1 00:00:00,120 --> 00:00:02,560 Speaker 1: If you have watched any New Zealand tally in just 2 00:00:02,600 --> 00:00:04,920 Speaker 1: the last couple of decades seven past that, by the way, 3 00:00:04,920 --> 00:00:08,200 Speaker 1: then our next guest has been a mainstay of your viewing. 4 00:00:08,520 --> 00:00:11,800 Speaker 1: And Tonia Preble, she just had her twenties when she 5 00:00:11,840 --> 00:00:14,440 Speaker 1: was cast an Outrageous Fortune, became a household name. They 6 00:00:14,480 --> 00:00:17,759 Speaker 1: are now celebrating the twentieth anniversary of this show, plus 7 00:00:17,840 --> 00:00:21,520 Speaker 1: the tenth anniversary of the prequel series, West Side. Antonia 8 00:00:21,600 --> 00:00:23,720 Speaker 1: has since gone on to do other things, and she's 9 00:00:23,720 --> 00:00:27,880 Speaker 1: doing international productions, also running a successful podcast, What Matters Most, 10 00:00:27,960 --> 00:00:31,360 Speaker 1: and Antonia Preble joins me, now morning, Antonia. 11 00:00:30,760 --> 00:00:32,920 Speaker 2: Good morning here that I can't believe it's. 12 00:00:32,840 --> 00:00:35,000 Speaker 1: Twenty years, can you? 13 00:00:35,040 --> 00:00:36,320 Speaker 2: No? I really can't. 14 00:00:36,400 --> 00:00:37,879 Speaker 3: And you know the thing that makes me feel the 15 00:00:37,880 --> 00:00:41,360 Speaker 3: most weird inside my belly about this is I just 16 00:00:41,440 --> 00:00:42,319 Speaker 3: turned forty one. 17 00:00:42,840 --> 00:00:44,040 Speaker 2: So I did it. 18 00:00:44,159 --> 00:00:46,600 Speaker 3: I started Outrageous when I was twenty and a half, 19 00:00:46,720 --> 00:00:49,760 Speaker 3: literally half my life ago. So when I think to 20 00:00:49,840 --> 00:00:52,360 Speaker 3: myself that I had the same amount of life pre 21 00:00:52,440 --> 00:00:56,600 Speaker 3: Outrageous Fortune as I have had post starting Outrageous Fortune, 22 00:00:56,720 --> 00:00:57,920 Speaker 3: I can't believe that. 23 00:00:58,680 --> 00:01:00,480 Speaker 2: So it's at the midpoint of my life. 24 00:01:00,520 --> 00:01:01,880 Speaker 1: Is it overwhelming to think of that. 25 00:01:03,280 --> 00:01:04,200 Speaker 2: It's not overwhelming. 26 00:01:04,200 --> 00:01:06,480 Speaker 3: It just makes me feel very sort of strange and 27 00:01:06,520 --> 00:01:09,039 Speaker 3: a bit kind of queasy because the first twenty years 28 00:01:09,040 --> 00:01:11,440 Speaker 3: of my life, as I'm sure it feels the same few, 29 00:01:11,480 --> 00:01:14,160 Speaker 3: they were interminable, you know, the growing up years, going 30 00:01:14,160 --> 00:01:16,760 Speaker 3: to high school for what felt like in millenniars, and 31 00:01:16,800 --> 00:01:17,680 Speaker 3: then the last twenty. 32 00:01:17,480 --> 00:01:20,200 Speaker 2: Years have just flown by. So yeah, I can't believe it. 33 00:01:20,360 --> 00:01:22,480 Speaker 1: Yeah, which is kind of worrying because then you think, well, 34 00:01:22,520 --> 00:01:24,080 Speaker 1: what about the next forty years? And then you know 35 00:01:24,319 --> 00:01:25,039 Speaker 1: life is over? 36 00:01:25,440 --> 00:01:26,600 Speaker 2: Do you everyone? 37 00:01:26,959 --> 00:01:29,280 Speaker 1: Yeah? Do you ever go back and watch it? 38 00:01:30,760 --> 00:01:31,320 Speaker 2: Do you know what? 39 00:01:31,480 --> 00:01:35,280 Speaker 3: I don't intentionally go back and watch it, and not 40 00:01:35,360 --> 00:01:39,320 Speaker 3: for any specific reason. I actually I do sometimes find 41 00:01:39,360 --> 00:01:41,880 Speaker 3: watching the things I'm in difficult, but now, because it 42 00:01:41,920 --> 00:01:44,080 Speaker 3: was twenty years ago, there is enough distance for me 43 00:01:44,120 --> 00:01:45,960 Speaker 3: to be able to see it with some objectivity. But 44 00:01:46,040 --> 00:01:48,800 Speaker 3: I kind of just don't often think too. You know, 45 00:01:48,960 --> 00:01:51,640 Speaker 3: life's busy and there's lots of current shows to watch. 46 00:01:51,960 --> 00:01:55,559 Speaker 3: But there's been quite a few posts on social media 47 00:01:55,600 --> 00:01:58,920 Speaker 3: that I've been tagged in to celebrate this twenty years, 48 00:01:58,920 --> 00:02:01,440 Speaker 3: with various clips from the show, and so I watched 49 00:02:01,480 --> 00:02:03,880 Speaker 3: them whenever I'm tagged in them, and I just get 50 00:02:03,920 --> 00:02:06,760 Speaker 3: transported straight back to that time. You know, the scene 51 00:02:07,000 --> 00:02:09,920 Speaker 3: where Cheryl tells us we're going straight I remember, I 52 00:02:09,960 --> 00:02:13,040 Speaker 3: remember shooting that scene. I remember the direction that we 53 00:02:13,040 --> 00:02:15,320 Speaker 3: were all being given by our director. That there was 54 00:02:15,360 --> 00:02:20,040 Speaker 3: such a visceral, palpable time in my life. So yeah, 55 00:02:20,080 --> 00:02:22,280 Speaker 3: I just get transported back there. But I have to 56 00:02:22,320 --> 00:02:25,520 Speaker 3: say I really like it still, Like I think in 57 00:02:25,560 --> 00:02:27,800 Speaker 3: its own way, it has stood the test of time. 58 00:02:27,919 --> 00:02:30,560 Speaker 3: Like it looks a bit dated because just you know, 59 00:02:30,680 --> 00:02:33,800 Speaker 3: cameras and lighting and everything was different. But I still 60 00:02:33,919 --> 00:02:36,320 Speaker 3: really enjoy the story. And the poem says, which is 61 00:02:36,360 --> 00:02:36,960 Speaker 3: really nice. 62 00:02:37,360 --> 00:02:39,680 Speaker 1: You are you aware of how big that show was? 63 00:02:39,720 --> 00:02:42,400 Speaker 1: And I'm asking this because sometimes when you're doing something 64 00:02:42,440 --> 00:02:43,839 Speaker 1: and you're in the middle of it, you can't quite 65 00:02:43,840 --> 00:02:47,520 Speaker 1: appreciate what is actually happening to you. But with time, 66 00:02:48,000 --> 00:02:50,600 Speaker 1: have you come to realize how massive that show was 67 00:02:50,639 --> 00:02:51,280 Speaker 1: in this country? 68 00:02:51,960 --> 00:02:52,320 Speaker 2: Yeah? 69 00:02:52,560 --> 00:02:55,519 Speaker 3: It's such a good question, and it's so true because 70 00:02:55,680 --> 00:02:59,520 Speaker 3: when we started the show, i'd say season one, season two, 71 00:03:00,160 --> 00:03:03,200 Speaker 3: we had no idea really, like we felt on set 72 00:03:03,280 --> 00:03:05,440 Speaker 3: collectively that there was kind of a bit of a 73 00:03:05,520 --> 00:03:07,800 Speaker 3: magic happening. There was a kind of this electricity that 74 00:03:07,880 --> 00:03:11,240 Speaker 3: was created that felt really special. But even that's not 75 00:03:11,240 --> 00:03:13,280 Speaker 3: a good litmus test because I've had that feeling on 76 00:03:13,360 --> 00:03:15,440 Speaker 3: other shows and then no one watches it and it's 77 00:03:15,520 --> 00:03:17,959 Speaker 3: not good, or you don't think the show is good, 78 00:03:18,000 --> 00:03:19,880 Speaker 3: and then for some reason it really finds an audience 79 00:03:19,919 --> 00:03:21,679 Speaker 3: and is great. So we were having a good time 80 00:03:21,720 --> 00:03:25,079 Speaker 3: but had no idea really if that would translate, and 81 00:03:25,440 --> 00:03:27,639 Speaker 3: I think we sort of squeaked in to get funding 82 00:03:27,639 --> 00:03:29,519 Speaker 3: for season two. I don't know how. I mean, I 83 00:03:29,560 --> 00:03:32,640 Speaker 3: think season one was well received but not crazy successful. 84 00:03:32,960 --> 00:03:36,000 Speaker 3: So it wasn't until about season three when we've got 85 00:03:36,040 --> 00:03:39,120 Speaker 3: renewed for like eighteen episodes, which was, you know, pretty 86 00:03:39,200 --> 00:03:41,960 Speaker 3: unheard of, and we started really getting stopped in the 87 00:03:41,960 --> 00:03:44,840 Speaker 3: street a lot more that we realized we were kind 88 00:03:44,840 --> 00:03:48,040 Speaker 3: of onto something. But I think in a way, I'm 89 00:03:48,040 --> 00:03:50,680 Speaker 3: sort of surprised every day, like it's now we're talking 90 00:03:50,720 --> 00:03:52,880 Speaker 3: about the show that we did twenty years ago, and 91 00:03:52,920 --> 00:03:54,640 Speaker 3: here we are talking about it, you know. So the 92 00:03:54,680 --> 00:03:57,440 Speaker 3: fact that the legacy has endured this long, I think 93 00:03:57,560 --> 00:04:00,520 Speaker 3: is still still quite startling and so lovely. Now I 94 00:04:00,520 --> 00:04:02,240 Speaker 3: feel so special to be part of a show that 95 00:04:02,280 --> 00:04:04,040 Speaker 3: people still want to talk about twenty. 96 00:04:03,880 --> 00:04:05,800 Speaker 1: Years later, How do you feel about the state of 97 00:04:05,840 --> 00:04:08,680 Speaker 1: local TV at the moment. Is it sad to you 98 00:04:08,760 --> 00:04:10,720 Speaker 1: that we do not provide as much of it as 99 00:04:10,720 --> 00:04:11,120 Speaker 1: we used to. 100 00:04:11,880 --> 00:04:13,200 Speaker 2: Yeah, it's really sad. 101 00:04:13,360 --> 00:04:17,400 Speaker 3: Yeah, I don't know many actors or crew who are 102 00:04:17,480 --> 00:04:19,239 Speaker 3: like having a good time at the moment. 103 00:04:19,520 --> 00:04:21,680 Speaker 2: Almost all of the people who I know who work 104 00:04:21,680 --> 00:04:23,520 Speaker 2: in the screen sector are struggling. 105 00:04:23,839 --> 00:04:27,800 Speaker 3: And yeah, it is just you know, put the post 106 00:04:27,839 --> 00:04:31,760 Speaker 3: COVID issues, America is having its own issues, which you 107 00:04:31,760 --> 00:04:34,000 Speaker 3: know has a flow on effect from here. 108 00:04:34,279 --> 00:04:35,520 Speaker 2: So yeah, I do think it's sad. 109 00:04:35,560 --> 00:04:38,280 Speaker 3: It's a lot harder to get things funded, particularly at 110 00:04:38,279 --> 00:04:41,680 Speaker 3: a more premium level, without having international funding. 111 00:04:41,360 --> 00:04:44,320 Speaker 2: Attached, which is really hard to get. So yeah, it is. 112 00:04:45,520 --> 00:04:46,159 Speaker 2: It is sad. 113 00:04:46,360 --> 00:04:48,640 Speaker 3: I mean I try not to get to sort of 114 00:04:48,720 --> 00:04:51,440 Speaker 3: generally downhearted about things, because what's the point, you know, 115 00:04:51,480 --> 00:04:53,280 Speaker 3: then you're just sort of spen your life being miserable. 116 00:04:53,960 --> 00:04:55,640 Speaker 2: So I tried it, you know, be optimistic. 117 00:04:55,720 --> 00:04:58,640 Speaker 3: But I do have to say that I in my 118 00:04:58,680 --> 00:05:01,719 Speaker 3: conversations with my peers, there's no one sort of having 119 00:05:01,760 --> 00:05:02,680 Speaker 3: the best time at the moment. 120 00:05:02,720 --> 00:05:05,040 Speaker 1: Yeah, we still need to see ourselves on Telly right 121 00:05:05,080 --> 00:05:07,400 Speaker 1: as a country, right, now we're talking about the possibility 122 00:05:07,400 --> 00:05:09,840 Speaker 1: that even Shortland Street doesn't come back next year. How 123 00:05:09,839 --> 00:05:12,400 Speaker 1: do you see yourselves on tally in a small country 124 00:05:12,440 --> 00:05:14,720 Speaker 1: like New Zealand where everybody is subscribing to Disney and 125 00:05:14,760 --> 00:05:16,520 Speaker 1: Amazon and Netflix, how do you actually make sure that 126 00:05:16,560 --> 00:05:17,440 Speaker 1: we are on tally? 127 00:05:18,160 --> 00:05:18,360 Speaker 2: Well? 128 00:05:18,400 --> 00:05:23,080 Speaker 3: I think we have to have government charters to make 129 00:05:23,120 --> 00:05:24,880 Speaker 3: sure that we do have enough funding to tell our 130 00:05:24,920 --> 00:05:28,240 Speaker 3: own stories. And other countries with similar populations, like Ireland, 131 00:05:28,600 --> 00:05:31,000 Speaker 3: do it really well. You know, they have an amazing 132 00:05:31,040 --> 00:05:33,840 Speaker 3: output of TV and they just really value the arts because, 133 00:05:33,880 --> 00:05:36,400 Speaker 3: as you say, they recognize the value of having their 134 00:05:36,960 --> 00:05:38,360 Speaker 3: own stories on screen. 135 00:05:38,400 --> 00:05:40,719 Speaker 2: And I think that was kind of amazing. 136 00:05:40,760 --> 00:05:43,040 Speaker 3: Thing about Outrageous Does to take it back to that 137 00:05:43,160 --> 00:05:44,520 Speaker 3: is because it was sort of one of the first 138 00:05:44,520 --> 00:05:48,280 Speaker 3: times where we felt quite like proud about. 139 00:05:48,040 --> 00:05:49,080 Speaker 2: Seeing ourselves on screen. 140 00:05:49,120 --> 00:05:51,520 Speaker 3: You know, we have this huge cringe factor about tall 141 00:05:51,520 --> 00:05:54,240 Speaker 3: poppy syndrome in New Zealand, and when that show came on, 142 00:05:54,640 --> 00:05:57,560 Speaker 3: which was celebrating and really was celebrating, it was never 143 00:05:57,600 --> 00:05:59,440 Speaker 3: poking fun at a very. 144 00:05:59,279 --> 00:06:01,480 Speaker 2: Specific part of our culture. 145 00:06:01,680 --> 00:06:03,520 Speaker 3: I think for the first time, New Zealanders were like, 146 00:06:03,560 --> 00:06:06,520 Speaker 3: we love seeing we love us, No, we love hearing 147 00:06:06,520 --> 00:06:09,479 Speaker 3: our voices. So what a shame if we if we 148 00:06:09,520 --> 00:06:13,120 Speaker 3: don't get that opportunity anymore and across a diverse range 149 00:06:13,160 --> 00:06:15,640 Speaker 3: of voices and a diverse range of stories. 150 00:06:15,680 --> 00:06:17,200 Speaker 2: Because yeah, I think it's. 151 00:06:17,600 --> 00:06:20,120 Speaker 3: A it's such an important reflection of who we are 152 00:06:20,160 --> 00:06:21,960 Speaker 3: to sort of find out who we are, or to 153 00:06:22,040 --> 00:06:24,640 Speaker 3: keep learning and discovering who we are and moving forward 154 00:06:24,680 --> 00:06:26,080 Speaker 3: as a culture in a society. 155 00:06:26,320 --> 00:06:29,680 Speaker 2: And that is gone. Yeah, what are we lift with 156 00:06:29,839 --> 00:06:31,039 Speaker 2: just learning how to be Americans? 157 00:06:31,080 --> 00:06:33,920 Speaker 1: Well exactly? Can I talk to you about after the party? 158 00:06:33,960 --> 00:06:37,640 Speaker 1: Because your husband was involved with that, right, yes he was. Okay, 159 00:06:38,120 --> 00:06:44,080 Speaker 1: that ending sucked, didn't it. I loved that. Well, I 160 00:06:44,120 --> 00:06:46,360 Speaker 1: say this, but I'm conflicted when I say this game. 161 00:06:46,680 --> 00:06:49,200 Speaker 1: I loved it. I think it is the best television 162 00:06:49,240 --> 00:06:50,640 Speaker 1: that we have done out of the country in a 163 00:06:50,640 --> 00:06:53,280 Speaker 1: long time. But it was to neat at the end. 164 00:06:53,560 --> 00:06:55,240 Speaker 1: I hope this is not a spoiler, but it's too 165 00:06:55,279 --> 00:06:57,159 Speaker 1: neat at the end that the bad guy dies. 166 00:06:57,920 --> 00:07:02,480 Speaker 2: Yeah, right, I yet, fair enough. I didn't mind it. 167 00:07:02,520 --> 00:07:05,479 Speaker 3: I sort of felt like it was true to the 168 00:07:05,600 --> 00:07:09,000 Speaker 3: story and true to what the characters would have done. 169 00:07:09,720 --> 00:07:14,000 Speaker 3: And I also really liked the the kind of synergy 170 00:07:14,080 --> 00:07:16,320 Speaker 3: and the parallels of what happened after the party and 171 00:07:16,320 --> 00:07:19,400 Speaker 3: what happened after the party, you know, the parties beginning it. 172 00:07:19,680 --> 00:07:22,160 Speaker 3: So look, I didn't mind it, but I hear I 173 00:07:22,200 --> 00:07:24,000 Speaker 3: think that's that's that's a Valot point of view. 174 00:07:24,040 --> 00:07:27,520 Speaker 2: Look, I'll pass it on to Dan. So look here, 175 00:07:27,560 --> 00:07:29,360 Speaker 2: that's not heavy with the ending. Okay. 176 00:07:29,760 --> 00:07:31,320 Speaker 1: Well when you pass it on, though, make sure that 177 00:07:31,360 --> 00:07:33,600 Speaker 1: you primarily say she gives it like a strong nine 178 00:07:33,640 --> 00:07:35,840 Speaker 1: out of ten. And the only missing star is because 179 00:07:36,040 --> 00:07:38,440 Speaker 1: he should have suffered with everybody knowing what he did. 180 00:07:39,240 --> 00:07:43,080 Speaker 2: Yeah, fair enough, like suffered consciously rather than just dying. 181 00:07:43,320 --> 00:07:45,240 Speaker 1: Yeah, it was it was an easy escape for him. 182 00:07:45,280 --> 00:07:47,880 Speaker 1: I've totally blown the ending for anybody who hasn't seen it. 183 00:07:49,320 --> 00:07:52,640 Speaker 1: By the way, I have heard, right because because because yeah, 184 00:07:52,640 --> 00:07:54,880 Speaker 1: your husband's involved in Taliaza you I've heard that you 185 00:07:54,920 --> 00:07:58,920 Speaker 1: were involved some sort of an unnamed international production. What's 186 00:07:58,960 --> 00:07:59,360 Speaker 1: going on? 187 00:07:59,520 --> 00:08:02,880 Speaker 3: Oh yes, I'm something film, Well possibly the thing I'm 188 00:08:02,880 --> 00:08:03,679 Speaker 3: filming at the moment. 189 00:08:03,960 --> 00:08:05,480 Speaker 2: That does that sound? Is it? 190 00:08:05,560 --> 00:08:07,080 Speaker 1: Are we allowed to know about this or is it 191 00:08:07,080 --> 00:08:07,560 Speaker 1: a secret? 192 00:08:08,360 --> 00:08:09,320 Speaker 2: Look? I think so. 193 00:08:09,400 --> 00:08:14,480 Speaker 3: Look, I'll just say get in trouble later. Yeah, it's 194 00:08:14,480 --> 00:08:18,600 Speaker 3: a show called MS X and it's it's plus six 195 00:08:18,760 --> 00:08:21,600 Speaker 3: four which is a New Zealand production company and copro 196 00:08:21,720 --> 00:08:25,240 Speaker 3: with FPP. And then they've got some American investment as well. 197 00:08:25,480 --> 00:08:27,760 Speaker 3: And do you know Melissa George. Do you remember Melissa George? 198 00:08:29,000 --> 00:08:31,000 Speaker 3: She she stole my heart as an eight year old 199 00:08:31,040 --> 00:08:33,360 Speaker 3: when she played Angel and Home and Away, but she's 200 00:08:33,400 --> 00:08:36,000 Speaker 3: gone on to have a very illustrious career after that. 201 00:08:36,720 --> 00:08:40,040 Speaker 3: So she's the lead alongside Dino Gorman who we love, 202 00:08:40,120 --> 00:08:43,080 Speaker 3: and Simone Kessel And yeah, I'm in it as well, 203 00:08:43,120 --> 00:08:46,080 Speaker 3: and I just play I honestly that I've had the 204 00:08:46,120 --> 00:08:47,640 Speaker 3: most fun playing this character. 205 00:08:47,920 --> 00:08:49,520 Speaker 2: It's very different. 206 00:08:50,080 --> 00:08:52,679 Speaker 3: In fact, couldn't be more opposite to like Larta West, 207 00:08:52,760 --> 00:08:55,520 Speaker 3: let's say. So when it comes out, I think people 208 00:08:55,600 --> 00:08:57,880 Speaker 3: be like, oh, we've never quite seen Antonio do a 209 00:08:57,960 --> 00:09:00,360 Speaker 3: role like this, and it's been so fun. 210 00:09:00,559 --> 00:09:02,360 Speaker 2: I've almost I'm almost finished. I've got a couple of 211 00:09:02,360 --> 00:09:03,880 Speaker 2: more days to go. But yes, so this is. 212 00:09:03,840 --> 00:09:05,360 Speaker 1: A New Zealand azzy production. 213 00:09:05,160 --> 00:09:08,040 Speaker 3: Is it? It's just a New Zealand production but with 214 00:09:08,120 --> 00:09:11,720 Speaker 3: American funding. Oh I see outers of Facts plast six. 215 00:09:11,559 --> 00:09:13,120 Speaker 2: Four and then some American funds. 216 00:09:13,160 --> 00:09:14,800 Speaker 1: Why are the Americans funding our shows? 217 00:09:14,800 --> 00:09:18,839 Speaker 3: Why are they interested, Well, we have to have Americans 218 00:09:18,960 --> 00:09:22,400 Speaker 3: or some other international body funding our shows. Now, if 219 00:09:22,440 --> 00:09:24,960 Speaker 3: you really want any show that's at a premium level, 220 00:09:25,000 --> 00:09:27,640 Speaker 3: anything over about three million dollars, New Zealand Air just 221 00:09:27,880 --> 00:09:28,959 Speaker 3: won't fund it anymore. 222 00:09:29,679 --> 00:09:31,400 Speaker 2: So you just have to go looking. 223 00:09:31,640 --> 00:09:36,040 Speaker 3: And I think international production companies or distribution companies that 224 00:09:36,200 --> 00:09:39,760 Speaker 3: they're looking for a show that they think they can sell, 225 00:09:39,800 --> 00:09:42,240 Speaker 3: that they'll they'll make money on. And they really like 226 00:09:42,280 --> 00:09:44,559 Speaker 3: these scripts and really like this idea. So so got 227 00:09:44,600 --> 00:09:45,240 Speaker 3: on board with it. 228 00:09:45,360 --> 00:09:48,000 Speaker 1: Brilliant stuff. Now, Also, before I let you go, I 229 00:09:48,000 --> 00:09:51,040 Speaker 1: want to understand something because you're a wedding celebrant, and 230 00:09:51,120 --> 00:09:53,040 Speaker 1: I'm noticing I've got a lot of friends in the 231 00:09:53,080 --> 00:09:57,000 Speaker 1: media who are wedding celebrants, you know, for example, Matt McLain, who, 232 00:09:57,080 --> 00:09:59,360 Speaker 1: Maddie Who? Does you know the heads or whatever? What's 233 00:09:59,400 --> 00:10:01,319 Speaker 1: up with all you got becoming a wedding celebrants? 234 00:10:01,800 --> 00:10:02,640 Speaker 2: Oh that's funny. 235 00:10:03,600 --> 00:10:06,520 Speaker 3: Well, I suppose it feels like a bit more of 236 00:10:06,559 --> 00:10:09,480 Speaker 3: a natural quite a natural fit for the skills you 237 00:10:09,520 --> 00:10:11,920 Speaker 3: already have, which is, you know, being a communicator, being 238 00:10:11,960 --> 00:10:15,040 Speaker 3: a presenter. The reason I got my license was because 239 00:10:15,080 --> 00:10:18,160 Speaker 3: some friends of my brothers actually wanted to get married, 240 00:10:18,160 --> 00:10:20,600 Speaker 3: and I thought, oh great, I'll do that. And I 241 00:10:20,640 --> 00:10:22,320 Speaker 3: think for like, for me, it's a really lovely thing 242 00:10:22,360 --> 00:10:24,720 Speaker 3: to do. But it also fits really well around other work. 243 00:10:25,040 --> 00:10:27,000 Speaker 3: So you know, you can just I only do like 244 00:10:27,040 --> 00:10:29,679 Speaker 3: a few a year, but it's a lovely thing to do. 245 00:10:29,840 --> 00:10:32,360 Speaker 3: And yeah, I think you know, it fits fits quite 246 00:10:32,360 --> 00:10:34,800 Speaker 3: well probably with people in this industry and what they do. 247 00:10:35,040 --> 00:10:37,160 Speaker 1: Probably it's the performance, isn't it. You're a performer and 248 00:10:37,160 --> 00:10:38,640 Speaker 1: then you're just a performer at somebody's wedding. 249 00:10:39,320 --> 00:10:41,120 Speaker 3: You are, Yeah, and you're connecting people and you know 250 00:10:41,160 --> 00:10:45,520 Speaker 3: it's about relationships and yeah, giving us sort of speech. Yeah, brilliant. 251 00:10:45,520 --> 00:10:47,720 Speaker 1: Hey, it's been absolutely lovely to talk to you, Antonia. 252 00:10:47,720 --> 00:10:49,360 Speaker 1: I'm so pleased to hear that you're doing this wonderful 253 00:10:49,360 --> 00:10:50,680 Speaker 1: show and I can't wait for it to come out. 254 00:10:51,320 --> 00:10:55,520 Speaker 1: Thank you, Antonia Prebble of Outrageous Fortune. By the way, Antonia, 255 00:10:55,520 --> 00:10:57,920 Speaker 1: I told you at the start. Antonia Prebble's doing this podcast. 256 00:10:57,920 --> 00:11:01,000 Speaker 1: It's called What Matters Most and Base. She talks therapy 257 00:11:01,000 --> 00:11:03,760 Speaker 1: with her friend who's an expert in this, Jackie Maguire. 258 00:11:03,840 --> 00:11:06,559 Speaker 1: They're in their fourth season of it, episode one of 259 00:11:06,559 --> 00:11:09,280 Speaker 1: what matters most comes out tomorrow. It's on perfectionism, which 260 00:11:09,320 --> 00:11:12,040 Speaker 1: is you'll know is a blessing and a curse. Perfectionism 261 00:11:12,040 --> 00:11:16,040 Speaker 1: makes you good at your job, but huh, it's exhausting, 262 00:11:16,120 --> 00:11:18,280 Speaker 1: isn't it if you start doing it on everything like 263 00:11:19,160 --> 00:11:23,120 Speaker 1: dinner prep? Anyway, Tune into that for more from the 264 00:11:23,160 --> 00:11:26,240 Speaker 1: Mic Asking Breakfast, Listen live to news talks that'd be 265 00:11:26,360 --> 00:11:30,080 Speaker 1: from six am weekdays, or follow the podcast on iHeartRadio