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Speaker 1: Why is he laughing? Okay, that's right, perfect timing.

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Speaker 2: I don't miss It's good busy.

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Speaker 1: I like that.

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Speaker 3: Hell, we've got Michael coming onto the Daddy Bespoke Podcast today.

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Speaker 3: Michael Fluto fame and also radiohodec Voice fame the show

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Speaker 3: and it used to before Ruda was here. He was

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Speaker 3: the person that would sing our songs. If we needed

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Speaker 3: a song, Michael would sing the song Great New Zealander,

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Speaker 3: fantastic Fowler. So welcome all you bespokey donkies too the

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Speaker 3: Daidy Bespoke Podcast for the twenty second of the eighth

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Speaker 3: in the Year of Our Lord twenty twenty four, I

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Speaker 3: got to communicate from someone that's in the podcast industry

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Speaker 3: and they said, I've noticed you started saying welcome all

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Speaker 3: you bespokey dokies to the Daily Bespoke Podcast. And he

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Speaker 3: was saying, is that a strategy? Is that a state?

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Speaker 3: He said, is that a strategy to make it feel

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Speaker 3: more like a club? And I said, what did you say?

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Speaker 3: I said, I haven't responded, Aly, okay, but I thought no,

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Speaker 3: I just thought it was a funny thing to say,

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Speaker 3: Oh right, welcome all you bespokey dokey to the Daily

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Speaker 3: Bespoke podcast.

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Speaker 1: Maybe a subconscious strategy, but.

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Speaker 3: There's a rising tight of people that want to walk

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Speaker 3: around referring to themselves as bespokey dokies.

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Speaker 1: No, in fact, it probably works the other way around. Really,

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Speaker 1: people go to people embarrassed to be part of the club, right,

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Speaker 1: you know.

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Speaker 3: So someone comes up to me and goes, oh God,

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Speaker 3: you're not a bespokey dokie, are you. And also a

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Speaker 3: lot of people probably don't get the reference to cruise

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Speaker 3: in with spoke you dog kies, moving with spoke good

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Speaker 3: dog keys.

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Speaker 1: Get up on and have some fun. Spokey doggies are

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Speaker 1: all the fun. Cruise in with spoke good dogy cruise

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Speaker 1: in spok es. Don't even know what spoky doakey's are,

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Speaker 1: do you? No?

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Speaker 4: I know exactly what they are. I never had spoky dokies.

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Speaker 1: Little plastic things that go on your spokes and when

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Speaker 1: you go really slowly they gookok took it all fall down.

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Speaker 1: They go from the top because of the centrifugal force.

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Speaker 3: How would you spell spoky dokies if I could try

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Speaker 3: and find the SAIDs p O, yes, K yes e

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Speaker 3: y yes d yeah, here we go. Spoky Dokies is

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Speaker 3: still available. You can still get them. Four ninety ninety five.

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Speaker 1: The Spoky Dokeies.

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Speaker 3: Jesus, okay, here we get, Here we go.

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Speaker 1: Are you ready? Here we go? Have you got the song?

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Speaker 3: I think I have his?

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Speaker 1: Oh I think I might have got a trait cruising

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Speaker 1: the spoky Dokies. I mean they were embarrassing at the time.

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Speaker 1: Nobody was spoky Dokeyes, oh God, Like if you had

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Speaker 1: spoky dookey's on your B mix, you were such a

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Speaker 1: If you.

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Speaker 3: Had spoken dokeys on your B mix, you were getting

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Speaker 3: a loser, you were getting a hide and.

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Speaker 1: You were an absolute Like if you were a stack cat,

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Speaker 1: if you wore a stack cat or your head spoke

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Speaker 1: they came out at the same time. Stat cats and

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Speaker 1: spokey dokeies. Brain bucket. God, that was a cringey time

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Speaker 1: to be New Zealander. And what about bartle Bullets and.

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Speaker 3: Spoky Dokies add the New Zealand.

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Speaker 1: I feel sorry for people whose parents put spoky Dokies

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Speaker 1: on their bike and then like their Christmas time and

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Speaker 1: they go, hey, look I got this Christmas present, and

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Speaker 1: then the kids it read the most uncol thing ever done.

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Speaker 1: I imagine there's heaps of kids out there that.

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Speaker 4: I think I wanted them, but I never had them.

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Speaker 1: You're a bit younger, maybe, so they may have been

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Speaker 1: cool for your age group.

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Speaker 4: Yeah, that might be it, but they were not cool

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Speaker 4: for me. It's just because I never had them.

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Speaker 1: And whose kids whose parents bought them a stack cat?

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Speaker 1: Because nobody wore bike helmets in those days. What's the

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Speaker 1: stack had this embarrassing bike helmet that had side burnbs

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Speaker 1: that came down and there was a humiliators in New

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Speaker 1: Zealand bike helmet.

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Speaker 5: I'm not familiar with the stack head.

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Speaker 1: Yes it was, and it had a humiliating ad that

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Speaker 1: went with it, that head like New Zealand singing and stuff.

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Speaker 1: And in those days anything coming from New Zealand was embarrassing.

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Speaker 1: Things from New Zealand sucked, and things from overseas were

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Speaker 1: cool and it was that wasn't that was not good.

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Speaker 1: It's still a.

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Speaker 4: Bit like that, like a lot of New Zealanders that

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Speaker 4: generally don't make it big here and then they'll go

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Speaker 4: over seas. Let's say a musician, they'll go overseas, get

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Speaker 4: a smash out and then everyone's.

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Speaker 1: Like, ah, Boddy, oh my, I was so brawdy, you come.

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Speaker 4: And embrace them. It was it was Tiger like that.

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Speaker 4: Everyone's big on Tiger once he went overseas and got successful.

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Speaker 1: Yep, probably a little bit like that. He's like the

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Speaker 1: stackhead of directors. Oh, people are.

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Speaker 3: Off them now in the States. Why is that because

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Speaker 3: he made a bad movie. He made It's a lot

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Speaker 3: of good movies. Well, I cannot find the cruising with

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Speaker 3: Spoky Dokey's head like that is.

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Speaker 1: What is the fucking It was a crapead.

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Speaker 3: What is the point of the internet if I can't

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Speaker 3: find in with?

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Speaker 1: Can I say that as well?

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Speaker 4: Matt the person that said that, we basically just using

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Speaker 4: it as a marketing campaign. It's very cynical because I

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Speaker 4: think that Matt's it is a very inclusive kind of

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Speaker 4: person and he wants to welcome everyone to the podcast

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Speaker 4: and start spreading that love. And then someone has brought

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Speaker 4: a niggative vibe onto not only Matt, but onto this

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Speaker 4: show and I'm fucking sick of it.

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Speaker 1: Yeah, wow, okay, you're really taking a stand on this one.

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Speaker 4: And you give me their number, I'm gonna I think,

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Speaker 4: In fact, I think I know who it is.

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Speaker 1: Oh, you know who it is.

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Speaker 4: I think I know who it is.

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Speaker 3: This this is, this says here, this thing says cruising

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Speaker 3: with Spoky Dokies. But there's no, that's not the screwsing

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Speaker 3: cruising with spoken Doc.

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Speaker 1: He's always giving just cruising with spoky Dokeies.

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Speaker 3: Maybe they don't even have it, but Spokey dokis on there.

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Speaker 1: It's backpacking the Black Hill. No, they're not cruising with spokey.

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Speaker 1: This is misleading this video.

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Speaker 3: It's also zero comments in no views, but it's also

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Speaker 3: misleading because it's saying cruising with spoky dokies. And the

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Speaker 3: Mountain biker doesn't have spoky donkeys on his bike and

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Speaker 3: he doesn't have the Spoky Docky song.

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Speaker 1: So I'm wishing we never even brought up Spoky Dooky.

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Speaker 3: Spoky dock is killing me. Actually it's actually killing me.

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Speaker 1: I'm wishing we never bought it up. Does anyone else

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Speaker 1: get that thing?

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Speaker 6: Where?

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Speaker 1: Though? Something that really cuts me deep as that idea

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Speaker 1: of a present that someone gets someone and they get

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Speaker 1: it and they are really hopeful that the person they're

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Speaker 1: getting it out of love for a person. I have

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Speaker 1: received these presents myself as a kid, and someone will

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Speaker 1: give you something and they really they don't have to

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Speaker 1: get you anything, and you don't expect that they get

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Speaker 1: you anything, and then they go and get you something,

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Speaker 1: but it's not it's so wrong what they've got you,

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Speaker 1: and it's just not at all what you want. It's

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Speaker 1: just so far away from what you want. But they've

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Speaker 1: given it to you and the hope that you'd like it,

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Speaker 1: and he's going to pretend that you do like it,

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Speaker 1: but you don't like it, and yeah, I find that

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Speaker 1: so upset. And because the person's come to you and

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Speaker 1: they've done a nice thing, Yeah, it's so far away

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Speaker 1: from I find that a tragic situation.

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Speaker 4: Have you got a personal example with this has happened

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Speaker 4: to you?

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Speaker 1: Once? Got a I once when I was quite old,

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Speaker 1: a family friend bought me for my birthday. I didn't

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Speaker 1: need to buy me a prison, like I did not

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Speaker 1: expect for them to buy me a prison. I never

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Speaker 1: I never expected them to buy me a prison. They

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Speaker 1: bought me a prison, and it was really nice of

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Speaker 1: them to think to buy me a prison. But it

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Speaker 1: was a pop gun. And I was like twelve, A

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Speaker 1: pop gun, A pop gun, you know, I remember pop guns?

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Speaker 1: And you put the sort of pump them and they

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Speaker 1: fire out a pop, they fire out a cork. But

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Speaker 1: when a string attached to it, it was nice. It

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Speaker 1: was a nice gift, you know, But you threw it

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Speaker 1: back in his face, And no, I didn't try it

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Speaker 1: in his face, but I pretended that it was. You

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Speaker 1: know that I was thankful for it, and and I

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Speaker 1: was thankful for the thought. Yeah, but that was just

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Speaker 1: it just was so far away from where I was

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Speaker 1: as a twelve year old, Like, you're not a pop guns,

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Speaker 1: like maybe something you might get an eight year old

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Speaker 1: or something like that. And it's so ingrained in me

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Speaker 1: that now I would I would rather not get a

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Speaker 1: present for someone because the feeling that I had of shame,

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Speaker 1: of thinking that I didn't like this present that someone

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Speaker 1: had done actually met. You've talked about a situation that

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Speaker 1: you had the same situation with something of your dad

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Speaker 1: made for you, and just that feeling is still cuts

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Speaker 1: It cuts me.

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Speaker 5: Do you know. I've got a situation with my girlfriend's

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Speaker 5: family that is quite new to me, and it's that

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Speaker 5: they are a gift giving family. They talk about how

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Speaker 5: they feel about the gift after they receive it. I'm

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Speaker 5: from a family that when you receive a gift is

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Speaker 5: no matter what the fuck it is, is that you're

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Speaker 5: very thankful for it and you're excited about it. So

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Speaker 5: thank you, and you know you're.

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Speaker 3: Posting ghost post and ghost kind of situation.

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Speaker 1: That's right.

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Speaker 5: But my girlfriend's family is a little bit more honest

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Speaker 5: and a little bit harsher when it comes to gift giving.

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Speaker 5: And I'd never really experienced it before, Like you're at

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Speaker 5: Christmas or something like that, and you go, oh, what

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Speaker 5: am I going to do with this kind of thing?

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Speaker 5: And it was and everyone there's still a lot of

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Speaker 5: love in the room. Yeah, it was what I figured out,

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Speaker 5: But people were just far more honest than it had

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Speaker 5: ever been around gifts before.

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Speaker 1: Yeah, and it was quite bizarre. That's interesting.

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Speaker 5: Yeah, do you guys have that at home? Like you

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Speaker 5: guys like if you get a gift, if you taught

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Speaker 5: your kids, if you get a gift, you say thanks

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Speaker 5: to everything always.

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Speaker 1: And read the card first.

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Speaker 5: You read the card, card first, Read the card first,

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Speaker 5: and then shake the No, you shake the card. Read

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Speaker 5: the card.

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Speaker 3: But I think that with the yeah, the pres I

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Speaker 3: think with the read the card first thing though, the

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Speaker 3: problem is in a way that you know you're given

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Speaker 3: a present and then you want to give it to

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Speaker 3: your friend and you've got the card, and this is

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Speaker 3: when your kid and the parents start going read the

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Speaker 3: card first. And then you feel disrespected that they're not

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Speaker 3: reading the card first. But if they didn't say you

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Speaker 3: don't care about the card, you care about the prison present,

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Speaker 3: suddenly you're on the back foot because you're on the

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Speaker 3: back foot because now it's looking like your friend didn't

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Speaker 3: want to read the card.

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Speaker 4: But you know, quite often as well, the card is

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Speaker 4: like a precursor to the gift. For instance, matter if

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Speaker 4: I bought you a birthday present, it might say, Hey, Matt,

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Speaker 4: happy birthday, here's something for the boudoir, winky face, and

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Speaker 4: then you open the gift. So otherwise, you open the

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Speaker 4: gift and you're like, why have you got me handcuffs?

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Speaker 4: And then it's like, oh, here's something for the bedroom.

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Speaker 1: I think it doesn't work yeah with the joke card

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Speaker 1: like that, or when the joke when the card references

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Speaker 1: the prison. But if not, then it's just disrespectful to

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Speaker 1: not read the card first. The card is a who

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Speaker 1: the presents from, yes, which is which is important, but

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Speaker 1: b true, you're not going to open the prison and

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Speaker 1: then read the card after just because it's gonna it

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Speaker 1: just seems a little bit flippant. It seems like call

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Speaker 1: me grumpy.

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Speaker 5: But I think cards are just silly because look, there's

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Speaker 5: like ten bucks for a card these days. I think

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Speaker 5: we just got it as a society. We're just going

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Speaker 5: to move on from cards.

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Speaker 1: I think prison. I think the other way around. I

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Speaker 1: think the presence of the stupid thing and the card

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Speaker 1: is the good bit card. Just give a card, give

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Speaker 1: a prison.

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Speaker 5: No, I disagree with that other way around, mate, because

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Speaker 5: you've got everything you've ever needed.

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Speaker 1: You well, well, I to be honest me.

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Speaker 5: You know, like there's no point you know what I mean?

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Speaker 1: If I want something and I'll go and get it.

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Speaker 4: Yeah, okay everything.

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Speaker 1: Man on campus, hold on wethern reason.

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Speaker 3: If I gave you the Hope diamond, you'd say, I

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Speaker 3: don't need. If I wanted the Hope diamond, I would

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Speaker 3: have bought it myself.

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Speaker 1: You would never give me the Hope diamond. You don't

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Speaker 1: know that you would never give me. By the way,

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Speaker 1: what is the hope The price range of things that

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Speaker 1: people give for presents. You know what I mean? If

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Speaker 1: I wanted anything that I go and get it. But

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Speaker 1: if you're a kid, different story. Yeah, that's why.

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Speaker 5: That's how I feel about present. When you're still excited

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Speaker 5: about presents.

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Speaker 1: You know, in terms of a partner, I mean when

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Speaker 1: you're going out with someone for as long as I've

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Speaker 1: been going with Toulsi for and you share a joint

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Speaker 1: bank account, it's a thought. I understand that part of

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Speaker 1: the prison.

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Speaker 3: I probably won't get you the Hope diamond. It's worth

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Speaker 3: three d and fifty million.

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Speaker 5: Do you still do that thing on Tozsi's be cut

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Speaker 5: the bottom out of that present and stick you in it,

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Speaker 5: and then you give that to it.

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Speaker 1: Well, more recently I have tried that performation. It is

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Speaker 1: very effective. But more recently I have tried something where

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Speaker 1: I take to social media.

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Speaker 5: You take to social media.

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Speaker 1: I take to social media. I don't just go on

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Speaker 1: to my phone. I take to it beautiful and I

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Speaker 1: write something that's really really like, I say, twenty what

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Speaker 1: is it? Twenty four years with this one, twenty four

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Speaker 1: glory oh years with this one?

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Speaker 3: So you're cheating on Tozsy And what would make.

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Speaker 1: You think that? Just because I've think a really really

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Speaker 1: nice message to everyone, I'm sitting beside her.

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Speaker 3: Yeah, yeah, because it just feels like you're trying to

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Speaker 3: cover up for something like why would you post that

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Speaker 3: out if you went cheating on Tolsi?

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Speaker 1: And then I just go on and on and on

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Speaker 1: about how special she is and how I want to

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Speaker 1: I take to social media to do it.

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Speaker 3: And you say that she's the most specially amazing person.

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Speaker 3: But then all your friends go, well, you guys had

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Speaker 3: a mess of Barney when we went out for dinner

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Speaker 3: the other night, and he's cheating on you, and you

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Speaker 3: know that you hate each other. I mean, I'm really

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Speaker 3: only talking about a very cynical way of looking at

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Speaker 3: social media where because I just know a few people

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Speaker 3: over the years that have been doing that, and I

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Speaker 3: know how bad the relationship is, and it always seems

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Speaker 3: odd to me to lie to the world.

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Speaker 1: That's really what we're talking about. But when you do that,

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Speaker 1: I think it's possibly disrespectful not only to your partner,

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Speaker 1: but also to everybody who knows the truth.

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Speaker 4: Yeah, and the people that don't know the truth, they

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Speaker 4: sit they're going, oh, bloody, Jerry and.

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Speaker 1: Tulsi have an amazing the best relationship. Makes feel bad, Yeah,

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Speaker 1: that's the but that's that's why I do. Some people

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Speaker 1: use social media.

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Speaker 3: Some people use social media purposely purely to make them

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Speaker 3: seem better, and other people seem bad.

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Speaker 1: Yeah, that's the only reason I use it.

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Speaker 4: My My wife's workplaces ruined me getting flowers for her

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Speaker 4: because I went through a phase of, you know, just

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Speaker 4: every few months would send you flowers to work because

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Speaker 4: I thought it was just such a nice thing to do.

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Speaker 5: Well, you got to do that after you helk up

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Speaker 5: with someone else.

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Speaker 4: Funny you say that, mesh, because that's exactly what I mean.

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Speaker 1: Every time she's like, can you actually apologizing for because

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Speaker 1: they it's always because she's worked with the whole of guys,

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Speaker 1: and they're like, what's he done? What's he done wrong?

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Speaker 1: What regard? What did you do?

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Speaker 4: She had a birthday, She had a fucking birthday, and

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Speaker 4: so I got her the present of flowers, which of

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Speaker 4: course we're exorbitantly high in price, but it's me showing

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Speaker 4: that I love her rather than just picking them up

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Speaker 4: and dropping them off myself and looking like a chea

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Speaker 4: bars and then he runs like, oh he's cheating on you,

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Speaker 4: like you wow.

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Speaker 3: If I see a bouquet or over at work for

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Speaker 3: a woman, I'm like Jesus Christ, what's he done?

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Speaker 1: I think every time I see it home, because how

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Speaker 1: do you get them?

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Speaker 7: Now?

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Speaker 1: How do you get to them home? Because it's annoying.

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Speaker 1: You're gonna get them in the car and put them

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Speaker 1: in water, walk around, send them home yourself.

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Speaker 3: I once had a girlfriend and i'd been away and

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Speaker 3: I came home to my flat and she had brought

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Speaker 3: me a whole bunch of flowers and put them on

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Speaker 3: my bed. And I went into my room and my

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Speaker 3: mates had been waiting for me in the cupboard, and

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Speaker 3: when I picked them up, prong healthy, a bunch of

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Speaker 3: other dudes jumped down the cabin and called me a

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Speaker 3: homophobic slur for getting flowers, which one because they saw

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Speaker 3: her come into the house about them, and then they followed,

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Speaker 3: followed upstairs and then waded me to get home from UNI.

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Speaker 4: Changed at different times.

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Speaker 1: Did they punch you at all?

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Speaker 2: In the arms?

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Speaker 1: Nice pants down and with the flowers? And that was?

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Speaker 1: That was? That was, and you know what that was

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Speaker 1: the real prison especially, there's a lot to take on.

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Speaker 3: It's a lot for a guy to take on when

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Speaker 3: he's been on holiday, came home, I had to go

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Speaker 3: to UNI looking forward to getting home.

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Speaker 5: Yeah, you've been up all night with other women.

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Speaker 3: Yeah, but also going back to prisons. I got a

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Speaker 3: spud gun when I was young, and it was oh

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Speaker 3: favorite thing in the world because I'd go and I

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Speaker 3: fire it and I had the greatest day running around

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Speaker 3: the house, firing at my sister's, firing at everyone in

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Speaker 3: the house. And then it went missing, and I was like,

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Speaker 3: for my whole life is like, how could I lose

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Speaker 3: the best brit You're talking about that pop gun. This

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Speaker 3: was a spud gun.

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Speaker 1: It's so good. How could I.

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Speaker 3: Lose that amazing thing. It was the first spud gun

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Speaker 3: i'd had that fire real like. It actually gave some

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Speaker 3: some whack to it, had a good projectile out of it,

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Speaker 3: and for years I was like, my God, and then

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Speaker 3: I actually bought it up. I bought it up at

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Speaker 3: Christmas and I said, you know what, one of the

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Speaker 3: things that really bags me about my childhood is that

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00:16:13,640 --> 00:16:15,479
Speaker 3: I lost that spud gun because that spud.

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Speaker 1: Coun was so good.

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Speaker 3: And my parents are like, yeah, you shot everyone in

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Speaker 3: the house. You were chasing the dog around with the

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Speaker 3: spud gun and the spodgun witnessing we took.

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Speaker 1: It off you. We're smart. We good parenting. We got

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Speaker 1: rid of it. Yeah, good parenting.

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Speaker 3: But I lived in horror and hated myself for losing

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00:16:30,760 --> 00:16:32,080
Speaker 3: it for so long because it was such a great

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00:16:32,080 --> 00:16:35,720
Speaker 3: It was a metal spud gun. It was so powerful.

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00:16:37,200 --> 00:16:38,760
Speaker 1: That's nice, it was so good.

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00:16:38,800 --> 00:16:42,040
Speaker 3: And then yeah, but I do get it now because

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00:16:42,040 --> 00:16:43,440
Speaker 3: I was running around the house with the spok.

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00:16:43,280 --> 00:16:46,760
Speaker 1: Because of you. If they'd taken it off you and

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Speaker 1: they would have had to have placed the music. So

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00:16:48,760 --> 00:16:51,640
Speaker 1: they're like, let's just me, you know, So either way,

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00:16:52,560 --> 00:16:54,600
Speaker 1: someone was going to get punished. Yeah.

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00:16:54,840 --> 00:16:56,960
Speaker 5: My grandparents always had a habit of giving me gifts

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00:16:57,000 --> 00:17:00,360
Speaker 5: that I had to spend like ages making Like I'm

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00:17:00,400 --> 00:17:02,080
Speaker 5: just I was trying to think of like I got

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00:17:02,120 --> 00:17:04,400
Speaker 5: the same tops of prisons from everyone. I had one

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Speaker 5: set of grand parents that were very focused on gifting

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00:17:06,320 --> 00:17:09,359
Speaker 5: me things I could kill flies with. Like there was

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00:17:09,359 --> 00:17:13,320
Speaker 5: always like a fly swade or one of those into yeah, one.

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00:17:13,200 --> 00:17:15,120
Speaker 1: Of those something you could pull the wings off flies.

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00:17:15,160 --> 00:17:17,200
Speaker 5: The electric tennis racket, you know, all that kind of stuff,

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00:17:17,280 --> 00:17:18,800
Speaker 5: or one of those fly guns. It's a little bit

397
00:17:18,840 --> 00:17:20,320
Speaker 5: similar to a spud gun, but it has one of

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00:17:20,320 --> 00:17:21,879
Speaker 5: those like circle things on the end of it that

399
00:17:21,960 --> 00:17:24,040
Speaker 5: shoots out of it and it can kill a fly

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00:17:24,119 --> 00:17:26,440
Speaker 5: on the wall. He goes familiar with that. Yes, I

401
00:17:26,480 --> 00:17:28,080
Speaker 5: got one of those. But then I had one great

402
00:17:28,080 --> 00:17:29,960
Speaker 5: sit of grandparents whould almost given me stuff. They would

403
00:17:29,960 --> 00:17:32,920
Speaker 5: just take ages to make robots and stuff like that.

404
00:17:33,040 --> 00:17:34,280
Speaker 1: Yeah, they wanted to make you a bit of person.

405
00:17:34,280 --> 00:17:35,520
Speaker 5: They didn't want to make me a better person.

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00:17:35,600 --> 00:17:38,320
Speaker 1: Yeah, that's the kind of work. Yeah, did you make

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00:17:38,359 --> 00:17:38,720
Speaker 1: the things?

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00:17:38,760 --> 00:17:42,199
Speaker 3: I always made the things, and I just had a memory.

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00:17:42,200 --> 00:17:44,119
Speaker 3: And this is kind off topic, but Jeremy, you might

410
00:17:44,119 --> 00:17:47,240
Speaker 3: remember this. I was watching the show That's Incredible and

411
00:17:47,280 --> 00:17:50,280
Speaker 3: they had this incredible thing where they stuck glued flies

412
00:17:50,320 --> 00:17:54,040
Speaker 3: to a buy wing plane made out of paper and

413
00:17:54,960 --> 00:17:58,800
Speaker 3: balsal wood, and then so they glued the flies to it.

414
00:17:58,840 --> 00:18:00,840
Speaker 3: They were still alive and it flew, So it flew

415
00:18:00,920 --> 00:18:01,880
Speaker 3: like they were little engines.

416
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Speaker 5: Oh, Michael, welcome to them.

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00:18:05,960 --> 00:18:09,600
Speaker 1: To step out. We'll take a break and we'll be

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Speaker 1: back with Mike Hall in just a moment.

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00:18:12,280 --> 00:18:14,320
Speaker 5: Let me just play that door sound effect. So Mike

420
00:18:14,359 --> 00:18:19,240
Speaker 5: coming around, how are you bro all right?

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00:18:20,040 --> 00:18:20,240
Speaker 1: Good?

422
00:18:20,280 --> 00:18:20,760
Speaker 2: Thanks?

423
00:18:21,760 --> 00:18:23,760
Speaker 5: Good man? As you at least just start this bit,

424
00:18:23,840 --> 00:18:25,120
Speaker 5: Jay and then we can never do on to you.

425
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Speaker 1: And Welcome to the podcast.

426
00:18:28,320 --> 00:18:32,520
Speaker 3: Mike hal X, Voice of ex Voice of Radiodeki.

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00:18:33,240 --> 00:18:35,639
Speaker 2: Oh yeah, man, that's I don't want to relitigate. But

428
00:18:35,680 --> 00:18:40,119
Speaker 2: how about yesterday bespokey.

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00:18:40,320 --> 00:18:42,840
Speaker 1: Behind the curtain at the advertising industry.

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Speaker 2: I know, it's like it was, You're talking about a

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00:18:46,720 --> 00:18:49,360
Speaker 2: whole bunch of my life and I wasn't even there.

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00:18:50,000 --> 00:18:51,720
Speaker 1: Do you know what I thought you were above that?

433
00:18:51,920 --> 00:18:53,880
Speaker 1: You know, I thought that you were operating an initial

434
00:18:53,920 --> 00:18:56,920
Speaker 1: on above being the moron or the person who knows

435
00:18:56,920 --> 00:18:59,000
Speaker 1: a whole lot of things. I thought you've I've never

436
00:18:59,040 --> 00:19:01,600
Speaker 1: heard you play more on or a or a non

437
00:19:02,000 --> 00:19:04,400
Speaker 1: You're normally operating as a corporate voice, so just you're

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00:19:04,400 --> 00:19:05,560
Speaker 1: in a higher bracket.

439
00:19:05,280 --> 00:19:07,000
Speaker 2: I would have thought, I mean, I appreciate that, but

440
00:19:07,040 --> 00:19:09,600
Speaker 2: I've been definitely in the moron zone.

441
00:19:10,480 --> 00:19:12,040
Speaker 1: You've done that before.

442
00:19:12,240 --> 00:19:14,240
Speaker 2: I've done that yelly sort of thing, you know, where

443
00:19:14,280 --> 00:19:16,639
Speaker 2: you're like trying to sell a wheatst record or something.

444
00:19:16,840 --> 00:19:20,040
Speaker 1: Oh yeah, okay, that's very specific. Yeah, remember.

445
00:19:22,240 --> 00:19:25,960
Speaker 2: Yes, screaming like or you're I mean, I also speak Japanese,

446
00:19:25,960 --> 00:19:28,960
Speaker 2: so sometimes it'd be like Japanese Japanese anime or something,

447
00:19:28,960 --> 00:19:31,520
Speaker 2: and you'd be like, you know, like it so full

448
00:19:31,600 --> 00:19:35,000
Speaker 2: high pitch guy. There's been a bit of moron stuff,

449
00:19:35,040 --> 00:19:38,680
Speaker 2: but yeah, I'm really I really enjoyed that. That Yesterday's

450
00:19:38,680 --> 00:19:40,400
Speaker 2: reflection on the voice.

451
00:19:40,200 --> 00:19:43,800
Speaker 1: Over industry well funny funny because there's about probably thirty

452
00:19:43,840 --> 00:19:45,959
Speaker 1: people that did and they're all voiceover. I've always mean

453
00:19:46,000 --> 00:19:46,920
Speaker 1: to ask you a question.

454
00:19:47,040 --> 00:19:49,320
Speaker 3: You were the voice of a tel com on when

455
00:19:49,359 --> 00:19:50,640
Speaker 3: you rang up, wouldn't you for a while?

456
00:19:50,800 --> 00:19:52,440
Speaker 1: I feel like you still are because I just did

457
00:19:52,520 --> 00:19:53,320
Speaker 1: you two days ago.

458
00:19:53,680 --> 00:19:56,159
Speaker 2: You're not supposed to talk about it, but yes, I mean,

459
00:19:56,200 --> 00:19:58,119
Speaker 2: I'm the third best voice over on my street in

460
00:19:58,160 --> 00:20:00,400
Speaker 2: green Lynd. I think, so I got that gig. I mean,

461
00:20:00,400 --> 00:20:02,240
Speaker 2: that's the joke, isn't it. That there's like you sort

462
00:20:02,240 --> 00:20:04,679
Speaker 2: of don't really have any confidence as a voiceover, but

463
00:20:04,720 --> 00:20:06,320
Speaker 2: you get the work and you're like, maybe I should

464
00:20:06,320 --> 00:20:11,240
Speaker 2: feel good about myself, But you're just a voice monkey.

465
00:20:11,359 --> 00:20:13,119
Speaker 1: You've got a great voice of warmth. There's a warmth

466
00:20:13,200 --> 00:20:15,800
Speaker 1: to yeah, warmth to what you say.

467
00:20:16,560 --> 00:20:18,520
Speaker 3: That's that's worth worth worth a lot.

468
00:20:18,760 --> 00:20:20,480
Speaker 2: That's very kind. I mean, there was a time I

469
00:20:20,480 --> 00:20:23,040
Speaker 2: think there was a golden patch. If I reflect, there

470
00:20:23,080 --> 00:20:25,560
Speaker 2: was a golden patch where it was like I sort

471
00:20:25,560 --> 00:20:27,760
Speaker 2: of went, there was a whole bunch of stuff I'd done,

472
00:20:27,960 --> 00:20:30,280
Speaker 2: And I guess that's what I'm saying is like, if

473
00:20:30,320 --> 00:20:32,040
Speaker 2: you can go ten years back and you go, were

474
00:20:32,040 --> 00:20:33,800
Speaker 2: you the voice of this? Yeah? It was how are

475
00:20:33,840 --> 00:20:34,560
Speaker 2: you the voice of the way House?

476
00:20:34,680 --> 00:20:35,080
Speaker 1: Yeah it was that.

477
00:20:35,119 --> 00:20:35,439
Speaker 2: Were you in?

478
00:20:35,840 --> 00:20:36,000
Speaker 1: Yeah?

479
00:20:36,000 --> 00:20:37,679
Speaker 2: It was that? And then you go, what does it

480
00:20:37,720 --> 00:20:38,120
Speaker 2: all mean?

481
00:20:38,800 --> 00:20:40,080
Speaker 1: Do you know what I mean?

482
00:20:41,040 --> 00:20:42,760
Speaker 3: Sometimes it would mean there were three TV ads in

483
00:20:42,800 --> 00:20:44,000
Speaker 3: a row with your voice on them.

484
00:20:44,359 --> 00:20:47,679
Speaker 2: Yeah, But ultimately I think it's great. It pays the

485
00:20:47,680 --> 00:20:49,720
Speaker 2: bills so you can do the other cool stuff. Yeah,

486
00:20:49,920 --> 00:20:50,680
Speaker 2: that's the voice over.

487
00:20:50,760 --> 00:20:53,399
Speaker 1: Do you're not considered Do you not consider it a

488
00:20:57,400 --> 00:21:01,399
Speaker 1: The word trade is not quite right, but a skill

489
00:21:01,440 --> 00:21:04,160
Speaker 1: in the sense that it's something that you learn over

490
00:21:04,200 --> 00:21:07,600
Speaker 1: time and you're always adding to it. What's the word

491
00:21:07,640 --> 00:21:09,960
Speaker 1: I don't want? It's not trade. It's something else, and

492
00:21:10,000 --> 00:21:13,480
Speaker 1: it's kind of like trade. But essentially there is an

493
00:21:14,080 --> 00:21:16,280
Speaker 1: artistry to it. Do you not consider it that? Do

494
00:21:16,359 --> 00:21:17,959
Speaker 1: you do you think it's just kind of something that

495
00:21:18,040 --> 00:21:19,000
Speaker 1: you don't want to talk about?

496
00:21:19,040 --> 00:21:21,040
Speaker 2: Well, there was the time that your reference where it's

497
00:21:21,119 --> 00:21:24,440
Speaker 2: like in about nineteen ninety eight, they went, we want

498
00:21:24,440 --> 00:21:27,720
Speaker 2: to step away from the guys that talk like this,

499
00:21:27,960 --> 00:21:31,040
Speaker 2: yeah to oh, just talk like you're talking to your

500
00:21:31,080 --> 00:21:35,080
Speaker 2: mate in the bar. But I'm selling like a handsaw

501
00:21:35,280 --> 00:21:37,040
Speaker 2: or something. Yeah, I'm not going to do that in

502
00:21:37,040 --> 00:21:39,720
Speaker 2: the bar. At that stage, I think there wasn't a

503
00:21:39,800 --> 00:21:41,439
Speaker 2: huge amount of skill. But I think I think the

504
00:21:41,480 --> 00:21:45,320
Speaker 2: skill is like reading ahead, or being able to be directed,

505
00:21:45,359 --> 00:21:46,920
Speaker 2: being able to make a dick yourself and not worry

506
00:21:46,960 --> 00:21:48,240
Speaker 2: about it. I'm quite sad at that.

507
00:21:48,240 --> 00:21:48,720
Speaker 1: That's hard.

508
00:21:48,880 --> 00:21:51,520
Speaker 2: Oh you see, that's a skill of mine. So maybe

509
00:21:51,560 --> 00:21:54,080
Speaker 2: there is a skill like a learning. Maybe there is.

510
00:21:54,160 --> 00:21:55,600
Speaker 2: I mean that's a question. I don't have the answer

511
00:21:55,600 --> 00:21:55,720
Speaker 2: to that.

512
00:21:55,920 --> 00:21:58,359
Speaker 1: Yeah, do you reckon? How much do you reckon? Of

513
00:21:58,440 --> 00:22:02,680
Speaker 1: being a successful voice artists? Is actually taking ego out

514
00:22:02,680 --> 00:22:03,680
Speaker 1: of it? Oh?

515
00:22:03,800 --> 00:22:07,320
Speaker 2: Huge? Huge, And I think that's where some actors struggle. Yeah,

516
00:22:07,440 --> 00:22:09,000
Speaker 2: you know, so the actors go in and they're like,

517
00:22:09,080 --> 00:22:12,080
Speaker 2: give me my motivation? Who am I? What's you know?

518
00:22:12,760 --> 00:22:14,919
Speaker 2: Where is this in my life? Is like, mate, you're

519
00:22:14,960 --> 00:22:16,679
Speaker 2: just you're actually just selling pens.

520
00:22:17,040 --> 00:22:18,640
Speaker 1: Yeah, so just.

521
00:22:18,680 --> 00:22:20,919
Speaker 2: Read it as fast as you can. When it's forty words,

522
00:22:20,960 --> 00:22:23,160
Speaker 2: it's fifteen seconds. If you can't get the job down,

523
00:22:23,440 --> 00:22:23,840
Speaker 2: get out.

524
00:22:25,480 --> 00:22:27,080
Speaker 3: I used to like because I do a lot of

525
00:22:27,160 --> 00:22:29,880
Speaker 3: voice work here and there, and I used to prepare

526
00:22:30,400 --> 00:22:32,240
Speaker 3: and that was a disaster because you'd go in with

527
00:22:32,280 --> 00:22:34,400
Speaker 3: an idea in your head. So like when your agent

528
00:22:34,480 --> 00:22:36,920
Speaker 3: sends you the script, now I will never read it

529
00:22:37,000 --> 00:22:39,760
Speaker 3: because otherwise I'll go in and I'll and I'll have

530
00:22:40,040 --> 00:22:42,320
Speaker 3: a decision that I've made. And you just got to

531
00:22:42,359 --> 00:22:46,560
Speaker 3: wait to be humiliated by both the the everyone from

532
00:22:46,600 --> 00:22:48,760
Speaker 3: the ad agency and then the client that comes in

533
00:22:48,800 --> 00:22:53,160
Speaker 3: and humiliates you, and then someone that's bringing the sushi

534
00:22:53,160 --> 00:22:54,840
Speaker 3: comes in to humiliate you.

535
00:22:55,000 --> 00:22:57,080
Speaker 2: And the sushi is never for you. There's always lunch

536
00:22:57,080 --> 00:22:59,679
Speaker 2: for everybody else. You're like, oh, you're in the hey,

537
00:22:59,680 --> 00:23:02,600
Speaker 2: I'm going it. Yeah, I'm not even hungry. I'm not.

538
00:23:04,200 --> 00:23:06,280
Speaker 3: You're standing in the booth and people start doing their

539
00:23:06,359 --> 00:23:08,800
Speaker 3: orders and there they're on the menus and they go, oh,

540
00:23:08,840 --> 00:23:10,640
Speaker 3: do you think I might get the SELLID.

541
00:23:12,119 --> 00:23:12,639
Speaker 1: I'm standing there.

542
00:23:12,680 --> 00:23:15,840
Speaker 3: So there is a little bit of humiliation totally, and

543
00:23:15,840 --> 00:23:17,640
Speaker 3: it it's really bad if you're in a if you're

544
00:23:17,680 --> 00:23:20,800
Speaker 3: not feeling it and you're looking forward to and then

545
00:23:20,840 --> 00:23:22,399
Speaker 3: you look down in your book for two hours and

546
00:23:22,440 --> 00:23:24,399
Speaker 3: you're like, I can't do two hours.

547
00:23:25,040 --> 00:23:27,760
Speaker 1: No, two hours is a big session. I once did

548
00:23:28,400 --> 00:23:31,879
Speaker 1: the thing with Michael Morrissey, and I haven't done. I

549
00:23:31,960 --> 00:23:33,560
Speaker 1: used to do voice over. Its quite a lot of voices,

550
00:23:33,600 --> 00:23:35,800
Speaker 1: and then I sort of stopped doing them. I started

551
00:23:35,840 --> 00:23:37,800
Speaker 1: doing stuff for Meridian, and part of the deal was

552
00:23:37,840 --> 00:23:40,119
Speaker 1: I couldn't do things for anyone else, so I stopped

553
00:23:40,119 --> 00:23:44,360
Speaker 1: doing them. But after during that time, Michael Morrissey came

554
00:23:44,400 --> 00:23:45,800
Speaker 1: in and did some stuff for us. And he's a

555
00:23:45,840 --> 00:23:48,600
Speaker 1: famous he was the telecom guy that went please hold

556
00:23:48,640 --> 00:23:51,040
Speaker 1: the lane. He's got that really kind of nice, beautiful,

557
00:23:51,080 --> 00:23:56,080
Speaker 1: beautiful voice. Anyway, very very successful voiceover artist. And I

558
00:23:56,119 --> 00:23:58,679
Speaker 1: watched him come in and do some voice and he

559
00:23:58,760 --> 00:24:02,919
Speaker 1: did it really interesting thing. He it was a performance.

560
00:24:03,000 --> 00:24:05,400
Speaker 1: I realized it was a full performance. He was playing

561
00:24:05,440 --> 00:24:08,119
Speaker 1: the role of this person, this voice of a person.

562
00:24:08,119 --> 00:24:10,520
Speaker 1: But he had complete control of the script. When he

563
00:24:10,560 --> 00:24:13,520
Speaker 1: walked in, he went BAA. He did this whole thing,

564
00:24:13,880 --> 00:24:16,320
Speaker 1: and he put his headphones on and he told the

565
00:24:16,520 --> 00:24:18,359
Speaker 1: audio engineer to do some things so he don't know,

566
00:24:18,359 --> 00:24:20,639
Speaker 1: I need more in the blah blah blah blah blah blah.

567
00:24:20,680 --> 00:24:23,960
Speaker 1: And then he read it, read the script and then

568
00:24:24,000 --> 00:24:26,080
Speaker 1: he goes and then he goes Take two and then

569
00:24:26,119 --> 00:24:27,600
Speaker 1: he goes blah blah blah blah, and he read it

570
00:24:27,640 --> 00:24:29,159
Speaker 1: and then he goes, I'll give you a third take

571
00:24:29,320 --> 00:24:31,439
Speaker 1: da da da, and read it slightly differently than he

572
00:24:31,440 --> 00:24:33,960
Speaker 1: goes take four, and then did it like four takes

573
00:24:34,000 --> 00:24:37,080
Speaker 1: and then goes, hell are those And immediately you go,

574
00:24:37,200 --> 00:24:40,840
Speaker 1: you've got four takes. They're slightly different, but each one

575
00:24:40,920 --> 00:24:45,159
Speaker 1: perfect in its own way. And at that point like

576
00:24:45,320 --> 00:24:48,439
Speaker 1: good luck coming back and saying oh, actually maybe, but

577
00:24:48,480 --> 00:24:51,760
Speaker 1: he just took complete charge of it, and I thought, oh,

578
00:24:51,760 --> 00:24:53,879
Speaker 1: that's a good that's a that's how you want to

579
00:24:53,880 --> 00:24:55,800
Speaker 1: do it. That's experience right there on the day in

580
00:24:55,840 --> 00:24:58,640
Speaker 1: Queenstown with the new man in their life. Turns out

581
00:24:58,680 --> 00:25:00,480
Speaker 1: to be quite a revelation that happen.

582
00:25:01,480 --> 00:25:04,640
Speaker 3: The proposal a whole new way of falling in love.

583
00:25:06,040 --> 00:25:09,639
Speaker 2: That's the nicest pipes. And then you find yourself in

584
00:25:09,680 --> 00:25:12,600
Speaker 2: a gig where you're the voice for Radio Hotakey or

585
00:25:12,640 --> 00:25:16,320
Speaker 2: something like that, and then you're basically given a whole

586
00:25:16,320 --> 00:25:18,919
Speaker 2: bunch of stuff to sing maybe yeah, you know, and

587
00:25:18,960 --> 00:25:20,040
Speaker 2: then you're like, what.

588
00:25:20,000 --> 00:25:23,720
Speaker 1: Is what is this? What happened? We got you to

589
00:25:23,760 --> 00:25:25,520
Speaker 1: sing a lot of our comedy numbers.

590
00:25:26,200 --> 00:25:28,840
Speaker 2: I mean, it was a glorious time. Devin Conway. I'll

591
00:25:28,840 --> 00:25:32,719
Speaker 2: never forget doing Fleetwood Mac and finally realizing just how

592
00:25:32,800 --> 00:25:33,680
Speaker 2: high Lindsay bucket.

593
00:25:34,880 --> 00:25:36,840
Speaker 3: And that's a tough one because the harmonies are so

594
00:25:36,880 --> 00:25:39,080
Speaker 3: the four part armies are so hard.

595
00:25:39,840 --> 00:25:43,080
Speaker 2: And also because you wanted to really give, like really

596
00:25:43,480 --> 00:25:46,800
Speaker 2: proper reverence to Devin Conway. I don't want to mess

597
00:25:46,840 --> 00:25:49,720
Speaker 2: that up. At the time, he'd just come onto the scene,

598
00:25:49,760 --> 00:25:52,480
Speaker 2: he'd got all those big runs. He was like our

599
00:25:52,600 --> 00:25:55,359
Speaker 2: kind of light, and you know, it was like, Okay,

600
00:25:55,400 --> 00:25:57,320
Speaker 2: Williamson is going to have somebody with him now. You know,

601
00:25:58,000 --> 00:25:59,120
Speaker 2: I want to make up that song.

602
00:25:59,359 --> 00:26:03,520
Speaker 3: And you know, well, speaking of music, obviously you you

603
00:26:03,760 --> 00:26:06,040
Speaker 3: are also a musician and you've got it. You've got

604
00:26:06,200 --> 00:26:10,040
Speaker 3: an album out, and of course you are in Pluto

605
00:26:10,119 --> 00:26:11,960
Speaker 3: and you've been a musician for a very long time.

606
00:26:12,960 --> 00:26:16,520
Speaker 3: And we were just listening to a song actually before very.

607
00:26:16,280 --> 00:26:23,600
Speaker 2: Very nice, thanks, very very very nice. Beatlely Well, yeah,

608
00:26:23,680 --> 00:26:25,560
Speaker 2: I mean you guys talked about the Beatles the couple

609
00:26:25,600 --> 00:26:29,240
Speaker 2: of days ago. It's like, yeah, I guess, I guess

610
00:26:29,400 --> 00:26:30,920
Speaker 2: there's been a few people that have said that about

611
00:26:30,920 --> 00:26:32,680
Speaker 2: the album. I mean, I think I first I met

612
00:26:32,720 --> 00:26:35,000
Speaker 2: you guys first through music, you know, Like I was

613
00:26:35,040 --> 00:26:38,720
Speaker 2: on BFM and the nineties doing a show ninety four

614
00:26:38,800 --> 00:26:42,119
Speaker 2: or something, and we probably played gigs together. Yeah, and

615
00:26:42,240 --> 00:26:45,200
Speaker 2: Balance and other Pluto and things like that. So yeah,

616
00:26:45,240 --> 00:26:47,520
Speaker 2: I haven't really I haven't really stopped, but I just

617
00:26:47,520 --> 00:26:51,560
Speaker 2: stopped releasing releasing my own music or Pluto's sort of

618
00:26:51,560 --> 00:26:53,160
Speaker 2: slow down. So a lot of these songs are songs

619
00:26:53,200 --> 00:26:56,159
Speaker 2: that might have gone to the Pluto team. Yeah, we

620
00:26:56,200 --> 00:26:58,359
Speaker 2: might have gone, oh that's school, Oh that's rubbish. But

621
00:26:58,440 --> 00:27:01,040
Speaker 2: I was like, just put them out, you.

622
00:27:01,040 --> 00:27:03,800
Speaker 3: Know, and we're about huge record.

623
00:27:04,240 --> 00:27:05,920
Speaker 2: So I did it with Joel W. Holland at the Oven,

624
00:27:06,000 --> 00:27:08,720
Speaker 2: which is in the Lab Studios under Crystal Palace Theater

625
00:27:08,800 --> 00:27:12,119
Speaker 2: in this kind of like amazing sort of underground used

626
00:27:12,119 --> 00:27:14,600
Speaker 2: to be a dance hall back in the fifties and sixties.

627
00:27:15,520 --> 00:27:18,960
Speaker 3: Is there still a giant picture of a wolf down

628
00:27:18,960 --> 00:27:20,119
Speaker 3: there on a what.

629
00:27:20,400 --> 00:27:21,600
Speaker 1: If there is a wolf?

630
00:27:21,760 --> 00:27:24,400
Speaker 2: Maybe I'm not looking hard enough. I'm usually like totally

631
00:27:24,440 --> 00:27:26,919
Speaker 2: in the in the zon of taking a ship with

632
00:27:26,960 --> 00:27:27,359
Speaker 2: those guys.

633
00:27:27,359 --> 00:27:30,520
Speaker 3: It's funny because he's just just just yesterday, just yesterday,

634
00:27:30,560 --> 00:27:32,720
Speaker 3: I got a message on Instagram from someone that was

635
00:27:32,760 --> 00:27:36,000
Speaker 3: recording an album at the lab with Olie and and

636
00:27:36,080 --> 00:27:37,840
Speaker 3: he was doing the Sky was doing a solo in

637
00:27:37,880 --> 00:27:40,840
Speaker 3: the studio, and he was and he was, he was talking.

638
00:27:41,080 --> 00:27:43,080
Speaker 3: He's messaged me because Ollie said, this is where you

639
00:27:43,160 --> 00:27:46,560
Speaker 3: recorded a couple of your albums and and I just

640
00:27:47,040 --> 00:27:49,000
Speaker 3: the lab. I just took me all the way back

641
00:27:49,000 --> 00:27:49,360
Speaker 3: to the lab.

642
00:27:49,359 --> 00:27:51,120
Speaker 1: What a great.

643
00:27:51,040 --> 00:27:54,520
Speaker 2: Spots like you know in Yeah, they've uncovered all these

644
00:27:54,520 --> 00:27:56,520
Speaker 2: old photos of all the people that go into dancers

645
00:27:56,520 --> 00:27:58,639
Speaker 2: in the sixties, like these young people dressed up so

646
00:27:58,760 --> 00:28:03,480
Speaker 2: beautifully and love suits and dresses and you know, going

647
00:28:03,480 --> 00:28:06,320
Speaker 2: to the dance to watch live music. And yeah, there's

648
00:28:06,320 --> 00:28:08,240
Speaker 2: a kind of there's a history there. It brings out

649
00:28:08,240 --> 00:28:10,560
Speaker 2: the best in you because it's a cool vibe. And

650
00:28:10,680 --> 00:28:13,360
Speaker 2: Joel's room is so John m'hollum has produced a whole

651
00:28:13,359 --> 00:28:16,159
Speaker 2: bunch of stuff. He's really good. Made of mine.

652
00:28:15,600 --> 00:28:18,080
Speaker 1: We had him in here just the other day.

653
00:28:18,760 --> 00:28:22,600
Speaker 2: To talk about those Beatles shows or something or yeah,

654
00:28:22,600 --> 00:28:23,359
Speaker 2: those couple of shows.

655
00:28:23,440 --> 00:28:24,600
Speaker 1: Yeah, yeah, yeah.

656
00:28:24,680 --> 00:28:26,440
Speaker 2: He laid down a challenge to me because I lost

657
00:28:26,440 --> 00:28:28,680
Speaker 2: this hard drive blah blah blah with a whole bunch

658
00:28:28,680 --> 00:28:32,160
Speaker 2: of songs on it, and yeah, sort of heartbreaking moment,

659
00:28:32,240 --> 00:28:34,080
Speaker 2: and he was like, oh, nobody was going to hear

660
00:28:34,080 --> 00:28:36,720
Speaker 2: those songs anyway, so what are you moaning about? And

661
00:28:36,760 --> 00:28:39,320
Speaker 2: I was like sort of screw you, buddy, and yeah,

662
00:28:39,360 --> 00:28:41,760
Speaker 2: and then he was he goes, well record them with me,

663
00:28:41,840 --> 00:28:44,320
Speaker 2: and I was like, no, faking will do it then.

664
00:28:44,480 --> 00:28:46,360
Speaker 2: So it was like a sort of like this kind

665
00:28:46,400 --> 00:28:48,160
Speaker 2: of challenging thing. But then when we actually did them,

666
00:28:48,160 --> 00:28:49,680
Speaker 2: I was like, ah, I think I probably should put

667
00:28:49,720 --> 00:28:53,959
Speaker 2: them out. Yeah, it's pretty satisfying. It's more satisfying than

668
00:28:54,000 --> 00:28:55,640
Speaker 2: I thought too. I mean, I didn't even think i'd

669
00:28:55,680 --> 00:28:57,680
Speaker 2: come to talk to you guys about putting a record

670
00:28:57,680 --> 00:29:00,560
Speaker 2: out right unless it was like a plute song or something.

671
00:29:00,720 --> 00:29:01,800
Speaker 3: Yeah, so cool.

672
00:29:02,040 --> 00:29:05,200
Speaker 1: How long had you been like in terms of the

673
00:29:05,240 --> 00:29:09,360
Speaker 1: songs on the album? How what's the what's the oldest

674
00:29:09,840 --> 00:29:12,840
Speaker 1: idea for the song that you had on the album?

675
00:29:12,880 --> 00:29:12,960
Speaker 2: Like?

676
00:29:13,000 --> 00:29:14,200
Speaker 1: How long you been thinking about it?

677
00:29:14,240 --> 00:29:17,040
Speaker 2: For I wrote a song back in about twenty fourteen

678
00:29:17,080 --> 00:29:19,280
Speaker 2: that's on the record. Because they write songs. Maybe it's

679
00:29:19,320 --> 00:29:21,680
Speaker 2: like you met he write songs for fun a little

680
00:29:21,680 --> 00:29:25,680
Speaker 2: bit late. Oh sorry, thanks Mash.

681
00:29:27,000 --> 00:29:27,760
Speaker 6: Again for you.

682
00:29:27,960 --> 00:29:29,960
Speaker 2: It's great to see that. When I was working here

683
00:29:30,000 --> 00:29:32,680
Speaker 2: a few years aback, that she's still in their intern

684
00:29:32,760 --> 00:29:35,080
Speaker 2: zone with those kind of you know what helps the

685
00:29:35,120 --> 00:29:36,960
Speaker 2: wage cost of our Yeah, it's.

686
00:29:36,880 --> 00:29:38,680
Speaker 3: Kind of like the friend zone, the intern zone.

687
00:29:38,800 --> 00:29:41,080
Speaker 2: I was about to go into full fast guitars mode

688
00:29:41,120 --> 00:29:44,000
Speaker 2: and talk about, you know, the guitarring, but that's cool, No.

689
00:29:44,040 --> 00:29:45,680
Speaker 5: Please do that's actually what I want to hear to

690
00:29:45,680 --> 00:29:47,720
Speaker 5: it for you. It feels actually quite strange because when

691
00:29:47,720 --> 00:29:49,560
Speaker 5: you first came in here about four years ago, not

692
00:29:49,600 --> 00:29:51,000
Speaker 5: when you first came in here, when I first came

693
00:29:51,040 --> 00:29:51,840
Speaker 5: in here about four years a.

694
00:29:51,920 --> 00:29:55,120
Speaker 1: Six months ago something, I remember, it's not four years ago.

695
00:29:56,600 --> 00:30:00,640
Speaker 5: So excited I got to record Mike doing the voiceover

696
00:30:00,640 --> 00:30:01,920
Speaker 5: when you used to do the voice for a radio

697
00:30:01,920 --> 00:30:03,720
Speaker 5: heardeche used to be the corpor voice a radio heard ache.

698
00:30:03,760 --> 00:30:05,280
Speaker 5: And I'm eve being very excited. So it's a real

699
00:30:05,280 --> 00:30:06,840
Speaker 5: force sycle moment talking to you now. And now we

700
00:30:06,840 --> 00:30:07,480
Speaker 5: get to ned out.

701
00:30:07,360 --> 00:30:09,840
Speaker 3: About well, we forgot to applaud you because when never

702
00:30:10,360 --> 00:30:12,840
Speaker 3: Mike walks into a room, people applaud and which you

703
00:30:12,920 --> 00:30:13,120
Speaker 3: got it.

704
00:30:13,480 --> 00:30:15,840
Speaker 2: Oh that's me here because we're mad, we.

705
00:30:15,680 --> 00:30:19,200
Speaker 3: Were a mad pod and this and so there's just

706
00:30:19,200 --> 00:30:22,280
Speaker 3: a little little thing that people do when you walk

707
00:30:22,320 --> 00:30:23,800
Speaker 3: into the room people applaud.

708
00:30:23,840 --> 00:30:27,240
Speaker 2: I really loved that about working here, I've got to say,

709
00:30:27,320 --> 00:30:30,200
Speaker 2: like it was actually awesome. What happened was it was

710
00:30:30,280 --> 00:30:33,040
Speaker 2: about it was Mike Lane's second week here, and I

711
00:30:33,080 --> 00:30:34,880
Speaker 2: walked in and I'd had a rough morning at home

712
00:30:34,920 --> 00:30:37,960
Speaker 2: with my kids or something. And I walked in and like,

713
00:30:38,120 --> 00:30:40,520
Speaker 2: Mike goes, howe, and I'm like, you know, at least

714
00:30:40,560 --> 00:30:42,320
Speaker 2: you get a rest when you die or something like that.

715
00:30:42,320 --> 00:30:47,240
Speaker 2: I said something like that, sort of dad kind of like,

716
00:30:47,720 --> 00:30:51,160
Speaker 2: it's a bit fuck this morning. Somebody didn't eat this

717
00:30:51,320 --> 00:30:53,560
Speaker 2: kid left with a one shoe or whatever it was,

718
00:30:54,240 --> 00:30:56,640
Speaker 2: you know. And then like I came out of the

719
00:30:56,640 --> 00:30:59,520
Speaker 2: session I've been in with with Chris, and I came

720
00:30:59,520 --> 00:31:02,280
Speaker 2: out and I and they Mike goes, mate, you got

721
00:31:02,320 --> 00:31:04,320
Speaker 2: a minute, and I was like yeah, of course, and

722
00:31:04,400 --> 00:31:07,400
Speaker 2: he goes everything all right, and I was like, oh,

723
00:31:07,440 --> 00:31:09,239
Speaker 2: got on your mate, Yeah, I'm fine. He goes, oh,

724
00:31:09,240 --> 00:31:12,120
Speaker 2: I just you know what you said, and I'm like, oh, look,

725
00:31:12,120 --> 00:31:14,520
Speaker 2: I'm not gonna I'm not going to go and kill myself.

726
00:31:14,560 --> 00:31:18,560
Speaker 2: I so appreciate your concern. Anyway, he goes, great, so

727
00:31:18,760 --> 00:31:20,720
Speaker 2: we'll see you next week. And I was like, yeah, yeah,

728
00:31:20,720 --> 00:31:22,800
Speaker 2: you'll see me next week. So I went away and

729
00:31:22,840 --> 00:31:25,680
Speaker 2: then I came back Wednesday eleven o'clock every single week

730
00:31:25,880 --> 00:31:27,680
Speaker 2: and I walk in the door and Mike Lane goes

731
00:31:27,760 --> 00:31:32,000
Speaker 2: lady ins in gentlemen like all and the entire officer

732
00:31:32,120 --> 00:31:38,600
Speaker 2: up there, including people from Flavor. How we're going? What

733
00:31:38,720 --> 00:31:43,320
Speaker 2: the fuck am I? Who was this regular looking geezer?

734
00:31:43,360 --> 00:31:45,160
Speaker 1: You know, it's such a good tradition to have just

735
00:31:45,160 --> 00:31:45,800
Speaker 1: started like that.

736
00:31:46,000 --> 00:31:49,880
Speaker 2: It happened every single time for five and a half

737
00:31:50,040 --> 00:31:53,040
Speaker 2: years where I walk in the door, maybe six years.

738
00:31:53,120 --> 00:31:58,640
Speaker 2: I got applauded every single time I came to voice.

739
00:31:55,960 --> 00:31:56,120
Speaker 7: Oh.

740
00:31:58,920 --> 00:32:03,000
Speaker 2: I looked forward to it, like, don't worry Wednesdays around

741
00:32:03,000 --> 00:32:03,480
Speaker 2: the corner.

742
00:32:03,760 --> 00:32:06,280
Speaker 3: And that's that's not something that's ever happened for anyone

743
00:32:06,280 --> 00:32:06,600
Speaker 3: else that.

744
00:32:06,800 --> 00:32:09,840
Speaker 1: No, it's only you. You get booed.

745
00:32:11,520 --> 00:32:13,640
Speaker 5: Are you noting the corporate voice over the hits? Mike?

746
00:32:13,760 --> 00:32:14,480
Speaker 1: Is that right? Do you get?

747
00:32:14,560 --> 00:32:15,840
Speaker 5: Do you get a clap over the heads? Are you

748
00:32:15,880 --> 00:32:19,000
Speaker 5: doing there's no clap, there's no clap of the hurts,

749
00:32:19,000 --> 00:32:22,320
Speaker 5: no clap remote.

750
00:32:22,920 --> 00:32:24,560
Speaker 1: It's so classic of John and Ben.

751
00:32:24,600 --> 00:32:24,680
Speaker 7: Ye.

752
00:32:24,840 --> 00:32:26,720
Speaker 1: Yeah, it's always a prank.

753
00:32:27,000 --> 00:32:28,640
Speaker 3: You know, they know that you expect the clap, So

754
00:32:28,640 --> 00:32:30,280
Speaker 3: the whole thing is a prank, but they're not clap back.

755
00:32:30,560 --> 00:32:32,280
Speaker 2: I have actually noticed them when I go up, They're like,

756
00:32:33,160 --> 00:32:35,840
Speaker 2: I'm just waiting with their hands. I'm like, no, no,

757
00:32:35,920 --> 00:32:36,920
Speaker 2: there's nothing. It's remote.

758
00:32:36,960 --> 00:32:39,960
Speaker 1: Oh that's just that's strike two for those guys. They're

759
00:32:40,000 --> 00:32:43,840
Speaker 1: on strike two. Well, it's the other striking your music.

760
00:32:43,920 --> 00:32:46,280
Speaker 3: John, you threw a few strays a Johnno for no

761
00:32:46,320 --> 00:32:47,480
Speaker 3: reason when I know you love them.

762
00:32:47,640 --> 00:32:49,800
Speaker 1: Strike there's strike one. There's a strike two for me.

763
00:32:50,120 --> 00:32:52,960
Speaker 5: Hey, Michael, before you go were you did you run

764
00:32:53,080 --> 00:32:56,040
Speaker 5: vocals on the glass Barbie tune?

765
00:32:56,880 --> 00:32:57,440
Speaker 1: Was that you?

766
00:32:58,840 --> 00:33:01,040
Speaker 2: I'm trying to remember because they were Is this I

767
00:33:01,120 --> 00:33:01,920
Speaker 2: want to cring this up?

768
00:33:02,000 --> 00:33:05,120
Speaker 5: That's not don't think so. Can we have a listen

769
00:33:05,160 --> 00:33:07,280
Speaker 5: to you or not? Because I found that Devin.

770
00:33:10,280 --> 00:33:10,960
Speaker 1: Who is there?

771
00:33:11,800 --> 00:33:11,840
Speaker 7: No?

772
00:33:12,000 --> 00:33:12,800
Speaker 1: I know who that is?

773
00:33:12,800 --> 00:33:13,480
Speaker 5: That Tom Harper.

774
00:33:13,520 --> 00:33:15,920
Speaker 1: That's that's Tom Harper's mate from christ Church.

775
00:33:17,360 --> 00:33:21,920
Speaker 5: Yes, there's that song from before that I had.

776
00:33:22,600 --> 00:33:25,640
Speaker 3: There was just none of those None of those songs

777
00:33:25,640 --> 00:33:26,680
Speaker 3: are on your album.

778
00:33:29,160 --> 00:33:30,560
Speaker 5: With a cover of glass.

779
00:33:33,400 --> 00:33:35,200
Speaker 2: When are you guys putting that on vinyl? I mean

780
00:33:35,240 --> 00:33:37,320
Speaker 2: that's the responsibility of Mike Lane, isn't it.

781
00:33:37,400 --> 00:33:39,880
Speaker 1: Yeah, that's exactly the type of thing that that's exactly

782
00:33:39,920 --> 00:33:41,720
Speaker 1: the type of thing that Mike Lane will waste his

783
00:33:41,800 --> 00:33:46,600
Speaker 1: time on. It's been six months on that, yeah, Oky.

784
00:33:46,440 --> 00:33:49,720
Speaker 3: So how can people get your album? And and and

785
00:33:49,960 --> 00:33:50,720
Speaker 3: gives the dats?

786
00:33:51,840 --> 00:33:54,520
Speaker 2: It's on all the streaming places and I've.

787
00:33:54,360 --> 00:33:55,960
Speaker 1: Got a physical copy of it.

788
00:33:56,040 --> 00:33:58,640
Speaker 2: Yeah, I've got vinyl and band camp. Just check check

789
00:33:58,680 --> 00:34:00,680
Speaker 2: out Mike Hall like I'm and there's heaps of us.

790
00:34:00,720 --> 00:34:03,680
Speaker 2: There's a slightly overweight trombone player from America with a

791
00:34:03,840 --> 00:34:04,880
Speaker 2: pretty decent go toy.

792
00:34:04,960 --> 00:34:07,560
Speaker 1: He's not me and Daryl Hall. Of course that's that.

793
00:34:07,680 --> 00:34:08,640
Speaker 1: He's not you either.

794
00:34:08,840 --> 00:34:11,439
Speaker 2: No, that my well, No, I wish it was my dad,

795
00:34:12,040 --> 00:34:13,600
Speaker 2: but my dad's Derek.

796
00:34:13,840 --> 00:34:14,040
Speaker 6: Yeah.

797
00:34:14,200 --> 00:34:14,520
Speaker 2: Close.

798
00:34:14,560 --> 00:34:18,200
Speaker 3: Though I always assumed that you were related to Daryl Hall.

799
00:34:18,239 --> 00:34:20,040
Speaker 3: I knew you had nothing to do with it. I

800
00:34:20,120 --> 00:34:22,440
Speaker 3: knew you had nothing to do without cree Boats. I

801
00:34:22,480 --> 00:34:25,080
Speaker 3: knew you wouldn't go down to god Oats, but I

802
00:34:25,080 --> 00:34:26,800
Speaker 3: always thought there was a bit of Daryl Hall in you.

803
00:34:27,600 --> 00:34:27,880
Speaker 2: Thanks.

804
00:34:29,680 --> 00:34:32,040
Speaker 3: So what's the copyright situation? Could we could we in

805
00:34:32,120 --> 00:34:34,600
Speaker 3: the pod just by playing dragging around song?

806
00:34:35,239 --> 00:34:35,479
Speaker 4: Yeah?

807
00:34:35,560 --> 00:34:37,239
Speaker 2: I mean that's fine with me. I don't know what

808
00:34:37,280 --> 00:34:39,920
Speaker 2: your license with the performing rights organizations are.

809
00:34:40,000 --> 00:34:43,600
Speaker 3: Now I'm sure you'll get paid sid me the AP check.

810
00:34:44,040 --> 00:34:47,080
Speaker 2: Here you go, Michael, Mike, thanks for coming to Mike,

811
00:34:47,600 --> 00:34:48,480
Speaker 2: Thanks for the chets.

812
00:34:48,719 --> 00:34:53,560
Speaker 1: There's a lot on in the padic.

813
00:34:55,480 --> 00:34:56,600
Speaker 7: Damn and show.

814
00:34:56,760 --> 00:34:59,160
Speaker 2: The house is breaking heart.

815
00:35:01,000 --> 00:35:02,759
Speaker 7: From the Manson.

816
00:35:04,120 --> 00:35:15,640
Speaker 8: We continuee froding with the wind madhoe fiatress.

817
00:35:16,440 --> 00:35:18,360
Speaker 2: And the precious.

818
00:35:19,480 --> 00:35:23,759
Speaker 1: Their labe was the hard to feel food gold.

819
00:35:25,640 --> 00:35:27,600
Speaker 7: And screaming.

820
00:35:28,760 --> 00:35:32,920
Speaker 6: Down the high from food.

821
00:35:33,360 --> 00:35:37,600
Speaker 1: The copy from a dune.

822
00:35:39,480 --> 00:35:53,840
Speaker 6: Stop dragging meraund Stop dragging me around, Stop dragging Merau.

823
00:35:57,200 --> 00:36:15,720
Speaker 7: That's a sun which wins up wish wist, wish to stall,

824
00:36:18,080 --> 00:36:20,000
Speaker 7: understand and still.

825
00:36:21,640 --> 00:36:28,760
Speaker 8: Not just sworn to know I had dream, just still cap.

826
00:36:30,320 --> 00:36:31,680
Speaker 2: And Scoff.

827
00:36:34,120 --> 00:36:43,040
Speaker 8: Has back through those streets of stop dragging me, Rau,

828
00:36:47,160 --> 00:36:49,000
Speaker 8: stop dragging.

829
00:36:48,719 --> 00:36:54,920
Speaker 6: Me round, Stop dragging me.

830
00:36:55,200 --> 00:36:55,279
Speaker 2: Ra.

831
00:36:58,680 --> 00:37:06,000
Speaker 7: Says the sun Wood swezer Woods Swister, So I'm dragging Mira.

832
00:37:10,200 --> 00:37:12,160
Speaker 6: Stop dragging Mera.

833
00:37:15,280 --> 00:37:20,080
Speaker 7: Next, that's the sun Wood Schweazer Woods Swister.

834
00:37:47,120 --> 00:38:19,200
Speaker 6: Star dragging, Stop dragging so schock stochag schargy