1 00:00:04,080 --> 00:00:05,880 Speaker 1: Vodka sandza pato. 2 00:00:09,160 --> 00:00:12,800 Speaker 2: No, I know less Italian than I do. 3 00:00:13,720 --> 00:00:14,920 Speaker 1: He means welcome to the un. 4 00:00:14,920 --> 00:00:16,759 Speaker 2: Named, No more than me. 5 00:00:17,000 --> 00:00:18,279 Speaker 3: Happy Halloween boys. 6 00:00:18,600 --> 00:00:18,880 Speaker 2: That too? 7 00:00:19,000 --> 00:00:21,880 Speaker 3: Happy? Helloween? Are you fucking scared today, fellas? 8 00:00:21,960 --> 00:00:24,400 Speaker 2: Yeah, freak out. I'm freaked out. Some kids are going 9 00:00:24,480 --> 00:00:26,799 Speaker 2: to come begging for bloody lollies. 10 00:00:26,960 --> 00:00:30,160 Speaker 3: You hate you do hate kids. I've noticed my kids, 11 00:00:30,680 --> 00:00:31,080 Speaker 3: that's all. 12 00:00:31,560 --> 00:00:33,240 Speaker 1: Do you say I want to have the track? 13 00:00:33,960 --> 00:00:34,640 Speaker 2: Yeah, I have the truck. 14 00:00:34,720 --> 00:00:35,480 Speaker 3: Please, I have the track. 15 00:00:35,520 --> 00:00:36,839 Speaker 1: No, kids come with the truck anymore. 16 00:00:36,920 --> 00:00:38,240 Speaker 2: I don't know what they're talking about. 17 00:00:38,280 --> 00:00:39,440 Speaker 3: You got a present for tricking a kid? 18 00:00:39,440 --> 00:00:42,160 Speaker 2: These days you would No, No, you don't trick the kids. 19 00:00:42,640 --> 00:00:43,760 Speaker 2: The kid tricks, kid. 20 00:00:43,600 --> 00:00:45,960 Speaker 1: Does the trick on you. That's a trick or treat. 21 00:00:46,240 --> 00:00:48,040 Speaker 1: And then you decide whether you want the trick or 22 00:00:48,080 --> 00:00:50,240 Speaker 1: the treat, and if you want to give them the treat, 23 00:00:50,280 --> 00:00:52,080 Speaker 1: you give them the treat. Otherwise you take the track, 24 00:00:52,520 --> 00:00:54,040 Speaker 1: so you can't tell them the puss off. You've gotta 25 00:00:54,200 --> 00:00:56,160 Speaker 1: gotta get ready in that moment you get ready for 26 00:00:56,200 --> 00:00:57,000 Speaker 1: the for the track. 27 00:00:57,400 --> 00:00:59,680 Speaker 3: Can you not go, I choose trick your little fuck 28 00:00:59,720 --> 00:01:01,120 Speaker 3: and then give them a head or something. 29 00:01:01,600 --> 00:01:04,880 Speaker 1: No? No, no, they can smake you on the at 30 00:01:04,880 --> 00:01:07,200 Speaker 1: that point. Oh that is that having to go? Yeah, 31 00:01:07,240 --> 00:01:10,280 Speaker 1: they're allowed to. You're powerless. You just stand on your doorstep. 32 00:01:10,360 --> 00:01:12,039 Speaker 2: That's not much of a trick, though, was it? 33 00:01:12,280 --> 00:01:13,840 Speaker 1: The punch in the face? 34 00:01:13,920 --> 00:01:15,560 Speaker 4: Good trek would be if you had any of those 35 00:01:15,600 --> 00:01:17,600 Speaker 4: render lollies and gave those to some of the kids. 36 00:01:18,880 --> 00:01:22,080 Speaker 1: Trck and a treat. Here's a myth lolly suck on there. 37 00:01:22,360 --> 00:01:25,360 Speaker 2: No, I've got some riddler at my house. I'm just 38 00:01:25,360 --> 00:01:26,479 Speaker 2: going to hand that out to them. 39 00:01:26,520 --> 00:01:31,360 Speaker 3: Oh yeah, stoked parents, they probably will bell just be 40 00:01:31,400 --> 00:01:34,559 Speaker 3: running up and down the streets and pontibly on you. No, 41 00:01:34,760 --> 00:01:36,600 Speaker 3: not on me doing a podcast on riddling. I think 42 00:01:36,600 --> 00:01:39,120 Speaker 3: we're already chilly enough. It'll be Shall we do a 43 00:01:39,160 --> 00:01:40,880 Speaker 3: podcast stone one day? Can I say that? 44 00:01:41,959 --> 00:01:44,880 Speaker 1: Yeah, you can be stoned. There's no wrong that it's legal. 45 00:01:46,000 --> 00:01:46,640 Speaker 2: Maybe we're legal. 46 00:01:46,680 --> 00:01:48,000 Speaker 3: We should do that one day, fellas. 47 00:01:48,080 --> 00:01:50,000 Speaker 1: It's weird, but it's actually yeah, it's legal. 48 00:01:50,640 --> 00:01:51,040 Speaker 2: It's legal. 49 00:01:51,800 --> 00:01:54,480 Speaker 1: You can get it. You get a prescription. Yeah, you 50 00:01:54,480 --> 00:01:57,680 Speaker 1: get a prescription and it arrives at your bloody doorsteps. Yeah, 51 00:01:57,760 --> 00:01:58,440 Speaker 1: quite out of it. 52 00:01:58,480 --> 00:02:00,720 Speaker 2: Actually, can we do it the day that the Crisco 53 00:02:00,760 --> 00:02:01,520 Speaker 2: Hamber arrived. 54 00:02:02,560 --> 00:02:05,800 Speaker 1: I don't think it'll be a very good podcast, really no, 55 00:02:06,040 --> 00:02:08,880 Speaker 1: not that we ever do a good podcast. I think 56 00:02:08,880 --> 00:02:09,920 Speaker 1: it'll be really bad. 57 00:02:11,280 --> 00:02:14,920 Speaker 2: So I'm not much of a fumana user myself neither. 58 00:02:15,040 --> 00:02:19,720 Speaker 2: But one time, it's not true math. One time when 59 00:02:19,760 --> 00:02:22,640 Speaker 2: I was about your age, actually, Mesh, I was at 60 00:02:22,680 --> 00:02:25,520 Speaker 2: a barbecue and then someone that went around and had 61 00:02:25,560 --> 00:02:27,680 Speaker 2: a bit of that, and then everyone kind of crashed 62 00:02:27,680 --> 00:02:30,840 Speaker 2: out and I was in I went to sleep in 63 00:02:30,880 --> 00:02:34,560 Speaker 2: the lounge with all the leftover food, and I almost 64 00:02:34,800 --> 00:02:36,000 Speaker 2: ate myself to death. 65 00:02:36,480 --> 00:02:38,200 Speaker 3: Something else that is something else. 66 00:02:38,360 --> 00:02:39,880 Speaker 2: It was there was so much food. It's a big, 67 00:02:39,880 --> 00:02:43,960 Speaker 2: big barbecue. Everybody bought something. I almost died the amount 68 00:02:43,960 --> 00:02:46,679 Speaker 2: of food. I ate that where they call you the Labrador, Honestly, 69 00:02:47,000 --> 00:02:49,720 Speaker 2: I couldn't stop, and I was just having the best time, 70 00:02:49,800 --> 00:02:52,600 Speaker 2: and in the morning I just felt like I'd eaten 71 00:02:52,639 --> 00:02:53,040 Speaker 2: a house. 72 00:02:53,160 --> 00:02:58,160 Speaker 3: From what I've heard about the fas is that that 73 00:02:58,400 --> 00:03:01,079 Speaker 3: is what happens at first, because you think I think 74 00:03:01,120 --> 00:03:02,799 Speaker 3: you pointed it out to me. What Jerry, is that 75 00:03:02,880 --> 00:03:04,680 Speaker 3: when you first get into the fucking unders again, from 76 00:03:04,680 --> 00:03:07,280 Speaker 3: what I've heard is you'll eat quite a lot because 77 00:03:07,280 --> 00:03:09,919 Speaker 3: you know it's a new feeling, and then actually about 78 00:03:09,919 --> 00:03:11,720 Speaker 3: six months and you'll go the complete opposite way. So 79 00:03:11,760 --> 00:03:14,560 Speaker 3: stoners will actually get quite large, and then they start 80 00:03:14,680 --> 00:03:16,919 Speaker 3: showing signs of an addictive personality. And then it almost 81 00:03:16,919 --> 00:03:18,880 Speaker 3: became just getting high all the time. So then Stone 82 00:03:18,960 --> 00:03:21,160 Speaker 3: is quite hard core. Stones is ended up getting really skinny. 83 00:03:21,160 --> 00:03:24,600 Speaker 1: Again, you've lost a lot of weight, Yep, seemed to 84 00:03:24,600 --> 00:03:26,520 Speaker 1: have lost a lot of weight, Mash. I remember the 85 00:03:26,520 --> 00:03:27,959 Speaker 1: first time I got Stone, all of a sudden, I 86 00:03:28,000 --> 00:03:30,520 Speaker 1: got the munchies, and I remember like, wow, this is 87 00:03:30,600 --> 00:03:33,160 Speaker 1: really quite a weird feeling. I was so hungry, and 88 00:03:33,280 --> 00:03:36,520 Speaker 1: one of the guys that where we were ended up 89 00:03:36,760 --> 00:03:40,640 Speaker 1: trying to cock up the cat's meat and eat the 90 00:03:40,640 --> 00:03:42,920 Speaker 1: cat's meat. It was like gravy beef or something. Yeah, 91 00:03:42,920 --> 00:03:45,240 Speaker 1: I'd probably have been absolutely starving. 92 00:03:46,400 --> 00:03:49,040 Speaker 3: Oh, I see what you were saying there. I thought 93 00:03:49,120 --> 00:03:50,480 Speaker 3: you meant cat meat. 94 00:03:50,880 --> 00:03:52,920 Speaker 1: Well, it was the cat's meat, but it was gravy, 95 00:03:52,960 --> 00:03:54,960 Speaker 1: but it was little bits of gravy beef, so it 96 00:03:55,040 --> 00:03:55,520 Speaker 1: was edible. 97 00:03:55,640 --> 00:03:58,680 Speaker 2: Well, if you talk to you know, people who indulge 98 00:03:58,680 --> 00:04:00,920 Speaker 2: in that a lot, they have of the best flavor 99 00:04:00,920 --> 00:04:03,560 Speaker 2: combinations that you would never think of, like like blue 100 00:04:03,600 --> 00:04:05,040 Speaker 2: cheese and a digestive biscuit. 101 00:04:05,360 --> 00:04:07,680 Speaker 3: They look stones know their way around a cabo hydrate. 102 00:04:07,720 --> 00:04:11,119 Speaker 2: They do. I had a friend, Big Stoner. He liked 103 00:04:12,400 --> 00:04:16,159 Speaker 2: what you called him, a big stoner. That was his name, Steve, Steve. 104 00:04:17,279 --> 00:04:20,920 Speaker 2: And here we start with this shadow. Well, he used 105 00:04:20,960 --> 00:04:24,760 Speaker 2: to dip munchos and barbecue sauce. It's good. 106 00:04:25,320 --> 00:04:29,000 Speaker 4: Oh right, the black munchoes or the red munchoes. 107 00:04:31,160 --> 00:04:34,360 Speaker 1: Manchos, Manchos, careful with that accent, mate. 108 00:04:34,360 --> 00:04:37,039 Speaker 3: There was a Ziggers a muncht Oh, Jesus, you're going 109 00:04:37,080 --> 00:04:37,440 Speaker 3: to prison. 110 00:04:38,600 --> 00:04:41,680 Speaker 2: And then mal Moninger pops up having an abundance. Oh no, 111 00:04:46,080 --> 00:04:48,200 Speaker 2: there was Super Grind of Super Group's biggest hits. 112 00:04:48,240 --> 00:04:48,839 Speaker 3: Why were they? 113 00:04:50,080 --> 00:04:55,040 Speaker 1: There was a Marchet. I don't know who Zigger is? 114 00:04:55,040 --> 00:04:57,720 Speaker 3: A Munchet it was Feller always confused me. 115 00:04:58,080 --> 00:04:59,360 Speaker 2: Why was Melmneger there? 116 00:05:00,160 --> 00:05:03,160 Speaker 1: And then then the man said, if you're looking for 117 00:05:03,200 --> 00:05:04,880 Speaker 1: a monch, who's hurt of the bunch? 118 00:05:05,440 --> 00:05:06,400 Speaker 2: So that's true. 119 00:05:06,480 --> 00:05:09,040 Speaker 1: Where's the Mancho's We've had it before. I know, I 120 00:05:09,040 --> 00:05:10,240 Speaker 1: think we've got them in the system. 121 00:05:10,320 --> 00:05:12,640 Speaker 3: Ishi, Yeah, unfortunately, things in the system. 122 00:05:12,920 --> 00:05:15,599 Speaker 1: The podcast that was a ziguz a Mancho. 123 00:05:16,120 --> 00:05:18,560 Speaker 2: It was just the most nineties thing of all time. 124 00:05:18,640 --> 00:05:22,240 Speaker 2: That's the biggest nineties the band super Groove and put 125 00:05:22,240 --> 00:05:27,560 Speaker 2: the biggest nineties sports star arguably mal Maninger. Let's put 126 00:05:27,560 --> 00:05:28,120 Speaker 2: the two together. 127 00:05:29,200 --> 00:05:32,640 Speaker 4: Manchoos on YouTube there, MESHI, Oh yeah, what's it called 128 00:05:32,720 --> 00:05:38,240 Speaker 4: Young Fellata Moncho's nineteen ninety two TVC featuring Super Groove shows. 129 00:05:38,279 --> 00:05:40,400 Speaker 3: Okay, here we got a team. Everyone just stand down, 130 00:05:40,520 --> 00:05:41,120 Speaker 3: ready to go. 131 00:05:41,240 --> 00:05:43,960 Speaker 1: After playing we're hanging loose. We were working for the Goose. 132 00:05:44,320 --> 00:05:47,160 Speaker 1: It was Goose. There was a rumble going down. There 133 00:05:47,160 --> 00:05:48,240 Speaker 1: was a marcho. 134 00:05:48,640 --> 00:05:51,240 Speaker 4: Supergroove played an ad agency Christmas party and then they 135 00:05:51,279 --> 00:05:55,760 Speaker 4: got the ad starring Australian league legend Malmninger. 136 00:05:55,640 --> 00:05:57,559 Speaker 3: Also hang on. So these guys were playing a Christmas 137 00:05:57,600 --> 00:05:59,240 Speaker 3: party and they thought these guys are so good that 138 00:05:59,279 --> 00:06:01,760 Speaker 3: we should use the in an ad for us. And 139 00:06:01,800 --> 00:06:03,719 Speaker 3: then you know, flash forward two and a half months. 140 00:06:03,760 --> 00:06:05,320 Speaker 3: You've got much. 141 00:06:05,240 --> 00:06:07,760 Speaker 1: Were hanging loose, Well, we're working for Ghost. That was 142 00:06:07,800 --> 00:06:10,440 Speaker 1: a rumble going down. That was azi as a march. 143 00:06:11,000 --> 00:06:11,839 Speaker 1: That's all I remember. 144 00:06:17,839 --> 00:06:18,760 Speaker 5: We were hanging. 145 00:06:18,560 --> 00:06:26,359 Speaker 6: Looking humble, going. 146 00:06:27,360 --> 00:06:30,440 Speaker 5: When you're spoiling for a bike, start. 147 00:06:30,240 --> 00:06:34,840 Speaker 1: A ground more, start along, you know what I mean. 148 00:06:37,200 --> 00:06:41,720 Speaker 1: It's beastie boys, it's very Beastie boys. Yeah, ill communication. 149 00:06:42,360 --> 00:06:46,840 Speaker 2: Yeah, I think Carl Stevens, Carl Stephens very influenced by 150 00:06:47,800 --> 00:06:51,919 Speaker 2: by Mike d Yeah, from the beast as everybody was 151 00:06:51,920 --> 00:06:54,680 Speaker 2: in nineteen years that nasal kind of wrapping love it. 152 00:06:54,920 --> 00:06:57,040 Speaker 3: Yeah, could we have another listen to the first ten 153 00:06:57,080 --> 00:06:59,400 Speaker 3: seconds of this because who was working? 154 00:06:59,440 --> 00:07:00,599 Speaker 1: Why were they were looking for Goose? 155 00:07:00,720 --> 00:07:03,040 Speaker 3: Yeah, I think I just want to double check those 156 00:07:03,080 --> 00:07:05,440 Speaker 3: lyrics because I think we might have those rock something. 157 00:07:05,560 --> 00:07:08,120 Speaker 1: Zigg is a muncho. Actually, zigg is a muncho. 158 00:07:08,440 --> 00:07:11,160 Speaker 3: No, I think it's Actually it was the sickest of munchies. 159 00:07:11,600 --> 00:07:13,200 Speaker 1: It was the sikest that manche. 160 00:07:23,360 --> 00:07:26,040 Speaker 3: We were hanging loose. We were working for Goose. 161 00:07:26,120 --> 00:07:30,760 Speaker 1: They're definitely working for the goat is ithost, They were 162 00:07:30,760 --> 00:07:33,480 Speaker 1: definitely working for Ghost. That's the dude that used to 163 00:07:33,560 --> 00:07:35,720 Speaker 1: hang out and high straight back in the nineties. 164 00:07:37,320 --> 00:07:39,760 Speaker 3: Yeah, so we're all hanging lace. We were working for Goose. Yeah, 165 00:07:40,240 --> 00:07:41,400 Speaker 3: what happened to him? I thought he died in that 166 00:07:41,440 --> 00:07:41,920 Speaker 3: plane craft. 167 00:07:42,000 --> 00:07:42,520 Speaker 1: That's different. 168 00:07:44,160 --> 00:07:46,200 Speaker 3: Yeah, we all mourned in our toddy wadies leaning over 169 00:07:46,200 --> 00:07:48,960 Speaker 3: a sink with their friend came in and look at us. Anyway, 170 00:07:49,280 --> 00:07:50,280 Speaker 3: we were hanging loose. 171 00:07:50,960 --> 00:07:51,680 Speaker 1: I'm sorry. 172 00:07:51,800 --> 00:07:53,120 Speaker 3: I'm looking at the captions here to see if it 173 00:07:53,120 --> 00:07:55,120 Speaker 3: will help us. But that's not right, not right. 174 00:07:56,960 --> 00:07:57,400 Speaker 2: We were hanging. 175 00:07:57,480 --> 00:07:58,960 Speaker 1: Let's start again, start again from the top. 176 00:07:59,840 --> 00:08:04,320 Speaker 3: I mean. 177 00:08:07,720 --> 00:08:12,880 Speaker 5: We were hanging. Look bless them? 178 00:08:15,040 --> 00:08:17,160 Speaker 1: It was the does chaff say? 179 00:08:17,160 --> 00:08:20,480 Speaker 2: Then? It was us against the monchies. 180 00:08:20,880 --> 00:08:24,640 Speaker 1: It was also against the monkey that this is quite 181 00:08:24,640 --> 00:08:26,520 Speaker 1: a good lyric. They were working for Goose. It was 182 00:08:26,640 --> 00:08:27,960 Speaker 1: us against the munche. 183 00:08:32,720 --> 00:08:33,280 Speaker 5: We were hanging. 184 00:08:33,440 --> 00:08:42,560 Speaker 6: Look bless the Chaffo a master. 185 00:08:42,880 --> 00:08:46,319 Speaker 1: Yeah, that's actually a good lyric. That Chaff's best work. 186 00:08:46,400 --> 00:08:49,680 Speaker 1: I mean he's done great things obviously after that. But 187 00:08:49,720 --> 00:08:52,760 Speaker 1: there was a scroll for them that is good from Chaffo. 188 00:08:52,920 --> 00:08:54,880 Speaker 1: That's why he went on to hire honors. 189 00:08:54,880 --> 00:08:59,160 Speaker 3: The other day, when I was doing the the first opener, 190 00:08:59,640 --> 00:09:05,120 Speaker 3: chauffeur was performing pre match, and I don't think he 191 00:09:05,160 --> 00:09:07,920 Speaker 3: expected a twenty five year old guy to come up 192 00:09:07,920 --> 00:09:11,080 Speaker 3: to him and ask about the Mancho's head from France 193 00:09:11,720 --> 00:09:13,240 Speaker 3: from the nineties. And I see that. 194 00:09:13,679 --> 00:09:16,240 Speaker 1: You know, God, you were good in the Manchos. 195 00:09:16,280 --> 00:09:18,520 Speaker 3: This film is like, you might be upset by this, mister, 196 00:09:18,960 --> 00:09:20,880 Speaker 3: I said, mister, you might be upset by this, but 197 00:09:21,559 --> 00:09:23,640 Speaker 3: I actually I think you'd be a song as as 198 00:09:23,720 --> 00:09:26,319 Speaker 3: you know, the sigust of munchies to be grieve. And 199 00:09:26,360 --> 00:09:28,600 Speaker 3: then he now knowing that it doesn't say this, now 200 00:09:28,720 --> 00:09:30,280 Speaker 3: knowing that it is there of monkeys. 201 00:09:30,320 --> 00:09:32,520 Speaker 2: Yeah, it was us against them. 202 00:09:32,840 --> 00:09:35,599 Speaker 1: It was also good to munchees. I always thought that 203 00:09:35,760 --> 00:09:39,320 Speaker 1: was it didn't really make any hands, but it just 204 00:09:39,360 --> 00:09:40,680 Speaker 1: sounded like that was cool. 205 00:09:40,679 --> 00:09:40,959 Speaker 2: Anyway. 206 00:09:41,040 --> 00:09:42,959 Speaker 3: Cheffer looked at me and then he just kind of 207 00:09:43,000 --> 00:09:44,160 Speaker 3: agnowed that and then moved on. 208 00:09:44,360 --> 00:09:47,040 Speaker 1: Yeah, I'm not surprised. He's a great New Zealander chaffe. 209 00:09:47,120 --> 00:09:49,319 Speaker 2: Yeah. Do you know what I noticed about that as well? 210 00:09:50,200 --> 00:09:52,800 Speaker 2: Mama Inger says when you're spoiling. 211 00:09:52,440 --> 00:09:54,480 Speaker 1: For a bite, when you're spoiling for a boy. 212 00:09:54,360 --> 00:09:56,040 Speaker 2: So a key. We would never say bite, they'd say 213 00:09:56,040 --> 00:10:00,120 Speaker 2: a feet when you're spoiling for a bite, yeah, he 214 00:10:00,200 --> 00:10:02,440 Speaker 2: we would say when you're spoiling for a feed. 215 00:10:03,120 --> 00:10:07,280 Speaker 1: But it wasn't an Australian ad no, I know living 216 00:10:07,320 --> 00:10:07,959 Speaker 1: that Melbourne. 217 00:10:08,080 --> 00:10:10,000 Speaker 2: No, it's a strange that they went with that. Maybe 218 00:10:10,040 --> 00:10:11,880 Speaker 2: they tried to get him to say feed and he went, 219 00:10:11,960 --> 00:10:12,760 Speaker 2: what does that mean. 220 00:10:12,640 --> 00:10:16,360 Speaker 1: When you're spoiling for a foid? Yeah, foid? You can't 221 00:10:16,360 --> 00:10:16,920 Speaker 1: say foid. 222 00:10:17,000 --> 00:10:18,600 Speaker 2: I don't say they. I don't think they say feed 223 00:10:18,640 --> 00:10:20,760 Speaker 2: because there's a rhyme in it? Is that one? Is 224 00:10:20,760 --> 00:10:21,920 Speaker 2: there a rhyme we'll probably. 225 00:10:21,640 --> 00:10:25,400 Speaker 1: Find when you're spoiling for a bike, put your stomach. 226 00:10:25,160 --> 00:10:27,760 Speaker 2: Right, spoiling for? What does that mean? Well, you know 227 00:10:27,800 --> 00:10:29,199 Speaker 2: he's spoiling for something you're wanting. 228 00:10:29,679 --> 00:10:31,559 Speaker 4: Yeah, spoiling is not quite right. When was the last 229 00:10:31,600 --> 00:10:32,360 Speaker 4: time you used that phrase? 230 00:10:32,400 --> 00:10:32,640 Speaker 2: Many? 231 00:10:32,800 --> 00:10:34,880 Speaker 1: Never spoiling for? It was written by an ad guy, 232 00:10:35,000 --> 00:10:44,240 Speaker 1: wasn't it. 233 00:10:44,640 --> 00:10:44,880 Speaker 6: Going? 234 00:10:45,880 --> 00:10:52,360 Speaker 5: What's about when you're spoiling for a bike? 235 00:10:53,800 --> 00:10:59,760 Speaker 3: Wrong? Has got headphones on his Yeah, look what was 236 00:10:59,840 --> 00:11:00,640 Speaker 3: it on his head? 237 00:11:00,640 --> 00:11:03,120 Speaker 1: What sort of Hydrius's melment anger wear? You wearing a 238 00:11:03,160 --> 00:11:03,640 Speaker 1: hard hat? 239 00:11:04,240 --> 00:11:05,720 Speaker 5: Yeah, he's spoiling for a bike? 240 00:11:05,800 --> 00:11:07,160 Speaker 3: What the funk is he wearing? 241 00:11:07,360 --> 00:11:09,800 Speaker 2: He's wearing some Is that a hard hat? It was 242 00:11:09,840 --> 00:11:10,720 Speaker 2: the rhyme because it was. 243 00:11:13,520 --> 00:11:16,800 Speaker 1: All right to put the snakes put your stomach right. 244 00:11:16,960 --> 00:11:19,440 Speaker 2: But you could that? Could you know they put the snakes? 245 00:11:19,440 --> 00:11:23,319 Speaker 2: That's what your stomach need? Spoiling for a fee? 246 00:11:23,400 --> 00:11:27,200 Speaker 1: Yeah, stomach need your stomach blak shop orders. 247 00:11:27,200 --> 00:11:28,000 Speaker 2: Don't worry about that. 248 00:11:28,160 --> 00:11:29,400 Speaker 3: Okay, let's take a break. 249 00:11:40,440 --> 00:11:42,679 Speaker 1: The podcast ends up. 250 00:11:44,280 --> 00:11:45,319 Speaker 3: Did you say welcome back? 251 00:11:45,360 --> 00:11:47,240 Speaker 1: To the podcast or is that welcome back to the 252 00:11:47,280 --> 00:11:48,640 Speaker 1: unnamed podcast? 253 00:11:49,160 --> 00:11:51,240 Speaker 3: The unnamed podcast is actually catching on anyway. We were 254 00:11:51,280 --> 00:12:06,080 Speaker 3: weak with thechos. Actually we listened to it again and anger. Sorry, 255 00:12:06,160 --> 00:12:07,640 Speaker 3: I actually don't even know that. 256 00:12:07,720 --> 00:12:11,760 Speaker 1: So it was us against the munches. When he started stopping. 257 00:12:11,400 --> 00:12:13,800 Speaker 3: At the cut from the top and walked me through this, it. 258 00:12:13,880 --> 00:12:17,800 Speaker 1: Was we were hanging sake, men, I know, I'm going backwards. 259 00:12:17,800 --> 00:12:19,959 Speaker 1: We're hanging loads. We were working for Goose. There was 260 00:12:19,960 --> 00:12:24,960 Speaker 1: a rumble going down. Are the munchies guy with it? 261 00:12:25,080 --> 00:12:27,280 Speaker 2: We're grim we were working for Goose. 262 00:12:27,320 --> 00:12:29,440 Speaker 1: And that's just when the when the man walked down 263 00:12:29,520 --> 00:12:34,560 Speaker 1: and said, noting plutonic relationships like my man, Mike Plato, 264 00:12:34,800 --> 00:12:35,240 Speaker 1: Oh my god. 265 00:12:35,240 --> 00:12:36,599 Speaker 3: People are gonna have to jump on the conclave of 266 00:12:36,640 --> 00:12:39,079 Speaker 3: the Facebook. How to you brief a discussion group and 267 00:12:39,559 --> 00:12:41,600 Speaker 3: talk about this, because I don't I'm not convinced that 268 00:12:41,640 --> 00:12:44,600 Speaker 3: actually says working for Goose. There, it doesn't is working 269 00:12:44,600 --> 00:12:47,120 Speaker 3: for Goose something about Coots, but you. 270 00:12:47,080 --> 00:12:49,360 Speaker 1: Know it's not working for Rossell Cooks. I was working 271 00:12:49,360 --> 00:12:50,160 Speaker 1: for Rossell Coots. 272 00:12:51,800 --> 00:12:53,240 Speaker 3: I mean, was he how do we not know? 273 00:12:53,440 --> 00:12:54,720 Speaker 2: He wasn't massive In the early. 274 00:12:54,600 --> 00:12:58,400 Speaker 1: Nineties, I was working for Coots? Really, were you working 275 00:12:58,440 --> 00:13:00,880 Speaker 1: on his farm up on the Bloody you know where 276 00:13:00,920 --> 00:13:02,880 Speaker 1: Nadia's Nadia lumps. 277 00:13:02,520 --> 00:13:04,240 Speaker 2: Up there and they are they neighbors? 278 00:13:04,320 --> 00:13:14,400 Speaker 6: Yeah, we were hanging looks. 279 00:13:16,000 --> 00:13:21,240 Speaker 5: What's about when you're spoiling for a bike. 280 00:13:21,320 --> 00:13:26,080 Speaker 4: Your stomach around, your stomach along with you know what 281 00:13:26,080 --> 00:13:26,360 Speaker 4: I mean? 282 00:13:26,400 --> 00:13:30,160 Speaker 3: That's Supergroup's best word, when your stomach rumbles, you know 283 00:13:30,200 --> 00:13:30,640 Speaker 3: what I mean? 284 00:13:30,800 --> 00:13:32,600 Speaker 1: So good from Karl ste And by the way, it 285 00:13:32,640 --> 00:13:35,520 Speaker 1: does not so Goose at one hundred percents, it's good. 286 00:13:36,000 --> 00:13:37,040 Speaker 2: I'm leaving to men. 287 00:13:37,240 --> 00:13:38,800 Speaker 3: I think it's his Coats, thank you. 288 00:13:38,840 --> 00:13:40,960 Speaker 2: No, I think it's Jerry. 289 00:13:42,679 --> 00:13:51,080 Speaker 1: Coats. Maybe it's Coats Mercedes and we were hanging look, 290 00:13:52,760 --> 00:13:56,840 Speaker 1: oh it's Coats. It's Coats Mercedes, and there's Coats Mercedes 291 00:13:56,880 --> 00:13:59,120 Speaker 1: and new Market. It was around in the eighties, it 292 00:13:59,120 --> 00:14:00,280 Speaker 1: was around in the nineties in this. 293 00:14:00,240 --> 00:14:05,679 Speaker 4: Week, hanging loose working for Coats, for Coats, like cleaning. 294 00:14:05,280 --> 00:14:06,040 Speaker 1: Cars and stuff. 295 00:14:06,080 --> 00:14:08,040 Speaker 3: Where the funk were they working for Goose? Mate? 296 00:14:08,640 --> 00:14:11,000 Speaker 1: I think I thought it was Goose, but it could 297 00:14:11,040 --> 00:14:11,920 Speaker 1: be Coats. 298 00:14:13,120 --> 00:14:14,480 Speaker 2: Why couldn't it be Russell Coats? 299 00:14:14,559 --> 00:14:20,000 Speaker 1: Was Russell Coats had just won a Bloody? He was 300 00:14:20,040 --> 00:14:21,960 Speaker 1: not even in the America's Cup, that. 301 00:14:22,040 --> 00:14:23,920 Speaker 2: He'd won a gold, he'd won a gold at the Olympic. 302 00:14:24,000 --> 00:14:26,440 Speaker 1: Yeah, but he didn't have he didn't have any employees. 303 00:14:27,320 --> 00:14:30,040 Speaker 1: It was Coats, Mercedes have a lot Coats. 304 00:14:31,160 --> 00:14:34,040 Speaker 2: No, he was leading up to the ninety ninety five 305 00:14:34,080 --> 00:14:36,080 Speaker 2: America's Cup victory. 306 00:14:35,760 --> 00:14:40,240 Speaker 1: Coats Mercedes benz Auckland and Newmarket in mie Cell Luxury 307 00:14:40,280 --> 00:14:41,760 Speaker 1: Performance Mercedes Bens. 308 00:14:41,840 --> 00:14:47,040 Speaker 2: In nineteen ninety two he won the I I Why 309 00:14:47,360 --> 00:14:51,560 Speaker 2: Are You Match Racing World Championship in Long Beach in California. 310 00:14:51,640 --> 00:14:53,840 Speaker 1: Didn't have any employees unless they were working at a 311 00:14:53,880 --> 00:14:56,440 Speaker 1: sailing shop, and I'm pretty sure he didn't run a 312 00:14:56,480 --> 00:15:01,880 Speaker 1: sailing shop. Maybe he was just work for Coats Mercedes. 313 00:15:02,600 --> 00:15:05,920 Speaker 1: But you couldn't say that because if you were working 314 00:15:05,960 --> 00:15:08,240 Speaker 1: for Coats cleaning cars and moving cars around the yard 315 00:15:08,280 --> 00:15:09,600 Speaker 1: and stuff, you'd be bloody hungry. 316 00:15:09,680 --> 00:15:13,800 Speaker 2: Maybe it's old Coats, old man Coats. No, No, just 317 00:15:13,880 --> 00:15:18,760 Speaker 2: like you know sometimes. 318 00:15:18,920 --> 00:15:20,080 Speaker 3: Yeah, I think it could be it. 319 00:15:20,200 --> 00:15:22,400 Speaker 1: Yeah, I was working for Coats. 320 00:15:22,720 --> 00:15:26,480 Speaker 4: Guys. I've got cal Stephen's number. I just realized I've 321 00:15:26,520 --> 00:15:29,320 Speaker 4: got his number. We could call him, we could try 322 00:15:29,360 --> 00:15:31,600 Speaker 4: and call him. 323 00:15:31,760 --> 00:15:34,680 Speaker 1: Yeah, sure, let's do it. I mean I'm slightly concerned 324 00:15:34,720 --> 00:15:35,960 Speaker 1: for poor Carl Stephen. 325 00:15:36,000 --> 00:15:37,360 Speaker 4: I don't know if you'll pick up, but I've got 326 00:15:37,360 --> 00:15:38,000 Speaker 4: a number for him. 327 00:15:38,000 --> 00:15:41,760 Speaker 2: I think he's very very shy, nice good value. Is 328 00:15:41,920 --> 00:15:42,600 Speaker 2: he sure? Right? 329 00:15:44,520 --> 00:15:47,440 Speaker 1: And we're back And we tried to go Cal a call, 330 00:15:47,520 --> 00:15:50,400 Speaker 1: and wisely he didn't answer because it's coming. It'll come 331 00:15:50,400 --> 00:15:51,440 Speaker 1: through as a block number. 332 00:15:51,560 --> 00:15:53,000 Speaker 3: Just do you want to just flick him a text 333 00:15:53,640 --> 00:15:55,960 Speaker 3: and just go, hey, Cal, look a lot. We're just 334 00:15:56,000 --> 00:15:58,960 Speaker 3: discussing that, of course once more than nineteen ninety two much. 335 00:15:58,960 --> 00:16:00,560 Speaker 3: I was ed this morning on the had him on the. 336 00:16:00,520 --> 00:16:02,360 Speaker 1: Show before talking about this Mancho's head. 337 00:16:02,680 --> 00:16:03,960 Speaker 3: It's ringing bowels, isn't it. 338 00:16:04,000 --> 00:16:06,520 Speaker 1: He's mates, he's good mates with may I know him. 339 00:16:06,360 --> 00:16:11,200 Speaker 2: And yeah, Heath and mates about shah Shale. We're gonna 340 00:16:11,200 --> 00:16:13,720 Speaker 2: show anyone got Chefoo's number number? 341 00:16:14,320 --> 00:16:15,920 Speaker 3: I don't say it a nice week. 342 00:16:16,000 --> 00:16:18,040 Speaker 1: What about Double Jay and Twice the Ta they might 343 00:16:18,080 --> 00:16:21,600 Speaker 1: know they we only got Double Jay and Twice the 344 00:16:21,600 --> 00:16:24,240 Speaker 1: T's number hang on his head? Have I got Otis? 345 00:16:24,240 --> 00:16:27,400 Speaker 1: Maybe I was gonna say otis Otis Frazell I might have. 346 00:16:27,920 --> 00:16:29,520 Speaker 3: I know you're from Double Jay and Twice the Tea. 347 00:16:29,520 --> 00:16:30,960 Speaker 3: But any chance to us. You know the lyrics for 348 00:16:30,960 --> 00:16:32,720 Speaker 3: the nineteen ninety two manchos ad. Is that kind of 349 00:16:32,720 --> 00:16:34,160 Speaker 3: how you're going to that's gonna be that kind of 350 00:16:34,200 --> 00:16:34,880 Speaker 3: line of questioning. 351 00:16:35,400 --> 00:16:40,720 Speaker 2: Otis what about the trumpet player or whatever sex player 352 00:16:40,880 --> 00:16:43,960 Speaker 2: from Supergroup? Maybe he'll know what if the old he knows? 353 00:16:44,400 --> 00:16:46,160 Speaker 3: I think if we just win it, I think car 354 00:16:46,200 --> 00:16:47,480 Speaker 3: Stevens is the way to go is if we can 355 00:16:47,560 --> 00:16:50,080 Speaker 3: any kind of lyrics lyrics sheet sent back twice would 356 00:16:50,080 --> 00:16:51,800 Speaker 3: be great to have just an official copy because I've 357 00:16:51,800 --> 00:16:53,520 Speaker 3: been switching it up as we've been discussing this and 358 00:16:53,880 --> 00:16:56,240 Speaker 3: he might not know anymore. Lyrics don't exist. 359 00:16:56,560 --> 00:17:02,160 Speaker 2: I reckon, I don't have Chaffoo's number. Who else was 360 00:17:02,200 --> 00:17:02,680 Speaker 2: in the band? 361 00:17:02,960 --> 00:17:04,840 Speaker 1: Who's the most fair? This is a good game to play. 362 00:17:04,840 --> 00:17:06,919 Speaker 1: Who's the most famous person? You've got on your phone? 363 00:17:07,200 --> 00:17:12,359 Speaker 2: You probably this used to be quite good game. 364 00:17:12,440 --> 00:17:14,920 Speaker 1: Yeah, I've got just Sinda Dune's phone number. 365 00:17:16,840 --> 00:17:18,119 Speaker 3: It's there you go. 366 00:17:18,440 --> 00:17:19,160 Speaker 2: Yeah, I do too. 367 00:17:19,320 --> 00:17:20,200 Speaker 3: I don't know why I'd use it. 368 00:17:20,240 --> 00:17:21,800 Speaker 2: I've got Damien Christie's phone number. 369 00:17:22,160 --> 00:17:23,439 Speaker 3: This is a fun game. He used to be on 370 00:17:23,480 --> 00:17:30,040 Speaker 3: the Hierarchy Breakfast Joseph Joseph Parker Parker, I saw him 371 00:17:30,119 --> 00:17:32,679 Speaker 3: last night. Jesus listening to the what is this just? 372 00:17:32,840 --> 00:17:33,159 Speaker 1: Sorry? 373 00:17:33,720 --> 00:17:37,440 Speaker 3: What is this just? Turned into Tim Soudy? Oh yeah, nice, yep, 374 00:17:37,640 --> 00:17:41,680 Speaker 3: that's quite good. Boulders. Sorry, that's what she saved. Laura McGoldrick. 375 00:17:41,840 --> 00:17:43,200 Speaker 1: I've got Alex Band's number. 376 00:17:44,359 --> 00:17:46,880 Speaker 2: Good, Carlie Flynn, Cali. 377 00:17:48,480 --> 00:17:53,520 Speaker 3: Okay, people, I've got some numbers podcast listeners, get. 378 00:17:53,760 --> 00:17:55,960 Speaker 1: Braves number, Brenda Mcallum, Israel Dag. 379 00:17:56,000 --> 00:18:00,720 Speaker 2: Yeah, I've got Bears his number, Simon Bridges, Will Jordan? 380 00:18:01,880 --> 00:18:03,320 Speaker 1: Have you got Will Jordan's number? 381 00:18:03,480 --> 00:18:06,240 Speaker 3: How'd you get that? We've got at the Black Class 382 00:18:06,240 --> 00:18:07,800 Speaker 3: a couple of months ago we were going to have 383 00:18:07,840 --> 00:18:08,520 Speaker 3: a check on my about. 384 00:18:08,720 --> 00:18:09,880 Speaker 2: I've got Die Hendrid's number. 385 00:18:10,400 --> 00:18:14,440 Speaker 1: I've got Bubba's number. 386 00:18:14,480 --> 00:18:16,600 Speaker 2: Should we give Barbara call? She's always a good time. 387 00:18:16,760 --> 00:18:21,160 Speaker 2: I've got ed Burns number, ye overseas the Feelers. I've 388 00:18:21,160 --> 00:18:22,200 Speaker 2: got this guy on here. 389 00:18:22,200 --> 00:18:24,080 Speaker 1: I don't know who the hell it is. Finn Kendy. 390 00:18:24,160 --> 00:18:26,720 Speaker 4: Who the hell I've got him? I don't know who 391 00:18:26,720 --> 00:18:26,960 Speaker 4: he is. 392 00:18:27,320 --> 00:18:29,520 Speaker 2: We try and call him, guys. I've got both Hamish 393 00:18:29,560 --> 00:18:33,640 Speaker 2: Bennett and Hamish Rutherfords. You've got a lot of cricketers 394 00:18:33,680 --> 00:18:34,640 Speaker 2: on a lot of cricketers. 395 00:18:34,680 --> 00:18:37,920 Speaker 1: John Campbell, Oh, yeah, it's a good number. 396 00:18:37,920 --> 00:18:40,800 Speaker 3: I got Bruce Kearney, my former high school principal. 397 00:18:41,760 --> 00:18:45,920 Speaker 2: Matt Heath, that's a big James McConney. 398 00:18:46,400 --> 00:18:49,320 Speaker 3: M I got ravi esh one here have you? 399 00:18:49,880 --> 00:18:50,080 Speaker 1: Sorry? 400 00:18:50,119 --> 00:18:52,880 Speaker 3: That's one from. 401 00:18:52,440 --> 00:18:56,439 Speaker 2: Different Do you see Griffin's number? You have a lot 402 00:18:56,440 --> 00:18:59,159 Speaker 2: of cricketers, don't I? I did Piete around him. 403 00:18:59,400 --> 00:19:01,600 Speaker 1: I've got just on from classic hits in here. 404 00:19:01,920 --> 00:19:04,520 Speaker 4: On Thane Kirby's on mine next to Jason Carro. 405 00:19:05,000 --> 00:19:05,840 Speaker 2: I've got to thank Boby. 406 00:19:05,920 --> 00:19:11,200 Speaker 3: There, there's good Davor Tory up your j Martin Crow. 407 00:19:11,440 --> 00:19:16,560 Speaker 1: I've got mar who's got that now? Because that's obviously. 408 00:19:16,160 --> 00:19:19,160 Speaker 2: He's no longer with us. Have you got Sir Richards? Yep, 409 00:19:19,520 --> 00:19:20,399 Speaker 2: I've got Sir Richard. 410 00:19:20,440 --> 00:19:21,920 Speaker 3: And there Hayden Wild. 411 00:19:22,440 --> 00:19:26,320 Speaker 2: Oh, I've got TV three, Jerry Wells, sorry, Jesse Mulligan. 412 00:19:26,040 --> 00:19:27,840 Speaker 3: And here TV three Jurmy Wells. 413 00:19:27,920 --> 00:19:29,320 Speaker 1: Jesus, I got Dell. 414 00:19:30,760 --> 00:19:33,560 Speaker 2: For Torri. Here we go, Laura Daniels. 415 00:19:33,760 --> 00:19:37,159 Speaker 1: Is that the D's are a rich vein Debbie? 416 00:19:37,240 --> 00:19:38,240 Speaker 2: I wonder who Debbie is. 417 00:19:38,280 --> 00:19:41,280 Speaker 3: I've got Leon McDonald's number, Why, honesty, have Leo. 418 00:19:41,280 --> 00:19:43,560 Speaker 1: McDonald's Auckland rugby coach. 419 00:19:44,160 --> 00:19:45,000 Speaker 3: You know, I know who he is. 420 00:19:45,480 --> 00:19:48,720 Speaker 1: May know, but because obviously we spoke to him on. 421 00:19:48,680 --> 00:19:51,399 Speaker 3: The show, okay, right, because I remember seeing him. We 422 00:19:51,480 --> 00:19:53,440 Speaker 3: did a little bit on the radio not that long ago. 423 00:19:53,440 --> 00:19:55,240 Speaker 3: But I saw him in Rumors Records Club and and 424 00:19:55,240 --> 00:19:56,520 Speaker 3: I quite like the look of him, so I wanted 425 00:19:56,520 --> 00:19:58,960 Speaker 3: to go into the chat to him. We're not on 426 00:19:59,000 --> 00:20:01,320 Speaker 3: that level yet, but I know to the show. Now 427 00:20:01,359 --> 00:20:04,119 Speaker 3: I found out if got his number, Nathan McCallum, I. 428 00:20:04,160 --> 00:20:09,440 Speaker 4: Got Peter Relich, okay as well, it's got John o' pryor. 429 00:20:08,359 --> 00:20:13,000 Speaker 1: I'll see your Petty Gower raise you and Mark Ellis. 430 00:20:13,359 --> 00:20:16,960 Speaker 3: Yeah, that's pretty good. Why do I have Richard open 431 00:20:16,960 --> 00:20:18,560 Speaker 3: bracket long room owner? Close? 432 00:20:19,280 --> 00:20:23,600 Speaker 2: Richard the long room owner? Nice guy? Shane Thompson. 433 00:20:24,119 --> 00:20:25,200 Speaker 1: Do you got Shane Thomas? 434 00:20:25,200 --> 00:20:28,080 Speaker 2: I saw him in fire Cats and Hamilton once did. Yeah. 435 00:20:29,240 --> 00:20:32,159 Speaker 1: Now I've got to pull the cabinet maker from and 436 00:20:32,240 --> 00:20:34,480 Speaker 1: here if anyone wants any cabinets. 437 00:20:34,800 --> 00:20:35,480 Speaker 2: He's really good. 438 00:20:35,520 --> 00:20:38,520 Speaker 3: He's a good cabinet Shall I see your pull the 439 00:20:38,560 --> 00:20:42,480 Speaker 3: cabinet maker from and raise you a spray around Scotty 440 00:20:42,800 --> 00:20:43,560 Speaker 3: Dank and Ganner. 441 00:20:44,040 --> 00:20:46,600 Speaker 4: I got Dunk, got it? 442 00:20:46,760 --> 00:20:47,480 Speaker 2: I think I've won. 443 00:20:50,800 --> 00:20:51,680 Speaker 3: That's a good one. 444 00:20:51,880 --> 00:20:52,320 Speaker 1: Jesus. 445 00:20:52,760 --> 00:20:54,280 Speaker 2: Now will he pick up? 446 00:20:54,480 --> 00:20:57,960 Speaker 3: That's a heavy header, that's a big one. That's it. 447 00:20:58,080 --> 00:20:59,639 Speaker 3: That's the type of number that you're you don't have 448 00:20:59,640 --> 00:21:01,240 Speaker 3: the comfident Sir Richard Hadley? 449 00:21:01,400 --> 00:21:03,160 Speaker 2: Is he more famous than just cinder adn? 450 00:21:03,840 --> 00:21:07,480 Speaker 3: Is he more famous than Sir Richard Hendley? Tigers? 451 00:21:10,080 --> 00:21:12,639 Speaker 1: Nobody knows who Tiger is? An end of your mate 452 00:21:13,480 --> 00:21:14,200 Speaker 1: Headley is a hero. 453 00:21:14,560 --> 00:21:18,600 Speaker 2: Talk about it, just per head of person, not about 454 00:21:18,640 --> 00:21:19,480 Speaker 2: breadth across. 455 00:21:19,720 --> 00:21:22,960 Speaker 1: If you showed a picture of the person and said 456 00:21:23,000 --> 00:21:25,560 Speaker 1: who is this? I reckon more people know who Sir 457 00:21:25,640 --> 00:21:27,440 Speaker 1: Richard Headley is, then know who Ti. 458 00:21:28,480 --> 00:21:29,200 Speaker 3: There's a fish out? 459 00:21:30,200 --> 00:21:34,280 Speaker 1: Yeah, so maybe more people know Brendan McCallum as well, and. 460 00:21:34,160 --> 00:21:37,440 Speaker 4: That Gary Stead. Lots of people would know Gary Stead. 461 00:21:37,480 --> 00:21:38,800 Speaker 4: Is he bigger than Taker whit Teddy? 462 00:21:39,280 --> 00:21:44,880 Speaker 1: I think Gary Stead is possibly bigger than Taker eyebrows wise, 463 00:21:44,920 --> 00:21:45,800 Speaker 1: I think he definitely is. 464 00:21:46,400 --> 00:21:49,640 Speaker 3: Tiger's quite a small man, Gary, I mean he's coming 465 00:21:49,640 --> 00:21:52,560 Speaker 3: from the short one up these days. Are you right 466 00:21:52,600 --> 00:21:53,200 Speaker 3: over there? Then? 467 00:21:53,400 --> 00:21:57,040 Speaker 2: What are you done? Got to go anyway? 468 00:21:57,119 --> 00:21:59,080 Speaker 1: Okay, So can we get Carl Stephen on the show 469 00:21:59,080 --> 00:22:01,600 Speaker 1: tomorrow to talk to the manchos. 470 00:22:01,400 --> 00:22:06,480 Speaker 2: Can Tiger didn't answer, you know, so to have his 471 00:22:06,560 --> 00:22:07,399 Speaker 2: opinion on it. 472 00:22:07,480 --> 00:22:11,080 Speaker 3: So just to Claire, was that last twenty minutes of 473 00:22:11,080 --> 00:22:16,000 Speaker 3: that podcast there we just read that is disgusting. That's 474 00:22:16,000 --> 00:22:17,399 Speaker 3: actually a low point, boys. 475 00:22:17,240 --> 00:22:19,320 Speaker 2: I think so. Can I just tell you that you're 476 00:22:19,320 --> 00:22:20,840 Speaker 2: still on my phone as Finn. 477 00:22:22,160 --> 00:22:25,480 Speaker 3: Throw back? Yeah, that's nice, thank you? 478 00:22:25,640 --> 00:22:26,520 Speaker 1: What have you? Jerry? 479 00:22:26,520 --> 00:22:29,160 Speaker 2: What have you got Finn Mash? Kenny saved it. I've 480 00:22:29,160 --> 00:22:32,200 Speaker 2: got Finn Mesh Kendy. That's his name on my phone. 481 00:22:33,359 --> 00:22:34,520 Speaker 2: So you've got Finn. 482 00:22:34,880 --> 00:22:36,920 Speaker 3: Jerry probably stillesn't save my number a bit for you. 483 00:22:38,280 --> 00:22:39,320 Speaker 2: Kenny, I don't know. 484 00:22:42,720 --> 00:22:43,720 Speaker 3: Have you got a Mash? 485 00:22:43,960 --> 00:22:44,120 Speaker 2: Yeah? 486 00:22:44,840 --> 00:22:46,320 Speaker 3: Karen Reid's not a bad one. 487 00:22:46,440 --> 00:22:46,760 Speaker 2: It's good. 488 00:22:47,160 --> 00:22:48,280 Speaker 3: End this an obvious one. 489 00:22:48,280 --> 00:22:51,960 Speaker 2: But like, I don't believe Jerry trumped us all with 490 00:22:52,600 --> 00:22:53,280 Speaker 2: convincing us. 491 00:22:54,280 --> 00:22:54,640 Speaker 1: I reckon. 492 00:22:55,440 --> 00:22:59,080 Speaker 4: I reckon he's bigger too. Mike McRoberts I've got in 493 00:22:59,119 --> 00:22:59,960 Speaker 4: my phone for some reason. 494 00:23:00,040 --> 00:23:02,800 Speaker 3: He's not bigger, no massive in India than Mike mc roberts. 495 00:23:02,840 --> 00:23:03,600 Speaker 3: Mike McRoberts. 496 00:23:03,640 --> 00:23:05,920 Speaker 2: It would be big in Afghanistan. Mike McGrory. 497 00:23:06,359 --> 00:23:08,800 Speaker 1: Yeah, anyway, some. 498 00:23:08,720 --> 00:23:12,960 Speaker 4: Weird names they've got Susie Legal Dog. Susie Legal Dog, 499 00:23:13,520 --> 00:23:14,200 Speaker 4: What is that name. 500 00:23:15,160 --> 00:23:16,720 Speaker 2: I don't think I want to know your position. 501 00:23:17,359 --> 00:23:19,840 Speaker 1: You don't want to know, all right, more right than