1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack team podcast 2 00:00:10,573 --> 00:00:11,733 Speaker 1: from News Talks at b. 3 00:00:15,053 --> 00:00:39,533 Speaker 2: Come. Come, that's Charlie Xy Egg. 4 00:00:39,973 --> 00:00:44,173 Speaker 3: She's cast off her brat persona and channeled the torment 5 00:00:44,293 --> 00:00:49,413 Speaker 3: of Heathcliff on the Yorkshire Moors. For her complete soundtrack 6 00:00:49,453 --> 00:00:54,453 Speaker 3: to the hotly anticipated new adaptation of Wuthering Heights. Francisca Rudkin, 7 00:00:54,533 --> 00:00:56,933 Speaker 3: our film reviewer, is here this morning. 8 00:00:57,333 --> 00:00:59,253 Speaker 2: Francisca, good morning. 9 00:00:59,413 --> 00:01:01,373 Speaker 3: You've been to Wuthering Heights, so let's have a listen. 10 00:01:03,453 --> 00:01:07,573 Speaker 4: What should you do, Heathcliff if you were rich. 11 00:01:13,333 --> 00:01:14,893 Speaker 3: And Richmond Mill. 12 00:01:17,853 --> 00:01:30,893 Speaker 4: Take a wife, A wife, my wife. 13 00:01:28,093 --> 00:01:29,693 Speaker 2: Dan Dan Dan right. 14 00:01:29,773 --> 00:01:34,453 Speaker 3: Oh. The keenly anticipated adaptation of Emily Bronte's novel Maga 15 00:01:34,573 --> 00:01:37,053 Speaker 3: Robbie Jacob A lord, my goodness. 16 00:01:38,053 --> 00:01:41,773 Speaker 4: Yeah. There's been so much hostility and angst over this 17 00:01:41,853 --> 00:01:44,973 Speaker 4: film for about a year and a half Jack, since 18 00:01:45,613 --> 00:01:49,413 Speaker 4: midst of twenty twenty four, when Emerald for Now said 19 00:01:49,533 --> 00:01:51,693 Speaker 4: this this was going to be her next film. She's 20 00:01:51,733 --> 00:01:55,813 Speaker 4: well known for Saltburn and Promising Young Women, her two 21 00:01:55,813 --> 00:01:58,933 Speaker 4: previous films. She won an Oscar for the screenplay for 22 00:01:59,013 --> 00:02:04,053 Speaker 4: Promising Young Women. She's a provocative filmmaker. She loves dealing 23 00:02:04,093 --> 00:02:07,173 Speaker 4: with quite taboo subjects. She's not afraid to be shocking. 24 00:02:07,293 --> 00:02:10,133 Speaker 4: She likes to talk about class and gender and sex 25 00:02:10,173 --> 00:02:13,533 Speaker 4: and sexual assaults and all sorts of things. And everybody 26 00:02:13,573 --> 00:02:16,573 Speaker 4: got all, I'm all very concerned about what such a 27 00:02:16,613 --> 00:02:20,573 Speaker 4: modern director might do with this classic, this sort of 28 00:02:20,573 --> 00:02:23,853 Speaker 4: gothic novel. I felt like, go, well, we've made lot 29 00:02:23,933 --> 00:02:27,853 Speaker 4: of adaptations of this book, if you'd like to watch 30 00:02:27,853 --> 00:02:32,253 Speaker 4: something a little bit more classic and faithful that those 31 00:02:32,373 --> 00:02:34,773 Speaker 4: adaptations are out there. And I was just really keen 32 00:02:34,813 --> 00:02:36,493 Speaker 4: to see what she would do. And I knew that 33 00:02:36,813 --> 00:02:40,933 Speaker 4: she would push it. She would push the boundaries because 34 00:02:40,973 --> 00:02:42,933 Speaker 4: we know that she likes to go big. We know 35 00:02:43,093 --> 00:02:46,933 Speaker 4: that she's not afraid of outrageous costumes and art direction 36 00:02:47,213 --> 00:02:50,493 Speaker 4: and cinematography. So I was really interested because I think 37 00:02:50,533 --> 00:02:51,893 Speaker 4: she's a fascinating director. 38 00:02:51,973 --> 00:02:53,693 Speaker 5: I was interested to see what she would do with 39 00:02:53,733 --> 00:02:55,853 Speaker 5: this rather than kind of getting all up well upset 40 00:02:55,893 --> 00:02:56,573 Speaker 5: and worried about them. 41 00:02:56,653 --> 00:02:57,733 Speaker 2: Yeah. 42 00:02:57,933 --> 00:03:00,373 Speaker 4: I think the most important thing to know is if 43 00:03:00,413 --> 00:03:05,533 Speaker 4: you would like a historically accurate, merchant ivory version of 44 00:03:05,613 --> 00:03:09,653 Speaker 4: Bronte's Heights, this is not the film. This film feels 45 00:03:09,693 --> 00:03:12,653 Speaker 4: to me, and Emerald has said this that this film 46 00:03:12,773 --> 00:03:18,053 Speaker 4: is her teenage version of reading the book and what 47 00:03:18,093 --> 00:03:20,853 Speaker 4: it felt like to be clearly wrapped up in this sort. 48 00:03:20,653 --> 00:03:21,813 Speaker 5: Of toxic relationship. 49 00:03:22,173 --> 00:03:24,293 Speaker 4: This to me feels like a film which is aimed 50 00:03:24,333 --> 00:03:26,213 Speaker 4: at all the young women out there who were just 51 00:03:26,453 --> 00:03:30,653 Speaker 4: loving the TV series Heated Rivalry. The book is rather sexless, 52 00:03:30,653 --> 00:03:34,493 Speaker 4: and yet there is some sort of steamy, sexy moments 53 00:03:34,533 --> 00:03:37,413 Speaker 4: in it. But actually, for Emerald, I think she's been 54 00:03:37,533 --> 00:03:40,053 Speaker 4: quite restrained when it comes to that side of things. 55 00:03:40,733 --> 00:03:43,733 Speaker 4: We you know, we know her to be quite gratuitous 56 00:03:43,773 --> 00:03:45,213 Speaker 4: with her nudity and things like that. 57 00:03:45,213 --> 00:03:45,853 Speaker 5: That's not in it. 58 00:03:45,853 --> 00:03:48,133 Speaker 4: There's a lot of heavy petting and a little bit more, 59 00:03:48,173 --> 00:03:50,813 Speaker 4: but it's not It didn't go as far as I 60 00:03:50,893 --> 00:03:53,573 Speaker 4: thought she would actually, and I wonder whether that was 61 00:03:53,573 --> 00:03:54,173 Speaker 4: a bit of a mistake. 62 00:03:54,213 --> 00:03:56,253 Speaker 5: I wonder whether she should have just really pushed the 63 00:03:56,293 --> 00:03:58,133 Speaker 5: boat out anyway. 64 00:03:59,453 --> 00:04:01,853 Speaker 4: It's, as I said, there's something to look at in 65 00:04:01,893 --> 00:04:07,893 Speaker 4: this film. The costumes, the art direction, it's all highly stylized, 66 00:04:08,493 --> 00:04:13,173 Speaker 4: not historically accurate, but really interesting to look at. There 67 00:04:13,213 --> 00:04:15,173 Speaker 4: is the issue, of course, with the age of our 68 00:04:15,173 --> 00:04:18,613 Speaker 4: two actors. They're not teenagers, and there's the whitewashing, which 69 00:04:18,613 --> 00:04:20,573 Speaker 4: I do think is an issue with Jacob E. Lordie 70 00:04:20,573 --> 00:04:21,533 Speaker 4: in twenty twenty six. 71 00:04:22,773 --> 00:04:23,733 Speaker 5: But the story. 72 00:04:23,453 --> 00:04:25,613 Speaker 4: Itself, she's very much kept it just to Kathy and 73 00:04:25,693 --> 00:04:28,453 Speaker 4: heatless love story. She doesn't really go beyond that. It 74 00:04:28,613 --> 00:04:32,213 Speaker 4: is overly long, and it lacked the emotional hit that 75 00:04:32,293 --> 00:04:34,253 Speaker 4: I think she was trying to conjure up at the end. 76 00:04:34,373 --> 00:04:35,293 Speaker 5: I hadn't look. 77 00:04:35,333 --> 00:04:37,093 Speaker 4: I think she did a very good job, and they're 78 00:04:37,133 --> 00:04:39,493 Speaker 4: not hugely likable characters. I think she did a very 79 00:04:39,533 --> 00:04:41,773 Speaker 4: good job of making them not hugely likable, and maybe 80 00:04:41,773 --> 00:04:42,453 Speaker 4: that's why the. 81 00:04:42,413 --> 00:04:44,013 Speaker 5: Emotional pick didn't come at the end. 82 00:04:44,333 --> 00:04:46,133 Speaker 4: But the way it was presented was I think she 83 00:04:46,213 --> 00:04:48,053 Speaker 4: did want to kind of draw a tear to the. 84 00:04:48,093 --> 00:04:49,893 Speaker 5: Eye, and that it didn't really have it for me. 85 00:04:50,013 --> 00:04:53,493 Speaker 4: So look, not a total disaster, not a total success, 86 00:04:53,573 --> 00:04:57,453 Speaker 4: an interesting adaptation I think for her for twenty twenty six. 87 00:04:57,613 --> 00:05:01,533 Speaker 3: Yeah, okay, all right, I mean I'm open to it. 88 00:05:01,853 --> 00:05:02,733 Speaker 3: I'm open to it. 89 00:05:02,813 --> 00:05:05,933 Speaker 2: So that's mothering heights. Its showing instead of as at. 90 00:05:05,813 --> 00:05:07,813 Speaker 3: The moment, you know, I've never read I've never read 91 00:05:07,813 --> 00:05:10,253 Speaker 3: the novel, so maybe I should start there, or maybe 92 00:05:10,253 --> 00:05:13,733 Speaker 3: that'll just start. I'll then be left comparing things. So 93 00:05:13,813 --> 00:05:17,333 Speaker 3: Wuthering Heights is showing in cinemas now, so too is 94 00:05:17,373 --> 00:05:21,333 Speaker 3: Francesca's next film. This is Crime one oh one. 95 00:05:22,493 --> 00:05:25,613 Speaker 5: Late Sharon, So what are we driving? 96 00:05:25,973 --> 00:05:27,773 Speaker 4: She can go, so I'll go be the keys to it. 97 00:05:27,853 --> 00:05:33,293 Speaker 2: Oh, Chevy Shavell racing green right dollar, That is a 98 00:05:33,453 --> 00:05:34,293 Speaker 2: beautiful guy. 99 00:05:34,773 --> 00:05:36,133 Speaker 5: I need to be in your line work. 100 00:05:43,493 --> 00:05:46,533 Speaker 3: Bomb starring Chris Hemsworth tell us about Crime one on one. 101 00:05:46,773 --> 00:05:50,413 Speaker 4: Yeah, look, I quite enjoyed this. This is a Steinish, 102 00:05:50,653 --> 00:05:53,693 Speaker 4: entertaining crime thriller. You're probably not going to be thinking 103 00:05:53,693 --> 00:05:56,293 Speaker 4: about it in a couple of weeks time, but I 104 00:05:56,493 --> 00:05:59,173 Speaker 4: very much enjoyed sitting in the cinema and letting this 105 00:05:59,293 --> 00:06:02,093 Speaker 4: film unfold. It had a bit of an old fashioned 106 00:06:02,093 --> 00:06:03,253 Speaker 4: feel to it, and I was trying to put my 107 00:06:03,253 --> 00:06:05,373 Speaker 4: finger on it. And it's it's a little bit like 108 00:06:05,373 --> 00:06:08,733 Speaker 4: a nineties Michael Man film, like Heat or something. We've 109 00:06:08,773 --> 00:06:12,893 Speaker 4: got this sort of cat and mouse chase going on 110 00:06:13,053 --> 00:06:16,333 Speaker 4: between a cop and a thief. 111 00:06:17,373 --> 00:06:18,893 Speaker 5: It's character driven. 112 00:06:19,013 --> 00:06:21,133 Speaker 4: What I really liked about it is that we do 113 00:06:21,333 --> 00:06:24,493 Speaker 4: meet this group of characters at. 114 00:06:24,373 --> 00:06:25,813 Speaker 5: The beginning of the film. 115 00:06:25,853 --> 00:06:28,613 Speaker 4: They're quite clearly defined, but we don't really know how 116 00:06:28,613 --> 00:06:32,893 Speaker 4: they all fit together, and that made it quite intriguing 117 00:06:32,933 --> 00:06:36,893 Speaker 4: and it draws you in. Chris Hemsworth, he plays Mike Davis. 118 00:06:36,933 --> 00:06:40,493 Speaker 4: He's a notorious thief. He's super cool and super groomed. 119 00:06:40,533 --> 00:06:45,013 Speaker 4: He plans everything meticulously. He works alone, he likes everything, 120 00:06:45,253 --> 00:06:48,813 Speaker 4: he likes order, He does not like to see anybody 121 00:06:48,853 --> 00:06:52,493 Speaker 4: get hurt. And he does very sort of high end theft, 122 00:06:52,533 --> 00:06:55,773 Speaker 4: sort of diamonds and diamond transfers and things like that. 123 00:06:55,853 --> 00:06:59,293 Speaker 4: And he mostly does these jobs along the one oh 124 00:06:59,413 --> 00:07:03,533 Speaker 4: one Californian Highway. He's handled by a character played by 125 00:07:03,613 --> 00:07:06,573 Speaker 4: Nick Nolty, and their relationship kind of we understand bit 126 00:07:06,573 --> 00:07:09,973 Speaker 4: more about their relationship is that film unfolds McKnulty, though 127 00:07:10,013 --> 00:07:13,013 Speaker 4: he does have a protege played by Barry Keagan, who 128 00:07:13,213 --> 00:07:13,853 Speaker 4: is the. 129 00:07:13,893 --> 00:07:15,533 Speaker 5: Complete opposite to Mike. 130 00:07:15,653 --> 00:07:18,453 Speaker 4: He is chaotic and out there and he comes in 131 00:07:18,493 --> 00:07:21,573 Speaker 4: to play at some point as well. Mike meets a 132 00:07:21,613 --> 00:07:24,133 Speaker 4: young lady who kind of starts making him think about 133 00:07:24,173 --> 00:07:26,373 Speaker 4: maybe it's time to get out of the business and 134 00:07:27,813 --> 00:07:32,093 Speaker 4: to reassess his life. And also another character comes into play, 135 00:07:32,333 --> 00:07:37,613 Speaker 4: played by Handy Berry. She's an insurance agent who he 136 00:07:38,653 --> 00:07:42,173 Speaker 4: contacts to potentially help with the job, and she's you know, 137 00:07:42,293 --> 00:07:44,773 Speaker 4: she's there, and Matt Rufflo, he's a cop. Now, what's 138 00:07:44,813 --> 00:07:47,413 Speaker 4: really interesting about all these characters is that they're all 139 00:07:47,453 --> 00:07:49,093 Speaker 4: at a point in their life where they're kind of 140 00:07:49,093 --> 00:07:52,133 Speaker 4: reassessing where they're at. They're kind of outsiders and the 141 00:07:52,213 --> 00:07:54,773 Speaker 4: jobs that they do they're being pushed out or something. 142 00:07:54,853 --> 00:07:57,173 Speaker 4: So everybody's sort of up in the air. No one 143 00:07:57,213 --> 00:07:59,893 Speaker 4: is necessarily good, no one is necessarily bad. You don't 144 00:07:59,973 --> 00:08:02,173 Speaker 4: mighte know, it's all going to fold. So that's the 145 00:08:02,293 --> 00:08:04,093 Speaker 4: sort of the joy of it watching the copp try 146 00:08:04,133 --> 00:08:07,053 Speaker 4: to catch the thief but personal lives kind of imploding 147 00:08:07,093 --> 00:08:10,053 Speaker 4: at the same time, and it's yeah, it's just unpredictable 148 00:08:10,133 --> 00:08:11,173 Speaker 4: enough to keep you intrigued. 149 00:08:11,293 --> 00:08:12,813 Speaker 2: Yeah, okay, so's all right. 150 00:08:12,853 --> 00:08:15,613 Speaker 3: So that's Crime one oh one that's showing in cinemas 151 00:08:15,653 --> 00:08:18,333 Speaker 3: right now, Chris Hemsworth starring, and that one. Francisca's first 152 00:08:18,333 --> 00:08:21,693 Speaker 3: film was Wuthering Heights, which is also the movies. Hey Francisca, 153 00:08:21,773 --> 00:08:23,933 Speaker 3: you must be so excited if. 154 00:08:23,733 --> 00:08:25,253 Speaker 2: One is getting a sequel. 155 00:08:26,133 --> 00:08:28,853 Speaker 3: Jerry Bruckheim has confirmed that your favorite film of the 156 00:08:28,933 --> 00:08:32,013 Speaker 3: year is Are They going to I wonder if we 157 00:08:32,013 --> 00:08:34,373 Speaker 3: can go and go and have beat somewhere online about 158 00:08:34,373 --> 00:08:36,173 Speaker 3: whether or not it's going to be called IF one two. 159 00:08:36,973 --> 00:08:37,613 Speaker 2: Do you think. 160 00:08:39,173 --> 00:08:40,613 Speaker 5: It's a bit confusing, isn't it? 161 00:08:40,653 --> 00:08:40,853 Speaker 3: Well? 162 00:08:41,013 --> 00:08:47,413 Speaker 6: Yeah, well I appreciated all the technical work that went 163 00:08:47,453 --> 00:08:49,733 Speaker 6: into that film, like it looked amazing, right, if we 164 00:08:49,733 --> 00:08:51,813 Speaker 6: could just maybe get the new is a. 165 00:08:51,693 --> 00:08:55,293 Speaker 2: Backhan complement, isn't it? Just like I appreciated all of the. 166 00:08:56,813 --> 00:09:00,213 Speaker 3: Technical I appreciated that they tried. 167 00:09:00,573 --> 00:09:03,333 Speaker 4: Yeah, no, no, I appreciated the craft that went into 168 00:09:03,333 --> 00:09:03,653 Speaker 4: that film. 169 00:09:03,693 --> 00:09:04,493 Speaker 5: It's pretty amazing. 170 00:09:04,533 --> 00:09:05,933 Speaker 4: But you know, if you've got IF one backing you, 171 00:09:05,933 --> 00:09:07,813 Speaker 4: and they've got the money to distributor, you know, I 172 00:09:07,853 --> 00:09:08,493 Speaker 4: can understand. 173 00:09:08,573 --> 00:09:11,373 Speaker 3: No, how do you suggest that money has anything to 174 00:09:11,413 --> 00:09:12,213 Speaker 3: do with this decision? 175 00:09:12,773 --> 00:09:12,893 Speaker 1: How? 176 00:09:13,973 --> 00:09:16,613 Speaker 2: Yes it does? All right, Hey, thank you so much, Francesca. 177 00:09:16,653 --> 00:09:18,693 Speaker 3: Those films for this week, Wuthering Heights and Crime one 178 00:09:18,733 --> 00:09:20,133 Speaker 3: O one will be on the news talks. He'd be 179 00:09:20,213 --> 00:09:23,293 Speaker 3: website after ten o'clock. If you just can't be bothered 180 00:09:23,493 --> 00:09:25,813 Speaker 3: getting down to the movies this weekend, I don't know. 181 00:09:25,853 --> 00:09:29,013 Speaker 3: Maybe it's absolutely soaking at your place and you feel 182 00:09:29,053 --> 00:09:31,493 Speaker 3: like just curling up on the couch and enjoying a 183 00:09:31,573 --> 00:09:34,173 Speaker 3: show that you can watch or stream good news. We've 184 00:09:34,173 --> 00:09:39,093 Speaker 3: got our screen time picks, including Tom Sainsbury's Small Town Scandal, 185 00:09:39,093 --> 00:09:40,253 Speaker 3: which we're going to tell you about. 186 00:09:40,693 --> 00:09:43,813 Speaker 1: For more from Saturday Morning with Jack Tame, listen live 187 00:09:43,893 --> 00:09:46,733 Speaker 1: to news talks he'd be from nine am Saturday, or 188 00:09:46,813 --> 00:09:48,693 Speaker 1: follow the podcast on iHeartRadio