1 00:00:00,120 --> 00:00:02,320 Speaker 1: Catch up time with Antonio Prebble as she was recorded 2 00:00:02,360 --> 00:00:04,400 Speaker 1: the second season of Double Park, which is out now. 3 00:00:04,920 --> 00:00:08,240 Speaker 1: She has the second season of her award winning podcast 4 00:00:08,400 --> 00:00:11,560 Speaker 1: out very soon What Matters Most, and also I am 5 00:00:11,560 --> 00:00:16,480 Speaker 1: told three other television shows in development. So Antonia Prebble 6 00:00:16,520 --> 00:00:17,720 Speaker 1: is with us A very good morning to. 7 00:00:17,680 --> 00:00:19,160 Speaker 2: You morning, Thanks for having me. 8 00:00:19,320 --> 00:00:22,240 Speaker 1: Do you know Craig Parker? I do, right, So we 9 00:00:22,280 --> 00:00:26,560 Speaker 1: had Craig Parker on the other day and he was 10 00:00:26,640 --> 00:00:28,920 Speaker 1: running the same line that you are with the secret 11 00:00:28,920 --> 00:00:30,040 Speaker 1: television project thing. 12 00:00:31,040 --> 00:00:33,440 Speaker 2: It's a good line, could mean. 13 00:00:33,320 --> 00:00:37,720 Speaker 1: Anything, and he gave nothing away. So can you give 14 00:00:37,760 --> 00:00:41,240 Speaker 1: anything away? 15 00:00:41,440 --> 00:00:43,479 Speaker 2: Yeah? Yeah, I'll give you more than Craig Parker. 16 00:00:43,520 --> 00:00:45,559 Speaker 3: There you go about that. There you go. 17 00:00:46,080 --> 00:00:48,519 Speaker 1: So these projects are these real projects that are going 18 00:00:48,560 --> 00:00:50,000 Speaker 1: to come to fruition or we don't know? 19 00:00:50,159 --> 00:00:51,160 Speaker 2: Look, we really hope. 20 00:00:51,159 --> 00:00:56,200 Speaker 4: So so my husband Dan Musgrove is a writer by trade. 21 00:00:56,200 --> 00:00:59,080 Speaker 4: I mean, he's also an actor, but he almost exclusively writes. 22 00:00:59,120 --> 00:01:02,040 Speaker 4: Now since we've been together and it was kind of 23 00:01:02,040 --> 00:01:05,320 Speaker 4: one of those pivoting during COVID times, we've started writing 24 00:01:05,400 --> 00:01:09,319 Speaker 4: together and creating projects together. So that's why they really 25 00:01:09,440 --> 00:01:13,640 Speaker 4: are happening. Because I've physically done the writing of them, 26 00:01:13,760 --> 00:01:15,520 Speaker 4: but yeah, look, I can tell you we've got a few. 27 00:01:15,560 --> 00:01:22,560 Speaker 4: One is sort of a quirky black comedy about Funnily enough, 28 00:01:22,560 --> 00:01:25,600 Speaker 4: they've all got leads for women sort of in their 29 00:01:25,640 --> 00:01:26,720 Speaker 4: late thirties early forties. 30 00:01:26,720 --> 00:01:29,600 Speaker 2: It's strange how we've said to be focusing on that. 31 00:01:30,240 --> 00:01:33,440 Speaker 4: But one is about, yeah, a mother who's not coping 32 00:01:33,400 --> 00:01:36,120 Speaker 4: at all with her life and goes to quite a 33 00:01:36,520 --> 00:01:38,520 Speaker 4: sort of a modern retelling of the doll's house actually 34 00:01:38,640 --> 00:01:42,319 Speaker 4: insince the house. And then ones are really kind of 35 00:01:42,600 --> 00:01:46,440 Speaker 4: awful psychological thriller murdery thing that whenever we work on it, 36 00:01:46,480 --> 00:01:49,400 Speaker 4: I'm like, why are we doing this? Because I don't 37 00:01:49,440 --> 00:01:51,880 Speaker 4: like watching things like that because I find them too 38 00:01:52,240 --> 00:01:56,040 Speaker 4: full on and violent. But anyway, that's another one. And 39 00:01:56,440 --> 00:02:00,480 Speaker 4: then we've just started working on like a horror movie again, 40 00:02:00,600 --> 00:02:03,080 Speaker 4: which I don't want, so I don't know why why 41 00:02:03,160 --> 00:02:04,360 Speaker 4: I'm sort of focusing on that. 42 00:02:04,520 --> 00:02:08,040 Speaker 1: So do you set aside time with your husband to 43 00:02:08,080 --> 00:02:09,880 Speaker 1: do this? Is this like work time? And we'll start 44 00:02:09,919 --> 00:02:11,520 Speaker 1: now and we'll have lunch and then after lunch we'll 45 00:02:11,520 --> 00:02:13,320 Speaker 1: sit down and then we'll develop something. 46 00:02:13,440 --> 00:02:14,560 Speaker 2: Yes, yeah, we do. 47 00:02:14,680 --> 00:02:18,680 Speaker 4: And with some of those projects we have other collaborators 48 00:02:18,720 --> 00:02:21,520 Speaker 4: as well, which kind of actually makes it easier in 49 00:02:21,560 --> 00:02:23,919 Speaker 4: terms of what you're saying calming out time because you're 50 00:02:24,040 --> 00:02:27,360 Speaker 4: involving other people schedules, whereas if it's just you and 51 00:02:27,400 --> 00:02:29,480 Speaker 4: your own house, it's quite easy for it to sort 52 00:02:29,520 --> 00:02:32,200 Speaker 4: of bleed out into other things. But yeah, we try 53 00:02:32,200 --> 00:02:35,839 Speaker 4: to keep it pretty pretty highly organized. But the good 54 00:02:35,840 --> 00:02:37,919 Speaker 4: thing about working with someone you live with is you 55 00:02:37,960 --> 00:02:39,360 Speaker 4: can do a lot of it after the children are 56 00:02:39,360 --> 00:02:39,920 Speaker 4: in bed and you. 57 00:02:40,040 --> 00:02:42,640 Speaker 1: And you got married. This year we did. That's going well, 58 00:02:43,200 --> 00:02:44,120 Speaker 1: so far, so good. 59 00:02:44,240 --> 00:02:46,480 Speaker 4: I think we're six months and so I don't know 60 00:02:46,520 --> 00:02:49,959 Speaker 4: what that means in terms of like the material later 61 00:02:50,720 --> 00:02:51,720 Speaker 4: it wouldn't even be cotton. 62 00:02:53,280 --> 00:02:55,040 Speaker 3: But I don't know. 63 00:02:55,200 --> 00:02:57,480 Speaker 1: I don't know what it is the what's two view 64 00:02:57,520 --> 00:02:59,920 Speaker 1: of the televisual landscape at the moment given the media. 65 00:03:00,160 --> 00:03:02,760 Speaker 1: So fluxy, Yes, fluxy. 66 00:03:02,840 --> 00:03:04,760 Speaker 4: I like that word for it. Fluxy is sort of 67 00:03:04,800 --> 00:03:06,600 Speaker 4: better than some other words you might use, isn't it? 68 00:03:07,280 --> 00:03:08,440 Speaker 4: Can I borrow your word and. 69 00:03:08,360 --> 00:03:12,040 Speaker 2: Say it's fluxy it is flux? Yeah. 70 00:03:12,080 --> 00:03:14,959 Speaker 4: I mean, I'm someone I never I'm an optimistic person 71 00:03:15,040 --> 00:03:17,080 Speaker 4: and I really try not to kind of buy into 72 00:03:17,160 --> 00:03:20,840 Speaker 4: general rhetoric about how bad things are because historically for 73 00:03:20,919 --> 00:03:23,720 Speaker 4: me personally, I've had times when apparently it's really busy 74 00:03:23,760 --> 00:03:26,480 Speaker 4: out there and I've had no work, or also when 75 00:03:26,480 --> 00:03:29,000 Speaker 4: it's a desert out there, but for whatever reason, I'm 76 00:03:29,040 --> 00:03:33,760 Speaker 4: actually pretty busy. But generally speaking, it isn't looking great. 77 00:03:33,800 --> 00:03:36,000 Speaker 4: And people were hoping for a bit of a better 78 00:03:36,040 --> 00:03:38,240 Speaker 4: twenty twenty four than twenty twenty three and that did 79 00:03:38,280 --> 00:03:41,040 Speaker 4: not happen at all. And now again there's whispers of 80 00:03:41,080 --> 00:03:43,800 Speaker 4: maybe twenty twenty five getting being better, but it's quite 81 00:03:43,880 --> 00:03:46,400 Speaker 4: hard to it's just changed. It's a lot harder to 82 00:03:46,440 --> 00:03:49,840 Speaker 4: fund those premium style shows, which was The Outrageous Fortune 83 00:03:49,880 --> 00:03:51,840 Speaker 4: or The West Side, which is about eight million dollars 84 00:03:51,880 --> 00:03:54,720 Speaker 4: per season. It just doesn't really happen anymore under the 85 00:03:54,720 --> 00:03:55,720 Speaker 4: New Zealand funding model. 86 00:03:55,800 --> 00:03:59,280 Speaker 1: So just to explain it to people, so we go 87 00:03:59,320 --> 00:04:02,280 Speaker 1: to New Zealand and you go, I've got West Side 88 00:04:02,400 --> 00:04:05,680 Speaker 1: or whatever, and it's eight million dollars. That that's not 89 00:04:05,760 --> 00:04:08,240 Speaker 1: a thing. Really, there is not eight million dollars to 90 00:04:08,280 --> 00:04:09,400 Speaker 1: do something Grandi Ocean. 91 00:04:09,440 --> 00:04:12,240 Speaker 4: If you want to make something that costs around eight 92 00:04:12,240 --> 00:04:15,280 Speaker 4: million dollars, you generally speaking have to have international support. 93 00:04:15,520 --> 00:04:18,960 Speaker 4: So some sort of funding from an international body, and 94 00:04:19,000 --> 00:04:20,800 Speaker 4: it's pretty hard to get see that. 95 00:04:21,440 --> 00:04:24,680 Speaker 1: That's a funny thing, isn't it, because presumably that's a 96 00:04:24,720 --> 00:04:28,440 Speaker 1: hit and miss equation. It's a risk at eight million dollars, 97 00:04:28,480 --> 00:04:31,520 Speaker 1: but that all the great stuff we talk of is 98 00:04:31,560 --> 00:04:34,720 Speaker 1: the stuff that may be exactly and may it made 99 00:04:34,760 --> 00:04:36,160 Speaker 1: the difference. So what are we left with then? 100 00:04:36,279 --> 00:04:36,800 Speaker 3: Just small? 101 00:04:37,000 --> 00:04:37,279 Speaker 2: Yeah? 102 00:04:37,480 --> 00:04:41,120 Speaker 4: Around so I think around around three million dollars and 103 00:04:41,360 --> 00:04:43,760 Speaker 4: Double Part was made for three million dollars. 104 00:04:43,800 --> 00:04:45,600 Speaker 2: It was made even less for the first season, right, 105 00:04:45,680 --> 00:04:46,599 Speaker 2: first season two weeks. 106 00:04:46,640 --> 00:04:49,640 Speaker 4: So you know, you can make shows for that amount 107 00:04:49,640 --> 00:04:52,800 Speaker 4: of money, but they aren't just that that premium level 108 00:04:52,839 --> 00:04:54,520 Speaker 4: or the hour long dramas. 109 00:04:54,560 --> 00:04:55,520 Speaker 2: You know, you can't really make it out. 110 00:04:55,640 --> 00:04:57,480 Speaker 1: So the fact that Double Park has got its second 111 00:04:57,520 --> 00:05:01,120 Speaker 1: season must be good news all by its Yes, in 112 00:05:01,120 --> 00:05:03,000 Speaker 1: a world where so much doesn't get a second season. 113 00:05:03,080 --> 00:05:06,279 Speaker 2: Yes, absolutely, we were so thrilled that it did. 114 00:05:06,320 --> 00:05:09,480 Speaker 1: And yeah, so where does it go then? So as 115 00:05:09,520 --> 00:05:11,240 Speaker 1: an actor you get your part, you go right, because 116 00:05:11,240 --> 00:05:12,800 Speaker 1: I think the last time you're on this program you 117 00:05:12,839 --> 00:05:14,279 Speaker 1: talked about it with Double Park was going to be 118 00:05:14,279 --> 00:05:17,200 Speaker 1: a thing. So it goes season season two, So then 119 00:05:17,279 --> 00:05:19,400 Speaker 1: what do you see do you see season three, four, five, six, 120 00:05:19,400 --> 00:05:21,560 Speaker 1: and seven and it becomes like Friends and goes down 121 00:05:21,600 --> 00:05:24,240 Speaker 1: in television history as one of the greats or who 122 00:05:24,279 --> 00:05:24,640 Speaker 1: would know? 123 00:05:24,760 --> 00:05:25,279 Speaker 2: Who would know? 124 00:05:25,440 --> 00:05:28,240 Speaker 4: So where we're at at the moment as we are, well, 125 00:05:28,560 --> 00:05:30,240 Speaker 4: I say we like I have ownership of that. 126 00:05:30,320 --> 00:05:32,080 Speaker 2: The production company, Kevin and Co. 127 00:05:32,240 --> 00:05:35,680 Speaker 4: They're applying for development funding from New Zealand on Air, 128 00:05:35,960 --> 00:05:40,279 Speaker 4: which means they get a much smaller bag of money 129 00:05:40,320 --> 00:05:43,360 Speaker 4: to write some scripts and develop the stories for a 130 00:05:43,440 --> 00:05:47,159 Speaker 4: potential season three. And then after that development money has 131 00:05:47,200 --> 00:05:50,480 Speaker 4: been used, you basically use the materials that you've developed 132 00:05:50,520 --> 00:05:55,000 Speaker 4: with that development money to try to apply for full fund. 133 00:05:55,080 --> 00:05:57,120 Speaker 1: In fact, you've got season one and two help you 134 00:05:57,240 --> 00:05:59,080 Speaker 1: or hinder you? Or do they go well that you 135 00:05:59,080 --> 00:06:00,680 Speaker 1: should be on your own go out and get some 136 00:06:00,720 --> 00:06:01,440 Speaker 1: commercial money. 137 00:06:01,480 --> 00:06:03,440 Speaker 2: Now that's a really good question. 138 00:06:03,680 --> 00:06:08,240 Speaker 4: Actually, I think it's probably a bit of both, and 139 00:06:08,680 --> 00:06:12,039 Speaker 4: I think out the production company probably is potentially looking 140 00:06:12,040 --> 00:06:14,200 Speaker 4: off shore to get a little bit of help to 141 00:06:14,279 --> 00:06:17,760 Speaker 4: make the picture look a bit more attractive. Yeah, it's 142 00:06:17,760 --> 00:06:20,760 Speaker 4: a shame, isn't it, because you think, oh, great, it's working, well, 143 00:06:20,839 --> 00:06:22,680 Speaker 4: this is what people are watching. Surely we want to 144 00:06:22,680 --> 00:06:24,880 Speaker 4: make things that people are watching, let's give them another go. 145 00:06:25,320 --> 00:06:27,280 Speaker 3: But yeah, it just doesn't work that way. It doesn't. 146 00:06:27,279 --> 00:06:28,320 Speaker 3: It's a funny game. 147 00:06:28,400 --> 00:06:33,080 Speaker 1: Now the podcast, the award winning what matters most is 148 00:06:33,080 --> 00:06:36,000 Speaker 1: actually coming out season three, not season two. So you 149 00:06:36,400 --> 00:06:41,000 Speaker 1: have I gave before the news some podcast stats, and 150 00:06:41,400 --> 00:06:43,760 Speaker 1: there are millions of podcasts stats. There are millions of 151 00:06:43,800 --> 00:06:47,599 Speaker 1: podcasts in the world, and the most common episode is 152 00:06:47,720 --> 00:06:52,599 Speaker 1: episode one. Because most podcasts never get past episode one. 153 00:06:52,800 --> 00:06:55,640 Speaker 1: It's hilarious, well not for the people who've never got 154 00:06:55,720 --> 00:06:59,479 Speaker 1: past episode one, but for you to be into season three. 155 00:07:00,120 --> 00:07:04,719 Speaker 1: You obviously got on to something. What's the recipe? Because 156 00:07:04,760 --> 00:07:07,440 Speaker 1: I had this ongoing discussion with management management here or 157 00:07:07,480 --> 00:07:09,600 Speaker 1: big in podcasts. They think podcasts is where it's at, 158 00:07:09,600 --> 00:07:12,640 Speaker 1: and the future of one of the most popular podcasts 159 00:07:12,680 --> 00:07:16,960 Speaker 1: in the country is mine. Yeah, but mine isn't a podcast. 160 00:07:16,960 --> 00:07:19,000 Speaker 1: It's just this radio program. 161 00:07:18,800 --> 00:07:20,480 Speaker 2: I've always Can I ask you a question about that? 162 00:07:20,480 --> 00:07:20,640 Speaker 3: Then? 163 00:07:20,760 --> 00:07:24,160 Speaker 4: Because I often wondered this with radio shows that are podcasts. 164 00:07:24,360 --> 00:07:26,600 Speaker 2: How what's what's the difference between. 165 00:07:26,840 --> 00:07:29,280 Speaker 1: Couldn't agree more excellent questions? An excellent question, And that's 166 00:07:29,280 --> 00:07:31,120 Speaker 1: what I say to them. I said, it's not a podcast, ago, 167 00:07:31,240 --> 00:07:33,640 Speaker 1: yes it is. And so we put out this whole 168 00:07:33,680 --> 00:07:37,440 Speaker 1: we put out segments of this program as a podcast, okay, 169 00:07:37,600 --> 00:07:40,360 Speaker 1: and then there's a whole program podcast, which is literally 170 00:07:40,400 --> 00:07:42,360 Speaker 1: what we're doing now that will turn out to be 171 00:07:42,400 --> 00:07:45,720 Speaker 1: a podcast. Gotcha, I argue it's not a podcast. I argue, 172 00:07:45,720 --> 00:07:47,680 Speaker 1: this is what it is, and the fact you can 173 00:07:47,680 --> 00:07:49,840 Speaker 1: get it somewhere else doesn't make it anything different than 174 00:07:49,880 --> 00:07:51,440 Speaker 1: what it is currently, which is a radio show. 175 00:07:51,560 --> 00:07:52,680 Speaker 3: Gotcha, am I right? 176 00:07:52,840 --> 00:07:55,120 Speaker 2: Yeah, yeah, I mean I would have I would think 177 00:07:55,160 --> 00:07:55,760 Speaker 2: I agree with you. 178 00:07:55,840 --> 00:07:58,440 Speaker 4: It's a radio show that's available on different platforms to 179 00:07:58,840 --> 00:07:59,920 Speaker 4: listen whenever you would like. 180 00:08:00,040 --> 00:08:01,440 Speaker 3: You can't tell the management out there there. 181 00:08:01,480 --> 00:08:02,840 Speaker 4: But the good thing is it means then you can 182 00:08:02,880 --> 00:08:06,560 Speaker 4: go on for the radio awards and the podcast awards, right, we. 183 00:08:06,520 --> 00:08:07,320 Speaker 3: Haven't thought about them. 184 00:08:09,360 --> 00:08:12,120 Speaker 1: Is that how you become award winning? So what's your 185 00:08:12,240 --> 00:08:16,440 Speaker 1: recipe for successful podcasting? Given in my limited experience in 186 00:08:16,480 --> 00:08:18,520 Speaker 1: listening to them, some of them indulge themselves too much, 187 00:08:18,560 --> 00:08:20,680 Speaker 1: They go on for too long, and they seem to 188 00:08:20,680 --> 00:08:22,320 Speaker 1: have this idea that if you talk for three or 189 00:08:22,320 --> 00:08:24,600 Speaker 1: four hours, we'll cover all the topics. Whereas I've got 190 00:08:24,640 --> 00:08:26,680 Speaker 1: you can find this morning and TONI your preople. 191 00:08:26,480 --> 00:08:30,120 Speaker 3: To eleven minutes. It's eleven minutes, says the begetting a 192 00:08:30,120 --> 00:08:30,800 Speaker 3: middle in a need. 193 00:08:30,960 --> 00:08:31,880 Speaker 2: Yeah, yep. 194 00:08:32,040 --> 00:08:36,600 Speaker 4: I think it's about first of all, doing something that 195 00:08:36,679 --> 00:08:40,240 Speaker 4: you genuinely care about, like that you're passionate about, that 196 00:08:40,280 --> 00:08:44,240 Speaker 4: you're curious about, that you're personally really invested in, because 197 00:08:44,280 --> 00:08:47,440 Speaker 4: that will first of all get you past episode one. 198 00:08:47,960 --> 00:08:52,960 Speaker 4: But then I think it keeps your vision quite quite clear, 199 00:08:53,160 --> 00:08:55,600 Speaker 4: so it's not sort of waffling off on the side 200 00:08:55,600 --> 00:08:58,640 Speaker 4: of things. And then I think you're absolutely right about 201 00:08:59,080 --> 00:09:01,960 Speaker 4: the time. So Jackie, me and Jackie and our producer 202 00:09:01,960 --> 00:09:05,840 Speaker 4: Hannah with Jackie McGuire Jackie maguire, my friend and clinical 203 00:09:05,840 --> 00:09:10,280 Speaker 4: Psychologists Extraordinaire. We're very conscious that people are giving us 204 00:09:10,280 --> 00:09:12,600 Speaker 4: their time and so we want to give them a 205 00:09:12,640 --> 00:09:15,120 Speaker 4: return on their investment. So we always try to have 206 00:09:15,200 --> 00:09:18,360 Speaker 4: our podcast less than an hour, and actually our new 207 00:09:19,600 --> 00:09:22,600 Speaker 4: structure plan going forward is that hopefully they'll be half 208 00:09:22,640 --> 00:09:25,240 Speaker 4: an hour to forty minutes, and that within that forty 209 00:09:25,240 --> 00:09:27,200 Speaker 4: minutes it will be really. 210 00:09:27,120 --> 00:09:28,240 Speaker 2: Useful practical stuff. 211 00:09:28,240 --> 00:09:30,760 Speaker 4: So the style of our podcast is that it's a 212 00:09:30,760 --> 00:09:33,360 Speaker 4: conversation between me and Jackie. I'm sort of taking the 213 00:09:33,440 --> 00:09:36,960 Speaker 4: role of what our listeners would be and asking questions 214 00:09:37,120 --> 00:09:41,960 Speaker 4: to Jackie. She's offering her expertise and advice and tools 215 00:09:42,040 --> 00:09:44,960 Speaker 4: as a clinical psychologist, offering them to our listeners to 216 00:09:45,000 --> 00:09:46,840 Speaker 4: help them understand. 217 00:09:46,559 --> 00:09:47,839 Speaker 2: Various aspects of their life. 218 00:09:47,880 --> 00:09:50,200 Speaker 4: A bit more so, we really think of the podcast 219 00:09:50,240 --> 00:09:53,320 Speaker 4: as a resource, and we want to give people as much, 220 00:09:54,040 --> 00:09:55,760 Speaker 4: you know, bang for their buck, so to speak, in 221 00:09:56,160 --> 00:09:56,800 Speaker 4: that amount of time. 222 00:09:56,960 --> 00:09:59,040 Speaker 3: What are the metrics? Do you look at the metrics? 223 00:09:59,200 --> 00:09:59,959 Speaker 2: I actually don't. 224 00:10:01,000 --> 00:10:04,640 Speaker 4: Yeah, if we have a wonderful producer, Hannah, she's all 225 00:10:04,640 --> 00:10:06,760 Speaker 4: over that, I'm to be honest, I'm. 226 00:10:06,840 --> 00:10:08,160 Speaker 3: If she just so it's going really well. 227 00:10:08,240 --> 00:10:10,120 Speaker 4: Yeah, she just says nice things like that, keep doing 228 00:10:10,120 --> 00:10:14,560 Speaker 4: what you're doing, gals. For me, I'm less concerned with that, 229 00:10:14,600 --> 00:10:18,360 Speaker 4: particularly because I mean, one great thing about podcasts in 230 00:10:18,360 --> 00:10:22,800 Speaker 4: relation in comparison to making TV is work in versus 231 00:10:22,840 --> 00:10:25,960 Speaker 4: workout is so much better. I mean, I do sort of, 232 00:10:26,120 --> 00:10:28,600 Speaker 4: you know, two to three hours prep for an episode, 233 00:10:28,640 --> 00:10:30,360 Speaker 4: and then the actual recording might take about an hour 234 00:10:30,400 --> 00:10:32,000 Speaker 4: and a half, and then someone else does the editing, 235 00:10:32,240 --> 00:10:34,400 Speaker 4: and then you have an episode of a show, which. 236 00:10:34,840 --> 00:10:37,240 Speaker 1: Can I just say, as a seasoned professional in this industry, 237 00:10:37,280 --> 00:10:40,080 Speaker 1: for quite as a podcasters, well not just as the podcaster, 238 00:10:40,160 --> 00:10:44,640 Speaker 1: but that ratio of prep to delivery is very rare. 239 00:10:45,400 --> 00:10:47,800 Speaker 1: What you're good on you for working hard, because what 240 00:10:47,880 --> 00:10:50,080 Speaker 1: you'll find is if you work hard, you get the 241 00:10:50,080 --> 00:10:51,920 Speaker 1: product out the other end. And too many people in 242 00:10:51,960 --> 00:10:54,000 Speaker 1: this industry just rock up five minutes before and think 243 00:10:54,000 --> 00:10:56,320 Speaker 1: that if they just go, something will come out of it. 244 00:10:56,480 --> 00:10:57,000 Speaker 2: Interesting. 245 00:10:57,360 --> 00:10:59,800 Speaker 4: Yeah, that is interesting because Yeah, even though I'm taking 246 00:10:59,840 --> 00:11:03,600 Speaker 4: the role of again the listener who theoretically needs to 247 00:11:03,640 --> 00:11:08,480 Speaker 4: be who knows nothing about the topic, for me, I 248 00:11:08,480 --> 00:11:10,000 Speaker 4: feel like I want to. I really want to have 249 00:11:10,040 --> 00:11:12,320 Speaker 4: an understanding of it, so I know what questions to ask, 250 00:11:12,400 --> 00:11:14,800 Speaker 4: what might be the interesting questions to ask, and also 251 00:11:15,520 --> 00:11:18,120 Speaker 4: how I can relate to that topic bring my. 252 00:11:18,120 --> 00:11:21,640 Speaker 2: Experience to it. So thanks very interasting, Thanks my season. 253 00:11:22,840 --> 00:11:24,880 Speaker 3: Take the advice or not. One last question? Is that 254 00:11:24,920 --> 00:11:26,079 Speaker 3: an aura ring you're wearing? 255 00:11:26,200 --> 00:11:27,680 Speaker 2: Oh, it's a knockoff version. 256 00:11:28,360 --> 00:11:29,120 Speaker 3: What does it work? 257 00:11:29,600 --> 00:11:29,840 Speaker 4: Yeah? 258 00:11:29,960 --> 00:11:30,400 Speaker 2: I think so. 259 00:11:30,880 --> 00:11:31,720 Speaker 3: Does it read anything? 260 00:11:31,880 --> 00:11:34,800 Speaker 4: Yeah? It reads things, but I sometimes wonder like if 261 00:11:34,800 --> 00:11:38,200 Speaker 4: it's it does read my steps and it tells me 262 00:11:38,280 --> 00:11:40,400 Speaker 4: my sleep. But sometimes I have been up with the 263 00:11:40,440 --> 00:11:42,520 Speaker 4: boys overnight And what did you get last night? 264 00:11:42,559 --> 00:11:43,520 Speaker 3: For a score? For your sleep. 265 00:11:43,600 --> 00:11:45,880 Speaker 1: Do you know, Oh you don't have to look at 266 00:11:45,880 --> 00:11:47,559 Speaker 1: your phone? Is it in the nineties? Do you get 267 00:11:47,559 --> 00:11:49,680 Speaker 1: a ninety in a crown and five and a crown? 268 00:11:49,720 --> 00:11:51,760 Speaker 2: I don't mind waiting while I just open it. 269 00:11:51,920 --> 00:11:56,320 Speaker 4: Oh okay, I got ninety three excellent, eight hours and 270 00:11:56,360 --> 00:11:57,200 Speaker 4: thirty two minutes. 271 00:11:57,679 --> 00:11:58,920 Speaker 2: Okay, so yeah, there we go. 272 00:11:59,200 --> 00:12:02,920 Speaker 1: No wonder you're so good this morning. That word seria 273 00:12:03,040 --> 00:12:04,840 Speaker 1: was the seventy two and you got four hours sleep, 274 00:12:05,080 --> 00:12:05,640 Speaker 1: And I wonder. 275 00:12:05,440 --> 00:12:06,280 Speaker 3: If you was so boring. 276 00:12:06,600 --> 00:12:07,319 Speaker 2: I'm never having a that. 277 00:12:07,520 --> 00:12:09,200 Speaker 3: I'm just fascinated by oral rings. 278 00:12:09,200 --> 00:12:11,959 Speaker 2: That's all I can't. I can't imagine it's your vibe. 279 00:12:12,080 --> 00:12:14,360 Speaker 3: No, no, no, no it isn't, but it is my wife's. 280 00:12:14,360 --> 00:12:16,680 Speaker 1: Anyway, Listen to Joy to see You, Thanks, and we'll 281 00:12:16,679 --> 00:12:18,520 Speaker 1: get you on one of those three projects. We'll get 282 00:12:18,520 --> 00:12:20,240 Speaker 1: you back again. Talk so about nice to see it 283 00:12:20,280 --> 00:12:21,520 Speaker 1: and don't you approve it? 284 00:12:21,559 --> 00:12:24,440 Speaker 4: For more from the Mic Asking Breakfast, listen live to 285 00:12:24,559 --> 00:12:25,120 Speaker 4: news Talks. 286 00:12:25,120 --> 00:12:28,319 Speaker 1: It'd be from six am weekdays, or follow the podcast 287 00:12:28,360 --> 00:12:29,240 Speaker 1: on iHeartRadio.