1 00:00:00,120 --> 00:00:02,160 Speaker 1: Let us catch up with Georgia Lyons before she gets 2 00:00:02,160 --> 00:00:04,120 Speaker 1: on the Big Bird to chase the Dream in Nashville. 3 00:00:04,120 --> 00:00:06,800 Speaker 1: Before she leaves, we have a new EP, a couple 4 00:00:06,800 --> 00:00:09,080 Speaker 1: of shows, and wouldn't you know, she's also turned up 5 00:00:09,080 --> 00:00:11,799 Speaker 1: for a song. Georgia Lyons is with us morning, Good 6 00:00:11,840 --> 00:00:14,120 Speaker 1: morning to you. All right, the first question this will 7 00:00:14,120 --> 00:00:15,640 Speaker 1: be out of left field and you won't expected to 8 00:00:15,640 --> 00:00:17,200 Speaker 1: come in with all the interviews you've done yet, had 9 00:00:17,320 --> 00:00:20,600 Speaker 1: nothing like this before. So I'm watching your music video yesterday. Yes, 10 00:00:21,120 --> 00:00:24,560 Speaker 1: what's the car? What's the car at the beginning of 11 00:00:24,600 --> 00:00:29,520 Speaker 1: the video. Yes, it's red, it's red. What is it? 12 00:00:29,520 --> 00:00:31,400 Speaker 1: It's an elf for Romeyo. You don't know, did you? 13 00:00:32,040 --> 00:00:33,680 Speaker 2: I had momentarily forgotten. 14 00:00:33,800 --> 00:00:34,919 Speaker 1: Did you know it's an elfin Rae? 15 00:00:35,040 --> 00:00:35,440 Speaker 3: I did know. 16 00:00:35,479 --> 00:00:37,199 Speaker 2: We did talk a lot about it the week that 17 00:00:37,240 --> 00:00:40,440 Speaker 2: we were filming down in Mana at this farmhouse because 18 00:00:40,440 --> 00:00:45,080 Speaker 2: it was the couple that owns the property there. It 19 00:00:45,200 --> 00:00:48,200 Speaker 2: was it was their car, so they had no way. Yeah, yeah, 20 00:00:48,640 --> 00:00:49,479 Speaker 2: I mean it's amazing. 21 00:00:49,600 --> 00:00:51,080 Speaker 1: So did you turn up to the farm and go 22 00:00:51,240 --> 00:00:53,080 Speaker 1: by the way? Do you have an elfa Romeo sitting? 23 00:00:53,080 --> 00:00:53,280 Speaker 4: Well? 24 00:00:53,320 --> 00:00:56,440 Speaker 2: We had basically emailed them and said, you know, we'd 25 00:00:57,000 --> 00:00:59,920 Speaker 2: booked the property right on a worm and kind of guy. 26 00:01:00,280 --> 00:01:02,200 Speaker 2: You know, we know that this is what the house 27 00:01:02,240 --> 00:01:03,960 Speaker 2: looks like, but we don't really know what sort of 28 00:01:04,000 --> 00:01:05,880 Speaker 2: props we might need to bring down for the week. 29 00:01:06,319 --> 00:01:07,920 Speaker 2: So we emailed them and said, you know, what have 30 00:01:07,959 --> 00:01:08,920 Speaker 2: you got on the property? 31 00:01:08,959 --> 00:01:09,759 Speaker 4: Have you got a ladder? 32 00:01:09,760 --> 00:01:12,399 Speaker 2: Have you got you know, kind of like a few things. 33 00:01:12,400 --> 00:01:15,080 Speaker 2: And then she replied and said, oh, we've actually got 34 00:01:15,240 --> 00:01:16,400 Speaker 2: We've got this car. 35 00:01:17,560 --> 00:01:18,440 Speaker 5: And I was like, oh. 36 00:01:18,360 --> 00:01:21,039 Speaker 2: My gosh, we have to use the car. It's just beautiful. 37 00:01:21,080 --> 00:01:23,280 Speaker 1: And so do you know about cars or not really, 38 00:01:23,319 --> 00:01:25,559 Speaker 1: because when she said we've got this car, well. 39 00:01:26,080 --> 00:01:29,560 Speaker 2: We've got this car attached photo right on the email. 40 00:01:29,760 --> 00:01:32,480 Speaker 2: I'm not a big car gal, Like, I couldn't really 41 00:01:32,520 --> 00:01:34,800 Speaker 2: tell you how to change my oil in my car. 42 00:01:35,080 --> 00:01:37,120 Speaker 1: But it's a beautiful car though, Wasn't it a beautiful car? 43 00:01:37,400 --> 00:01:39,360 Speaker 1: It's a Fa Adult on the back of the. 44 00:01:39,400 --> 00:01:41,720 Speaker 2: Year which their last name was is sweet. 45 00:01:42,319 --> 00:01:44,960 Speaker 4: So yeah, so obviously there we go. 46 00:01:45,880 --> 00:01:47,560 Speaker 1: Having watched your videos, you seem to put a bit 47 00:01:47,600 --> 00:01:50,760 Speaker 1: of energy into the videos, which which is which wonderfully creative? 48 00:01:51,000 --> 00:01:54,200 Speaker 1: Do they materialize into success for a song? I mean 49 00:01:54,320 --> 00:01:57,160 Speaker 1: is there a direct connection between a good video and 50 00:01:57,200 --> 00:01:57,520 Speaker 1: the song? 51 00:01:58,120 --> 00:02:04,480 Speaker 2: Not necessarily. I mean, I'm like. 52 00:02:05,600 --> 00:02:06,920 Speaker 1: Oh jeez, I've opened up a Candra. 53 00:02:07,160 --> 00:02:10,120 Speaker 2: It's good because I think with every kind of visual 54 00:02:10,160 --> 00:02:13,320 Speaker 2: that you do, you know, there is so much content 55 00:02:13,360 --> 00:02:16,160 Speaker 2: that is constantly you know, we see it every day 56 00:02:16,160 --> 00:02:18,920 Speaker 2: with social media. It's like we're watching these little snippets. 57 00:02:19,600 --> 00:02:21,760 Speaker 2: I like to think that everything that we do in 58 00:02:21,800 --> 00:02:26,480 Speaker 2: terms of videos and music videos or little visualizes that 59 00:02:26,560 --> 00:02:29,000 Speaker 2: it does help with you know, people kind of absorbing 60 00:02:29,000 --> 00:02:31,800 Speaker 2: the song or experiencing it in a different way. But 61 00:02:31,880 --> 00:02:34,640 Speaker 2: in terms of like, is there a direct correlation between 62 00:02:35,160 --> 00:02:38,120 Speaker 2: making a video and therefore achieving x amount of streams 63 00:02:38,200 --> 00:02:41,239 Speaker 2: or achieving a certain amount of success, It's really hard 64 00:02:41,280 --> 00:02:44,800 Speaker 2: to know. I think it gives a certain life to 65 00:02:44,880 --> 00:02:47,520 Speaker 2: the song, and it helps you know, if you're watching 66 00:02:47,520 --> 00:02:49,919 Speaker 2: the video, it might keep you interested slightly longer than 67 00:02:50,440 --> 00:02:53,840 Speaker 2: all of the content that you're swiping through every single day. 68 00:02:55,639 --> 00:02:57,840 Speaker 2: But yeah, in terms of I mean, the algorithm is 69 00:02:58,240 --> 00:03:00,519 Speaker 2: a very hard thing to compete with when you when 70 00:03:00,560 --> 00:03:01,920 Speaker 2: you're creating in your. 71 00:03:02,000 --> 00:03:03,920 Speaker 5: The old algorithm, the old algorithm. 72 00:03:03,960 --> 00:03:07,160 Speaker 2: It's like, artistry is so important to me, and you know, 73 00:03:07,200 --> 00:03:11,359 Speaker 2: you're you're balancing this idea of creating something that's meaningful 74 00:03:11,520 --> 00:03:15,120 Speaker 2: and having an emphasis on artistry, but then also going 75 00:03:15,360 --> 00:03:16,560 Speaker 2: what works. 76 00:03:16,800 --> 00:03:19,120 Speaker 1: You I have you at late twenties, am I right 77 00:03:19,160 --> 00:03:22,520 Speaker 1: in that? Okay? So your your whole career has pretty 78 00:03:22,560 --> 00:03:25,160 Speaker 1: much been in the space though social media, y ticket. 79 00:03:25,240 --> 00:03:26,919 Speaker 1: You don't go back to a time when it was 80 00:03:26,960 --> 00:03:29,120 Speaker 1: completely different. There was a record company and you had 81 00:03:29,160 --> 00:03:31,600 Speaker 1: to trapes around the countryside and you sold tickets so 82 00:03:31,680 --> 00:03:32,920 Speaker 1: that there was no social No. 83 00:03:32,919 --> 00:03:37,720 Speaker 2: No, I've always been independent, an independent artist, so you know, 84 00:03:38,040 --> 00:03:39,760 Speaker 2: I mean I remember getting a file and I remember 85 00:03:39,800 --> 00:03:43,000 Speaker 2: that very distinct like time in high school when that 86 00:03:43,080 --> 00:03:47,840 Speaker 2: kind of social media world was happening. But in terms 87 00:03:47,840 --> 00:03:50,680 Speaker 2: of like my career, it's always been navigating social media 88 00:03:50,760 --> 00:03:53,960 Speaker 2: and navigating you know, the kind of ever changing landscape. So, 89 00:03:54,600 --> 00:03:56,680 Speaker 2: I mean, things are always changing, and there's there's a 90 00:03:56,680 --> 00:03:59,200 Speaker 2: lot of adapting needed and a lot of you know, 91 00:03:59,360 --> 00:04:02,200 Speaker 2: kind of pivot and going what's working and what's not 92 00:04:02,320 --> 00:04:03,040 Speaker 2: and what's. 93 00:04:02,800 --> 00:04:05,200 Speaker 1: Your summation of it in totality, Because my argument has 94 00:04:05,240 --> 00:04:07,800 Speaker 1: been having interviewed a million people over the years about this, 95 00:04:08,440 --> 00:04:10,200 Speaker 1: is that in the old days, you had to convince 96 00:04:10,200 --> 00:04:12,800 Speaker 1: somebody you were good, whereas the advantage of the modern 97 00:04:12,840 --> 00:04:14,520 Speaker 1: days you can go to your bedroom with a bit 98 00:04:14,560 --> 00:04:16,520 Speaker 1: of basic equipment and put it out to the world 99 00:04:16,600 --> 00:04:20,279 Speaker 1: and be discovered. So there's good on both sides, I guess, 100 00:04:20,320 --> 00:04:20,719 Speaker 1: isn't there? 101 00:04:21,279 --> 00:04:21,919 Speaker 5: Yeah, for sure. 102 00:04:22,080 --> 00:04:25,719 Speaker 2: I mean the accessibility for anyone. I mean you could 103 00:04:25,760 --> 00:04:28,680 Speaker 2: record a song today and put it out on social media, 104 00:04:28,839 --> 00:04:31,880 Speaker 2: or you could put it out on Spotify, like, it 105 00:04:31,960 --> 00:04:35,200 Speaker 2: makes it a lot more accessible for people, Whereas you know, 106 00:04:35,960 --> 00:04:38,839 Speaker 2: twenty years ago you kind of maybe longer you had 107 00:04:38,839 --> 00:04:41,919 Speaker 2: to go through a record label. So I think there is, 108 00:04:42,360 --> 00:04:45,280 Speaker 2: like you say, there is positives and negatives to both. 109 00:04:45,320 --> 00:04:48,400 Speaker 2: I think there's amazing things about social media and the internet, 110 00:04:48,520 --> 00:04:50,760 Speaker 2: Like my songs are being heard all over the world, 111 00:04:50,800 --> 00:04:53,799 Speaker 2: whereas you know that might not have been the case. 112 00:04:54,279 --> 00:04:56,440 Speaker 2: I'm from the bottom of the world, down here and 113 00:04:56,480 --> 00:04:57,960 Speaker 2: doing my thing and hoping that people. 114 00:04:58,520 --> 00:05:01,840 Speaker 1: Well, you're moving though, aren't you? You are moving to Nashville? 115 00:05:02,440 --> 00:05:05,200 Speaker 1: Are you doing that? On the date you will be moving, 116 00:05:05,240 --> 00:05:07,160 Speaker 1: You've got a plane ticket and you will be arriving, 117 00:05:07,160 --> 00:05:09,120 Speaker 1: and you've got a place to live. Yes, So it's 118 00:05:09,160 --> 00:05:10,880 Speaker 1: all sort of a sort when's that happening? 119 00:05:11,360 --> 00:05:14,680 Speaker 2: Sixteenth of September. It's not very specific, No, not long. 120 00:05:14,880 --> 00:05:16,160 Speaker 2: It's come around very quickly. 121 00:05:16,400 --> 00:05:19,480 Speaker 1: And how what's been the process of that that it's 122 00:05:19,520 --> 00:05:21,920 Speaker 1: a calling you have to do it, or you'll give 123 00:05:21,960 --> 00:05:22,520 Speaker 1: it a go. 124 00:05:22,760 --> 00:05:25,680 Speaker 2: Or I mean all of the above. I have loved 125 00:05:26,240 --> 00:05:28,640 Speaker 2: for a really long time, you know, the idea of 126 00:05:29,279 --> 00:05:33,520 Speaker 2: living touring doing music within America. I've spent a lot 127 00:05:33,560 --> 00:05:37,200 Speaker 2: of time there. I've got a visa, an artist visa, 128 00:05:37,279 --> 00:05:39,559 Speaker 2: so I've done a bunch of tours and stuff over there. 129 00:05:40,240 --> 00:05:42,680 Speaker 2: I really love it. I love the bigness. I love 130 00:05:43,360 --> 00:05:47,640 Speaker 2: I feel like there's this this mentality where everybody's like, 131 00:05:47,720 --> 00:05:50,400 Speaker 2: you can do it, that's true, and there's something so 132 00:05:50,680 --> 00:05:53,440 Speaker 2: freeing about that as an artist and a creative feeling 133 00:05:53,560 --> 00:05:56,640 Speaker 2: like you're not having to convince you know, the person 134 00:05:56,680 --> 00:05:59,279 Speaker 2: next no Poppy, No, there's no tooll Poppy. And that's 135 00:05:59,320 --> 00:06:02,839 Speaker 2: a very rare thing here, and that's hard. And I 136 00:06:02,839 --> 00:06:06,159 Speaker 2: think every time I go there, I'm reminded of like, oh, 137 00:06:06,279 --> 00:06:09,640 Speaker 2: this is possible. The possibilities are endless, Like I can 138 00:06:09,760 --> 00:06:13,280 Speaker 2: always grow and and get better and get bigger. And 139 00:06:14,120 --> 00:06:15,440 Speaker 2: that's an exciting thing for me. 140 00:06:15,480 --> 00:06:18,719 Speaker 1: If you're fantastic, Yes, although they just just you talked 141 00:06:18,720 --> 00:06:21,000 Speaker 1: about social media. Have you put anything on your social 142 00:06:21,080 --> 00:06:23,719 Speaker 1: media that Marco Rubio is going to see at the 143 00:06:23,760 --> 00:06:28,120 Speaker 1: border and he's going to whack you in a nice cell. Okay, 144 00:06:28,279 --> 00:06:31,320 Speaker 1: so you're good to go to go. Okay, good? Now 145 00:06:31,360 --> 00:06:34,720 Speaker 1: this this this? So you got your EP? Yes, but 146 00:06:34,920 --> 00:06:38,080 Speaker 1: the tracks are already out? Is there an EP? Do 147 00:06:38,120 --> 00:06:40,000 Speaker 1: you do the EP A physical EP? 148 00:06:40,279 --> 00:06:40,479 Speaker 4: Yes? 149 00:06:40,640 --> 00:06:42,960 Speaker 2: Yep, do a physical cop. I love having a physical 150 00:06:43,000 --> 00:06:44,880 Speaker 2: copy of something good. 151 00:06:45,200 --> 00:06:47,160 Speaker 1: You don't do cassettes though, no. 152 00:06:47,040 --> 00:06:48,560 Speaker 2: But they are circling background. 153 00:06:48,560 --> 00:06:51,880 Speaker 1: I think the vinyls a thing, I think of becoming 154 00:06:51,880 --> 00:06:52,080 Speaker 1: a thing. 155 00:06:52,200 --> 00:06:55,880 Speaker 2: We did vinyls with my album that came out last year, 156 00:06:55,920 --> 00:06:58,919 Speaker 2: and I mean everybody loved having a vinyl. 157 00:06:59,560 --> 00:07:02,039 Speaker 1: Who doesn't having a bone until you discover you haven't 158 00:07:02,040 --> 00:07:03,599 Speaker 1: got a turntable? So you got a bye That was 159 00:07:03,640 --> 00:07:04,159 Speaker 1: my parents. 160 00:07:05,640 --> 00:07:07,400 Speaker 2: So you don't have one of those anymore? 161 00:07:07,440 --> 00:07:08,200 Speaker 6: We need know? 162 00:07:08,520 --> 00:07:08,760 Speaker 5: Yeah? 163 00:07:09,520 --> 00:07:11,640 Speaker 1: All right, So they have EP's out tomorrow, So that's 164 00:07:11,640 --> 00:07:14,920 Speaker 1: a very exciting. You're off to Nashville in September. So 165 00:07:15,000 --> 00:07:16,600 Speaker 1: actually this might be the first and last time we 166 00:07:16,640 --> 00:07:17,880 Speaker 1: ever meet and sit in the studio. 167 00:07:18,080 --> 00:07:19,840 Speaker 2: I mean that's lovely but also quite sad. 168 00:07:20,280 --> 00:07:23,320 Speaker 1: Well, it is you can always come back right. So 169 00:07:23,600 --> 00:07:26,000 Speaker 1: the song is, this is wonderful life. 170 00:07:26,160 --> 00:07:44,360 Speaker 3: Okay, hit me, but it's so fooler, it's so underfuler, 171 00:07:46,320 --> 00:07:47,480 Speaker 3: heaven less. 172 00:07:47,440 --> 00:07:52,080 Speaker 5: Waving good bye all look back. You're gonna make it 173 00:07:52,520 --> 00:08:00,720 Speaker 5: just fine. And it's so underfool it's so on to 174 00:08:01,000 --> 00:08:02,760 Speaker 5: full life. 175 00:08:04,120 --> 00:08:26,280 Speaker 7: Who California's ours now feels like a day dream. 176 00:08:22,120 --> 00:08:26,240 Speaker 5: Pine and creating the same one and walking along. 177 00:08:29,440 --> 00:08:34,200 Speaker 3: And as far as anhel still at the beach somewhere, 178 00:08:34,920 --> 00:08:37,600 Speaker 3: so on the way your drave away from. 179 00:08:37,320 --> 00:08:43,320 Speaker 5: The sea, so slow and letting you go. 180 00:08:46,840 --> 00:08:52,319 Speaker 3: But it's on a full life, baby, it's on a 181 00:08:52,559 --> 00:08:53,480 Speaker 3: full life. 182 00:08:54,880 --> 00:09:00,040 Speaker 5: He even has waving good bye to look back. I 183 00:09:00,080 --> 00:09:04,679 Speaker 5: want to make it just fine. And it's so on 184 00:09:04,880 --> 00:09:05,920 Speaker 5: a full day. 185 00:09:07,600 --> 00:09:10,400 Speaker 3: Baby, it's a beautiful day. 186 00:09:11,960 --> 00:09:16,280 Speaker 5: Even though you're walking all the way to look back. 187 00:09:16,400 --> 00:09:23,840 Speaker 3: You want to be okay, And it's so wonderful life. 188 00:09:25,000 --> 00:09:28,679 Speaker 3: It's wonderful life. 189 00:09:29,320 --> 00:09:42,120 Speaker 4: Who I was leaving from terming or Baby, I was 190 00:09:42,240 --> 00:09:46,400 Speaker 4: waiting and he. 191 00:09:46,520 --> 00:09:50,320 Speaker 5: Asked, what do you think it would feel like? Falling 192 00:09:51,160 --> 00:09:51,679 Speaker 5: in love? 193 00:09:54,600 --> 00:09:58,880 Speaker 3: Now it's steady, it's on and the day dreams gone in. 194 00:09:59,120 --> 00:10:03,839 Speaker 5: I guess you still don't know, but it's so. 195 00:10:03,920 --> 00:10:09,760 Speaker 3: Want a full life. Baby, it's on a full life. 196 00:10:11,160 --> 00:10:15,520 Speaker 3: He even less waving good bye, TAWNK look. 197 00:10:15,480 --> 00:10:20,679 Speaker 5: Back, You're gonna make it just fine. And it's so 198 00:10:20,840 --> 00:10:21,959 Speaker 5: on a full. 199 00:10:21,880 --> 00:10:27,000 Speaker 3: Day, baby, it's a beautiful day. 200 00:10:27,960 --> 00:10:30,760 Speaker 5: He even know you're walking all the way. 201 00:10:31,240 --> 00:10:34,640 Speaker 3: Down, K, look back, you know want to be okay, 202 00:10:36,920 --> 00:10:39,160 Speaker 3: And it's so want a full life. 203 00:10:41,240 --> 00:10:58,280 Speaker 6: It's on a full life. Who go on DN keep 204 00:10:58,280 --> 00:10:59,319 Speaker 6: on driving? 205 00:11:03,040 --> 00:11:08,040 Speaker 5: So so a letting you go. 206 00:11:12,640 --> 00:11:16,000 Speaker 1: Fantastic, well done, Congratulations, good luck with the record, and 207 00:11:16,040 --> 00:11:18,720 Speaker 1: good luck with Nashville. And terrific to see and thanks 208 00:11:18,760 --> 00:11:20,520 Speaker 1: for coming in, Thanks so much for having me, not 209 00:11:20,559 --> 00:11:21,760 Speaker 1: at all, Georgia Lyons. 210 00:11:22,280 --> 00:11:25,200 Speaker 4: For more from the Mic Asking Breakfast, listen live to 211 00:11:25,320 --> 00:11:28,360 Speaker 4: news talks it Be from six am weekdays, or follow 212 00:11:28,400 --> 00:11:30,000 Speaker 4: the podcast on iHeartRadio.