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Speaker 1: They're getting weird and wad of those.

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Speaker 2: I don't know what that is.

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Speaker 1: Good.

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Speaker 3: Yeah, I thought it was good.

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Speaker 2: I started well and then I didn't know how anywhere

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Speaker 2: to go.

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Speaker 3: It was good.

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Speaker 4: I had my eyes closed, did you Yeah, And I

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Speaker 4: was just mentioning you and I liked it.

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Speaker 3: I thinks, man, because you know, hand down your pants

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Speaker 3: or what?

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Speaker 1: Yep?

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Speaker 3: Nice? Still there? Oh wait, do you know? I listened

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Speaker 3: to the podcast for the first time in a long

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Speaker 3: time last night, Fellows.

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Speaker 2: That's one of the radio highlights podcasts.

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Speaker 5: Both Yeah, I hadn't ventured that far into it and

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Speaker 5: quite some time and infect since I started working here.

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Speaker 5: I'd recommend listening to it. But what I noticed. What

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Speaker 5: I noticed was something that I think maybe we should

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Speaker 5: think about moving forward.

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Speaker 3: What have I done?

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Speaker 5: And it's it's not you, It's not just you, Jerry

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Speaker 5: sounds like it is mainly yeah, okay, what have I done?

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Speaker 5: After the radio show? And this is a real hot

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Speaker 5: the sausages made kind of conversation. After the radio show,

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Speaker 5: there's a moment where we have to record some ad

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Speaker 5: libs usually that will go in that have been paid

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Speaker 5: for by clients that we put into the show.

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Speaker 3: The following day.

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Speaker 5: I just ask moving forward that we think about the

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Speaker 5: fact that they will be heard by the nation and

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Speaker 5: that they do get played out on here. Because last night,

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Speaker 5: when listening to the radio show Highlights in Full, I

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Speaker 5: heard one of these libs that we did. I can't

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Speaker 5: remember what it was, but it did concern me. The

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Speaker 5: lack of energy, oh, the lack of I don't know love,

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Speaker 5: the lack of jizz, the lack of gusto, shall I

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Speaker 5: say towards I don't know, the clients that are paying

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Speaker 5: us good money to keep it, to keep the rooms

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Speaker 5: over our head. So I just want us to think

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Speaker 5: about that moving forward, and just know that, you know,

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Speaker 5: we've got to give these things a bit of energy

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Speaker 5: here and the okay ah as that really isn't my fault. Well,

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Speaker 5: I just thought it was mainly you, Matt. You always

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Speaker 5: gave it something.

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Speaker 3: Yeah.

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Speaker 5: The only thing that do confuse me about you, Matt

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Speaker 5: is you'd always start the ads not knowing about You'd

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Speaker 5: start the aed libs not knowing anything, and then by

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Speaker 5: the end of it you were telling me information about

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Speaker 5: the HEIRLB and that was confusing for me.

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Speaker 4: Well as we know, and every single radio ad there's

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Speaker 4: a moron who doesn't know anything, good person who knows everything. Yeah,

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Speaker 4: who's telling the more on about the thing? I mean,

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Speaker 4: that's just all that's that's the basis of radio.

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Speaker 5: But then how can the moron in about twenty five

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Speaker 5: seconds become so well educated that they know everything about

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Speaker 5: that thing by the end of the ad.

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Speaker 4: Well, the moron represents the listeners, and so by the

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Speaker 4: end of the ad you should know as a listener, what's.

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Speaker 3: Opped just all our listeners morons?

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Speaker 4: Well, no, that's but that's it's sorry, not more the enlightened,

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Speaker 4: and then and then the disenlightened and enlightened, and so

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Speaker 4: you go from unenlightened to enlightened by the end of

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Speaker 4: the air. You don't go from a from a moron

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Speaker 4: to a genius. But do you know what I mean,

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Speaker 4: it's a metaphor for radio. It's a metaphor for you.

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Speaker 2: Don't think it makes it seem like the person has

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Speaker 2: had a massive mental breakdown at the start of the

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Speaker 2: air when suddenly comes online.

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Speaker 3: Before the air, you mean, before the has been well.

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Speaker 2: Like if I said it, like I said to you,

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Speaker 2: what are shoes? And shoes are things you put on

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Speaker 2: your feet? Okay, you can get all the shoes you

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Speaker 2: want the shoe wounder.

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Speaker 3: It seems good idea for a script we should use that.

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Speaker 2: It seems like the person that asks what a shoes

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Speaker 2: at the start has had some kind of major.

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Speaker 4: Mental Okay, so they didn't know somehow they knew, then

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Speaker 4: they didn't know, then they knew again.

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Speaker 5: So you guys have written ads probably in the past, right, Jerry,

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Speaker 5: I think of your meridian and things like that. Is

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Speaker 5: that like a format and a template that you think

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Speaker 5: about a lot as a writer? Do you think about

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Speaker 5: that more on template of starting with the more on

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Speaker 5: and then you know, you edu get them throughout the ad,

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Speaker 5: and then by the end of it you've got the

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Speaker 5: more on telling the audience exactly what there is to

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Speaker 5: go about.

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Speaker 3: Or is it just so natural this theory of tones?

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Speaker 4: Never written an AD, really never, But so I don't

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Speaker 4: really know the process.

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Speaker 3: But I have read a lot of ads. You have

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Speaker 3: read a lot of ads. I've read a lot over

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Speaker 3: the years, but.

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Speaker 4: I've never written one, So I don't know.

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Speaker 5: Would you say that that's the most common kind of

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Speaker 5: template for an ad, the more on and the expert

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Speaker 5: and then by the end of the ad.

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Speaker 3: They're both experts, yep. And sometimes then the expert turns

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Speaker 3: into a more on in the last line.

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Speaker 4: That's a really successful that's a high level operation when

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Speaker 4: that happens. I've seen that done a number of times

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Speaker 4: while I've been a part of it. I've been the

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Speaker 4: more on, Like I've been the more on, and I've

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Speaker 4: been the enlightened person two, and then I've been the

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Speaker 4: more on that works out what's going on. And then

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Speaker 4: I've also been the person who knows a whole lot

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Speaker 4: who then becomes more on by the end.

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Speaker 3: So you've played I've done it all started as the

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Speaker 3: more on became the more.

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Speaker 4: Yeah something like that. Yeah, yeah, totally so so okay.

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Speaker 4: So the takeaway from that is give it more.

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Speaker 5: Just give it more, and then just be a little

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Speaker 5: bit course to the fact that not every edilab we

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Speaker 5: do has to follow the expert more on. You both

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Speaker 5: become expert. Tiplet I've I've just written one.

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Speaker 2: See what you guys think about that?

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Speaker 3: Okay, Okay, we go.

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Speaker 2: If you're looking for the ultimate Father's Day present, I

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Speaker 2: have an idea for you. Mattea's number one best selling book,

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Speaker 2: A Lifeless Punishing, signed by the author. Just go to

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Speaker 2: Timeout dot coda and zed click on the book and

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Speaker 2: then the notes section of your cart at checkout, put

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Speaker 2: your dad's name and Matt he will sign it for

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Speaker 2: your dad. That's Timeout dot co dot in z or

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Speaker 2: here in store to time out Bookstore, Mount Eden.

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Speaker 4: So you're just playing the more on there the whole time. Hey,

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Speaker 4: you're a moron. I'm just trying to work out how

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Speaker 4: that works with the moron and like, okay, more.

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Speaker 2: If I went, ah, I've got no idea what to

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Speaker 2: get my dad for fathers Yes.

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Speaker 3: I've got the answer for you. You should think about

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Speaker 3: man Heath's book. It's available in all good bookstores.

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Speaker 4: Or you can click online and go to something that

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Speaker 4: I can't remember exactly right now, but that's a good

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Speaker 4: way to get it.

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Speaker 2: And the way you do it, like you start, how

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Speaker 2: you do it. I'd go, no, no, there, no, get

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Speaker 2: my dad for Father's Day.

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Speaker 4: And then you'd go I would say, I'm distancing myself

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Speaker 4: from this.

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Speaker 2: I'll start again. Oh man, oh, Father's Day is coming

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Speaker 2: up and I've got no idea what to get my dad.

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Speaker 2: And then you would go, well, have you thought about

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Speaker 2: getting a lifeless punishing by Matt Heath, you can get

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Speaker 2: it signed by you can get it signed by the author.

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Speaker 2: And then i'd go, yeah, at Timeout, got cod and sid,

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Speaker 2: Yeah it's on the block. And then the note section

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Speaker 2: of your cart at check out, put your dad's name

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Speaker 2: and Matt Heath will sign it.

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Speaker 3: Turn on a dime and it's like that spot on.

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Speaker 2: And then you and then what a sane person would say,

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Speaker 2: you'd go, but you didn't know. How do you know

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Speaker 2: all the details about the website and the cart and

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Speaker 2: how you get the box signed? And then the start

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Speaker 2: you didn't. At the start, you didn't know about anything.

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Speaker 6: Then the third party comes in and says, well, I

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Speaker 6: was just going to say maybe you start the ad

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Speaker 6: not as a moron, but maybe just someone that's disorganized.

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Speaker 6: And they're like, oh my god, I can't believe father's

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Speaker 6: days next weekend and I haven't even done anything. And

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Speaker 6: then Matt comes in and goes, well, interesting, you say

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Speaker 6: that because.

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Speaker 2: X y x Y, And then you go, yes, time out,

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Speaker 2: dot co, dot in zed, just put your dad's name,

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Speaker 2: and the notes at the cart that's Timeout, dot co,

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Speaker 2: dot in zed or hid in store. And then you go, mate,

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Speaker 2: you didn't know anything. Now you know where the store is,

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Speaker 2: you know the website, you know how the whole thing

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Speaker 2: bloody works.

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Speaker 3: Okay, it does ruin all ads for you on this.

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Speaker 5: Once you hear the radios are now these.

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Speaker 2: Days it's and when you're doing it, you see it.

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Speaker 2: But do people see it at home? Do they care

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Speaker 2: about the characters? Because it's not like, oh, fellow, is

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Speaker 2: it You're not like, well, the motivations, I mean the

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Speaker 2: people at homegoing the motivations of that guy that started

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Speaker 2: at the ad, I don't know, they don't. The the

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Speaker 2: arc he goes through was too quick.

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Speaker 4: I think we go back to the basic just one

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Speaker 4: person just reading the thing. You know, I think we

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Speaker 4: need to go away from the play. It's the two hander. Yeah,

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Speaker 4: rather than that we've got here is that we've got

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Speaker 4: everything has to be run through the Matt and Jerry.

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Speaker 3: Ark and the two hander.

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Speaker 4: Why don't we just do one handers like you just

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Speaker 4: did then, Like your one hander was better?

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Speaker 5: Like what happened to the day is just tell people

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Speaker 5: what it is, started and added with a rhetorical question.

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Speaker 3: It was just one person and then you just kicked

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Speaker 3: on for another thirty seconds. Yeah, you know, are you

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Speaker 3: looking for a resolution for your lawn. How about you

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Speaker 3: try this?

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Speaker 2: You're talking to the audience like you, so you're going

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Speaker 2: a lot of New Zealanders and this time year have

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Speaker 2: problems with their lawns. Yes, a solution that may help

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Speaker 2: you is this fertilizer that you can buy at Bunnings.

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Speaker 4: It's just you listening to a person talking about it,

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Speaker 4: rather than you being the third party at a conversation

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Speaker 4: by a couple of morons.

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Speaker 3: Yeah.

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Speaker 6: But the problem is that you, guys, due to the

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Speaker 6: Madden Jerry show success over the last decade, is that

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Speaker 6: the people that are investing the money into these ads

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Speaker 6: are like, we want Madden Jerry and the ad and

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Speaker 6: then they've got to find a way for that to work.

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Speaker 2: But couldn't they just run like is it because there's

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Speaker 2: an even amount in the script? Like do they need

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Speaker 2: to just have an uneven amount? So the person that

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Speaker 2: doesn't know it, But the person that doesn't know something

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Speaker 2: at the start can't be the person that knows everything

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Speaker 2: at the end. That person often me, I'm the guy

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Speaker 2: that doesn't know anything in the ads. I could just

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Speaker 2: hold that line.

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Speaker 4: You do a good moron, I got to say, you

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Speaker 4: do you play a good moron.

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Speaker 2: I could just hold that line right through the ad

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Speaker 2: and they not know the information at the end, But

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Speaker 2: it just involves an uneven amount of lines because it

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Speaker 2: always what happens is you were right out and then

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Speaker 2: it gets aside. They just go Matt, Jerry, Matt, Jerry,

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Speaker 2: Matt Jerry, and then the moron at the end suddenly

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Speaker 2: knows everything. So if it was just like, hey, Jerry,

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Speaker 2: I don't know anything about grass or bloody anything. I'm

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Speaker 2: an idiot, and then you go, well, I might be

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Speaker 2: able to help you with that. What's happening with your lawn?

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Speaker 2: And go well it's dead? You go wow at Bunning's,

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Speaker 2: And then that one makes more sense because you're the

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Speaker 2: person that always knew everything when I was always the person.

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Speaker 2: And then you know, I could go, oh, thanks for that,

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Speaker 2: because now I've got some information.

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Speaker 3: That'll be great. We're going to just follow that formula

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Speaker 3: every time I'm gonna take a quick break. Yeah, there

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Speaker 3: a whole lot of those. Did you hear a whole

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Speaker 3: lot of those ads?

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Speaker 2: Jesus, I hope there were was. I hope there was

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Speaker 2: a good Matt and Jerry back and forth, or the

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Speaker 2: Matt and Mesh back and forth we did.

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Speaker 5: There was one, there was one bag edge Jerry shame

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Speaker 5: I got to do one of these the other day.

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Speaker 2: Did you play the moron or the person that you

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Speaker 2: was going to?

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Speaker 3: I think I played the part you play.

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Speaker 6: So what happened was, Gerry you were away. Ad came through,

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Speaker 6: we want Jerry and Matt to read this, and I

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Speaker 6: was like, oh, well, Jerry's actually away. Do you mind

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Speaker 6: if Mash and Matt do it? Oh no, that's absolutely fine,

250
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Speaker 6: and then the script was changed to Matt enlightened Mash

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Speaker 6: moron makes sense. Then then the client then the client

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Speaker 6: heard the ad decided oh no, actually we want we

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Speaker 6: want Matt and Jerry after all, and then they changed

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Speaker 6: Matt to the moron and Jerry to the smart guy.

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Speaker 3: Again that makes sense too.

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Speaker 2: This is so, this is this is this the more

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Speaker 2: on chieraking. So if there's Matt and Jerry on the moron,

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Speaker 2: but if it's Matt Mash, the mass becomes the more on.

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Speaker 2: And then if Jerry comes back, they flip it around

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Speaker 2: and then I become the moron again.

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Speaker 5: Just clar if Jerry and I in it together, what's

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Speaker 5: the more?

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Speaker 1: The more?

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Speaker 5: I'm still the more always.

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Speaker 1: The more on.

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Speaker 2: You're always You're always the moron, but I'm only the

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Speaker 2: more on with jury is involved. Yeah, okay, okay, it's

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Speaker 2: the hierarchy of moron, the moronical hierarchy. They run. And

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Speaker 2: you know what, even though I feel like it makes sense.

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Speaker 3: Do you know, weirdly, it kind of does make I'll

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Speaker 3: allow that.

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Speaker 4: Yeah, you want to you don't want to break through

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Speaker 4: the moronic ceiling at some stage, and break.

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Speaker 2: Through the ceiling as long as I don't have to

275
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Speaker 2: read the ads first, and I just do one read,

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Speaker 2: which you might notice when I'm reading them, like if

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Speaker 2: it turns out to be a question by the time

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Speaker 2: you get at the end of the sentence, suddenly take

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Speaker 2: a mess of you tune up.

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Speaker 3: It's like an in commanding Yeah.

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Speaker 2: Yeah, yeah, but I mean the other thing that we

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Speaker 2: need to address is that they're called ed libs when

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Speaker 2: you do them on ear. Like if if we read

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Speaker 2: it for an AD, it's just an AD. But if

285
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Speaker 2: we read it on ear and which case, Rudy just

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Speaker 2: writes a play for us that we read for the

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Speaker 2: first time as.

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Speaker 3: Something that we go into a play life.

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Speaker 2: We've got on a play that's still called edlob even

290
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Speaker 2: though we read it, Why's that it's not an Why

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Speaker 2: is that this is an ad? What I'm doing now

292
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Speaker 2: is an dler? But if I read a script from

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Speaker 2: a piece of paper.

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Speaker 4: That this whole conversation is going to bring down the

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Speaker 4: entire advertising industry. This is where our livelehoods are dependent

296
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Speaker 4: on this. Are we sure we want to we want

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Speaker 4: to ruin it?

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Speaker 5: I don't know. I want to call hierarchy. I don't

299
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Speaker 5: know if I've got much left. So let's be very careful.

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Speaker 5: But reader, what so you.

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Speaker 6: Well, then the instruction is that the eddler you're supposed

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Speaker 6: to add lib around it, because you know.

303
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Speaker 2: We're supposed to.

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Speaker 4: We've been doing it for ten years. And yeah, with

305
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Speaker 4: this out, this is that's why you're playing them more

306
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Speaker 4: on because.

307
00:13:50,360 --> 00:13:52,079
Speaker 2: So everyone hears these things and I go, this is

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Speaker 2: a play that.

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Speaker 4: Soone's you meant to read it and then you meant

310
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Speaker 4: to put it in your own words a fluff.

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Speaker 2: I don't have time for that.

312
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Speaker 3: Well exactly, I don't have time for that.

313
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Speaker 2: And it's fine, but what if I say something horrific

314
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Speaker 2: about the company, Well that's yeah, you're going and the

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Speaker 2: more on, let you go Jerry goes, this new grass

316
00:14:12,400 --> 00:14:15,600
Speaker 2: fiddle is amazing. Really, I tried it. It was ship and

317
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Speaker 2: then sudden will go No, that's why we don't let

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Speaker 2: them add stick to the plane, stick to the Oh.

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Speaker 2: I think it's there's safe rails, you know, because really

320
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Speaker 2: you can insult anyone except for the client.

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Speaker 5: Yeah, I'm trying to think of what other kind of

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Speaker 5: ads there are out there, because it's different. The more

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Speaker 5: on and the educated is definitely the biggest one.

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Speaker 3: But there's what what other ads are out there?

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Speaker 4: Well, sometimes there's the there's the I mean, a big

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00:14:42,040 --> 00:14:44,720
Speaker 4: part of the radio advertising industry. While we're here as

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Speaker 4: the owner operator, he's then thrust in front of a microphone.

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Speaker 2: Or generally speaking, thrust themselves.

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Speaker 4: Yes, well sometimes I think that, and I think sometimes

330
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Speaker 4: the sales rep goes, this is a good way. I

331
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Speaker 4: think this person wants to well, I just.

332
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Speaker 2: Did that before with an owner operator ad that I

333
00:15:02,960 --> 00:15:05,640
Speaker 2: made up for that time out book store thing.

334
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Speaker 3: Yeah, and you want to be on here all the time.

335
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Speaker 2: But if I was not about like, if you're looking

336
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Speaker 2: for the Ultimate Fathers, they'll be like, if you're looking

337
00:15:15,240 --> 00:15:18,200
Speaker 2: for that, it's the craziest. And if you're looking for the

338
00:15:18,280 --> 00:15:21,320
Speaker 2: ultimate father thing present, I have an idea for you,

339
00:15:21,360 --> 00:15:23,840
Speaker 2: and you go, who said that you should be?

340
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Speaker 3: I mean, that's what I can't imagine who you're thinking

341
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Speaker 3: of it already.

342
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Speaker 5: I heard it like that now though in the sunset,

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Speaker 5: we've still got in twenty twenty four, every dude that

344
00:15:34,360 --> 00:15:36,400
Speaker 5: voices an air talking like he's from the Might ten

345
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Speaker 5: ads back in the early two thousands, like yeah, good guy,

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Speaker 5: there people.

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Speaker 2: People, if you're like this, if you're looking for the

348
00:15:42,880 --> 00:15:46,120
Speaker 2: ultimate fart stay prison, I've got an idea for you.

349
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Speaker 3: Yeah.

350
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Speaker 2: There's the other one, which is the Vota phone ads

351
00:15:49,120 --> 00:15:52,800
Speaker 2: from the early two thousands, which is, if you're looking

352
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Speaker 2: for the ultimate Father's Day prison, I've got an idea

353
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Speaker 2: for you. Oh that's not called it.

354
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Speaker 3: It's like, no, it's nearly though.

355
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Speaker 2: I know you're hey, if you're looking for the ultimate

356
00:16:01,200 --> 00:16:03,000
Speaker 2: Father's Day prison, I've got an idea for you.

357
00:16:03,080 --> 00:16:06,560
Speaker 4: Well that was that was revolutionary. I started doing voiceovers

358
00:16:06,560 --> 00:16:10,040
Speaker 4: in the mid nineties, and at that time, all of

359
00:16:10,080 --> 00:16:12,320
Speaker 4: the voiceover artists as they.

360
00:16:12,240 --> 00:16:16,120
Speaker 3: Were called, were all people who spoke like this, and

361
00:16:16,160 --> 00:16:17,920
Speaker 3: they had very serious voices.

362
00:16:18,000 --> 00:16:20,720
Speaker 2: If you're looking for the ultimate Father's Day prison, I

363
00:16:20,800 --> 00:16:21,960
Speaker 2: have an idea for you.

364
00:16:22,120 --> 00:16:23,200
Speaker 3: They did. That's how they spoke.

365
00:16:23,320 --> 00:16:25,200
Speaker 4: Yeah, And then all of a sudden, I was there

366
00:16:25,240 --> 00:16:27,600
Speaker 4: for the transformation, not my voice, because I was I

367
00:16:27,600 --> 00:16:30,000
Speaker 4: would rather be one of these people, to be honest,

368
00:16:30,040 --> 00:16:32,280
Speaker 4: I think that's a lot easier. And I think my

369
00:16:32,400 --> 00:16:34,440
Speaker 4: voice when I do that, is clearer and better.

370
00:16:34,480 --> 00:16:37,120
Speaker 2: Ad Jason Hoyt, who his entire broadcasting career, puts on

371
00:16:37,160 --> 00:16:38,040
Speaker 2: a voice that is in his.

372
00:16:38,000 --> 00:16:39,920
Speaker 3: Own precisely, and it sounds great.

373
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Speaker 4: I watched the transformation occur, and it happened, and I'm

374
00:16:43,560 --> 00:16:48,960
Speaker 4: gonna say nineteen ninety eight, and all of a sudden,

375
00:16:49,000 --> 00:16:52,200
Speaker 4: people advertisers started to look for people who spoke normally.

376
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Speaker 2: Yeah, right, and then and everything, and they say, I'm

377
00:16:56,320 --> 00:16:58,440
Speaker 2: not so what do they say? Not so retailed, not

378
00:16:58,560 --> 00:17:00,720
Speaker 2: so not so yeah, and not so reading, not so

379
00:17:00,800 --> 00:17:03,240
Speaker 2: hard sal yeah, yeah, So you sit in the pocket.

380
00:17:03,320 --> 00:17:05,280
Speaker 2: Here's a tip for young voiceover artists.

381
00:17:05,320 --> 00:17:06,880
Speaker 3: What you do. I love a voice of a job.

382
00:17:06,880 --> 00:17:08,240
Speaker 3: If anyone's listening, by the way, it's you.

383
00:17:08,760 --> 00:17:10,399
Speaker 2: This is what I do. Because they want it to

384
00:17:10,400 --> 00:17:12,200
Speaker 2: be so on TV, it has to be very different

385
00:17:12,200 --> 00:17:14,040
Speaker 2: from radio, so it has to sit so back in

386
00:17:14,080 --> 00:17:17,080
Speaker 2: the pocket. So before I do it old yawn and

387
00:17:17,119 --> 00:17:19,200
Speaker 2: I'll lean against the wall in the vocal growth booth.

388
00:17:19,240 --> 00:17:20,720
Speaker 2: So it's just so low key.

389
00:17:20,800 --> 00:17:21,440
Speaker 3: This is for TV.

390
00:17:21,640 --> 00:17:24,800
Speaker 2: Yeah, yeah, Okay. If you're looking for the ultimate Father's

391
00:17:24,880 --> 00:17:27,280
Speaker 2: Day present, I've got an idea for you. It's got

392
00:17:27,320 --> 00:17:30,679
Speaker 2: to sit that far back and if you want and

393
00:17:30,720 --> 00:17:33,200
Speaker 2: if it's like a junk food, you have to put

394
00:17:33,240 --> 00:17:34,080
Speaker 2: a smile on your face.

395
00:17:34,160 --> 00:17:34,480
Speaker 3: So you go.

396
00:17:35,840 --> 00:17:38,520
Speaker 2: If you're looking for the ultimate Father's Day present, I've

397
00:17:38,520 --> 00:17:39,480
Speaker 2: got an idea for you.

398
00:17:39,960 --> 00:17:41,480
Speaker 3: It sounds a lot like a subway head that I

399
00:17:41,520 --> 00:17:41,960
Speaker 3: heard about.

400
00:17:42,400 --> 00:17:45,439
Speaker 2: This isn't the last couple of years subway eat fresh.

401
00:17:45,760 --> 00:17:47,480
Speaker 4: God, that sounds a lot like a subway head.

402
00:17:47,560 --> 00:17:49,840
Speaker 6: What about the Australian one that you do has that

403
00:17:49,880 --> 00:17:52,200
Speaker 6: different nutri grain nutri grain.

404
00:17:52,280 --> 00:17:54,879
Speaker 4: Well, you start speaking with an Australia, How Australian do

405
00:17:54,960 --> 00:17:57,520
Speaker 4: you get? Do you go this Australian or.

406
00:17:57,440 --> 00:17:57,800
Speaker 3: When I do?

407
00:17:57,840 --> 00:18:02,600
Speaker 2: The ads in Australia don't put on alien accent really

408
00:18:02,680 --> 00:18:04,520
Speaker 2: because they don't want that, because they don't actually want

409
00:18:04,520 --> 00:18:05,560
Speaker 2: to hive the Australian accent.

410
00:18:05,680 --> 00:18:10,040
Speaker 4: Really, you just do like you'll go kids, your kids

411
00:18:10,080 --> 00:18:11,720
Speaker 4: are a pool. There would just be a couple how

412
00:18:11,800 --> 00:18:15,119
Speaker 4: much of the pool would you say? You can't say pool, Like,

413
00:18:15,320 --> 00:18:17,159
Speaker 4: if there's an ad for it, whirlpool, I won't do it.

414
00:18:17,200 --> 00:18:21,800
Speaker 4: Will Pool, I'll walk away. If will pool they're doing

415
00:18:21,840 --> 00:18:25,680
Speaker 4: any funk that, I'm out. I'm I'm not doing wheel pool.

416
00:18:26,280 --> 00:18:29,879
Speaker 3: Kids pool kids kids pools, keep.

417
00:18:30,119 --> 00:18:32,040
Speaker 2: Kids making wheel pools.

418
00:18:32,840 --> 00:18:34,600
Speaker 3: Yeah, it's not going to work as an New Zealander,

419
00:18:34,720 --> 00:18:34,800
Speaker 3: is that?

420
00:18:36,000 --> 00:18:36,240
Speaker 1: Yeah?

421
00:18:36,280 --> 00:18:38,600
Speaker 2: But that's a real look behind the beef curtains.

422
00:18:38,600 --> 00:18:44,120
Speaker 5: Wow, well there you go. Okay, okay, I'm looking forward

423
00:18:44,119 --> 00:18:46,240
Speaker 5: to my first voice job. If anyone needs me to

424
00:18:46,280 --> 00:18:48,280
Speaker 5: voice anything, just sing out.

425
00:18:48,480 --> 00:18:50,639
Speaker 2: What about your first You're still waiting for another kind

426
00:18:50,640 --> 00:18:51,159
Speaker 2: of job as well?

427
00:18:53,080 --> 00:18:53,280
Speaker 4: Am?

428
00:18:53,280 --> 00:18:55,760
Speaker 3: All right, boys, do you actually do a voice of

429
00:18:55,800 --> 00:18:56,120
Speaker 3: a job.

430
00:18:56,280 --> 00:18:57,720
Speaker 2: Yeah, of course you've got a voice?

431
00:18:57,800 --> 00:19:03,480
Speaker 3: Thank you. No, you can not. I don't think so.

432
00:19:03,640 --> 00:19:06,200
Speaker 3: I don't think I got to the takes. No, I don't.

433
00:19:06,160 --> 00:19:09,480
Speaker 4: Fuck really yeah no, I mean you might get there

434
00:19:09,480 --> 00:19:09,880
Speaker 4: one day.

435
00:19:11,560 --> 00:19:12,960
Speaker 3: Get how do I get there one day?

436
00:19:13,080 --> 00:19:13,240
Speaker 5: Well?

437
00:19:13,480 --> 00:19:16,520
Speaker 4: Just open your eyes, listen and learn, mesh, open your eyes,

438
00:19:16,680 --> 00:19:20,560
Speaker 4: open your eyes listen and learn, mate, I.

439
00:19:20,520 --> 00:19:22,080
Speaker 2: Mean one day you might get to be the moron

440
00:19:22,240 --> 00:19:25,600
Speaker 2: and an ad Try saying this, your award winning independent bookstore.

441
00:19:25,640 --> 00:19:26,560
Speaker 2: So how would you say that?

442
00:19:28,200 --> 00:19:28,879
Speaker 3: Let me just read that.

443
00:19:28,960 --> 00:19:31,760
Speaker 2: Really, your award winning independent bookstore.

444
00:19:31,840 --> 00:19:35,800
Speaker 3: This is your award winning independent bookstore, mesh, this is

445
00:19:36,080 --> 00:19:36,960
Speaker 3: a trial.

446
00:19:36,760 --> 00:19:39,600
Speaker 2: Time out bookstore, your award winning independent bookstore.

447
00:19:39,960 --> 00:19:43,280
Speaker 3: Time out bookstore, your award winning independent bookstore.

448
00:19:43,400 --> 00:19:48,680
Speaker 4: No, no, that's not no again its mates, So take

449
00:19:48,720 --> 00:19:50,400
Speaker 4: another to another take on that, just.

450
00:19:50,400 --> 00:19:54,200
Speaker 2: Right away, just right away. Time out your award winning

451
00:19:54,200 --> 00:19:55,000
Speaker 2: independent bookstore.

452
00:19:55,080 --> 00:19:58,679
Speaker 3: Going time out, your award winning independent bookstore. Now do

453
00:19:58,960 --> 00:20:01,560
Speaker 3: you have fun with time out? I haven't had fun

454
00:20:01,600 --> 00:20:02,520
Speaker 3: in the studio.

455
00:20:02,600 --> 00:20:07,359
Speaker 4: You just kind of if you can, just sound like

456
00:20:07,440 --> 00:20:09,119
Speaker 4: you care a little bit more.

457
00:20:09,320 --> 00:20:13,000
Speaker 3: Time out your award winning independent bookstore.

458
00:20:13,040 --> 00:20:14,320
Speaker 2: I think you're having the tea on the time.

459
00:20:16,040 --> 00:20:17,080
Speaker 3: You're back close to the mic.

460
00:20:17,320 --> 00:20:20,440
Speaker 5: This is what a time out the award winning independent

461
00:20:20,440 --> 00:20:27,120
Speaker 5: books Shove something out. It's to retail time out, taking

462
00:20:27,119 --> 00:20:29,840
Speaker 5: your time out your award winning independent bookstore.

463
00:20:29,880 --> 00:20:32,040
Speaker 2: This is how you do it. Time out your award

464
00:20:32,040 --> 00:20:35,520
Speaker 2: winning independent bookstore. Nine am to nine pm.

465
00:20:36,520 --> 00:20:40,719
Speaker 4: You do it time out the award winning bookstore.

466
00:20:41,320 --> 00:20:43,520
Speaker 2: Get a fucking fred Dagg over there.

467
00:20:43,520 --> 00:20:47,560
Speaker 4: Jesus mate, I'm not going to for time out the

468
00:20:47,600 --> 00:20:48,560
Speaker 4: award winning bookstore.

469
00:20:48,600 --> 00:20:49,960
Speaker 3: I'm turning that down that job.

470
00:20:50,000 --> 00:20:52,200
Speaker 2: Are you not just one book store?

471
00:20:53,600 --> 00:20:55,960
Speaker 3: There's enough money in that time out. It's not worth

472
00:20:55,960 --> 00:21:00,720
Speaker 3: my award winning time independent bookstore. No, that's no. At

473
00:21:00,720 --> 00:21:03,520
Speaker 3: the time book the Mom's coming on there, there's something

474
00:21:03,560 --> 00:21:06,960
Speaker 3: about it. It's just it's just how undrescriber and time

475
00:21:07,040 --> 00:21:10,119
Speaker 3: out your independent award winning bookstore.

476
00:21:09,880 --> 00:21:13,240
Speaker 2: That have about this? Tonight on seven sharp, Hillary Barry

477
00:21:13,640 --> 00:21:18,360
Speaker 2: and Jeremy Wells on farming.

478
00:21:19,040 --> 00:21:21,280
Speaker 4: That would be really good. You should get the TV

479
00:21:21,560 --> 00:21:27,520
Speaker 4: one voice as there is no TV one. There's no one.

480
00:21:27,720 --> 00:21:31,720
Speaker 2: Tonight on seven sharp, Jeremy Wells and Hillary Barry with

481
00:21:31,920 --> 00:21:33,399
Speaker 2: some late breaking news.

482
00:21:33,920 --> 00:21:38,720
Speaker 4: It's not nineteen eighty eight. You don't do that anymore tonight.

483
00:21:39,280 --> 00:21:40,600
Speaker 3: You just you just sneak.

484
00:21:40,280 --> 00:21:42,280
Speaker 4: People from one program to another and they don't even

485
00:21:42,280 --> 00:21:43,040
Speaker 4: know that it's happened.

486
00:21:43,680 --> 00:21:45,560
Speaker 3: That's the whole way that they do it. Now.

487
00:21:45,920 --> 00:21:48,479
Speaker 2: You don't want to credits, you know, you know what

488
00:21:48,520 --> 00:21:50,000
Speaker 2: you need to do. You need to hire a bunch

489
00:21:50,000 --> 00:21:52,280
Speaker 2: of people that break into people's houses and steal the

490
00:21:52,520 --> 00:21:54,120
Speaker 2: Let's move the remote to the other side of the room,

491
00:21:54,200 --> 00:21:56,360
Speaker 2: just away from the couch, so the news is on,

492
00:21:57,080 --> 00:21:59,920
Speaker 2: the chase is on. You just want to Actually, you

493
00:22:00,119 --> 00:22:02,840
Speaker 2: need to advertise people leaving like some kind of bogus thing.

494
00:22:02,880 --> 00:22:05,119
Speaker 2: We're having their remote control near either batteries make you

495
00:22:05,160 --> 00:22:08,359
Speaker 2: infertile or something. Leave your remote control in the kitchen

496
00:22:08,560 --> 00:22:11,240
Speaker 2: and then they put on the chase. Leave the remote

497
00:22:11,280 --> 00:22:12,960
Speaker 2: don't have the remote control with you on the couch,

498
00:22:13,000 --> 00:22:14,720
Speaker 2: because that just leads to people flucking over it.

499
00:22:14,720 --> 00:22:15,560
Speaker 3: And easily enough.

500
00:22:15,560 --> 00:22:18,240
Speaker 4: There's some sort of disease that's occurred with elderly people

501
00:22:18,280 --> 00:22:20,600
Speaker 4: in New Zealand. That's that's the case. Then don't seem

502
00:22:20,600 --> 00:22:22,280
Speaker 4: to be able to change, do you know us? Once

503
00:22:22,480 --> 00:22:24,960
Speaker 4: on New Year's Eve, I was quite wasted, actually, and

504
00:22:25,000 --> 00:22:30,359
Speaker 4: I was walking down along a reserve and parmone in Corimandel,

505
00:22:30,720 --> 00:22:32,720
Speaker 4: and I was heading up to New Year's Eve and

506
00:22:32,760 --> 00:22:34,439
Speaker 4: I looked in a window when I was because I

507
00:22:34,480 --> 00:22:36,280
Speaker 4: was walking along past a whole lot of batches, and

508
00:22:36,280 --> 00:22:38,480
Speaker 4: I looked in a window and there was a couple

509
00:22:38,520 --> 00:22:40,760
Speaker 4: and they were and I saw myself on television and

510
00:22:40,800 --> 00:22:43,040
Speaker 4: they were watching me on television, and you're watching that.

511
00:22:43,119 --> 00:22:45,439
Speaker 4: And I was watching them watching me from the window,

512
00:22:46,280 --> 00:22:47,879
Speaker 4: and I thought to myself, I need to knock on

513
00:22:47,880 --> 00:22:50,000
Speaker 4: the window here and go on. Was an episode of

514
00:22:50,000 --> 00:22:52,680
Speaker 4: seven chart and it was a New Year's Eve show.

515
00:22:52,960 --> 00:22:57,040
Speaker 4: Ah yeah, and I thought that'd be funny appearing and

516
00:22:57,080 --> 00:22:59,600
Speaker 4: then I and then I I didn't do it.

517
00:22:59,480 --> 00:23:00,840
Speaker 3: It is this, it's been funny.

518
00:23:01,560 --> 00:23:03,520
Speaker 2: Knock us if you Kevin knocked on the door and said, hey,

519
00:23:03,520 --> 00:23:05,600
Speaker 2: how's it going. Yeah, I've just noticed that you were

520
00:23:05,600 --> 00:23:07,320
Speaker 2: watching you on TV. I thought I was watching you

521
00:23:07,359 --> 00:23:14,240
Speaker 2: watching him, funny, watching you, watching you, watching me, watching you.

522
00:23:14,400 --> 00:23:16,760
Speaker 3: Well, you're watching Jimmy exactly what I thought.

523
00:23:16,760 --> 00:23:18,480
Speaker 2: What about if Hillary Barry had been with you and

524
00:23:18,520 --> 00:23:21,560
Speaker 2: you're watching you, watching them, and then you heard a

525
00:23:21,640 --> 00:23:24,359
Speaker 2: Russell and the bushes and then Hillary is hiding and

526
00:23:24,400 --> 00:23:24,920
Speaker 2: the bush.

527
00:23:24,680 --> 00:23:26,840
Speaker 4: Watching you, watching me, watching watching me.

528
00:23:27,040 --> 00:23:29,919
Speaker 5: Yeah, and depends what Russell though, because if you got

529
00:23:30,119 --> 00:23:32,320
Speaker 5: the Russell that I knew growing up, he would be

530
00:23:32,480 --> 00:23:33,800
Speaker 5: he was quite a big unit and there would be

531
00:23:33,880 --> 00:23:35,040
Speaker 5: scary Russell packer.

532
00:23:35,920 --> 00:23:37,520
Speaker 4: I wouldn't want to put Hillary in a bush with

533
00:23:37,600 --> 00:23:39,840
Speaker 4: Russell Russell terrible.

534
00:23:40,320 --> 00:23:41,800
Speaker 2: What about in a bush and Russell?

535
00:23:42,720 --> 00:23:44,920
Speaker 4: I don't think she'd want to be in a bush.

536
00:23:45,320 --> 00:23:47,359
Speaker 4: She's not an a bush sort of a person.

537
00:23:47,400 --> 00:23:48,680
Speaker 2: Well, my son went out the other day. I was

538
00:23:48,680 --> 00:23:51,000
Speaker 2: telling you guys, and he's seventeen and he went out

539
00:23:51,000 --> 00:23:53,760
Speaker 2: with his mates and he did a whole lot of damage.

540
00:23:53,840 --> 00:23:56,120
Speaker 2: Was closing us relaying when you're under twenty, you spend

541
00:23:56,119 --> 00:23:56,960
Speaker 2: a long time in bushes.

542
00:23:57,040 --> 00:23:58,080
Speaker 3: Yeah, jumping into bushes.

543
00:23:58,600 --> 00:24:00,639
Speaker 2: That's awesome. I love jumping and bus It's been so

544
00:24:00,720 --> 00:24:02,280
Speaker 2: much more time and undergrowth. It comes upon in your

545
00:24:02,320 --> 00:24:04,560
Speaker 2: life where you hardly ever find yourself an undergrowth. You're

546
00:24:04,560 --> 00:24:06,040
Speaker 2: twenty five now, mess have you been. When was the

547
00:24:06,080 --> 00:24:07,600
Speaker 2: last time you were in some undergrowth?

548
00:24:08,359 --> 00:24:10,159
Speaker 4: Or it was the last time you jumped into a

549
00:24:10,200 --> 00:24:12,880
Speaker 4: flax bush, like a decent sized flax bush.

550
00:24:13,400 --> 00:24:15,120
Speaker 2: When was the last time you just climbed a tree?

551
00:24:15,680 --> 00:24:17,400
Speaker 5: I mean, these are all things that I haven't thought about.

552
00:24:17,480 --> 00:24:20,280
Speaker 5: This is a great typic of conversation. I remember like

553
00:24:20,359 --> 00:24:22,520
Speaker 5: looking at bushes like there were something to jump into.

554
00:24:22,640 --> 00:24:26,480
Speaker 2: Yes, at one point in your life, you go you

555
00:24:26,560 --> 00:24:29,080
Speaker 2: just stop wanting to jump into every bush. You see.

556
00:24:29,359 --> 00:24:32,679
Speaker 4: We used to ride our bikes and there was a

557
00:24:32,720 --> 00:24:34,679
Speaker 4: flax bush, like a really really big one, and we

558
00:24:34,720 --> 00:24:36,760
Speaker 4: would ride our bikes. Was kind of on the corner

559
00:24:36,840 --> 00:24:39,440
Speaker 4: of someone's property and on a burm, and we'd ride

560
00:24:39,440 --> 00:24:41,760
Speaker 4: our bikes down and then you'd leave your bike and

561
00:24:41,840 --> 00:24:43,160
Speaker 4: jump into the flax bush.

562
00:24:43,200 --> 00:24:43,800
Speaker 3: God, it was fun.

563
00:24:43,880 --> 00:24:45,840
Speaker 4: Oh man, I save one down the bottom of Chamblin Street.

564
00:24:46,920 --> 00:24:48,359
Speaker 4: We used to get drunk into it. And then one

565
00:24:48,480 --> 00:24:50,479
Speaker 4: day we were doing it and the guy came out

566
00:24:50,520 --> 00:24:54,479
Speaker 4: and goes, break your fucking and screamed out, and we

567
00:24:54,520 --> 00:24:57,399
Speaker 4: went hey, settled down, and then he goes, oh, I

568
00:24:57,440 --> 00:25:01,840
Speaker 4: do break your fuck and then his wife going get

569
00:25:01,880 --> 00:25:04,840
Speaker 4: off the balcony, John, Get off the balcony.

570
00:25:04,920 --> 00:25:05,160
Speaker 3: John.

571
00:25:05,720 --> 00:25:07,159
Speaker 4: Come in and he goes, I'm not coming out, and

572
00:25:07,160 --> 00:25:12,080
Speaker 4: they've got get in, John, and then we started saying, yeah, John,

573
00:25:12,680 --> 00:25:13,960
Speaker 4: get off John.

574
00:25:14,119 --> 00:25:18,400
Speaker 3: Your dad's name John twelve because it wasn't my dad, okay.

575
00:25:18,440 --> 00:25:20,600
Speaker 2: I had a sudden experience where I was jumping into

576
00:25:20,600 --> 00:25:26,000
Speaker 2: the spush with my mate Davy, and then we get

577
00:25:26,520 --> 00:25:28,720
Speaker 2: called into this house that was on the way up

578
00:25:28,760 --> 00:25:31,720
Speaker 2: the street that was next to our house, my house,

579
00:25:32,160 --> 00:25:34,320
Speaker 2: and they said and someone says, you broke wind and

580
00:25:34,359 --> 00:25:34,960
Speaker 2: make a mary?

581
00:25:36,440 --> 00:25:36,680
Speaker 3: What?

582
00:25:37,080 --> 00:25:38,919
Speaker 2: And then there was a girl, one of the daughters

583
00:25:38,960 --> 00:25:41,080
Speaker 2: in the house was crying. Me and Davy had been

584
00:25:41,280 --> 00:25:43,200
Speaker 2: jumping onto a flash book that she called win to

585
00:25:43,240 --> 00:25:47,720
Speaker 2: make a mary and they were like you but we

586
00:25:47,760 --> 00:25:49,159
Speaker 2: were called in. I was like, it took me a

587
00:25:49,160 --> 00:25:51,280
Speaker 2: long time as a I think I was about nine

588
00:25:51,320 --> 00:25:54,000
Speaker 2: to work out who when you get called into a house,

589
00:25:54,000 --> 00:25:55,520
Speaker 2: it smelled so much like garlic.

590
00:25:55,680 --> 00:25:58,000
Speaker 4: Don't call don't name a flex bush.

591
00:25:58,119 --> 00:26:00,359
Speaker 2: Yeah, so the only reason why you're upset the broken

592
00:26:00,359 --> 00:26:03,199
Speaker 2: wouldn't make him marrious because you've named the flexbush.

593
00:26:03,680 --> 00:26:05,800
Speaker 3: Given it a personal you've given it human rights.

594
00:26:05,800 --> 00:26:07,240
Speaker 2: So we've got a five year old girl over, we've

595
00:26:07,240 --> 00:26:09,600
Speaker 2: got a couple of happy parents. His house smell like garlic.

596
00:26:09,680 --> 00:26:13,160
Speaker 2: Yelling at me and davy feathers for breaking, wouldn't making merry? Like, well,

597
00:26:13,160 --> 00:26:15,119
Speaker 2: it was just a fucking flex books when I jumped

598
00:26:15,119 --> 00:26:16,560
Speaker 2: into it, I don't know it was one making merry.

599
00:26:16,760 --> 00:26:19,879
Speaker 2: And also flex bushes will react to the wind, but

600
00:26:19,920 --> 00:26:20,560
Speaker 2: they don't make it.

601
00:26:20,880 --> 00:26:23,040
Speaker 4: They don't don't make the ones, but they're hard.

602
00:26:23,119 --> 00:26:24,440
Speaker 3: You think flex.

603
00:26:26,240 --> 00:26:28,360
Speaker 4: Good thing about jumping into a flex pushes it will

604
00:26:28,400 --> 00:26:28,920
Speaker 4: come back?

605
00:26:29,760 --> 00:26:31,440
Speaker 3: Yeah, very hard to kill a flexbush.

606
00:26:32,000 --> 00:26:35,359
Speaker 2: Yeah, it laughs at you. You you're jumping and you

607
00:26:35,400 --> 00:26:39,040
Speaker 2: think you sucking me up? Grass though, when making saying

608
00:26:39,160 --> 00:26:41,800
Speaker 2: I will be back, do't you I'll be back.

609
00:26:42,040 --> 00:26:44,320
Speaker 5: The grass that you just used to grass whip up

610
00:26:44,320 --> 00:26:46,520
Speaker 5: your shins on y grass?

611
00:26:46,920 --> 00:26:47,520
Speaker 3: What's it called?

612
00:26:47,520 --> 00:26:51,280
Speaker 5: Their grass, cut their grass. Well, that's racist just because

613
00:26:51,320 --> 00:26:51,720
Speaker 5: it cuts you.

614
00:26:52,600 --> 00:26:58,560
Speaker 2: I don't know what about thistles, Let's get rid of them.

615
00:26:58,600 --> 00:26:59,560
Speaker 3: Jump into a gorse bush.

616
00:27:00,040 --> 00:27:01,920
Speaker 2: There was no thistles and you could just wear bear

617
00:27:01,960 --> 00:27:05,240
Speaker 2: feet with gay abandon in the summer, but no thistles. Thanks, thanks, mate.

618
00:27:05,480 --> 00:27:07,360
Speaker 3: Used to they used to call you the gorse bush,

619
00:27:07,359 --> 00:27:10,240
Speaker 3: didn't they. But there's just a little couple of pants,

620
00:27:10,600 --> 00:27:11,840
Speaker 3: a couple of little ples down there.

621
00:27:14,960 --> 00:27:24,160
Speaker 2: Okay, all right, daisy pants, little daisy pants, little upside

622
00:27:24,200 --> 00:27:28,440
Speaker 2: down daisy pants, did they all right? Okay?

623
00:27:28,760 --> 00:27:32,080
Speaker 4: I used to call you the egger panthers. They used

624
00:27:32,119 --> 00:27:33,840
Speaker 4: to call you the ring up where you shouldn't be.

625
00:27:33,880 --> 00:27:38,560
Speaker 2: They called you the hydrange the way you smelled all right,

626
00:27:39,800 --> 00:27:42,639
Speaker 2: all right, Jesus, are you happy with it?

627
00:27:45,480 --> 00:27:59,960
Speaker 5: Let's do it a Oh look what I just found

628
00:28:00,080 --> 00:28:00,560
Speaker 5: you Ready for this?

629
00:28:00,880 --> 00:28:03,160
Speaker 3: It's time for Matt and Jerry's to your face off

630
00:28:03,160 --> 00:28:06,240
Speaker 3: Fridays back.

631
00:28:07,240 --> 00:28:09,720
Speaker 2: Hello, I'm Matt Heath. You have been listening to the

632
00:28:09,920 --> 00:28:13,119
Speaker 2: Matt and Jerry Daily Bespoke podcast. Right now you can

633
00:28:13,160 --> 00:28:17,280
Speaker 2: listen to our Radio Highlights podcast, which you will absolutely

634
00:28:17,320 --> 00:28:20,680
Speaker 2: get barred up about anyway. Sit to download, like subscribe,

635
00:28:20,680 --> 00:28:23,400
Speaker 2: write review all those great things. It really helps myself

636
00:28:23,400 --> 00:28:25,760
Speaker 2: and Jerry and to a lesser extent, mess and ruder.

637
00:28:26,040 --> 00:28:27,960
Speaker 2: If you want to discuss anything raised in this pod,

638
00:28:28,080 --> 00:28:31,040
Speaker 2: check out the Conclave, a Matt and Jerry Facebook discussion group.

639
00:28:31,200 --> 00:28:33,880
Speaker 2: And while I'm plugging stuff, my book Are Lifeless Punishing

640
00:28:33,920 --> 00:28:36,359
Speaker 2: Thirteen Ways to Love the Life You've got is out

641
00:28:36,520 --> 00:28:38,800
Speaker 2: now get it wherever you get your books, or just

642
00:28:38,960 --> 00:28:42,680
Speaker 2: google the bastard. Anyway you seem busy, I'll let you go.

643
00:28:43,080 --> 00:28:45,480
Speaker 2: Bless Blessed, blessed. Give them a taste of key we

644
00:28:45,600 --> 00:28:45,880
Speaker 2: from me,