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Speaker 1: Hello, it's Matt Heath here with a massive self source.

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Speaker 1: My number one best selling book, Are Lifeless Punishing Thirteen

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Speaker 1: Way to live a life less bored, less stressed, angry, worried, annoyed, scared, dissatisfied,

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Speaker 1: of articulating an important message, highly valuable advice for anyone.

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Speaker 1: The newsroom described it as good, very good, indeed, and

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Speaker 1: Kitty Book said this is wisdom which could save my

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Speaker 1: teenage son a lot of ants as he negotiates the

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Speaker 1: slings and arrows of adult life. And under Juris Rmy

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Speaker 1: Wells he had met as a deep thinking, highly intelligent

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Speaker 1: human being, which was nice of him. The number one

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Speaker 1: best selling are Lifeless Punishing Thirteen Ways to Love the

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Speaker 1: Life You Got, as available in all good bookstores now.

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Speaker 1: Shocking self source.

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Speaker 3: Over it's gid person.

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Speaker 1: It is the second of July twenty twenty four. Welcome

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Speaker 1: all you bespokey dokeyes to the Daily Bespoke podcast. Would

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Speaker 1: it kill you guys to watch a decent fucking movie

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Speaker 1: every now and then?

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Speaker 4: Hey? I did recently?

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Speaker 2: What did you watch?

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Speaker 4: I watched that The Wounder that stole all that art

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Speaker 4: from the museum in Paris. And someone texts in on

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Speaker 4: the show today saying, great recommendation, MESSI I watched it

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Speaker 4: last night. Oh the doko Yeah, the docco account does it.

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Speaker 4: That's all I have watched lately.

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Speaker 1: Wow, As I was saying on the Daily Highlights podcast,

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Speaker 1: this movie ever made, Twelve Angry Men nineteen fifty seven.

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Speaker 2: I watched it last night, black and white. Get that

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Speaker 2: up your mesh.

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Speaker 4: I mean, I hear what you're saying, Jerry, You'll beat

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Speaker 4: me up on this. Yeah. The best movie I've ever

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Speaker 4: watched is a phrase that comes up once every fortnight

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Speaker 4: on the show, and I'm just worried that maybe we're

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Speaker 4: throwing that phrase around a little bit too much because

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Speaker 4: Twelve Angry Men. I've had a look online.

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Speaker 2: People love It's how I seen on roderin Tomatoes.

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Speaker 4: I don't know if it's the best movie you've ever made.

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Speaker 4: Oh maybe it is. Look, who am I to judge, Jerry,

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Speaker 4: what's your favorite movie you ever made?

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Speaker 2: My favorite movie ever made, I can tell you it's

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Speaker 2: it's got one hundred cent or not tomatoes, twelve angry Me.

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Speaker 2: My favorite movie that I've ever seen is because there's

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Speaker 2: lots of movies that I haven't seen that I'm sure

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Speaker 2: I quite like if I saw them, but as and

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Speaker 2: I'm not much of a movie watcher, but it's probably Fargo.

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Speaker 2: Farg Off, No, Fargo, not fag Off in farg Off

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Speaker 2: with Fargo.

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Speaker 4: You know, Argo is one of my favorite movies.

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Speaker 1: As I go, as I go that the Ben still

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Speaker 1: a wounder, nah Ben affleck affleck.

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Speaker 2: I quite like that, Yeah, quite like.

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Speaker 1: No, I like I like the the device they had

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Speaker 1: on it when when when binging you could drink alcohol

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Speaker 1: and they were out of there.

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Speaker 2: Oh yeah that was not that was nice time. That

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Speaker 2: was good. But I'm having at twelve angry Men here.

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Speaker 2: Get it up yet.

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Speaker 1: It's from nineteen fifty seven, and get it up yere.

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Speaker 4: And it's not a porno, okay.

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Speaker 2: It's not a god. Twelve Angry Men would not be

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Speaker 2: the porno that I would get.

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Speaker 3: No.

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Speaker 4: Watch now that Google.

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Speaker 2: I watched it, I actually had to pay five ninety

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Speaker 2: nine and I watched it on Apple.

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Speaker 1: Oh yeah, holy shit. Budget was three hundred and thirty

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Speaker 1: seven thousand.

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Speaker 4: Who's in it.

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Speaker 2: It's quite a lot for the time considering us all

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Speaker 2: set in one room.

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Speaker 1: So basically the premise of it is that fond that

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Speaker 1: there's a guy that's been accused of murder and this

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Speaker 1: is just the twelve jurors in a room.

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Speaker 2: Did you know?

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Speaker 1: I was interested about this because I was watching it

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Speaker 1: with a girl and she goes to me. She says,

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Speaker 1: she's me sixist, she says, she says sexist. Why they're

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Speaker 1: no woman and the jury. But women had actually had

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Speaker 1: the right to be in the jury for a very

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Speaker 1: very very long time in America by nine fifty seven,

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Speaker 1: a long long time, but they would always say no.

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Speaker 1: So women didn't want to be in juries. Strangely, they

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Speaker 1: it was very rare for a woman. They were getting

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Speaker 1: the same amount of leaders sent out to them to

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Speaker 1: join jewelies, but women for the longest time just didn't

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Speaker 1: want to do it culturally for some reason. I think

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Speaker 1: it was to do with a lot of it was

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Speaker 1: to do with women, And oh, that's right. Woman had

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Speaker 1: an immediate get out of it free because it was

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Speaker 1: seeing that women were busy with children and stuff. So

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Speaker 1: men was really used to be really hard to get

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Speaker 1: out of jury service back in America and back in

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Speaker 1: the day, but it was very easy for women to

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Speaker 1: get out of jurys service because I've.

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Speaker 2: Seen that back then.

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Speaker 1: It's seen what was going to happen with the kids

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Speaker 1: if there's you know, so basically what every woman said

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Speaker 1: no and there, but men were being forced to do it.

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Speaker 1: So it wasn't really sex as them, was it? Or

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Speaker 1: was it was? Henry Fonder is a great New Zealander. Shit, yeah,

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Speaker 1: I kept been calling it. Call call it him Peter

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Speaker 1: Fonder on the on the Bloody Highlights because Peter Fonder's

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Speaker 1: son as his son. Oh yeah, and Jane of course, yep,

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Speaker 1: Jane Fonder. Henry Fonder amazing and he produced this movie

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Speaker 1: as well and stars in it. And it's really interesting

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Speaker 1: when you watch this movie Twelve Angry Men, because you

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Speaker 1: see the morals of the day were quite different, and

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Speaker 1: the morals of the day are being really fair. But

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Speaker 1: it's interesting there's a thing that we don't really have

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Speaker 1: now back then where they thought that there were certain

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Speaker 1: people that thought poor people were bad in virtue of

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Speaker 1: being poor, so poor it wasn't a racism thing because

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Speaker 1: everyone in this You know that the person that's on charges,

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Speaker 1: there's some guy that's prejudiced in it, and he's prejudiced,

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Speaker 1: but he's preduously against slum dwellers, people that live in slums,

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Speaker 1: because they said they're bad people, and they brought up

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Speaker 1: bad and they remained to be bad.

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Speaker 2: This is an interesting.

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Speaker 1: The working the working poor that this person's anti and

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Speaker 1: you don't really hear much about that rhetoric anymore, do you.

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Speaker 2: No. So the plot, an eighteen year old Latino is

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Speaker 2: accused of having stabbed his father to death. Ah was

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Speaker 2: he Latino? I missed that. He's presented in a courtroom

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Speaker 2: before a twelve man jury. Ah.

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Speaker 1: I must that because I couldn't tell that he was Latino.

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Speaker 1: So that when the guy was pretty just, it was

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Speaker 1: because he was pretty just about him being Latino. If

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Speaker 1: missed that, all right, it's to strike what I was

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Speaker 1: just saying.

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Speaker 4: I also say that none of the characters have names

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Speaker 4: other than Dura number whatever. So like he and new

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Speaker 4: Fondo is during number eight.

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Speaker 1: That's one of the brilliant moments in it. Because they

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Speaker 1: all get called just their jury name jury one too, do.

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Speaker 2: You remember one? So the case in jury is yeah.

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Speaker 1: Yeah, And so they all sit around the table and

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Speaker 1: it's what's so brilliant about it is that there's this

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Speaker 1: cut and dry case. It seems like the kid definitely

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Speaker 1: murdered his father, right. But then over the course of

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Speaker 1: the movie, there's just one guy played by Henry Fondo,

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Speaker 1: such a great actor, but he goes, I don't know,

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Speaker 1: I just want to talk about it, and everyone else

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Speaker 1: wants someone wants to go to a baseball game. They

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Speaker 1: just want to get out of there. One of them

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Speaker 1: just goes, I just want to get out of there.

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Speaker 1: It's really really hot. It's a really hot New York day,

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Speaker 1: and there's no air conditioning. The fan won't work, and

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Speaker 1: they just a lot of them just want to get out.

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Speaker 1: And this one guy says, I think we owe it

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Speaker 1: to this young man he's eighteen, to talk it through

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Speaker 1: and just spend some time before he sent to the chair.

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Speaker 2: Henry Fonds during number eight does he play a character

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Speaker 2: mister Davis? I he might do.

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Speaker 1: I actually don't find out his name till the very end. Okay, Andy,

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Speaker 1: it's so brilliantly shot, and you realize that a lot

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Speaker 1: of the blocking in movies isn't as good as it

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Speaker 1: used to be because they just cut around.

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Speaker 2: There's multiple cuts, but they used to just block a shot.

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Speaker 1: The camera would be there, the actors would move to

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Speaker 1: their spots, say their line, and they'd move around.

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Speaker 2: Quite it's quite brilliant.

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Speaker 1: You actually watch it and go there was a craft

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Speaker 1: of movie making that's kind of been lost, and it

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Speaker 1: was quite a different thing. Well, no special effects, no

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Speaker 1: special effects, and also just quite hard to move the

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Speaker 1: cameras around because they were so massive, and you couldn't

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Speaker 1: just roll endless film because film was really really expensive.

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Speaker 1: One of the most expensive parts of a movie was

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Speaker 1: just rolling film for the camera.

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Speaker 2: The find more difficult to light black and white as well.

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Speaker 2: That's the other part, because there's a lot of shadow.

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Speaker 2: That's what I found about watching The Talent of Mister Ripley,

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Speaker 2: which is in black and white, which annoyed a lot

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Speaker 2: of people. There's a new Netflix show, isn't it. Yeah?

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Speaker 2: But I like the black and white part of it.

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Speaker 2: I thought it made it really especially in the bright

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Speaker 2: sunshine of Italy Coastal Italy in summer and the shadows

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Speaker 2: and the shadows that were cast. That's got that same

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Speaker 2: kind of thing. I think black and white can crowd

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Speaker 2: attention that you can't necessarily get in color.

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Speaker 1: To be honest, Yeah, well it's interesting because nineteen fifty

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Speaker 1: seven when this movie was made. There've been color movies

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Speaker 1: since nineteen oh two, but it.

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Speaker 2: Was kind of a pain in the ars.

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Speaker 1: So they stayed in black and white, and a lot

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Speaker 1: of directors of photography they preferred black and white because

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Speaker 1: they operated in color, and they offered in shadow, you know,

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Speaker 1: like light and dark, and that's how they'd light it.

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Speaker 1: And so they would be like they actually thought that

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Speaker 1: color was a gimmick. They were like, oh, color is

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Speaker 1: just a gimmick, because that's not how a dop works.

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Speaker 1: And if you actually watch this movie with that in mind,

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Speaker 1: it's the dop was fucking kick man.

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Speaker 2: He's kick us.

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Speaker 1: Don't you hate some wanker that comes in and says,

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Speaker 1: watch a movie from ninety fifty seven. It was fucking amazing.

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Speaker 1: I used to hear people say that kind of thing,

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Speaker 1: and I used to say, no, Europe, piece of shit,

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Speaker 1: get out, get out. I'm watching the latest Marvel movie.

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Speaker 1: But I think movies have just got so so off

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Speaker 1: track lately that you actually there was actually quite refreshing

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Speaker 1: to see people with the actual old craft of movies.

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Speaker 1: It's actually got to the point now we're watching a

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Speaker 1: movie like Twelve Angry Men and you realize things like

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Speaker 1: expository dialogue done in a sensible way instead of Now.

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Speaker 1: I don't know if you guys watched The Acolyte then

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Speaker 1: New Disney thing where people.

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Speaker 2: Just say how they're feeling about something. They just come

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Speaker 2: up and they.

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Speaker 1: Say what they're doing, what they're done, rather than doing

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Speaker 1: with their actions.

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Speaker 2: No, there's too much. I know exactly what you mean.

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Speaker 2: That's the problem I have with the meg too as well.

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Speaker 2: Everybody had to say exactly what they were doing the

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Speaker 2: whole time.

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Speaker 1: So they say I feel like this, and so you're

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Speaker 1: just supposed to take them by their word rather than

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Speaker 1: demonstrating it, which is much harder to rob.

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Speaker 2: That's that's for wounders like Mesh and message generation, where

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Speaker 2: everything needs to be spelled out. To me, I used

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Speaker 2: to sitting there jerking off. They used to. I watched

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Speaker 2: a street car name desire Well. I tried to watch

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Speaker 2: a street car name desire.

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Speaker 1: Welllf Shall we take a break and find out what

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Speaker 1: Jeremy thinks about that's wounding old black and white film.

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Speaker 4: Sorry, hold up, I wasn't ready for that.

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Speaker 2: You need to leave in that.

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Speaker 1: Sorry, I wasn't ready for that. On you people need

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Speaker 1: to see that you weren't.

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Speaker 4: Ready for I'm going to sharpen that up. People.

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Speaker 1: Just when you was pointing out that your generation doesn't

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Speaker 1: paying attention.

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Speaker 2: Exactly, you weren't even attention.

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Speaker 1: You weren't even paying attention to boring about a movie

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Speaker 1: from nineteen.

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Speaker 4: Fifty attention to someone else?

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Speaker 2: What were you paying attend to? Oh?

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Speaker 4: Just what I'm looking at here?

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Speaker 2: Tour memes.

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Speaker 4: No, I'm not paying attention to HOWK tour memes. I

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Speaker 4: just went down frollving room inhole.

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Speaker 1: Oh okay, you got to split on that thing. She's

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Speaker 1: the best of us, you know, like, get on the

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Speaker 1: fucking podcast.

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Speaker 4: I've tried to reach out, but Hocteur is a very

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Speaker 4: popular woman right now, Matt and I don't know if

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Speaker 4: I love our chances. Jerry, you watched a film yesterday.

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Speaker 2: A streetcar named as I wasn't he said as a

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Speaker 2: while back, the remake I don't recommend it, the remake

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Speaker 2: of the nineteen fifty was it fifty one?

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Speaker 1: Is that a dance fight? A fight dancing movie or

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Speaker 1: my thinking wistarted story.

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Speaker 2: That specide story nineteen fifty one. It's the Tennessee Williams

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Speaker 2: play that was converted into a film, very famous film. Yeah,

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Speaker 2: and it's got Marlon Brando in it.

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Speaker 5: Oh yeah, who's hot? Yeah, good looking man, Marlon Brando hot,

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Speaker 5: and he's hot in us he's very sweaty. But it's

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Speaker 5: about a woman who goes to live with their sister

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Speaker 5: and her sister's husband and then sort of goes crazy.

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Speaker 5: But maybe it would have been a great play. And

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Speaker 5: then I think they've turned it into let's think of

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Speaker 5: a lot of films back in those days. We're actually

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Speaker 5: plays that were then adapted.

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Speaker 2: Yeah, play We're twelve Angry Men was Oh yeah, okay,

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Speaker 2: a play, right, so some work and some dying. I

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Speaker 2: know this is it's a very famous film street car

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Speaker 2: name Desire, and it's a famous play. But I found

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Speaker 2: it really overacted and really boring.

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Speaker 1: Have you watched The Waterfront with Marlon Brando?

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Speaker 3: No?

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Speaker 1: Because I think about it on the Waterfront from nine

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Speaker 1: to fifty four. Interesting movie, but do you know what

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Speaker 1: it changed changed the world. And people were horrified because

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Speaker 1: he wore a T shirt, isn't it.

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Speaker 2: Oh he wore a T shirt and Street Car nam DESI.

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Speaker 1: Did he because wearing a T shirt was considered like

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Speaker 1: being in your undies. Yeah, and people like freaked out

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Speaker 1: to see someone in their T shirt. No one ever

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Speaker 1: done that. That was like walking around in your undies. No

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Speaker 1: one had done it in a movie. Maybe it was

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Speaker 1: the first time he did it in Street Coy Desire.

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Speaker 1: And then he continued on on the waterfront.

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Speaker 2: You know what, I think I started watching it because

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Speaker 2: we were talking about that.

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Speaker 1: And I said, oh, I might watch this right, and

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Speaker 1: he and actually you can kind of see it because

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Speaker 1: if you watch twelve Angry Men, they're all in suits.

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Speaker 1: Everyone is so formal back then, and then someone to

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Speaker 1: just turn up and a T shirt. Yeah, they're alone,

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Speaker 1: like fucking Mashy tuning out the gym with the low

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Speaker 1: hanging side singing that lets your side boom hang out.

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Speaker 2: Yeah.

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Speaker 4: I've got a theory that suits are going to come

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Speaker 4: back for me properly.

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Speaker 2: Yeah, I've got a theory that I reckon.

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Speaker 4: Probably another thirty forty years. I think there's going to

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Speaker 4: be another quick moment and.

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Speaker 2: You guys go to go to the dock and have

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Speaker 2: a look at this. This is Marlon Brando and a

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Speaker 2: street car named Desire. There is a man that is

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Speaker 2: in the singing.

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Speaker 4: There's a man Jerry, that doesn't watch films due to

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Speaker 4: their names often. It was strange to me that you

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Speaker 4: decided to watch a street cars.

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Speaker 2: I just knew it the film from from because I've

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Speaker 2: always heard about it growing up.

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Speaker 4: Who does he look like?

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Speaker 2: What's I don't know? But he is a devastatingly handsome man.

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Speaker 2: I reckck he was. He was like the most handsome,

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Speaker 2: wasn't he He was known as the most handsome man in Hollywood.

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Speaker 2: He had a bit of a blowout by the time

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Speaker 2: and Godfather.

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Speaker 1: Yes, I think I might be wrong. I think it

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Speaker 1: might be the T shirt might have been. And I

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Speaker 1: think Malon Brando and a T shirt. I think that

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Speaker 1: might have been. I might be thinking streetcar name Desire.

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Speaker 2: Yeah, I think that's why I watched it, because I

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Speaker 2: think we were talking about it in the Fact Factor

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Speaker 2: or something. Yeah.

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Speaker 1: Pretty good looking man. You got to say so, But

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Speaker 1: you say it's not a great movie.

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Speaker 2: No, it's just it's just a little bit of I

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Speaker 2: don't like do you know what I don't? And I

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Speaker 2: watched it the other day and Hugo is watching Stranger

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Speaker 2: Things at the moment. It's an annoying scene. This's one

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Speaker 2: thing that winds me up about films. It's when female

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Speaker 2: characters can't physically do things. It really annoys me. And

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Speaker 2: there's a bit and Stranger Things in series three where

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Speaker 2: the female character I can't remember her name, but she's

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Speaker 2: with Hopper's towards the end and she's trying to that

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Speaker 2: and not Eleven. No, she's she's like an older woman.

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Speaker 2: She's maybe Eleven's mum or she's anyway, she's made Oh god,

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Speaker 2: Eleven's mom.

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Speaker 4: One that stole things back in the day.

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Speaker 2: Who is the brain woman?

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Speaker 4: Who's the one that stole think that had?

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Speaker 1: No, No, it's not one on because Hopper has got

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Speaker 1: a mass white on for writer and.

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Speaker 2: Maybe maybe his girlfriend.

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Speaker 4: She stills.

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Speaker 2: She's trying to turn off the things, and all she

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Speaker 2: needs to do is just turn off things, and instead

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Speaker 2: of just turning off, she's just frantically. She's just useless

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Speaker 2: and just can't turn off these things, and physically it's

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Speaker 2: just can't do it. And I hate that, and in

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Speaker 2: this in the streetcar named Desire, there's a crazy, frantic

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Speaker 2: woman who's just really useless, right, and I just the

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Speaker 2: idea of the useless female character who's just physically pathetic. Well,

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Speaker 2: the most annoying example, the.

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Speaker 1: Most annoying example that is in Indiana Jones in the

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Speaker 1: Temple of doom.

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Speaker 2: Ah she went on to marry Steven Spielberg.

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Speaker 1: She just fucking walks around screaming and never fucking helps.

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Speaker 2: No, I know that character. Why do people have those?

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Speaker 2: Why do they write those characters in the films? Just help?

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Speaker 1: That's why Princess Leah was such an amazing character, wasn't she.

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Speaker 1: Princess Lea was just in charge.

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Speaker 2: Yes she was. She was a good character, good character.

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Speaker 2: She was capable.

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Speaker 4: Yeah hot, Can someone tell me about riders? So how

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Speaker 4: does she start? What happened? What went wrong? And then

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Speaker 4: her return to fame was because.

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Speaker 2: She was I feel like she was. She was in edwards,

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Speaker 2: her hens.

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Speaker 1: Okay, she was in fucking everything back in the day

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Speaker 1: when on a rider.

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Speaker 4: So she was quite a big extress, she was.

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Speaker 2: She was a huge star. Beetle juice, yeah, little juice.

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Speaker 4: Yeah.

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Speaker 1: So from a kind of childish star too, and she

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Speaker 1: it was it was her so Banana Riders. She also

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Speaker 1: dated Johnny Depp and his he had a wana for

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Speaker 1: river tetoo on him.

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Speaker 2: Oh cute reality bites has got a big film And

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Speaker 2: then what happened?

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Speaker 4: What was her down for?

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Speaker 6: Well?

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Speaker 2: She she she she's in Black Swan's.

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Speaker 1: She did quite well, but then she was caught shoplifting.

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Speaker 2: She did a goal. Is you know a really wealthy

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Speaker 2: person that shoplifts.

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Speaker 4: Yeah, it's not a good look, is it.

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Speaker 2: No?

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Speaker 1: Because if you can afford it, you should pay for it.

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Speaker 1: I mean, you shouldn't steal anything at all.

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Speaker 4: Was she clip though? He clip though?

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Speaker 1: Yeah? Clipped Although she argues that normally her I think

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Speaker 1: doesn't She argue that normally her personal assistant would be

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Speaker 1: rubbing the credit card up the wounder, and she was

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Speaker 1: just you know, she might have had a level of

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Speaker 1: fame where you know how famous people in America just

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Speaker 1: get free shit everywhere they go, So she might not

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Speaker 1: as been sort of bad as gold Is that because

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Speaker 1: you know Goldrez was obviously premeditated going into shoplift because

401
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Speaker 1: she wanted special clothes.

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Speaker 2: There wasn't anything to do with her PTSD really it's

403
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Speaker 2: called complex.

404
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Speaker 1: I think people need to realize she's forty three years old.

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Speaker 1: I think that's a key piece of information that people

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Speaker 1: like John Campbell seem to be just washing over that

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Speaker 1: she's forty three years old and when you're forty three

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Speaker 1: years old, you don't shop lift to because now she's

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Speaker 1: trying to claims and that she shoplifted because you just

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Speaker 1: wanted to leave parliament. But she's a list MP, so

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Speaker 1: she didn't have constituents, so she could have if she

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Speaker 1: wanted to leave, she just leave.

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Speaker 2: So she reckons she wanted to get caught. I thought

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Speaker 2: that was an interesting thing. But why when she wanted

415
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Speaker 2: to call, why didn't she let in their bag?

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Speaker 1: Well, yeah, that's why didn't your mate John Campbell ask

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Speaker 1: any of these questions? And his interview with that that

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Speaker 1: was was such a bizarre interview because he didn't ask

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Speaker 1: any of the questions that a journalist would ask. It

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Speaker 1: was it was odd, was sort of doing an Oprah

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Speaker 1: want three.

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Speaker 4: Why did your mate do that?

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Speaker 2: What? What? What did you did? You call him up

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Speaker 2: and ask him j C. Where do you go want

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00:18:29,200 --> 00:18:32,120
Speaker 2: and ask him? I don't know when he'd like because

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Speaker 2: he'll tell me he's got PTSD.

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Speaker 1: Around when he was on TV three and and he

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Speaker 1: was PTSD, he's got I think he has PTSD.

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Speaker 2: Well, maybe that's why I did the interview, because he

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Speaker 2: could understand.

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Speaker 4: Do you guys get this now? It's now anyone if

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Speaker 4: someone's talking to me about, you know something or something

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00:18:50,480 --> 00:18:52,200
Speaker 4: that's going on in the media, people will just refer

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Speaker 4: to them as your mate. Yeah, mate, you know your

435
00:18:54,880 --> 00:18:57,200
Speaker 4: mate from across the road there that that's not why

436
00:18:57,280 --> 00:18:59,359
Speaker 4: Brown stead to me, because your mates in the media.

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00:18:59,560 --> 00:19:01,800
Speaker 2: Yeah, you all mates in the media. When I last,

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00:19:03,200 --> 00:19:05,840
Speaker 2: you're like, you're in cahoots. And what didn't realize is

439
00:19:05,960 --> 00:19:07,119
Speaker 2: no mates in the media.

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Speaker 1: No one hates each other more than most people in

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Speaker 1: the media. You should see how much reporters hate each

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00:19:14,200 --> 00:19:19,440
Speaker 1: other because they want to kill each other. But anyway,

443
00:19:20,320 --> 00:19:24,240
Speaker 1: you've got to say, Marlon Brando, fucking good looking manh

444
00:19:24,480 --> 00:19:26,040
Speaker 1: Have we heard anyone who's good looking like him?

445
00:19:26,040 --> 00:19:28,040
Speaker 2: And Elvis? They kind of got a slightly similar vibe,

446
00:19:28,040 --> 00:19:30,560
Speaker 2: haven't they. Him and Elvis. They've got their lips. Yeah,

447
00:19:30,560 --> 00:19:32,119
Speaker 2: they got the kill lips.

448
00:19:32,400 --> 00:19:34,720
Speaker 1: You could just imagine back in the day, Marlon Brando

449
00:19:34,840 --> 00:19:37,320
Speaker 1: must have had wet seats.

450
00:19:37,359 --> 00:19:40,720
Speaker 2: Oh yeah, well arms as well. He's got good arms. Yeah,

451
00:19:40,760 --> 00:19:43,000
Speaker 2: like for a guy at that age, they're not too muscly.

452
00:19:43,119 --> 00:19:45,760
Speaker 1: And back then in nineteen whenever, that was ninety fifty one,

453
00:19:46,000 --> 00:19:47,400
Speaker 1: ain't no one going to the gym.

454
00:19:47,680 --> 00:19:50,439
Speaker 2: Nah, ain't no one gone near, no done near, and

455
00:19:50,480 --> 00:19:51,960
Speaker 2: no done. I don't even know if there was a

456
00:19:52,000 --> 00:19:53,920
Speaker 2: gym back then. No, what did he get up? Because

457
00:19:53,920 --> 00:19:55,720
Speaker 2: Marlon Brando then by the end of his life he

458
00:19:55,880 --> 00:19:58,480
Speaker 2: was a fat piece of shit because he did The

459
00:19:58,480 --> 00:20:02,240
Speaker 2: Godfather obviously, but yeah, he got massive, but he couldn't

460
00:20:02,440 --> 00:20:04,840
Speaker 2: didn't He have a point where he couldn't remember any

461
00:20:04,920 --> 00:20:06,440
Speaker 2: lines or anything. So he had an autoque.

462
00:20:06,720 --> 00:20:09,960
Speaker 1: He would write them everywhere, and he'd make up things

463
00:20:10,000 --> 00:20:12,000
Speaker 1: like isn't there some story like all his lines were

464
00:20:12,000 --> 00:20:16,040
Speaker 1: written on the desk and stuff and the Godfather? Oh

465
00:20:16,359 --> 00:20:19,679
Speaker 1: that it was fat piece of ship, and yeah, I

466
00:20:19,680 --> 00:20:24,240
Speaker 1: think he was getting He would on Apocalypse Now basically

467
00:20:25,080 --> 00:20:26,920
Speaker 1: Coppola would just have to yell the lines and he'd

468
00:20:26,920 --> 00:20:27,440
Speaker 1: say them back.

469
00:20:28,200 --> 00:20:28,840
Speaker 2: Oh, that's right.

470
00:20:29,000 --> 00:20:33,560
Speaker 1: He refused pos now he was he signed the contract

471
00:20:33,560 --> 00:20:35,080
Speaker 1: and he was supposed to turn up skinny because he

472
00:20:35,080 --> 00:20:38,080
Speaker 1: was basically playing Kurts from Heart of darkness. So a

473
00:20:38,119 --> 00:20:42,159
Speaker 1: guy that had been you know, gone insane, but he

474
00:20:42,200 --> 00:20:43,720
Speaker 1: was supposed to be quinded onto it and he just

475
00:20:43,720 --> 00:20:45,320
Speaker 1: turned up when he got off. Have you seen that

476
00:20:45,440 --> 00:20:47,320
Speaker 1: documentary on it? When they turned up, they couldn't believe

477
00:20:47,320 --> 00:20:48,639
Speaker 1: what a budda turned up like?

478
00:20:49,520 --> 00:20:55,679
Speaker 2: It's he was so fat. The actor who didn't care.

479
00:20:56,720 --> 00:20:58,840
Speaker 2: I think that's why people liked him so much, because

480
00:20:58,840 --> 00:21:00,960
Speaker 2: he didn't he didn't care. He wasn't a try hard.

481
00:21:01,440 --> 00:21:04,440
Speaker 2: He was non tryhard. He definitely wasn't a try hard.

482
00:21:04,840 --> 00:21:07,000
Speaker 4: Do you know that. I'm just looking at photos of him.

483
00:21:07,240 --> 00:21:09,080
Speaker 4: I feel like the only person in modern day that

484
00:21:09,119 --> 00:21:12,520
Speaker 4: came kind of close to his look was Heath Leger

485
00:21:12,560 --> 00:21:14,720
Speaker 4: had a similar thing when he was running short here.

486
00:21:15,400 --> 00:21:16,960
Speaker 4: But then Heath Ledger died, so we didn't get to

487
00:21:17,000 --> 00:21:18,480
Speaker 4: really see the rest of that. Did we play out?

488
00:21:18,480 --> 00:21:20,080
Speaker 4: I know he doesn't really like Heath Ledger. Now looking

489
00:21:20,080 --> 00:21:21,120
Speaker 4: at more photos of him.

490
00:21:21,160 --> 00:21:22,960
Speaker 1: Man, imagine what Heath Ledger would have done if he'd

491
00:21:22,960 --> 00:21:25,479
Speaker 1: stayed around, because he's such a good actor. I mean,

492
00:21:25,680 --> 00:21:28,360
Speaker 1: Heath Ledger was excellent and everything he did, and as

493
00:21:28,359 --> 00:21:30,720
Speaker 1: he got older, he would have he might have actually,

494
00:21:31,000 --> 00:21:33,199
Speaker 1: there might have been a bit of Argie bargie between

495
00:21:33,280 --> 00:21:35,840
Speaker 1: him and Leonardo DiCaprio.

496
00:21:36,000 --> 00:21:37,159
Speaker 4: I think he would have been up there with that.

497
00:21:37,640 --> 00:21:39,760
Speaker 2: Because because now there's only Leo to do those roles.

498
00:21:40,359 --> 00:21:42,960
Speaker 2: But there was Heather. There was Heather, There was Heath

499
00:21:43,040 --> 00:21:44,760
Speaker 2: Ledger and Leo.

500
00:21:44,760 --> 00:21:46,520
Speaker 4: Seemed like the best of us too. Actually, Heath leader

501
00:21:47,080 --> 00:21:47,480
Speaker 4: you reckon?

502
00:21:47,720 --> 00:21:48,680
Speaker 2: Is Leo still hot?

503
00:21:49,200 --> 00:21:52,840
Speaker 4: Leo? Yeah? The people still find him was he was

504
00:21:52,880 --> 00:21:54,880
Speaker 4: he the six icon that he once was in Titanic

505
00:21:54,920 --> 00:21:58,000
Speaker 4: and stuff like that. I was listening to a Matt

506
00:21:58,000 --> 00:21:59,359
Speaker 4: You'll be all across this, So I was listening to

507
00:21:59,359 --> 00:22:02,440
Speaker 4: a podcast without Titanic not that longer, and I wasn't

508
00:22:02,720 --> 00:22:04,879
Speaker 4: quite around when the Titanic came out. Did it come

509
00:22:04,920 --> 00:22:05,680
Speaker 4: out in ninety seven?

510
00:22:05,920 --> 00:22:06,880
Speaker 2: Ninety ninety seven year?

511
00:22:07,840 --> 00:22:10,199
Speaker 4: But apparently when that movie came out, there was just

512
00:22:10,320 --> 00:22:12,520
Speaker 4: there were women for the first time. We're going back

513
00:22:12,560 --> 00:22:15,080
Speaker 4: to the movies. And apparently that was quite a big thing.

514
00:22:15,119 --> 00:22:17,600
Speaker 4: And that was what studios realized was such a money

515
00:22:17,640 --> 00:22:19,320
Speaker 4: maker for them, as that they can get ladies to

516
00:22:19,359 --> 00:22:21,159
Speaker 4: go back to the movies because they put something for

517
00:22:21,200 --> 00:22:24,920
Speaker 4: the mums in their films. Yeah, then they're onto something smart.

518
00:22:25,080 --> 00:22:26,880
Speaker 1: Well, that's what they're realizing now because they went totally

519
00:22:26,840 --> 00:22:29,440
Speaker 1: the other way and now they make movies mainly for females,

520
00:22:30,000 --> 00:22:32,320
Speaker 1: and the males will stopped going, so they actually need

521
00:22:32,359 --> 00:22:33,240
Speaker 1: to make movies for everyone.

522
00:22:33,240 --> 00:22:34,480
Speaker 2: And so Titanic kind of was.

523
00:22:34,400 --> 00:22:36,560
Speaker 1: That because you've got like, you got the ship and

524
00:22:36,600 --> 00:22:38,840
Speaker 1: you got all that shit that men want, you know,

525
00:22:38,960 --> 00:22:40,360
Speaker 1: and you're gonna you know that a lot of people

526
00:22:40,400 --> 00:22:41,960
Speaker 1: are gonna die and that's what men wanted a movie,

527
00:22:41,960 --> 00:22:44,600
Speaker 1: and you know there's gonna be some heroism, but there's

528
00:22:44,600 --> 00:22:48,400
Speaker 1: also a romantic situation that the woman some breasts.

529
00:22:48,440 --> 00:22:50,960
Speaker 2: Hey, I've got some audio of Eddie murphy're talking about

530
00:22:51,000 --> 00:22:53,280
Speaker 2: the time that he met Marlow Marlon Brando. I'd love

531
00:22:53,280 --> 00:22:53,600
Speaker 2: to hear that.

532
00:22:53,640 --> 00:22:56,320
Speaker 1: My friend Dom just interviewed Eddie Murphy the other day,

533
00:22:56,480 --> 00:22:57,640
Speaker 1: said he was a great, great man.

534
00:23:00,000 --> 00:23:03,040
Speaker 6: I went to Brando's house because he wanted to meet me.

535
00:23:04,160 --> 00:23:07,720
Speaker 6: I had dinner with Brando. It was a trip and

536
00:23:07,760 --> 00:23:10,560
Speaker 6: he did the scene. He did a scene for forty

537
00:23:10,600 --> 00:23:14,000
Speaker 6: eight hours. He was like, he told me, I became

538
00:23:14,040 --> 00:23:16,760
Speaker 6: a star. He said, you became a star when you

539
00:23:16,800 --> 00:23:24,040
Speaker 6: said I'm your worst. Like, man, I'm with a badge

540
00:23:24,119 --> 00:23:26,720
Speaker 6: and that means I've got permission to kick your.

541
00:23:29,600 --> 00:23:32,199
Speaker 2: And I was I was like, I was like this.

542
00:23:32,440 --> 00:23:35,440
Speaker 2: I was like, that's not how I did that.

543
00:23:41,760 --> 00:23:44,520
Speaker 6: Yeah, I got to meet those got and Studio fifty

544
00:23:44,520 --> 00:23:46,560
Speaker 6: four was around still, so I got to meet that

545
00:23:46,640 --> 00:23:50,600
Speaker 6: whole thing. I met, Uh, your Brennan at Studio fifty four.

546
00:23:51,040 --> 00:23:51,359
Speaker 2: That's you.

547
00:23:51,600 --> 00:23:52,520
Speaker 3: Who gets to meet you?

548
00:23:53,000 --> 00:23:53,879
Speaker 4: Right? Who gets to meet you?

549
00:23:54,440 --> 00:23:57,439
Speaker 6: To meet your Brendan Studio fifty and he kind of like.

550
00:23:58,480 --> 00:24:00,359
Speaker 6: Years later I realized that he was trying what are

551
00:24:00,359 --> 00:24:02,480
Speaker 6: you trying to pick me up? He was with his wife.

552
00:24:03,240 --> 00:24:06,919
Speaker 6: I'm like twenty one years old, and you Brennan is like,

553
00:24:08,080 --> 00:24:11,240
Speaker 6: would you like to come back to my house and party?

554
00:24:11,359 --> 00:24:13,040
Speaker 2: I said, you'd like to come back with my wife?

555
00:24:13,040 --> 00:24:15,639
Speaker 6: And I am party And I was like, what come

556
00:24:15,720 --> 00:24:16,840
Speaker 6: to my place and party?

557
00:24:17,080 --> 00:24:20,040
Speaker 4: And I was like we're partying, right?

558
00:24:21,600 --> 00:24:22,720
Speaker 2: And then that didn't go.

559
00:24:22,840 --> 00:24:25,159
Speaker 6: And then years later I realized I was like, oh,

560
00:24:25,200 --> 00:24:30,720
Speaker 6: he might come party, And now I wish I had gone.

561
00:24:32,440 --> 00:24:36,280
Speaker 2: A story is much better. I give you permission next

562
00:24:36,320 --> 00:24:37,439
Speaker 2: time you can tell it the other way.

563
00:24:37,600 --> 00:24:42,120
Speaker 6: Such a better story if I had gone, Yeah, Jimmy,

564
00:24:42,240 --> 00:24:44,520
Speaker 6: Jimmy fallon there and it was his wife and he's

565
00:24:44,720 --> 00:24:47,040
Speaker 6: over and you're going next.

566
00:24:49,560 --> 00:24:52,400
Speaker 1: Have you seen that the Bebblely Hills Cop Force coming

567
00:24:52,400 --> 00:24:55,480
Speaker 1: out on Netflix this way? So I knew Beverley Hills Cop.

568
00:24:55,520 --> 00:24:58,679
Speaker 2: That's why I might dom interviewed idiom If a church greener.

569
00:24:59,359 --> 00:24:59,720
Speaker 2: I don't know.

570
00:24:59,880 --> 00:25:02,600
Speaker 1: He Buddy Don said it's very good. Actually old school

571
00:25:02,680 --> 00:25:04,560
Speaker 1: x they've gone old school action and they've done that

572
00:25:04,640 --> 00:25:08,800
Speaker 1: thing like they do did with Maverick where they played

573
00:25:08,800 --> 00:25:09,520
Speaker 1: the same tunes.

574
00:25:10,119 --> 00:25:10,880
Speaker 2: But I had one of.

575
00:25:10,800 --> 00:25:13,640
Speaker 1: Those realized that reverlized because I fucking loved Eddie Murphy

576
00:25:13,680 --> 00:25:14,399
Speaker 1: when I was growing up.

577
00:25:14,480 --> 00:25:17,920
Speaker 2: Like I fucking loved Eddie Murphy. I still do. He's great,

578
00:25:18,080 --> 00:25:19,240
Speaker 2: but then he did a lot of kind of those

579
00:25:19,240 --> 00:25:19,680
Speaker 2: weird movies.

580
00:25:19,760 --> 00:25:21,960
Speaker 1: We played twenty one People, and you know, there's a

581
00:25:21,960 --> 00:25:23,680
Speaker 1: lot of farting, which I didn't mind.

582
00:25:23,800 --> 00:25:27,600
Speaker 2: But I loved Eddie Murphy. But I just had this.

583
00:25:27,960 --> 00:25:30,520
Speaker 1: I think I was too deep into Eddie Murphy and

584
00:25:30,600 --> 00:25:33,800
Speaker 1: I didn't realize that the reason why that song, oh

585
00:25:33,840 --> 00:25:36,640
Speaker 1: I feel so stupid now, the song x l if

586
00:25:37,160 --> 00:25:39,040
Speaker 1: is because he's Excel Foley in the movie. I just

587
00:25:39,080 --> 00:25:41,000
Speaker 1: didn't you didn't know that. I didn't put those two together.

588
00:25:41,040 --> 00:25:42,600
Speaker 1: I think though I knew very well. It was excel

589
00:25:42,600 --> 00:25:47,120
Speaker 1: Foley loved Exel Foley, loved the character right but then,

590
00:25:47,119 --> 00:25:48,960
Speaker 1: and also loved the song exul If And I never

591
00:25:49,080 --> 00:25:50,879
Speaker 1: know this until just now. And I never put two

592
00:25:50,920 --> 00:25:53,400
Speaker 1: and two together, which seems like it's like putting one

593
00:25:53,400 --> 00:25:54,040
Speaker 1: on one together.

594
00:25:55,080 --> 00:25:59,000
Speaker 2: I done that either, remarkable. I just assumed that everybody

595
00:25:59,080 --> 00:26:00,880
Speaker 2: knew that Eddie.

596
00:26:00,720 --> 00:26:02,920
Speaker 1: Murphy might be the best storyteller in the world as well,

597
00:26:03,000 --> 00:26:05,080
Speaker 1: like when he freaking tells a story in an interview,

598
00:26:05,119 --> 00:26:07,560
Speaker 1: the way he tells a story, if the stories he

599
00:26:07,600 --> 00:26:10,600
Speaker 1: tell about he tells about Bill Cosby are amazing.

600
00:26:12,600 --> 00:26:14,760
Speaker 2: Murphy from grief about swearing.

601
00:26:14,400 --> 00:26:16,800
Speaker 1: In his buts and like hassling d saying he was

602
00:26:17,359 --> 00:26:21,640
Speaker 1: bad for black youth and stuff. Meanwhile, bloody Bill Crosby's

603
00:26:21,720 --> 00:26:24,600
Speaker 1: raping people I know and going around being the moral arbiter.

604
00:26:24,680 --> 00:26:28,880
Speaker 2: Hell give him drugs drugging them. How good was Eddie

605
00:26:28,960 --> 00:26:31,280
Speaker 2: Murphy's red leather suit?

606
00:26:32,280 --> 00:26:35,159
Speaker 1: But he used to come out in those suits. I

607
00:26:35,160 --> 00:26:37,040
Speaker 1: think he was. He wanted an Elvis suit, That's what

608
00:26:37,080 --> 00:26:40,640
Speaker 1: he said. I wanted like an Elvis comeback special type suit. Okay, yeah,

609
00:26:40,880 --> 00:26:43,879
Speaker 1: is he donkey and shriek? Yeah, Yeah, it's quite Goodn't that.

610
00:26:44,480 --> 00:26:46,440
Speaker 2: He's done a lot of stuff. Yeah, stuff.

611
00:26:46,440 --> 00:26:48,320
Speaker 4: He's a great voice actor as well. He pops up

612
00:26:48,359 --> 00:26:48,880
Speaker 4: in a lot of shit.

613
00:26:49,000 --> 00:26:51,200
Speaker 1: I saw this thing was did he win the Mark

614
00:26:51,240 --> 00:26:53,240
Speaker 1: Twain Comedy Award or something? I saw him and he

615
00:26:53,320 --> 00:26:56,480
Speaker 1: was he did the speech comedy. Yeah, I think it

616
00:26:56,520 --> 00:26:59,200
Speaker 1: was the Shania Twain Comedy Award. And I saw him

617
00:26:59,200 --> 00:27:02,159
Speaker 1: do the speech about about his life and stuff, and

618
00:27:02,160 --> 00:27:06,000
Speaker 1: I was like, you are the greatest fucking storyteller.

619
00:27:05,320 --> 00:27:08,360
Speaker 2: Of all time. Got some good stories up? He's got

620
00:27:08,400 --> 00:27:10,399
Speaker 2: some great stories, which is he's span quite as he's

621
00:27:10,440 --> 00:27:12,600
Speaker 2: saying there about Studio fifty four and stuff. When he

622
00:27:12,600 --> 00:27:15,200
Speaker 2: first rose to prominence off the back of his comedy

623
00:27:15,600 --> 00:27:21,159
Speaker 2: late seventies, yeah, early eighties, so he's he's met all

624
00:27:21,160 --> 00:27:23,520
Speaker 2: those people, and those famous people would hang out with

625
00:27:23,560 --> 00:27:25,760
Speaker 2: famous people, Yeah, but you go to parties where other

626
00:27:25,760 --> 00:27:28,880
Speaker 2: famous people were because there was no social media or anything.

627
00:27:28,960 --> 00:27:30,800
Speaker 2: So he wouldn't be friends with anyone on your phone.

628
00:27:31,000 --> 00:27:33,439
Speaker 2: You'd actually be friends with them in real life and

629
00:27:33,480 --> 00:27:35,960
Speaker 2: you have experiences where you'd hang out with these people.

630
00:27:36,400 --> 00:27:40,040
Speaker 1: And the weird thing with Eddie Murphy is he didn't

631
00:27:40,080 --> 00:27:44,040
Speaker 1: age at all for so long. Now he looks slightly

632
00:27:44,080 --> 00:27:45,560
Speaker 1: like he might have aged a little bit.

633
00:27:45,520 --> 00:27:48,240
Speaker 2: Little bit, but not very handsome. He's a handsome man.

634
00:27:48,480 --> 00:27:51,320
Speaker 2: He is very handsome man, handsome, ridiculously handsome man. But

635
00:27:51,359 --> 00:27:54,520
Speaker 2: also started really young. Hasn't he got like a thousand kids?

636
00:27:54,600 --> 00:27:57,000
Speaker 1: He's got quite a few. A It was funny because

637
00:27:57,720 --> 00:28:00,480
Speaker 1: he's got a lot of kids, like it's some amount.

638
00:28:00,480 --> 00:28:01,800
Speaker 1: But I saw him talking about the other day and

639
00:28:01,800 --> 00:28:03,560
Speaker 1: how app city gets when each one of them goes

640
00:28:03,560 --> 00:28:05,680
Speaker 1: to college. Yeah, he can't handle when they leave the house.

641
00:28:05,680 --> 00:28:07,600
Speaker 2: He keeps their bedroom for him and stuff like that.

642
00:28:07,720 --> 00:28:09,480
Speaker 2: He's got this giant house because he's got so.

643
00:28:09,440 --> 00:28:10,959
Speaker 1: Many kids, and he just wants them to come out,

644
00:28:11,040 --> 00:28:13,840
Speaker 1: keep the just want he just wants them to come back.

645
00:28:14,160 --> 00:28:16,560
Speaker 1: And he gets upset every time that they're going away.

646
00:28:16,600 --> 00:28:20,600
Speaker 1: He goes, they're just leaving me, you know, they're leaving me. Yeah, yeah, anyway, I.

647
00:28:20,600 --> 00:28:22,040
Speaker 2: Don't know what started.

648
00:28:23,119 --> 00:28:25,560
Speaker 1: We're talking about Brand twelve Angry means Some Wounded from

649
00:28:25,600 --> 00:28:30,119
Speaker 1: nineteen fifty seven. Thoroughly recommend you watch it. Marlon Brando, hot,

650
00:28:30,600 --> 00:28:33,240
Speaker 1: Eddie Murphy, great, any other points we made, no but

651
00:28:33,320 --> 00:28:34,520
Speaker 1: looking at it cos me bad.

652
00:28:34,800 --> 00:28:37,560
Speaker 4: Marlon Brando photo is that kind of look is coming back,

653
00:28:37,600 --> 00:28:39,920
Speaker 4: isn't it? That kind of T shirt tucked into the jeans.

654
00:28:40,080 --> 00:28:43,280
Speaker 2: You can pull off that log It's a fifties, fifties look.

655
00:28:43,640 --> 00:28:44,280
Speaker 4: Could you get up that?

656
00:28:44,400 --> 00:28:46,040
Speaker 2: Could you get a James Dean sort of vibe?

657
00:28:46,120 --> 00:28:47,720
Speaker 4: Yeah, James Dean, that's the name I.

658
00:28:47,640 --> 00:28:50,480
Speaker 2: Was looking for before it was James Dean copying Brando

659
00:28:50,600 --> 00:28:54,200
Speaker 2: Jimmy Dean on the cover of a magazine. Grace Kelly

660
00:28:54,280 --> 00:28:59,120
Speaker 2: fred to Steer Ginger Rogers dance on air. They had style,

661
00:28:59,200 --> 00:29:01,040
Speaker 2: they had Grace Reader Heyward gave.

662
00:29:04,760 --> 00:29:09,920
Speaker 1: Yeah, right, all right, then, okay, all right, Judge Ryan

663
00:29:09,960 --> 00:29:13,040
Speaker 1: Hold's had terrible plastic surgery. Just just to warn you

664
00:29:13,120 --> 00:29:16,080
Speaker 1: before you see Biblely Hills cop four. All right, just

665
00:29:16,080 --> 00:29:19,960
Speaker 1: just a bit of a warning. Jesus Christ, what happened

666
00:29:19,960 --> 00:29:23,880
Speaker 1: to his eyes? Anyway? Okay, love you guys. All right

667
00:29:23,920 --> 00:29:26,640
Speaker 1: then enough of that, all right, we've gotta we've got

668
00:29:26,720 --> 00:29:29,840
Speaker 1: to ear check with picks a camel toorrow.

669
00:29:29,840 --> 00:29:32,120
Speaker 4: That's tomorrow, all right, real look behind the curtain.

670
00:29:32,560 --> 00:29:33,040
Speaker 3: Do you know what we.

671
00:29:33,040 --> 00:29:37,120
Speaker 4: Should do tomorrow? But shall we record tomorrow's ear check?

672
00:29:37,920 --> 00:29:39,800
Speaker 4: Also known as a Wednesday winder?

673
00:29:40,240 --> 00:29:42,720
Speaker 2: Should we put up? Should we? Should we sneaker.

674
00:29:43,840 --> 00:29:45,720
Speaker 1: And tomorrow now because we've got over Davies on the

675
00:29:45,760 --> 00:29:48,160
Speaker 1: podcast from Ice House.

676
00:29:48,200 --> 00:29:49,920
Speaker 2: Well, but can we sneak it and then then record

677
00:29:49,920 --> 00:29:51,280
Speaker 2: it and then use it for the next day.

678
00:29:52,120 --> 00:29:54,360
Speaker 1: That would be a real look behind the sausage making,

679
00:29:54,360 --> 00:29:56,720
Speaker 1: wouldn't it to hear like what it's like to be

680
00:29:57,920 --> 00:29:59,880
Speaker 1: ear checked from an Australian content.

681
00:30:00,440 --> 00:30:03,040
Speaker 4: It'll be fascinating stuff called Pixie Campbell. Yeah, you can

682
00:30:03,080 --> 00:30:04,800
Speaker 4: hear us go through what's coming up over the next

683
00:30:04,840 --> 00:30:07,800
Speaker 4: couple of weeks. Yeah, okay, all right, we'll look into that.

684
00:30:08,160 --> 00:30:10,760
Speaker 1: Okay, all right, then did.

685
00:30:10,640 --> 00:30:12,600
Speaker 4: You say I have a Davies on the podcast tomorrow?

686
00:30:12,680 --> 00:30:13,920
Speaker 2: Yeah, from ice House.

687
00:30:14,440 --> 00:30:16,720
Speaker 1: So you guys hope you guys got your bloody that

688
00:30:16,760 --> 00:30:19,520
Speaker 1: little downstairs diorama and we're doing.

689
00:30:19,480 --> 00:30:22,160
Speaker 4: Oh, we're doing the thing where we grow out our yeah,

690
00:30:22,240 --> 00:30:24,000
Speaker 4: and they get their fan on the Oh, I forgot

691
00:30:24,000 --> 00:30:24,840
Speaker 4: about that ship.

692
00:30:24,880 --> 00:30:25,720
Speaker 2: We're blown out again.

693
00:30:25,800 --> 00:30:27,760
Speaker 1: We nearly did as many as long as we did

694
00:30:27,760 --> 00:30:31,320
Speaker 1: on We're meandering on about some absolute shit for thirty

695
00:30:31,320 --> 00:30:31,880
Speaker 1: two minutes.

696
00:30:32,000 --> 00:30:33,040
Speaker 4: Okay, I'll be you have to stop.

697
00:30:33,120 --> 00:30:39,920
Speaker 1: Yeah, alright, apologies, all right, okay, but all right, okay

698
00:30:39,960 --> 00:30:42,520
Speaker 1: then okay, Jerry.

699
00:30:42,560 --> 00:30:45,560
Speaker 4: Yep, ok yeah, all good here mate.

700
00:30:45,600 --> 00:30:48,960
Speaker 1: Okay, so I gotta go, Okay, all right, run the head. Okay,

701
00:30:49,240 --> 00:30:51,560
Speaker 1: alright bye,