1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack Team podcast 2 00:00:10,613 --> 00:00:11,933 Speaker 1: from news Talks atb. 3 00:00:12,813 --> 00:00:17,293 Speaker 2: Tom Sainsbury Wear's many hats, actor, writer, comedian, director, host, 4 00:00:17,373 --> 00:00:18,893 Speaker 2: influencer Ah. 5 00:00:20,413 --> 00:00:21,653 Speaker 3: He'll hate me saying that. 6 00:00:21,773 --> 00:00:25,653 Speaker 2: Across film, TV, stage and social media. You might know him, 7 00:00:25,653 --> 00:00:29,333 Speaker 2: of course, for his political impersonations, all for shows like Wellington, 8 00:00:29,413 --> 00:00:33,173 Speaker 2: paranormal shows like Educators. And Tom is hosting a winter 9 00:00:33,293 --> 00:00:37,253 Speaker 2: special of New Zealand's International Comedy Festival and having just 10 00:00:37,373 --> 00:00:42,333 Speaker 2: returned from a very glamorous international Sojean, he's here with 11 00:00:42,413 --> 00:00:43,453 Speaker 2: us in Studio Calda. 12 00:00:43,493 --> 00:00:47,813 Speaker 3: Good morning, Hi, It's so good to see you always, 13 00:00:47,933 --> 00:00:51,093 Speaker 3: and you've just returned from Monaco. So ain't you don't 14 00:00:51,133 --> 00:00:53,013 Speaker 3: look you don't need to just rub it a. 15 00:00:53,653 --> 00:00:57,133 Speaker 4: Show off my gold. No, I couldn't get into the 16 00:00:57,133 --> 00:00:57,893 Speaker 4: main casinos. 17 00:00:59,333 --> 00:01:01,493 Speaker 3: Just explain to us why you have been in Monaco, 18 00:01:01,573 --> 00:01:03,813 Speaker 3: of all places, because we liked it on Saturday mornings, 19 00:01:03,813 --> 00:01:06,253 Speaker 3: we liked you know, in the depths of winter we 20 00:01:06,893 --> 00:01:09,533 Speaker 3: think about slightly more exotic warmer climbs. 21 00:01:09,733 --> 00:01:13,053 Speaker 4: Yeah, well I was over there. Look, it's all feeling 22 00:01:13,173 --> 00:01:15,693 Speaker 4: like I'm flexing, but it's not. We we scraped and 23 00:01:15,733 --> 00:01:17,773 Speaker 4: saved and we went over to the Caun Film Festival 24 00:01:17,813 --> 00:01:20,173 Speaker 4: to pitch a new film that day, right right, And 25 00:01:20,253 --> 00:01:21,853 Speaker 4: while we were there, it was like there's a few 26 00:01:21,933 --> 00:01:24,293 Speaker 4: kind of days floating around, so like three days and 27 00:01:24,333 --> 00:01:26,813 Speaker 4: we're like I was there randomly with some other friends 28 00:01:26,853 --> 00:01:28,733 Speaker 4: that with you, and we're like, let's go to Monico 29 00:01:28,813 --> 00:01:30,333 Speaker 4: for the day because I've been obsessed with my I've 30 00:01:30,333 --> 00:01:32,933 Speaker 4: been obsessed with micro states from my entire life, like 31 00:01:33,493 --> 00:01:37,893 Speaker 4: you know, microstates Luxembourg. Okay, of course, yeah, and I 32 00:01:37,893 --> 00:01:39,533 Speaker 4: still haven't been. I had the opportunity to go to 33 00:01:39,733 --> 00:01:42,933 Speaker 4: San Marino. I love Samarino. Yes, have you been to 34 00:01:42,933 --> 00:01:43,413 Speaker 4: San Marino? 35 00:01:43,493 --> 00:01:45,733 Speaker 3: I haven't been to San Marina. I think I cheered 36 00:01:45,733 --> 00:01:46,693 Speaker 3: them more on the Olympics. 37 00:01:47,173 --> 00:01:50,293 Speaker 4: When you are going to San Marino, please reach out 38 00:01:50,293 --> 00:01:52,213 Speaker 4: and let me know and if if it can happen, 39 00:01:52,253 --> 00:01:54,893 Speaker 4: I'm joining you in San Marino. But anyway, we were 40 00:01:54,933 --> 00:01:57,853 Speaker 4: there and we so we spent that kind of a 41 00:01:57,973 --> 00:02:00,333 Speaker 4: day there. It's all you really need in Monico. We 42 00:02:00,373 --> 00:02:02,253 Speaker 4: were there the day before the Formula one race, so 43 00:02:02,293 --> 00:02:03,133 Speaker 4: that all set it up. 44 00:02:03,133 --> 00:02:04,853 Speaker 3: So there was lots of kind of asked this is 45 00:02:04,893 --> 00:02:07,373 Speaker 3: sounding a bit like a flex. You can't know you 46 00:02:07,453 --> 00:02:09,493 Speaker 3: had a bit of downtime just before you head it 47 00:02:09,533 --> 00:02:10,253 Speaker 3: off to Khan. 48 00:02:10,173 --> 00:02:11,853 Speaker 4: And wait until you know that I was invited into 49 00:02:11,893 --> 00:02:15,413 Speaker 4: the palace and I'm now friends, but no, I'm not. 50 00:02:21,293 --> 00:02:24,453 Speaker 3: Across the right. Yeah, my gosh. Okay, So what were 51 00:02:24,453 --> 00:02:25,533 Speaker 3: you impressions of Monaco? 52 00:02:25,613 --> 00:02:26,573 Speaker 4: Then? What is it? 53 00:02:26,813 --> 00:02:29,453 Speaker 3: I because I think it looks awful from the outside. 54 00:02:29,533 --> 00:02:31,453 Speaker 3: It looks like too much money and not enough taste 55 00:02:31,933 --> 00:02:35,693 Speaker 3: or people who have. Maybe that's not fair, maybe that's 56 00:02:36,493 --> 00:02:37,933 Speaker 3: but you know what I mean, though it does seem 57 00:02:37,933 --> 00:02:39,973 Speaker 3: a bit it's showy. It's a showy place. 58 00:02:40,133 --> 00:02:41,773 Speaker 4: It is a showy place, but it's also kind of 59 00:02:41,813 --> 00:02:44,373 Speaker 4: like there's an element of it where they don't want 60 00:02:44,373 --> 00:02:46,613 Speaker 4: to kind of be ghost so that the really wealthy 61 00:02:46,653 --> 00:02:48,653 Speaker 4: people don't kind of shell. It's not like Vegas were 62 00:02:48,653 --> 00:02:50,773 Speaker 4: everything's kind of fleshy, fleshing lights and stuff like that. 63 00:02:51,093 --> 00:02:55,173 Speaker 4: It's almost it's more like implied wealth, right, which you 64 00:02:55,213 --> 00:02:55,933 Speaker 4: would relate to. 65 00:02:56,013 --> 00:02:59,453 Speaker 3: I do I very closely, Just like how do you 66 00:02:59,493 --> 00:03:01,093 Speaker 3: imply wealth? Uh? 67 00:03:02,253 --> 00:03:05,893 Speaker 4: Well, you know, well, just the clothing is just pristine, 68 00:03:05,933 --> 00:03:09,013 Speaker 4: you know, but not showy, like perfectly. 69 00:03:09,133 --> 00:03:12,733 Speaker 3: It's like Taylor's Okay, It's like it's as though you're 70 00:03:12,773 --> 00:03:17,533 Speaker 3: perfectly tailored, and it's been professionally laundered. All of your 71 00:03:17,573 --> 00:03:19,733 Speaker 3: clothing has been professionally launded. That's a flex. 72 00:03:20,053 --> 00:03:22,293 Speaker 4: That's a flex, and it's the you can you can 73 00:03:22,453 --> 00:03:22,853 Speaker 4: kind of. 74 00:03:23,213 --> 00:03:25,893 Speaker 3: Someone's iron the sleeves as well as the main part 75 00:03:25,933 --> 00:03:27,093 Speaker 3: of the shirt you got. 76 00:03:27,413 --> 00:03:30,253 Speaker 4: It's fancy and if you were to have any kind 77 00:03:30,293 --> 00:03:33,493 Speaker 4: of bling, it would be your cuff links. And that's interesting. 78 00:03:33,853 --> 00:03:36,773 Speaker 4: We're not a watch Oh no, yes, the watch I 79 00:03:36,773 --> 00:03:40,773 Speaker 4: feel like yeah, yeah, and they head watching watching watch 80 00:03:41,133 --> 00:03:44,373 Speaker 4: watch watch stores and with the expense, were they crazy? 81 00:03:44,453 --> 00:03:47,333 Speaker 3: Yeah? Because you know, is it the partique Philip. That's 82 00:03:47,373 --> 00:03:49,173 Speaker 3: the one where they say, I only ever see these 83 00:03:49,173 --> 00:03:51,573 Speaker 3: ads when I'm like, you know, at an airport and something. 84 00:03:51,693 --> 00:03:52,773 Speaker 4: That's the post. It's the one. 85 00:03:52,853 --> 00:03:54,413 Speaker 3: Yeah, yeah, that's that's how they do it. They have 86 00:03:54,453 --> 00:03:56,933 Speaker 3: the post. But that the tagline. I think it is 87 00:03:56,973 --> 00:03:59,653 Speaker 3: for the partic fleet. They say, no one ever owns 88 00:03:59,693 --> 00:04:01,933 Speaker 3: a partic for leet. You merely look after it for 89 00:04:01,973 --> 00:04:02,773 Speaker 3: the next generation. 90 00:04:04,133 --> 00:04:04,373 Speaker 4: You see. 91 00:04:04,413 --> 00:04:07,413 Speaker 3: You just don't get that with your Cassie Well you 92 00:04:07,453 --> 00:04:11,173 Speaker 3: g shops Yeah exactly. Okay, that sounds like you would 93 00:04:11,293 --> 00:04:13,733 Speaker 3: fit right, and you can kind of appreciate that level 94 00:04:13,733 --> 00:04:16,613 Speaker 3: of wealth. You mean, like fewer Lamborghinis, Ferraris and stuff 95 00:04:16,613 --> 00:04:17,573 Speaker 3: despite the formula one. 96 00:04:17,653 --> 00:04:18,293 Speaker 4: Yeah you got it. 97 00:04:18,293 --> 00:04:20,973 Speaker 3: You didn't say around for the formulae I. 98 00:04:20,893 --> 00:04:23,053 Speaker 4: Was thinking about I was thinking about going for it, 99 00:04:23,093 --> 00:04:25,413 Speaker 4: but the que because I was staying in Nice, which 100 00:04:25,493 --> 00:04:28,813 Speaker 4: was a lot cheaper, just down the road. And it's 101 00:04:28,813 --> 00:04:32,013 Speaker 4: just down the road. But the next day, like the 102 00:04:32,093 --> 00:04:33,973 Speaker 4: cues to get onto the train to go the side, 103 00:04:33,973 --> 00:04:35,933 Speaker 4: I don't have done for this, so I didn't do it. 104 00:04:37,413 --> 00:04:40,573 Speaker 3: That's a flex. That's a flex there. There's the real flex, 105 00:04:40,613 --> 00:04:42,653 Speaker 3: being able to say I'm here, I'm in Monaco at 106 00:04:42,653 --> 00:04:43,933 Speaker 3: the Grand Prixs on I'm not. 107 00:04:43,933 --> 00:04:45,053 Speaker 4: Going to go yeah. Yeah. 108 00:04:45,093 --> 00:04:46,933 Speaker 3: How did the pitching go? Are you allowed to tell us? 109 00:04:46,973 --> 00:04:47,493 Speaker 1: Or is it? 110 00:04:47,493 --> 00:04:51,813 Speaker 4: It kind of like these kind of things. It's a beginning. 111 00:04:51,973 --> 00:04:53,773 Speaker 4: You kind of meet these people and then you've got 112 00:04:53,813 --> 00:04:57,773 Speaker 4: to develop the relationship. And our pitch went quite it 113 00:04:57,813 --> 00:05:00,093 Speaker 4: went quite well. But it's all kind of a shifting sands. 114 00:05:00,133 --> 00:05:02,013 Speaker 4: No one wants to make the first move. We've got 115 00:05:02,053 --> 00:05:04,013 Speaker 4: people that are kind of interested, but no one until 116 00:05:04,053 --> 00:05:06,093 Speaker 4: something comes, you know, it all has to lock into place. 117 00:05:06,933 --> 00:05:07,653 Speaker 4: How do you pitch it? 118 00:05:07,733 --> 00:05:09,933 Speaker 3: How do you pitch a film is it like shark tank? 119 00:05:10,773 --> 00:05:13,813 Speaker 4: Well our specific thing what like most people don't. But 120 00:05:13,853 --> 00:05:16,493 Speaker 4: we were very kindly kind of hosted by the New 121 00:05:16,573 --> 00:05:20,813 Speaker 4: Zealand Film Festival. They kind of film last year, that's right. 122 00:05:21,013 --> 00:05:22,853 Speaker 4: They were like, do you have a genre piece? And 123 00:05:23,013 --> 00:05:27,933 Speaker 4: so there are seven random international film festivals around the 124 00:05:27,973 --> 00:05:30,813 Speaker 4: world and they all select filmmakers to pitch the next idea. 125 00:05:30,973 --> 00:05:35,333 Speaker 4: This is called the fant Fantastic Seven and you so 126 00:05:35,613 --> 00:05:37,533 Speaker 4: it's all from So we were pitching against like an 127 00:05:37,573 --> 00:05:42,973 Speaker 4: Egyptian film company at Lithuanian Best. They were Lithuanians. All 128 00:05:42,973 --> 00:05:45,973 Speaker 4: the Lithuanians I know, and they would probably be the eight. 129 00:05:46,013 --> 00:05:47,813 Speaker 3: Yep, that's more than most people know. 130 00:05:48,053 --> 00:05:51,413 Speaker 4: Are wonderfully eccentric. And these filmmakers their film was like 131 00:05:51,773 --> 00:05:54,853 Speaker 4: bonkers and they were bonkers. 132 00:05:54,413 --> 00:05:57,933 Speaker 3: And you're like, I'll buy this film, y yeah, yeah, okay, 133 00:05:58,413 --> 00:06:00,293 Speaker 3: And so you go into this environment and you have 134 00:06:00,413 --> 00:06:02,733 Speaker 3: to You've got five minutes, and so you turn into 135 00:06:02,733 --> 00:06:05,333 Speaker 3: a show you do okay, And the thing is, I've 136 00:06:05,373 --> 00:06:07,653 Speaker 3: just been doing months of comedy forest where you come 137 00:06:07,653 --> 00:06:08,893 Speaker 3: on you say joking it laughs. 138 00:06:08,933 --> 00:06:12,053 Speaker 4: I tried jokes on these probably have. People couldn't understand 139 00:06:12,053 --> 00:06:15,213 Speaker 4: my egcent someone was falling asleep in the audience. Other 140 00:06:15,213 --> 00:06:18,013 Speaker 4: people were kind of chatting like it's that kind of environment. 141 00:06:18,293 --> 00:06:20,613 Speaker 3: So so basically you go in and they're treating you 142 00:06:20,653 --> 00:06:22,173 Speaker 3: with disdain from the word. 143 00:06:22,013 --> 00:06:25,893 Speaker 4: Go and a very few laughs that Lithuanians did laugh, 144 00:06:26,013 --> 00:06:28,893 Speaker 4: of course, and also like I didn't. I hadn't really 145 00:06:28,893 --> 00:06:30,853 Speaker 4: considered how hot it would be, Like it's the south 146 00:06:30,893 --> 00:06:33,573 Speaker 4: of France in the middle of summer. I was swearing. 147 00:06:33,813 --> 00:06:35,453 Speaker 4: Thankfully my shirt was kind of like but there was 148 00:06:35,493 --> 00:06:37,053 Speaker 4: still you could still see the sweat. 149 00:06:37,813 --> 00:06:40,093 Speaker 3: You could see it from the outside. Yeah, oh that's 150 00:06:40,253 --> 00:06:42,493 Speaker 3: that's a punisher ade. There's nothing you can do about 151 00:06:42,493 --> 00:06:45,173 Speaker 3: that either, because it's the classic. It's like trying to 152 00:06:45,173 --> 00:06:46,093 Speaker 3: lower your heart rate. 153 00:06:46,293 --> 00:06:47,933 Speaker 4: When you become aware of it. 154 00:06:48,213 --> 00:06:50,853 Speaker 3: The moment you're sweating, you say, I need to stop sweating, 155 00:06:50,853 --> 00:06:53,613 Speaker 3: and it makes you sweat more. I used to have 156 00:06:53,653 --> 00:06:57,293 Speaker 3: that problem sometimes on television, and I would put paper 157 00:06:57,333 --> 00:06:58,573 Speaker 3: towels under markets. 158 00:06:58,653 --> 00:07:00,413 Speaker 4: I feared sentitry pets also very good. 159 00:07:00,533 --> 00:07:03,573 Speaker 3: It's not dignified though. You look around Monaco. No one 160 00:07:04,573 --> 00:07:05,693 Speaker 3: that doesn't give away. 161 00:07:05,453 --> 00:07:07,333 Speaker 4: The organized it so that they don't swear it. They're 162 00:07:07,333 --> 00:07:09,333 Speaker 4: never in a situation where it's too hot and it's 163 00:07:09,333 --> 00:07:09,813 Speaker 4: not perfect. 164 00:07:09,973 --> 00:07:14,893 Speaker 3: That's again another like subtle indicator of wealth. Yeah, so 165 00:07:15,293 --> 00:07:17,293 Speaker 3: so the Lithuanians are probably talking about you like you're 166 00:07:17,293 --> 00:07:19,973 Speaker 3: talking about the Lithuanians saying, oh they're quirkies, like eccentric, 167 00:07:20,093 --> 00:07:22,813 Speaker 3: really love their films, like really good cool. Yeah, when 168 00:07:22,853 --> 00:07:24,093 Speaker 3: do you reckon, you'll find out. 169 00:07:24,533 --> 00:07:27,893 Speaker 4: You just got to know we've got it. Feels like 170 00:07:28,013 --> 00:07:30,573 Speaker 4: the breadths are the most impressed by us. And so 171 00:07:30,933 --> 00:07:35,773 Speaker 4: it's it's kind of how do you you're kind of 172 00:07:35,773 --> 00:07:39,533 Speaker 4: pitching to people who will kind of represent the film 173 00:07:39,573 --> 00:07:42,333 Speaker 4: in that country, whatever kind of country you're you're pitching too. 174 00:07:42,653 --> 00:07:44,653 Speaker 4: So we have to kind of we have to get 175 00:07:44,693 --> 00:07:47,333 Speaker 4: New Zealand on board now and get all the funding 176 00:07:47,413 --> 00:07:49,293 Speaker 4: here for them to trying to jump on board. That's 177 00:07:49,333 --> 00:07:49,733 Speaker 4: the bible. 178 00:07:49,733 --> 00:07:52,093 Speaker 3: But Ken, I don't tell me anything you're not supposed 179 00:07:52,093 --> 00:07:54,013 Speaker 3: to do. But is the film because Luke Trek was 180 00:07:54,093 --> 00:07:57,933 Speaker 3: kind of like there were comedic elements, but it wasn't 181 00:07:57,973 --> 00:08:00,173 Speaker 3: strictly a comedy, right, so when people said, oh my god, 182 00:08:00,213 --> 00:08:02,013 Speaker 3: Tom sains re maining his day, but like it wasn't 183 00:08:02,293 --> 00:08:04,573 Speaker 3: designed to be a laugh minute or anything. So, so 184 00:08:04,893 --> 00:08:08,493 Speaker 3: is this film what sort of genre, would it, I. 185 00:08:08,493 --> 00:08:11,973 Speaker 4: Would maybe it's similar, Like I think it's really funny. 186 00:08:12,053 --> 00:08:15,533 Speaker 4: It's basically the kind of premise of it is like 187 00:08:15,573 --> 00:08:18,013 Speaker 4: a foreign exchange student living with it, like a New 188 00:08:18,093 --> 00:08:20,733 Speaker 4: Zealand dairy farming family in a micro state in a 189 00:08:20,733 --> 00:08:25,573 Speaker 4: micro state exactly. And I just love, like I just 190 00:08:25,933 --> 00:08:28,573 Speaker 4: my whole obsession is the New Zealand character and how 191 00:08:28,733 --> 00:08:31,213 Speaker 4: New Zealanders behave, Like I've spent years thinking about it. 192 00:08:31,293 --> 00:08:33,693 Speaker 4: So it's all my kind of comedy. So we'll see. 193 00:08:33,813 --> 00:08:36,813 Speaker 3: So it's interesting because I'm sure people ask you this 194 00:08:37,373 --> 00:08:39,573 Speaker 3: when you're or you think about this when you're touring. 195 00:08:40,853 --> 00:08:43,413 Speaker 3: And I wondered, how your because so much of your 196 00:08:43,773 --> 00:08:47,653 Speaker 3: comedy relates to the New Zealand psyche and New Zealand 197 00:08:47,733 --> 00:08:51,813 Speaker 3: personalities and stuff, do you ever stress about how well 198 00:08:51,853 --> 00:08:54,573 Speaker 3: that translates to other countries and cultures? 199 00:08:54,773 --> 00:08:57,373 Speaker 4: One hundred percent? In fact, it was only it was 200 00:08:57,453 --> 00:08:59,973 Speaker 4: only this year twenty twenty fours for some have performed 201 00:09:00,013 --> 00:09:02,093 Speaker 4: in Australia, going, how am I going to be taken 202 00:09:02,173 --> 00:09:02,933 Speaker 4: in Australia. 203 00:09:03,053 --> 00:09:05,093 Speaker 3: So the problem with Australia is that there are so 204 00:09:05,093 --> 00:09:07,573 Speaker 3: many keys as well, that's not the problem, but you. 205 00:09:07,573 --> 00:09:09,893 Speaker 4: Know, yeah, yeah, but I would do a shout out, 206 00:09:09,893 --> 00:09:12,253 Speaker 4: I'm like, who here's New Zealand, who's in heaven? Gig 207 00:09:12,293 --> 00:09:14,773 Speaker 4: around that, and it was always about a quarter would 208 00:09:14,813 --> 00:09:17,373 Speaker 4: be Kiwis and the rest would be Australians. And I 209 00:09:17,413 --> 00:09:20,653 Speaker 4: think I just think Britain, Australia and New Zealand are 210 00:09:20,693 --> 00:09:25,613 Speaker 4: so culturally similar, just product difference, but how we kind 211 00:09:25,613 --> 00:09:28,613 Speaker 4: of you know, and I'm speaking of the kind of 212 00:09:28,653 --> 00:09:31,693 Speaker 4: the white western kind of vibes. I think that that translates. 213 00:09:31,813 --> 00:09:35,413 Speaker 4: It's interesting. I did a video of the best video 214 00:09:35,413 --> 00:09:37,533 Speaker 4: I've ever done. It's got two and a half million views, 215 00:09:37,893 --> 00:09:39,693 Speaker 4: and it's just just a stupid one of someone eating 216 00:09:39,773 --> 00:09:41,893 Speaker 4: chips but making like a real kind of performance on 217 00:09:41,973 --> 00:09:44,173 Speaker 4: her life, just like brushing their fingers and brushing their 218 00:09:44,173 --> 00:09:46,453 Speaker 4: mouth and getting rid of the crumbs and just doing 219 00:09:46,493 --> 00:09:49,013 Speaker 4: it like that and then repeating and repeating and just 220 00:09:49,053 --> 00:09:52,613 Speaker 4: like just pull yourself together, these people. But it's done 221 00:09:52,733 --> 00:09:55,933 Speaker 4: so hugely in America for some reason, and specifically with 222 00:09:56,013 --> 00:09:59,013 Speaker 4: like African American culture, and so it's like, get, I've 223 00:09:59,013 --> 00:10:01,293 Speaker 4: got all these kind of African Americans kind of following me, 224 00:10:01,333 --> 00:10:03,093 Speaker 4: and then they kind of get the keys they know, 225 00:10:03,773 --> 00:10:05,853 Speaker 4: and then back in the day, I did this gag 226 00:10:05,893 --> 00:10:09,693 Speaker 4: about a woman like cutting your heir and herself and 227 00:10:09,693 --> 00:10:12,973 Speaker 4: she couldn't quite get the levels. So just and that 228 00:10:13,093 --> 00:10:15,253 Speaker 4: got millions of views in South Africa. I don't know what, 229 00:10:15,413 --> 00:10:18,453 Speaker 4: like who knows that there must be here comedy in 230 00:10:18,493 --> 00:10:21,133 Speaker 4: South Africa? So I don't know. It's interesting. 231 00:10:21,213 --> 00:10:23,373 Speaker 3: Yeah, I must have been likely concerned when you said 232 00:10:23,413 --> 00:10:26,693 Speaker 3: you were talking about white Western vibes. I'm going in 233 00:10:26,733 --> 00:10:30,573 Speaker 3: this interview. Yes, so if the Brits are may be 234 00:10:30,653 --> 00:10:32,373 Speaker 3: interested when you're pitching, you can kind of they can 235 00:10:32,453 --> 00:10:36,493 Speaker 3: kind of appreciate that, Yes, more than more than some 236 00:10:36,573 --> 00:10:39,213 Speaker 3: other cultures or would necessarily pick up on that human. 237 00:10:39,013 --> 00:10:42,453 Speaker 4: One hundred percent, and probably Brits more than Australians that 238 00:10:42,453 --> 00:10:44,213 Speaker 4: we've kind of pitched the study because it's all about 239 00:10:44,253 --> 00:10:46,933 Speaker 4: comedy of manners and like passive aggression and not being 240 00:10:46,973 --> 00:10:50,333 Speaker 4: able to really communicate your feelings as New Zealanders want 241 00:10:50,453 --> 00:10:53,293 Speaker 4: to do and so and like the Australians haven't really 242 00:10:53,413 --> 00:10:55,373 Speaker 4: vibed with that. They don't really understand. They're like, why 243 00:10:55,373 --> 00:10:57,333 Speaker 4: are they babing like this? You don't get it, but 244 00:10:57,373 --> 00:10:58,013 Speaker 4: the Brits do. 245 00:10:59,893 --> 00:11:03,373 Speaker 3: Can you distill you pick up those quirks in our 246 00:11:04,333 --> 00:11:07,733 Speaker 3: national character. But do you you just add a movie 247 00:11:07,853 --> 00:11:09,893 Speaker 3: night and someone has a funny thing with chips and 248 00:11:09,933 --> 00:11:11,493 Speaker 3: you pick up on it, like are you is it 249 00:11:11,533 --> 00:11:14,533 Speaker 3: a conscious thing or is it just they are? 250 00:11:15,853 --> 00:11:21,013 Speaker 4: It's all a variety. I think the chips thing is observation. Yeah, 251 00:11:21,213 --> 00:11:21,933 Speaker 4: that's an observation. 252 00:11:22,013 --> 00:11:25,733 Speaker 3: It's an observation, right, But so at some point you've. 253 00:11:24,893 --> 00:11:29,653 Speaker 4: I've seen someone going going to town eating chips. 254 00:11:29,693 --> 00:11:31,373 Speaker 3: And You've thought, I can I can do that, and 255 00:11:31,373 --> 00:11:32,533 Speaker 3: that's funny or I'm. 256 00:11:32,373 --> 00:11:38,053 Speaker 4: More like mild irritation. That's sort of like that. Yeah, 257 00:11:38,053 --> 00:11:40,373 Speaker 4: and it's just so stupid, Like who am I to judge? 258 00:11:40,453 --> 00:11:43,893 Speaker 3: But you must there must be a kind of like 259 00:11:44,053 --> 00:11:45,893 Speaker 3: is there are you you know? Are you conscious? Do 260 00:11:45,933 --> 00:11:48,733 Speaker 3: you go about the world thinking like with your eyes 261 00:11:48,773 --> 00:11:51,093 Speaker 3: wide open looking at everyone going, oh my gosh, look 262 00:11:51,173 --> 00:11:51,893 Speaker 3: how they're reacting? 263 00:11:52,333 --> 00:11:52,613 Speaker 4: Or is it? 264 00:11:52,653 --> 00:11:55,253 Speaker 3: Does it just kind of happen by osmosis. 265 00:11:55,493 --> 00:11:59,413 Speaker 4: Osmosis a lot? But when you're kind of in the 266 00:11:59,533 --> 00:12:03,093 Speaker 4: zone of making regular or daily videos, you're kind of 267 00:12:03,613 --> 00:12:08,253 Speaker 4: attuned to it. So when something does come into your consciousness, 268 00:12:08,573 --> 00:12:10,693 Speaker 4: like you put it away into the diary, it. 269 00:12:10,653 --> 00:12:12,613 Speaker 3: Strikes me that you are just doing so much stuff, 270 00:12:13,413 --> 00:12:16,293 Speaker 3: or at the very least you have been evolved with 271 00:12:16,333 --> 00:12:19,613 Speaker 3: so much stuff over the last couple of years. And 272 00:12:19,773 --> 00:12:22,253 Speaker 3: I mean, no one thinks anyone gets into comedy to 273 00:12:22,293 --> 00:12:23,653 Speaker 3: make gazillions of dollars. 274 00:12:23,933 --> 00:12:25,613 Speaker 4: But do you Are. 275 00:12:25,573 --> 00:12:27,093 Speaker 3: You in a position where you're saying no to stuff? 276 00:12:27,613 --> 00:12:29,413 Speaker 3: Do you feel like you can say no to stuff? 277 00:12:29,773 --> 00:12:33,453 Speaker 4: Emotionally? I don't think I can. I'm compliance and psychologically 278 00:12:33,493 --> 00:12:36,293 Speaker 4: it's really important to me and complying to people. I'm 279 00:12:36,293 --> 00:12:40,093 Speaker 4: being compliant, but I can. It would be a lot 280 00:12:40,093 --> 00:12:41,693 Speaker 4: beauterif if I did say no to things just for 281 00:12:41,773 --> 00:12:46,093 Speaker 4: scheduling and stuff, and I can. Financially I could. Yeah, 282 00:12:46,133 --> 00:12:50,493 Speaker 4: so financially I'm fine. And but I mean even creatively, like, 283 00:12:50,573 --> 00:12:51,693 Speaker 4: do you do you feel like you can say? 284 00:12:51,733 --> 00:12:51,973 Speaker 1: You know what? 285 00:12:52,013 --> 00:12:53,893 Speaker 3: That's actually not right for me right now. I really 286 00:12:53,893 --> 00:12:56,733 Speaker 3: want to focus my attentions. Here are you doing. You're 287 00:12:56,733 --> 00:12:59,493 Speaker 3: making films, You're doing your comedy stuff, like you're doing 288 00:12:59,493 --> 00:13:02,893 Speaker 3: stand up, you do stuff on social media, plus you're 289 00:13:02,933 --> 00:13:04,773 Speaker 3: writing plays. You're like you're doing everything. 290 00:13:05,493 --> 00:13:09,493 Speaker 4: Yeah, yeah, yes, it's complicated that. I should be a 291 00:13:09,533 --> 00:13:11,533 Speaker 4: lot more kind of savvy about that, and I should 292 00:13:11,653 --> 00:13:12,973 Speaker 4: restrict myself. 293 00:13:12,613 --> 00:13:13,893 Speaker 3: But not necessarily. 294 00:13:14,173 --> 00:13:16,733 Speaker 4: I do like most of the ideas, I'm like, I'm 295 00:13:16,773 --> 00:13:19,653 Speaker 4: really buzzing with and then I get to say it. 296 00:13:19,813 --> 00:13:21,733 Speaker 4: I'm like, oh, I'm swamped and I have to say 297 00:13:21,773 --> 00:13:23,693 Speaker 4: no to the next project. And then someone pitches something 298 00:13:23,693 --> 00:13:27,573 Speaker 4: to me. I'm like, that is good. Yeah, we're speaking. 299 00:13:29,573 --> 00:13:31,893 Speaker 3: Even though we've had the comedy Festival this year, I 300 00:13:32,013 --> 00:13:36,133 Speaker 3: love this idea. Three nights right, Basically, we're having a 301 00:13:36,173 --> 00:13:39,293 Speaker 3: midwinter celebration. Yes, you've been roped in, just give us 302 00:13:39,293 --> 00:13:40,293 Speaker 3: the details. What's the plan? 303 00:13:40,853 --> 00:13:43,573 Speaker 4: So I'm hosting an I'm hosting an eything on the 304 00:13:43,573 --> 00:13:47,293 Speaker 4: twenty second of August down at the waterfront are the 305 00:13:47,293 --> 00:13:49,973 Speaker 4: ASP Look, I should know these details. But I'm going 306 00:13:50,093 --> 00:13:56,733 Speaker 4: to fancy theaters and other flegs. I'm hosting the comedy Garlaite, 307 00:13:56,853 --> 00:13:59,253 Speaker 4: So there's a power. I think there's about ten comedians 308 00:13:59,253 --> 00:14:01,373 Speaker 4: coming in and I'm kind of hosting it and running 309 00:14:01,373 --> 00:14:04,373 Speaker 4: it in some great comedity like David Krios. If you 310 00:14:04,413 --> 00:14:06,853 Speaker 4: haven't seen him or know about him, he's a real 311 00:14:07,253 --> 00:14:10,733 Speaker 4: yeah bonker, I think I can safely say bonkers. 312 00:14:10,773 --> 00:14:11,933 Speaker 3: Yeah, that is a good thing. 313 00:14:12,053 --> 00:14:14,653 Speaker 4: Yeah. And then Courtney Dawson is also great, like she 314 00:14:14,893 --> 00:14:18,573 Speaker 4: just so confident. But there's a whole lot that Wilson Dixon, 315 00:14:19,333 --> 00:14:21,733 Speaker 4: Jack Can said and things, and I'm going to be 316 00:14:21,733 --> 00:14:23,613 Speaker 4: hosting it, so I'm back and forth on the stage. 317 00:14:23,613 --> 00:14:26,653 Speaker 4: But the amazing thing about a lineup is all these 318 00:14:26,693 --> 00:14:28,933 Speaker 4: amazing comedians and only doing like five or six minutes 319 00:14:28,973 --> 00:14:31,053 Speaker 4: each and it's the best. 320 00:14:30,813 --> 00:14:33,173 Speaker 3: Of Oh that's great. Yeah, So it's like, yeah, yeah, 321 00:14:33,613 --> 00:14:37,973 Speaker 3: it's kind of snackaball, yeah, but very funny, snackable. 322 00:14:37,613 --> 00:14:39,693 Speaker 4: Very funny and also like you're onto the next thing 323 00:14:39,693 --> 00:14:40,573 Speaker 4: before you even realized that. 324 00:14:40,653 --> 00:14:45,293 Speaker 3: Yeah, Dragh fantastic, also excited, and I just think it's 325 00:14:45,293 --> 00:14:46,733 Speaker 3: a great idea to have it in the middle of winter, 326 00:14:46,773 --> 00:14:49,973 Speaker 3: as like a little beacon of light meting of the darkness. 327 00:14:50,453 --> 00:14:52,413 Speaker 3: We're glad that we've stolen you back from Monaco for 328 00:14:52,453 --> 00:14:54,373 Speaker 3: the time being, although I'm sure you're fitt in much 329 00:14:54,373 --> 00:14:55,973 Speaker 3: better over there. Thank you so much for your time, 330 00:14:56,173 --> 00:14:58,653 Speaker 3: Thank you for having me. That is Tom Satinsbury. All 331 00:14:58,693 --> 00:15:04,013 Speaker 3: the details for that midwinter New Zealand Comedy Festival one 332 00:15:04,053 --> 00:15:05,933 Speaker 3: off are going to be on the News Talk the 333 00:15:05,973 --> 00:15:06,373 Speaker 3: website 334 00:15:07,173 --> 00:15:10,293 Speaker 1: For more from Saturday Morning with Jack Tame, listen live 335 00:15:10,373 --> 00:15:13,213 Speaker 1: to News Talks ed B from nine am Saturday, or 336 00:15:13,253 --> 00:15:15,173 Speaker 1: follow the podcast on iHeartRadio