I love Prince's bodyguard. It was like this giant hell 565 00:25:51,080 --> 00:25:53,960 Speaker 1: billy that was like so huge and a pair of 566 00:25:54,280 --> 00:25:55,879 Speaker 1: was he in I can't quite remember, but he was 567 00:25:55,920 --> 00:25:56,920 Speaker 1: he in overalls? 568 00:25:58,040 --> 00:26:00,760 Speaker 2: Yeah, keep along on the front, like in front of 569 00:26:00,800 --> 00:26:02,200 Speaker 2: an egg cut and or something like. 570 00:26:02,359 --> 00:26:02,520 Speaker 1: Yeah. 571 00:26:02,600 --> 00:26:05,720 Speaker 2: He was a real Hilbally looking dude. But then Huey 572 00:26:05,800 --> 00:26:09,439 Speaker 2: comes along. Who was it that Matt that referred Quincy 573 00:26:09,600 --> 00:26:11,920 Speaker 2: to Huey to be like, hre, we can do that part? 574 00:26:12,119 --> 00:26:15,119 Speaker 1: Yeah, yes, I think it was. Was it his was 575 00:26:15,200 --> 00:26:18,439 Speaker 1: it his arranger or someone someone Someone went up and said, Hugh, 576 00:26:18,480 --> 00:26:20,280 Speaker 1: he's got a voice. You want to put Huey in there. 577 00:26:20,520 --> 00:26:21,439 Speaker 1: You're not really here. 578 00:26:21,560 --> 00:26:23,880 Speaker 4: If you were a true Huey Lewis and a News fan, 579 00:26:24,440 --> 00:26:26,560 Speaker 4: then you would be all over this. There is a 580 00:26:26,840 --> 00:26:29,200 Speaker 4: new musical out called The Heart of Rock and Roll, 581 00:26:29,200 --> 00:26:31,080 Speaker 4: which is the story of Huey Lewis and the News. 582 00:26:32,040 --> 00:26:34,639 Speaker 4: Is it playing Parmas North on New Plumouth or anywhere 583 00:26:34,640 --> 00:26:37,160 Speaker 4: at the moment, but it is playing on Broadway really 584 00:26:38,400 --> 00:26:39,560 Speaker 4: hard rock and rule. 585 00:26:40,400 --> 00:26:42,000 Speaker 1: But yeah, so that arc to go back to what 586 00:26:42,119 --> 00:26:45,560 Speaker 1: I was saying. The art sorry, it was Kenny Loggins 587 00:26:45,680 --> 00:26:52,080 Speaker 1: was the one that suggested so he said, because seems 588 00:26:52,119 --> 00:26:54,080 Speaker 1: like quite a different voice from what Prince would come 589 00:26:54,119 --> 00:26:54,320 Speaker 1: in with. 590 00:26:54,840 --> 00:26:56,480 Speaker 2: And it's quite up there that line, is it? 591 00:26:57,240 --> 00:27:01,880 Speaker 1: It's high. Huey Lewis was suddenly shitting his pants nervous 592 00:27:01,960 --> 00:27:04,040 Speaker 1: because he was just in the chorus and suddenly he 593 00:27:04,040 --> 00:27:08,600 Speaker 1: had been he had been updated to doing the Prince line, 594 00:27:08,680 --> 00:27:10,840 Speaker 1: and so was the Prince line. It was supposed to 595 00:27:10,880 --> 00:27:13,000 Speaker 1: go either side of Michael Jackson. 596 00:27:12,720 --> 00:27:14,640 Speaker 3: Wasn't it So Michael Jackson, if you're down and out, 597 00:27:14,640 --> 00:27:17,000 Speaker 3: it seems no hope at all. And then Prince, if 598 00:27:17,040 --> 00:27:18,480 Speaker 3: you just believe there's no where we can fall. 599 00:27:18,640 --> 00:27:22,399 Speaker 1: But yeah, he would know how Prince would do it. 600 00:27:22,480 --> 00:27:26,080 Speaker 1: But then the way Huey Lewis nails it, fuck he 601 00:27:26,160 --> 00:27:28,119 Speaker 1: now to know, yeah, and then and then to go 602 00:27:28,200 --> 00:27:30,960 Speaker 1: into that harmony straight after that, it's it's quite something, 603 00:27:31,080 --> 00:27:31,320 Speaker 1: isn't it? 604 00:27:31,680 --> 00:27:34,960 Speaker 2: And then and Michael Jackson was probably one of the 605 00:27:35,040 --> 00:27:37,240 Speaker 2: most fascinating parts. Have we talked about earlier in the podcast. 606 00:27:37,320 --> 00:27:41,240 Speaker 2: Of course, he a couple of addictive personalities working on 607 00:27:41,320 --> 00:27:45,359 Speaker 2: this project, like very focused in terms of like Michael 608 00:27:45,400 --> 00:27:48,320 Speaker 2: Jackson and of Richie both had bigger and better things 609 00:27:48,359 --> 00:27:50,280 Speaker 2: probably going on that night, but they just were so 610 00:27:50,400 --> 00:27:52,240 Speaker 2: excited about this one thing. So they just threw their 611 00:27:52,400 --> 00:27:54,440 Speaker 2: entire evening into this, and Michael Jackson did even go 612 00:27:54,480 --> 00:27:56,000 Speaker 2: to the wards. He stayed behind and set up the 613 00:27:56,240 --> 00:27:57,359 Speaker 2: recording to Year with Quincy. 614 00:27:57,600 --> 00:27:59,680 Speaker 1: Yeah, and that like five. 615 00:27:59,520 --> 00:28:03,040 Speaker 2: Minutes of him sitting behind a microphone testing the microphone 616 00:28:03,119 --> 00:28:05,560 Speaker 2: levels with Quincy. And he does not hit a bung note. 617 00:28:05,720 --> 00:28:08,760 Speaker 1: No, I don't know he's ever had a bung note. 618 00:28:09,359 --> 00:28:11,800 Speaker 1: I don't think it's possible. He is such a good 619 00:28:11,880 --> 00:28:14,200 Speaker 1: voteles those notes. I don't know. 620 00:28:14,320 --> 00:28:16,280 Speaker 4: It's a stupid thing to say, but I think he 621 00:28:16,600 --> 00:28:20,680 Speaker 4: is that like that. It's not like he's making the sound. 622 00:28:20,840 --> 00:28:23,640 Speaker 4: The sound is part of him. The notes are part 623 00:28:23,720 --> 00:28:26,879 Speaker 4: of him. It's all part of the thing, and you 624 00:28:27,040 --> 00:28:30,480 Speaker 4: can't He's not like he's reaching for anything. It's just 625 00:28:30,760 --> 00:28:33,159 Speaker 4: is in them. And then when it comes out. 626 00:28:33,040 --> 00:28:35,240 Speaker 2: Of him, and in fact that he's in terms of 627 00:28:35,359 --> 00:28:37,720 Speaker 2: the song itself in the final product, is he's not. 628 00:28:37,960 --> 00:28:39,480 Speaker 2: He doesn't really want to be a part of it, 629 00:28:39,680 --> 00:28:41,240 Speaker 2: like he's just got a he's just got a couple 630 00:28:41,240 --> 00:28:41,840 Speaker 2: of small bits. 631 00:28:41,920 --> 00:28:43,760 Speaker 1: Really, he didn't want to be the theme of things. 632 00:28:43,960 --> 00:28:45,440 Speaker 1: Michael Jackson didn't want to be in it at all. 633 00:28:45,640 --> 00:28:48,640 Speaker 1: He just and he said he had to be talked 634 00:28:48,640 --> 00:28:50,960 Speaker 1: into it because he thought he was overexposed at that point, 635 00:28:51,600 --> 00:28:53,040 Speaker 1: so he had to be talked into it. 636 00:28:53,160 --> 00:28:56,240 Speaker 4: He wasn't he at that point though. Nineteen eighty five 637 00:28:56,720 --> 00:28:58,600 Speaker 4: he was huge because he'd put Thriller out. 638 00:28:59,200 --> 00:29:01,160 Speaker 1: He'd had the biggest self album of all time, biggest 639 00:29:01,160 --> 00:29:03,120 Speaker 1: selling album, and it's been huge since. He was really 640 00:29:03,160 --> 00:29:04,080 Speaker 1: small with the Jackson five. 641 00:29:04,200 --> 00:29:08,680 Speaker 4: Yes, but I reckon peak Michael Jackson fame in terms 642 00:29:08,720 --> 00:29:11,560 Speaker 4: of his weirdness, and everybody were realizing who he really 643 00:29:11,800 --> 00:29:15,040 Speaker 4: was was probably nineteen eighty seven when he put Bad 644 00:29:15,120 --> 00:29:19,680 Speaker 4: out and after Bad, which was a massive album, not 645 00:29:19,720 --> 00:29:21,800 Speaker 4: a hugest th no, but a huge album. 646 00:29:22,320 --> 00:29:22,960 Speaker 1: And he was. 647 00:29:23,520 --> 00:29:27,000 Speaker 4: Everywhere at that point like he Yeah, he was, so 648 00:29:27,640 --> 00:29:30,640 Speaker 4: his star was still crazily, his star was still rising. 649 00:29:30,400 --> 00:29:33,200 Speaker 1: In nineteen eighty five. It wasn't like he'd reached the peak. 650 00:29:33,280 --> 00:29:35,400 Speaker 1: I've got a question for you, why is James Ingram 651 00:29:35,480 --> 00:29:37,320 Speaker 1: such a big part of the whole thing. It's a 652 00:29:37,360 --> 00:29:42,160 Speaker 1: solo James Ingram. There was a couple of people someone somewhere, 653 00:29:42,240 --> 00:29:47,920 Speaker 1: Well soon that's somewhere, someone somewhere will soon make a change. Yeah, 654 00:29:47,920 --> 00:29:50,240 Speaker 1: I don't know what songs. Did he song? Well, he's 655 00:29:50,280 --> 00:29:52,480 Speaker 1: sung that somewhere out there from an American tale, But 656 00:29:52,560 --> 00:29:56,200 Speaker 1: there was with Linda Onstead. Yeah, so very little was 657 00:29:56,320 --> 00:29:59,480 Speaker 1: Where was Dolly? Well, Dolly just couldn't make it unless 658 00:29:59,520 --> 00:30:02,760 Speaker 1: he was so so he had he a minute. In 659 00:30:02,880 --> 00:30:06,440 Speaker 1: nineteen eighty two, he topped the US pop chart with 660 00:30:06,680 --> 00:30:09,120 Speaker 1: a song called Baby Come to Me, and he also 661 00:30:09,200 --> 00:30:12,360 Speaker 1: had I Don't Have the Heart another song. So maybe 662 00:30:12,400 --> 00:30:14,520 Speaker 1: he was big in the States but didn't really wasn't 663 00:30:14,520 --> 00:30:17,840 Speaker 1: as huge down here because I don't know about James Ingram. 664 00:30:17,920 --> 00:30:22,760 Speaker 1: Why was there? Earlier on in the documentary, someone says, 665 00:30:23,160 --> 00:30:25,680 Speaker 1: I was really insistent that dan Akroy'd be there. Yeah, 666 00:30:25,880 --> 00:30:27,320 Speaker 1: I think he was just on the box of the 667 00:30:27,440 --> 00:30:29,880 Speaker 1: agent that started putting it together with Lionel Richard. He look, 668 00:30:30,000 --> 00:30:32,360 Speaker 1: he I mean, can he sing it? How good was 669 00:30:32,920 --> 00:30:34,720 Speaker 1: I don't know. He's in the chorus, but I don't 670 00:30:34,720 --> 00:30:36,560 Speaker 1: know if he can. He can though, because he was 671 00:30:36,600 --> 00:30:39,880 Speaker 1: in the Blues Brothers situation, wasn't it. Yeah, But so 672 00:30:39,920 --> 00:30:41,120 Speaker 1: I guess that's why they got him in there. But 673 00:30:41,280 --> 00:30:45,320 Speaker 1: how good was Lionel Richie's manager to say, Look, we've 674 00:30:45,320 --> 00:30:47,680 Speaker 1: got a problem here. And took him on and made 675 00:30:47,760 --> 00:30:49,440 Speaker 1: him a superstar by saying, we need to make you 676 00:30:49,520 --> 00:30:52,280 Speaker 1: more famous than your songs. He said, your songs are 677 00:30:52,320 --> 00:30:55,120 Speaker 1: currently more famous than you are, and they did do 678 00:30:55,240 --> 00:30:58,640 Speaker 1: that because you were the Commodorees and everyone knew the songs. 679 00:30:59,160 --> 00:31:03,760 Speaker 2: Like oh, and I would say now that he did 680 00:31:03,800 --> 00:31:06,239 Speaker 2: such a good job at that that you. I think 681 00:31:06,280 --> 00:31:08,960 Speaker 2: it's an additional piece of information for people like myself 682 00:31:09,200 --> 00:31:11,880 Speaker 2: who didn't live any would be like, oh, he was 683 00:31:11,960 --> 00:31:13,640 Speaker 2: also part of the commodore So yeah, amazing. 684 00:31:13,680 --> 00:31:15,880 Speaker 1: So yeah, that's a That's a big move, isn't it. 685 00:31:16,240 --> 00:31:18,200 Speaker 2: Yeah, because I didn't know that until you know, I 686 00:31:18,320 --> 00:31:20,480 Speaker 2: started caring about line of Richie because. 687 00:31:20,320 --> 00:31:22,280 Speaker 1: Lone of Richie is kind of a strange looking guy, 688 00:31:22,400 --> 00:31:24,640 Speaker 1: like a good looking guy, but an odd looking guy. 689 00:31:25,000 --> 00:31:26,120 Speaker 2: It worked from well, didn't it that? 690 00:31:27,400 --> 00:31:32,120 Speaker 1: Yeah? Imagine, well blowjob looks. I wasn't going to say that. 691 00:31:34,400 --> 00:31:37,240 Speaker 1: Seems to be very blowjob focused this morning. Mesh Okay, 692 00:31:37,240 --> 00:31:40,200 Speaker 1: I'm going to go through all this everyone in the 693 00:31:40,320 --> 00:31:42,240 Speaker 1: other world, and then the panel has to say whether 694 00:31:42,280 --> 00:31:45,960 Speaker 1: they would orouldn't. And this is at the time of 695 00:31:46,080 --> 00:31:51,840 Speaker 1: the recorder. Wouldn't blowjob from this person any kind of 696 00:31:51,920 --> 00:31:53,920 Speaker 1: sex act or either they're doing a six act on 697 00:31:53,960 --> 00:31:55,320 Speaker 1: you or you're doing a sex act on the m 698 00:31:55,360 --> 00:32:03,360 Speaker 1: Okay A night with Okay great Linel Richie Yep, yeah, yeah, no, 699 00:32:04,280 --> 00:32:04,960 Speaker 1: Stevie wonder. 700 00:32:06,560 --> 00:32:09,800 Speaker 2: I'm gonna be honest, it's going to be Paul Simon. 701 00:32:11,200 --> 00:32:14,840 Speaker 1: Can he standing or sitting? What's the difference? He could 702 00:32:14,880 --> 00:32:18,000 Speaker 1: do a standing b J on you Okay, yep, that's 703 00:32:18,080 --> 00:32:18,720 Speaker 1: going about him. 704 00:32:19,360 --> 00:32:21,760 Speaker 2: For the majority of the documentary, I was watching who 705 00:32:21,920 --> 00:32:24,800 Speaker 2: the fuck is this short? Pissed because I don't know 706 00:32:24,880 --> 00:32:27,800 Speaker 2: exactly what he looked like. And then he gives a 707 00:32:27,800 --> 00:32:29,840 Speaker 2: little bit tense about a harmony earlier in the thing. 708 00:32:30,040 --> 00:32:33,560 Speaker 1: He's a guard, uncle, did you notice snow guard? No guard. 709 00:32:34,600 --> 00:32:37,840 Speaker 1: We're gonna have to move through this quickly, Kenny Rogers. 710 00:32:37,720 --> 00:32:40,880 Speaker 2: Note for me, Jimmy you go, Kenny, Oh yeah, post 711 00:32:40,960 --> 00:32:46,160 Speaker 2: or pre surgery. No, this is at the time, yeah, absolutely, 712 00:32:46,600 --> 00:32:47,640 Speaker 2: Oh no, he's got that bed. 713 00:32:48,000 --> 00:32:51,120 Speaker 1: Okay. James Ingram definitely out for me at the time. 714 00:32:51,200 --> 00:32:57,880 Speaker 1: All over for me apparently really hear him, muff really, 715 00:32:58,120 --> 00:33:01,120 Speaker 1: I didn't know that. Okay, Well that's no for t 716 00:33:01,560 --> 00:33:04,360 Speaker 1: for me. I didn't know about them. Billy Joel's also 717 00:33:04,480 --> 00:33:09,200 Speaker 1: big muff. No, no, his fingers yep, he only didn't 718 00:33:09,200 --> 00:33:15,560 Speaker 1: say big muff. Oh sorry, did you say hey muff? Yeah, 719 00:33:16,080 --> 00:33:18,800 Speaker 1: I'm fine with the herry muff. So I'll go yes 720 00:33:18,840 --> 00:33:25,400 Speaker 1: on Tina, and then I'm used you're Michael Jackson. Oh 721 00:33:27,320 --> 00:33:30,040 Speaker 1: the story, Yes, throw bubbles in it. I yes, you 722 00:33:30,080 --> 00:33:32,280 Speaker 1: can make some money out of them. Diana Ross. Absolutely, 723 00:33:32,280 --> 00:33:36,080 Speaker 1: I think we're all on board. Afterwards, I'd say my 724 00:33:36,200 --> 00:33:39,080 Speaker 1: number one pick. Actually, you'd smashed the back out of 725 00:33:39,120 --> 00:33:42,040 Speaker 1: deal war, couldn't you. No, I'm not, I'm not, I'm not. 726 00:33:42,480 --> 00:33:48,600 Speaker 6: I love your voice, but decided on would Willie Nelson? God, no, 727 00:33:50,200 --> 00:33:54,840 Speaker 6: stink Elger Rode No, No? What about the boss. 728 00:33:57,600 --> 00:33:59,400 Speaker 1: Terble? Really? 729 00:34:00,800 --> 00:34:02,640 Speaker 2: If we talked about the Bosses episode, he had. 730 00:34:02,560 --> 00:34:07,840 Speaker 1: A yeah, great zealand of the just a good bloke 731 00:34:08,640 --> 00:34:12,040 Speaker 1: Kinney Loggins. No, Steve Perry, No, Darryl Hall. 732 00:34:14,040 --> 00:34:16,600 Speaker 4: If he climbed in your window late at night and 733 00:34:16,760 --> 00:34:20,239 Speaker 4: nobody knew, y you would hear about Huey Lewis. 734 00:34:20,320 --> 00:34:26,200 Speaker 1: Yes, as long as the news didn't Pylon Sidney Lauper Absolutely, 735 00:34:27,160 --> 00:34:32,600 Speaker 1: get those bloody necklaces jingling crazy V. Don't put your 736 00:34:32,680 --> 00:34:34,279 Speaker 1: d in crazy V. That's crazy V. 737 00:34:34,960 --> 00:34:37,279 Speaker 2: Are you sure you almost do it in. 738 00:34:37,239 --> 00:34:39,439 Speaker 1: The jingle Jangles, you'd be caught up in the jingle 739 00:34:40,400 --> 00:34:43,319 Speaker 1: should scratch you wouldn't want to get to get a going, well, well, 740 00:34:43,480 --> 00:34:46,880 Speaker 1: help me? Should scratch you? All those chains again on 741 00:34:46,920 --> 00:34:49,040 Speaker 1: your penis. Kim cards, There's no reason for Kim Karns 742 00:34:49,080 --> 00:34:52,560 Speaker 1: to be there. I would with boys, Oh my god, 743 00:34:53,960 --> 00:34:56,479 Speaker 1: Turler clips of the gate Camp cards over. Bob Dylan. 744 00:34:56,719 --> 00:34:59,279 Speaker 1: Let's to know from me, Ray Charles know from me. 745 00:34:59,560 --> 00:35:01,600 Speaker 1: Dank would know from me. Harry Belafont a very good 746 00:35:01,600 --> 00:35:03,760 Speaker 1: looking man, I thought. 747 00:35:03,640 --> 00:35:06,759 Speaker 2: Yeah, and a great man as well. I would make 748 00:35:06,880 --> 00:35:09,640 Speaker 2: love to Harry Belafonte, would you, Yeah, as opposed to 749 00:35:09,640 --> 00:35:11,640 Speaker 2: other people. You know I has met a little too before. 750 00:35:11,719 --> 00:35:13,839 Speaker 2: His not mine, you know, slammed the back out. 751 00:35:13,840 --> 00:35:20,160 Speaker 1: He's not my type. Lindsay Buckingham, uh No, absolutely yeah. 752 00:35:20,440 --> 00:35:24,440 Speaker 1: Bob Galdoff, Bobdof apparently good in the SEC. I don't 753 00:35:24,440 --> 00:35:27,480 Speaker 1: know who Bill Gibson is. Why did Princess the News? 754 00:35:28,040 --> 00:35:30,600 Speaker 1: Was Bill Gibson from? He brought some some of the 755 00:35:30,640 --> 00:35:33,480 Speaker 1: news members of the News of Seawan Hopper. He's from 756 00:35:33,520 --> 00:35:36,720 Speaker 1: the News to be from the Warriors. Jackie Jackson, LaToya 757 00:35:36,840 --> 00:35:39,920 Speaker 1: Jackson Yep, yep, Sure Marlon Jackson know Randy Jackson, No 758 00:35:40,400 --> 00:35:44,000 Speaker 1: Tjo Jackson. Yes, was Randy Jackson there? So why know 759 00:35:44,120 --> 00:35:47,759 Speaker 1: to Marlon Randy but used to teach Marlon's a real piss. 760 00:35:47,840 --> 00:35:52,120 Speaker 4: I don't why were they called Randy Marlon and then Michael. 761 00:35:52,239 --> 00:35:56,319 Speaker 1: I don't know. Whalon Jennings he had a moment when 762 00:35:56,480 --> 00:35:59,279 Speaker 1: when Stevie Wonder was trying to put Swahili in there, 763 00:35:59,280 --> 00:36:01,960 Speaker 1: and there's these people pointed out it's Ethiopia that don't speaks. 764 00:36:02,440 --> 00:36:05,120 Speaker 1: Leave there. But Whaling he was the way from the 765 00:36:05,160 --> 00:36:08,919 Speaker 1: Confederate flag, was at the back, and he went, ain't 766 00:36:08,960 --> 00:36:09,640 Speaker 1: no good old boy? 767 00:36:09,960 --> 00:36:12,000 Speaker 2: Was no non. 768 00:36:13,160 --> 00:36:15,719 Speaker 1: Yeah, he realized that wasn't good for his image. But 769 00:36:16,000 --> 00:36:19,160 Speaker 1: I just think Whaling Jenes actually just wanted to get 770 00:36:19,200 --> 00:36:23,839 Speaker 1: home mid be the one underneath God, no big time 771 00:36:26,440 --> 00:36:28,160 Speaker 1: the rust on the roof and stand down below. But 772 00:36:28,200 --> 00:36:30,000 Speaker 1: I'm not sure. Okay, I tell you one thing for sure, 773 00:36:30,040 --> 00:36:32,000 Speaker 1: everyone's going to be agreement on this. John Oates, that's 774 00:36:32,000 --> 00:36:35,400 Speaker 1: a strong it's a solid note. Yeah you want oats, 775 00:36:36,400 --> 00:36:39,080 Speaker 1: so my wild oats with those would bite your cock. 776 00:36:40,680 --> 00:36:45,680 Speaker 1: Anita pointer, all of the pointers you could bundle the 777 00:36:45,719 --> 00:36:48,040 Speaker 1: pointer sisters and I'm in I didn't realize they were there, 778 00:36:48,800 --> 00:36:52,320 Speaker 1: but Pointer Sisters and yeah, they were all there and 779 00:36:52,560 --> 00:36:55,040 Speaker 1: finally and finally, and this is how we're going to 780 00:36:55,160 --> 00:36:58,360 Speaker 1: end this special Royal Inquiry into the Greatest Night and 781 00:36:58,600 --> 00:37:03,120 Speaker 1: Pop the Netflix sock entry. Would you hang out the 782 00:37:03,120 --> 00:37:04,240 Speaker 1: back of Smoky Robinson? 783 00:37:04,840 --> 00:37:07,759 Speaker 4: Yeah, he's looking pretty good. Actually even now, why is 784 00:37:07,800 --> 00:37:10,200 Speaker 4: he looking so young? Smoky Robinson? That's some more of 785 00:37:10,200 --> 00:37:14,560 Speaker 4: the surgery mesh. So what was a Christian Smoky Robinson 786 00:37:14,800 --> 00:37:15,239 Speaker 4: last smoke? 787 00:37:15,640 --> 00:37:15,719 Speaker 2: Up? 788 00:37:15,719 --> 00:37:18,799 Speaker 1: The points of Sisters? Have you I see? 789 00:37:18,960 --> 00:37:20,920 Speaker 2: Have you looked at the point of Yeah, because I 790 00:37:21,040 --> 00:37:23,239 Speaker 2: always measure them being hot, but they were hot. 791 00:37:23,280 --> 00:37:25,600 Speaker 1: I think they're signing one too, three, five, five, six 792 00:37:25,680 --> 00:37:33,040 Speaker 1: seven at nine eleven twelve seven. 793 00:37:37,040 --> 00:37:39,480 Speaker 2: Okay, what about Quincy. We're going to go through the 794 00:37:39,480 --> 00:37:40,279 Speaker 2: production team now. 795 00:37:40,400 --> 00:37:42,640 Speaker 1: The lighting guy who couldn't see I'll tell you I 796 00:37:42,760 --> 00:37:47,600 Speaker 1: definitely have a hone on his daughter. Oh yeah, Rita James, 797 00:37:47,920 --> 00:37:50,480 Speaker 1: who's married to the lead singer of Vampire Weekend and 798 00:37:50,520 --> 00:37:54,840 Speaker 1: they've got kids. The daughter, Yeah, I always think about this. 799 00:37:55,040 --> 00:37:58,120 Speaker 1: I always think about the first day that the lead 800 00:37:58,160 --> 00:38:02,080 Speaker 1: singer Vampire Weekend went round to meet his new girlfriends 801 00:38:02,760 --> 00:38:06,279 Speaker 1: father and his father is Quincy Jones, the greatest music 802 00:38:06,320 --> 00:38:09,160 Speaker 1: producer of all time. What a what a geek out 803 00:38:09,200 --> 00:38:12,000 Speaker 1: that would be, especially if you're into music like you, Yeah, 804 00:38:12,960 --> 00:38:15,920 Speaker 1: you're a massive student of music like Vampire Weekend or 805 00:38:15,920 --> 00:38:19,480 Speaker 1: a very very musical band, you know, educated as well. 806 00:38:20,440 --> 00:38:25,680 Speaker 1: Maybe he's just using the door to Quincy. There were 807 00:38:25,760 --> 00:38:30,560 Speaker 1: accusations of that went they with not with him, but 808 00:38:30,719 --> 00:38:34,920 Speaker 1: who was one Michael Jackson, big fan of Elvis instead 809 00:38:34,960 --> 00:38:39,759 Speaker 1: of going with Lisa Murray. Yeah all right, all right, 810 00:38:39,800 --> 00:38:43,000 Speaker 1: then that was good. That was great, Thank you. Yep, 811 00:38:43,160 --> 00:38:45,840 Speaker 1: so have you said on that on the Conclave Go 812 00:38:45,960 --> 00:38:50,880 Speaker 1: to the Met and Jerry podcast discussion group, the Conclave 813 00:38:51,120 --> 00:38:53,840 Speaker 1: Met Jury Show. Look it up on on on Facebook. 814 00:38:54,080 --> 00:38:54,239 Speaker 5: Yeah. 815 00:38:54,239 --> 00:38:56,279 Speaker 1: And then what do we do on the radio show today? Boys? 816 00:38:56,320 --> 00:38:58,920 Speaker 1: On the radio show, there's also a radio highlights pot out. 817 00:38:58,960 --> 00:39:01,439 Speaker 1: Right now, we've got the ten musical duos of all time. 818 00:39:01,560 --> 00:39:04,839 Speaker 1: We asked black Cat Matt Henry about how he has 819 00:39:04,920 --> 00:39:06,200 Speaker 1: created such a great asshole. 820 00:39:06,840 --> 00:39:11,440 Speaker 2: Well, sorry, sorry, we never talked about his asshole. 821 00:39:11,800 --> 00:39:15,040 Speaker 1: Sorry, I know that was I want to to hey, guys, 822 00:39:15,120 --> 00:39:17,279 Speaker 1: he read it wrong. Don't don't smile on to him. 823 00:39:18,480 --> 00:39:20,440 Speaker 1: And we've got the wonderful world of wrestling a guinea 824 00:39:20,480 --> 00:39:24,440 Speaker 1: pig from the mouth of a python, and we tell 825 00:39:24,480 --> 00:39:26,839 Speaker 1: you about the Conclave, which I've just told you about before. Okay, 826 00:39:26,920 --> 00:39:30,120 Speaker 1: then okay, subscribe, Sit to download and tell a friend 827 00:39:30,200 --> 00:39:31,880 Speaker 1: and fuck you. 828 00:39:37,280 --> 00:39:37,520 Speaker 2: Hello. 829 00:39:37,680 --> 00:39:40,160 Speaker 1: I'm Matt Heath. You have been listening to the Matt 830 00:39:40,239 --> 00:39:43,439 Speaker 1: and Jerry Daily Bespoke podcast. Right now you can listen 831 00:39:43,480 --> 00:39:47,520 Speaker 1: to our Radio Highlights podcast, which you will absolutely get 832 00:39:47,560 --> 00:39:50,879 Speaker 1: barred up about anyway. Sit to download, like subscribe, writer, 833 00:39:50,960 --> 00:39:53,480 Speaker 1: review all those great things. It really helps myself and 834 00:39:53,560 --> 00:39:56,200 Speaker 1: Jerry and to a lesser extent, Messi and Ruder. If 835 00:39:56,239 --> 00:39:58,279 Speaker 1: you want to discuss anything raised in this pod, check 836 00:39:58,320 --> 00:40:01,040 Speaker 1: out the Conclave and Matt and Jerry f Facebook discussion group. 837 00:40:01,239 --> 00:40:03,880 Speaker 1: And while I'm plugging stuff, my book, A Lifeless Punishing 838 00:40:03,960 --> 00:40:06,359 Speaker 1: Thirteen Ways to Love the Life You've Got is out 839 00:40:06,560 --> 00:40:08,800 Speaker 1: now get it wherever you get your books, or just 840 00:40:09,000 --> 00:40:12,560 Speaker 1: google the bastard. Anyway you seem busy, I'll let you go. 841 00:40:13,120 --> 00:40:15,920 Speaker 1: Bless Blessed, blessed, give them a taste of keyw from me.