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Speaker 1: Go ahead on and break them off with the lap.

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Speaker 2: Who's the meat? Now, get a It's Jerry here from

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Speaker 2: the Headachey Breakfast. Just letting you know that if you're

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Speaker 2: listening to the podcast but didn't know that we also

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Speaker 2: do a live radio show, we do. And if you're

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Speaker 2: wondering how to find out what frequency to listen to

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Speaker 2: us in your area, just takes north or south as

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Speaker 2: an island to three four eight three. It will let

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Speaker 2: you know. And now let's get on with.

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Speaker 1: The podcast, Heart and fresh out the kitchen.

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Speaker 2: It's been a while since I've listened to us the

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Speaker 2: remix to Ignition. I know you're a huge fan.

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Speaker 3: When she's running her hands from my fro and I'm

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Speaker 3: bouncing on twenty foes bowspouncepouncepous spous spous Big Arkelly guy,

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Speaker 3: And has come to my attention over the last sort

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Speaker 3: of thirty forty seconds that you guys have never heard

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Speaker 3: the R Kelly's seminal work Real Talk, and so I

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Speaker 3: would like to present Fear on today's podcast, R Kelly's

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Speaker 3: Real Talk.

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Speaker 2: Okay, so is R Kelly's Real Talk. Just before are

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Speaker 2: you going to play something for us?

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Speaker 3: Yeah?

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Speaker 2: I'm good audiot.

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Speaker 3: Okay, is it real? It's real talk?

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Speaker 2: Is it? When's it?

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Speaker 3: Is it from sixteen years ago? The video was uploaded.

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Speaker 4: Okay, okay, so not from prison.

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Speaker 3: No, no, no, no, so two thousand and nine, Yeah

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Speaker 3: that's right.

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Speaker 2: Uh yeah, no that two thousand and nine.

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Speaker 3: It'd be about right. Yeah, it's a it's a song,

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Speaker 3: you know what, live me, let cals tell it to you.

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Speaker 5: I decided to do this shit real talk on YouTube

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Speaker 5: because I think it's a great song, you know what

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Speaker 5: I'm saying, even though it's a lot of profanity in it,

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Speaker 5: but the profanity represents just how real shit gets when

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Speaker 5: you arguing with your girls and shit.

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Speaker 3: So it's so it's a song about you know, it's

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Speaker 3: a real, open, honest, raw representation of arguing with your

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Speaker 3: girl a little bit. And he decided to premiere it

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Speaker 3: on YouTube. Let's how you know it's two thousand not yeah,

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Speaker 3: because he's addressing the fact that it's gonna go on YouTube.

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Speaker 2: Yeah, that's a lot that was early YouTube.

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Speaker 3: Well at that time, it was basically like the videos

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Speaker 3: of people putting mintos into coke and then throwing that

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Speaker 3: bottle on the floor. Absolutely early adopter. Kelly let's let

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Speaker 3: Robert Kelly continue. Has young you know what I'm saying.

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Speaker 5: So I did it on YouTube, but I'm gonna do

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Speaker 5: the ship for y'all on YouTube.

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Speaker 2: Hold on, I.

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Speaker 5: Gotta give me a drink. I'm gonna take me a shot.

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Speaker 5: Of course, we got the stove. He's jumping off. Get

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Speaker 5: a box of We're gonna be real, man, I'm just

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Speaker 5: gonna be real. We're just gonna roll to film and

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Speaker 5: we're gonna do it. I'm doing this for the fans

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Speaker 5: that I know around the globe. They love real talk.

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Speaker 1: I wasn't wait a minute. Calm down.

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Speaker 3: Let me know. If you're on a poster at any time,

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Speaker 3: was it a club.

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Speaker 1: With who get the man?

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Speaker 6: You know what, girl, I'm not about to sit up

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Speaker 6: here and argue with you about who's the blame.

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Speaker 1: Seeker. Only thing I'm trying to establish your choosing.

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Speaker 3: That first off, only is he on the phone. He's

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Speaker 3: on the phone. He's in a room, he's got three

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Speaker 3: of us home. He's in the background. It looks like

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Speaker 3: they're in the recording studio and he's on he's on

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Speaker 3: a landline. But it's one of remember when the landlines

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Speaker 3: you could the first generation of landlines where you could

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Speaker 3: take it out of the wholester and walk around the house.

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Speaker 2: Yeah, like a mobile. It was. It was considered. It

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Speaker 2: was called courts.

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Speaker 3: Yeah, and then you'd always lose the basket. Yeah, and

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Speaker 3: then you could push the button on the base and

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Speaker 3: then it would take you where it was.

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Speaker 2: Oh, man, cordless phone awesome, Oh god, how good were

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Speaker 2: the court My nana had a cordless one. They were good.

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Speaker 3: They were way better than because my cousin so in

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Speaker 3: her household there were two teenage girls and there they

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Speaker 3: always were on the phone back in the day, and

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Speaker 3: they got one of those phones with the cord that

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Speaker 3: could reach the entirety of the house.

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Speaker 2: Oh wow, you know the ones.

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Speaker 3: It's like down the hallway.

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Speaker 2: And they used to have those in the States or

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Speaker 2: on all of the sitcoms and stuff.

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Speaker 3: Yeah, they go walking around that. She had a sitcom phone, man,

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Speaker 3: she could go and call people from her room.

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Speaker 4: They had some of those, like you could wind them

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Speaker 4: up and then you know, like an electric fit. It

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Speaker 4: was really weird.

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Speaker 3: Now, listen to the way that R. Kelly says establish here, it's.

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Speaker 1: Real talk seeker. Only thing I'm trying to establish.

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Speaker 5: Established, established, real talk seeker only thing.

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Speaker 6: I'm trying to establish who choose, not pools rter Wol's wrong,

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Speaker 6: but what's right and what's wrong?

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Speaker 1: Real?

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Speaker 2: No, no, no, no, no, no, no no. We've got R Kelly

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Speaker 2: talking about what's right and what's wrong?

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Speaker 4: Well, and who's writing who's right?

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Speaker 2: Well, he's not saying it's not who's right and is wrong? No,

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Speaker 2: he's saying what's right and what's wrong. I apology now,

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Speaker 2: big cool for R. Kelly trying to establish or establish

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Speaker 2: what's right and what's wrong.

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Speaker 3: Because a great point that he's raised, and this is

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Speaker 3: why it's such an insight into the in the workings

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Speaker 3: of a relationship. It's important to establish not who's right

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Speaker 3: who's wrong, because it's you and them against the problem,

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Speaker 3: but what's right and what's wrong. And that's something very

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Speaker 3: important to English. I think.

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Speaker 2: Okay, I mean, how did he go?

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Speaker 3: And then just you know, let's find out he'll talk

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Speaker 3: seek girl only thing.

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Speaker 6: I'm trying to establish what you was, not Hool's right,

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Speaker 6: Hool's wrong.

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Speaker 1: But what's right, what's wrong?

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Speaker 6: He'll talk just because your friends say she saw me

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Speaker 6: at the club with some mother bitches sitting in vipy

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Speaker 6: smoking and drinking and kidding it.

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Speaker 1: Tell me, girl, did she say there were.

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Speaker 7: Other guys there? Did she stay there were other guys?

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Speaker 7: There were there other guys there?

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Speaker 1: Will tell me this. How the fuck you know?

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Speaker 6: I was with the mother girl's saying when the whole

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Speaker 6: club packed, went a minute, let me finish what.

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Speaker 1: I've got to say. I've been with you five years

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Speaker 1: and you listening to your motherfucking girl. I don't know

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Speaker 1: why you fuck with them? All jealous? No man having that?

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Speaker 2: Hold on, wow, hold on, Kelly, hold on her friends.

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Speaker 2: So her friends saw her at the club. So he's

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Speaker 2: the other club, Yes, worth a whole lot of other

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Speaker 2: bitches girls allegedly. Okay, but tell me that the girls

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Speaker 2: in the vip area.

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Speaker 3: Yes, okay, but tell me this. Did anyone else see

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Speaker 3: me there? So his first thing wasn't I didn't do

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Speaker 3: it? It was did anyone else see me there?

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Speaker 2: Wasn't it whether or not that he had his friends

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Speaker 2: with them at the same time with.

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Speaker 4: The other guys there, and the whole club was packed

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Speaker 4: with the other guys.

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Speaker 2: Well, he's definitely going to be in the VIP areio

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Speaker 2: the other guys there. That is what he said, do

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Speaker 2: you want to hear to get yep, because a lot happened.

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Speaker 3: He goes on a couple of.

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Speaker 7: Times, tell me girl, did she say there were other

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Speaker 7: guys there? Did she stay there were other guys there?

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Speaker 1: Well, there are other guys?

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Speaker 2: Three times?

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Speaker 3: And I love that he cut the music out for

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Speaker 3: this as well. By the way, in the video, and

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Speaker 3: we'll put this into the conclave. But in the video,

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Speaker 3: at this point he is getting his hair braided, He's

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Speaker 3: getting corners put in.

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Speaker 2: I thought he was in the recording studio with his

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Speaker 2: friends on the phone.

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Speaker 3: He is, and at one point someone starts braiding is here,

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Speaker 3: but he flicks the person braiding his hair away when

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Speaker 3: he stands up and starts getting quite animated about did

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Speaker 3: she say there were other guys there?

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Speaker 2: Can I say something? I've never been a fan of R. Kelly,

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Speaker 2: mainly because I've never really listened to. OK, I'm coming around. Yeah,

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Speaker 2: I quite like Kelly.

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Speaker 3: That's so raw.

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Speaker 4: I don't know if it's a great time to come

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Speaker 4: around to ar Kelly.

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Speaker 2: Really, who is this guy? He's good man Kelly. This

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Speaker 2: guy is good so he with pause here, it's got morals. Yeah,

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Speaker 2: he's got a great voice. Yeah, he's he's like, he's

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Speaker 2: interested in working up the issues with his partners.

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Speaker 3: He wants to note that his girl, whose friend said

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Speaker 3: that he was sitting and partying in the VIP with

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Speaker 3: other girls, were the other guys there with the other

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Speaker 3: guys there? Yeah, what's wrong with that? And so he's

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Speaker 3: asked her that so far.

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Speaker 2: This guy stands like a standout individual.

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Speaker 3: And I think I think her replies she's not in

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Speaker 3: the video, but I think the reply is basically no.

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Speaker 3: And so this is his reply to that.

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Speaker 1: Okay, well tell me this how to fuck you know?

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Speaker 1: I was with the mother girl.

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Speaker 3: Who's ten, which is a great point.

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Speaker 2: He was with them because his girlfriend's girlfriends saw him

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Speaker 2: with a whole lot of other girls in the VIP area.

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Speaker 2: But there were other guys there too. Yeah okay, but

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Speaker 2: was he hooking into them? Well we don't know.

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Speaker 3: That develops and the whole club packed.

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Speaker 1: Wait a minute, let me finish what I've.

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Speaker 6: Got to see.

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Speaker 2: Nobody interrupted him.

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Speaker 3: No, Well he's on the phone. You can't hear her replying.

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Speaker 1: Would you five years and your mother fucking girl?

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Speaker 3: And that's another great point. So that been together five years.

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Speaker 2: And he's never done anything wrong.

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Speaker 3: No, and you listen to f and girlfriend, he's never

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Speaker 3: done a single thing five years with the mother.

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Speaker 1: Girl who's been when the whole club packed.

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Speaker 6: Wit a minute, let me finish what I've got to see.

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Speaker 1: I've been with you five years, and you to your

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Speaker 1: mother fucking girl friend. I don't know why you fuck

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Speaker 1: with them.

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Speaker 6: I'm all jealous, nor man having assholes any week on

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Speaker 6: who's got assholes?

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Speaker 4: No? No, no, everyone's got an asshole nose. I don't

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Speaker 4: know where you fuck with them? All jealous? No man

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Speaker 4: have an ass hose anyway?

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Speaker 2: Oh okay. He's saying that your friends suck because.

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Speaker 3: They don't have a man anyway. So I don't know

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Speaker 3: why they're jealous of you.

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Speaker 2: That's where I don't go wrong'd friends into it.

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Speaker 3: So now the next time she's like, well, I'm going

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Speaker 3: to go and hang out with Kelly, who you don't like.

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Speaker 3: You know, it's going to be a whole thing. So

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Speaker 3: I think that's an error on our Kelly's I think

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Speaker 3: up until.

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Speaker 2: This so far he's without fault.

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Speaker 3: He's fired a couple of strays at the friends, So

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Speaker 3: I don't think they deserve that.

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Speaker 2: I don't think.

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Speaker 3: So let's see if you can lend us, though.

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Speaker 6: He'll talk, always accusing me of some more bullshit when

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Speaker 6: I'm just trying to have a good time.

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Speaker 1: You'll do this kills I who you're doing that?

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Speaker 6: Don't you think I got enough bullshit.

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Speaker 1: On my mind? We'll talk hold on them. Didn't I

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Speaker 1: just give your money, It'll get your hair to and nails.

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Speaker 2: Don't Okay? Wait wait wait wait wait wait, So he

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Speaker 2: gave his girlfriend some money to go and get her

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Speaker 2: hear her clothes and get her nails done.

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Speaker 3: Toes and nails.

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Speaker 2: Okay, that's just kind of the same thing. So didn't

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Speaker 2: he just kind of well, that doesn't excuse him from

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Speaker 2: getting fresh with people at the club.

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Speaker 3: No, no, well, but but but I know he's just

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Speaker 3: accused of it. But his position is I didn't do it.

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Speaker 3: So first off, he thinks she's lying. He's like, after

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Speaker 3: all the things I've done for you, he's still going

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Speaker 3: to sit there.

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Speaker 2: Light and do we know much about this? R? Kelly Fellow?

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Speaker 2: I mean, so when he says something, is it normally

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Speaker 2: does he tell the truth? Is he always honest?

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Speaker 3: I don't know if he is always honest. I don't

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Speaker 3: know if he's got the best track record of the truth.

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Speaker 2: Really Robert Kelly no, okay.

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Speaker 4: Says here in Wikipedia. He's a former singer, songwriter and

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Speaker 4: record producer. So I'm not sure what he's up to.

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Speaker 3: Yeah, interposed at the moment. All right, let's kick going that.

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Speaker 1: Don't you think I got an abortion?

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Speaker 2: All my man?

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Speaker 3: That's that does real talk.

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Speaker 2: By the way, he's a lot of bullshit. The bullshit,

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Speaker 2: well he's got you know, he might be his own bullshit. Yeah,

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Speaker 2: the complainers can't for the cotcases and such court cases

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Speaker 2: means what courtcases?

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Speaker 3: Oh, we don't need to go and do it. There's

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Speaker 3: a Netflix docker. You can go watch the Netflix docker

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Speaker 3: about cows, about cows, about Robert.

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Speaker 2: Right, should we take do we need to take a

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Speaker 2: break or not?

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Speaker 1: Hold on, didn't I just give your money? Tot'll get

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Speaker 1: your hair tools and nails done another day? Yeah, he

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Speaker 1: asked for smiling.

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Speaker 3: You asked for who you asked was smiling?

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Speaker 2: Yeah? Yeah?

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Speaker 3: You were happy?

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Speaker 2: Then?

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Speaker 3: Yeah you were happy?

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Speaker 2: Then why was there as smiling? That was like, can

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Speaker 2: you ask smile?

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Speaker 3: Who's can? And his point is you're all smiles then?

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Speaker 3: And now you want to throw these allegations at him.

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Speaker 3: But I'm gonna be honest.

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Speaker 2: These major allegations for him, Yeah.

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Speaker 3: I don't think he's handling them very well. These This

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Speaker 3: is not the defense of an innocent man. I don't

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Speaker 3: think he's written the whole song about testing a little

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Speaker 3: bit too much real talk talking about.

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Speaker 6: Gave fools some damn money. I ain't gave nobody no

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Speaker 6: damn money.

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Speaker 2: Girl.

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Speaker 1: Is your twigging?

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Speaker 3: You see what you're she's tweaking as you're tweaking, Jerry,

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Speaker 3: she you means she wasted. Yeah, because she's now accusing

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Speaker 3: him of giving some other girl money. And that's why

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Speaker 3: he's going, well, hold on, gave who's.

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Speaker 2: Some damn That's okay? Isn't it to give out some

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Speaker 2: money to be well?

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Speaker 3: But I mean the very previous line was about getting

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Speaker 3: her hair toes and nails did yeah, And so now

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Speaker 3: she's probably saying, well, but you also did that for

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Speaker 3: someone else.

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Speaker 2: Is he successful? Is he successful? He's got lots of money,

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Speaker 2: got a lot of money, that's right.

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Speaker 1: Don't know the deed.

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Speaker 6: Yeah, you're asked for smiling dead real top.

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Speaker 1: Gave foolsome damn money. I ain't gave no damn money, girl.

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Speaker 1: Is your twigging?

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Speaker 6: You see what your problem is, always running off at

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Speaker 6: the mouth, telling your girl.

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Speaker 1: Your motherfucking business.

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Speaker 6: When they don't eat with us, they don't sleep with

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Speaker 6: what they eat don't make us shit.

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Speaker 2: What they eat don't make us ship.

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Speaker 3: And that is one of the most philosophical quotes you'll

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Speaker 3: ever hear in any song in your life. What they

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Speaker 3: eat don't make us ship?

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Speaker 2: What's I going to do with what they eat?

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Speaker 4: But they don't eat with us, they don't sleep with us. Besides,

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Speaker 4: what they eat don't make us shit.

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Speaker 3: It's just such a good metaphor. What they're doing over

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Speaker 3: there has got nothing to do with us. What they

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Speaker 3: eat don't make us ship. It is one of the

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Speaker 3: most poetic ways I've ever heard for someone to say

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Speaker 3: what they're doing over there doesn't affect us. And I

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Speaker 3: think that's something that we need to take on board

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Speaker 3: of the show.

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Speaker 2: He's mounting a strong defense. He's a strong defense I

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Speaker 2: mean to an agment that doesn't seem to exist. But

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Speaker 2: he's still mounting a very strong defense.

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Speaker 3: Because often in radio, you know, people are like, well,

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Speaker 3: you know, we've going to compete with this station, that station, YouTube,

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Speaker 3: what are we doing on social media?

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Speaker 2: I mean ship?

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Speaker 3: But what what they eat don't make us ship?

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Speaker 4: Yeah, so fuck, that's a good appointment.

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Speaker 3: What they eat don't make up and take that into

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Speaker 3: your workday today. By the way, anyone listening to this,

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Speaker 3: if someone's like, oh, yeah, but such and such does

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Speaker 3: this or such and such does that, and.

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Speaker 2: What they what they eat don't make us ship, make.

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Speaker 3: Us ship, all right?

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Speaker 1: Your motherfucking business.

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Speaker 6: When they don't eat with us, they don't sleep with us. Side,

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Speaker 6: what they don't make us ship? Real talk?

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Speaker 3: That is that is that is the realist talk I've

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Speaker 3: ever heard in my life.

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Speaker 2: That's a really good singing too. Yeah, Christy hit those.

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00:14:43,560 --> 00:14:48,600
Speaker 3: Nights they eat don't make us ship anyway, He continues.

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Speaker 6: You can't my mama's house, what girl, my mom eat

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00:14:53,960 --> 00:14:56,680
Speaker 6: a screen or call for me? Real talk?

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00:14:58,240 --> 00:15:01,920
Speaker 2: She's calling his at my mother's house. Yeah, was he trying?

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Speaker 2: Is she trying to find him? Is this pre mobile

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Speaker 2: phones or something?

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Speaker 3: Well, yeah, it's definitely pre mobile phones. He's in a landline.

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Speaker 2: Well it's two thousand and nine.

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Speaker 3: He's on the cordless landline mobile.

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Speaker 4: A lot of landlines still in two thousand and nine.

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00:15:14,080 --> 00:15:17,400
Speaker 3: So real, she's now called his mom's phone. It's all going.

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Speaker 2: Don't get mom involved.

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Speaker 1: You call my mama's house and what.

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Speaker 6: Girl, My mommy ain't got a screen, or call for

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Speaker 6: me real talk to watch your mouth fuck me, girl,

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Speaker 6: fuck you.

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Speaker 1: I don't get a fuck about what you're talking about.

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00:15:35,120 --> 00:15:36,400
Speaker 1: I'm sicking as bullshit.

355
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Speaker 6: I'm coming home and getting my ship and getting the fuck.

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Speaker 1: About it down.

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Speaker 3: Hold no, hold on, hold on, I'm flying off the

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Speaker 3: handle a little bit.

359
00:15:44,480 --> 00:15:47,080
Speaker 2: You're just into this relationship. You're taking your stuff home.

360
00:15:47,200 --> 00:15:48,440
Speaker 2: It's just a disagreement.

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Speaker 3: Man from doesn't sound like he's innocent, does it. And

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Speaker 3: apologies to anyone that's still got kids in the caation

363
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Speaker 3: we listening to and that's real talk. Let's see there's

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Speaker 3: an advance from here.

365
00:16:00,600 --> 00:16:02,119
Speaker 4: Just wait, you gotta.

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Speaker 1: Worry about me no more. And the next time your

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00:16:04,680 --> 00:16:08,360
Speaker 1: ass good honey, good fuck? What are your foggy ass friends?

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00:16:09,360 --> 00:16:11,600
Speaker 2: Wait? Wait wait, wait mate, wait wait wait?

369
00:16:12,280 --> 00:16:13,640
Speaker 3: Do we need to beat these that happen?

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Speaker 4: So the next time you're asking horny Jerry, go fuck

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Speaker 4: honey or funky ass free.

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Speaker 2: But maybe shouldn't be together. I'm starting to think you

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Speaker 2: guys are best not together.

374
00:16:27,280 --> 00:16:30,280
Speaker 3: This is not a healthy relationships, not a great relationship.

375
00:16:30,360 --> 00:16:34,680
Speaker 3: Right example, I mean some moments of brilliant philosophical brilliance

376
00:16:34,720 --> 00:16:37,920
Speaker 3: in there, but then otherwise basically just the toxic relationship.

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Speaker 2: This is if this is real talk, this is real talk.

378
00:16:40,600 --> 00:16:44,920
Speaker 2: I can't imagine what's unreal talk. Imagine what's fake talk.

379
00:16:44,960 --> 00:16:46,000
Speaker 3: Let's see how he goes.

380
00:16:46,560 --> 00:16:49,720
Speaker 1: Fuck about what you're told about. I'm thinking this bullshit.

381
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Speaker 6: I'm coming home and getting my ship and getting.

382
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Speaker 1: The funck about it. Dodge, you ain't gonna worry about

383
00:16:54,560 --> 00:16:55,280
Speaker 1: me no more.

384
00:16:55,720 --> 00:16:58,360
Speaker 6: And the next time your ass good, honey, good fuf

385
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Speaker 6: one of your foggy ass.

386
00:16:59,680 --> 00:17:01,760
Speaker 1: Fore, hell, you're probably.

387
00:17:01,440 --> 00:17:05,159
Speaker 6: Already doing that ship anyway, you're gonna boy right.

388
00:17:05,200 --> 00:17:10,240
Speaker 2: Wait, wait, now you're accusing, guessing, I'm making up to

389
00:17:10,280 --> 00:17:12,159
Speaker 2: your friends. But nobody ever said that.

390
00:17:12,359 --> 00:17:13,240
Speaker 3: Where's the evidence.

391
00:17:13,960 --> 00:17:15,639
Speaker 2: Where's the evidence to support that?

392
00:17:15,880 --> 00:17:18,200
Speaker 3: There's none. Hold on with the other guys here.

393
00:17:18,280 --> 00:17:21,200
Speaker 2: You're probably what you just made that up with the

394
00:17:21,280 --> 00:17:23,480
Speaker 2: other you just made that up man.

395
00:17:23,720 --> 00:17:28,200
Speaker 3: Other guys there, let's see, I guess.

396
00:17:28,760 --> 00:17:34,000
Speaker 6: Bitch job was shoe wood, bother fucking clues whatever.

397
00:17:34,520 --> 00:17:36,000
Speaker 2: Who's burning those clothes?

398
00:17:37,760 --> 00:17:40,640
Speaker 3: This is a full on relationship's obviously in a while,

399
00:17:40,680 --> 00:17:42,760
Speaker 3: and burn all your clothes and I love the way

400
00:17:42,760 --> 00:17:44,520
Speaker 3: that in the middle of that he hits a tasteful

401
00:17:44,560 --> 00:17:45,679
Speaker 3: little run of notes.

402
00:17:46,640 --> 00:17:50,640
Speaker 6: Hell, you're probably already doing that ship anyway, you're gonna boom.

403
00:17:50,640 --> 00:17:55,840
Speaker 1: What bit job was shoe wood? Bother fucking clue? Who

404
00:17:56,280 --> 00:18:04,639
Speaker 1: would your triphle dance? Children? You?

405
00:18:07,200 --> 00:18:09,240
Speaker 3: Oh, there's a fight breaking out in the studio now.

406
00:18:11,560 --> 00:18:13,720
Speaker 3: The three guys that were sitting in the studio behind

407
00:18:13,800 --> 00:18:18,639
Speaker 3: him have now started a fight. It seems underlated to

408
00:18:18,720 --> 00:18:19,959
Speaker 3: lot r Kelly had gone on.

409
00:18:20,680 --> 00:18:22,480
Speaker 1: I kind of camel.

410
00:18:24,160 --> 00:18:27,600
Speaker 3: That's how it is. Wow, Okay, I don't know what

411
00:18:27,640 --> 00:18:29,560
Speaker 3: Milton had to do with that and why the fight

412
00:18:29,640 --> 00:18:31,359
Speaker 3: broke out in the background with Milton Milton?

413
00:18:31,400 --> 00:18:34,160
Speaker 2: That what that? The Southland the Southland town?

414
00:18:34,440 --> 00:18:36,480
Speaker 3: Yeah, the Melton town of Milton where they built the

415
00:18:36,560 --> 00:18:38,600
Speaker 3: highways from opposite ins and they didn't quite meet in

416
00:18:38,640 --> 00:18:39,440
Speaker 3: the middle of Melton.

417
00:18:40,119 --> 00:18:42,560
Speaker 2: I never thought that ir Kelly would have been to Melton.

418
00:18:42,680 --> 00:18:44,800
Speaker 3: No, oldn't have thought so either. So anyway, I don't

419
00:18:44,800 --> 00:18:46,199
Speaker 3: know what. I don't know what to take away from that,

420
00:18:46,320 --> 00:18:48,359
Speaker 3: but that is our Kelly's real talk. When as soon

421
00:18:48,400 --> 00:18:50,080
Speaker 3: as I found out you hadn't watched it, I knew

422
00:18:50,080 --> 00:18:51,680
Speaker 3: I had to share it with you, and I think

423
00:18:51,680 --> 00:18:53,960
Speaker 3: if we can take anything away from that and take

424
00:18:54,000 --> 00:18:56,000
Speaker 3: it with you into your day, it's that what they

425
00:18:56,080 --> 00:18:57,480
Speaker 3: eat don't make us ship.

426
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Speaker 5: We will talk