1 00:00:00,160 --> 00:00:02,599 Speaker 1: Daily bespoke content that you won't find on the radio 2 00:00:02,640 --> 00:00:04,960 Speaker 1: show The Hurdarki Breakfast podcast. 3 00:00:05,160 --> 00:00:09,720 Speaker 2: Comedian Hajwani Hotani joins us on the podcast today, Kiddy Hawan, 4 00:00:09,880 --> 00:00:10,360 Speaker 2: how are you? 5 00:00:10,560 --> 00:00:12,760 Speaker 3: I'm good man, how's it going good? 6 00:00:13,960 --> 00:00:14,400 Speaker 2: Very good? 7 00:00:14,560 --> 00:00:18,400 Speaker 4: It's Billy Ta Award winning comedian to you. 8 00:00:18,280 --> 00:00:22,520 Speaker 2: Jerry twenty twenty five, Billy Ta Award winning comedian. 9 00:00:22,560 --> 00:00:24,279 Speaker 4: Do you get Do you get to claim that you 10 00:00:24,320 --> 00:00:27,240 Speaker 4: are the funniest person in the country for the calendar 11 00:00:27,280 --> 00:00:28,640 Speaker 4: year until someone else takes it off you? 12 00:00:29,400 --> 00:00:32,000 Speaker 3: I'm man, you can claim it. You could say what. 13 00:00:32,200 --> 00:00:33,960 Speaker 3: I could claim it this year too if I wanted, 14 00:00:34,040 --> 00:00:37,080 Speaker 3: but like, I don't know. I yeah, dude, I'm not 15 00:00:37,080 --> 00:00:39,800 Speaker 3: gonna lie. The Billy Tea thing. You do feel very cool, 16 00:00:40,320 --> 00:00:43,400 Speaker 3: But I think it takes a while for things to change. 17 00:00:43,440 --> 00:00:46,560 Speaker 3: Like I had a real humbling thing because I won 18 00:00:46,640 --> 00:00:48,400 Speaker 3: the award, and then I think it was like two 19 00:00:48,400 --> 00:00:52,120 Speaker 3: months later, I had an interview with my work and 20 00:00:52,240 --> 00:00:57,360 Speaker 3: income officer and they were like, oh, what are you doing? 21 00:00:57,760 --> 00:00:58,920 Speaker 3: Like I was like, oh, I'm trying to be a 22 00:00:58,920 --> 00:01:01,400 Speaker 3: comedian and they're like, oh, okay, is that going okay? 23 00:01:01,400 --> 00:01:03,280 Speaker 3: And I was like, oh, I just want this Billy 24 00:01:03,280 --> 00:01:05,360 Speaker 3: te Award and they were like, what is that? 25 00:01:07,200 --> 00:01:09,440 Speaker 4: So he was a funny go on you remember the 26 00:01:09,480 --> 00:01:11,240 Speaker 4: TV show and then the name and ward after. 27 00:01:11,640 --> 00:01:15,280 Speaker 2: But at least in that situation you can say, so 28 00:01:15,360 --> 00:01:19,080 Speaker 2: I am working towards something and I am doing something, 29 00:01:19,200 --> 00:01:21,000 Speaker 2: and they can at least go, oh, yeah, well this 30 00:01:21,040 --> 00:01:23,080 Speaker 2: person's doing something. Because imagine if you tuner and I said 31 00:01:23,080 --> 00:01:24,960 Speaker 2: I'm trying to be a comedian and they're like, you're 32 00:01:24,959 --> 00:01:27,240 Speaker 2: not when you're not allowed to. We're not giving you 33 00:01:27,280 --> 00:01:28,200 Speaker 2: any money anymore for that. 34 00:01:28,480 --> 00:01:31,160 Speaker 3: Oh yeah, no, I turn on the charms, you know. 35 00:01:31,920 --> 00:01:34,800 Speaker 4: Yeah, but I've literally done that when my partner has 36 00:01:34,840 --> 00:01:37,200 Speaker 4: moved to Hamilton, So I moved up there with her 37 00:01:37,200 --> 00:01:39,600 Speaker 4: and I couldn't find a job for a couple of months. 38 00:01:39,640 --> 00:01:41,000 Speaker 4: Was getting bit much, so I went into the Winds 39 00:01:41,000 --> 00:01:44,240 Speaker 4: office last moment and they said what are you What 40 00:01:44,280 --> 00:01:45,800 Speaker 4: are you trying to do? I'm going to be on 41 00:01:45,840 --> 00:01:49,680 Speaker 4: the radio and they're like, yeah, I got another one 42 00:01:49,680 --> 00:01:52,920 Speaker 4: here blind and kick me out of there. And yeah, 43 00:01:53,080 --> 00:01:53,600 Speaker 4: didn't they. 44 00:01:53,520 --> 00:01:55,760 Speaker 2: Say that we're going to give you any money because 45 00:01:55,800 --> 00:01:57,960 Speaker 2: you were in the wrong city or something if you 46 00:01:57,960 --> 00:01:59,440 Speaker 2: didn't move cities. 47 00:01:59,720 --> 00:02:01,440 Speaker 4: Now, because I was living with my missus and she 48 00:02:01,480 --> 00:02:03,040 Speaker 4: hid an income. But I was like, but this is 49 00:02:03,080 --> 00:02:05,000 Speaker 4: the thing that's driving a witch between us, as her 50 00:02:05,040 --> 00:02:08,560 Speaker 4: useless boyfriends followed her to another town sounding everyone's going 51 00:02:08,639 --> 00:02:11,960 Speaker 4: to be on the radio one day. I'm pretty sure 52 00:02:11,960 --> 00:02:16,119 Speaker 4: I saw her h an alarm, but none of God, 53 00:02:16,160 --> 00:02:17,560 Speaker 4: damn it, we'll get another one. 54 00:02:17,600 --> 00:02:20,519 Speaker 2: I'm just gonna get the name of your show. Halloni 55 00:02:21,040 --> 00:02:23,720 Speaker 2: must be funny in a richman's will, clearly an Abba reference. 56 00:02:24,160 --> 00:02:26,800 Speaker 3: Yes, yeah, yeah, I was wondering. I bet the station 57 00:02:26,960 --> 00:02:29,120 Speaker 3: never plays Abba, probably hasn't played that song. 58 00:02:30,440 --> 00:02:34,040 Speaker 2: Yeah, no, buts and also, you know I was a 59 00:02:34,040 --> 00:02:36,880 Speaker 2: big fan of EBB growing up at a time. Actually, 60 00:02:37,000 --> 00:02:40,560 Speaker 2: I will hasten to add that abbot not particularly popular, 61 00:02:40,639 --> 00:02:45,200 Speaker 2: going through a deeply, deeply unpopular phase. This is before 62 00:02:46,880 --> 00:02:51,480 Speaker 2: Muriels weirding. Is that the film that brought it back 63 00:02:51,520 --> 00:02:52,840 Speaker 2: in Australia. I think it was. 64 00:02:53,919 --> 00:02:57,440 Speaker 3: I'm pretty sure that sounds no idea. 65 00:02:57,480 --> 00:03:00,040 Speaker 2: It was a super old reference. But there was a 66 00:03:00,080 --> 00:03:05,960 Speaker 2: phase when even classic hits stations were not fucking playing Abba. 67 00:03:06,080 --> 00:03:08,720 Speaker 2: That was the last thing that they were oh shit. 68 00:03:08,760 --> 00:03:11,000 Speaker 3: No wow, trying to bring it. 69 00:03:11,040 --> 00:03:15,079 Speaker 2: Back uncall at one stage, I feel like they now 70 00:03:15,080 --> 00:03:17,399 Speaker 2: at least occupy it. But where people have said, well, 71 00:03:17,480 --> 00:03:21,200 Speaker 2: they write the catchiest songs in the world. But for 72 00:03:21,200 --> 00:03:23,280 Speaker 2: a while there they were like nobody even wanted to 73 00:03:23,360 --> 00:03:24,360 Speaker 2: even say the word. 74 00:03:25,919 --> 00:03:27,959 Speaker 3: Well, if you guys wanted to switch up your stance 75 00:03:28,040 --> 00:03:30,120 Speaker 3: on a a little bit to help me sell a 76 00:03:30,120 --> 00:03:33,000 Speaker 3: few tickets to the show, I'd be much appreciated. 77 00:03:33,440 --> 00:03:35,200 Speaker 4: Well, I love them, and I think they've always been 78 00:03:35,240 --> 00:03:37,120 Speaker 4: called and never out of fashion. I disagree with you. 79 00:03:37,280 --> 00:03:39,680 Speaker 2: Well I always liked them, that was the thing, but 80 00:03:39,760 --> 00:03:42,360 Speaker 2: particularly but never money money money, that was the thing. 81 00:03:42,440 --> 00:03:47,200 Speaker 2: But I knowing me, knowing you, Oh yeah, it's my 82 00:03:47,200 --> 00:03:48,400 Speaker 2: my favorite sign. 83 00:03:48,600 --> 00:03:49,600 Speaker 4: It just doesn't for his name. 84 00:03:50,480 --> 00:03:56,920 Speaker 3: Yeah, I was trying to think whining me. Actually you 85 00:03:56,960 --> 00:03:59,280 Speaker 3: know what I mean. I will head up the NZ 86 00:03:59,440 --> 00:04:01,360 Speaker 3: comedy off see if it's too late to change it. 87 00:04:01,440 --> 00:04:03,480 Speaker 2: Well, there we go. Yeah, that'd be kind. 88 00:04:04,040 --> 00:04:07,960 Speaker 4: I've seen is it was Paul Douglas telling a story 89 00:04:08,000 --> 00:04:10,760 Speaker 4: about introducing you at a comedy first have you heard 90 00:04:10,760 --> 00:04:15,200 Speaker 4: this story where he he was in seeing it or something, 91 00:04:15,240 --> 00:04:17,160 Speaker 4: he was hosting it, I believe, and he went to 92 00:04:17,200 --> 00:04:18,760 Speaker 4: call you out onto the stage and he thought he'd 93 00:04:18,800 --> 00:04:19,560 Speaker 4: got the wrong person. 94 00:04:19,839 --> 00:04:23,960 Speaker 3: Yeah, yeah, yeah, no, that's true him, yes, because it 95 00:04:24,000 --> 00:04:26,200 Speaker 3: was like he didn't know who I was. I was like, 96 00:04:26,240 --> 00:04:28,520 Speaker 3: I think a couple of years into comedy and the 97 00:04:28,640 --> 00:04:31,760 Speaker 3: year before somebody had given him the wrong name, Like 98 00:04:31,839 --> 00:04:33,720 Speaker 3: somebody had given there was like a I think there 99 00:04:33,720 --> 00:04:36,240 Speaker 3: was a guy who was like a salmon comedian who 100 00:04:36,320 --> 00:04:37,600 Speaker 3: hadn't shown up on the day. 101 00:04:37,760 --> 00:04:40,200 Speaker 4: It's like it was like Mania, Stuart's coming up next, 102 00:04:40,200 --> 00:04:41,799 Speaker 4: and then Jeremy Wells walked out. 103 00:04:41,760 --> 00:04:45,760 Speaker 3: Yeah or me, so it's yeah, but like so the 104 00:04:45,839 --> 00:04:48,400 Speaker 3: year before he had been given like the name of 105 00:04:48,480 --> 00:04:52,039 Speaker 3: like some other comedian, and like it did just because 106 00:04:52,040 --> 00:04:54,440 Speaker 3: they were all like so fresh. Just the next guy 107 00:04:54,440 --> 00:04:56,279 Speaker 3: who was on, who happened to be like a little 108 00:04:56,560 --> 00:04:58,400 Speaker 3: white guy kind of went on and he was like, 109 00:04:58,760 --> 00:05:00,400 Speaker 3: there's no way that guy's called that. 110 00:05:00,640 --> 00:05:01,080 Speaker 4: Yeah. 111 00:05:01,120 --> 00:05:03,039 Speaker 3: And then the next year it was me and he said, 112 00:05:03,160 --> 00:05:05,040 Speaker 3: welcome to the stage, Whiny walks in it. And then 113 00:05:05,040 --> 00:05:06,600 Speaker 3: I went up and he's like, oh my god, I've 114 00:05:06,600 --> 00:05:07,320 Speaker 3: missed the beginning. 115 00:05:09,520 --> 00:05:13,280 Speaker 2: You can see how he possibly came to that conclusion. 116 00:05:13,560 --> 00:05:15,360 Speaker 3: Oh yeah, yeah, I get it. 117 00:05:15,480 --> 00:05:17,880 Speaker 2: How often do you get that? So when you turn 118 00:05:18,000 --> 00:05:22,919 Speaker 2: up somewhere with Maori Maldi name a double A double 119 00:05:23,000 --> 00:05:27,440 Speaker 2: multi name, you know, Malory first name and Marti surname. 120 00:05:27,880 --> 00:05:29,680 Speaker 2: How often do you get that where people do a 121 00:05:29,720 --> 00:05:30,440 Speaker 2: double take on it? 122 00:05:30,680 --> 00:05:31,920 Speaker 3: You know what's interesting. 123 00:05:32,200 --> 00:05:36,040 Speaker 2: I can't see you right now, but you don't look particularly. 124 00:05:35,720 --> 00:05:39,000 Speaker 3: Malty, pale skin red here. Yeah. No, I mean that's 125 00:05:39,040 --> 00:05:42,919 Speaker 3: been my whole life. But I'll tell you what's changed recently, 126 00:05:43,080 --> 00:05:46,760 Speaker 3: right is because heaps of people, like heaps of people 127 00:05:46,880 --> 00:05:50,120 Speaker 3: getting more into like the old moldy and everything. Is 128 00:05:50,120 --> 00:05:52,000 Speaker 3: that back in the day, you know, I would say like, oh, 129 00:05:52,040 --> 00:05:54,040 Speaker 3: my name's Whany and people would be like, whoa, that's 130 00:05:54,040 --> 00:05:55,919 Speaker 3: a Mauldi name. Are you moldy? And they'd be like 131 00:05:56,000 --> 00:06:00,160 Speaker 3: surprised by it? And now something like the people all 132 00:06:00,240 --> 00:06:03,600 Speaker 3: kind of surprised. But now sometimes we're like, oh, hey, 133 00:06:03,640 --> 00:06:06,160 Speaker 3: my name's Hwany. I can see in their eyes they 134 00:06:06,160 --> 00:06:09,080 Speaker 3: don't think I'm moldy. What they're thinking is like, oh, 135 00:06:09,200 --> 00:06:11,560 Speaker 3: somebody's taking their ill classes a little. 136 00:06:11,279 --> 00:06:17,360 Speaker 2: Too seriously, like they're really going out with it. Yeah, 137 00:06:17,400 --> 00:06:18,520 Speaker 2: this was born again. 138 00:06:23,120 --> 00:06:24,039 Speaker 4: Yeah, he's really honest. 139 00:06:24,120 --> 00:06:27,160 Speaker 3: Journey. 140 00:06:27,400 --> 00:06:29,320 Speaker 2: So did you grow up in Wellington. 141 00:06:29,320 --> 00:06:32,159 Speaker 3: Lower Hut, Lower Heart. I always like to make the distinction, 142 00:06:32,360 --> 00:06:35,920 Speaker 3: like if you're from there, you know, it's a different place. Really. Oh, 143 00:06:36,040 --> 00:06:39,360 Speaker 3: it's just it's just suburbs, you know, It's just like 144 00:06:39,440 --> 00:06:45,200 Speaker 3: it's the Lower Hut is is pretty different from Wellington. Wellington. Yeah, yeah, yeah, 145 00:06:45,279 --> 00:06:46,880 Speaker 3: you know it like, yeah, it's. 146 00:06:46,800 --> 00:06:49,039 Speaker 4: Like I don't know Wellington. I mean, I'm not from there, 147 00:06:49,040 --> 00:06:52,040 Speaker 4: but it's Wellington. You have a preconception of what a 148 00:06:52,080 --> 00:06:55,480 Speaker 4: person's like from Wellington. You know, they're into their coffee, 149 00:06:55,560 --> 00:07:00,359 Speaker 4: you know, they needed a certain type of way. Probably politically, Jason, 150 00:07:00,360 --> 00:07:02,760 Speaker 4: they probably your ear off about politics, if you guys are. 151 00:07:02,640 --> 00:07:04,720 Speaker 2: At I think the kind of person that I'm thinking 152 00:07:04,760 --> 00:07:07,920 Speaker 2: Wellington is a person who constructs a personality around a. 153 00:07:07,880 --> 00:07:09,680 Speaker 4: Hat, yes, exactly. 154 00:07:09,240 --> 00:07:12,280 Speaker 2: And so their entire personality will be around that they wear. 155 00:07:13,240 --> 00:07:15,720 Speaker 3: You say that, I'm looking around the studio. There's a 156 00:07:15,720 --> 00:07:18,240 Speaker 3: lot of hats going on, you cass. Aren't you guys 157 00:07:18,320 --> 00:07:21,680 Speaker 3: famous for wearing these, like shipping hats or something. 158 00:07:23,880 --> 00:07:24,200 Speaker 2: As well. 159 00:07:24,560 --> 00:07:27,440 Speaker 4: That's how we know. But then I think of the 160 00:07:27,480 --> 00:07:29,480 Speaker 4: heart and the surrounding regions is a bit more like 161 00:07:29,520 --> 00:07:30,560 Speaker 4: normal New Zealand, if you know. 162 00:07:30,760 --> 00:07:32,840 Speaker 3: Yes, I think Lower Hut is kind of one of 163 00:07:32,880 --> 00:07:36,080 Speaker 3: the many towns and cities where it's normal to see 164 00:07:36,120 --> 00:07:39,000 Speaker 3: people in the supermarket wearing pajamas. Yea, you know, I 165 00:07:39,040 --> 00:07:42,000 Speaker 3: think that's like, you know, yeah, that'd be wild to 166 00:07:42,040 --> 00:07:43,480 Speaker 3: see in Wellington. 167 00:07:43,640 --> 00:07:46,160 Speaker 2: Would you be more likely to see people in pajamas 168 00:07:46,400 --> 00:07:50,080 Speaker 2: in Lower Hut or Stokes Valley? 169 00:07:51,120 --> 00:07:54,800 Speaker 3: Stokes Valley is part of the Hut, so yeah, you differently, 170 00:07:54,920 --> 00:07:57,600 Speaker 3: more people, I reckon it's more condensed than the Stokes Valley. 171 00:07:58,000 --> 00:08:00,200 Speaker 3: More boy races around Stokes Valley too. 172 00:08:00,440 --> 00:08:02,040 Speaker 2: Yeah. Okay, what is. 173 00:08:02,000 --> 00:08:06,160 Speaker 4: The relationship between Lower and Upper Hut? Tenuous? 174 00:08:06,680 --> 00:08:09,800 Speaker 3: It's like river It's like I think they're the same people, 175 00:08:09,840 --> 00:08:11,360 Speaker 3: but Upper Hut has more money. 176 00:08:11,800 --> 00:08:15,880 Speaker 4: Well really yeah, yeah, I don't think Yeah, okay, a people. 177 00:08:15,600 --> 00:08:17,720 Speaker 3: Gonna like this this kind of like breakdown of all 178 00:08:17,760 --> 00:08:19,640 Speaker 3: the suburbs. 179 00:08:19,680 --> 00:08:21,280 Speaker 2: We don't We don't care what people like. 180 00:08:21,320 --> 00:08:23,280 Speaker 4: They haven't liked, they haven't liked anything else we've done, 181 00:08:23,360 --> 00:08:25,440 Speaker 4: so what this would be We're. 182 00:08:25,160 --> 00:08:28,320 Speaker 2: Always operated of really not caring what people like or 183 00:08:28,360 --> 00:08:29,040 Speaker 2: not like that. 184 00:08:29,760 --> 00:08:32,600 Speaker 3: All right, we'll play Abba songs there. Yeah, yeah, well. 185 00:08:32,440 --> 00:08:34,360 Speaker 4: That's a good point. Yeah, it's a fight we have 186 00:08:34,600 --> 00:08:35,319 Speaker 4: almost every day. 187 00:08:35,720 --> 00:08:39,360 Speaker 1: Jeremy Wells and Manaia Stuart find them on Instagram at 188 00:08:39,400 --> 00:08:43,959 Speaker 1: Hodarki Breakfast. Jerry and Manaiah joined the complay the HARDARKI 189 00:08:44,040 --> 00:08:46,320 Speaker 1: Breakfast discussion group on Facebook for more. 190 00:08:46,440 --> 00:08:47,800 Speaker 4: How did you get into so if you grew up 191 00:08:47,840 --> 00:08:49,640 Speaker 4: in the Lower Hut, is there like a comedy scene 192 00:08:49,640 --> 00:08:51,520 Speaker 4: in Lower Heart? I suppose there is in Wellington? 193 00:08:51,640 --> 00:08:54,760 Speaker 3: Yeah, definitely in Wellington. I got into it because I 194 00:08:54,800 --> 00:08:57,960 Speaker 3: had a mate who had the sick Apartment where I 195 00:08:57,960 --> 00:08:59,600 Speaker 3: don't know how they ended up with this place, but 196 00:08:59,640 --> 00:09:02,520 Speaker 3: they had like a rooftop apartment where they had this 197 00:09:02,600 --> 00:09:04,880 Speaker 3: big roof space and they would do like music gigs 198 00:09:04,880 --> 00:09:07,120 Speaker 3: there because nobody lived below them. It was like a 199 00:09:07,400 --> 00:09:09,920 Speaker 3: it was like a workshop or something. So they would 200 00:09:09,960 --> 00:09:12,079 Speaker 3: have like music gigs and they'd have like a couple 201 00:09:12,160 --> 00:09:13,040 Speaker 3: hundred people there. 202 00:09:13,160 --> 00:09:15,960 Speaker 4: So that's very Wellington, that kind of thing. Yeah, don't really, Yeah, 203 00:09:16,040 --> 00:09:17,280 Speaker 4: that wouldn't happen in christ Church. 204 00:09:17,440 --> 00:09:20,679 Speaker 2: I feel like people are more supportive of stuff in Wellington. 205 00:09:20,800 --> 00:09:23,360 Speaker 2: I feel like the community comes around. 206 00:09:23,600 --> 00:09:23,800 Speaker 4: Yeah. 207 00:09:23,880 --> 00:09:26,079 Speaker 3: Yeah, man, those house gigs, I mean I've heard Dunedin 208 00:09:26,200 --> 00:09:28,240 Speaker 3: is similar, you know in that way where like house 209 00:09:28,280 --> 00:09:30,200 Speaker 3: gigs just kind of pop off in a crazy way. 210 00:09:30,360 --> 00:09:36,439 Speaker 4: Yea, but back into a regional analysis again, we. 211 00:09:36,320 --> 00:09:36,960 Speaker 2: Can't help but. 212 00:09:38,559 --> 00:09:41,720 Speaker 3: Yeah, but so the guy who was who was running it. 213 00:09:41,720 --> 00:09:43,880 Speaker 3: He'd done a bit of stand up. He'd done, like 214 00:09:44,360 --> 00:09:46,400 Speaker 3: he said, he'd done like forty gigs, which seemed like 215 00:09:46,480 --> 00:09:48,559 Speaker 3: heaps at the time, and he was like, oh, yeah, 216 00:09:48,679 --> 00:09:50,320 Speaker 3: you know, we'll just kind of have a thing at 217 00:09:50,320 --> 00:09:52,480 Speaker 3: our house. And it was a bunch of people who 218 00:09:52,520 --> 00:09:55,440 Speaker 3: were like somewhere a musicians, some were like poets and 219 00:09:55,520 --> 00:09:58,720 Speaker 3: like somewhere some were stand ups as well, but it 220 00:09:58,760 --> 00:10:00,280 Speaker 3: was just a bunch of our friends. And then I 221 00:10:00,320 --> 00:10:02,680 Speaker 3: did it, and you know, and then it went. It 222 00:10:02,720 --> 00:10:03,400 Speaker 3: went awesome. 223 00:10:03,559 --> 00:10:04,719 Speaker 2: You know, we're way. 224 00:10:04,480 --> 00:10:06,240 Speaker 3: Better than I thought it would have, like, and it 225 00:10:06,320 --> 00:10:08,240 Speaker 3: was a real nice fight. It's all your mates and 226 00:10:08,320 --> 00:10:11,839 Speaker 3: they've got their beers and whatever. And then I was 227 00:10:11,920 --> 00:10:13,679 Speaker 3: just like, oh, yeah, you know what, I'll give it. 228 00:10:13,880 --> 00:10:15,920 Speaker 3: I'll give it a year. And if I give it 229 00:10:15,960 --> 00:10:18,320 Speaker 3: a year and go hard out, at least they'll know 230 00:10:19,360 --> 00:10:21,840 Speaker 3: for you or not. Yeah, well if I sucked, then 231 00:10:21,840 --> 00:10:24,280 Speaker 3: I'll know straight away. Like that was my thinking. 232 00:10:24,559 --> 00:10:28,760 Speaker 2: Yeah, So did that first get go well, yeah, real good? Okay, 233 00:10:28,800 --> 00:10:32,080 Speaker 2: and did you get hooked there? That works? Interested ways? 234 00:10:32,240 --> 00:10:35,160 Speaker 2: Is what that? If that first one went, well, it's 235 00:10:35,200 --> 00:10:37,240 Speaker 2: a bit like you know, if you smoke weed for 236 00:10:37,280 --> 00:10:40,280 Speaker 2: the first time, and then you puss yourself laughing. Then 237 00:10:40,320 --> 00:10:43,080 Speaker 2: you will smoke weed again, and you will you might 238 00:10:43,200 --> 00:10:45,560 Speaker 2: be like me eventually go you know what this actually, 239 00:10:45,559 --> 00:10:47,400 Speaker 2: I don't even know I'm doing this. This sucks now, 240 00:10:47,760 --> 00:10:50,320 Speaker 2: But you'll hang on to that first thing for some 241 00:10:50,520 --> 00:10:54,080 Speaker 2: time if you have a real shit it first up? 242 00:10:54,800 --> 00:10:55,560 Speaker 4: Would you come back? 243 00:10:55,600 --> 00:10:57,240 Speaker 2: What do people come back from that? 244 00:10:57,480 --> 00:11:00,000 Speaker 3: I think it takes some years. That's what I've heard 245 00:11:00,040 --> 00:11:02,080 Speaker 3: it as people who sucked the first time they come 246 00:11:02,120 --> 00:11:05,240 Speaker 3: back later, but it's like years later. Yeah. But no, 247 00:11:05,400 --> 00:11:07,800 Speaker 3: my first one, I was like I came off, like 248 00:11:07,960 --> 00:11:10,400 Speaker 3: came off stage and I was like shaking from the adrenaline. 249 00:11:10,440 --> 00:11:13,360 Speaker 3: It was like, so it was so much better because 250 00:11:13,559 --> 00:11:16,120 Speaker 3: you just imagine that nobody's gonna laugh ever, and then 251 00:11:16,160 --> 00:11:18,040 Speaker 3: when you get one laugh, you're like, oh my god, 252 00:11:18,160 --> 00:11:22,160 Speaker 3: I'm like I might be the best one the comedian either. 253 00:11:22,920 --> 00:11:25,840 Speaker 2: And did you grow up with people saying to you 254 00:11:25,840 --> 00:11:27,160 Speaker 2: you should be a comedian? 255 00:11:27,679 --> 00:11:27,920 Speaker 1: No? 256 00:11:28,440 --> 00:11:31,360 Speaker 3: No, I always thought people would just like I thought 257 00:11:31,360 --> 00:11:33,720 Speaker 3: that's how comedians started, Like people would just kind of 258 00:11:33,960 --> 00:11:36,480 Speaker 3: eventually tell you you're supposed to do it. But no, 259 00:11:36,600 --> 00:11:40,040 Speaker 3: I was like I was like the funny one amongst me. 260 00:11:40,320 --> 00:11:42,680 Speaker 3: And my three other friends, you know what I mean, 261 00:11:42,840 --> 00:11:44,280 Speaker 3: and we were all pretty funny. 262 00:11:44,480 --> 00:11:47,400 Speaker 4: Yeah, it's funny mention that because a few comedians we've 263 00:11:47,400 --> 00:11:49,560 Speaker 4: talked to have said the same thing, because like, it's 264 00:11:49,559 --> 00:11:52,160 Speaker 4: not that like, once you get on stage, that's completely 265 00:11:52,160 --> 00:11:55,040 Speaker 4: different than just being the funny guy and like in 266 00:11:55,080 --> 00:11:56,880 Speaker 4: your class at school or something like that. You know, 267 00:11:56,880 --> 00:11:59,240 Speaker 4: it's a completely different thing to stand up there and manufacture. 268 00:11:59,400 --> 00:12:01,600 Speaker 4: I don't know, there's a fascinating topic for me. I 269 00:12:01,600 --> 00:12:03,560 Speaker 4: think the same for Jerry because we're howards just behind 270 00:12:03,559 --> 00:12:05,880 Speaker 4: a microphone where we can't see our audience. It's a 271 00:12:05,880 --> 00:12:08,599 Speaker 4: great way to hide from them. But how do you 272 00:12:08,600 --> 00:12:10,520 Speaker 4: feel when you're up on the stage and you can say, 273 00:12:10,600 --> 00:12:12,600 Speaker 4: because I presume you've been doing it for a number 274 00:12:12,600 --> 00:12:14,520 Speaker 4: of years now, you must have bombed the odd time. 275 00:12:17,559 --> 00:12:20,079 Speaker 3: It's like, man, it's pretty difficult. 276 00:12:22,160 --> 00:12:22,880 Speaker 2: Yeah, dude. 277 00:12:22,880 --> 00:12:24,720 Speaker 3: There's been a couple of times where I've done so 278 00:12:24,760 --> 00:12:26,720 Speaker 3: bad where I've had to like talk to my friends 279 00:12:26,760 --> 00:12:29,839 Speaker 3: and be like, man, am I funny? Like and they 280 00:12:29,920 --> 00:12:32,880 Speaker 3: just give you the five But sometimes but sometimes also 281 00:12:33,000 --> 00:12:37,080 Speaker 3: like the craziest bonds are also like when you've started 282 00:12:37,120 --> 00:12:39,760 Speaker 3: good and then you've started to do some jokes. 283 00:12:40,120 --> 00:12:43,800 Speaker 4: Oh yeah, spin it wide. 284 00:12:43,880 --> 00:12:45,720 Speaker 2: So you've started well. 285 00:12:45,480 --> 00:12:47,960 Speaker 3: Yeah, so they're listening, yeah, and then you do a 286 00:12:48,040 --> 00:12:51,160 Speaker 3: joke and you get to a punchline and there's literal silence, 287 00:12:51,480 --> 00:12:54,200 Speaker 3: like there's just because they have not even realized it's finished. 288 00:12:54,400 --> 00:12:57,400 Speaker 3: Like it's the craziest, the craziest thing. 289 00:12:57,480 --> 00:12:58,520 Speaker 4: Yeah, you must. 290 00:12:58,640 --> 00:13:02,280 Speaker 2: I think that's exactly why. That is something that I 291 00:13:02,280 --> 00:13:06,720 Speaker 2: could never do. That I couldn't I couldn't handle that, 292 00:13:06,800 --> 00:13:08,760 Speaker 2: I couldn't handle a couple of days of that. I'd 293 00:13:08,760 --> 00:13:11,520 Speaker 2: be like, you know what, I especially if you were 294 00:13:11,520 --> 00:13:13,960 Speaker 2: doing it in the first place, because you started doing 295 00:13:14,000 --> 00:13:16,160 Speaker 2: it because of the adrenaline feeling that you got from 296 00:13:16,160 --> 00:13:17,959 Speaker 2: the audience, but the energy that you got back from 297 00:13:17,960 --> 00:13:20,319 Speaker 2: an audience and the way that made you feel the 298 00:13:20,320 --> 00:13:23,600 Speaker 2: moment that didn't happen, I'd be out. I'd be like, yep, 299 00:13:23,920 --> 00:13:26,640 Speaker 2: that's for me. Yeah, I'm not going through that feeling again. 300 00:13:26,720 --> 00:13:30,800 Speaker 2: Because the arc of I'm funny, I'm funny, I'm funny, 301 00:13:30,840 --> 00:13:33,400 Speaker 2: I feel funny, and then not feeling funny by the 302 00:13:33,520 --> 00:13:36,719 Speaker 2: end is not a good arc for any human. 303 00:13:36,559 --> 00:13:38,120 Speaker 4: And how do you sort of dig your way back 304 00:13:38,120 --> 00:13:41,080 Speaker 4: out of it when it happens the way. 305 00:13:41,280 --> 00:13:44,800 Speaker 2: I don't know, I blame the audience. These guys suck. 306 00:13:46,080 --> 00:13:48,319 Speaker 3: Yeah. I Usually I just think, like, man, I wish 307 00:13:48,360 --> 00:13:50,079 Speaker 3: I was funny, and then I tried to remember last 308 00:13:50,080 --> 00:13:52,400 Speaker 3: time I was good, and usually it was like, you know, 309 00:13:52,640 --> 00:13:55,480 Speaker 3: five days ago or something. You know, so I don't 310 00:13:55,520 --> 00:13:58,120 Speaker 3: know that that's genuinely how I do it. It's like, oh, man, 311 00:13:58,120 --> 00:14:00,599 Speaker 3: I wish I was as funny as I was like shoesday, 312 00:14:00,640 --> 00:14:05,199 Speaker 3: and then just that sentence sounds ridiculous, but yeah, yeah, yeah. 313 00:14:05,559 --> 00:14:07,520 Speaker 4: That's that's great. That makes a lot of sense. 314 00:14:07,600 --> 00:14:10,559 Speaker 2: What have you learnt about audiences in terms of how 315 00:14:10,559 --> 00:14:12,680 Speaker 2: they respond to jokes? 316 00:14:14,000 --> 00:14:17,560 Speaker 3: Audiences are real smart, Like it's kind of shocking how 317 00:14:18,360 --> 00:14:21,960 Speaker 3: people like clever people are and how like if you 318 00:14:22,040 --> 00:14:24,680 Speaker 3: try to be fake, like if you try to be 319 00:14:24,800 --> 00:14:27,560 Speaker 3: someone you're not, people can just tell. Like I don't 320 00:14:27,560 --> 00:14:29,360 Speaker 3: know if they can like totally like I don't know 321 00:14:29,400 --> 00:14:31,320 Speaker 3: if they'd be able to like talk about it or something. 322 00:14:31,600 --> 00:14:33,480 Speaker 3: But if you go up there and you like pretend 323 00:14:33,560 --> 00:14:36,160 Speaker 3: to make a mistake or something, I don't know, people 324 00:14:36,200 --> 00:14:39,160 Speaker 3: are really good, like yeah, yeah, people can really feel 325 00:14:39,200 --> 00:14:41,680 Speaker 3: when something is real and when something is like made up. 326 00:14:41,880 --> 00:14:44,160 Speaker 4: Yeah, I one hundred percent agree with that. I think 327 00:14:44,200 --> 00:14:46,000 Speaker 4: you can spot straight off the rep be like this 328 00:14:46,000 --> 00:14:48,720 Speaker 4: guy actually doesn't believe this, or you know, and even 329 00:14:49,000 --> 00:14:51,760 Speaker 4: they don't mind. Often if you're making something up, as 330 00:14:51,760 --> 00:14:54,440 Speaker 4: long as you kind of acknowledge you're making it up, 331 00:14:54,720 --> 00:14:55,000 Speaker 4: if you know. 332 00:14:55,480 --> 00:14:57,800 Speaker 3: Yeah, yeah, that doesn't mean like you know, some people 333 00:14:57,920 --> 00:15:00,680 Speaker 3: just say crazy stuff. But it's like it sense because 334 00:15:00,720 --> 00:15:03,960 Speaker 3: you're like, oh, this is is a pretty crazy guy. Yeah, 335 00:15:04,000 --> 00:15:05,600 Speaker 3: this is a wild person. 336 00:15:05,320 --> 00:15:07,000 Speaker 4: And this is what he finds entertaining, is to say 337 00:15:07,040 --> 00:15:09,440 Speaker 4: outlander ship. Yeah, yeah, hard out Whereas if you're not 338 00:15:09,480 --> 00:15:11,600 Speaker 4: that way and then you try it like Jerry does often. 339 00:15:12,960 --> 00:15:16,560 Speaker 2: Did you go into it with the conscious idea of 340 00:15:16,640 --> 00:15:20,600 Speaker 2: the type of comedian that you wanted to be. I 341 00:15:20,680 --> 00:15:25,560 Speaker 2: want to be a storytelling comedian who casually meanders from 342 00:15:25,600 --> 00:15:28,200 Speaker 2: story to story like I'm coming up with it off 343 00:15:28,240 --> 00:15:30,920 Speaker 2: the top of my head. Or I'm going to sound 344 00:15:31,000 --> 00:15:35,080 Speaker 2: like a very tightly scripted comedian who tells very tight jokes, 345 00:15:35,120 --> 00:15:36,840 Speaker 2: like to said Jimmy Carr or something like that. 346 00:15:36,920 --> 00:15:39,920 Speaker 3: Oh no, I never thought about being Jimmy Carr. I 347 00:15:40,480 --> 00:15:44,560 Speaker 3: used to love Carl Baron. Yeah, yeah, dude, I loved 348 00:15:44,640 --> 00:15:47,680 Speaker 3: him either. It was like that dry, just like kind 349 00:15:47,680 --> 00:15:49,480 Speaker 3: of storytelling, but it's his real life. 350 00:15:49,560 --> 00:15:50,000 Speaker 4: Yeah. 351 00:15:51,160 --> 00:15:52,600 Speaker 3: But then I ended up doing it and I was 352 00:15:52,680 --> 00:15:54,680 Speaker 3: I did a bunch of crazy stuff at first, like 353 00:15:54,720 --> 00:15:58,280 Speaker 3: I used to do like weird noises and like guitar stuff. 354 00:15:58,320 --> 00:16:02,120 Speaker 3: I still do a guitar thing now, to do way more. Yeah, yeah, 355 00:16:02,160 --> 00:16:04,720 Speaker 3: but I don't know. Yeah, I wanted to be I 356 00:16:04,720 --> 00:16:06,400 Speaker 3: don't know. I wanted to be Carl Baron. I thought 357 00:16:06,400 --> 00:16:06,840 Speaker 3: he was cool. 358 00:16:07,040 --> 00:16:07,840 Speaker 4: Yeah. 359 00:16:09,200 --> 00:16:12,680 Speaker 2: I always find that fascinating that it's that, yeah, the 360 00:16:12,960 --> 00:16:16,160 Speaker 2: person that because you're obviously you're not Carl barn you know, 361 00:16:16,440 --> 00:16:19,000 Speaker 2: like you're not that person. You're a completely different person. 362 00:16:19,040 --> 00:16:21,520 Speaker 2: You are what you are, yes, and that's great. But 363 00:16:21,560 --> 00:16:24,000 Speaker 2: it's funny that you go, Okay, on stage, I'm going 364 00:16:24,040 --> 00:16:26,600 Speaker 2: to be this persona you know, or I'm going to 365 00:16:27,000 --> 00:16:30,080 Speaker 2: I'm going to take that and then move that to 366 00:16:30,160 --> 00:16:32,240 Speaker 2: this particular place. I find that fascinating. 367 00:16:32,480 --> 00:16:34,240 Speaker 3: Well, I think that's the thing with the crowd. It's 368 00:16:34,240 --> 00:16:36,000 Speaker 3: like that's what I mean, when they're so smart. It's 369 00:16:36,080 --> 00:16:38,360 Speaker 3: like if you try to be something you're not, you know, 370 00:16:38,440 --> 00:16:40,560 Speaker 3: and then when you're like yourself and you actually say 371 00:16:40,600 --> 00:16:43,560 Speaker 3: stuff that's like genuine and like in the moments and like, yeah, 372 00:16:43,600 --> 00:16:46,520 Speaker 3: and I realized like, for some reason, whenever I get 373 00:16:46,560 --> 00:16:49,080 Speaker 3: a little bit worried, I just start like making fun 374 00:16:49,120 --> 00:16:51,720 Speaker 3: of the crowd. So I kind of and it's like 375 00:16:51,760 --> 00:16:53,960 Speaker 3: it's always pointless, like you know what I mean, it's 376 00:16:54,000 --> 00:16:56,480 Speaker 3: like a panic sort of thing. It's like, I don't know. 377 00:16:56,520 --> 00:16:59,480 Speaker 3: If I was worried, I would just I would just say, 378 00:16:59,800 --> 00:17:01,840 Speaker 3: you know, it's your classic thing of like what's your job. 379 00:17:01,960 --> 00:17:03,760 Speaker 3: It's like, well, that's a stupid job. I don't know. 380 00:17:04,040 --> 00:17:05,920 Speaker 3: And then you're just kind of like going with it. 381 00:17:07,720 --> 00:17:10,359 Speaker 4: What about the show that you're taking for the n 382 00:17:10,480 --> 00:17:13,399 Speaker 4: Z International Comedy Festival, the one we're talking about the 383 00:17:13,600 --> 00:17:15,040 Speaker 4: Abbat inspired. 384 00:17:14,960 --> 00:17:19,200 Speaker 3: Janey Jhany Jhany must be funny in a rich man's world. Yeah, yeah, 385 00:17:19,359 --> 00:17:22,399 Speaker 3: I I it's going to be a good show man, Like, 386 00:17:22,440 --> 00:17:25,840 Speaker 3: it's going to be a lot of fun I think. 387 00:17:26,160 --> 00:17:28,840 Speaker 3: I think probably I was a little bit inspired by 388 00:17:28,880 --> 00:17:34,400 Speaker 3: that Wins story. You know. Yeah, man, it's gonna be cool. 389 00:17:34,440 --> 00:17:36,160 Speaker 3: I'm happy. I'm going to be taking it to Wellington 390 00:17:36,200 --> 00:17:39,400 Speaker 3: and Auckland. I'm about to do it in Melbourne as well. Actually, yeah, 391 00:17:39,480 --> 00:17:42,239 Speaker 3: it's got it like four weeks of shows coming up, 392 00:17:42,240 --> 00:17:44,840 Speaker 3: I think, and then the Melbourne Yeah, oh no, two 393 00:17:44,880 --> 00:17:46,480 Speaker 3: weeks in Melbourne and then two weeks. 394 00:17:46,280 --> 00:17:49,000 Speaker 2: Here is that of like this this amazing thing that's 395 00:17:49,000 --> 00:17:51,680 Speaker 2: happening on this path that happens for New Zealand comedians 396 00:17:51,680 --> 00:17:58,280 Speaker 2: where Australia is this very tangible, really real thing, Isn't 397 00:17:58,280 --> 00:17:59,960 Speaker 2: that the most amazing thing? 398 00:18:00,359 --> 00:18:03,000 Speaker 3: Was pretty lucky that we have it like right there 399 00:18:03,160 --> 00:18:05,959 Speaker 3: to kind of go and do every single year, you know, 400 00:18:06,040 --> 00:18:10,920 Speaker 3: and Melbourne is like, you know, like times are tough 401 00:18:10,960 --> 00:18:13,280 Speaker 3: in New Zealand, but when you go to Melbourne you're like, damn, 402 00:18:13,320 --> 00:18:15,680 Speaker 3: people have money. 403 00:18:16,080 --> 00:18:16,639 Speaker 2: I've heard this. 404 00:18:17,080 --> 00:18:19,360 Speaker 3: Yeah, yeah, you see people wearing Apple watches and you'll 405 00:18:19,400 --> 00:18:20,640 Speaker 3: be like, what are you doing? They'll be like I'm 406 00:18:20,640 --> 00:18:21,639 Speaker 3: a kindergarten teacher. 407 00:18:21,680 --> 00:18:26,040 Speaker 4: You'd be like, whoa, yeah, what are we doing here? 408 00:18:26,760 --> 00:18:27,960 Speaker 4: Let's move the station over there? 409 00:18:28,880 --> 00:18:31,679 Speaker 2: Howani. Thank you so much for coming ins of like 410 00:18:31,800 --> 00:18:35,840 Speaker 2: with your show. It's on the fifth to ninth of 411 00:18:35,880 --> 00:18:39,400 Speaker 2: May and Auckland and the nineteenth to the twenty third 412 00:18:39,560 --> 00:18:42,120 Speaker 2: of May and Auckland. And if you're super rich then 413 00:18:42,160 --> 00:18:45,320 Speaker 2: you can fly to Melbourne and see shows over there 414 00:18:45,359 --> 00:18:47,000 Speaker 2: as well. Thanks for coming and I'm best of luck 415 00:18:47,080 --> 00:18:47,560 Speaker 2: with everything. 416 00:18:47,720 --> 00:18:49,520 Speaker 3: Oh, thanks so much, guys. 417 00:18:49,440 --> 00:18:52,200 Speaker 1: Jerry and Maniah. Catch the radio show from six till 418 00:18:52,200 --> 00:18:54,400 Speaker 1: ten weekdays, The Hdarcky Breakfast