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Speaker 1: Okay, I've got to buttons in front of me Vegas

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Speaker 1: Friday shove up.

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Speaker 2: Are you still running? Am a Dutch of them at

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Speaker 2: your house?

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Speaker 1: Yeah? No, no longer running a Dutch?

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Speaker 2: Look at it.

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Speaker 3: Don't look your eye?

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Speaker 4: Oh look at it.

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Speaker 2: Oh no, it'll.

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Speaker 4: Give me on the way home.

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Speaker 2: That's a player taking a kid's league game.

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Speaker 1: Can someone tell me why that's replaced my button of

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Speaker 1: the drum roll? If someone made a mistake, it's probably me.

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Speaker 1: You haven't intentionally done that, ruder.

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Speaker 2: No, okay, this is not a set up. It's a

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Speaker 2: good practical Premiers. Next year you should come there and

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Speaker 2: change all meshes buttons.

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Speaker 1: Imagine if I've done that and then I was like,

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Speaker 1: am I right?

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Speaker 2: Boyd record something horrific the meshes set off here and

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Speaker 2: put it on. Has one of us showed out the buttons?

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Speaker 1: Great idea? Yeah? What like when I said anything about

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Speaker 1: Pixie Campbell?

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Speaker 5: Yeah, okay, it's good.

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Speaker 2: Busy many other way on that one. It's the twenty

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Speaker 2: third of August, in the Year of Our Lord twenty

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Speaker 2: twenty four. Welcome all you bestokey bespokey dokeies to the

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Speaker 2: Daily Bespoke Podcast.

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Speaker 4: I am just quickly doing the rounds. Yeah, I see

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Speaker 4: it's it's I mean, it's not pretty good for recorded

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Speaker 4: radio looking outside at eight degrees. Was anyone else woken

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Speaker 4: up last night to a full moon?

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Speaker 1: Anyone? Anyone?

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Speaker 2: Oh shit, I'll tell you what. I dropped my son

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Speaker 2: off at Apney Apney and Bloody three Kings last night,

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Speaker 2: and the moon was absolutely phenomenal. Sometimes you know, when

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Speaker 2: you get the trees or a house in the right

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Speaker 2: place and the moon looks so big. It was just

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Speaker 2: totally beautiful. I could see myself transitioning into what we

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Speaker 2: were off looking at that.

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Speaker 1: I find moonlight moon, the moonlight beard.

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Speaker 4: As I get older, I love it. Moar or.

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Speaker 1: Doing that thing when you wake up the kids in

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Speaker 1: the morning by just you know, downtrawering and showing them

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Speaker 1: the full moon. And then are you still doing that?

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Speaker 2: Yeah?

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Speaker 4: The face.

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Speaker 2: Boys? Did you see that full moon last night? And

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Speaker 2: they're like, don't worry, it's still here. Flick the light on.

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Speaker 1: Is that what you mean, Jerry? But he was. The

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Speaker 1: full moon last night was totally up on. All I'm

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Speaker 1: not going to see that was mash.

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Speaker 2: Sorry, man, I've got a question for you. When you

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Speaker 2: were a kid, you used to draw a light bulb

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Speaker 2: that would also look like someone with their pants pull down.

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Speaker 1: I thought this might be a moment where you've prought

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Speaker 1: up a photo. I don't know. My father's on fire

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Speaker 1: in the conclave at the moment. I thought he might

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Speaker 1: have put a photo that I drew from two thousand

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Speaker 1: and four that reminded you of that? Or is that

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Speaker 1: something I've done? Or is that something you're just asking

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Speaker 1: me about because that's what I used to do.

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Speaker 2: What's happening there?

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Speaker 3: She?

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Speaker 2: Okay, there, I'm doing a light bulb.

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Speaker 1: You're doing a light So that's a full moments a

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Speaker 1: really good light bark.

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Speaker 3: So you're seing light bulb. Yeah, I'm singing, I'm seeing

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Speaker 3: a na Can.

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Speaker 2: We make that the picture? Because on on the podcast

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Speaker 2: when it goes out, can we make that the picture

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Speaker 2: that goes up? You can tell a lot by people

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Speaker 2: what they think they see there.

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Speaker 4: I've told the story before about my experience.

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Speaker 2: Can we put it on our instagra on our Instagram?

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Speaker 2: Say what do you see here?

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Speaker 1: That's going to be told?

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Speaker 4: My story before about my experience on the Honganou River

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Speaker 4: with Miss Watson.

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Speaker 2: Miss Watson, can I just say it looked a bit

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Speaker 2: like that. I thought there was more fire.

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Speaker 4: Oh, there was fire coming out. There was a bit

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Speaker 4: more sort of see where that see where the horizontal

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Speaker 4: line goes across, Remember the light bulb there. I thought

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Speaker 4: there was a bit of.

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Speaker 1: A scrub flight it was so was she was she redheated?

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Speaker 4: She was?

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Speaker 1: It adds to the story. Actually I didn't know that

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Speaker 1: she was a bit more.

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Speaker 4: It was a redhead.

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Speaker 2: And can I just say that the curtains mentioned the car.

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Speaker 2: You can't say it, but I do think you need

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Speaker 2: to say that because I mean, you've given so many details.

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Speaker 2: You've gone when you were at school, the school, and

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Speaker 2: the name of the person. So you've given so you've done.

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Speaker 2: You've done no due diligence. That's sort of the baby

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Speaker 2: rainy reindeer situation. You've made no attempt to hide this

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Speaker 2: person's identity. In fact, you've anyone could cross reference that

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Speaker 2: school when you were there and that teacher.

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Speaker 4: I mean, that's common knowledge around woman. I don't think

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Speaker 4: there's anything. I don't think I'm divulging any new information here.

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Speaker 4: Who was with you? It wasn't her. She did nothing wrong?

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Speaker 4: Was glaying with Miss Watson. Miss Watson did absolutely nothing wrong,

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Speaker 4: zero wrong. It was just just a unfortunate set of

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Speaker 4: circumstances that we just happened to be looking at about.

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Speaker 2: Here comes Lauren with coffees for everyone, everyone friends with

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Speaker 2: coffees for ever.

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Speaker 1: Thank you coffee.

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Speaker 4: Just just for me, just from.

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Speaker 1: Me, Thank you for that? All right?

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Speaker 2: Okay, thanks Lauren?

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Speaker 1: Thanks baby.

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Speaker 3: She is Lauren playing favorites and things this morning on

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Speaker 3: the pod you should ever listened about two hours time.

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Speaker 1: Yesterday on the show, we were talking about lad she's single. No,

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Speaker 1: you did not be doing about lots the beautiful one

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Speaker 1: that came in. No, she's mine, that can I she is, She's.

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Speaker 2: So, she's positioned, so so, she's so, she's yours mess.

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Speaker 2: She's single, adjacent, she's not long from looking for other options.

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Speaker 1: She currently going out with me. She is currently going

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Speaker 1: out with me.

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Speaker 2: You know she will be, she'll be looking for an upgrade.

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Speaker 1: She won't be after that. She might be. Okay, But

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Speaker 1: my question for you is this, you know how used

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Speaker 1: Today on the podcast, we were talking about the idea

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Speaker 1: of giving your partner of flowers when they've done something wrong.

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Speaker 1: She just brought me a coffee in studio.

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Speaker 2: Oh are wed she went to the she went to

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Speaker 2: the radio survey party last.

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Speaker 1: Night, and and I wasn't there. Really is that one

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Speaker 1: of those situations is she brought me a coffee to go?

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Speaker 2: What do you mean.

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Speaker 1: Is that to do with the email?

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Speaker 2: We said we wouldn't tell him. We're not going to. Seriously,

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Speaker 2: we can't. We shouldn't be.

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Speaker 1: Okay, I can't tell him on the podcast, but is

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Speaker 1: my fellow brothers, just can we all just promise that

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Speaker 1: it wasn't one of you guys, don't you Let's just move.

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Speaker 2: Well, okay, we'll move on. Let's not I can tell

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Speaker 2: you it wasn't one of us.

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Speaker 1: Yeah, you know what I'm saying. Okay, well, can we

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Speaker 1: put a pin on that movie talk about it after?

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Speaker 2: But also, okay, boy, and in the realms of seriousness,

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Speaker 2: not much of an indiscretion if it's a.

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Speaker 1: Coffee, Okay, So we're going to allow this.

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Speaker 2: So a coffee might be just there she came home

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Speaker 2: late and had bad breath or you know, or you know,

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Speaker 2: it destroyed the on swite or something.

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Speaker 1: Just to clarify, so you're not saying that just because

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Speaker 1: my girlfriend has brought me a coffee this.

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Speaker 4: Morning and.

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Speaker 2: I'm saying that's a minor indusision. I don't think you.

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Speaker 2: I don't think you try and band aid over infidelity

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Speaker 2: for the flat white. I don't think I think that

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Speaker 2: makes me feel better. I think that's a bouquet of flowers.

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Speaker 1: Yeah, okay, I feel better about that now. Thank you

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Speaker 1: for that, man, Yeah, that's what I need. We should

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Speaker 1: have asked her what she thought about this light bulb

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Speaker 1: being toven woman situation. She would have been right into that.

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Speaker 1: Can you bring it back? I mean I try not to.

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Speaker 1: I think she'd rather.

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Speaker 4: A drop off situation. And now you shouldn't have lied

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Speaker 4: to Mesh before.

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Speaker 2: It's better that he doesn't know.

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Speaker 4: You shouldn't have lied to him.

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Speaker 1: You're lying to me as well lying. You're lying to

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Speaker 1: me as.

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Speaker 4: Holding the truth of one thing. Lying is another thing.

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Speaker 1: We'll hang on. So you're saying withholding them, No, you're

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Speaker 1: doing just as bad as many Maddi's lied. If you're

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Speaker 1: saying that he's light, I don't even know if he's

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Speaker 1: like I've actually I'm actually deciding to trust Meny on

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Speaker 1: this one. So you're doing you're actually doing worst right now. Jury.

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Speaker 1: So if you're going to keep causing doubt in my

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Speaker 1: head about my relationship. Split it out, make.

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Speaker 4: We'll let's just move on. Let's just move on.

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Speaker 2: Well, I never you know that I'm truthful because there's

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Speaker 2: a there's a whole chapter in my book, A Lifeless

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Speaker 2: Punishing about not lying, sort of basically copied and pasted

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Speaker 2: word from word from Sam Harris's I'm Not Lying, but

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Speaker 2: it's in there. And so it's been a real ride

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Speaker 2: for my back because I've written about not lying and

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Speaker 2: I love lying.

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Speaker 1: Lying is good, isn't it?

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Speaker 4: Yes? I mean who doesn't love lying? You got to lie.

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Speaker 2: I like to go I have to lie. I like

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Speaker 2: to come home and pretend I have been in faithful

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Speaker 2: to my partner, just to see what happens.

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Speaker 4: The idea that you've got to be completely truthful all

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Speaker 4: the time, well, no problematic, problematic.

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Speaker 2: But okay, let's I disagree. I think you cannot say something,

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Speaker 2: so you can't go around like you know that movie

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Speaker 2: with Ricky Base the invention of lying, where everyone just

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Speaker 2: says anything, Because that was a bit I don't understand

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Speaker 2: about the movie. Everyone comes and goes, you're a fat

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Speaker 2: little piece of shit. Yeah, you don't need to you

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Speaker 2: don't need to say that your thought to yourself. You

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Speaker 2: can keep your thoughts.

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Speaker 4: You keep your thoughts.

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Speaker 2: You're just because the thoughts jumped up in your hear

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Speaker 2: doesn't mean it's dishonest to not share it.

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Speaker 4: But if someone asks you a question and then you

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Speaker 4: answer it dishonestly, that's where the trouble lies. It's not

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Speaker 4: the people that go around say I'm sorry, but just

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Speaker 4: being honest. And it's like, I didn't even ask for

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Speaker 4: your opinion, Why would just be honest? That's really annoying, cruel.

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Speaker 4: I don't like you. I'm going to be honest with

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Speaker 4: you here. It's like no, no, no, you don't.

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Speaker 2: Anyone that says that though to be honest, It's like,

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Speaker 2: shouldn't you always be honest? It's I think it's a

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Speaker 2: really strange thing.

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Speaker 1: But like big to what you've just said the jury.

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Speaker 1: There's also a thing that I've learned in the first

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Speaker 1: quarter of my life, hopefully if everything's going well, is

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Speaker 1: that you don't also want to ask questions, you don't

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Speaker 1: want to answer to a lot of that that goes

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Speaker 1: on being truthful and being honest.

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Speaker 4: I agree about that, and and some thing are best

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Speaker 4: not questioned, And also I think some problems are best

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Speaker 4: not solved because sometimes the solution to the problem, we've

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Speaker 4: been here before him. We the solution to the problem

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Speaker 4: creates more problems. You find a solution to the problem,

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Speaker 4: and sometimes you've just got to ignore the solution and

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Speaker 4: move on and you find that that that will just fade.

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Speaker 2: I think in life you have to be okay with

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Speaker 2: the idea that some things can't be solved. Yeah, that things,

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Speaker 2: some things just have to happen and there's no there's

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Speaker 2: no right answer.

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Speaker 4: And saying that there are some things that can be

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Speaker 4: solved very easily that you should just solve, like with

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Speaker 4: a quick oh, yeah, I guess you. Puzzle relationships who

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Speaker 4: he has done a puzzle, well, likes your puzzle, Yeah,

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Speaker 4: from start to finish, from the first piece to the last.

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Speaker 1: Yeah.

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Speaker 2: But it was only one of those kids once with

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Speaker 2: about ten pieces.

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Speaker 4: So nothing more that say, I'm I've never been one.

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Speaker 2: I've never been one of those win becers. It's done

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Speaker 2: that sits there on a holiday with a table with

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Speaker 2: a thousand pieza and the whole holiday at the beach,

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Speaker 2: they're just concentrated on this puzzle.

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Speaker 1: The whole table gets taken up by you and you're stupid.

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Speaker 2: Yeah, and you're like and like, my thing with that

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Speaker 2: is it? The picture was already there. Just look at

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Speaker 2: the cover. You can already see the picture on the

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Speaker 2: freaking cover. Cut that out.

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Speaker 1: Everything came home on the wall, Everything came at homeboys,

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Speaker 1: Have you done a puzzle?

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Speaker 4: No?

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Speaker 1: You know what's actually funny about this? I don't know.

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Speaker 1: Can I talk? Can you say that you did something

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Speaker 1: under the influence of something that's not I'm a bad holiday?

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Speaker 2: Can I mean it's career limiting and you'll lose your job,

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Speaker 2: But you can't say physically, you can't say.

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Speaker 1: It's the bespoken kind of silence.

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Speaker 4: We know this.

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Speaker 1: Yeah, No, it's not going anywhere. I'm an awful holiday.

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Speaker 1: I imagine myself being a little bit like you actually met.

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Speaker 1: It is there's an element of relaxing that I'd like

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Speaker 1: to do, but I also like to, you know, do

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Speaker 1: stuff while I'm on holiday. And there comes to a

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Speaker 1: point in the holiday after about two three days of

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Speaker 1: doing nothing, were Lauren who you just met through the

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Speaker 1: door for the first Time's No, she's not single, Lauren.

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Speaker 1: That's Lauren dating. Look, I know it's a long story.

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Speaker 1: There was no, she was not you. So there's this

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Speaker 1: time the holiday where she goes, okay, now we need

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Speaker 1: something for this boy to do, and she got me.

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Speaker 1: One of those was jigs out of the cupboard. You know,

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Speaker 1: the jigs you do backwards without the picture. Oh yeah,

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Speaker 1: I'll tell you what if you are looking for something

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Speaker 1: to do. I went down a big old hole under

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Speaker 1: the influence of something that might have not been alcohol,

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Speaker 1: and just sat there.

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Speaker 2: Taylor, I know that you did that. You went down

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Speaker 2: a big hold hole.

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Speaker 1: She could No, no, no, sorry, you took that literally.

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Speaker 1: I didn't actually go down a little okay, you know

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Speaker 1: I wasn't like that. No, she wouldn't like that, even

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Speaker 1: after what.

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Speaker 2: She was up to last night?

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Speaker 1: What was she up to last night? I keep talking

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Speaker 1: about like this was something that coffee.

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Speaker 2: There was nothing. We've all agreed that nothing happened last night.

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Speaker 2: So anyway you were, I was interested in my was

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Speaker 2: jig story? I am so anyway you were on myth

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Speaker 2: in me, I was not.

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Speaker 1: Okay, I was under the influence of love. Love I was,

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Speaker 1: That's what I was. But I what moral of the

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Speaker 1: story was. I did a puzzle recently for the first time,

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Speaker 1: and I love that you should try. It'd be good

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Speaker 1: for a mine like you.

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Speaker 2: I see, I would imagine you as a puzzle.

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Speaker 1: Gu I would rather die. Well, that's lovely place I

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Speaker 1: would for me.

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Speaker 4: I just thinking if you're on a holiday and you've

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Speaker 4: got nothing you and you think to miss and you

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Speaker 4: think yourself, you know what, I've got nothing to do here.

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Speaker 4: I am so bored.

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Speaker 2: I say I'll give you. I'll give you a cinnario.

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Speaker 2: You're locked in a room. Yeah, it's like in a

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Speaker 2: sore type situation. Yeah, and it's going to release gas

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Speaker 2: if you don't do a one thousand piece puzzle of

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Speaker 2: the Dunedin Botanical Garden. Is there a time frame?

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Speaker 1: And are you Are you the guest source as well,

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Speaker 1: because you've been causing some kind of kesserol crimes over

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Speaker 1: there again today it's always a Friday issue. But we

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Speaker 1: can worry about that later on. Are you the guest.

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Speaker 2: Source in this chamber that the guest will be locally.

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Speaker 1: Produced that problematic?

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Speaker 4: Are you in the room too?

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Speaker 2: I have a vent that I can operate.

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Speaker 1: And that is not a kess cooking in the corner,

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Speaker 1: by the way, that's just metis.

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Speaker 4: You can operate it? You finished.

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Speaker 2: That goes from your just room you you finished the

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00:14:06,800 --> 00:14:09,199
Speaker 2: puzzle when you open the where's my cats role? That

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00:14:09,320 --> 00:14:15,640
Speaker 2: cat's obviously so angry, no salivating. So so I just

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Speaker 2: want to the rubber hit the road on your your

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Speaker 2: your statement that you'd rather die. You just you just

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Speaker 2: go not doing it, not doing it? How many pieces?

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Speaker 2: Is it about one thousand? And it's the Dunedin Botanical Garden?

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Speaker 4: It is it? Is it? Has it been used? Or

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Speaker 4: is it fresh out of the packet?

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Speaker 2: You will be removing the sealt fane from the packet?

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Speaker 4: Okay, I'll do it. I'll do it if it's been used,

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Speaker 4: if someone's already done it, I'm not why Because the

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Speaker 4: idea of going and working on a puzzle for days

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Speaker 4: and wasting your life doing something that's already been done before,

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Speaker 4: firstly and being chopped up by some asshole into a

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Speaker 4: little bits and pieces, then getting to the end and

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Speaker 4: realizing that there are bits missing would annoy me so

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Speaker 4: badly that I would I would, I would.

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Speaker 2: You actually actually point it pointed at something? That's quite

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00:15:13,600 --> 00:15:15,840
Speaker 2: an interesting point, isn't it, Because the puzzle has already

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Speaker 2: been done because it was just a big picture. And

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00:15:17,920 --> 00:15:21,040
Speaker 2: then they've got some cutting device that clamps down on

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00:15:21,080 --> 00:15:24,440
Speaker 2: it and then they they mix it all up and

339
00:15:24,440 --> 00:15:28,240
Speaker 2: put it in a box. Who came out with that?

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00:15:28,240 --> 00:15:31,240
Speaker 2: That idea? It's quite weird, a weird idea.

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Speaker 4: That's evil.

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Speaker 1: There's a bloke cooled evil.

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Speaker 2: But is it meditative? Like you could just get it

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00:15:36,080 --> 00:15:37,680
Speaker 2: like it's it kind of like meditation. You just get

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Speaker 2: into the zone where you're doing it. You're not thinking

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Speaker 2: about anything else.

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Speaker 4: Yeah, you can describe it as mine numbing, but I

348
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Speaker 4: don't think me.

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Speaker 2: I don't really know because IVE got a friend that

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00:15:45,640 --> 00:15:49,960
Speaker 2: all that as a person of independent means is that

351
00:15:49,960 --> 00:15:53,120
Speaker 2: the word or doesn't have to work. And she'll sit

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Speaker 2: at home and just be doing a puzzle all day.

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Speaker 4: And it is quite sex Yeah, but the Nude Puzzlers Association.

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Speaker 2: No, she only does does like really full on sex

355
00:16:07,400 --> 00:16:13,440
Speaker 2: scene puddles. Puzzles to be man, You couldn't, you couldn't

356
00:16:13,440 --> 00:16:16,160
Speaker 2: come and stay at the Wells batch and take up

357
00:16:16,160 --> 00:16:18,640
Speaker 2: the whole table with a full on porno puzzle.

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Speaker 4: But anyway, puzzles puzzle to be seen.

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Speaker 2: Anyway. My point is this. My point is this at home,

360
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Speaker 2: but it's on holiday that I find it depressing because

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Speaker 2: on holiday, aren't you supposed to be although people go

362
00:16:31,080 --> 00:16:32,280
Speaker 2: and read books on holiday.

363
00:16:32,880 --> 00:16:34,560
Speaker 4: Yeah, she's just come up with an idea.

364
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Speaker 2: What's that?

365
00:16:36,200 --> 00:16:38,280
Speaker 1: I just just we should release a Man Jerry Show

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Speaker 1: puzzle for Christmas. For Christmas season.

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Speaker 4: You can me hanging out the back of you and

368
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Speaker 4: hang on to make a puzzle up.

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Speaker 1: It seems to be your idea.

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00:16:46,400 --> 00:16:48,160
Speaker 4: That's true puzzle. So you don't know what it is,

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00:16:48,200 --> 00:16:49,720
Speaker 4: but it's a picture of us and you get it

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Speaker 4: in a box and then you've got to make it up.

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Speaker 2: Oh so you don't have the picture to work off.

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Speaker 1: No, no, So you've just got to figure out this

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00:16:55,040 --> 00:16:58,400
Speaker 1: how many pieces like let's not make it let's not

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00:16:58,440 --> 00:17:01,600
Speaker 1: make it hard? Or not make hard?

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Speaker 2: Sorry the puzzle, O the puzzle, undred pieces, make it easy.

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00:17:05,520 --> 00:17:10,000
Speaker 1: Honday sixty nine. It's too little, sixty but too.

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00:17:09,880 --> 00:17:12,040
Speaker 2: Late, but we'll make it that. It appears that it's

380
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Speaker 2: going to be something when you finish. It's actually quite innocent.

381
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Speaker 4: Just get the marketing manager in here to discuss this idea.

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Speaker 2: You finished it something quite innocent, just like us making

383
00:17:22,119 --> 00:17:30,320
Speaker 2: out making love. Yeah, and we're back, okay, back looking

384
00:17:30,359 --> 00:17:32,119
Speaker 2: for the marketing manager. But there was a huge party

385
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Speaker 2: last night. That was when we got into work this morning.

386
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Speaker 2: There was like bottles of wine and booze every We

387
00:17:36,640 --> 00:17:38,040
Speaker 2: were all over the radio. Hadorcke because it was a

388
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Speaker 2: survey party last night, and that was.

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Speaker 1: Just some picks of Campbell's desk.

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Speaker 4: Yeah, I don't think. I don't think the marketing managers

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Speaker 4: on today have.

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Speaker 2: You noticed that people don't really come to work anymore,

393
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Speaker 2: especially Fridays. Yeah, like this building like it's a fucking

394
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Speaker 2: ghost down on Friday. And are you really telling me

395
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Speaker 2: that work from home? People are working.

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Speaker 4: From home on a Friday every moment of the day.

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Speaker 2: I reckon, I reckon.

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Speaker 1: When we start to work from home roster on this show,

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00:18:03,000 --> 00:18:05,040
Speaker 1: would that be something we can maybe start implementing each

400
00:18:05,119 --> 00:18:06,840
Speaker 1: day a day each week. We could just do the

401
00:18:06,880 --> 00:18:09,440
Speaker 1: show from home, because we could we could do four

402
00:18:09,720 --> 00:18:11,800
Speaker 1: so one person could get two days off a week.

403
00:18:11,880 --> 00:18:15,640
Speaker 1: Sorry sorry sorry working from home a week.

404
00:18:15,840 --> 00:18:17,639
Speaker 2: So so, but people tell when we're not on the

405
00:18:17,640 --> 00:18:20,920
Speaker 2: show that because I mean, where it's pretty clear on

406
00:18:20,960 --> 00:18:23,600
Speaker 2: a live radio show when you're not working, because you're

407
00:18:25,080 --> 00:18:25,720
Speaker 2: you're not talking.

408
00:18:25,800 --> 00:18:28,760
Speaker 4: What about if you just record pre record us saying

409
00:18:31,840 --> 00:18:33,960
Speaker 4: great call, and then we just have a couple of

410
00:18:34,000 --> 00:18:35,040
Speaker 4: those in his prisson button.

411
00:18:35,320 --> 00:18:38,679
Speaker 2: Okay, So, but they wouldn't like someone that always brings

412
00:18:38,760 --> 00:18:42,280
Speaker 2: deep nuance from the topic of the days, like me, wouldn't.

413
00:18:42,280 --> 00:18:45,560
Speaker 2: You wouldn't be able to like it's not It's not

414
00:18:45,560 --> 00:18:48,560
Speaker 2: like I'm just saying a bunch of catchphrases like I'm

415
00:18:48,600 --> 00:18:52,520
Speaker 2: gonna taste a kiwi and this, and you see business

416
00:18:52,600 --> 00:18:54,919
Speaker 2: that you go like, there's more to me than you know.

417
00:18:54,920 --> 00:18:56,440
Speaker 2: There's a lot of insight. I'm not one of those

418
00:18:56,480 --> 00:18:57,160
Speaker 2: catchphrase guys.

419
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Speaker 4: Mate, we could put you on a button.

420
00:19:00,400 --> 00:19:02,040
Speaker 1: Are you guys familiar with Tim Klein?

421
00:19:02,760 --> 00:19:03,040
Speaker 6: Yes?

422
00:19:03,760 --> 00:19:05,840
Speaker 1: Do you know the same Tim Klin that I'm talking about.

423
00:19:06,080 --> 00:19:07,000
Speaker 2: I'm familiar with that Tim.

424
00:19:07,359 --> 00:19:08,960
Speaker 1: The Tim Klin I'm talking about is a guy that

425
00:19:09,000 --> 00:19:10,840
Speaker 1: figured out that most puzzles in the world are all

426
00:19:10,840 --> 00:19:14,080
Speaker 1: made off the same shapes of each pieces. So he

427
00:19:14,119 --> 00:19:16,080
Speaker 1: realized that when he was doing puzzles that this puzzle

428
00:19:16,200 --> 00:19:18,119
Speaker 1: feels very familiar. And what he realizes that it's the

429
00:19:18,160 --> 00:19:20,080
Speaker 1: same fucking cardboard cut out little bits.

430
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Speaker 2: It's the same machine that counts on a majority of puzzles.

431
00:19:23,000 --> 00:19:25,400
Speaker 2: And of course you'd only buy one middle because it's

432
00:19:25,400 --> 00:19:27,920
Speaker 2: probably true you have the picture printed on cardboard and

433
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Speaker 2: down right.

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00:19:29,600 --> 00:19:31,399
Speaker 1: And he figured out that hang on. All of a sudden,

435
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Speaker 1: I can now make what he's decided as pieces of art.

436
00:19:34,600 --> 00:19:36,879
Speaker 1: And he's become very successful at selling bits of puzzle

437
00:19:36,960 --> 00:19:41,000
Speaker 1: art that incorporate different puzzles all into one of what

438
00:19:41,040 --> 00:19:41,280
Speaker 1: he does.

439
00:19:41,400 --> 00:19:45,680
Speaker 2: Due for example, it's quite cool horse that turns into

440
00:19:45,720 --> 00:19:46,080
Speaker 2: a train.

441
00:19:46,240 --> 00:19:46,520
Speaker 1: Yeah.

442
00:19:46,800 --> 00:19:48,600
Speaker 2: Oh, that is fucking genius.

443
00:19:48,640 --> 00:19:49,399
Speaker 1: That is quite amazing.

444
00:19:49,440 --> 00:19:51,720
Speaker 4: Yeah, that's the best use of a puzzle I've seen.

445
00:19:53,280 --> 00:19:54,040
Speaker 4: That might turn me.

446
00:19:54,160 --> 00:19:54,760
Speaker 1: Do you know what?

447
00:19:55,000 --> 00:19:58,600
Speaker 2: That is such a cool.

448
00:19:58,680 --> 00:20:01,880
Speaker 1: Realization because other people have figured it out I think

449
00:20:01,920 --> 00:20:04,080
Speaker 1: before as well and done some up. But for examples,

450
00:20:04,080 --> 00:20:05,439
Speaker 1: one we're looking at here as a pig with some

451
00:20:05,520 --> 00:20:06,320
Speaker 1: tiger's eyes or.

452
00:20:06,320 --> 00:20:08,960
Speaker 4: Something like cat's eyes and like a turky head.

453
00:20:09,320 --> 00:20:13,000
Speaker 2: Bloody. I freaking love the.

454
00:20:11,800 --> 00:20:13,840
Speaker 1: The cow on the on the on the Tonka trucks.

455
00:20:13,880 --> 00:20:17,240
Speaker 4: Great, Yeah, I mean to do a puzzle of a cow.

456
00:20:18,320 --> 00:20:22,880
Speaker 4: Because does the picture matter? Does it? Does anyone want

457
00:20:22,920 --> 00:20:24,639
Speaker 4: to see the because as you said, met, you know

458
00:20:24,640 --> 00:20:26,040
Speaker 4: what the picture is because you've seen it on the

459
00:20:26,040 --> 00:20:31,000
Speaker 4: front so and it's so like you can then put

460
00:20:31,040 --> 00:20:32,440
Speaker 4: it up on the wall or anything.

461
00:20:34,200 --> 00:20:36,560
Speaker 2: Well, do people when they finish a puzzle, Does anyone

462
00:20:36,560 --> 00:20:38,080
Speaker 2: glow it to a bit of paper and put it

463
00:20:38,119 --> 00:20:39,040
Speaker 2: in a frame and put on the wall.

464
00:20:39,880 --> 00:20:41,520
Speaker 1: No, I don't think so. I'm suputing this.

465
00:20:41,600 --> 00:20:44,480
Speaker 2: It's a really interesting thing, the difference between people that

466
00:20:44,520 --> 00:20:46,760
Speaker 2: would think and get into making puzzles and the people

467
00:20:46,760 --> 00:20:49,399
Speaker 2: that wouldn't. Because I'm like, Okay, you've done the sky,

468
00:20:49,480 --> 00:20:51,560
Speaker 2: but I can't find the other bit. That's sweet. I'll

469
00:20:51,600 --> 00:20:53,320
Speaker 2: just throw the whole thing out. I don't care. Yeah,

470
00:20:53,440 --> 00:20:56,399
Speaker 2: that's my kind of thought, patent on it. Other people

471
00:20:56,720 --> 00:21:00,359
Speaker 2: must be the satisfaction of finishing. I think it's just

472
00:21:00,359 --> 00:21:02,760
Speaker 2: a little bits of satisfaction when you're get a little

473
00:21:02,800 --> 00:21:04,879
Speaker 2: dope happen. You put the right bit in the right place.

474
00:21:05,000 --> 00:21:06,560
Speaker 1: And that's what I felt that time that I was

475
00:21:06,640 --> 00:21:11,639
Speaker 1: under the influence at Lauren's badge. No not if you

476
00:21:11,640 --> 00:21:13,879
Speaker 1: guys were looking for something to pass the time on

477
00:21:14,240 --> 00:21:16,320
Speaker 1: invitam No not on metha.

478
00:21:17,280 --> 00:21:19,800
Speaker 4: Nothing to do with old render in the corner.

479
00:21:20,640 --> 00:21:22,439
Speaker 1: If you guys on holiday, what's your go to?

480
00:21:22,560 --> 00:21:26,199
Speaker 4: Your Sudoka guy, Jerry, I don't have a problem of

481
00:21:26,240 --> 00:21:27,480
Speaker 4: passing time on holiday.

482
00:21:28,000 --> 00:21:28,800
Speaker 1: What about you, Maddie?

483
00:21:29,080 --> 00:21:30,800
Speaker 2: I feel like when I'm on holiday, like if I'm

484
00:21:30,800 --> 00:21:33,199
Speaker 2: in a batch or something, my entire days taken up

485
00:21:33,240 --> 00:21:36,520
Speaker 2: with making breakfast and then and then you sit around

486
00:21:36,520 --> 00:21:39,520
Speaker 2: for a bit, and then you start thinking about maybe

487
00:21:39,680 --> 00:21:41,240
Speaker 2: maybe go to the beach, But then you come back,

488
00:21:41,240 --> 00:21:43,360
Speaker 2: and then you make lunch, and then you.

489
00:21:43,280 --> 00:21:45,000
Speaker 4: Think about how long you can hold out for a drink,

490
00:21:45,000 --> 00:21:45,520
Speaker 4: and then you have.

491
00:21:45,480 --> 00:21:49,000
Speaker 2: A few drinks, and then after lunch, and then the

492
00:21:49,000 --> 00:21:51,200
Speaker 2: afternoon goes, and then you find yourself back in the

493
00:21:51,240 --> 00:21:53,760
Speaker 2: kitchen again, and then and then and then maybe you

494
00:21:53,800 --> 00:21:56,440
Speaker 2: go for a swim after dinner, and then you're back

495
00:21:56,520 --> 00:21:58,399
Speaker 2: and then there's always some some chocolates and stuff, and

496
00:21:58,440 --> 00:22:01,800
Speaker 2: then and then by then you quite fucking stained, and

497
00:22:01,840 --> 00:22:04,160
Speaker 2: you don't really remember that someone's brought some nose guy. Yeah,

498
00:22:04,320 --> 00:22:07,399
Speaker 2: you don't remember. You don't remember going to bed when

499
00:22:07,440 --> 00:22:09,400
Speaker 2: you get up in the morning, and everyone comes out

500
00:22:09,440 --> 00:22:11,159
Speaker 2: talking about how dusty they are, and then you make

501
00:22:11,200 --> 00:22:12,240
Speaker 2: breakfast again and a where.

502
00:22:12,200 --> 00:22:14,920
Speaker 1: You go again and now you've it feels even exhausting.

503
00:22:14,960 --> 00:22:16,920
Speaker 1: How will people fit in a puzzle into a schedule

504
00:22:16,920 --> 00:22:18,560
Speaker 1: like that? Yeah, how do you put a part of it?

505
00:22:18,640 --> 00:22:20,560
Speaker 1: Like is that before or after the nosegay?

506
00:22:21,480 --> 00:22:24,960
Speaker 2: I'd go after I find that holidays.

507
00:22:25,359 --> 00:22:25,679
Speaker 4: You're right.

508
00:22:25,720 --> 00:22:28,960
Speaker 2: I don't think there's any time like you become a

509
00:22:29,000 --> 00:22:32,919
Speaker 2: subsistence liver. You just really focused on the meals and

510
00:22:33,480 --> 00:22:35,800
Speaker 2: it doesn't seem to be and then maybe you'll have

511
00:22:35,800 --> 00:22:39,680
Speaker 2: a read. Yes, you will have someone will have a read. Yeah, yeah,

512
00:22:40,040 --> 00:22:40,239
Speaker 2: I mean.

513
00:22:40,280 --> 00:22:43,119
Speaker 4: The idea is that you just at a whim. You

514
00:22:43,200 --> 00:22:44,960
Speaker 4: just do things on a whim. You do anything on

515
00:22:45,000 --> 00:22:46,960
Speaker 4: a whim. You just do whatever takes the fancy.

516
00:22:47,040 --> 00:22:51,760
Speaker 2: The main tension in my holidaying with my partner is

517
00:22:52,359 --> 00:22:57,040
Speaker 2: she'll be quite happy to like sunbathe or something. I'm like,

518
00:22:57,080 --> 00:22:58,600
Speaker 2: I'll spot it. I'll spot a hell, And I'm like,

519
00:22:58,640 --> 00:22:59,840
Speaker 2: I want to walk to the top of that hell.

520
00:23:00,520 --> 00:23:02,440
Speaker 1: That's good. Do you guys go separate ways at that point?

521
00:23:02,560 --> 00:23:04,119
Speaker 2: Well, I took on a big walk up of hell

522
00:23:04,160 --> 00:23:07,000
Speaker 2: and got it totally lost. Recently, Oh yeah, six, I

523
00:23:07,040 --> 00:23:09,080
Speaker 2: went off. I went off page.

524
00:23:09,480 --> 00:23:11,560
Speaker 1: Yeah, I know this track we lost.

525
00:23:11,800 --> 00:23:12,680
Speaker 4: We better have six.

526
00:23:13,600 --> 00:23:14,880
Speaker 2: I've done this myself.

527
00:23:15,160 --> 00:23:15,720
Speaker 1: I know that.

528
00:23:16,000 --> 00:23:21,159
Speaker 4: I know that that's old. Oh no, we're lost. Here,

529
00:23:21,240 --> 00:23:24,600
Speaker 4: come into my arms. Yeah, I'll keep you safe. I

530
00:23:24,640 --> 00:23:25,320
Speaker 4: have had six.

531
00:23:26,200 --> 00:23:27,960
Speaker 2: That is a problem for a male day because it

532
00:23:28,000 --> 00:23:30,359
Speaker 2: doesn't matter what the situation is. I mean, there's a

533
00:23:30,359 --> 00:23:31,720
Speaker 2: lot of guys that tried to use the sleeping of

534
00:23:31,760 --> 00:23:33,600
Speaker 2: the Titanic as a chance to get their rocks off.

535
00:23:33,920 --> 00:23:34,800
Speaker 4: Every guy wants to.

536
00:23:37,160 --> 00:23:40,440
Speaker 2: Darling, I think the ship's going down, shud. I think

537
00:23:40,440 --> 00:23:42,440
Speaker 2: we maybe should try and save ourselves, like, well, you

538
00:23:42,480 --> 00:23:45,840
Speaker 2: know there's a ship going down, we might as weirdest

539
00:23:45,840 --> 00:23:48,280
Speaker 2: thing is when you have lost six, you find what

540
00:23:48,440 --> 00:23:49,920
Speaker 2: you're meant to be so quickly afterwards.

541
00:23:50,040 --> 00:23:52,480
Speaker 1: I've never hadst lost six.

542
00:23:52,880 --> 00:23:54,960
Speaker 2: If you're out in the words and you get lost,

543
00:23:55,000 --> 00:23:56,600
Speaker 2: and then you have six, so you no longer lost,

544
00:23:56,960 --> 00:24:00,560
Speaker 2: well that's u found what you found enough, You have

545
00:24:00,600 --> 00:24:02,520
Speaker 2: found what you've looked you were looking for all along.

546
00:24:02,600 --> 00:24:04,919
Speaker 4: I'm here now, right, yeah, And I've had plenty of

547
00:24:04,960 --> 00:24:07,600
Speaker 4: lost six in my life. The weird thing is that

548
00:24:08,640 --> 00:24:11,000
Speaker 4: lost you tend to find the way that you should

549
00:24:11,000 --> 00:24:12,480
Speaker 4: have found.

550
00:24:12,520 --> 00:24:14,359
Speaker 2: You're not leading, you actually know the way, and you're

551
00:24:14,400 --> 00:24:17,200
Speaker 2: leading people life. And you after after six, you go, well,

552
00:24:17,240 --> 00:24:19,199
Speaker 2: it's the batch is just down the.

553
00:24:20,480 --> 00:24:20,919
Speaker 4: Be down here.

554
00:24:21,200 --> 00:24:24,480
Speaker 2: Oh there, and she and then she goes on to

555
00:24:24,560 --> 00:24:27,280
Speaker 2: satellite maps and realizes that you guys were walking around

556
00:24:27,400 --> 00:24:29,880
Speaker 2: and about a one hundred meters square bit of bush,

557
00:24:30,200 --> 00:24:32,520
Speaker 2: claiming in circles claiming you've got lost.

558
00:24:35,320 --> 00:24:36,560
Speaker 1: Do you know what's annoying about it?

559
00:24:38,119 --> 00:24:38,399
Speaker 4: Ready?

560
00:24:38,400 --> 00:24:39,120
Speaker 1: You never had lost?

561
00:24:39,119 --> 00:24:41,920
Speaker 3: Six, I've never. I think I've thought about it, but

562
00:24:41,920 --> 00:24:42,640
Speaker 3: I've never had it.

563
00:24:42,800 --> 00:24:46,000
Speaker 2: I once made last New Chum's Beach in Sane and

564
00:24:46,040 --> 00:24:47,840
Speaker 2: we tramped up, we tramped over. Then I was like,

565
00:24:47,840 --> 00:24:48,960
Speaker 2: no one's else is going to be here?

566
00:24:49,240 --> 00:24:49,880
Speaker 1: Two with each other?

567
00:24:50,320 --> 00:24:52,000
Speaker 2: No, no, I don't think it was read.

568
00:24:52,960 --> 00:24:55,200
Speaker 1: You would remember that on the rocks.

569
00:24:55,280 --> 00:24:57,000
Speaker 2: But then we're making love on the beach because we

570
00:24:57,000 --> 00:24:58,760
Speaker 2: thought it was quite fun. And then another couple of

571
00:24:58,760 --> 00:25:00,159
Speaker 2: people tramp passmen all that's.

572
00:25:00,359 --> 00:25:02,080
Speaker 1: Awkward, selfish? How did the sand? How did you go

573
00:25:02,080 --> 00:25:02,480
Speaker 1: with the sand?

574
00:25:02,600 --> 00:25:02,800
Speaker 2: Right?

575
00:25:04,200 --> 00:25:07,439
Speaker 1: Can call some issues? Or did you just put a

576
00:25:07,480 --> 00:25:07,840
Speaker 1: towel down?

577
00:25:07,920 --> 00:25:08,480
Speaker 2: It's all right?

578
00:25:08,560 --> 00:25:08,760
Speaker 4: Yeah?

579
00:25:09,320 --> 00:25:11,040
Speaker 2: How did you? There was there was a towel? How

580
00:25:11,040 --> 00:25:12,040
Speaker 2: did you arrive at it?

581
00:25:12,080 --> 00:25:13,040
Speaker 3: Were you?

582
00:25:13,080 --> 00:25:15,200
Speaker 2: Because it's quite a secluded beach that you've got to walk.

583
00:25:15,560 --> 00:25:18,440
Speaker 2: You can't get there any other way apart from great

584
00:25:18,480 --> 00:25:20,880
Speaker 2: Beach over the top, over the top, yeah, over the top.

585
00:25:20,960 --> 00:25:24,240
Speaker 2: And it was really early And did you did you

586
00:25:24,320 --> 00:25:29,080
Speaker 2: say specifically leading up to it be make love? It

587
00:25:29,160 --> 00:25:32,360
Speaker 2: ended really early from me, It was actually mid afternoon.

588
00:25:32,640 --> 00:25:33,760
Speaker 1: Yeah, that's what I thought that you meant.

589
00:25:34,800 --> 00:25:37,040
Speaker 3: We were just like, oh, let's go to this beach

590
00:25:37,080 --> 00:25:39,200
Speaker 3: that secluded and there's no one around. And then it

591
00:25:39,280 --> 00:25:42,359
Speaker 3: was like we could nude sunbathe, And then it was

592
00:25:44,520 --> 00:25:46,240
Speaker 3: do you want to get a bit closer? Oh, maybe

593
00:25:46,240 --> 00:25:48,639
Speaker 3: we should let's get under the and then it was

594
00:25:49,480 --> 00:25:51,600
Speaker 3: so no one said we're just going here and make love.

595
00:25:51,680 --> 00:25:53,359
Speaker 2: Oh no, we weren't going there either.

596
00:25:53,400 --> 00:25:56,040
Speaker 3: But I think subconsciously, I know you've talked about the

597
00:25:56,040 --> 00:25:57,560
Speaker 3: Lost six, but that's one hundred percent.

598
00:25:57,920 --> 00:26:00,000
Speaker 2: With your lost six. What if you get stuck in brambles?

599
00:26:01,440 --> 00:26:03,040
Speaker 4: Oh, you've got to find the right place to lie

600
00:26:03,119 --> 00:26:06,320
Speaker 4: down and get stuck in. You can't be doing it

601
00:26:06,359 --> 00:26:08,560
Speaker 4: on brain balls, BlackBerry or black print. No, no, no,

602
00:26:08,840 --> 00:26:11,440
Speaker 4: what would you say is the best kind of pine needles?

603
00:26:12,320 --> 00:26:12,600
Speaker 1: All right?

604
00:26:13,119 --> 00:26:15,000
Speaker 4: You don't take your upper half off?

605
00:26:16,560 --> 00:26:19,240
Speaker 1: What that makes sense? You just you just under your

606
00:26:19,359 --> 00:26:20,960
Speaker 1: under your pants and it's a bit of a.

607
00:26:21,720 --> 00:26:24,240
Speaker 2: Would you would you ever do it near a wasps ness?

608
00:26:24,600 --> 00:26:25,480
Speaker 4: No?

609
00:26:26,119 --> 00:26:28,159
Speaker 1: So, Jerry, are you doing a little boys wheeze in

610
00:26:28,160 --> 00:26:30,399
Speaker 1: the sense that your pants right down around by your ankles?

611
00:26:32,200 --> 00:26:35,639
Speaker 2: My pants don't even come off. You've seen this picture

612
00:26:35,760 --> 00:26:38,800
Speaker 2: like of a light bulb. I drew a picture of

613
00:26:38,800 --> 00:26:41,640
Speaker 2: a light bulb earlier today? Is that kind of what

614
00:26:41,920 --> 00:26:43,679
Speaker 2: is that kind of what do you look like?

615
00:26:43,720 --> 00:26:44,240
Speaker 5: They can do it?

616
00:26:44,320 --> 00:26:45,879
Speaker 4: Standing? Is that what you.

617
00:26:47,720 --> 00:26:49,480
Speaker 1: Standing would be the best lost.

618
00:26:49,280 --> 00:26:50,960
Speaker 4: Six I've done? Standing lost six?

619
00:26:51,720 --> 00:26:53,760
Speaker 1: Why have you? Why are you having so much loss six?

620
00:26:54,560 --> 00:26:56,120
Speaker 4: It's my it's my thing.

621
00:26:56,160 --> 00:26:58,200
Speaker 2: I love it. What are you fucking Indiana.

622
00:27:00,160 --> 00:27:00,520
Speaker 1: Bones?

623
00:27:05,680 --> 00:27:08,960
Speaker 4: Yeah right, I'm surprised.

624
00:27:09,119 --> 00:27:12,800
Speaker 2: Jeremy Wells is Indiana bones and raiders of my ass

625
00:27:13,200 --> 00:27:14,160
Speaker 2: Temple of bone.

626
00:27:14,400 --> 00:27:16,399
Speaker 1: The reason why my current relationship isn't having a lot

627
00:27:16,400 --> 00:27:19,240
Speaker 1: of lost lost six is that Lawrence still organized to

628
00:27:19,280 --> 00:27:21,480
Speaker 1: even be lost. You know, there's never a situation we

629
00:27:21,560 --> 00:27:23,760
Speaker 1: should ever put yourself and that they could possibly be lost,

630
00:27:23,960 --> 00:27:26,320
Speaker 1: probably knowing the fact that I'm going to go, oh,

631
00:27:26,440 --> 00:27:27,800
Speaker 1: you know we lost, we might as well.

632
00:27:27,880 --> 00:27:31,600
Speaker 4: You ever gone deep enough into the bush. If you

633
00:27:31,600 --> 00:27:33,840
Speaker 4: go deep enough into the bush, you get lost.

634
00:27:33,880 --> 00:27:36,320
Speaker 1: You didn't have to say I'm going to regret asking this.

635
00:27:36,359 --> 00:27:37,439
Speaker 1: What do you mean by that, Jerry?

636
00:27:37,560 --> 00:27:38,359
Speaker 4: Deep into the bush?

637
00:27:38,600 --> 00:27:39,760
Speaker 1: What bush? You've said it again?

638
00:27:39,880 --> 00:27:41,960
Speaker 4: If you going deep in the bush then and you

639
00:27:41,960 --> 00:27:44,679
Speaker 4: just go slightly off trailers go the trickers. I think

640
00:27:44,680 --> 00:27:47,080
Speaker 4: there's a fast way, and then you you take them

641
00:27:47,119 --> 00:27:49,920
Speaker 4: off trail and then you get lost in the bush.

642
00:27:50,200 --> 00:27:52,520
Speaker 1: You can't beat around the bush though, you don't need

643
00:27:52,520 --> 00:27:53,719
Speaker 1: to beat around the bush.

644
00:27:53,880 --> 00:27:56,240
Speaker 4: No, you just you just go off trail and then

645
00:27:56,400 --> 00:28:00,480
Speaker 4: oh no, we're lost. And then the heightened scent of

646
00:28:00,680 --> 00:28:04,840
Speaker 4: arousal that you have at that moment for basically your

647
00:28:04,880 --> 00:28:10,880
Speaker 4: own survival and your survival instinct is make love, quickly, reproduce,

648
00:28:11,720 --> 00:28:14,960
Speaker 4: have your baby, go through the station period, delivered the baby, and.

649
00:28:16,240 --> 00:28:17,480
Speaker 2: Slashing back that bush.

650
00:28:18,040 --> 00:28:21,639
Speaker 1: Yeah, good question, she oh slash bush, I need to.

651
00:28:22,520 --> 00:28:26,440
Speaker 4: It depends we go on and make love and cut

652
00:28:26,440 --> 00:28:26,959
Speaker 4: the grass.

653
00:28:27,200 --> 00:28:29,560
Speaker 1: Have you ever had that situation where she's turned around

654
00:28:29,560 --> 00:28:31,840
Speaker 1: and go and goes, I haven't realized we're pitching a

655
00:28:31,880 --> 00:28:32,480
Speaker 1: tent so early.

656
00:28:33,320 --> 00:28:38,080
Speaker 2: Yeah, you're going ahead the problem or you've gone here,

657
00:28:38,240 --> 00:28:40,040
Speaker 2: and then you turn around and go, well, I guess

658
00:28:40,040 --> 00:28:44,880
Speaker 2: we're staying here tonight. Well I've pitched, and then she

659
00:28:45,000 --> 00:28:49,200
Speaker 2: runs off the other way and then bush screaming, yell

660
00:28:49,360 --> 00:28:49,760
Speaker 2: for help.

661
00:28:51,000 --> 00:28:54,400
Speaker 3: Have you ever seen anything along the lines of man,

662
00:28:54,440 --> 00:28:56,960
Speaker 3: we've come along threy through this bush, but now we're

663
00:28:56,960 --> 00:28:57,600
Speaker 3: in a clearing.

664
00:28:58,280 --> 00:28:59,680
Speaker 1: Oh yeah, it's quite good.

665
00:28:59,840 --> 00:29:03,760
Speaker 4: I've also got a in the past, I've fashioned a

666
00:29:03,760 --> 00:29:08,520
Speaker 4: Mars bar rapper and then passed off some majeculate into

667
00:29:08,560 --> 00:29:11,360
Speaker 4: that Mars bar rapper, just to keep just in case

668
00:29:11,400 --> 00:29:15,680
Speaker 4: you need some sustenance. If you can't stay lost.

669
00:29:18,920 --> 00:29:20,960
Speaker 1: Drop to clang it there. We have to come back

670
00:29:21,000 --> 00:29:21,200
Speaker 1: from that.

671
00:29:21,720 --> 00:29:22,400
Speaker 4: I was wondering.

672
00:29:22,440 --> 00:29:24,240
Speaker 2: I just I don't know if you can turn around.

673
00:29:24,400 --> 00:29:27,520
Speaker 2: I think sometimes you know, like you guys haven't done that.

674
00:29:27,560 --> 00:29:29,400
Speaker 2: I think you come to the terminus of a conversation.

675
00:29:29,480 --> 00:29:31,440
Speaker 2: It's kind of like a you know, get a bus

676
00:29:31,480 --> 00:29:33,040
Speaker 2: tooth long and you end up at the end of

677
00:29:33,080 --> 00:29:34,600
Speaker 2: the line. I think that's the end and end of

678
00:29:34,600 --> 00:29:35,480
Speaker 2: the line whatever.

679
00:29:35,640 --> 00:29:37,680
Speaker 4: So like you're just you're doing it for safety reasons.

680
00:29:37,680 --> 00:29:40,560
Speaker 4: So he said, we're just going to have to put

681
00:29:40,560 --> 00:29:43,360
Speaker 4: some majeculate into this Mars bar rapper here, just for

682
00:29:43,400 --> 00:29:44,880
Speaker 4: safety reasons. So we're gonna have to do that. And

683
00:29:44,880 --> 00:29:47,480
Speaker 4: then you do that, and then so do you. You're

684
00:29:47,520 --> 00:29:49,080
Speaker 4: seeing you get found all of a sudden.

685
00:29:48,920 --> 00:29:53,800
Speaker 2: That's what you mean by lost sex You just you

686
00:29:54,040 --> 00:29:57,760
Speaker 2: just unleashing into a Mars bar rapper. As Tossie stops

687
00:29:57,760 --> 00:29:58,960
Speaker 2: Off discussed.

688
00:29:58,640 --> 00:30:02,120
Speaker 4: As we've done it times and experience. I'm just very

689
00:30:02,120 --> 00:30:02,880
Speaker 4: surprised you guys, have.

690
00:30:03,440 --> 00:30:07,960
Speaker 1: You ever had to use that extra sustenance for extra sustenance? No,

691
00:30:08,600 --> 00:30:11,440
Speaker 1: thank god, No, it's not real for that.

692
00:30:11,560 --> 00:30:14,120
Speaker 2: It's not a perpetual motion machine like you can't you

693
00:30:14,160 --> 00:30:16,720
Speaker 2: can't just run up by like in a big circle,

694
00:30:16,720 --> 00:30:20,680
Speaker 2: will just keep going forever. It's Jerry is not a

695
00:30:20,720 --> 00:30:23,680
Speaker 2: perpetual motion machine. Messy, you'll eventually run out of juice.

696
00:30:23,760 --> 00:30:24,080
Speaker 4: That's all.

697
00:30:24,080 --> 00:30:26,520
Speaker 1: My concern is if you're if you're fashioning a mass

698
00:30:26,520 --> 00:30:29,760
Speaker 1: bar rapper to distore some some ejaculate in there, as

699
00:30:29,800 --> 00:30:33,880
Speaker 1: you said eloquently put before, but then what happened? How

700
00:30:33,880 --> 00:30:37,800
Speaker 1: do you go? What's your refel time? Before or after?

701
00:30:37,840 --> 00:30:39,520
Speaker 4: The idea is that you you can you go again

702
00:30:39,520 --> 00:30:44,680
Speaker 4: for lunch, and you use that opportunity. I mean, I'm

703
00:30:44,720 --> 00:30:49,840
Speaker 4: so look, the last six part involves that. But then obviously,

704
00:30:49,920 --> 00:30:52,320
Speaker 4: if if you've done that, then you're not really interested

705
00:30:52,360 --> 00:30:53,720
Speaker 4: in the last six next thing, you know, you found

706
00:30:53,720 --> 00:30:56,000
Speaker 4: the part trail again and you're back on trail. At

707
00:30:56,000 --> 00:30:58,239
Speaker 4: that point, you probably throw away that sustenance because you're

708
00:30:58,240 --> 00:30:58,840
Speaker 4: probably not going to.

709
00:30:58,840 --> 00:31:00,720
Speaker 2: Need specifically a bar though.

710
00:31:00,840 --> 00:31:04,000
Speaker 1: But we better do this just in case.

711
00:31:04,040 --> 00:31:06,040
Speaker 4: Situation when you get lost but then of course you

712
00:31:06,080 --> 00:31:06,960
Speaker 4: never quite need it.

713
00:31:07,080 --> 00:31:08,800
Speaker 2: Do you think that, I think you need to write

714
00:31:08,800 --> 00:31:11,520
Speaker 2: a book on that Jeremy Well's Lost Sex And in

715
00:31:11,520 --> 00:31:13,720
Speaker 2: a post colonial world.

716
00:31:13,440 --> 00:31:14,600
Speaker 1: Am I the only man here.

717
00:31:14,480 --> 00:31:17,960
Speaker 2: That actually what about it? What about a book decolonizing

718
00:31:18,240 --> 00:31:18,760
Speaker 2: lost Sex?

719
00:31:19,000 --> 00:31:21,160
Speaker 4: This is a massive awakening for me because I just

720
00:31:21,160 --> 00:31:22,760
Speaker 4: thought that everybody was into Lost.

721
00:31:22,560 --> 00:31:25,600
Speaker 6: Six, into it, But I don't think I just haven't

722
00:31:25,600 --> 00:31:27,120
Speaker 6: done it. I mean, I feel like I can't help,

723
00:31:27,120 --> 00:31:28,160
Speaker 6: but I feel like you're turning a bit of a

724
00:31:28,200 --> 00:31:30,120
Speaker 6: win into a loss. Though Jerry, like, I'll be the

725
00:31:30,120 --> 00:31:32,600
Speaker 6: first to admit that the Lost Six sounds great.

726
00:31:32,720 --> 00:31:35,560
Speaker 1: S that sounds great. I'm just not one hundred percent

727
00:31:35,600 --> 00:31:38,680
Speaker 1: sure why afterwards you have to then put some majiculate

728
00:31:38,680 --> 00:31:40,280
Speaker 1: into a fish and mass bar rapper.

729
00:31:40,360 --> 00:31:43,160
Speaker 4: Now I'm to the path home. That's part of it.

730
00:31:43,200 --> 00:31:45,120
Speaker 4: So the Lost Six, you say, we better do this

731
00:31:45,720 --> 00:31:49,360
Speaker 4: because it adds to the role player, and then you

732
00:31:49,400 --> 00:31:51,800
Speaker 4: get that then you don't have the six in that situation.

733
00:31:51,920 --> 00:31:54,120
Speaker 4: But that's just I'm not saying that every time you

734
00:31:54,200 --> 00:31:56,920
Speaker 4: do that, but that's been something that's been done in

735
00:31:56,960 --> 00:31:57,360
Speaker 4: the past.

736
00:31:57,520 --> 00:31:58,920
Speaker 1: I mean, this is news you can use I think

737
00:31:58,960 --> 00:32:02,240
Speaker 1: people bespoken, how much I should all go out this weekend?

738
00:32:02,360 --> 00:32:03,880
Speaker 2: How much take your partners to.

739
00:32:03,840 --> 00:32:06,680
Speaker 4: The White Tackles, go deep Bush and have some lost.

740
00:32:06,520 --> 00:32:12,240
Speaker 2: Six and personally, I am look very very please.

741
00:32:12,000 --> 00:32:13,840
Speaker 4: With that podcast. I'll give it five stars.

742
00:32:14,040 --> 00:32:16,000
Speaker 1: Oh, I forgot we were recording this one.

743
00:32:16,360 --> 00:32:19,000
Speaker 2: I'm very pleased with the places we went, are you?

744
00:32:19,280 --> 00:32:21,840
Speaker 2: I mean, Jerry in the name of this podcast boss

745
00:32:21,840 --> 00:32:27,200
Speaker 2: at six light bib or bloss six, I mean.

746
00:32:27,080 --> 00:32:29,080
Speaker 1: I'm pretty happy with that. And can I also just

747
00:32:29,080 --> 00:32:30,680
Speaker 1: clear it up? I wasn't misthing fitter mean that I

748
00:32:30,720 --> 00:32:32,719
Speaker 1: was on Okay, I just want to clear up the allegations.

749
00:32:33,240 --> 00:32:36,000
Speaker 1: Are we ok have a good weekend everybody.

750
00:32:38,440 --> 00:32:40,880
Speaker 2: Hello, I'm Matt Heath. You have been listening to the

751
00:32:41,080 --> 00:32:44,320
Speaker 2: Matt and Jerry Daily Bespoke podcast. Right now you can

752
00:32:44,320 --> 00:32:48,440
Speaker 2: listen to our Radio Highlights podcast, which you will absolutely

753
00:32:48,480 --> 00:32:52,040
Speaker 2: get barred up about anyway. Sit to download, like, subscribe, right,

754
00:32:52,120 --> 00:32:54,600
Speaker 2: review all those great things. It really helps myself and

755
00:32:54,680 --> 00:32:57,320
Speaker 2: Jerry and to a lesser extent, Mess and Ruder. If

756
00:32:57,400 --> 00:32:59,440
Speaker 2: you want to discuss anything raised in this pod, check

757
00:32:59,480 --> 00:33:02,200
Speaker 2: out the con Clave, a Matt and Jerry Facebook discussion group,

758
00:33:02,400 --> 00:33:05,040
Speaker 2: and while i'm plugging stuff. My book, A Lifeless punishing

759
00:33:05,120 --> 00:33:07,520
Speaker 2: Thirteen Ways to Love the life You've Got is out.

760
00:33:07,680 --> 00:33:09,960
Speaker 2: Now get it wherever you get your books, or just

761
00:33:10,120 --> 00:33:13,840
Speaker 2: google the bastard. Anyway you seem busy, I'll let you go.

762
00:33:14,240 --> 00:33:17,080
Speaker 2: Bless blessed, blessed. Give them a taste of keyw from me.