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Speaker 1: Yeah, well, now let me tell you, welcome along to

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Speaker 1: the podcast. It's Monday, November seventeen. That's the Twet and

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Speaker 1: the Hat.

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Speaker 2: Jamiroquai tweat in the hat.

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Speaker 1: Yep, he's known as the Twet and the Hat.

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Speaker 2: Yeah, I mean it makes sense, doesn't it.

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Speaker 1: Actually, I'm always a big fan of the music. He

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Speaker 1: was a tweet, but the music was good.

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Speaker 3: What about when he sort of like sideways moon walks

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Speaker 3: towards the screen? That was pretty cool.

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Speaker 1: Yeah, I like that.

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Speaker 3: I like that too.

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Speaker 1: Yeah, he had some good moves.

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Speaker 3: Heart done by Jamiroqui. You know, I quite like Jamiroqua.

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Speaker 3: I was a big Jamiroqui fan.

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Speaker 4: Yeah, I know what it is about the twelve white

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Speaker 4: people thought it was a tweet in the hat?

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Speaker 1: Is it something to do with his cars or something?

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Speaker 3: It's definitely the hat. And you read in the bigger hat.

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Speaker 3: What's the one that he does where Napoleon Dynamite dancers

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Speaker 3: to it. That was a good one. Cant heat. I

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Speaker 3: think it's called that's powerful. I there was a girl

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Speaker 3: that used to work. It ends in me who could

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Speaker 3: do the hire Napoleon Dynamite can't hate dance?

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Speaker 1: Wow?

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Speaker 3: I bore witness to it once. It was one of

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Speaker 3: those powerful things I've ever seen.

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Speaker 4: Hey, I watch a lot of people doing dances on like,

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Speaker 4: you know, social media things and stuff like people like

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Speaker 4: steadily clad women and me in our age, and I'm like,

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Speaker 4: where where did they learn to do that? Do they

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Speaker 4: spend time in front of the mirror?

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Speaker 3: Yeah?

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Speaker 4: Or if some people just have a natural talent but

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Speaker 4: they could remember every single dance move of a routine, Nah,

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Speaker 4: they just do it because it must take time.

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Speaker 3: I think you'll learn that. I controversial opinion. I may

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Speaker 3: not be that controversialus. I hate watching people dance. Yes,

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Speaker 3: I can't. I can't do it. I'm sitting there watching

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Speaker 3: them dancing like this is there. Everyone loves dancing, don't

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Speaker 3: get me wrong. Everyone likes to move a little bit,

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Speaker 3: you know, when the music's within you. It's important to

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Speaker 3: express yourself. But I don't want to watch people dance.

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Speaker 1: Now. I'm with you on that.

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Speaker 3: I'm also of the opinion don't film people dancing. I've

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Speaker 3: been on a dance floor before and it's the it's

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Speaker 3: your generation, Zoe, and they get the phones out and

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Speaker 3: they're putting phones and every faces and it's like, I

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Speaker 3: don't want to see this tomorrow morning.

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Speaker 1: Yeah.

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Speaker 2: KB likes to film people dancing. Yes, yes, that's not

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Speaker 2: always generous.

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Speaker 3: There should be some there should be some sacred spaces

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Speaker 3: to not be filmed. It's it's it's that it's karaoke. Yeah,

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Speaker 3: karaoke is a shaker.

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Speaker 4: Well, we're filming people dancing. It's a little bit like

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Speaker 4: being filmed, you know, bowling and cricket.

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Speaker 1: When you watch it back, it felt so much better

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Speaker 1: than it looks. Dude.

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Speaker 3: Well, when I first moved to Auckland, I played in

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Speaker 3: a basketball league where they have cameras in the corner

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Speaker 3: of the stadium and so you can go back and

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Speaker 3: actually one of the guys in our team would go

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Speaker 3: back and mark all of your stats. And when it

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Speaker 3: marks them, you've got seen an email and you can

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Speaker 3: click on it's called Glory League, and then you can

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Speaker 3: go back and watch your highlights. And I went back

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Speaker 3: and watched it, and I was just like that guy

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Speaker 3: runs like a fat guy. Oh, it's me. I run

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Speaker 3: like a fat guy. Because when you know, when you

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Speaker 3: were out there looking through your own head, you're flying,

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Speaker 3: I know, but then you watch it like I was

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Speaker 3: running through Quicksand and Gumberts.

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Speaker 1: The same as me.

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Speaker 4: Like when I'm walking, I'm just so loosey goosey, yeah,

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Speaker 4: and I'm just like I'm just moving my hips here.

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Speaker 4: I'm sort of walking like a real cool guy. And

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Speaker 4: then when I watch myself back, it's like, no, that's

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Speaker 4: C three po.

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Speaker 1: Am. I really fucking stuff.

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Speaker 3: I know, Yeah, I feel stuff. It's harsh. It's like

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Speaker 3: it's like hearing your voice recorded, you know, like we

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Speaker 3: hear it so often that you do get a little

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Speaker 3: bit desensitized to it. But that feeling of like that's

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Speaker 3: not what I sound like.

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Speaker 4: Yeah, that never. I don't see myself anymore. It's quite weird.

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Speaker 4: And even when I watch myself on TV, it's it's

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Speaker 4: another person. It's I'm watching this other person that I

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Speaker 4: that I have quite a close relationship with. I know,

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Speaker 4: I know really well, but I know the person's it's.

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Speaker 1: Definitely not me.

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Speaker 3: Nah.

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Speaker 1: I'm speaking of speaking of images and stuff.

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Speaker 4: Every time I talk to you and I a picture

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Speaker 4: of Rudas starts coming out because I'm Underneen at the moment,

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Speaker 4: you're an Auckland in the studio and so we've got

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Speaker 4: a zoom going and see now it's picture of you

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Speaker 4: with a guitar. And then it keeps going back to

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Speaker 4: a picture of Ruder, who looks it's so DTF in

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Speaker 4: the picture?

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Speaker 2: Well there when it was a time in my life

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Speaker 2: to be fair to the picture. It was a time

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Speaker 2: in my life.

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Speaker 3: Oh no, look that The issue isn't the picture. I mean,

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Speaker 3: the issue is the picture. But the issue isn't the picture.

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Speaker 2: The issue is hairline.

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Speaker 3: Looks the picture that Ruder has got this is his

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Speaker 3: display picture for Zoom And so when you join a

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Speaker 3: Zoom before his cameras turned on and it's never turned

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Speaker 3: on because you operate from the computer there that doesn't

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Speaker 3: have a camera at the desk. So all it's just

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Speaker 3: this photo enlarged and it it is smoldering with such intent.

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Speaker 2: Smoldering is this picture?

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Speaker 1: I'm not smoldering? Dripping?

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Speaker 3: Yeah, it's like it's it's it says I.

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Speaker 4: It says I will I will fuck anybody anywhere, anytime.

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Speaker 2: Do you know what's funny about that picture, though, is

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Speaker 2: that night I got horrendously drunk and went home and

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Speaker 2: spewed and then decided I wanted KFC, fell asleep because

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Speaker 2: I ordered on Uber eights, woke up, decided I still

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Speaker 2: want it and ordered it again. Oh you got a

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Speaker 2: double yeah, and that came from that picture where I'm

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Speaker 2: smoldering double cave and it turned into a fucking meth

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Speaker 2: and all of.

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Speaker 3: That happened to you, and you thought, you know what

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Speaker 3: new Zoom profile because and I guess the issue is

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Speaker 3: that I've just become aware of Jerry. It's a good

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Speaker 3: point that you raise, is that every guest that we

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Speaker 3: have on Zoom, which is basically every guest that comes

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Speaker 3: on the podcast remotely as greeted with that. That's the

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Speaker 3: first there. It was quite off putting for me when

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Speaker 3: I because I joined the Zoom this morning, and for

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Speaker 3: a while there before Jerry connected, it was just me

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Speaker 3: steering at a photo of Ruder with me in the back,

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Speaker 3: you also physically in the background. It was double double ruding.

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Speaker 1: I got a double rutering. You got rooted from both ends.

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Speaker 3: Yeah, I did, well.

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Speaker 2: I mean, that's that's an okay picture of me. But

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Speaker 2: when you're talking about things, you know, when you're aware

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Speaker 2: of watching yourself on camera, a couple of things spring

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Speaker 2: to mind. One is that I've been filmed concentrating before,

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Speaker 2: and you've possibly noticed that you guys, but my mouth

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Speaker 2: that's doing this.

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Speaker 3: Yeah, you do weird mouthings.

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Speaker 1: We do do weird mouth things.

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Speaker 2: Like I'm on drugs. And I didn't notice that until

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Speaker 2: someone filmed me doing it. And number two was someone

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Speaker 2: once said to me, you know when you sing your

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Speaker 2: face as weird shit man, And I was like, oh,

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Speaker 2: probably not. I probably look really good what I'm singing.

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Speaker 2: And then they film and I've seen it a number

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Speaker 2: of times since, and I look like I'm having numerous seizures.

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Speaker 3: But that's just the music within you coming out.

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Speaker 2: No, I think it's just there's something wrong with me.

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Speaker 3: Someone's on the phone. Should we see if they want to?

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Speaker 3: Why not calling into the podcast? Good morning, Hodaki? Who

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Speaker 3: are you talking to?

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Speaker 2: I call it possibly wish the Beast on until the

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Speaker 2: clums coming up on Wednesday?

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Speaker 3: Sorry? Could you say that again? We couldn't quite hear.

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Speaker 4: Good morning?

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Speaker 3: Who am I speaking? Are you talking to me? Night?

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Speaker 3: And Jerry, we're just recording the podcast.

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Speaker 1: Tim and I am Jerry's Michael.

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Speaker 2: Can you speak the Beast from them Trail Crowns on Wednesday?

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Speaker 3: All right, we'll do that, Thanks very much for the call, Michael,

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Speaker 3: Take care all right, today.

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Speaker 1: Man, it was well handled minight.

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Speaker 3: Thank you. I didn't catch a word of that.

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Speaker 1: No, neither.

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Speaker 2: I think he texts through quite often, Michael. I think

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Speaker 2: like during the night.

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Speaker 1: Does text make sense?

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Speaker 3: Yeah, he wanted something to happen on Wednesday. I don't

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Speaker 3: know exactly what it.

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Speaker 2: Was, something about Metallica playing at Eden Park on Wednesday.

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Speaker 3: Oh, he just wanted to let us know they're playing

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Speaker 3: at Eden Park on Wednesday.

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Speaker 1: Michael. Thanks for that. It's like a public service and

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Speaker 1: I'll go.

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Speaker 2: To be honest, I didn't know if he's going.

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Speaker 3: I didn't know that. I didn't know that. We've got

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Speaker 3: another tixt here that I would like to address. So

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Speaker 3: can we take a take an early break, take an

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Speaker 3: early shower, and come back and address this text from

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Speaker 3: Cam and Donners.

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Speaker 4: I'm looking at a picture of a John dere Sex

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Speaker 4: four three are tracker right from a giant John dere

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Speaker 4: Sex four three.

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Speaker 1: Are and God, they look like people trackers, don't they.

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Speaker 4: Once you've seen cars, the movie everything they're looking they're

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Speaker 4: making them more and more like people.

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Speaker 3: Yeah, well you can tell a lot about it, man,

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Speaker 3: by what tractory tries text for the party of Cam

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Speaker 3: and Donner's first time text A long time listener, What

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Speaker 3: is Jerry doing? And done? It's hard.

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Speaker 4: I'm doing the seven sharp ikea road trip which involves

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Speaker 4: traveling around the different parts of the South Island the.

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Speaker 1: More too, yep, and.

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Speaker 4: And doing live shows from different places Tonight Dunedin, tomorrow night, Queenstown,

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Speaker 4: the night after, Takeapool, then christ Church, then Nelson.

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Speaker 3: Oh, delightful. I would love to have come with you

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Speaker 3: on this on the strip would have been should you should.

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Speaker 1: Have come on?

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Speaker 3: Look, hey, why didn't you come? Why didn't I come

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Speaker 3: with you?

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Speaker 4: You know I should have come with man, we could

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Speaker 4: have gone around and ye, the met everybody from all

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Speaker 4: the different officers that z in me.

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Speaker 2: Ye, shook some and told them that we do a

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Speaker 2: radio shows.

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Speaker 3: Yeah, I told some people that we did. I could

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Speaker 3: have shown you around South can I we going to

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Speaker 3: take a par I know my way around that place

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Speaker 3: like the back of my hand. Could have shown you

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Speaker 3: how to jump a tastic or two and so right

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Speaker 3: in between the lines, I wanted to go. You want

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Speaker 3: a minute, go over? I wanted to go. So something

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Speaker 3: happened there. I don't know what happened exactly.

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Speaker 1: Something we had happened.

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Speaker 4: So so tonight we're doing the show for a seven

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Speaker 4: sharp from inside Forsyth.

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Speaker 3: Bar Ah yeah, vacuous, rufine?

224
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Speaker 1: What should be interesting?

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Speaker 2: Rufine?

226
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Speaker 1: Always on?

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Speaker 3: Whereabouts? Are you going to be out halfway or in

228
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Speaker 3: the part where they park the buzzes.

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Speaker 4: I think we're going to be down on the field

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Speaker 4: with I think I think pretty much kind of the

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Speaker 4: twenty two looking back, so like you'll see most of

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Speaker 4: the field behind us. Nice and then and then I

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Speaker 4: can't do the show from Queens. I can't do the

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Speaker 4: radio show from Queenstown because we don't have a studio there.

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Speaker 4: So I'm flying back to Auckland tomorrow.

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Speaker 3: Is that true? I feel like we've definitely got a

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Speaker 3: studio in Queenstown. We don't have a frequency, but there

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Speaker 3: is definitely a studio down there.

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Speaker 1: I was told I was told that we didn't have

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Speaker 1: a studio there.

241
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Speaker 2: We not have the broadcast capabilities because we've got a studio.

242
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Speaker 2: Surely well mentioned, is that right?

243
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Speaker 1: No? I was told that we didn't and we don't

244
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Speaker 1: get one.

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Speaker 3: Oh, we certainly don't have one.

246
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Speaker 4: So then I'm coming back for Winds. I'll see you

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Speaker 4: guys on Windnesday in the studio and then on Thursday,

248
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Speaker 4: I'm going to be cross Chach and then Friday still

249
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Speaker 4: cross Church because then we're going to Nelson for that

250
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Speaker 4: for that last show. So that's what I'm doing, and

251
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Speaker 4: I'm staying in the Scenic Hotel and they very kindly

252
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Speaker 4: that people as a big fan. The guy who was

253
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Speaker 4: on reception told me found of the newsboy.

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Speaker 3: Era, does he know you do a radio show?

255
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Speaker 1: No? Actually he doesn't.

256
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Speaker 4: I did say to him, did you know I did

257
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Speaker 4: a radio show? And he goes, no, I've heard the podcast,

258
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Speaker 4: but I didn't know that you did a radio show.

259
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Speaker 2: It's one person at the time, isn't it, guys, Just

260
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Speaker 2: if you can change one person over to that dial,

261
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Speaker 2: get them on the trainy.

262
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Speaker 3: It's working.

263
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Speaker 1: Yeah, let's work. Well, you can listen to it on

264
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Speaker 1: the on the FM here and Dneda on ninety one FM.

265
00:11:12,559 --> 00:11:15,199
Speaker 2: Yeah, ninety one is a real good frequent.

266
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Speaker 3: That's a great frequency.

267
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Speaker 2: Can we get that one in Auckland?

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Speaker 1: Is it ninety one? Actually? I think I lie, I

269
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Speaker 1: think it's ninety seven point four or something.

270
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Speaker 3: I'm a big fan of Auckland's frequency here radiohod in

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Speaker 3: ninety that's powerful.

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Speaker 1: It was a good one. I think No. Ninety one

273
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Speaker 1: is as total on or I believe right.

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Speaker 3: I feel like that's total in Auckland, I think.

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Speaker 4: Yeah, back in the day, I knew all the frequencies.

276
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Speaker 4: Now you don't really need to know them because you're

277
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Speaker 4: in a car and it's just whacked them on.

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Speaker 1: Depreciate.

279
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Speaker 3: Yeah, you mentioned there are some pesse eggs signs around

280
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Speaker 3: that office. Men, I love a passe egg sign.

281
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Speaker 1: There are so many signs. It's like someone doesn't like

282
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Speaker 1: telling people something here. That's what I've worked out, you know,

283
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Speaker 1: because that's what a sign is. A sign. A sign says.

284
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Speaker 4: I've told enough people this, and I'm bloody sick of

285
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Speaker 4: telling people. So I'm just gonna write it down on

286
00:12:08,000 --> 00:12:09,760
Speaker 4: a piece of paper, and if you don't read the sign,

287
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Speaker 4: then you're a bloody fool.

288
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Speaker 3: I'm a big fan of if you find out who

289
00:12:13,640 --> 00:12:16,880
Speaker 3: wrote the sign, confront them about it, because they are

290
00:12:17,120 --> 00:12:20,000
Speaker 3: never equipped to deal with the person to person interaction.

291
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Speaker 3: That's why they write signs.

292
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Speaker 1: I just don't feel like I've never written a sign.

293
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Speaker 3: I used to work. I had a workplace where I

294
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Speaker 3: work by myself, but I shared it with a business

295
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Speaker 3: that had about five employees on the half of the office,

296
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Speaker 3: and then I worked by myself and the other and

297
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Speaker 3: they left passegg notes for each other around their office

298
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Speaker 3: and I used to love that. Every time I go

299
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Speaker 3: in there, I'll check these guys out hate each other.

300
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Speaker 3: Then one day the notes started spreading into my half

301
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Speaker 3: of the workspace. Oh yeah, And so I just went

302
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Speaker 3: in there and I knew exactly who had written it.

303
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Speaker 3: She had very distinctive handwriting, and she would always sign

304
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Speaker 3: off with a passive, aggressive smiley face. Oh yeah, someone

305
00:13:00,679 --> 00:13:03,080
Speaker 3: into this smoker room. And I was just like hey,

306
00:13:03,880 --> 00:13:07,200
Speaker 3: because what had happened was I'd sit a I'd lift

307
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Speaker 3: a light on down in my end of the area,

308
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Speaker 3: and they were like, hey, can you please make sure

309
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Speaker 3: that you leave the light off? And I was like,

310
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Speaker 3: smiley face, smiley face. So I went in there. I

311
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Speaker 3: was like, oh god, sorry, do we have like a

312
00:13:17,920 --> 00:13:20,839
Speaker 3: joint powerb between these two officers And she was like no.

313
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Speaker 3: I was like, so, what's your issue with our light

314
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Speaker 3: being on? She's like, well, it's just a waste of power.

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Speaker 1: I was like, oh my god.

316
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Speaker 3: I was like, don't ever leave another note in my

317
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Speaker 3: workplace again. And then about a week later, I screwed

318
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Speaker 3: that up through it. A week later a note popped

319
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Speaker 3: up again. Hey, sorry, I just noticed you lift the

320
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Speaker 3: light on again. And so I went and bought about

321
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Speaker 3: one hundred foot of Christmas lights I bought. I bought

322
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Speaker 3: a lamp. I bought as many lights as I could

323
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Speaker 3: possibly fine and let that batch up just out of spot.

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Speaker 1: Oh man, well that's what That's exactly.

325
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Speaker 3: What deserves, what it makes me want to do.

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Speaker 4: So the signs here mainly are talking about people who

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Speaker 4: at the front desk. When I first walked down on

328
00:14:07,400 --> 00:14:09,360
Speaker 4: the front desk is like three of the same sign

329
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Speaker 4: do not try and sell anything. We don't want hawkers.

330
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Speaker 4: We're not buying anything. We're not open to people coming in.

331
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Speaker 4: It's like, wow, so how many people walk up here

332
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Speaker 4: on a daily basis and try and sell stuff to

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Speaker 4: you at the front desk. And then I moved into

334
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Speaker 4: the into the went to go the toilet, and there

335
00:14:28,920 --> 00:14:31,520
Speaker 4: was a sign on the toilet saying toilet out of

336
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Speaker 4: use use downstairs toilet code as see.

337
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Speaker 1: Three four five x Y.

338
00:14:39,760 --> 00:14:43,560
Speaker 4: And so I immediately and then I spoke to Pe who

339
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Speaker 4: works here, callum and p one half of the calum

340
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Speaker 4: and pee breakfast on the Hits Local Dunedin number one

341
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Speaker 4: in Dunedin, and she said, I've just been using the

342
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Speaker 4: toilet because it's too far to walk, and I said, well,

343
00:14:56,800 --> 00:14:59,240
Speaker 4: she said, but just go number one. So I took

344
00:14:59,240 --> 00:15:01,000
Speaker 4: that upon myself, so went number ones on. That toilet

345
00:15:01,040 --> 00:15:04,040
Speaker 4: seemed to be working fine, shouldn't it. And then I

346
00:15:04,080 --> 00:15:06,040
Speaker 4: went to use it again a little bit later on,

347
00:15:06,280 --> 00:15:08,640
Speaker 4: and there was a woman who was across the hallway

348
00:15:08,920 --> 00:15:11,440
Speaker 4: from that toilet that seemed to be the toilet Guardian.

349
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Speaker 1: Toilet.

350
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Speaker 4: She busted me and said, you can't use that toilet.

351
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Speaker 4: So then I go down to the other one that

352
00:15:17,920 --> 00:15:19,000
Speaker 4: was basically in tomato.

353
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Speaker 3: So okay, so you've been using it despite.

354
00:15:23,960 --> 00:15:24,880
Speaker 1: Took a massive dump.

355
00:15:25,200 --> 00:15:28,160
Speaker 3: Okay, So it's just a urinal, isn't it.

356
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Speaker 1: I felt like I should.

357
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Speaker 3: I I'm off I'm off side with the office down there.

358
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Speaker 3: I don't know if I've told this story on this

359
00:15:38,000 --> 00:15:41,400
Speaker 3: platform before, but I'm actually out of favor with the

360
00:15:41,520 --> 00:15:45,000
Speaker 3: DNET and office. A couple of years ago we went

361
00:15:45,040 --> 00:15:51,400
Speaker 3: down for a promotion. We were dropping expert ultras off

362
00:15:51,400 --> 00:15:55,240
Speaker 3: to the flats around Dunner's. I remember that, and then

363
00:15:55,720 --> 00:15:57,160
Speaker 3: I think we took a few prize one as to

364
00:15:57,400 --> 00:16:00,840
Speaker 3: the All Blacks game. We're braand it in Or did

365
00:16:00,840 --> 00:16:03,800
Speaker 3: his a cl playing for the All Blacks against the Wallabies,

366
00:16:03,880 --> 00:16:07,200
Speaker 3: Quake Cooper's last game for the Wallabies. And I was

367
00:16:07,240 --> 00:16:11,080
Speaker 3: down there with Braden's sister at the time worked with us.

368
00:16:12,040 --> 00:16:15,440
Speaker 3: And after we've done we'd been to the game, and

369
00:16:15,480 --> 00:16:19,080
Speaker 3: then we drove around Dunner's dropping off you know, flat drops,

370
00:16:19,120 --> 00:16:22,000
Speaker 3: the random flats. Then we drove the ute back into

371
00:16:22,080 --> 00:16:26,640
Speaker 3: the to the office there and she was like, I

372
00:16:26,680 --> 00:16:28,400
Speaker 3: need a beer. I've just watched my brother Bloody do

373
00:16:28,440 --> 00:16:31,360
Speaker 3: his a cl not sleep. So we had a beer

374
00:16:31,480 --> 00:16:36,920
Speaker 3: in the in the ute and unfortunately the lights and

375
00:16:36,960 --> 00:16:40,200
Speaker 3: the ute were left on because it was directly across

376
00:16:40,240 --> 00:16:41,760
Speaker 3: the road from the Octagon, so we just went into

377
00:16:41,760 --> 00:16:44,160
Speaker 3: the octagon afterwards, lights in the ute were left on,

378
00:16:44,360 --> 00:16:46,200
Speaker 3: none of the beers. River cleaned up and we went

379
00:16:46,240 --> 00:16:49,080
Speaker 3: straight to the airport the next day. A lot of

380
00:16:49,120 --> 00:16:50,880
Speaker 3: finger pointing, a lot of finger pointing.

381
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Speaker 1: Well absolutely, and I will.

382
00:16:53,480 --> 00:16:55,920
Speaker 3: Accept my my slice of blame pie.

383
00:16:56,160 --> 00:16:57,440
Speaker 1: Oh my god.

384
00:16:58,360 --> 00:17:00,880
Speaker 3: But yeah, so when they came he is the hadak

385
00:17:01,040 --> 00:17:03,960
Speaker 3: yut in the morning on the Monday morning, the battery

386
00:17:04,000 --> 00:17:05,280
Speaker 3: was drained and there wibers.

387
00:17:05,480 --> 00:17:06,880
Speaker 1: I'd expect that from Courtney.

388
00:17:07,440 --> 00:17:09,760
Speaker 4: I wouldn't expect that from you, No, I know, I

389
00:17:10,040 --> 00:17:12,120
Speaker 4: wouldn't expect that from you, not a man of your age.

390
00:17:12,200 --> 00:17:12,399
Speaker 1: I know.

391
00:17:12,480 --> 00:17:15,240
Speaker 3: And I and I and I like to pride myself

392
00:17:15,280 --> 00:17:19,680
Speaker 3: on workplace drinking etiquette and how how to do things

393
00:17:19,720 --> 00:17:21,159
Speaker 3: and how not to do things. And it's something that

394
00:17:21,200 --> 00:17:22,840
Speaker 3: I like to teach to any young up and comers

395
00:17:22,880 --> 00:17:26,920
Speaker 3: that are coming through. At a certain point, she did

396
00:17:26,920 --> 00:17:28,200
Speaker 3: say she was going to go back and sort the

397
00:17:28,320 --> 00:17:30,520
Speaker 3: ute out before we left, and I didn't find out

398
00:17:30,560 --> 00:17:32,040
Speaker 3: till we got to the airport that she had in

399
00:17:32,080 --> 00:17:33,159
Speaker 3: fact not done that.

400
00:17:33,600 --> 00:17:36,000
Speaker 4: No, that's a that's a rookie mistake, to be honest,

401
00:17:36,040 --> 00:17:40,160
Speaker 4: and that and actually partly you doing that is partly

402
00:17:40,240 --> 00:17:41,440
Speaker 4: why people are.

403
00:17:41,359 --> 00:17:42,960
Speaker 1: Not allowed to drink at work anymore.

404
00:17:43,040 --> 00:17:46,640
Speaker 4: Yeah, people like you have ruined well, hang all of us,

405
00:17:46,840 --> 00:17:49,360
Speaker 4: because someone was saying to me the other day at TVNZ.

406
00:17:49,560 --> 00:17:51,439
Speaker 4: Now they've got a new policy which is if you

407
00:17:51,640 --> 00:17:54,399
Speaker 4: are a camera operator, because they get given cars to

408
00:17:54,520 --> 00:17:56,960
Speaker 4: drive around in and they get given the card they're

409
00:17:57,000 --> 00:18:00,240
Speaker 4: not allowed to even have they've got to have zero

410
00:18:00,440 --> 00:18:02,680
Speaker 4: alcohol that they're not even allowed one beer.

411
00:18:02,760 --> 00:18:05,960
Speaker 2: That a nice Stuart policy at TVs call it right.

412
00:18:06,320 --> 00:18:08,320
Speaker 1: Yeah, and that's because people like you.

413
00:18:09,600 --> 00:18:14,720
Speaker 4: Have had workplace incidents involving alcohol that have gone south

414
00:18:14,840 --> 00:18:16,960
Speaker 4: and next thing, you know, everybody suffers.

415
00:18:17,160 --> 00:18:20,640
Speaker 3: I would like to say we didn't break any laws. Wow,

416
00:18:21,160 --> 00:18:23,240
Speaker 3: it was just the cleanup was that was?

417
00:18:24,280 --> 00:18:27,399
Speaker 4: That's a teenage because when your parents go away for

418
00:18:27,480 --> 00:18:29,040
Speaker 4: the weekend and then you have a party and then

419
00:18:29,320 --> 00:18:30,320
Speaker 4: you can clean up.

420
00:18:30,480 --> 00:18:31,800
Speaker 1: A teenager can clean.

421
00:18:31,640 --> 00:18:35,239
Speaker 4: Up quite well, yes, but they can't quite clean up

422
00:18:35,240 --> 00:18:37,080
Speaker 4: as well as they should.

423
00:18:37,960 --> 00:18:42,080
Speaker 3: Yeah. Oh, look, we've dealt with it. The blame was

424
00:18:42,119 --> 00:18:43,680
Speaker 3: laid solely at my feet.

425
00:18:43,720 --> 00:18:45,439
Speaker 1: By the way, you should have blamed Corner. I mean

426
00:18:45,400 --> 00:18:47,200
Speaker 1: it would have been Courtney's fault, surely. Wow.

427
00:18:47,280 --> 00:18:49,640
Speaker 3: I just didn't want to get sucked into a tit

428
00:18:49,720 --> 00:18:53,480
Speaker 3: for tat, he said, she said, straight under the bus.

429
00:18:53,520 --> 00:18:55,520
Speaker 3: But also, there's no excuse for it. You're right, it's

430
00:18:55,600 --> 00:18:57,879
Speaker 3: it's it's uncurved, it's poorty kit and I should have

431
00:18:57,880 --> 00:19:01,400
Speaker 3: double checked. But now a couple of years later, I'm

432
00:19:01,400 --> 00:19:02,760
Speaker 3: happy to throw her under the bus. She said she

433
00:19:02,800 --> 00:19:03,840
Speaker 3: was going to go back and clean it up, and

434
00:19:03,880 --> 00:19:04,240
Speaker 3: she didn't.

435
00:19:04,320 --> 00:19:07,160
Speaker 2: She's also no longer part of this company.

436
00:19:07,160 --> 00:19:09,560
Speaker 4: Do you want me to make I'll bring it up

437
00:19:09,680 --> 00:19:12,119
Speaker 4: because I'm about to don't bring it up. No, I'll

438
00:19:12,119 --> 00:19:14,600
Speaker 4: bring it up and clear things up. I'm about to

439
00:19:14,680 --> 00:19:17,760
Speaker 4: meet the manager of the station manager down here. So's

440
00:19:18,040 --> 00:19:19,960
Speaker 4: she's the one that hates me, Okay, So I'll bring

441
00:19:19,960 --> 00:19:21,840
Speaker 4: it up with her. I say, look, I know that

442
00:19:21,920 --> 00:19:24,280
Speaker 4: you think that Mania was to blame for the flat

443
00:19:24,320 --> 00:19:27,040
Speaker 4: pantry and the beers inside of the hurdy work truck.

444
00:19:27,600 --> 00:19:30,679
Speaker 1: It was actually it was mainly him, but it was

445
00:19:30,760 --> 00:19:32,320
Speaker 1: also another woman.

446
00:19:33,359 --> 00:19:35,119
Speaker 4: And then I'll add in an extra bit, and you

447
00:19:35,160 --> 00:19:37,040
Speaker 4: do realize that they were rooting in the in the

448
00:19:37,119 --> 00:19:39,120
Speaker 4: van in the back of the a.

449
00:19:39,080 --> 00:19:41,439
Speaker 2: Real night and shining armor. Though like Mania took the

450
00:19:41,440 --> 00:19:44,480
Speaker 2: blame because she was a junior employee, he didn't want

451
00:19:44,520 --> 00:19:45,560
Speaker 2: her to get into trouble.

452
00:19:46,240 --> 00:19:48,480
Speaker 3: Well, she actually outranked me at that time, which is

453
00:19:48,520 --> 00:19:52,040
Speaker 3: why I felt like I was set upon. Here's here's

454
00:19:52,040 --> 00:19:54,080
Speaker 3: the email. I've just found the email correspondence.

455
00:19:54,359 --> 00:19:57,119
Speaker 2: Oh, smiley face, no smiley face.

456
00:19:58,320 --> 00:20:00,600
Speaker 3: I'm looking forward to this. This was the next time

457
00:20:00,640 --> 00:20:04,280
Speaker 3: that somebody requested the hadak yute for a promotion down

458
00:20:04,280 --> 00:20:08,159
Speaker 3: and denedin and then yep, no problem. You can have

459
00:20:08,200 --> 00:20:12,000
Speaker 3: the ute. Please make sure that the team respects the

460
00:20:12,119 --> 00:20:13,840
Speaker 3: ute and doesn't leave it in the state it was

461
00:20:13,880 --> 00:20:16,359
Speaker 3: in last year with the flat battery and beercansa.

462
00:20:16,920 --> 00:20:18,600
Speaker 2: Oh exploit ultra.

463
00:20:19,400 --> 00:20:24,240
Speaker 3: Oh so yeah, that's what happened.

464
00:20:24,240 --> 00:20:25,720
Speaker 1: Then who is that from?

465
00:20:26,280 --> 00:20:28,560
Speaker 3: That was from the person that you're talking about?

466
00:20:29,000 --> 00:20:30,520
Speaker 4: Okay, I was actually just looking for the name so

467
00:20:31,000 --> 00:20:32,960
Speaker 4: because I introduced to her before and I couldn't remember

468
00:20:32,960 --> 00:20:33,240
Speaker 4: her name.

469
00:20:33,880 --> 00:20:37,000
Speaker 1: Yep, not Jane.

470
00:20:37,400 --> 00:20:39,640
Speaker 3: Oh wasn't it?

471
00:20:39,720 --> 00:20:40,160
Speaker 1: Isn't it?

472
00:20:40,960 --> 00:20:41,600
Speaker 3: I think it might be.

473
00:20:41,640 --> 00:20:43,520
Speaker 2: There's a lot of other names apart from Jane.

474
00:20:43,640 --> 00:20:46,720
Speaker 3: She's not on the it's not on an email. But

475
00:20:46,720 --> 00:20:49,879
Speaker 3: anyho did any of that needs to be on a podcast?

476
00:20:49,920 --> 00:20:50,920
Speaker 3: Probably not, but here we are.

477
00:20:51,240 --> 00:20:52,240
Speaker 1: No, No, I think it did.

478
00:20:52,440 --> 00:20:54,200
Speaker 2: Can I ask you guys a question, because I'm quite

479
00:20:54,200 --> 00:20:58,679
Speaker 2: a defensive motherfucker. Yep, I just I've only just noticed

480
00:20:58,680 --> 00:21:01,520
Speaker 2: a text through on three for eight three because we

481
00:21:01,600 --> 00:21:04,840
Speaker 2: do a radio show as well, including the segment Mastermind

482
00:21:06,080 --> 00:21:10,080
Speaker 2: and Today's Mastermind. The topic was songs about the weather.

483
00:21:10,200 --> 00:21:13,560
Speaker 2: Question number three, which artist had the twenty eleven hit

484
00:21:13,680 --> 00:21:14,720
Speaker 2: set Fight to the Reign?

485
00:21:15,040 --> 00:21:15,480
Speaker 1: Of course?

486
00:21:15,520 --> 00:21:19,719
Speaker 2: The answer a deel. Someone texts through saying you wouldn't

487
00:21:19,720 --> 00:21:22,000
Speaker 2: plan a Dell song on Hodaki though, So the question

488
00:21:22,160 --> 00:21:26,000
Speaker 2: was odd, which I think is fucking real, harsh Man,

489
00:21:27,280 --> 00:21:28,040
Speaker 2: why are they going me?

490
00:21:28,359 --> 00:21:31,600
Speaker 1: Well, we wouldn't also play Milli Vanilli. That was another question.

491
00:21:31,760 --> 00:21:33,040
Speaker 2: No, thank you, Jerry.

492
00:21:33,040 --> 00:21:35,640
Speaker 3: We wouldn't buy out the movie Old School in its entirety.

493
00:21:35,920 --> 00:21:38,639
Speaker 1: No, I I've got a bone to pick with you.

494
00:21:38,680 --> 00:21:41,200
Speaker 1: I have those mastermind questions. There were two typos.

495
00:21:41,560 --> 00:21:43,399
Speaker 2: Well, there was one typo? What was the second?

496
00:21:43,920 --> 00:21:44,440
Speaker 1: Have a look?

497
00:21:45,359 --> 00:21:47,920
Speaker 3: Who had the nineteen eighty nine hit blaming on them? No,

498
00:21:48,040 --> 00:21:53,359
Speaker 3: it was which artists have you had this? You'll love this? Jerry,

499
00:21:53,640 --> 00:21:55,639
Speaker 3: We're gone back and corrected it, has gone back and

500
00:21:55,640 --> 00:21:56,959
Speaker 3: corrected them.

501
00:21:57,160 --> 00:21:59,760
Speaker 2: I was going to read it because they're texts.

502
00:22:00,080 --> 00:22:02,720
Speaker 1: Why is he gone? You've done that before?

503
00:22:03,840 --> 00:22:07,280
Speaker 2: Which artist the twenty eleven hit? Well, what's the second one?

504
00:22:07,359 --> 00:22:10,120
Speaker 3: There was another one that just also didn't have Yeah,

505
00:22:10,160 --> 00:22:13,520
Speaker 3: it's which band the nineteen eighty four rock song? A

506
00:22:13,720 --> 00:22:14,399
Speaker 3: song rock you like?

507
00:22:14,520 --> 00:22:15,600
Speaker 2: Oh, it's in a bit of a rush.

508
00:22:15,840 --> 00:22:17,679
Speaker 3: Could you just fix that? Could you fix that up?

509
00:22:17,720 --> 00:22:18,119
Speaker 3: And please?

510
00:22:18,200 --> 00:22:19,960
Speaker 1: If you can fix that up now, that would be great.

511
00:22:20,000 --> 00:22:23,840
Speaker 1: And then when I go back and sort of yeah, question.

512
00:22:25,080 --> 00:22:27,640
Speaker 3: Fix that in the dark, and then delete it because

513
00:22:27,640 --> 00:22:28,760
Speaker 3: we never need that again now.

514
00:22:29,320 --> 00:22:31,800
Speaker 2: But I need you to fix it first. Anything else

515
00:22:31,880 --> 00:22:32,840
Speaker 2: need fixing for tomorrow?

516
00:22:34,400 --> 00:22:39,840
Speaker 3: Attitude, I think, Oh, if you're still with us at

517
00:22:39,880 --> 00:22:42,560
Speaker 3: this point of the podcast, you obviously you obviously know

518
00:22:42,640 --> 00:22:44,439
Speaker 3: we do a podcast. You may not know we do

519
00:22:44,440 --> 00:22:47,600
Speaker 3: a radio show. But either way, I'm going to get

520
00:22:47,640 --> 00:22:51,800
Speaker 3: in the conclave, which is Facebook page, a safe space

521
00:22:51,880 --> 00:22:55,520
Speaker 3: to share whatever you want to and anything that you

522
00:22:55,560 --> 00:22:58,760
Speaker 3: want us to discuss on the podcast over the next week.

523
00:22:58,800 --> 00:23:01,360
Speaker 3: I feel like too often we gloss over that part

524
00:23:01,359 --> 00:23:04,800
Speaker 3: of it, and also we're chucking into neutral ourselves, so

525
00:23:05,640 --> 00:23:08,880
Speaker 3: outsourcing the help there. Oh, you'll also be happy to know, Jerry,

526
00:23:08,880 --> 00:23:10,800
Speaker 3: because you're not on Facebook, you're not in the conclave.

527
00:23:11,240 --> 00:23:17,080
Speaker 3: Somebody has made quite a good logo for the hogging yoppers.

528
00:23:17,280 --> 00:23:21,400
Speaker 3: Oh great, Yeah, they commissioned chat GPT. Unfortunately it's spout

529
00:23:22,040 --> 00:23:25,439
Speaker 3: hog wrong, so we've got the Hoogan yoppers. But I'm

530
00:23:25,440 --> 00:23:28,520
Speaker 3: happy enough with the picture of the hog itself. It

531
00:23:28,560 --> 00:23:32,600
Speaker 3: does certainly have yoppers. Great, so does the hog.

532
00:23:32,680 --> 00:23:34,240
Speaker 1: He yoppers has yoppers?

533
00:23:34,320 --> 00:23:34,520
Speaker 2: Yeah?

534
00:23:34,520 --> 00:23:36,640
Speaker 1: Oh wow, this is the hog standing up right yep?

535
00:23:36,960 --> 00:23:40,280
Speaker 1: Oh great with the oppers. Oh, that's cool, big cleave.

536
00:23:41,000 --> 00:23:42,760
Speaker 1: Could you is there any way you could send that

537
00:23:42,800 --> 00:23:42,960
Speaker 1: to me?

538
00:23:43,080 --> 00:23:45,199
Speaker 3: Hang on, stay on the line there, caller, right down

539
00:23:45,240 --> 00:23:47,320
Speaker 3: to the bottom, just underneath all the typos to put

540
00:23:47,359 --> 00:23:50,240
Speaker 3: in there, copied and pasted you in the dock and

541
00:23:50,320 --> 00:23:50,760
Speaker 3: you see that.

542
00:23:50,840 --> 00:23:52,160
Speaker 1: Yeah, I'm going in there.

543
00:23:53,000 --> 00:23:56,000
Speaker 3: I have got that. There's actually two versions there. There's

544
00:23:56,040 --> 00:23:59,000
Speaker 3: the hoogen yoppers and then there's the hog egg yoppers.

545
00:24:00,040 --> 00:24:00,880
Speaker 3: It's a egg.

546
00:24:01,680 --> 00:24:04,360
Speaker 2: Speaking of the conclave, Someone's filmed Jerry in a bar

547
00:24:04,480 --> 00:24:05,399
Speaker 2: and ponson me the other n.

548
00:24:05,440 --> 00:24:06,840
Speaker 3: Yeah, I don't like that.

549
00:24:07,760 --> 00:24:11,159
Speaker 2: Yeah, Joeline Barr, you've got a yellow hat and you're nodding.

550
00:24:12,000 --> 00:24:14,800
Speaker 1: Oh man, that was weird. That was at the Stagg Dough.

551
00:24:15,000 --> 00:24:15,520
Speaker 3: Yeah.

552
00:24:15,560 --> 00:24:22,800
Speaker 1: And I reckon, I had about Oh it's so good.

553
00:24:22,840 --> 00:24:26,120
Speaker 3: No nipples, no nipples on the others, I think.

554
00:24:26,119 --> 00:24:28,440
Speaker 2: And the one that sees the hog egg and yoppers,

555
00:24:28,440 --> 00:24:31,280
Speaker 2: I reckon the hooves are covering the nips there.

556
00:24:31,640 --> 00:24:34,720
Speaker 1: It's good. I like I like the personally, I like

557
00:24:34,800 --> 00:24:36,040
Speaker 1: the top one actually.

558
00:24:35,920 --> 00:24:36,520
Speaker 3: Coming to get it.

559
00:24:38,080 --> 00:24:40,000
Speaker 1: Yeah. I had a lot of people. God, there was

560
00:24:40,040 --> 00:24:44,240
Speaker 1: a lot of people asking me, like, you're on the news, aren't.

561
00:24:44,080 --> 00:24:46,800
Speaker 2: You just like, do you know I've got a radio show.

562
00:24:46,880 --> 00:24:51,240
Speaker 3: I think the news. I think in general, don't film

563
00:24:51,520 --> 00:24:53,880
Speaker 3: other people out in public, you know what I mean,

564
00:24:54,080 --> 00:24:56,040
Speaker 3: even if you even if you've just found out they

565
00:24:56,080 --> 00:24:58,280
Speaker 3: do a radio show. Like if you want to go

566
00:24:58,320 --> 00:25:00,280
Speaker 3: and get a photo with someone, sure, but I think

567
00:25:00,320 --> 00:25:01,919
Speaker 3: just filming someone in the wild.

568
00:25:03,680 --> 00:25:07,320
Speaker 1: Yeah, I don't think we know it had that. I

569
00:25:07,320 --> 00:25:07,679
Speaker 1: don't know.

570
00:25:08,280 --> 00:25:11,520
Speaker 4: Unfortunately that that bar is It was quite good, actually

571
00:25:11,600 --> 00:25:13,639
Speaker 4: like it had quite a good you know, the music

572
00:25:13,720 --> 00:25:15,879
Speaker 4: was quite good and you could see, but it felt like,

573
00:25:17,560 --> 00:25:19,239
Speaker 4: I don't know, it was an it was like out

574
00:25:19,280 --> 00:25:20,720
Speaker 4: of town is Yeah.

575
00:25:20,920 --> 00:25:21,600
Speaker 1: Yeah, I know.

576
00:25:22,240 --> 00:25:24,080
Speaker 3: I know the authentic country community is not a big

577
00:25:24,119 --> 00:25:25,040
Speaker 3: fan of that, but.

578
00:25:25,040 --> 00:25:26,600
Speaker 1: No, they're not. They don't like the fact that they

579
00:25:26,680 --> 00:25:28,920
Speaker 1: just don't play just country music. Yeah.

580
00:25:29,000 --> 00:25:31,200
Speaker 4: I was talking to the owner about it. We get

581
00:25:31,200 --> 00:25:32,560
Speaker 4: a lot of agreef from people who say you're not

582
00:25:32,560 --> 00:25:34,920
Speaker 4: playing enough country music. He goes, but look, everyone's singing

583
00:25:34,920 --> 00:25:37,159
Speaker 4: along to these songs, so maybe we don't need to

584
00:25:37,160 --> 00:25:39,000
Speaker 4: play a country music song every day.

585
00:25:39,119 --> 00:25:39,320
Speaker 1: Yeah.

586
00:25:39,359 --> 00:25:42,720
Speaker 3: But then anyway, we're going to fix all these issues

587
00:25:42,720 --> 00:25:44,000
Speaker 3: with the hog in the office, which we talked about

588
00:25:44,040 --> 00:25:45,760
Speaker 3: on the commentary last night. We got a good couple

589
00:25:45,800 --> 00:25:47,280
Speaker 3: of hours out of the hog in oppers, a lot

590
00:25:47,320 --> 00:25:51,480
Speaker 3: of people had feedback on on what should and shouldn't

591
00:25:51,520 --> 00:25:53,200
Speaker 3: be included in the Hog the Office one of them.

592
00:25:53,560 --> 00:25:55,920
Speaker 3: One of them is a TB section with an entire

593
00:25:55,960 --> 00:26:00,159
Speaker 3: wall of screens displaying all of g Lane's bits for

594
00:26:00,440 --> 00:26:02,280
Speaker 3: the week, so that you know what to stay clear of.

595
00:26:04,040 --> 00:26:04,600
Speaker 1: I like that.

596
00:26:04,640 --> 00:26:08,119
Speaker 3: I didn't mind that. G Lane's got a bunch of

597
00:26:08,119 --> 00:26:11,119
Speaker 3: different ideas. For example, you can pay a dollar extra

598
00:26:11,160 --> 00:26:16,399
Speaker 3: to get a smash handle, smash glass, smash pint or

599
00:26:16,400 --> 00:26:19,480
Speaker 3: something like that. It's like you know the movie prop

600
00:26:19,520 --> 00:26:22,159
Speaker 3: glass that they use, the sugar glass that smashes. So

601
00:26:22,200 --> 00:26:24,960
Speaker 3: you can pay an extra dollar, you get one of those,

602
00:26:25,200 --> 00:26:26,960
Speaker 3: and you get to drink it, and then there's a

603
00:26:27,000 --> 00:26:28,680
Speaker 3: corner of the bar where you can just bf that

604
00:26:28,760 --> 00:26:30,199
Speaker 3: thing at the wall and smash it.

605
00:26:30,440 --> 00:26:32,480
Speaker 1: Okay, for an extra dollar, that's quite good.

606
00:26:32,520 --> 00:26:37,240
Speaker 3: Yeah, I reckon that'll be quite therapeutic. Yep, what else

607
00:26:37,280 --> 00:26:41,359
Speaker 3: did you reckon? The He's had an idea for the

608
00:26:41,400 --> 00:26:44,960
Speaker 3: Bangalore beer Hole, which was basically a Bavarian style beer

609
00:26:45,000 --> 00:26:46,320
Speaker 3: hole that just served curry.

610
00:26:46,920 --> 00:26:47,320
Speaker 1: Yeah.

611
00:26:47,640 --> 00:26:51,080
Speaker 4: I've been involved in the discussions around this and the brainstorming,

612
00:26:51,840 --> 00:26:55,200
Speaker 4: and I'm into that. So you've got long you've got

613
00:26:55,200 --> 00:26:59,760
Speaker 4: long tables. It's just got a super easy food offering

614
00:26:59,800 --> 00:27:01,320
Speaker 4: that you can just do on masks.

615
00:27:01,359 --> 00:27:04,879
Speaker 3: It's three vats of curry. One of them has chicken,

616
00:27:04,960 --> 00:27:06,720
Speaker 3: one of them is lamb, one of them is vegetarian.

617
00:27:06,720 --> 00:27:07,000
Speaker 1: That's it.

618
00:27:07,000 --> 00:27:09,280
Speaker 3: And I would even I would even go one less.

619
00:27:09,320 --> 00:27:10,680
Speaker 3: I'd just go chicken and vegetarian.

620
00:27:11,000 --> 00:27:12,400
Speaker 1: Yeah, I reckon, that's pretty good.

621
00:27:12,480 --> 00:27:14,480
Speaker 4: And then you've got rice and then and then you've

622
00:27:14,480 --> 00:27:17,040
Speaker 4: got beers. But it's I think it's a tap sort.

623
00:27:16,880 --> 00:27:17,359
Speaker 1: Of a vibe.

624
00:27:17,440 --> 00:27:18,919
Speaker 3: Yeah, it was a tap in the table.

625
00:27:19,200 --> 00:27:22,400
Speaker 4: Yeah, but it's all like it's done like like a garden.

626
00:27:22,520 --> 00:27:25,040
Speaker 1: So you've got all the hanging sort of hops.

627
00:27:25,480 --> 00:27:28,159
Speaker 4: Yeah, like gardens and flowers and stuff like that, So

628
00:27:28,200 --> 00:27:30,400
Speaker 4: you feel like you're inside of a giant garden, which

629
00:27:30,440 --> 00:27:31,600
Speaker 4: I think they should be really cool.

630
00:27:31,680 --> 00:27:31,920
Speaker 1: Yeah.

631
00:27:32,119 --> 00:27:33,359
Speaker 3: So I think there's an element of that that we

632
00:27:33,359 --> 00:27:35,560
Speaker 3: could take to the hog in the office as well. Yeah,

633
00:27:35,680 --> 00:27:38,760
Speaker 3: it's really starting again. Steam. I just I think I

634
00:27:38,800 --> 00:27:41,439
Speaker 3: think the next step is getting someone involved from a

635
00:27:41,440 --> 00:27:43,520
Speaker 3: beer company and so seeing whether they are on.

636
00:27:43,480 --> 00:27:45,920
Speaker 1: Board with the people in beer company.

637
00:27:46,000 --> 00:27:48,240
Speaker 3: I do, I do, I do. Yeah, I feel like

638
00:27:48,240 --> 00:27:50,720
Speaker 3: they want to distance themselves from us and the office.

639
00:27:50,720 --> 00:27:53,760
Speaker 2: But after what you did in the car he speaking

640
00:27:53,800 --> 00:27:56,720
Speaker 2: of the a SEC commentaries today, Joe Jury still hasn't

641
00:27:56,760 --> 00:27:59,040
Speaker 2: put up the what is it things to put up

642
00:27:59,080 --> 00:27:59,760
Speaker 2: your button eleven.

643
00:28:00,520 --> 00:28:02,280
Speaker 3: Look, we can probably leave that one in the in

644
00:28:02,320 --> 00:28:02,680
Speaker 3: the past.

645
00:28:02,920 --> 00:28:05,520
Speaker 2: I thought we were too good in that. Okay, must

646
00:28:05,520 --> 00:28:06,159
Speaker 2: have been tired.

647
00:28:06,880 --> 00:28:08,919
Speaker 3: Oh dude, this is about nine o'clock at night. Like

648
00:28:08,960 --> 00:28:10,520
Speaker 3: you said, it had been mooted a few times on

649
00:28:10,520 --> 00:28:13,600
Speaker 3: the commentary and never picked up.

650
00:28:13,680 --> 00:28:15,080
Speaker 2: Just give me one, Just give me one.

651
00:28:15,560 --> 00:28:18,880
Speaker 3: Oh your finger was first drop, okay, and we had

652
00:28:18,880 --> 00:28:21,639
Speaker 3: a powerful opening carrot.

653
00:28:21,720 --> 00:28:22,200
Speaker 1: I got you.

654
00:28:23,200 --> 00:28:30,959
Speaker 3: Opening bowlers were carrot. No PingER suppository did suppositary suppositary

655
00:28:31,000 --> 00:28:33,800
Speaker 3: got dropped for PingER. Were just felt like Panger had

656
00:28:33,840 --> 00:28:34,520
Speaker 3: a bit more pacing.

657
00:28:34,640 --> 00:28:36,200
Speaker 1: That is good. That is good. That's good.

658
00:28:37,080 --> 00:28:38,920
Speaker 3: And camera was our wily spin.

659
00:28:41,000 --> 00:28:42,320
Speaker 1: Camera. That's good.

660
00:28:42,600 --> 00:28:43,800
Speaker 3: And that's where I'll leave that

661
00:28:44,560 --> 00:28:47,080
Speaker 1: Right, Okay, good on yours,