1 00:00:15,400 --> 00:00:20,480 Speaker 1: Let's Get busy. You've read the other one. 2 00:00:26,560 --> 00:00:30,440 Speaker 2: It's the thirtieth of July twenty twenty four. Welcome all 3 00:00:30,520 --> 00:00:33,320 Speaker 2: you bespokey dokies to the Daily Bespoke Podcast. We've got 4 00:00:33,320 --> 00:00:34,760 Speaker 2: a huge one planning for you this morning. 5 00:00:36,400 --> 00:00:37,760 Speaker 1: Did you forget that you were meant to do the 6 00:00:37,840 --> 00:00:40,200 Speaker 1: let's skip busy there? Or you sort of try something different? 7 00:00:40,200 --> 00:00:41,440 Speaker 1: Because I'm really leaning into the. 8 00:00:45,520 --> 00:00:48,640 Speaker 2: Busy and I'm not sure what people prefer. 9 00:00:48,920 --> 00:00:51,159 Speaker 1: Oh, I got a country official opinion. I hate to 10 00:00:51,200 --> 00:00:54,960 Speaker 1: break hearts, skip through it, let's skip through it now. 11 00:00:55,040 --> 00:00:58,120 Speaker 1: I'm looking at the analytics here, and most people listen 12 00:00:58,160 --> 00:01:00,080 Speaker 1: to the lats skip busy and then switch off and 13 00:01:00,120 --> 00:01:03,040 Speaker 1: they go, oh, that podcast that I was listening to 14 00:01:03,080 --> 00:01:05,160 Speaker 1: something else. I mean, what's going to happen on a 15 00:01:05,200 --> 00:01:05,640 Speaker 1: day like today? 16 00:01:05,640 --> 00:01:07,520 Speaker 3: Then when you've given up their kind of energy, those 17 00:01:07,600 --> 00:01:09,400 Speaker 3: Let's get busy faithful they're just tuned in for the 18 00:01:09,440 --> 00:01:11,679 Speaker 3: let's get busy, going to got it? 19 00:01:11,800 --> 00:01:14,840 Speaker 1: The Let's get busy faithful. I love those people. They're 20 00:01:14,840 --> 00:01:18,320 Speaker 1: the best of us, true that easily the best of us. 21 00:01:18,400 --> 00:01:19,520 Speaker 1: The Let's get busy Facebook. 22 00:01:19,600 --> 00:01:21,160 Speaker 2: Yeah, the people that only care about the Let's get 23 00:01:21,200 --> 00:01:24,240 Speaker 2: busy and they don't care about anything else. No, A 24 00:01:24,280 --> 00:01:26,400 Speaker 2: lot of them out there, A lot of them out there. 25 00:01:27,640 --> 00:01:31,080 Speaker 2: So Beer and Pied the supreme pile woods do. 26 00:01:31,880 --> 00:01:35,280 Speaker 1: Who's going? I can't go. You can't go. I can't go. 27 00:01:35,400 --> 00:01:36,800 Speaker 1: My wife's gone away for work. 28 00:01:36,600 --> 00:01:38,880 Speaker 4: And someone has to look after Biddy, the puppy and 29 00:01:39,240 --> 00:01:41,119 Speaker 4: the setter that we had fell through, So. 30 00:01:41,200 --> 00:01:42,959 Speaker 1: I can't go. When did you get a puppy? Put 31 00:01:43,000 --> 00:01:43,280 Speaker 1: it down? 32 00:01:43,400 --> 00:01:46,680 Speaker 4: A couple of a couple of months ago, a couple 33 00:01:46,720 --> 00:01:48,240 Speaker 4: of months ago, to beers, I'm the only person that 34 00:01:48,240 --> 00:01:51,800 Speaker 4: can train the puppy. Everyone else that nips at their ankles, 35 00:01:51,880 --> 00:01:56,160 Speaker 4: nips at their elbows, old around the corner. Here ruder 36 00:01:56,200 --> 00:01:57,360 Speaker 4: knows how to control the dog. 37 00:01:57,840 --> 00:02:00,920 Speaker 1: Are you boys doing your normal? Announce an award or 38 00:02:00,960 --> 00:02:03,880 Speaker 1: something like that. I think we've been dropped. Do you 39 00:02:03,960 --> 00:02:07,840 Speaker 1: know why why I got the inside word from? I'm 40 00:02:07,880 --> 00:02:09,240 Speaker 1: just what I mean. I'm going to tell you this, 41 00:02:09,360 --> 00:02:11,920 Speaker 1: but I tell you this in complete confidence. Okay, you 42 00:02:11,960 --> 00:02:14,480 Speaker 1: can't tell anybody that I've told you this. Okay, all right, 43 00:02:15,400 --> 00:02:18,360 Speaker 1: all right, So we're going to have to delete this. 44 00:02:18,560 --> 00:02:23,320 Speaker 1: Descend the cone of silence. Okay, delete this. We're going 45 00:02:23,320 --> 00:02:26,920 Speaker 1: to delete this it's your job. It's because of the 46 00:02:27,000 --> 00:02:30,640 Speaker 1: situation that happened when you accidentally were facing the award 47 00:02:30,720 --> 00:02:34,079 Speaker 1: towards the people you you had the award around the own. 48 00:02:35,400 --> 00:02:37,720 Speaker 1: That was five years ago, and I know, but it's 49 00:02:37,919 --> 00:02:42,040 Speaker 1: they finally realized that that. I don't know, it's just 50 00:02:42,080 --> 00:02:45,280 Speaker 1: pre covid how long ago that it's taken a while 51 00:02:45,280 --> 00:02:49,120 Speaker 1: from back to the head office. Who's hosting the awards tonight? 52 00:02:50,160 --> 00:02:54,160 Speaker 1: Good question, Corbett? He does he die? Usually does it? 53 00:02:54,200 --> 00:02:54,440 Speaker 2: Doesn't? 54 00:02:54,480 --> 00:03:00,880 Speaker 1: It doesn't he he dies? Done it once? Ego Corbett. 55 00:03:01,160 --> 00:03:04,040 Speaker 1: They go through remember when homes did it? Yea homes. 56 00:03:04,320 --> 00:03:08,600 Speaker 1: He just focused on the muff pie. Yeah, he kepie, 57 00:03:08,680 --> 00:03:12,120 Speaker 1: muff pie. That's quite muff. He kept saying the muff 58 00:03:12,720 --> 00:03:14,680 Speaker 1: because they used to be called pies. Were called muffs 59 00:03:14,720 --> 00:03:18,160 Speaker 1: for a while. Were they really? Yeah? Why were they muff? Muff? 60 00:03:18,520 --> 00:03:20,160 Speaker 1: It was a type of I think it was a 61 00:03:20,200 --> 00:03:22,280 Speaker 1: type of pie or muff. 62 00:03:23,000 --> 00:03:24,760 Speaker 3: What on earth would have you ever called something like 63 00:03:24,760 --> 00:03:26,280 Speaker 3: that a muff? 64 00:03:26,400 --> 00:03:28,200 Speaker 1: What would you call the muffa muff? I've just googled 65 00:03:28,280 --> 00:03:32,679 Speaker 1: muff pie both Dictionary of sixual terms muff pie or 66 00:03:32,840 --> 00:03:38,000 Speaker 1: fur pie. Female. I think I think you've misunderstood. I 67 00:03:38,040 --> 00:03:39,120 Speaker 1: think he was running a gag. 68 00:03:39,560 --> 00:03:41,000 Speaker 3: Yeah, I think it was too I think you're giving 69 00:03:41,040 --> 00:03:42,600 Speaker 3: him too much credit. I think he was just making 70 00:03:42,600 --> 00:03:47,440 Speaker 3: it an appropriate remark while I'm seeing muff. Yeah, known 71 00:03:47,480 --> 00:03:50,960 Speaker 3: as a fuzzbox, Jesus fuzz box. 72 00:03:51,040 --> 00:03:53,800 Speaker 1: So it's a peddle mash, thanks very much. It's an 73 00:03:53,800 --> 00:03:58,360 Speaker 1: affixed peddle guitar, a muff box, big muff muff. 74 00:03:58,480 --> 00:04:01,080 Speaker 4: By the way, he has been slang for China since 75 00:04:01,160 --> 00:04:03,920 Speaker 4: the sixteen nineties because it likens the. 76 00:04:03,920 --> 00:04:05,240 Speaker 1: Female on the shop. 77 00:04:05,320 --> 00:04:09,200 Speaker 4: No, this is just this is just apparently why it's 78 00:04:09,240 --> 00:04:12,160 Speaker 4: called a muff because it's likening it to a hand warmer. 79 00:04:13,000 --> 00:04:14,760 Speaker 1: Oh yeah, did you know that kind of makes sense? 80 00:04:14,840 --> 00:04:15,600 Speaker 3: That doesn't make sense. 81 00:04:16,120 --> 00:04:17,960 Speaker 1: Dogs that used to they used to have those little 82 00:04:18,000 --> 00:04:22,400 Speaker 1: dogs that were warmers. They had them an ancient China 83 00:04:22,560 --> 00:04:24,560 Speaker 1: and also in Europe as well. Dogs that would bred 84 00:04:24,640 --> 00:04:28,360 Speaker 1: just to sit on women's laps. Lap dogs. Ah, we're 85 00:04:28,400 --> 00:04:29,800 Speaker 1: actually to warm people up. 86 00:04:30,720 --> 00:04:31,160 Speaker 3: Chihuahua. 87 00:04:32,920 --> 00:04:35,800 Speaker 1: I know the chihuahuas were bred to be guard dogs. 88 00:04:35,960 --> 00:04:38,200 Speaker 3: What was what was the muff dog then? Was it 89 00:04:38,279 --> 00:04:39,479 Speaker 3: like a pug or something like that? 90 00:04:39,680 --> 00:04:43,320 Speaker 1: Yeah, like a like a some kind of like a 91 00:04:43,360 --> 00:04:46,520 Speaker 1: shitsu or maybe a fluffy like a Maltese, like a 92 00:04:46,520 --> 00:04:49,839 Speaker 1: little Maltese sort of thing, quite warm, Probably a toy poodle. 93 00:04:50,880 --> 00:04:53,479 Speaker 1: Back in the day. What sort of dog is your 94 00:04:53,520 --> 00:04:53,840 Speaker 1: new one? 95 00:04:54,520 --> 00:04:58,000 Speaker 4: Beardy Collie cross potentially with Sharpe, not one hundred percent 96 00:04:58,080 --> 00:04:58,760 Speaker 4: your shelter. 97 00:04:58,600 --> 00:05:04,160 Speaker 1: Dog sharp Pay mixed with a bearded collie. Yeah, wow, looking, 98 00:05:04,200 --> 00:05:07,680 Speaker 1: Combo said, story about Biddy the beady Collie. 99 00:05:07,720 --> 00:05:12,279 Speaker 4: Actually because unfortunately an older couple originally adopted her from 100 00:05:12,320 --> 00:05:16,800 Speaker 4: the pound, took her home and went, oh, it's a puppy, 101 00:05:16,800 --> 00:05:18,720 Speaker 4: so we've actually got to do something, kept her for 102 00:05:18,760 --> 00:05:19,320 Speaker 4: three days and. 103 00:05:19,240 --> 00:05:19,760 Speaker 1: Took her back. 104 00:05:19,920 --> 00:05:22,360 Speaker 4: Okay, So she was absolutely terrified. 105 00:05:21,960 --> 00:05:22,719 Speaker 1: Of going in the car. 106 00:05:23,320 --> 00:05:25,760 Speaker 4: Oh why because she thought I was taking her back 107 00:05:25,800 --> 00:05:26,279 Speaker 4: to the pound. 108 00:05:27,120 --> 00:05:30,880 Speaker 1: Did she not like the pound? Apparently not? Okay? And 109 00:05:31,480 --> 00:05:33,279 Speaker 1: you like it people's heels ever since? Do you like 110 00:05:33,400 --> 00:05:41,719 Speaker 1: the pound? Yes? I like being taken to a pound. 111 00:05:41,960 --> 00:05:45,479 Speaker 1: Pound down. Well, is it a town? I'm not sure, 112 00:05:45,480 --> 00:05:46,920 Speaker 1: it's just whist. 113 00:05:47,200 --> 00:05:50,480 Speaker 2: So if I if I tonight when you're in Beard, 114 00:05:51,160 --> 00:05:54,279 Speaker 2: I sneak in the window and yell, I'm taking you 115 00:05:55,200 --> 00:05:55,840 Speaker 2: to the pound. 116 00:05:57,200 --> 00:05:59,680 Speaker 1: Not you. I'd rather not you take me to the pound. 117 00:06:00,240 --> 00:06:01,720 Speaker 1: Not the way you drive. Do you know what this is? 118 00:06:02,000 --> 00:06:04,559 Speaker 3: This is a classic example of when you say things 119 00:06:04,560 --> 00:06:06,440 Speaker 3: like can we keep it clean? On the Daily Bespoke, 120 00:06:06,839 --> 00:06:09,040 Speaker 3: it actually goes to show that it's you because you're 121 00:06:09,040 --> 00:06:10,960 Speaker 3: set in silence the last three line. I've been coming 122 00:06:10,960 --> 00:06:12,000 Speaker 3: with ship like that now. 123 00:06:12,040 --> 00:06:15,000 Speaker 2: But you guys have led me astraight because I wanted 124 00:06:15,040 --> 00:06:15,599 Speaker 2: to talk about. 125 00:06:16,000 --> 00:06:17,680 Speaker 1: What did you want to talk about? Well, you go, 126 00:06:17,839 --> 00:06:18,240 Speaker 1: hot shot? 127 00:06:18,240 --> 00:06:22,080 Speaker 2: Who won the Supreme pile? What Suprema pie? What pie 128 00:06:22,200 --> 00:06:24,680 Speaker 2: was the Supreme Pie Award win last year? 129 00:06:24,720 --> 00:06:26,479 Speaker 1: What type of pie? I feel like it was a 130 00:06:26,600 --> 00:06:29,360 Speaker 1: gourmet a gourmet fruit. 131 00:06:30,560 --> 00:06:35,159 Speaker 2: No, it was roast duck, onion and mushrooms. Patrick's pies 132 00:06:36,200 --> 00:06:38,239 Speaker 2: roast duck, onion and mushrooms pie. 133 00:06:38,279 --> 00:06:40,240 Speaker 1: Do we ever taste it? I don't. I don't feel 134 00:06:40,279 --> 00:06:43,200 Speaker 1: like I ever tasted it. No, putting roast duck in 135 00:06:43,240 --> 00:06:45,200 Speaker 1: a pie, right, duck can be very dry? Yeah, it 136 00:06:45,200 --> 00:06:46,760 Speaker 1: can be dry. You gotta get it right. But Patrick 137 00:06:46,839 --> 00:06:48,159 Speaker 1: Lamb's fucking genius, isn't. 138 00:06:47,960 --> 00:06:50,120 Speaker 3: He DRIs He just is a whole bunch of gravy 139 00:06:50,120 --> 00:06:52,480 Speaker 3: in there. So that good thing about pies that you've 140 00:06:52,480 --> 00:06:53,920 Speaker 3: got like a lot of gravy that you can add 141 00:06:53,960 --> 00:06:55,920 Speaker 3: to like a dry meat. That's why you can put like, 142 00:06:56,000 --> 00:06:57,880 Speaker 3: you know, shit steak in there as well, and if 143 00:06:57,880 --> 00:06:59,360 Speaker 3: you have enough gravy econdom even. 144 00:07:00,160 --> 00:07:03,800 Speaker 1: What he's saying. Who those pies the other day? Did 145 00:07:03,800 --> 00:07:05,239 Speaker 1: everyone have a taste of those pints? 146 00:07:05,400 --> 00:07:07,599 Speaker 4: You took those home before I got Did you not 147 00:07:07,640 --> 00:07:08,320 Speaker 4: get one at all? 148 00:07:08,440 --> 00:07:11,120 Speaker 2: They got absolutely runched out of the thing by We 149 00:07:11,160 --> 00:07:12,520 Speaker 2: came back and they were nearly all gone. 150 00:07:12,520 --> 00:07:14,880 Speaker 1: We put them on the pie warmer. They're nearly all gone. 151 00:07:14,960 --> 00:07:17,760 Speaker 1: They got rinsed. Yeah, no, were they good though? Well 152 00:07:17,760 --> 00:07:20,760 Speaker 1: we still wounders. Yeah, the weekend winders come aroun them. 153 00:07:20,760 --> 00:07:23,720 Speaker 1: But then we week to get a pie. That's all 154 00:07:23,920 --> 00:07:28,880 Speaker 1: I thought. You fine your kids with them? Uh? Yeah, yeah, 155 00:07:28,880 --> 00:07:31,360 Speaker 1: that was well. I took three. 156 00:07:31,560 --> 00:07:33,600 Speaker 2: I want to find out who's bloody hosting these awards night, 157 00:07:33,600 --> 00:07:35,720 Speaker 2: because that's gonna be difference between whether I'm going or not, 158 00:07:36,640 --> 00:07:39,320 Speaker 2: you know, ah, Because. 159 00:07:39,200 --> 00:07:40,720 Speaker 3: It is a bit like that now, isn't it really? 160 00:07:41,040 --> 00:07:41,400 Speaker 1: Yeah? 161 00:07:41,840 --> 00:07:44,680 Speaker 3: Because I mean if it's I don't know where hang 162 00:07:44,760 --> 00:07:46,040 Speaker 3: on and you to think about it not going, it's 163 00:07:46,040 --> 00:07:46,720 Speaker 3: they're not of knights. 164 00:07:47,880 --> 00:07:50,200 Speaker 1: Yeah, but I had a fucking bag one on Saturday night. 165 00:07:50,240 --> 00:07:55,680 Speaker 1: I'm still from from mom on was that was that? 166 00:07:56,080 --> 00:07:58,280 Speaker 1: Was it a four four forty five or was it 167 00:07:58,360 --> 00:07:59,120 Speaker 1: a five point fifteen? 168 00:08:00,080 --> 00:08:03,760 Speaker 2: It was a post five Ober five oh five Ober, 169 00:08:04,240 --> 00:08:05,840 Speaker 2: because that was the moment when I see it. Hang 170 00:08:05,880 --> 00:08:07,960 Speaker 2: on a minute, what the fuck are we still doing 171 00:08:08,000 --> 00:08:08,480 Speaker 2: out at five? 172 00:08:08,880 --> 00:08:10,880 Speaker 1: You know how many strugglers were there with you at 173 00:08:10,880 --> 00:08:14,080 Speaker 1: that point, just about twenty twenty stragglers. There were still 174 00:08:14,080 --> 00:08:18,160 Speaker 1: twenty stragglers. Yeah, yeah, right, party, Yeah, good for you, 175 00:08:18,280 --> 00:08:22,000 Speaker 1: that's great. Yeah. Were you awake? Were you coming in 176 00:08:22,040 --> 00:08:23,920 Speaker 1: and out of consciousness by the search? No, I was. 177 00:08:24,000 --> 00:08:26,200 Speaker 1: I was still just cutting a sweet track on the 178 00:08:26,240 --> 00:08:29,200 Speaker 1: D floor. Were Yeah, how do you have so much energy? 179 00:08:29,720 --> 00:08:31,520 Speaker 1: It seems like an odd time to have a lot 180 00:08:31,520 --> 00:08:34,400 Speaker 1: of energy. It was just insiding you be working all 181 00:08:34,400 --> 00:08:36,959 Speaker 1: week and getting up early and yeah on life bank. 182 00:08:37,000 --> 00:08:39,439 Speaker 3: By the time you get home, finish up, making love. Well, 183 00:08:39,520 --> 00:08:42,160 Speaker 3: seven am, the birds are up, the sun's out. 184 00:08:42,200 --> 00:08:44,440 Speaker 1: I actually slept until eleven am, which is a real 185 00:08:44,480 --> 00:08:46,320 Speaker 1: record for me these days. That's impressive. 186 00:08:46,440 --> 00:08:48,559 Speaker 2: Got her on the blackout curtains and the complete silence, 187 00:08:48,679 --> 00:08:50,880 Speaker 2: and I got up and I thought, ship, my kids 188 00:08:50,880 --> 00:08:54,120 Speaker 2: will be kind of wondering what's going on. I've slept 189 00:08:54,160 --> 00:08:57,240 Speaker 2: in so long they were still asleep. Bloody teenagers. It's 190 00:08:57,280 --> 00:08:59,439 Speaker 2: nothing for a teenager to sleep until eleven am. If 191 00:08:59,440 --> 00:09:00,959 Speaker 2: nothing happened. They'll just stat slate. 192 00:09:00,840 --> 00:09:04,920 Speaker 1: Especially with phones because they hang out super super late 193 00:09:04,960 --> 00:09:07,480 Speaker 1: on your phone. Yeah yeah, yeah, I found out. 194 00:09:07,679 --> 00:09:13,120 Speaker 4: Funny and witty MC's for the awards tonight include Die Henward. 195 00:09:13,559 --> 00:09:18,400 Speaker 4: Oh yeah, Jeremy Corbett returns this year. Oh yeah, Paul Ego. 196 00:09:18,640 --> 00:09:19,400 Speaker 4: So they're doing all. 197 00:09:19,240 --> 00:09:20,720 Speaker 3: Of them seven days. 198 00:09:20,760 --> 00:09:22,440 Speaker 1: There's all three of them doing it apparently. Is that 199 00:09:22,480 --> 00:09:24,439 Speaker 1: why we've been dumped from standing on stage? Fair enough? 200 00:09:24,640 --> 00:09:27,160 Speaker 4: Yeah yeah, Dominic Bowden. 201 00:09:26,880 --> 00:09:29,040 Speaker 1: Oh my god. Hold on, this is the a list 202 00:09:29,040 --> 00:09:31,640 Speaker 1: of and last but not least. 203 00:09:31,760 --> 00:09:34,240 Speaker 3: Let make sure to leave Lauren at home Pool Holmes. 204 00:09:34,240 --> 00:09:36,400 Speaker 4: No, not Pool Holmes. Can I have other guess this place? 205 00:09:39,440 --> 00:09:40,160 Speaker 4: What about one each? 206 00:09:40,520 --> 00:09:40,880 Speaker 1: Thank you? 207 00:09:40,920 --> 00:09:42,960 Speaker 2: They're going to get something, going to get I know 208 00:09:43,000 --> 00:09:47,760 Speaker 2: there's something something, They'll have to something something, something something. 209 00:09:47,800 --> 00:09:49,599 Speaker 2: There's something about those three guys that will make me 210 00:09:49,640 --> 00:09:51,760 Speaker 2: suggest that the next person is going to be something else. 211 00:09:52,720 --> 00:09:58,199 Speaker 2: Ah Leehart the previous ones over the years, because Leehart 212 00:09:58,200 --> 00:10:00,280 Speaker 2: I just saw a picture of him, and these are 213 00:10:00,280 --> 00:10:00,920 Speaker 2: all people. 214 00:10:00,800 --> 00:10:04,520 Speaker 4: Funny and with the MCS for Awards night include. 215 00:10:04,000 --> 00:10:07,240 Speaker 2: From previous Awards nights because of all that they've all 216 00:10:07,240 --> 00:10:07,720 Speaker 2: done it before. 217 00:10:07,800 --> 00:10:09,960 Speaker 1: Leehart's currently in Germany. 218 00:10:10,240 --> 00:10:12,680 Speaker 4: Ah, so maybe just where it says Jeremy Corbett returns 219 00:10:12,720 --> 00:10:14,200 Speaker 4: this year, maybe it's just Jeremy. 220 00:10:14,440 --> 00:10:16,839 Speaker 1: Jeremy Corbett does a bloody good job, good job, good stuff. 221 00:10:16,840 --> 00:10:18,320 Speaker 1: Oh my god. He did the Radio Awards this year 222 00:10:18,320 --> 00:10:23,040 Speaker 1: as well. He'll get through it. He gets you through it. 223 00:10:23,160 --> 00:10:25,120 Speaker 2: He moves things forward, he doesn't puss around. He's got 224 00:10:25,240 --> 00:10:28,880 Speaker 2: enoughing r asides and he just does enough material that's 225 00:10:28,880 --> 00:10:30,520 Speaker 2: funny and gives you a good time. But he doesn't 226 00:10:30,520 --> 00:10:34,480 Speaker 2: overstay as welcome. And yeah, it's never about it's not 227 00:10:34,520 --> 00:10:37,440 Speaker 2: about and the jokes that he pushes it towards people 228 00:10:37,559 --> 00:10:40,480 Speaker 2: and that are around and about in He's bloody good that 229 00:10:40,480 --> 00:10:42,080 Speaker 2: that Corbett, bloody good. 230 00:10:42,200 --> 00:10:44,800 Speaker 1: You know what, there's something to be said Jeremy Corbett. 231 00:10:44,840 --> 00:10:47,079 Speaker 1: And actually Hillary Barry does the same thing. She gets 232 00:10:47,120 --> 00:10:49,199 Speaker 1: a lot of the sort of work people just who 233 00:10:49,280 --> 00:10:52,560 Speaker 1: it's not about them that I think the MC can 234 00:10:52,640 --> 00:10:54,480 Speaker 1: forget sometimes when they turn up and I meant that 235 00:10:54,520 --> 00:10:57,080 Speaker 1: they think that the people are there because you're paid 236 00:10:57,120 --> 00:10:59,200 Speaker 1: to turn up and do the job right. Yeah, and 237 00:10:59,280 --> 00:11:01,120 Speaker 1: you think you have to a whole lot of yourself. 238 00:11:01,640 --> 00:11:03,520 Speaker 1: The reality is most people in the room are there 239 00:11:03,520 --> 00:11:06,040 Speaker 1: for themselves too, Yeah, and they don't want you. 240 00:11:06,320 --> 00:11:08,959 Speaker 2: That's why one I'm done him seeing me, and g 241 00:11:09,160 --> 00:11:12,480 Speaker 2: lanees him seeing we just get through it. We just 242 00:11:12,480 --> 00:11:14,240 Speaker 2: get through it because we've got a hurry before g 243 00:11:14,360 --> 00:11:15,120 Speaker 2: Lane gets too drunk. 244 00:11:15,160 --> 00:11:17,120 Speaker 1: Well, hold on, you get through it. But before you've 245 00:11:17,120 --> 00:11:19,160 Speaker 1: got through it, you've gone a whole lot of very 246 00:11:19,240 --> 00:11:22,800 Speaker 1: lude material, alienated nine percent of the audience and potentially 247 00:11:22,880 --> 00:11:23,800 Speaker 1: insulted some people. 248 00:11:23,960 --> 00:11:26,679 Speaker 2: I'm always surprised with what g lanees is. I'm up there, 249 00:11:26,679 --> 00:11:29,560 Speaker 2: We're just getting through it, and then he'll just throw 250 00:11:29,600 --> 00:11:30,320 Speaker 2: out a howler. 251 00:11:30,400 --> 00:11:36,440 Speaker 1: That's that's so it seems ripples through the audience. 252 00:11:36,080 --> 00:11:37,440 Speaker 3: Because if you know, if you hit about the forty 253 00:11:37,480 --> 00:11:39,520 Speaker 3: five minute mark when it comes to a gig, as 254 00:11:39,520 --> 00:11:42,079 Speaker 3: you fucked, because what comes out of his mouth after 255 00:11:42,480 --> 00:11:43,439 Speaker 3: minutes of drinking. 256 00:11:43,240 --> 00:11:45,280 Speaker 2: Is just like, well, if we're out of town doing 257 00:11:45,280 --> 00:11:46,959 Speaker 2: anc gig, me and him will be in the hotel 258 00:11:47,000 --> 00:11:49,120 Speaker 2: room and I'll make a lude joke that's just between 259 00:11:49,160 --> 00:11:52,160 Speaker 2: us and when we're doing our prep and I'll think 260 00:11:52,640 --> 00:11:54,320 Speaker 2: that was just before us, and then we get on 261 00:11:54,360 --> 00:11:56,640 Speaker 2: stage and he thinks that's the prep and he goes 262 00:11:56,679 --> 00:11:59,400 Speaker 2: back to the hotel room material in front of the crowd. 263 00:11:59,520 --> 00:12:01,240 Speaker 1: Well, I know people like that, and they're good to 264 00:12:01,240 --> 00:12:03,240 Speaker 1: have his friends because they always make you feel better 265 00:12:03,240 --> 00:12:05,319 Speaker 1: about yourself. So it's always good to have someone like 266 00:12:05,400 --> 00:12:08,120 Speaker 1: Ji Lanner around because then he'll drop an absolute howler 267 00:12:08,360 --> 00:12:10,280 Speaker 1: and you're like, you can distance yourself from it by 268 00:12:10,360 --> 00:12:14,679 Speaker 1: just by saying it just immediately lowers the tone yeah 269 00:12:14,760 --> 00:12:16,760 Speaker 1: and and drops the pressure off you. 270 00:12:16,800 --> 00:12:18,400 Speaker 2: But the one thing that g Lane does at least 271 00:12:18,400 --> 00:12:20,200 Speaker 2: he knows what's going on, whereas I'm like, I've got 272 00:12:20,240 --> 00:12:22,480 Speaker 2: no idea how when the rundown is, what day the 273 00:12:22,600 --> 00:12:25,000 Speaker 2: awards are on, or what time you're on stage, or 274 00:12:25,400 --> 00:12:27,280 Speaker 2: what actually awards it is. I don't even know that, 275 00:12:27,440 --> 00:12:31,280 Speaker 2: or what company it is or okay, or anything to 276 00:12:32,640 --> 00:12:34,880 Speaker 2: the to the duo. What are you bringing I'm bringing 277 00:12:34,880 --> 00:12:37,160 Speaker 2: the lud jokes in the hotel room, okay. But then 278 00:12:37,200 --> 00:12:40,040 Speaker 2: he ruin repeats on stage that you distance yourself from yeah, 279 00:12:40,040 --> 00:12:41,400 Speaker 2: because I think he does it as a favorite to 280 00:12:41,440 --> 00:12:43,480 Speaker 2: me because he goes mat hasn't contributed anything at all. 281 00:12:43,840 --> 00:12:46,679 Speaker 2: It's so I might bring his joke out of the hotel. 282 00:12:46,440 --> 00:12:49,480 Speaker 3: Room, okay, but what he doesn't know is that you 283 00:12:49,520 --> 00:12:51,280 Speaker 3: don't want to be contributing it, or really do you. 284 00:12:51,679 --> 00:12:53,520 Speaker 1: It's more of a pay day for me. Yes, yeah, 285 00:12:53,520 --> 00:12:54,559 Speaker 1: I can see that. No. 286 00:12:54,640 --> 00:12:57,439 Speaker 2: Actually, me and Gilane do a great, great duo. Now 287 00:12:57,480 --> 00:12:59,079 Speaker 2: we've done we've done so many together. Now we've just 288 00:12:59,080 --> 00:13:00,839 Speaker 2: got we've got the padded down. We just go back 289 00:13:00,880 --> 00:13:04,520 Speaker 2: and forth. Is something for the mums? We should change 290 00:13:04,520 --> 00:13:07,200 Speaker 2: your name for something for the mums? Saying yeah, something 291 00:13:07,240 --> 00:13:09,480 Speaker 2: for the mums. We've got a very exciting one that 292 00:13:09,520 --> 00:13:12,920 Speaker 2: me and Jilane are doing very soon where there's a 293 00:13:12,960 --> 00:13:16,000 Speaker 2: private plane picking us up to fly us to do the. 294 00:13:16,840 --> 00:13:19,480 Speaker 1: Is it the Mum Awards? It's them of the Year? 295 00:13:19,760 --> 00:13:22,640 Speaker 1: Is something for the mums? Yeah, so they wanted something 296 00:13:22,679 --> 00:13:26,800 Speaker 1: to look at New Zealand Mother and Father of the 297 00:13:26,880 --> 00:13:30,240 Speaker 1: Year awards. But the mother and then the father of 298 00:13:30,280 --> 00:13:32,520 Speaker 1: the year you turn up and because you know how 299 00:13:32,559 --> 00:13:34,839 Speaker 1: people always go, oh dad of the year, Yeah, well 300 00:13:34,920 --> 00:13:37,640 Speaker 1: mother of the Year when they actually run one. 301 00:13:37,559 --> 00:13:39,480 Speaker 4: Of these awards, So not like a Mother of the 302 00:13:39,600 --> 00:13:42,880 Speaker 4: Nation award like Judy Bailey, but the actual father mother. 303 00:13:43,000 --> 00:13:45,240 Speaker 2: Okay, either question for you, hot shot. How would you 304 00:13:45,240 --> 00:13:48,880 Speaker 2: feel if the Mother of the Year was. 305 00:13:49,840 --> 00:13:55,839 Speaker 1: A man born a Yeah, well that couldn't happen. Why, 306 00:13:56,040 --> 00:13:58,760 Speaker 1: I feel that's probably what happened. What happened because it 307 00:13:59,440 --> 00:14:07,600 Speaker 1: kind of as a man. That's wow. Can you adoption? Mate? Yeah? Yeah, mate? Okay, yeah, 308 00:14:07,600 --> 00:14:08,480 Speaker 1: well that's fine. 309 00:14:08,640 --> 00:14:11,280 Speaker 2: But also what if you were a woman and then 310 00:14:11,320 --> 00:14:15,680 Speaker 2: you become a man, then you can still give birth? Yeah, 311 00:14:15,840 --> 00:14:17,080 Speaker 2: I think I'll just get too complicated. 312 00:14:17,120 --> 00:14:18,679 Speaker 1: Yeah, you can complicated. 313 00:14:18,679 --> 00:14:20,040 Speaker 3: I think you just keep it to the milf and 314 00:14:20,080 --> 00:14:20,840 Speaker 3: the girl forwards. 315 00:14:20,960 --> 00:14:24,360 Speaker 2: Yeah, so just purely on hotness, because you know that 316 00:14:25,400 --> 00:14:30,760 Speaker 2: what's her name? Not Zoe Bell, you know her name? 317 00:14:32,320 --> 00:14:35,760 Speaker 2: No Hobbs, not Zoe Hobbes. It's not a Zoe. 318 00:14:35,880 --> 00:14:38,360 Speaker 4: Actually it's Zoe Atkinson that used to it for the 319 00:14:38,400 --> 00:14:38,760 Speaker 4: a SEC. 320 00:14:39,280 --> 00:14:48,440 Speaker 1: It's Zoe Warrior Princess Yea Zori Warrior Princess, Zoe Zena 321 00:14:48,480 --> 00:14:51,640 Speaker 1: Warrior Princess Zena Warrior Princess. Yes, I know how you're 322 00:14:51,640 --> 00:14:52,640 Speaker 1: talking about. Lucy Lawless. 323 00:14:53,200 --> 00:14:58,360 Speaker 2: So she she first found fame by being she first chief, 324 00:14:58,360 --> 00:15:03,520 Speaker 2: first fan. She first found fame. She first found fame, Yes, 325 00:15:03,880 --> 00:15:08,320 Speaker 2: in the in the Hot Mum Awards. Oh, didn't she 326 00:15:08,400 --> 00:15:10,760 Speaker 2: was back, but at least have a hot mum, beauty pincher. 327 00:15:10,840 --> 00:15:12,120 Speaker 1: I gonna be honest with you, I didn't. 328 00:15:12,280 --> 00:15:13,960 Speaker 3: I thought the MILF Awards was just something me and 329 00:15:13,960 --> 00:15:15,680 Speaker 3: a couple of the boys did at home in the garage. 330 00:15:15,680 --> 00:15:17,600 Speaker 3: I didn't realize that it was actually some kind of credible 331 00:15:17,640 --> 00:15:20,000 Speaker 3: event that went on and was out here winning it. 332 00:15:20,240 --> 00:15:23,880 Speaker 1: Miss was it? Missus? Did she win Missus New Zealand? Yeah? 333 00:15:23,880 --> 00:15:27,880 Speaker 1: Missus New Zealand. Oh yeah, when did she win Missus 334 00:15:27,920 --> 00:15:30,760 Speaker 1: New Zealand? Yeah she did. That's that's that's how she 335 00:15:30,840 --> 00:15:35,960 Speaker 1: leapt into prominence. Hey was it? We found that today 336 00:15:35,960 --> 00:15:37,640 Speaker 1: and the other part you can hear it in the 337 00:15:37,720 --> 00:15:43,280 Speaker 1: in the podcast the Great Sporting Moments Great Moments from 338 00:15:43,280 --> 00:15:44,920 Speaker 1: New Zealand. Would it have killed us to put the 339 00:15:45,000 --> 00:15:49,520 Speaker 1: rain downs? Winning the nineteen eighty three Miss Universe contest? 340 00:15:50,480 --> 00:15:51,400 Speaker 3: Is that a sporting moment? 341 00:15:51,440 --> 00:15:52,000 Speaker 1: Is it? Yeah? 342 00:15:52,520 --> 00:15:54,320 Speaker 4: You watch it like it's a sport mesh. 343 00:15:54,760 --> 00:15:58,720 Speaker 1: But that's much much viewed back in the day. Really. 344 00:15:58,880 --> 00:16:02,480 Speaker 1: Oh yeah, it's very popular night's viewing around households around 345 00:16:02,520 --> 00:16:03,040 Speaker 1: New Zealand. 346 00:16:03,160 --> 00:16:05,920 Speaker 4: Because you didn't find out the result on the internet early. 347 00:16:06,080 --> 00:16:08,480 Speaker 2: Missus New Zealand is a beauty contest for married woman. 348 00:16:08,560 --> 00:16:11,040 Speaker 2: Lucy Lawless, the winner of the nineteen eighty nine contest, 349 00:16:11,120 --> 00:16:14,240 Speaker 2: went on to become an internationally known actor and singer. 350 00:16:15,880 --> 00:16:20,680 Speaker 1: No, that wasn't missus New Zealand. Good for her, congrats? 351 00:16:21,160 --> 00:16:24,200 Speaker 1: What's the difference? Because can you like? What like? 352 00:16:25,320 --> 00:16:27,400 Speaker 2: It's just how good you are in answering questions and 353 00:16:27,440 --> 00:16:29,840 Speaker 2: your special ability. Right, So what does it matter if 354 00:16:29,880 --> 00:16:31,280 Speaker 2: you're a miss or a missus? 355 00:16:32,560 --> 00:16:33,880 Speaker 3: Does hotness still matter anymore? 356 00:16:33,960 --> 00:16:37,160 Speaker 1: Not really? Back in the day, it stemmed from an 357 00:16:37,240 --> 00:16:40,080 Speaker 1: idea that a person who wasn't married would be of 358 00:16:40,560 --> 00:16:46,480 Speaker 1: a virgin virginal status. Right, What is a virgin? A virgin? Yeah, 359 00:16:46,560 --> 00:16:49,400 Speaker 1: so it was miss Virgin New Zealand. Well the mis 360 00:16:49,600 --> 00:16:53,320 Speaker 1: contest was a virgin, right, so there's missus. 361 00:16:52,960 --> 00:16:55,320 Speaker 2: Whereas missus unlikely to be a virgin. It dates back 362 00:16:55,360 --> 00:16:59,760 Speaker 2: to although Mary Antoinette, Mary Antoinette, she was a virgin 363 00:16:59,800 --> 00:17:01,360 Speaker 2: for seven years after she was married. 364 00:17:01,440 --> 00:17:04,560 Speaker 1: Good for she. Yeah, I've just started listening to a 365 00:17:04,600 --> 00:17:06,680 Speaker 1: thing about the French Revolution actually last night. 366 00:17:06,720 --> 00:17:08,760 Speaker 2: But that was because what was her husband's name, Louis 367 00:17:09,200 --> 00:17:12,760 Speaker 2: Louis the fourteenth. He had a terrible penis condition, had 368 00:17:12,840 --> 00:17:16,560 Speaker 2: terrible penis where the foreskin was tight over the top 369 00:17:16,600 --> 00:17:19,600 Speaker 2: of his bellion, so it actually hurt a lot for. 370 00:17:19,600 --> 00:17:20,200 Speaker 1: Him to have sex. 371 00:17:20,240 --> 00:17:22,359 Speaker 2: So it took seven years to consummate the marriage. But 372 00:17:22,400 --> 00:17:24,119 Speaker 2: when they got started, he obviously broke through. And then 373 00:17:24,119 --> 00:17:25,240 Speaker 2: they had four kids, didn't. 374 00:17:25,000 --> 00:17:28,199 Speaker 1: They Good work? Good work for broke through Louis the 375 00:17:28,240 --> 00:17:29,399 Speaker 1: fourteenth to break through? 376 00:17:29,760 --> 00:17:32,560 Speaker 3: Was that a literal breaks from I'm confused, no, honestly, 377 00:17:32,640 --> 00:17:35,119 Speaker 3: jokes aside. Did he get the downstairs things sorted? Or 378 00:17:35,160 --> 00:17:36,600 Speaker 3: did you just have to keep pushing ho had? This's 379 00:17:36,600 --> 00:17:38,919 Speaker 3: been Mary into Anette. Right, you're fourteen and you're married. 380 00:17:39,080 --> 00:17:42,360 Speaker 3: You're in Austria and you're married to a king in Paris. 381 00:17:42,720 --> 00:17:44,679 Speaker 2: One day they say, hey, you're going. You're going. You know, 382 00:17:44,720 --> 00:17:48,439 Speaker 2: you're going to what's the name of that palace? They 383 00:17:48,480 --> 00:17:52,440 Speaker 2: stayed in the Versailles, so you're after the Versailles fourteen 384 00:17:52,520 --> 00:17:55,960 Speaker 2: years old. You put in a row of carriages, fifty 385 00:17:55,960 --> 00:17:58,440 Speaker 2: six carriages traveled. She was in a convoy with fifty 386 00:17:58,440 --> 00:18:03,320 Speaker 2: six travel carriages at travel from Austria to meet. 387 00:18:03,160 --> 00:18:06,640 Speaker 1: Her husband and pretty weird moment at. 388 00:18:06,600 --> 00:18:09,000 Speaker 2: Fourteen years old hostel environment because she was Austrian, So 389 00:18:09,040 --> 00:18:12,640 Speaker 2: everyone was very suspicious of her because Austria was. 390 00:18:12,640 --> 00:18:17,240 Speaker 1: A traditional enemy. Imagine how scared you'd have been. Oh 391 00:18:17,280 --> 00:18:18,879 Speaker 1: my god. It was a big part of bringing the 392 00:18:18,960 --> 00:18:21,120 Speaker 1: kingdoms together that it wasn't marrying off, and that way 393 00:18:21,160 --> 00:18:24,040 Speaker 1: it kept peace, as if you had cousins and relatives 394 00:18:24,040 --> 00:18:25,640 Speaker 1: who are in charge of other countries, and then you're 395 00:18:25,680 --> 00:18:27,119 Speaker 1: less likely to go to war and get on. 396 00:18:27,320 --> 00:18:28,840 Speaker 2: Next thing, you know, you married an old man with 397 00:18:28,920 --> 00:18:35,560 Speaker 2: a fury that block in his operation. Yeah, she might 398 00:18:35,560 --> 00:18:37,560 Speaker 2: have been happier for happy with that for a while. 399 00:18:38,720 --> 00:18:40,360 Speaker 1: Oh that's a good wy she's fourteen. 400 00:18:40,560 --> 00:18:42,720 Speaker 2: But apparently he didn't even know how to do it 401 00:18:43,040 --> 00:18:44,400 Speaker 2: and they had to get someone out. 402 00:18:45,200 --> 00:18:47,080 Speaker 1: How would she know? Well, isn't that what used to 403 00:18:47,080 --> 00:18:48,800 Speaker 1: happen in the old days. You get the old the 404 00:18:49,760 --> 00:18:56,560 Speaker 1: the the concubines or people around the court, there'd be 405 00:18:56,560 --> 00:18:58,439 Speaker 1: people who would be love makers, who would teach the 406 00:18:58,480 --> 00:19:01,879 Speaker 1: people what they were up to, they were doing and stuff. Yeah. So, 407 00:19:02,359 --> 00:19:05,040 Speaker 1: because you couldn't have the king or the yeah, the 408 00:19:05,320 --> 00:19:08,680 Speaker 1: whoever it was princess blasting away that had to be 409 00:19:08,760 --> 00:19:11,720 Speaker 1: quite careful about how they did it. Yeah, right, But 410 00:19:11,760 --> 00:19:14,159 Speaker 1: there was a lot of illegitimate children that were that 411 00:19:14,200 --> 00:19:16,320 Speaker 1: were created, you think. 412 00:19:16,359 --> 00:19:18,440 Speaker 2: Able to work it out like because it it doesn't 413 00:19:18,440 --> 00:19:21,920 Speaker 2: seem especially since Louis was really into lock making. That 414 00:19:22,040 --> 00:19:23,800 Speaker 2: was his thing. He'd be, he'd stay inside. The two 415 00:19:23,880 --> 00:19:26,640 Speaker 2: things that he loved that that king. He loved shooting 416 00:19:26,880 --> 00:19:30,200 Speaker 2: stray cats, so he'd be running around with shooting stray cats. 417 00:19:30,200 --> 00:19:32,399 Speaker 2: That was one thing he loved. The other thing he 418 00:19:32,440 --> 00:19:37,960 Speaker 2: loved was equestrian making locks and working on locks. And 419 00:19:38,040 --> 00:19:40,040 Speaker 2: for me, if you know how a lock works, you 420 00:19:40,080 --> 00:19:40,480 Speaker 2: know how to. 421 00:19:40,400 --> 00:19:43,840 Speaker 1: Make love what because you put it into it. You 422 00:19:43,880 --> 00:19:45,360 Speaker 1: go in and out of a lock, you just go 423 00:19:45,400 --> 00:19:47,760 Speaker 1: in once and turn it, well, apparently turning your cop. 424 00:19:47,800 --> 00:19:48,880 Speaker 1: That's apparently what he's doing. 425 00:19:48,920 --> 00:19:51,920 Speaker 2: When he started off, he was just lying on top 426 00:19:51,920 --> 00:19:55,480 Speaker 2: of her and not moving, yeah, and wondering why things 427 00:19:55,520 --> 00:19:56,119 Speaker 2: weren't happening. 428 00:19:57,040 --> 00:19:58,080 Speaker 1: And then he'd get out. 429 00:19:58,200 --> 00:20:00,119 Speaker 2: He'd get out and go to bed. And she's sort 430 00:20:00,119 --> 00:20:01,600 Speaker 2: of written about it. She was like, it was quite weird. 431 00:20:01,600 --> 00:20:02,439 Speaker 2: He didn't know what it was up to. 432 00:20:02,480 --> 00:20:04,320 Speaker 1: It wasn't really good. Do you know. When I was 433 00:20:04,359 --> 00:20:07,200 Speaker 1: a little kid, because I'd been told that six by 434 00:20:07,240 --> 00:20:09,919 Speaker 1: my parents, that six was bad. No, I was a 435 00:20:09,920 --> 00:20:13,760 Speaker 1: penis going into a vagina. Yeah, I knew that, but right, 436 00:20:13,880 --> 00:20:16,360 Speaker 1: I mean, this is when I was seven or eight. 437 00:20:16,440 --> 00:20:20,080 Speaker 1: I knew about that, but penis going That's how babies 438 00:20:20,080 --> 00:20:22,439 Speaker 1: have made, penus in vagina. Got that sussed. What I 439 00:20:22,480 --> 00:20:25,520 Speaker 1: didn't realize that the until I was about thirteen and 440 00:20:25,520 --> 00:20:28,199 Speaker 1: I watched my first pawn was that the penis goes 441 00:20:28,240 --> 00:20:31,320 Speaker 1: in and out of the vagina. I assumed that you 442 00:20:31,359 --> 00:20:33,400 Speaker 1: were in it, and I always thought that your parents 443 00:20:33,440 --> 00:20:35,359 Speaker 1: at some age would tell you how long you needed 444 00:20:35,359 --> 00:20:36,720 Speaker 1: to put it in there to make a baby, because 445 00:20:36,720 --> 00:20:38,280 Speaker 1: I just assumed that would go in and you'd have 446 00:20:38,280 --> 00:20:39,920 Speaker 1: to wait for a certain amount of seconds. 447 00:20:40,200 --> 00:20:42,520 Speaker 2: Yeah, well, you share that in common with King Louis 448 00:20:42,880 --> 00:20:46,159 Speaker 2: the fourteenth didn't know. He didn't know that you had 449 00:20:46,200 --> 00:20:47,480 Speaker 2: to go back and forth. 450 00:20:47,600 --> 00:20:48,880 Speaker 1: When I saw the back and forth on the pod, 451 00:20:48,920 --> 00:20:51,840 Speaker 1: I was like, Oh, that's weird. When I was about five, 452 00:20:52,000 --> 00:20:54,560 Speaker 1: I humiliated myself in class by putting up a hand. 453 00:20:54,560 --> 00:20:56,360 Speaker 1: I had an invention. I was like, because I thought 454 00:20:56,400 --> 00:20:58,480 Speaker 1: babies came out the bum at that point, and so 455 00:20:58,520 --> 00:21:00,000 Speaker 1: I put my hand up and I said, why don't they? 456 00:21:00,480 --> 00:21:02,800 Speaker 2: I said, I said, missus O'Leary, why don't they put 457 00:21:02,800 --> 00:21:06,119 Speaker 2: a net in the toilet, so babies, when moms are 458 00:21:06,119 --> 00:21:08,119 Speaker 2: giving birth, the baby can just bounce in the toilet. 459 00:21:09,000 --> 00:21:12,040 Speaker 1: It's quite it's quite pioneering sort of thought. 460 00:21:12,240 --> 00:21:14,359 Speaker 3: Yeah, when I first found out about bum babies, that 461 00:21:14,440 --> 00:21:16,080 Speaker 3: did throw me. To be fair, Yeah, yeah, I didn't 462 00:21:16,080 --> 00:21:19,080 Speaker 3: realize that there's a subset of people that that came 463 00:21:19,119 --> 00:21:19,480 Speaker 3: out the bum. 464 00:21:19,520 --> 00:21:21,240 Speaker 1: I mate, it was called he was a bum baby. 465 00:21:21,680 --> 00:21:24,760 Speaker 2: Really, I suppose, I mean I think it's it's it's 466 00:21:24,760 --> 00:21:29,920 Speaker 2: like seventeen seventeen, the births and bum babies that high. 467 00:21:29,960 --> 00:21:33,760 Speaker 1: Now he's going, yeah, google it. So you go up 468 00:21:33,800 --> 00:21:35,720 Speaker 1: the bum and you up the bum. No babies is 469 00:21:35,760 --> 00:21:44,000 Speaker 1: not true. No, people have an ovary up there bump Yeah, school, 470 00:21:44,240 --> 00:21:47,280 Speaker 1: Yeah they that's awful. 471 00:21:47,359 --> 00:21:49,680 Speaker 3: Our fucking kids are I mean, like the poor guy 472 00:21:49,920 --> 00:21:53,240 Speaker 3: was genuinely called bum baby baby. Yeah he was a 473 00:21:53,240 --> 00:21:55,879 Speaker 3: bum baby. Everyone was a bum baby. He was a 474 00:21:55,880 --> 00:21:56,560 Speaker 3: bum baby. 475 00:21:56,760 --> 00:22:00,280 Speaker 1: Oh but I guess my net and the toilet would work. 476 00:22:01,040 --> 00:22:04,640 Speaker 2: You want to catch a ship, But I guess yeah, yeah, 477 00:22:05,320 --> 00:22:06,240 Speaker 2: I mean it would come out. 478 00:22:06,640 --> 00:22:08,640 Speaker 1: It was a good thinking. You're thinking outside the scrow. 479 00:22:08,640 --> 00:22:12,119 Speaker 1: I like it. He was five. I can see I 480 00:22:12,160 --> 00:22:14,480 Speaker 1: can see the you and that four year old. 481 00:22:15,600 --> 00:22:17,800 Speaker 2: I don't know why, looking back, why I felt like 482 00:22:17,840 --> 00:22:21,680 Speaker 2: I needed to share that with the class, But I mean, yeah, 483 00:22:21,720 --> 00:22:23,720 Speaker 2: I think I shared with the classes because they had 484 00:22:23,720 --> 00:22:25,040 Speaker 2: a black board that you pulled around. And I shared 485 00:22:25,040 --> 00:22:27,480 Speaker 2: with the class because my dad told me the facts 486 00:22:27,480 --> 00:22:29,960 Speaker 2: of life really young, because he was a doctor, and 487 00:22:30,000 --> 00:22:31,840 Speaker 2: he told me what the word the if word mean, 488 00:22:32,640 --> 00:22:33,960 Speaker 2: and I wrote, I wrote if. 489 00:22:34,200 --> 00:22:35,320 Speaker 1: I wrote it on big lead. 490 00:22:35,359 --> 00:22:38,000 Speaker 2: This is when I sucks wrote it big leaders on 491 00:22:38,000 --> 00:22:40,200 Speaker 2: the blackboard and pulled the blackboard round. So when the 492 00:22:40,240 --> 00:22:41,880 Speaker 2: teacher came in, she pulled it down and the if 493 00:22:41,920 --> 00:22:42,680 Speaker 2: word was there. 494 00:22:42,680 --> 00:22:44,480 Speaker 1: And then she was like, who did this? And everyone 495 00:22:44,520 --> 00:22:49,080 Speaker 1: went Mat Matthew bugger, Yeah, totally rumbled. 496 00:22:49,320 --> 00:22:50,600 Speaker 3: You got rumbled there. 497 00:22:52,080 --> 00:23:04,440 Speaker 1: And you going all right okay then so all right, okay, all. 498 00:23:04,440 --> 00:23:08,159 Speaker 4: Right, We're happy with That's foreskins. 499 00:23:08,760 --> 00:23:11,600 Speaker 2: I don't know if I'm heavy stuff anyway, we'll collet that, 500 00:23:11,720 --> 00:23:13,440 Speaker 2: delet that all right, seem busy? 501 00:23:13,560 --> 00:23:13,879 Speaker 1: Let you go. 502 00:23:14,880 --> 00:23:17,320 Speaker 2: Hello, I'm Matt Heath. You have been listening to the 503 00:23:17,520 --> 00:23:20,760 Speaker 2: Matt and Jerry Daily Bespoke podcast. Right now you can 504 00:23:20,800 --> 00:23:24,879 Speaker 2: listen to our Radio Highlights podcast, which you will absolutely 505 00:23:24,960 --> 00:23:28,320 Speaker 2: get barred up about anyway. Sit to download, like subscribe, 506 00:23:28,320 --> 00:23:31,000 Speaker 2: Wright review all those great things. It really helps myself 507 00:23:31,000 --> 00:23:33,359 Speaker 2: and Jerry and to a lesser extent, Mass and Ruder. 508 00:23:33,680 --> 00:23:35,560 Speaker 2: If you want to discuss anything raised in this pod, 509 00:23:35,680 --> 00:23:38,640 Speaker 2: check out the Conclave, a Matt and Jerry Facebook discussion group. 510 00:23:38,840 --> 00:23:41,480 Speaker 2: And while I'm plugging stuff, my book A Lifeless Punishing 511 00:23:41,560 --> 00:23:44,000 Speaker 2: Thirteen Ways to Love the Life You've Got is out 512 00:23:44,160 --> 00:23:46,439 Speaker 2: now get it wherever you get your books, or just 513 00:23:46,560 --> 00:23:50,280 Speaker 2: google the bastard. Anyway you've seem busy, I'll let you go. 514 00:23:50,720 --> 00:23:53,119 Speaker 1: Bless Blessed, blessed. Give them a taste of key we 515 00:23:53,200 --> 00:23:53,520 Speaker 1: from me