1
00:00:00,840 --> 00:00:05,119
Speaker 1: For all you men bastards loving the Big Show podcast

2
00:00:05,280 --> 00:00:07,200
Speaker 1: Get up even Closer.

3
00:00:06,960 --> 00:00:11,119
Speaker 2: On Instagram YouTube and ticked off four raw dogging for

4
00:00:11,400 --> 00:00:14,840
Speaker 2: to sit every weekday on Radioca.

5
00:00:15,440 --> 00:00:20,600
Speaker 3: Yeah, Fellaws, something shocking happened to me this afternoon.

6
00:00:21,200 --> 00:00:23,480
Speaker 2: Yeah it looked dodgy, didn't it. Just then? Yeah?

7
00:00:23,600 --> 00:00:27,159
Speaker 3: Yeah, that actually wasn't what it was true story this.

8
00:00:29,120 --> 00:00:33,000
Speaker 3: I walked into the office, get a fellas, went to

9
00:00:33,040 --> 00:00:34,120
Speaker 3: go into Studio B.

10
00:00:34,280 --> 00:00:35,519
Speaker 1: And who was in Studio B?

11
00:00:36,159 --> 00:00:36,920
Speaker 2: Probably pugs On.

12
00:00:37,000 --> 00:00:40,360
Speaker 3: I had on with his lovely, lovely partner all right,

13
00:00:40,400 --> 00:00:48,760
Speaker 3: back off right, and they were passion and I stopped

14
00:00:48,840 --> 00:00:52,319
Speaker 3: in my tracks and they were so into it.

15
00:00:52,920 --> 00:00:56,760
Speaker 1: I just swiveled around, fells really and walked straight out again.

16
00:00:56,760 --> 00:01:00,440
Speaker 3: I nearly went, hey, come on, get a room, but

17
00:01:00,480 --> 00:01:02,240
Speaker 3: they were already in a room.

18
00:01:02,280 --> 00:01:05,920
Speaker 4: But also, if I see, especially the throes of young love,

19
00:01:06,000 --> 00:01:09,120
Speaker 4: you know that's going to fizzle out big time. We

20
00:01:09,160 --> 00:01:12,640
Speaker 4: all know that. If I see people doing that, go

21
00:01:12,720 --> 00:01:13,919
Speaker 4: for it, that's great.

22
00:01:14,959 --> 00:01:18,000
Speaker 3: Well, it just shocks me. I mean, it's not Maggie

23
00:01:18,360 --> 00:01:19,480
Speaker 3: at the front, please.

24
00:01:19,240 --> 00:01:24,000
Speaker 2: I'm looking at Yeah, but you were nodding towards someone else.

25
00:01:25,080 --> 00:01:28,880
Speaker 3: To Pugs It's just not something you've seen in the workplace.

26
00:01:28,920 --> 00:01:31,680
Speaker 2: That's all it's not, And I think you should should

27
00:01:31,680 --> 00:01:34,600
Speaker 2: be compulsory. Every day you spin a wheel.

28
00:01:35,920 --> 00:01:39,319
Speaker 4: You have to randomly pash a piece, supposing that we

29
00:01:39,360 --> 00:01:41,120
Speaker 4: all play spin the bottle every day?

30
00:01:41,480 --> 00:01:45,479
Speaker 2: Keen, see what's having the key hiding there because of you?

31
00:01:46,040 --> 00:01:46,160
Speaker 4: Well?

32
00:01:46,200 --> 00:01:47,720
Speaker 2: The fun you talking? I don't even see what you're

33
00:01:47,720 --> 00:01:48,120
Speaker 2: talking about.

34
00:01:48,120 --> 00:01:50,400
Speaker 1: That is it weird that I was turned on by it?

35
00:01:51,280 --> 00:01:52,480
Speaker 1: What Pugs?

36
00:01:52,520 --> 00:01:57,320
Speaker 2: And was it passionate? But was it? Was it passion yes?

37
00:01:57,600 --> 00:02:01,320
Speaker 2: Did you? Did you feel a little moved man? And

38
00:02:01,440 --> 00:02:02,040
Speaker 2: your heart?

39
00:02:02,440 --> 00:02:02,640
Speaker 1: Oh?

40
00:02:02,680 --> 00:02:03,240
Speaker 2: In my heart?

41
00:02:04,520 --> 00:02:06,720
Speaker 1: In my heart? Definitely not a flicker anywhere else?

42
00:02:07,080 --> 00:02:09,320
Speaker 2: Was it was her back to you?

43
00:02:09,440 --> 00:02:09,720
Speaker 1: Yes?

44
00:02:10,040 --> 00:02:13,560
Speaker 2: Where were Pugs's hands around her waist?

45
00:02:14,280 --> 00:02:14,480
Speaker 3: Oh?

46
00:02:14,560 --> 00:02:16,359
Speaker 1: You actually around it? Yeah? Around her back?

47
00:02:16,880 --> 00:02:20,480
Speaker 2: Wow, like a full blown come hither. I'm gonna how

48
00:02:20,560 --> 00:02:23,040
Speaker 2: we got it? Yeah? Far out? How long were we

49
00:02:23,040 --> 00:02:26,760
Speaker 2: going to do this? I just think it's amazing. Yeah,

50
00:02:26,760 --> 00:02:29,480
Speaker 2: I think if it's all we talk about, then Pugs

51
00:02:29,600 --> 00:02:30,560
Speaker 2: is going to have to clip it up.

52
00:02:31,360 --> 00:02:32,720
Speaker 4: Yeah, you're right, we got to play it on the

53
00:02:32,720 --> 00:02:36,120
Speaker 4: show You Love Them? Because yeah, I haven't like pashed

54
00:02:36,120 --> 00:02:38,519
Speaker 4: passionately like that? Because how long were you watching for

55
00:02:40,960 --> 00:02:47,800
Speaker 4: thirty seconds. And was your initial instinct anger jealousy? No,

56
00:02:47,960 --> 00:02:50,560
Speaker 4: it was surprise because you came out fuman.

57
00:02:51,680 --> 00:02:53,840
Speaker 3: I was angry that they kept going on with it

58
00:02:53,880 --> 00:02:55,799
Speaker 3: while I was standing there just watching them.

59
00:02:57,919 --> 00:03:02,320
Speaker 4: Anyway, far worst things have happened in this building.

60
00:03:02,560 --> 00:03:05,480
Speaker 2: That's true. I know for a fact have definitely happened.

61
00:03:05,639 --> 00:03:07,520
Speaker 2: You have to tell me about those. Yeah, you're not

62
00:03:07,600 --> 00:03:09,519
Speaker 2: here though, I feelers no you can.

63
00:03:09,600 --> 00:03:11,200
Speaker 1: I'm keen to know. I mean, I want to know

64
00:03:11,200 --> 00:03:12,320
Speaker 1: what goes on in the building.

65
00:03:12,320 --> 00:03:14,239
Speaker 2: All right, fine, you want to know one. Yeah, it's

66
00:03:14,240 --> 00:03:16,560
Speaker 2: a definite one. Yes, Prebs.

67
00:03:18,760 --> 00:03:22,320
Speaker 4: Had a banana, had and a cup of at three

68
00:03:22,320 --> 00:03:25,200
Speaker 4: on the Dot every day. No Prebs in the B

69
00:03:25,400 --> 00:03:28,120
Speaker 4: studio hammer and tongs.

70
00:03:27,840 --> 00:03:34,640
Speaker 2: Yeah with oh CAZy, with me taking a look a

71
00:03:34,760 --> 00:03:35,720
Speaker 2: cham Yeah man.

72
00:03:35,880 --> 00:03:37,960
Speaker 3: Good well, I mean that's just standard practice. Look at

73
00:03:37,960 --> 00:03:41,120
Speaker 3: this cat with us cool glasses. That's just standard practice.

74
00:03:41,120 --> 00:03:45,280
Speaker 3: When you join Hodakis old Prebenator gives you a good scene.

75
00:03:46,360 --> 00:03:47,920
Speaker 1: Yeah, get a scene.

76
00:03:47,680 --> 00:03:49,600
Speaker 2: To the whole archy.

77
00:03:49,680 --> 00:03:56,040
Speaker 4: Big Show week days from four on Radio Hdarkymember They

78
00:03:56,200 --> 00:03:57,320
Speaker 4: Big Show Podcast.

79
00:03:57,360 --> 00:03:58,800
Speaker 2: I wonder if Prebs ever listens to this.

80
00:03:59,560 --> 00:04:01,960
Speaker 4: No, if you picture just the loveliest, quietest guy ever,

81
00:04:02,040 --> 00:04:04,240
Speaker 4: that's Preb's voice of gold.

82
00:04:04,440 --> 00:04:07,240
Speaker 3: But I think he just sets chills out at home,

83
00:04:07,280 --> 00:04:08,440
Speaker 3: eats fruit and listens to.

84
00:04:08,440 --> 00:04:10,280
Speaker 2: Music fucking oath he does.

85
00:04:10,320 --> 00:04:13,360
Speaker 4: He's listening hours were two hundred and forty thousand hours

86
00:04:13,400 --> 00:04:17,679
Speaker 4: or something. Mine were nineteen thousand, yeah, for the whole year, right,

87
00:04:18,360 --> 00:04:20,520
Speaker 4: and his were two hundred and forty thousand. Right.

88
00:04:20,640 --> 00:04:21,400
Speaker 2: He is constantly.

89
00:04:21,480 --> 00:04:24,080
Speaker 4: I think he averaged music being on seven hours a

90
00:04:24,160 --> 00:04:26,800
Speaker 4: day or something longer than that. Yeah, good on him. Yeah,

91
00:04:26,800 --> 00:04:29,120
Speaker 4: he fucking and his top artists were all Kiwi artists.

92
00:04:29,200 --> 00:04:30,080
Speaker 2: What a bagbone?

93
00:04:30,160 --> 00:04:36,240
Speaker 4: Yeah yeah, yeah, yeah today but no, no, it's yeah.

94
00:04:36,480 --> 00:04:40,000
Speaker 3: I think I was like seventeen or eighteen thousand, which

95
00:04:40,040 --> 00:04:40,560
Speaker 3: is pretty good.

96
00:04:40,640 --> 00:04:41,360
Speaker 1: Yeah, it's not bad.

97
00:04:41,440 --> 00:04:43,080
Speaker 2: It's all right. I've got no idea and I've got

98
00:04:43,120 --> 00:04:45,120
Speaker 2: no idea how to find it either. Hey, something came.

99
00:04:45,200 --> 00:04:48,279
Speaker 2: That's that somebody I've never heard of. Good? A new

100
00:04:48,320 --> 00:04:51,640
Speaker 2: album at Fellers? Yeah good, So that's good. What's happening

101
00:04:51,680 --> 00:04:53,200
Speaker 2: for the weekend? Assholes?

102
00:04:53,360 --> 00:04:56,520
Speaker 4: Going to christ chitch Man? Oh yeah, I've got so.

103
00:04:56,520 --> 00:04:59,120
Speaker 4: I've got a bit of a dilemma. Lucy's parents house

104
00:04:59,120 --> 00:05:01,440
Speaker 4: which we're going to. It is fifty minutes away from

105
00:05:01,480 --> 00:05:05,279
Speaker 4: downtown christ Church fifty and I've got golf and I

106
00:05:05,279 --> 00:05:09,240
Speaker 4: need to be there at eight am tomorrow morning. Right,

107
00:05:09,279 --> 00:05:11,720
Speaker 4: And Lucy's been working a lot late late as well.

108
00:05:11,800 --> 00:05:14,840
Speaker 4: She's she's been pretty full on last you know, couple

109
00:05:14,839 --> 00:05:16,560
Speaker 4: of weeks. She's been tired, and I now have to

110
00:05:16,600 --> 00:05:19,640
Speaker 4: be like, hey, can you drop me off at golf

111
00:05:19,640 --> 00:05:20,880
Speaker 4: at like seven thirty.

112
00:05:22,440 --> 00:05:24,600
Speaker 2: So it'd be interesting to see what she says to that. So,

113
00:05:24,640 --> 00:05:26,040
Speaker 2: what you're going to play golf and then you get

114
00:05:26,120 --> 00:05:27,720
Speaker 2: on the purse or something.

115
00:05:27,400 --> 00:05:30,640
Speaker 4: Yeah, afterwards with her and her mates and partner. So

116
00:05:30,680 --> 00:05:32,760
Speaker 4: I'm playing golf with all the partners, right, but the

117
00:05:32,800 --> 00:05:35,000
Speaker 4: only time she's going to need the car. So, but

118
00:05:35,040 --> 00:05:37,280
Speaker 4: there's only two cars, ones who mum's ones who dads.

119
00:05:38,240 --> 00:05:40,240
Speaker 4: So it's a bit of a dilemma there, Jaceent, Yeah,

120
00:05:41,000 --> 00:05:41,680
Speaker 4: of a dilemma.

121
00:05:41,760 --> 00:05:41,920
Speaker 2: Man.

122
00:05:43,960 --> 00:05:50,400
Speaker 3: That's great stuff though, what minutes, Oh that's good twenty

123
00:05:50,400 --> 00:05:51,080
Speaker 3: seven thousand.

124
00:05:51,320 --> 00:05:53,280
Speaker 4: I'm not surprised at you're the most because you're always

125
00:05:53,279 --> 00:05:55,640
Speaker 4: listening to tunes in that when your head phone tune.

126
00:05:55,760 --> 00:05:58,440
Speaker 1: Yeah, it's good tune stuff.

127
00:05:59,760 --> 00:06:02,800
Speaker 3: I've got one of those weekends where I spoke to

128
00:06:02,839 --> 00:06:06,160
Speaker 3: my wife today and it was like what are you

129
00:06:06,240 --> 00:06:07,000
Speaker 3: planning this week?

130
00:06:07,000 --> 00:06:09,280
Speaker 1: You got anything on? Which is what I always do

131
00:06:09,360 --> 00:06:09,920
Speaker 1: on a Friday.

132
00:06:09,960 --> 00:06:11,599
Speaker 3: And then she goes, yeah, we've got the bang bang

133
00:06:11,640 --> 00:06:13,800
Speaker 3: bang and the bang bang bang and the bang bang bang,

134
00:06:13,800 --> 00:06:16,480
Speaker 3: And I'm like, oh, fuck do we Yeah?

135
00:06:16,720 --> 00:06:20,920
Speaker 2: Damn it, I've got a I've got my sister's coming

136
00:06:21,080 --> 00:06:24,200
Speaker 2: to stay x because my daughter has got a ballet

137
00:06:24,279 --> 00:06:27,880
Speaker 2: recital and she's got a big ballet concert at the

138
00:06:27,880 --> 00:06:32,400
Speaker 2: Bruce Mason. So it's a big, big, big production. The

139
00:06:32,520 --> 00:06:35,800
Speaker 2: dress is pretty amazing, and so my sister's coming up,

140
00:06:35,880 --> 00:06:38,360
Speaker 2: She's coming up tomorrow. However, I forgot that I've got

141
00:06:38,360 --> 00:06:41,200
Speaker 2: a barbecue to go to right which is going to

142
00:06:41,279 --> 00:06:45,680
Speaker 2: be a monumental pess up that sounds sick. And then

143
00:06:45,680 --> 00:06:50,440
Speaker 2: the next morning, I've got my daughter's ballet. Oh what

144
00:06:50,440 --> 00:06:53,400
Speaker 2: are you planning here? Because look, i'd like to say,

145
00:06:53,560 --> 00:06:55,920
Speaker 2: there are two ways. I'd like to say. I'm going

146
00:06:55,960 --> 00:06:58,080
Speaker 2: to be responsible, go and pick up my sister when

147
00:06:58,080 --> 00:07:05,919
Speaker 2: she arrives, and then go home. But nah, sort of

148
00:07:05,960 --> 00:07:07,760
Speaker 2: the week off, head Fellers. I think I'm going to

149
00:07:07,800 --> 00:07:10,360
Speaker 2: get on it. Okay, you know what I mean. Sure,

150
00:07:10,400 --> 00:07:13,200
Speaker 2: But given it starts at two, let's be honest, it's

151
00:07:13,200 --> 00:07:16,160
Speaker 2: not I'm not going to be in bed by teen. Yeah. Nah,

152
00:07:16,600 --> 00:07:18,720
Speaker 2: I was thinking big there, but it's not gonna. Is

153
00:07:19,080 --> 00:07:22,440
Speaker 2: your sister Mogi Mogi? Yeah? What's it?

154
00:07:23,160 --> 00:07:23,240
Speaker 1: Is?

155
00:07:23,240 --> 00:07:27,240
Speaker 2: She a Mogi? She is a Moogi? Yeah? Okay? Does

156
00:07:27,280 --> 00:07:32,119
Speaker 2: she like having a drink? Darries? Yes, she's on the dart.

157
00:07:32,520 --> 00:07:37,119
Speaker 2: She is on the darts. She's thirty three. Oh wow

158
00:07:37,240 --> 00:07:42,200
Speaker 2: really yeah, it's my dad got a new relationship. So yeah,

159
00:07:42,440 --> 00:07:45,880
Speaker 2: you guys get one your age gap. Yeah, she's a backbone,

160
00:07:46,800 --> 00:07:47,720
Speaker 2: she's a backbone. Yeah.

161
00:07:48,240 --> 00:07:51,600
Speaker 1: Yeah, I'm predicting a dusty Monday for Mogi.

162
00:07:51,800 --> 00:07:53,920
Speaker 2: I think you're probably going to be right. So your

163
00:07:54,000 --> 00:07:56,920
Speaker 2: sister is younger than me, Yes, that's crazy.

164
00:07:57,000 --> 00:08:00,680
Speaker 1: Yes, she is far out family's keys.

165
00:08:01,280 --> 00:08:04,440
Speaker 2: In fact, her birthday is in a week. That's good

166
00:08:04,520 --> 00:08:07,560
Speaker 2: remembering Phils, Thanks Phils. No worries would have got me

167
00:08:07,600 --> 00:08:09,880
Speaker 2: in trouble because your eldest, Jase is twenty nine.

168
00:08:11,400 --> 00:08:12,360
Speaker 1: Oh my eldest.

169
00:08:13,400 --> 00:08:17,679
Speaker 3: I was suddenly going, yes about this month turns thirty?

170
00:08:18,080 --> 00:08:21,600
Speaker 4: Right, thirty, and then you're young sixteen seventeen seven?

171
00:08:21,800 --> 00:08:23,720
Speaker 2: Right, okay, so it's not far off thirteen years.

172
00:08:23,760 --> 00:08:27,000
Speaker 3: Well, we had a big and it wasn't even a

173
00:08:27,280 --> 00:08:28,520
Speaker 3: planned big break.

174
00:08:28,720 --> 00:08:30,320
Speaker 2: I feel like you never planned anything.

175
00:08:30,680 --> 00:08:32,440
Speaker 1: Yeah, that would be a fear assumption.

176
00:08:34,760 --> 00:08:37,200
Speaker 3: We've always felt slightly bad about that because she she

177
00:08:37,559 --> 00:08:39,840
Speaker 3: my youngest is almost like an only child.

178
00:08:39,920 --> 00:08:40,960
Speaker 2: Well I've got only troll.

179
00:08:41,240 --> 00:08:45,599
Speaker 4: Yeah, they hang out, Mogie and your youngest.

180
00:08:45,760 --> 00:08:47,840
Speaker 3: Whereas all my other girls, they were all in the

181
00:08:47,880 --> 00:08:50,760
Speaker 3: cluster and so they got to, you know, annoy the

182
00:08:50,760 --> 00:08:54,200
Speaker 3: shit out of each other and do sisterly things. Whereas

183
00:08:54,240 --> 00:08:56,719
Speaker 3: my youngest, Yeah, they all sort of pissed off by

184
00:08:56,720 --> 00:08:58,199
Speaker 3: the time she started growing up.

185
00:08:58,480 --> 00:09:00,720
Speaker 4: The thing with girls rise was this same with you.

186
00:09:00,800 --> 00:09:03,760
Speaker 4: Lucy and her younger sister when Lucy was a teenager.

187
00:09:03,760 --> 00:09:06,400
Speaker 2: This is my wife. Yeah, I know who Lucy is. Man.

188
00:09:06,480 --> 00:09:08,640
Speaker 4: Just for the listeners, man, oh yeah, that's the thing.

189
00:09:09,600 --> 00:09:14,240
Speaker 4: People listen to this man. She fucking hated her younger

190
00:09:14,280 --> 00:09:16,520
Speaker 4: sister when she was a teenager because she, like, I

191
00:09:16,520 --> 00:09:17,920
Speaker 4: think they were sharing a room for a bit or

192
00:09:17,920 --> 00:09:19,760
Speaker 4: something and it was just ah, and they always get

193
00:09:19,760 --> 00:09:21,559
Speaker 4: really pissed off at each other and teenage girls blah

194
00:09:21,559 --> 00:09:23,959
Speaker 4: blah blah blah, and like not now, but from the

195
00:09:24,200 --> 00:09:26,440
Speaker 4: twenty onwards, she absolutely adores it.

196
00:09:26,559 --> 00:09:29,200
Speaker 3: Yeah, yes, Well, can I just make the point that

197
00:09:29,240 --> 00:09:34,160
Speaker 3: teenage girls hate everything, right, okay, generally speaking, Yeah, okay,

198
00:09:34,320 --> 00:09:39,560
Speaker 3: particularly adults, parents, rules, all of that sort of stuff.

199
00:09:39,600 --> 00:09:41,760
Speaker 2: They hate. What about when you come home in a

200
00:09:41,760 --> 00:09:42,520
Speaker 2: turkey shirt?

201
00:09:43,360 --> 00:09:44,920
Speaker 1: Oh no, they quite like that.

202
00:09:45,480 --> 00:09:46,120
Speaker 2: Yeah, i'd like that.

203
00:09:47,559 --> 00:09:48,520
Speaker 1: I've told you before.

204
00:09:48,520 --> 00:09:51,240
Speaker 3: My youngest there's a fucking pain because she steals all

205
00:09:51,240 --> 00:09:56,040
Speaker 3: my clothes all the time, which clothes, my trackies, my sweatshirts,

206
00:09:56,360 --> 00:09:58,040
Speaker 3: all the stuff I like to wear when I get

207
00:09:58,120 --> 00:09:59,680
Speaker 3: up in the morning, right, And I get up in

208
00:09:59,679 --> 00:10:02,880
Speaker 3: the morning undies, and I'm like, where the fuck are

209
00:10:02,960 --> 00:10:03,440
Speaker 3: my tracks?

210
00:10:03,480 --> 00:10:05,600
Speaker 2: Eat pad at Homer Simpson fuck.

211
00:10:05,559 --> 00:10:09,840
Speaker 3: Sake, And I've got about three or four piers and

212
00:10:09,880 --> 00:10:11,560
Speaker 3: I don't have any in my room, and I'm like,

213
00:10:11,720 --> 00:10:12,320
Speaker 3: fuck hell.

214
00:10:12,800 --> 00:10:15,120
Speaker 1: And I go in her room and they're just they're

215
00:10:15,160 --> 00:10:15,520
Speaker 1: just there.

216
00:10:15,520 --> 00:10:17,959
Speaker 4: There's something I like. My dad has given me a

217
00:10:18,000 --> 00:10:20,320
Speaker 4: few pieces of clothing over the years. I love wearing them.

218
00:10:20,320 --> 00:10:24,160
Speaker 4: There's something about wearing your old man's stuff. Many about

219
00:10:24,160 --> 00:10:24,720
Speaker 4: it and stuff.

220
00:10:24,840 --> 00:10:26,360
Speaker 2: Yeah, she wouldn't wear that shit, would she.

221
00:10:26,480 --> 00:10:28,240
Speaker 1: No, No, not.

222
00:10:28,240 --> 00:10:30,880
Speaker 2: Unless she was going to like a fancy dress, That's right.

223
00:10:30,960 --> 00:10:34,880
Speaker 3: My youngest is she dresses like a real wisty She's

224
00:10:34,920 --> 00:10:35,720
Speaker 3: a wisty girl.

225
00:10:36,559 --> 00:10:37,760
Speaker 1: Body and soul.

226
00:10:38,760 --> 00:10:39,240
Speaker 2: Good on it.

227
00:10:39,600 --> 00:10:44,480
Speaker 3: Yeah, yeah, track ees, big sweatshits.

228
00:10:43,720 --> 00:10:49,760
Speaker 2: Yeah, hoodie dealers not the speed dealers.

229
00:10:50,640 --> 00:10:56,319
Speaker 3: No, she's no dreads, No dreads Marlott, no, no mallet

230
00:10:56,559 --> 00:10:57,240
Speaker 3: planetate sh.

231
00:10:58,040 --> 00:10:59,960
Speaker 2: It sounds like she's from a bloody gray line.

232
00:11:01,720 --> 00:11:07,000
Speaker 3: She has ludicrously long here, Yes, ludicrously long.

233
00:11:07,160 --> 00:11:09,120
Speaker 2: I didn't notice that she tight up.

234
00:11:09,440 --> 00:11:11,320
Speaker 1: Yeah, she sometimes does that usual.

235
00:11:11,480 --> 00:11:12,200
Speaker 2: Can't be fucked.

236
00:11:12,559 --> 00:11:15,400
Speaker 4: Hey, listen to The Big Show four or seven weekdays radio. Hurdarchy,

237
00:11:15,440 --> 00:11:15,880
Speaker 4: good eating,