1
00:00:03,680 --> 00:00:07,440
Speaker 1: God, Welcome along to the Unnamed Podcast. Tuesday, the fifth

2
00:00:07,480 --> 00:00:11,040
Speaker 1: of November tweenty twenty four, the fifth of no Member

3
00:00:11,080 --> 00:00:13,640
Speaker 1: you know what that means? Team. By the way, who's

4
00:00:13,720 --> 00:00:17,080
Speaker 1: an attendance route is here today, Minice, Stuart's.

5
00:00:16,720 --> 00:00:19,480
Speaker 2: Here present, and my microphone's on and meshes here.

6
00:00:25,200 --> 00:00:26,800
Speaker 3: I bought my bugle today.

7
00:00:26,880 --> 00:00:31,120
Speaker 1: Wow, that's beautiful. You play that absolutely superbly.

8
00:00:31,280 --> 00:00:32,440
Speaker 3: Yeah, just just that one.

9
00:00:32,320 --> 00:00:36,280
Speaker 2: Thing, and so quietly for being in a radio studio microphone.

10
00:00:36,280 --> 00:00:37,800
Speaker 3: I'm going I can play it louder or quieter if

11
00:00:37,800 --> 00:00:38,400
Speaker 3: you want.

12
00:00:38,320 --> 00:00:42,440
Speaker 1: Can you. Yeah.

13
00:00:42,479 --> 00:00:46,120
Speaker 2: Impressive that it's hard to play a bugle quietly.

14
00:00:46,600 --> 00:00:49,559
Speaker 1: It's one of those things, though, isn't it that you know,

15
00:00:49,720 --> 00:00:52,720
Speaker 1: everybody I've kind of I've said this before that everybody

16
00:00:52,760 --> 00:00:56,880
Speaker 1: has in them one no you know, a one one

17
00:00:57,000 --> 00:01:00,279
Speaker 1: song on the you know, on the horn of some kind. Mean,

18
00:01:00,520 --> 00:01:03,640
Speaker 1: for the longest time I have played us, I've been

19
00:01:03,640 --> 00:01:05,840
Speaker 1: able to play this. No, we've got the horn and

20
00:01:05,840 --> 00:01:08,600
Speaker 1: he passed it over here Mage, thanks very much. All right,

21
00:01:08,640 --> 00:01:09,600
Speaker 1: here we go here, there you go.

22
00:01:17,400 --> 00:01:24,800
Speaker 4: Jerry's rendition of the last post is beautiful, stirring. Just

23
00:01:24,800 --> 00:01:27,160
Speaker 4: hopefully you don't play the whole thing. That's what I'm hoping.

24
00:01:26,920 --> 00:01:34,080
Speaker 2: Here and show some respects please, Yeah, not sense, But

25
00:01:34,880 --> 00:01:39,120
Speaker 2: is it appropriate to be playing the last post? The

26
00:01:39,200 --> 00:01:40,280
Speaker 2: fifth Jerry?

27
00:01:40,840 --> 00:01:41,080
Speaker 1: Sorry?

28
00:01:41,080 --> 00:01:45,880
Speaker 2: I keep going No, no, don't you know killus whisper

29
00:01:45,920 --> 00:01:49,240
Speaker 2: on the bugle? Not on the bugle. But if there's

30
00:01:49,240 --> 00:01:53,800
Speaker 2: a saxophone in the studio, I can you don't have one?

31
00:01:53,840 --> 00:01:53,960
Speaker 5: No?

32
00:01:54,040 --> 00:01:58,040
Speaker 2: Not up my as sorry, m N. Anyway, I can

33
00:01:58,080 --> 00:02:02,640
Speaker 2: do Bakers straight if there's a we don't ever say

34
00:02:03,400 --> 00:02:06,360
Speaker 2: electric blue. I guess we'll never know. Okay, I guess

35
00:02:06,360 --> 00:02:06,880
Speaker 2: we'll never know.

36
00:02:07,040 --> 00:02:08,760
Speaker 1: But yeah, so it's good to have one tune up

37
00:02:08,800 --> 00:02:11,359
Speaker 1: your sleeve on you know, on a bugle, on a

38
00:02:11,400 --> 00:02:13,480
Speaker 1: horn or something like that. I'm pretty proud of that. I

39
00:02:13,520 --> 00:02:16,000
Speaker 1: think radition of the last post that I did there? Really, Yeah,

40
00:02:16,080 --> 00:02:16,760
Speaker 1: you're proud of that.

41
00:02:16,880 --> 00:02:18,880
Speaker 4: Yeah you didn't feel like it just sucked the life

42
00:02:18,880 --> 00:02:21,079
Speaker 4: out of wells at rude of you guys to.

43
00:02:21,000 --> 00:02:22,400
Speaker 2: Talk over the top of it, thank you.

44
00:02:22,560 --> 00:02:25,120
Speaker 1: I mean, what about the diggers? Where was the respect

45
00:02:25,440 --> 00:02:28,440
Speaker 1: for our fallen soldiers that died for this country?

46
00:02:28,520 --> 00:02:31,160
Speaker 2: Smash his generation just no fucking respect.

47
00:02:31,200 --> 00:02:33,280
Speaker 1: I don't give a shit your generation mess, don't give

48
00:02:33,320 --> 00:02:36,160
Speaker 1: a shit. I mean, what year for example, was World

49
00:02:36,160 --> 00:02:36,600
Speaker 1: War One?

50
00:02:37,720 --> 00:02:39,480
Speaker 3: I think there was early seventy names, wasn't it.

51
00:02:40,320 --> 00:02:43,800
Speaker 1: There we go see exactly my point, my point exactly

52
00:02:44,960 --> 00:02:48,919
Speaker 1: World War two crank up, disgusting, no respect for the diggers,

53
00:02:49,400 --> 00:02:51,960
Speaker 1: you know, the people who died for this country. They

54
00:02:52,000 --> 00:02:52,680
Speaker 1: died for this country.

55
00:02:52,760 --> 00:02:54,760
Speaker 2: Hate digger is a.

56
00:02:54,760 --> 00:02:56,560
Speaker 4: I just feel like this has become something that I

57
00:02:56,560 --> 00:02:59,200
Speaker 4: didn't need it to be today, fell As, I feel

58
00:02:59,200 --> 00:03:01,680
Speaker 4: like I might be putting myself out there.

59
00:03:01,600 --> 00:03:07,239
Speaker 2: For didn't you shoes shunning beer? Once I heard you

60
00:03:07,360 --> 00:03:11,600
Speaker 2: say that, I wasn't going to bring that up, Rudo,

61
00:03:12,000 --> 00:03:13,839
Speaker 2: I don't think hot takes on the song.

62
00:03:14,360 --> 00:03:18,560
Speaker 1: So it's Melbourne Cup day, yeah, and guy Fawks, but

63
00:03:18,800 --> 00:03:21,760
Speaker 1: it's the one it's the one day when everybody kids

64
00:03:21,760 --> 00:03:22,200
Speaker 1: about horse.

65
00:03:22,600 --> 00:03:25,640
Speaker 2: Unfortunately for guy Fawks this year, I can't gamble on fireworks,

66
00:03:26,200 --> 00:03:28,359
Speaker 2: so I'm all in on the Melbourne Cup.

67
00:03:29,240 --> 00:03:30,840
Speaker 4: You say that, but if you like, I don't know,

68
00:03:31,280 --> 00:03:34,760
Speaker 4: let a whole bunch in your lounge and then and

69
00:03:35,200 --> 00:03:37,040
Speaker 4: just kind of let them go off. It's a bit

70
00:03:37,080 --> 00:03:40,200
Speaker 4: of a gamble whether or not I might, you know,

71
00:03:40,440 --> 00:03:41,480
Speaker 4: self inflict some damage.

72
00:03:41,520 --> 00:03:43,440
Speaker 2: That's interesting you say that, because and we will get

73
00:03:43,520 --> 00:03:46,040
Speaker 2: to the Melbourne Cup But have I told you guys

74
00:03:46,040 --> 00:03:47,200
Speaker 2: about fire posse before.

75
00:03:47,240 --> 00:03:50,040
Speaker 1: I'm sure I have at some point. But you know

76
00:03:51,520 --> 00:03:54,720
Speaker 1: when you did something to with the firework to a cat.

77
00:03:54,880 --> 00:03:57,840
Speaker 2: It's funny. Funny you mentioned like the fireworks and a lounge.

78
00:03:58,200 --> 00:04:00,760
Speaker 2: Fun because there's a game used to play back in

79
00:04:00,800 --> 00:04:04,160
Speaker 2: the day called fire Pussy, which the rules were very simple.

80
00:04:04,240 --> 00:04:07,040
Speaker 2: You'll sit around, you drink a box each, and then

81
00:04:07,080 --> 00:04:09,040
Speaker 2: you pile the boxes up in the middle of the lounge,

82
00:04:09,400 --> 00:04:12,120
Speaker 2: and then you light the boxes on fire, and the

83
00:04:12,240 --> 00:04:15,040
Speaker 2: first person to put them out is the fire pussy.

84
00:04:15,640 --> 00:04:19,400
Speaker 1: Oh my god, yes, can you imagine it's on carpet.

85
00:04:19,200 --> 00:04:22,560
Speaker 2: Yes, this is on carpet, and this is underneath the ceiling.

86
00:04:22,920 --> 00:04:26,080
Speaker 1: Oh wow, yeah, this is what's wrong with you? Nick Kid?

87
00:04:26,200 --> 00:04:28,719
Speaker 2: Well, I was fine. I want Nick Edwards is still

88
00:04:28,760 --> 00:04:31,320
Speaker 2: the raining fire pussy. He picked the box up once

89
00:04:31,360 --> 00:04:32,920
Speaker 2: the ceiling caught fire and he tried to throw it

90
00:04:32,960 --> 00:04:34,480
Speaker 2: out the door, and it bounced off the door and

91
00:04:34,600 --> 00:04:35,880
Speaker 2: landed on my washing basket.

92
00:04:36,600 --> 00:04:39,440
Speaker 1: My own goal game I've ever heard of my entire life.

93
00:04:39,520 --> 00:04:40,480
Speaker 2: I've played it three times.

94
00:04:40,560 --> 00:04:42,880
Speaker 4: It's a different it's a different respect you have for

95
00:04:42,920 --> 00:04:45,120
Speaker 4: property in the South Old, isn't it like you don't

96
00:04:45,200 --> 00:04:46,240
Speaker 4: value it the same way.

97
00:04:46,160 --> 00:04:47,119
Speaker 2: You'll build another shelter.

98
00:04:48,560 --> 00:04:49,840
Speaker 1: Wow. Wow.

99
00:04:50,480 --> 00:04:53,480
Speaker 2: It originated when we were actually the first game of

100
00:04:53,560 --> 00:04:55,480
Speaker 2: fire pussy was we rolled a log out of the

101
00:04:55,560 --> 00:04:58,719
Speaker 2: fireplace and to the middle of the lounge and.

102
00:05:01,360 --> 00:05:03,480
Speaker 1: More on. It came up with this idea that was

103
00:05:03,560 --> 00:05:05,800
Speaker 1: like it was it was you, wasn't it. It was

104
00:05:05,920 --> 00:05:09,120
Speaker 1: you and I. Yes, by the way you're looking at me.

105
00:05:09,279 --> 00:05:11,680
Speaker 2: So when you say imagine leading off the fireworks and that,

106
00:05:11,720 --> 00:05:13,960
Speaker 2: I don't have to. I've been there, I've lived it.

107
00:05:14,320 --> 00:05:17,719
Speaker 1: Yeah, we had a we had a flat in Lincoln

108
00:05:17,760 --> 00:05:22,200
Speaker 1: Street and we had a fireworks party inside. We had

109
00:05:22,240 --> 00:05:27,560
Speaker 1: a guy guy falks inside. It was the house absolutely

110
00:05:27,720 --> 00:05:31,480
Speaker 1: stunk of gunpowder. Gunpowder for the rest of the time

111
00:05:31,520 --> 00:05:33,200
Speaker 1: that we loved on it. But yeah, we lit our

112
00:05:33,320 --> 00:05:37,880
Speaker 1: fireworks in the lounge. Everything rental, a rental, always a rental,

113
00:05:38,200 --> 00:05:38,599
Speaker 1: a rental.

114
00:05:38,800 --> 00:05:43,320
Speaker 4: It was a shocker, a mate and Jesus, just fireworks. Yeah,

115
00:05:43,440 --> 00:05:47,520
Speaker 4: Wednesdays here Tuesdays. On the Briefast podcast, we used to

116
00:05:47,720 --> 00:05:49,320
Speaker 4: make I can't remember what kind of carrot was. It

117
00:05:49,400 --> 00:05:50,840
Speaker 4: was an old car that had a sun roof. It

118
00:05:50,920 --> 00:05:53,159
Speaker 4: was a seventh Cedar. Just used to have a couple

119
00:05:53,160 --> 00:05:55,640
Speaker 4: of Roman kndles in the back and just hang it upline.

120
00:05:55,320 --> 00:05:55,760
Speaker 1: Side the road.

121
00:05:55,800 --> 00:05:55,960
Speaker 2: There.

122
00:05:56,880 --> 00:05:59,400
Speaker 4: It just got a real extravaganza because if you put

123
00:05:59,600 --> 00:06:02,080
Speaker 4: a sun and a firework goes together like you know,

124
00:06:03,320 --> 00:06:03,960
Speaker 4: wheat books and.

125
00:06:04,120 --> 00:06:08,960
Speaker 1: Like well and milk. Yeah, okay, yeah, they go together

126
00:06:09,080 --> 00:06:12,720
Speaker 1: quite well. I once did ay firework Reggie to celebrate

127
00:06:13,279 --> 00:06:14,040
Speaker 1: the guy fawks.

128
00:06:14,160 --> 00:06:15,200
Speaker 2: I saw. I witnessed that.

129
00:06:15,240 --> 00:06:18,159
Speaker 1: I think I saw that firsthand, the firework Reggie. Yeah,

130
00:06:18,320 --> 00:06:20,200
Speaker 1: you would shoved a couple of five weeks at mass

131
00:06:20,279 --> 00:06:23,120
Speaker 1: and rode down a road on a B mix with

132
00:06:23,240 --> 00:06:23,720
Speaker 1: my shirt on.

133
00:06:23,839 --> 00:06:28,040
Speaker 3: Did you guys see that, Reggie? It was apparently on

134
00:06:28,120 --> 00:06:29,400
Speaker 3: the fucking glass Barbie.

135
00:06:29,760 --> 00:06:33,080
Speaker 1: Was he Reggie? Did you see that? He's just done

136
00:06:33,080 --> 00:06:35,560
Speaker 1: a podcast or it turns out that's what? Did you know?

137
00:06:35,640 --> 00:06:39,159
Speaker 1: The the shirtless beer mixing put the headphones on? Yeah,

138
00:06:39,279 --> 00:06:44,040
Speaker 1: saved him from what frommin addiction? Oh? From being late.

139
00:06:44,080 --> 00:06:45,280
Speaker 3: I thought you were going to say no, no.

140
00:06:46,160 --> 00:06:47,400
Speaker 2: I would have thought the two of those would have

141
00:06:47,400 --> 00:06:48,120
Speaker 2: gone hand in hands.

142
00:06:48,160 --> 00:06:49,880
Speaker 1: Well, I thought they did too. I thought it was

143
00:06:49,920 --> 00:06:51,839
Speaker 1: the same sort of time. But apparently he was working

144
00:06:51,920 --> 00:06:54,200
Speaker 1: out and what saved him was working out getting on

145
00:06:54,240 --> 00:06:56,360
Speaker 1: his B mix and riding around shirtless and the Serpentine

146
00:06:56,360 --> 00:06:59,360
Speaker 1: fashion on Ponsonby Road and then out of Alfresco Dinas.

147
00:07:00,279 --> 00:07:02,440
Speaker 1: That was what saved him. And I remember the time

148
00:07:02,720 --> 00:07:05,839
Speaker 1: exactly the time that he was doing those reggies because

149
00:07:05,839 --> 00:07:07,479
Speaker 1: you've seen him come past quite a lot. I love

150
00:07:07,560 --> 00:07:09,760
Speaker 1: him pontib so it was a it was a common sight.

151
00:07:11,560 --> 00:07:15,640
Speaker 1: So the Melbourne Cups today, Yeah, who's gonna want it? Wow?

152
00:07:15,800 --> 00:07:17,760
Speaker 1: That's I mean, that's obvious as nothing.

153
00:07:18,200 --> 00:07:20,360
Speaker 4: Can somebody explain to me while we've never done, like,

154
00:07:20,480 --> 00:07:22,280
Speaker 4: I don't know the auk Can Cup, but it's a

155
00:07:22,320 --> 00:07:26,080
Speaker 4: whole bunch of bald men on their bikes with no

156
00:07:26,160 --> 00:07:28,560
Speaker 4: T shirt on, racing around like vic Park or something like.

157
00:07:28,720 --> 00:07:34,280
Speaker 2: Call it the ridgie five hundreds of vic Park? Do

158
00:07:35,000 --> 00:07:38,120
Speaker 2: you have to have mith in beforehand? You're doing five hundred?

159
00:07:38,320 --> 00:07:41,680
Speaker 1: Okay, you five hundred. I don't know if anyone's going

160
00:07:41,720 --> 00:07:42,120
Speaker 1: to watch.

161
00:07:42,000 --> 00:07:43,000
Speaker 2: That stout at two am.

162
00:07:43,560 --> 00:07:44,720
Speaker 3: I don't think anyone's going to watch that.

163
00:07:44,920 --> 00:07:48,880
Speaker 1: If I would watch it, mate was riding five hundred meters.

164
00:07:48,960 --> 00:07:51,040
Speaker 1: What if you got lapse of Victoria Park?

165
00:07:51,120 --> 00:07:52,560
Speaker 3: Yeah, green on the back of one of those things.

166
00:07:52,840 --> 00:07:53,880
Speaker 1: Reggie and I'd watched that.

167
00:07:54,080 --> 00:07:56,480
Speaker 3: Yeah, we got there's fire some names.

168
00:07:56,360 --> 00:07:59,600
Speaker 1: Around, but really Reggie was the green of his time,

169
00:07:59,760 --> 00:08:01,880
Speaker 1: but can do it as well as she wants. It's

170
00:08:02,280 --> 00:08:05,480
Speaker 1: the health of the top. He had a good rag Reggie.

171
00:08:05,720 --> 00:08:08,880
Speaker 3: Yeah, I wasn't qushing, all right, Your Reggie can do it?

172
00:08:09,280 --> 00:08:12,000
Speaker 4: Mean, yeah, he's part of it, mate. And the idea

173
00:08:12,040 --> 00:08:13,840
Speaker 4: is it's like chasing the fox. You chase the Rigie,

174
00:08:14,920 --> 00:08:19,239
Speaker 4: chasing thee Chasing the Ridgie is a great idea.

175
00:08:19,600 --> 00:08:22,160
Speaker 2: Up and down, get Ryan Fox and involved.

176
00:08:23,400 --> 00:08:23,600
Speaker 1: Yeah.

177
00:08:24,840 --> 00:08:26,640
Speaker 4: So you boys are looking through the odds for today's

178
00:08:26,640 --> 00:08:28,560
Speaker 4: Melbourne Cup. Jerry, you're trying to figure out how you

179
00:08:28,640 --> 00:08:29,360
Speaker 4: make a bit more money.

180
00:08:29,400 --> 00:08:30,480
Speaker 3: What do you reckon? What are your money?

181
00:08:30,760 --> 00:08:34,199
Speaker 1: I'm one hundred percent behind number eighteen interpretation. It's clearly

182
00:08:34,320 --> 00:08:34,679
Speaker 1: going to win.

183
00:08:35,040 --> 00:08:37,480
Speaker 2: Here's what I've been saying to you this whole morning.

184
00:08:37,520 --> 00:08:39,360
Speaker 2: You have to now because you've talked about it too much.

185
00:08:39,800 --> 00:08:42,160
Speaker 2: And what happens is you've talked about it so much

186
00:08:42,559 --> 00:08:44,840
Speaker 2: that if you don't bid on it and it happens,

187
00:08:45,400 --> 00:08:47,160
Speaker 2: you will be checking yourself. I know.

188
00:08:47,679 --> 00:08:50,199
Speaker 1: So you are now pot committed. You've you've got to

189
00:08:50,480 --> 00:08:53,400
Speaker 1: You've got to go in on number eighteen. Interpreters. Problem

190
00:08:53,480 --> 00:08:56,400
Speaker 1: is she's out of Ireland. Yeah, so gent it's going

191
00:08:56,480 --> 00:08:57,320
Speaker 1: to be a warm day.

192
00:08:57,960 --> 00:09:00,800
Speaker 2: As we learned when we talked to Luke Kem, is

193
00:09:00,960 --> 00:09:03,000
Speaker 2: jet leg for horses a very real thing?

194
00:09:03,120 --> 00:09:05,520
Speaker 1: Yeah, totally. And you can't they can't tell you that

195
00:09:05,520 --> 00:09:07,600
Speaker 1: they're jet legs, so you don't really know how they're feeling,

196
00:09:07,640 --> 00:09:09,120
Speaker 1: which is a bit of a problem. So I reckon

197
00:09:09,280 --> 00:09:11,520
Speaker 1: all of those Irish horses. It's too hot for those

198
00:09:11,520 --> 00:09:13,959
Speaker 1: Irish horses. What does that mean that they bred in

199
00:09:14,080 --> 00:09:15,760
Speaker 1: Ireland and they race other places?

200
00:09:15,840 --> 00:09:16,000
Speaker 2: Though?

201
00:09:16,400 --> 00:09:17,800
Speaker 1: What does that mean that they race most of the

202
00:09:17,880 --> 00:09:19,400
Speaker 1: time in Ireland? I think they are.

203
00:09:20,040 --> 00:09:23,600
Speaker 2: They stand in Ireland, so that's where they live. Okay,

204
00:09:23,840 --> 00:09:25,240
Speaker 2: but they could have been bred somewhere else.

205
00:09:25,840 --> 00:09:28,720
Speaker 1: Oh really yeah, not to bring race so not where

206
00:09:28,760 --> 00:09:31,920
Speaker 1: they breed a country. I thought that's where they breed,

207
00:09:32,040 --> 00:09:32,599
Speaker 1: I don't think so.

208
00:09:33,440 --> 00:09:35,080
Speaker 2: The language they speak.

209
00:09:35,240 --> 00:09:38,840
Speaker 5: Well, that speaks Gaelic obviously, so warp Speed speaks Japanese.

210
00:09:39,000 --> 00:09:43,719
Speaker 2: It's impressive. Yes, the language barrier to contend with for

211
00:09:43,840 --> 00:09:46,760
Speaker 2: Warp Speed the barrier good one number okay, so we're

212
00:09:46,800 --> 00:09:49,200
Speaker 2: not backing number eighteen interpretation then because it's Irish.

213
00:09:49,400 --> 00:09:51,200
Speaker 4: Okay, Can we just take a quick break if that's right,

214
00:09:51,240 --> 00:09:53,839
Speaker 4: and we'll come back with a few more bit more craps.

215
00:09:53,920 --> 00:09:55,360
Speaker 1: We're going to come back, Yeah, but more crap.

216
00:10:00,640 --> 00:10:05,480
Speaker 2: God, maybe one smooth operator out of the state. I

217
00:10:05,480 --> 00:10:07,839
Speaker 2: don't mind one smooth operator. That's sort of where I

218
00:10:07,920 --> 00:10:11,319
Speaker 2: was looking. But now I've changed to Sea King, a

219
00:10:11,440 --> 00:10:15,880
Speaker 2: trainer by that name of Harry Eustace, powerful name Holly Doyle.

220
00:10:16,040 --> 00:10:16,720
Speaker 1: On board.

221
00:10:18,040 --> 00:10:21,640
Speaker 2: Fourteen dollars, you'll get second run back first up after

222
00:10:21,720 --> 00:10:23,920
Speaker 2: two months, ran on from midfield and one by four

223
00:10:23,960 --> 00:10:27,160
Speaker 2: links a been to go G three October thirtieth Nice

224
00:10:27,480 --> 00:10:29,480
Speaker 2: a month ago only needs to hold that form to

225
00:10:29,520 --> 00:10:32,000
Speaker 2: be winning again. Dominant at local debut and looks like

226
00:10:32,040 --> 00:10:34,040
Speaker 2: a genuine hope if he can go on with it. Yeah,

227
00:10:34,160 --> 00:10:37,520
Speaker 2: So that's how to see the stars and Pomona out

228
00:10:37,559 --> 00:10:38,800
Speaker 2: of Ireland again. It's brown.

229
00:10:38,800 --> 00:10:43,559
Speaker 1: It's a gelding five years old. Okay, are you choosing

230
00:10:43,640 --> 00:10:46,400
Speaker 1: it on color? It's brown, so you're choosing it. That's

231
00:10:46,440 --> 00:10:49,680
Speaker 1: not why I'm choosing it. But it is brown. Will

232
00:10:49,720 --> 00:10:52,240
Speaker 1: be faster, I'd say most of them will be seeking.

233
00:10:52,360 --> 00:10:54,640
Speaker 1: It's not a problem that it's run. This race is

234
00:10:54,679 --> 00:10:59,199
Speaker 1: being run on land. Look, it did concern me when

235
00:10:59,240 --> 00:11:02,240
Speaker 1: it came up Jess that that didn't consume me until

236
00:11:02,280 --> 00:11:02,920
Speaker 1: you've just mentioned it.

237
00:11:03,240 --> 00:11:05,520
Speaker 2: But now it's hard to ignore if that's the logic

238
00:11:05,559 --> 00:11:08,440
Speaker 2: you're going to go with. Are you saying land Legend

239
00:11:08,640 --> 00:11:10,559
Speaker 2: is going to win the fuck?

240
00:11:10,920 --> 00:11:14,120
Speaker 1: Well? Because I think more chance than c king. Also,

241
00:11:14,200 --> 00:11:15,760
Speaker 1: you're not concerned that a woman's riding that?

242
00:11:18,679 --> 00:11:20,520
Speaker 3: Please take a break and we'll come back in just

243
00:11:20,559 --> 00:11:22,160
Speaker 3: a moment with some more crap.

244
00:11:25,320 --> 00:11:31,280
Speaker 1: God, welcome back, and it's just come off a seat.

245
00:11:31,320 --> 00:11:33,800
Speaker 3: There are we talking about.

246
00:11:34,600 --> 00:11:39,520
Speaker 1: Talking about horses jockeys, that sort of ship I want

247
00:11:39,559 --> 00:11:39,839
Speaker 1: to go for.

248
00:11:41,679 --> 00:11:44,240
Speaker 2: You like to look at is looking good?

249
00:11:44,600 --> 00:11:44,760
Speaker 1: At?

250
00:11:46,000 --> 00:11:48,880
Speaker 3: What kind of name is something?

251
00:11:49,040 --> 00:11:49,160
Speaker 2: Is it?

252
00:11:49,360 --> 00:11:50,040
Speaker 3: Is it a language?

253
00:11:50,040 --> 00:11:54,319
Speaker 1: I think it's a horse, just a horse. I think

254
00:11:54,320 --> 00:11:58,360
Speaker 1: it's a dialect of horse. I know it's a dialect

255
00:11:58,440 --> 00:11:59,720
Speaker 1: of Spanish.

256
00:12:00,320 --> 00:12:03,160
Speaker 2: Oh really? Is that from the Basque region.

257
00:12:04,800 --> 00:12:06,640
Speaker 1: Somewhere around? This is more of an Iberian.

258
00:12:07,520 --> 00:12:09,280
Speaker 2: What if I told you that Mark Zara is won

259
00:12:09,440 --> 00:12:13,959
Speaker 2: both of the last two Melbourne Cups and as riding

260
00:12:14,040 --> 00:12:15,679
Speaker 2: a horse that goes by the name of a Circle

261
00:12:15,720 --> 00:12:16,040
Speaker 2: of Fight?

262
00:12:16,480 --> 00:12:18,600
Speaker 1: Okay, would you be concerned that there's a woman that's

263
00:12:18,640 --> 00:12:18,959
Speaker 1: riding that?

264
00:12:20,320 --> 00:12:23,559
Speaker 2: No, No, it's a man. But the trainer. The trainer

265
00:12:23,640 --> 00:12:23,960
Speaker 2: is a woman.

266
00:12:24,000 --> 00:12:25,440
Speaker 3: Okay, can we just take a break of It's all

267
00:12:25,480 --> 00:12:31,880
Speaker 3: right and we'll come back in just a moment. God, okay,

268
00:12:32,160 --> 00:12:32,640
Speaker 3: we're back.

269
00:12:32,880 --> 00:12:33,800
Speaker 1: What are we talking about?

270
00:12:34,040 --> 00:12:34,240
Speaker 2: See?

271
00:12:34,320 --> 00:12:38,120
Speaker 1: Jockeys? Horses? That's sort of crap.

272
00:12:38,160 --> 00:12:41,240
Speaker 5: See because doz comes from two Persian words, it means

273
00:12:41,800 --> 00:12:46,360
Speaker 5: gold sewing. Actually, Jerry, did you see who the jockey

274
00:12:46,480 --> 00:12:46,640
Speaker 5: was for?

275
00:12:48,840 --> 00:12:52,640
Speaker 1: Just having a look here? What numbers are? Fourteen?

276
00:12:52,679 --> 00:12:56,719
Speaker 2: There? Mate trainer is James Cummings.

277
00:12:58,080 --> 00:12:59,800
Speaker 1: And gun concerned. The jockeys a woman?

278
00:13:03,640 --> 00:13:07,880
Speaker 3: God, okay, and we're back. What are we talking about there, fellas?

279
00:13:07,920 --> 00:13:09,959
Speaker 1: Oh, we're just talking about horses. We're talking about Melton Cup.

280
00:13:09,960 --> 00:13:14,160
Speaker 1: We're talking about jockeys. That's sort of crap. Nice, okay, just.

281
00:13:14,200 --> 00:13:16,040
Speaker 2: Going through because we're trying to find a bit of

282
00:13:16,240 --> 00:13:19,719
Speaker 2: value here in the Melbourne carpet. We actually don't know

283
00:13:19,760 --> 00:13:21,679
Speaker 2: too much about horses, so we're just having it. I'm

284
00:13:21,720 --> 00:13:24,079
Speaker 2: just having to flick through. What about the map? This

285
00:13:24,160 --> 00:13:27,280
Speaker 2: is the one that I got in the sweep steak, Jerry.

286
00:13:27,440 --> 00:13:31,480
Speaker 1: And that number twenty three the map number twenty three

287
00:13:31,840 --> 00:13:34,920
Speaker 1: fifty one dollars to win, twelve dollars to place that's.

288
00:13:35,360 --> 00:13:37,760
Speaker 2: Fifty kilos now, Rachel King's on board. But are you

289
00:13:37,920 --> 00:13:39,400
Speaker 2: concerned that it's a mirror?

290
00:13:40,760 --> 00:13:43,040
Speaker 1: No, but I am concerned that you do realize there's

291
00:13:43,040 --> 00:13:46,400
Speaker 1: a woman running that one. Yeah, we're just going to

292
00:13:46,480 --> 00:13:48,480
Speaker 1: take a break and we'll be right back with some

293
00:13:48,600 --> 00:13:49,040
Speaker 1: more crap.

294
00:13:52,280 --> 00:13:53,959
Speaker 2: God, and we're back boys.

295
00:13:54,440 --> 00:13:55,199
Speaker 3: Okay, where were we?

296
00:13:55,720 --> 00:13:56,400
Speaker 2: Twenty three?

297
00:13:56,520 --> 00:13:56,920
Speaker 1: The map?

298
00:13:57,040 --> 00:13:59,360
Speaker 2: You're trained by a person by the nighte that goes

299
00:13:59,400 --> 00:14:00,959
Speaker 2: by the name of Upie McGilvray.

300
00:14:01,679 --> 00:14:04,079
Speaker 1: That's fine, there's nothing wrong with that. Nobody is a

301
00:14:04,120 --> 00:14:10,840
Speaker 1: woman running that though. Nobody's concerned about that. Okay, let's

302
00:14:10,880 --> 00:14:13,160
Speaker 1: move on. I'm going quiet on me every time I

303
00:14:13,480 --> 00:14:14,040
Speaker 1: bring that up.

304
00:14:14,480 --> 00:14:15,920
Speaker 4: We've just got a lot of we've got a new

305
00:14:16,000 --> 00:14:17,120
Speaker 4: kind of format that we have to make sure that

306
00:14:17,160 --> 00:14:18,520
Speaker 4: we're following a lot of air brakes to get in.

307
00:14:18,640 --> 00:14:20,520
Speaker 3: So that's why there's a bit of confusion elsewhere. But

308
00:14:20,640 --> 00:14:22,680
Speaker 3: you keep going about your business. You seem to be

309
00:14:23,000 --> 00:14:24,920
Speaker 3: saying some good things over there, so keep it up.

310
00:14:24,960 --> 00:14:28,680
Speaker 2: So you're fine with Upie McGilvray training that thing.

311
00:14:29,760 --> 00:14:34,000
Speaker 1: What's wrong with the name op I mean a man,

312
00:14:34,080 --> 00:14:34,360
Speaker 1: doesn't it?

313
00:14:34,400 --> 00:14:36,280
Speaker 3: You don't find it too close to whoopee is it

314
00:14:36,360 --> 00:14:37,680
Speaker 3: a man or a woman cushion.

315
00:14:38,400 --> 00:14:41,880
Speaker 2: See you're okay with open mcgilvery, Opie.

316
00:14:41,560 --> 00:14:45,720
Speaker 4: Mcgilvery, Rachel, some of my sois person up Just in

317
00:14:45,800 --> 00:14:48,920
Speaker 4: case I'm not making kind of racial remarks here, Open mcgilvroy.

318
00:14:49,040 --> 00:14:54,960
Speaker 2: What about if we're just gorolling through positivity? See that's

319
00:14:55,000 --> 00:14:57,960
Speaker 2: a good so it's the form, guy.

320
00:14:58,360 --> 00:14:59,160
Speaker 3: Do you know anything about that?

321
00:14:59,280 --> 00:15:00,520
Speaker 1: Positivity is a good horse.

322
00:15:00,640 --> 00:15:03,120
Speaker 2: So here's here's the form. Got a second, a first,

323
00:15:03,200 --> 00:15:05,160
Speaker 2: a seventh, and an eighth. You opened at one hundred

324
00:15:05,200 --> 00:15:07,720
Speaker 2: and one dollars and now into seventy one.

325
00:15:07,840 --> 00:15:09,440
Speaker 1: Yeah, I know there's some good money going on that.

326
00:15:09,560 --> 00:15:13,080
Speaker 1: And look, I'm possibly going to get behind Positivity looks

327
00:15:13,120 --> 00:15:14,360
Speaker 1: like a really really good horse to.

328
00:15:14,400 --> 00:15:18,320
Speaker 2: Me, he does only carrying fifty killers. Who's who's riding it?

329
00:15:18,400 --> 00:15:19,240
Speaker 1: We're Nona Costan.

330
00:15:21,440 --> 00:15:21,880
Speaker 2: No, I'm not.

331
00:15:22,280 --> 00:15:24,760
Speaker 1: I'm not on that anymore. We've gone off that horse.

332
00:15:24,800 --> 00:15:26,400
Speaker 1: I don't know what it is. Just got a feeling

333
00:15:26,480 --> 00:15:27,640
Speaker 1: that it's not quite right for.

334
00:15:28,200 --> 00:15:29,880
Speaker 2: It because Andrew Force get into the trainer.

335
00:15:31,240 --> 00:15:34,040
Speaker 1: No, I'm fine with Andrew Forskan. Sorry, I don't know.

336
00:15:34,080 --> 00:15:35,160
Speaker 1: I just got a funny feeling.

337
00:15:35,160 --> 00:15:36,120
Speaker 2: It's good a vibe about it.

338
00:15:36,240 --> 00:15:38,280
Speaker 4: Okay, okay, we're just going to take one more break

339
00:15:38,320 --> 00:15:41,280
Speaker 4: before we wrap things up. I think today fellas song. Anyway,

340
00:15:41,320 --> 00:15:42,240
Speaker 4: what number are we up to there?

341
00:15:42,280 --> 00:15:45,280
Speaker 2: In terms of horse I would like to go with

342
00:15:45,640 --> 00:15:49,600
Speaker 2: another Kiaren mar trained horse in at about fourteen dollars

343
00:15:49,680 --> 00:15:51,920
Speaker 2: and one of the tips that I got from Paul

344
00:15:51,920 --> 00:15:54,200
Speaker 2: ma Whitey from the TV today okay to sushi.

345
00:15:54,400 --> 00:15:55,360
Speaker 1: Oh yeah, yeah, so.

346
00:15:55,400 --> 00:15:58,520
Speaker 2: That's number twelve opened at twenty one now into fourteen.

347
00:15:58,600 --> 00:16:01,040
Speaker 2: Hovering around their train, Karen Marr.

348
00:16:00,840 --> 00:16:02,960
Speaker 1: As well, it's last race, came second in the race

349
00:16:03,000 --> 00:16:03,320
Speaker 1: before that.

350
00:16:03,480 --> 00:16:03,920
Speaker 2: That's right.

351
00:16:04,200 --> 00:16:05,280
Speaker 3: Are you keen on some sushi?

352
00:16:05,920 --> 00:16:09,120
Speaker 1: You keen on some sushi? Peter Sushi? Yes, straw number

353
00:16:09,600 --> 00:16:11,560
Speaker 1: barrier nine. Who's riding that?

354
00:16:12,360 --> 00:16:16,320
Speaker 2: That is a young jockey out of Australia by the

355
00:16:16,400 --> 00:16:17,440
Speaker 2: name of Jamie Carr.

356
00:16:18,320 --> 00:16:20,680
Speaker 1: How do you spell Jamie A A M I E.

357
00:16:20,920 --> 00:16:23,080
Speaker 1: Sheares the world's top ranked female jockey.

358
00:16:25,560 --> 00:16:26,520
Speaker 3: That'll good, Jerry or what.

359
00:16:26,920 --> 00:16:28,840
Speaker 1: She became the first jockey to ride one hundred winners

360
00:16:28,880 --> 00:16:30,360
Speaker 1: in the Melbourne Metropolitan racings.

361
00:16:30,600 --> 00:16:33,280
Speaker 3: She sounds talented just three years.

362
00:16:33,080 --> 00:16:37,720
Speaker 1: About a sushi? I don't know why, I'm not sure anyway,

363
00:16:38,600 --> 00:16:42,600
Speaker 1: So I'm going with number eighteen interpretation.

364
00:16:43,040 --> 00:16:44,360
Speaker 3: Actually, can we go the other way around?

365
00:16:44,400 --> 00:16:44,600
Speaker 1: Jerry?

366
00:16:44,640 --> 00:16:47,840
Speaker 4: Who just would you stay well clear of putting money

367
00:16:47,840 --> 00:16:49,160
Speaker 4: on if you could just kind of riddle through them.

368
00:16:50,680 --> 00:16:53,800
Speaker 1: I would definitely not go with a number twenty three

369
00:16:53,880 --> 00:16:58,880
Speaker 1: the map. I would avoid twenty one positivity. I would.

370
00:17:01,480 --> 00:17:04,960
Speaker 2: Who's Chris TD twenty's throwing here for a loop, hasn't it?

371
00:17:05,040 --> 00:17:10,240
Speaker 2: Kris Titan from Memory is a he's a Hong Kong

372
00:17:10,359 --> 00:17:11,520
Speaker 2: based joggie.

373
00:17:11,560 --> 00:17:13,640
Speaker 1: Oh you know, all good? No, number twin, that's that's

374
00:17:13,680 --> 00:17:14,080
Speaker 1: all good.

375
00:17:14,880 --> 00:17:17,560
Speaker 2: Oh yeah, he was the South African champion apprentice.

376
00:17:17,080 --> 00:17:21,720
Speaker 1: And very good. I'd avoid fourteen dozy. Yeah, number twelve

377
00:17:22,160 --> 00:17:25,760
Speaker 1: O kida sushi now number nine absurd?

378
00:17:27,400 --> 00:17:30,880
Speaker 2: Number nine absurd. Yeah, that's that's a Karen McAvoy.

379
00:17:31,480 --> 00:17:35,280
Speaker 1: Yeah right there, And how are you spelling Karen k

380
00:17:35,480 --> 00:17:41,120
Speaker 1: E R R I n okay McAvoy forty four years old, Yeah,

381
00:17:41,640 --> 00:17:42,840
Speaker 1: out of Australia.

382
00:17:42,960 --> 00:17:47,120
Speaker 2: Yeah, he's actually one three Melbourn. He's all good, yeah, okay,

383
00:17:49,320 --> 00:17:50,760
Speaker 2: oh yeah, just googled him now.

384
00:17:50,800 --> 00:17:55,640
Speaker 1: Yeah three three anyway, those that's what I those. I've

385
00:17:55,760 --> 00:17:57,240
Speaker 1: just got it. I don't know why, but.

386
00:17:59,400 --> 00:18:02,800
Speaker 2: He's the male right okay, punching.

387
00:18:03,080 --> 00:18:05,240
Speaker 1: So anyway, as I said, I'd be going with number

388
00:18:05,280 --> 00:18:10,520
Speaker 1: eighteen interpretation. I see Rod Stewarts as writing the number seventeen.

389
00:18:10,560 --> 00:18:13,920
Speaker 1: Fancy man, so I don't know if is he any

390
00:18:13,960 --> 00:18:16,600
Speaker 1: good on the back of a horse, Rod Stewart probably

391
00:18:16,640 --> 00:18:20,960
Speaker 1: all right, So that's that's my my main and I'm

392
00:18:21,040 --> 00:18:25,480
Speaker 1: thinking Circle of Fire number three.

393
00:18:26,480 --> 00:18:27,800
Speaker 2: You like the look of Circle of Fire.

394
00:18:28,000 --> 00:18:29,760
Speaker 1: Yeah, I don't know why, but I think it's something

395
00:18:29,800 --> 00:18:32,840
Speaker 1: to do with the fact that it's also Guy Fawkes.

396
00:18:33,600 --> 00:18:37,000
Speaker 2: Oh yeah. Also Mark Zara, writer of the last two

397
00:18:37,080 --> 00:18:40,200
Speaker 2: Melbourne Cup one, Mark Sucker Bog Marks Zara Burgh.

398
00:18:40,320 --> 00:18:41,679
Speaker 1: Sorry, the last two Melbourne Cup on.

399
00:18:41,720 --> 00:18:43,760
Speaker 2: Last two Melbourn Cup one is both written by Mark

400
00:18:43,840 --> 00:18:45,600
Speaker 2: Zaraz So read into that what you will.

401
00:18:45,720 --> 00:18:48,760
Speaker 1: I measine doing three, Yeah, it's a stallion.

402
00:18:48,800 --> 00:18:52,840
Speaker 2: To imagine doing three in a row, intact a stallion.

403
00:18:53,280 --> 00:18:54,120
Speaker 2: I like vour Barn.

404
00:18:55,119 --> 00:18:57,880
Speaker 1: Yeah, yeah, that's the favorite. That's the favorite, that would

405
00:18:57,880 --> 00:18:58,679
Speaker 1: be kind of obvious.

406
00:18:59,119 --> 00:19:00,720
Speaker 2: Written by a Willie and trained by.

407
00:19:00,680 --> 00:19:03,600
Speaker 1: Willie, William Buick and William Mullins.

408
00:19:03,640 --> 00:19:06,480
Speaker 2: I believe it's been eleven years since the favorite one

409
00:19:06,480 --> 00:19:07,120
Speaker 2: of the Melbourne Cup.

410
00:19:07,720 --> 00:19:11,760
Speaker 1: It's about time, fifteen Prince, probably about time then, isn't.

411
00:19:11,560 --> 00:19:14,320
Speaker 5: It Well, they say it's every eleven years, don't they

412
00:19:14,400 --> 00:19:17,679
Speaker 5: They do, they say every living year is the favorite.

413
00:19:18,400 --> 00:19:21,560
Speaker 1: Okay, certainly going into good form two four three one

414
00:19:21,720 --> 00:19:25,600
Speaker 1: two yeah, so in the money apart from that race

415
00:19:25,640 --> 00:19:28,160
Speaker 1: which was four races ago, just out of the money,

416
00:19:28,200 --> 00:19:31,280
Speaker 1: so the stat perhaps maybe Bucca Rose had some good

417
00:19:31,320 --> 00:19:38,359
Speaker 1: form going. Who's Joao Moreda? And now what are they

418
00:19:38,440 --> 00:19:42,040
Speaker 1: going to be looking at? Joel More.

419
00:19:43,880 --> 00:19:49,080
Speaker 2: Number two? Bucker? Oh you mean Joel Murder?

420
00:19:49,280 --> 00:19:50,880
Speaker 1: Yeah, Joel Moreada.

421
00:19:50,960 --> 00:19:56,760
Speaker 2: Joel Mureda from memory is as a Brazilian jockey based

422
00:19:56,800 --> 00:19:59,920
Speaker 2: out of Hong Kong. I believe to a sit a

423
00:20:00,000 --> 00:20:02,320
Speaker 2: world record of riding eight winners from eight rides in

424
00:20:02,359 --> 00:20:06,200
Speaker 2: a nine card event on Friday September six, twenty thirteen

425
00:20:06,359 --> 00:20:13,280
Speaker 2: crang E Racecourse, based in Hong Kong, since spend a

426
00:20:13,320 --> 00:20:18,600
Speaker 2: bit of time in Japan Singapore, nicknamed the Magician, and

427
00:20:18,880 --> 00:20:20,080
Speaker 2: he is forty.

428
00:20:19,840 --> 00:20:24,800
Speaker 1: One Oh okay, cool right now? He looks good to me. Actually, yep,

429
00:20:24,960 --> 00:20:28,879
Speaker 1: there's definitely a chance. Then Number two Bakaruah trained by

430
00:20:28,960 --> 00:20:29,800
Speaker 1: Chris Waller.

431
00:20:29,880 --> 00:20:31,880
Speaker 2: All right from Foxton apparently Chris Waller.

432
00:20:32,080 --> 00:20:33,720
Speaker 3: Before he managed to get through all the horses there.

433
00:20:33,760 --> 00:20:35,199
Speaker 3: Do you think still a couple more to.

434
00:20:35,200 --> 00:20:36,480
Speaker 2: Get Night's choice?

435
00:20:36,600 --> 00:20:41,680
Speaker 1: Robbie Dolan Robbie that's Robbie short for Roberta.

436
00:20:42,119 --> 00:20:46,440
Speaker 2: And then and then land legend obviously Zach Person fifty

437
00:20:46,480 --> 00:20:49,359
Speaker 2: three kilos on there. So yeah, look, gandhi here Jerry,

438
00:20:49,359 --> 00:20:49,920
Speaker 2: what are you thinking?

439
00:20:51,840 --> 00:20:54,320
Speaker 1: I just yeah, I'm still going on with interpretation. I

440
00:20:54,359 --> 00:20:57,679
Speaker 1: think avoid see King number fifteen. I think number fourteen.

441
00:20:57,720 --> 00:21:01,159
Speaker 1: Avoid that number twelve kid to sushi. Avoid that.

442
00:21:03,240 --> 00:21:04,760
Speaker 2: You're not a fan of the map, are you? That's

443
00:21:04,800 --> 00:21:05,520
Speaker 2: Manias when the.

444
00:21:05,520 --> 00:21:08,440
Speaker 1: Sweet I would definitely avoid the map as well. So

445
00:21:08,560 --> 00:21:11,000
Speaker 1: those are the number twenty one positivity. Those are the

446
00:21:11,280 --> 00:21:12,800
Speaker 1: ones that are just avoid. Yeah.

447
00:21:14,480 --> 00:21:17,760
Speaker 4: Yeah, well there we go. What a podcast that was. Yep,

448
00:21:18,160 --> 00:21:20,040
Speaker 4: all your tips on the Melbourne Cup this year. Not

449
00:21:20,160 --> 00:21:21,520
Speaker 4: to add thanks for tuning in.

450
00:21:21,720 --> 00:21:22,719
Speaker 1: I know we have a lot to get through.

451
00:21:22,800 --> 00:21:23,720
Speaker 2: That's a new format reader.

452
00:21:24,280 --> 00:21:25,440
Speaker 3: Yeah, it's just a few things.

453
00:21:25,840 --> 00:21:27,720
Speaker 1: I lost our momentum there for some reason. I don't

454
00:21:27,720 --> 00:21:29,840
Speaker 1: know why. It just sort of kept losing its momentum.

455
00:21:29,840 --> 00:21:30,480
Speaker 1: Of all those ads.

456
00:21:30,560 --> 00:21:31,760
Speaker 4: You will make sure that we can get on top

457
00:21:31,760 --> 00:21:34,600
Speaker 4: of that kind of of the moving few days over

458
00:21:34,640 --> 00:21:38,520
Speaker 4: the next few days. Sorry, I'll ask some questions about

459
00:21:38,520 --> 00:21:39,000
Speaker 4: how many.

460
00:21:38,920 --> 00:21:42,160
Speaker 1: We have to get in. Okay, yeah I can. That'd

461
00:21:42,160 --> 00:21:43,119
Speaker 1: be good, quite heavy with that.

462
00:21:43,160 --> 00:21:44,760
Speaker 3: That and I you're all good over your side of

463
00:21:44,760 --> 00:21:45,040
Speaker 3: the desk.

464
00:21:45,640 --> 00:21:47,159
Speaker 2: I don't know if hoppy. He's the word i'd use

465
00:21:47,200 --> 00:21:51,000
Speaker 2: to describe what just happened there for the last one. Yeah, look,

466
00:21:51,040 --> 00:21:53,399
Speaker 2: it's happened and something I'm going to get on Seeking

467
00:21:53,920 --> 00:21:58,320
Speaker 2: and against Jerry's advice, Yeah, you want to do that,

468
00:21:58,480 --> 00:22:00,560
Speaker 2: I'm pretty sure I'm going to get on Seak despite

469
00:22:00,560 --> 00:22:03,359
Speaker 2: the fact that this race says we've addresses run on land,

470
00:22:04,440 --> 00:22:06,960
Speaker 2: and despite the fact that Seeking will be.

471
00:22:08,880 --> 00:22:10,520
Speaker 1: Ridden by Holly Doyle.

472
00:22:12,400 --> 00:22:15,240
Speaker 5: That could be your biggest mistake since lading fireworks in

473
00:22:15,280 --> 00:22:16,360
Speaker 5: your lounge, idiot.

474
00:22:18,000 --> 00:22:20,280
Speaker 3: All right, thanks for joining us today on the Unnamed Podcast.

475
00:22:20,840 --> 00:22:25,440
Speaker 1: Thanks for having me today, Fells, Thanks tonight. Maybe we

476
00:22:25,520 --> 00:22:27,000
Speaker 1: did some good work going that podcast.

477
00:22:27,119 --> 00:22:29,480
Speaker 2: Hopefully, hopefully we have another child tomorrow.

478
00:22:29,480 --> 00:22:30,600
Speaker 1: I think we advanced things