1 00:00:06,000 --> 00:00:13,280 Speaker 1: Even closer on Instagram. Raw Dogs four to seven every weekday. 2 00:00:13,640 --> 00:00:16,280 Speaker 1: On radio, I could go a raw dog man. 3 00:00:16,960 --> 00:00:19,520 Speaker 2: Fucking hell, I had a barn me over the road there, 4 00:00:19,800 --> 00:00:24,040 Speaker 2: barn over the head right, it was good. 5 00:00:24,079 --> 00:00:25,720 Speaker 1: You'd your fierce year as well, CAZy. 6 00:00:25,880 --> 00:00:29,400 Speaker 2: I've had two from there and they've been okay, today's 7 00:00:29,400 --> 00:00:30,720 Speaker 2: one fucking rule. 8 00:00:30,840 --> 00:00:33,040 Speaker 1: Yeah. Did you go and give them a elder? 9 00:00:33,920 --> 00:00:34,160 Speaker 3: Nah? 10 00:00:34,280 --> 00:00:39,040 Speaker 2: When I gave them the old ktp here cappie, that's 11 00:00:39,080 --> 00:00:39,680 Speaker 2: what they said. 12 00:00:39,760 --> 00:00:42,400 Speaker 1: Hey, what kind of barn me was it? 13 00:00:42,600 --> 00:00:43,400 Speaker 2: Pork lemo? 14 00:00:44,600 --> 00:00:46,720 Speaker 1: Yeah? Not very no, you see, I go chicken, but 15 00:00:47,159 --> 00:00:50,640 Speaker 1: each to their own key a very Vietnamese dishes, yes, 16 00:00:51,840 --> 00:00:55,720 Speaker 1: little chicken. Yeah. Why do the Vietnamese made on a peg? 17 00:00:56,520 --> 00:00:56,720 Speaker 2: Yeah? 18 00:00:56,760 --> 00:00:58,320 Speaker 1: I made on a peg. And they do a bit 19 00:00:58,360 --> 00:01:01,160 Speaker 1: more work around the farm. It's part of the ecosystem. 20 00:01:01,200 --> 00:01:06,320 Speaker 1: More a pig, you know what I'm saying. Chicken. 21 00:01:08,440 --> 00:01:12,959 Speaker 2: Chickens do all but they lay eggs but not enough enough, 22 00:01:13,240 --> 00:01:15,640 Speaker 2: not enough eggs. So if you could have a chicken 23 00:01:15,680 --> 00:01:17,040 Speaker 2: that laid like a six pack. 24 00:01:17,480 --> 00:01:20,920 Speaker 1: A sex peck, a chicken that's got a six pack, 25 00:01:21,440 --> 00:01:25,160 Speaker 1: and people come from far to see that. Check just. 26 00:01:27,600 --> 00:01:32,640 Speaker 3: A ribbons exciting news keys that's great stuff, mate. 27 00:01:32,680 --> 00:01:34,320 Speaker 1: I might go and give them a try out again 28 00:01:34,400 --> 00:01:35,440 Speaker 1: one day and then. 29 00:01:35,360 --> 00:01:37,400 Speaker 2: You'll come back. And I went and tried it cause 30 00:01:37,440 --> 00:01:39,639 Speaker 2: it was terrible. Well, look I know what's going to happen. 31 00:01:41,200 --> 00:01:43,080 Speaker 3: I have had a barn me from there before and 32 00:01:43,080 --> 00:01:44,840 Speaker 3: it was genuinely quite dry. 33 00:01:45,000 --> 00:01:46,679 Speaker 2: Yes, same, so I went over. I used to go 34 00:01:46,680 --> 00:01:49,560 Speaker 2: over there like three ish. I went there and won. 35 00:01:50,520 --> 00:01:51,280 Speaker 2: So they was. 36 00:01:51,200 --> 00:01:53,040 Speaker 1: Like the chance to dry out. 37 00:01:54,400 --> 00:01:58,360 Speaker 2: Yeah, and it was like it was beautiful, so good. 38 00:01:59,240 --> 00:02:02,760 Speaker 1: It was pump and I may I haven't been there 39 00:02:02,800 --> 00:02:04,640 Speaker 1: a couple of times and the person has been asleep 40 00:02:04,640 --> 00:02:07,080 Speaker 1: in one of the booths. Yes, and they. 41 00:02:07,920 --> 00:02:10,440 Speaker 3: It does my head in a little bit because they 42 00:02:10,520 --> 00:02:11,440 Speaker 3: should be pumping. 43 00:02:12,040 --> 00:02:17,440 Speaker 1: But the whole front facad is just terrible, not inviting, 44 00:02:17,520 --> 00:02:17,720 Speaker 1: is it. 45 00:02:17,760 --> 00:02:20,000 Speaker 3: You just walk past it. You don't even kind of 46 00:02:20,040 --> 00:02:22,400 Speaker 3: know it's there. Yeah, a little bit of a hidden 47 00:02:22,480 --> 00:02:23,120 Speaker 3: hidden gym. 48 00:02:23,200 --> 00:02:24,400 Speaker 1: They do a cheap coffee. 49 00:02:24,720 --> 00:02:28,640 Speaker 3: It's like, come on, guys, just bright, come on making 50 00:02:28,720 --> 00:02:29,440 Speaker 3: a fortune. 51 00:02:29,520 --> 00:02:30,640 Speaker 1: Go over there with a bit of advice. 52 00:02:30,880 --> 00:02:33,720 Speaker 2: You should the white man walk in the White Savior, 53 00:02:34,160 --> 00:02:34,800 Speaker 2: White Savior. 54 00:02:34,800 --> 00:02:40,760 Speaker 1: We're talking dangerous minds starrying, Michelle Pfeiffer. We're talking Moran. 55 00:02:40,960 --> 00:02:42,640 Speaker 1: Now he's African American. 56 00:02:42,680 --> 00:02:43,400 Speaker 2: The blind Side. 57 00:02:43,720 --> 00:02:46,919 Speaker 1: The blind Side was cyber Bullock. I might invest in it. 58 00:02:48,000 --> 00:02:50,200 Speaker 2: What you do is you walk in and say and 59 00:02:50,240 --> 00:02:52,600 Speaker 2: you say, you should start doing your sticks out of 60 00:02:52,639 --> 00:02:55,320 Speaker 2: the Yeah, sandwiches is what you need to do. Ditch 61 00:02:55,320 --> 00:02:56,560 Speaker 2: all this Vietnamese stuff. 62 00:02:56,680 --> 00:02:58,160 Speaker 1: They just keep doing what they're doing. But what he 63 00:02:58,240 --> 00:02:59,720 Speaker 1: jes up the beck in the booth instead of being 64 00:02:59,760 --> 00:03:01,679 Speaker 1: a sleep's jacket, you're jacking off. 65 00:03:01,760 --> 00:03:04,600 Speaker 3: But the thing is, that's what what I had I 66 00:03:04,680 --> 00:03:07,840 Speaker 3: have noticed is the amount of barn me, because there's 67 00:03:07,840 --> 00:03:10,480 Speaker 3: one just underneath as well that does barn me. 68 00:03:10,520 --> 00:03:12,440 Speaker 1: There's barn me everywhere at the moment. 69 00:03:12,560 --> 00:03:13,640 Speaker 2: But that's part of a chain. 70 00:03:13,919 --> 00:03:14,919 Speaker 1: Yes, a chain. 71 00:03:15,040 --> 00:03:16,320 Speaker 2: There's a few of them, and that I feel like 72 00:03:16,360 --> 00:03:18,919 Speaker 2: those barmes are not made of as much love as 73 00:03:18,919 --> 00:03:19,160 Speaker 2: that one. 74 00:03:19,240 --> 00:03:21,760 Speaker 1: I couldn't tell you the last time. You know what 75 00:03:21,800 --> 00:03:23,480 Speaker 1: I like about that place across the road. 76 00:03:23,480 --> 00:03:25,239 Speaker 3: Actually it's quite coold, but I have to kill you. 77 00:03:25,400 --> 00:03:29,959 Speaker 3: It's quite filthy. No, that cross there where you went today, 78 00:03:30,400 --> 00:03:31,440 Speaker 3: it's kind of dirty. 79 00:03:31,520 --> 00:03:32,760 Speaker 2: Yeah, and we went to Vietnam. 80 00:03:32,960 --> 00:03:33,960 Speaker 1: It's kind of dirty. 81 00:03:34,040 --> 00:03:36,440 Speaker 2: Vietnam is kind of dirty. Yep, So you go to 82 00:03:36,440 --> 00:03:40,080 Speaker 2: a street food stall in Vietnam. It's dirty, totally, man, 83 00:03:40,160 --> 00:03:41,200 Speaker 2: it's delicious. 84 00:03:41,400 --> 00:03:44,600 Speaker 3: The first meal we had in Vietna Nam, I am amazed. 85 00:03:44,680 --> 00:03:50,680 Speaker 3: We didn't die, Yeah, but it was carendous and I 86 00:03:50,760 --> 00:03:53,320 Speaker 3: was taking the advice of Keasy and it was like, 87 00:03:53,840 --> 00:03:57,240 Speaker 3: just go to the shittiest, bloody, the local, the local 88 00:03:57,320 --> 00:03:59,920 Speaker 3: sort of stall there. And we went in there and 89 00:04:00,040 --> 00:04:02,840 Speaker 3: there were bloody mongrel dogs everywhere. 90 00:04:02,880 --> 00:04:06,080 Speaker 1: There were literally piles of rubbis. Take your life into 91 00:04:06,120 --> 00:04:06,560 Speaker 1: your hands. 92 00:04:08,560 --> 00:04:10,320 Speaker 2: Go to a place that all the locals are at. 93 00:04:10,360 --> 00:04:12,760 Speaker 2: It's packed with locals, were packed with local. 94 00:04:13,080 --> 00:04:14,360 Speaker 1: Great because it was empty. 95 00:04:15,120 --> 00:04:16,839 Speaker 2: Well, yeah, it was dogs. 96 00:04:16,839 --> 00:04:20,240 Speaker 3: And I actually ended up getting in testine and I 97 00:04:20,279 --> 00:04:23,320 Speaker 3: was like, okay, you ordered that, well I did. 98 00:04:23,400 --> 00:04:25,800 Speaker 1: I didn't quite know what I was ordering. My fault. 99 00:04:25,839 --> 00:04:27,039 Speaker 2: You were sitting with dogs eating and. 100 00:04:27,040 --> 00:04:31,479 Speaker 1: Tested story of shifting it not that I noticed. 101 00:04:31,839 --> 00:04:33,200 Speaker 2: Otherwise, if I didn't tell you that, you would have 102 00:04:33,240 --> 00:04:35,480 Speaker 2: just gone to the hard Rock Cafe every night for dinner. 103 00:04:36,520 --> 00:04:38,280 Speaker 3: But then the next day we did notice where all 104 00:04:38,279 --> 00:04:40,000 Speaker 3: the locals were going, and that's where we went. 105 00:04:40,080 --> 00:04:42,200 Speaker 2: It was good, it was great, So that's what I mean. 106 00:04:42,880 --> 00:04:45,000 Speaker 1: It was felthy, the. 107 00:04:44,960 --> 00:04:50,279 Speaker 2: Wcky, big show week days from four on Radio Hurarchym 108 00:04:50,480 --> 00:04:53,600 Speaker 2: the WCKY Big Show Podcast. Can I discuss something with 109 00:04:53,640 --> 00:04:59,400 Speaker 2: you involving comedy that I was just having an interesting 110 00:04:59,440 --> 00:05:03,400 Speaker 2: conversation with someone earlier and they were saying that in 111 00:05:03,440 --> 00:05:06,320 Speaker 2: your generation, Jason, I don't think it happened. And then 112 00:05:06,440 --> 00:05:09,839 Speaker 2: sort of the the you know, the Diehindward generation doesn't happen. 113 00:05:10,400 --> 00:05:15,040 Speaker 2: But apparently a lot of the younger comedians don't write 114 00:05:15,080 --> 00:05:19,320 Speaker 2: their own sets reason and they are written by other comedians. 115 00:05:19,480 --> 00:05:20,919 Speaker 1: What do you mean in New Zealand? 116 00:05:21,080 --> 00:05:25,719 Speaker 3: Yeah, well, and you will find a lot of the 117 00:05:25,760 --> 00:05:28,120 Speaker 3: shows on TV are the same thing, but. 118 00:05:28,160 --> 00:05:31,200 Speaker 1: One hundred percent yes, yeah, did you know that Allen 119 00:05:31,320 --> 00:05:32,280 Speaker 1: wasn't written by Allen? 120 00:05:32,400 --> 00:05:34,880 Speaker 2: I'm talking about New Zealand though, you know, like so 121 00:05:35,040 --> 00:05:36,920 Speaker 2: Game of Two Halves, we'd go in there and film 122 00:05:36,920 --> 00:05:39,440 Speaker 2: it in like forty minutes. I have to redo a 123 00:05:39,440 --> 00:05:41,400 Speaker 2: couple of like bits where we've mucked up the way 124 00:05:41,400 --> 00:05:43,680 Speaker 2: we said words, whatever, and then it's done, whereas like 125 00:05:43,680 --> 00:05:45,440 Speaker 2: some other comedy shows in New Zealand, itsakes like three 126 00:05:45,520 --> 00:05:49,000 Speaker 2: hours talking about comedy shows shows, but stand up as well. 127 00:05:49,000 --> 00:05:50,599 Speaker 2: That's how this conversation started. 128 00:05:50,680 --> 00:05:55,839 Speaker 3: I I have and actually not in my time. 129 00:05:56,400 --> 00:05:58,960 Speaker 1: No, I've heard that there are. 130 00:05:58,920 --> 00:06:02,320 Speaker 3: Comedians out there that from a comedian friend who don't 131 00:06:02,320 --> 00:06:05,240 Speaker 3: actually write their own stuff. 132 00:06:05,400 --> 00:06:09,120 Speaker 1: We're talking about well known because young obviously young one 133 00:06:09,200 --> 00:06:11,320 Speaker 1: is going to pay for it. No, it would have 134 00:06:11,360 --> 00:06:12,479 Speaker 1: to be well known comedians. 135 00:06:12,600 --> 00:06:14,440 Speaker 2: Yeah, so I think the agreement is they get a 136 00:06:14,440 --> 00:06:16,480 Speaker 2: cut of the yeah you're right jokes. 137 00:06:16,560 --> 00:06:19,840 Speaker 1: Yeah, that's stance. So that's I mean, if they're big enough, 138 00:06:19,839 --> 00:06:21,120 Speaker 1: and there's a couple that I can think of that 139 00:06:21,160 --> 00:06:22,120 Speaker 1: would be that. 140 00:06:23,080 --> 00:06:24,719 Speaker 2: I was just blown away by it because I was like, 141 00:06:24,960 --> 00:06:26,719 Speaker 2: we're talking about how if I was to go on 142 00:06:26,760 --> 00:06:29,120 Speaker 2: the big show and say any kind of joke that 143 00:06:29,200 --> 00:06:32,440 Speaker 2: I stole off of Instagram, off of real or TikTok 144 00:06:32,600 --> 00:06:34,919 Speaker 2: or heard someone else saying, and then repurposing it, yeah, 145 00:06:35,040 --> 00:06:36,440 Speaker 2: I would feel terrible. Then I was like, that's why 146 00:06:36,440 --> 00:06:38,760 Speaker 2: I'd feel terrible doing a comedy panels show where they 147 00:06:38,839 --> 00:06:41,080 Speaker 2: quite often write you jokes to say they always right, 148 00:06:41,120 --> 00:06:42,720 Speaker 2: they always write your jokes, And I was like, I wouldn't. 149 00:06:42,720 --> 00:06:44,919 Speaker 2: I would feel so weird about doing all that. And 150 00:06:44,920 --> 00:06:46,600 Speaker 2: then that turned into a big conversation about how we 151 00:06:46,720 --> 00:06:49,480 Speaker 2: actually a lot of comedians, not all of them. I 152 00:06:49,480 --> 00:06:51,760 Speaker 2: don't know, Like you know, they might have a general idea, 153 00:06:51,800 --> 00:06:54,080 Speaker 2: but then another comedian will flesh it out for them 154 00:06:54,120 --> 00:06:55,920 Speaker 2: and write it all for them. But they are better 155 00:06:55,920 --> 00:06:57,640 Speaker 2: at presenting, you know what I mean. 156 00:06:59,120 --> 00:07:01,000 Speaker 1: Saying. But yeah, they have to be there have to 157 00:07:01,000 --> 00:07:02,160 Speaker 1: be a lot of money in it, and there's not 158 00:07:02,160 --> 00:07:03,680 Speaker 1: a lot of money in New Zealand comedy. I mean, 159 00:07:03,720 --> 00:07:06,200 Speaker 1: I just I need more specifics around there. 160 00:07:06,240 --> 00:07:08,520 Speaker 2: Total. I'm trying. I'm trying not to be specific. 161 00:07:10,000 --> 00:07:13,080 Speaker 1: Okay, No, I know, I'm just saying, yeah, I don't 162 00:07:13,080 --> 00:07:14,760 Speaker 1: want you to be specifical on here, but it's hard 163 00:07:14,760 --> 00:07:15,440 Speaker 1: for me to do. 164 00:07:15,920 --> 00:07:17,200 Speaker 2: I do you believe? 165 00:07:17,800 --> 00:07:22,360 Speaker 3: Yeah, no, I've genuinely heard that from a colleague who 166 00:07:22,760 --> 00:07:24,440 Speaker 3: is pretty big in the comedy scene. 167 00:07:25,440 --> 00:07:26,840 Speaker 1: But he wasn't you know. 168 00:07:26,960 --> 00:07:31,240 Speaker 3: There's also you hear stories of rampant plagiarism as well. 169 00:07:31,280 --> 00:07:33,280 Speaker 2: Well. You've got a great story about yes I do, 170 00:07:33,840 --> 00:07:37,320 Speaker 2: which was a shocker, But there was someone was performing 171 00:07:37,320 --> 00:07:38,960 Speaker 2: a joke that you had told and you were in 172 00:07:39,000 --> 00:07:41,240 Speaker 2: the audience watching them, yes, and then you saw them 173 00:07:41,280 --> 00:07:42,880 Speaker 2: afterwards and they were very surprised to see you. 174 00:07:42,920 --> 00:07:45,680 Speaker 1: And it was a very elongated joke too that. 175 00:07:46,040 --> 00:07:47,040 Speaker 2: It was a well known New Zealand. 176 00:07:47,240 --> 00:07:49,119 Speaker 3: It was a well known and I was like, what 177 00:07:49,200 --> 00:07:50,960 Speaker 3: the fucky man? 178 00:07:51,040 --> 00:07:52,560 Speaker 1: And then I saw them after the gig and he 179 00:07:52,640 --> 00:07:53,280 Speaker 1: went pale. 180 00:07:53,680 --> 00:07:55,960 Speaker 2: So I wonder if, like, you know, the biggest comedians 181 00:07:56,000 --> 00:07:57,440 Speaker 2: in the world, like it's hard for me to think 182 00:07:57,480 --> 00:08:01,679 Speaker 2: a Dave Chappelle or like them would. 183 00:08:01,760 --> 00:08:06,200 Speaker 1: Absolutely they have writers. They working. Yeah, it's some of them. 184 00:08:06,240 --> 00:08:09,520 Speaker 1: What a matter of opinion. Absolutely, yeah, absolutely, because you 185 00:08:09,560 --> 00:08:11,440 Speaker 1: have these guys that come out they do a special. 186 00:08:11,680 --> 00:08:14,160 Speaker 1: There've been comedians for ten or fifteen years, they finally 187 00:08:14,160 --> 00:08:15,920 Speaker 1: get a special. It's their most home work, and now 188 00:08:15,920 --> 00:08:18,119 Speaker 1: they're doing one every single year, all of a sudden, 189 00:08:18,360 --> 00:08:20,240 Speaker 1: all of a sudden, they've got enough quality. Some of 190 00:08:20,280 --> 00:08:21,760 Speaker 1: them don't because they come out and they'll be shit. 191 00:08:21,840 --> 00:08:25,800 Speaker 1: But absolutely they use they use writers, and even more interesting, 192 00:08:25,880 --> 00:08:29,520 Speaker 1: I think that more amazing than that is is rappers 193 00:08:30,320 --> 00:08:34,480 Speaker 1: that do it. So you had Em and M writing 194 00:08:35,600 --> 00:08:38,560 Speaker 1: on the on two thousand and one, Oh the Chronic 195 00:08:38,679 --> 00:08:42,360 Speaker 1: No Doctor j Yeah, like Dre's and Snoop Dog's parts, 196 00:08:42,400 --> 00:08:44,120 Speaker 1: and jay Z was doing the same thing. They were 197 00:08:44,120 --> 00:08:47,360 Speaker 1: go writing and writing all of those songs as if 198 00:08:47,400 --> 00:08:50,800 Speaker 1: they were them and handing them over and the demos 199 00:08:50,840 --> 00:08:54,600 Speaker 1: would have jay Z or Eminem rapping as those guys, 200 00:08:54,679 --> 00:08:56,200 Speaker 1: and then those guys just come in there and did it. 201 00:08:56,360 --> 00:08:57,920 Speaker 1: That to me is a fucking disgrace. 202 00:08:57,960 --> 00:08:59,560 Speaker 2: But that's obviously in a lot of music though. 203 00:09:00,200 --> 00:09:02,840 Speaker 1: No, but I was shocked that that was happening, especially 204 00:09:02,840 --> 00:09:05,240 Speaker 1: when they are in their prime. So saying that shocked me. 205 00:09:05,320 --> 00:09:10,559 Speaker 2: Eminem was actually the one walking down the street smoking indoos. 206 00:09:10,600 --> 00:09:13,920 Speaker 1: That's right, it's unbelievable. But you get there to Google 207 00:09:13,960 --> 00:09:17,200 Speaker 1: there's some huge songs that are like that. Yeah, but 208 00:09:17,360 --> 00:09:20,640 Speaker 1: that's the thing. It's But also you'll have people that 209 00:09:20,679 --> 00:09:22,640 Speaker 1: are writers, like monologues on Late Night and all that 210 00:09:22,679 --> 00:09:24,840 Speaker 1: sort of stuff. But when you when you go in 211 00:09:24,880 --> 00:09:29,240 Speaker 1: and you'll write for you know, Ricky Gervais is presenting 212 00:09:29,240 --> 00:09:32,240 Speaker 1: Golden Globes or whatever it might be, and you can 213 00:09:32,400 --> 00:09:34,520 Speaker 1: just in the same goes for these stand up specials, 214 00:09:34,559 --> 00:09:36,280 Speaker 1: were you just go in and you write the jokes 215 00:09:36,920 --> 00:09:39,560 Speaker 1: for that person in their voice, so it's not like 216 00:09:39,880 --> 00:09:42,280 Speaker 1: you're wasting jokes that you would otherwise use yourself. Yeah, 217 00:09:42,280 --> 00:09:44,440 Speaker 1: you're doing because the voice is so completely different than 218 00:09:45,120 --> 00:09:46,839 Speaker 1: it would never but it never work for you. 219 00:09:46,960 --> 00:09:48,920 Speaker 2: So it would be quite not easy, but it would 220 00:09:49,000 --> 00:09:50,960 Speaker 2: be easier to write for someone else if you know 221 00:09:51,000 --> 00:09:51,560 Speaker 2: their tone, you know. 222 00:09:51,559 --> 00:09:53,400 Speaker 1: What they're like. Yeah, they're like a character, right, It's 223 00:09:53,400 --> 00:09:56,480 Speaker 1: like writing for fucking well into paranal. 224 00:09:57,520 --> 00:09:59,280 Speaker 2: But I just thought it was interesting because the scope 225 00:09:59,280 --> 00:10:02,000 Speaker 2: of the comedians and evolved. I was just like, oh, 226 00:10:02,080 --> 00:10:06,560 Speaker 2: because I couldn't. I just cannot understand saying something that 227 00:10:06,600 --> 00:10:08,959 Speaker 2: isn't my work. I don't know. I was very weirded 228 00:10:09,000 --> 00:10:09,560 Speaker 2: out by it. 229 00:10:09,679 --> 00:10:11,880 Speaker 1: I think it would be yeah, I mean, yeah, it's 230 00:10:11,880 --> 00:10:14,400 Speaker 1: hard to know. But if they were big enough, I 231 00:10:14,400 --> 00:10:16,640 Speaker 1: could see it happening. Yeah, because you got to keep 232 00:10:16,640 --> 00:10:19,040 Speaker 1: the money, come in it. If you're out of jokes it, 233 00:10:19,040 --> 00:10:19,760 Speaker 1: I'll just pay something. 234 00:10:19,840 --> 00:10:22,079 Speaker 2: And also and also if you're another comedian that does 235 00:10:22,080 --> 00:10:24,760 Speaker 2: another style and you can make some money by helping 236 00:10:24,760 --> 00:10:27,640 Speaker 2: this person's right, I get it. I was just like, 237 00:10:27,720 --> 00:10:28,959 Speaker 2: I just was, Yes. 238 00:10:29,720 --> 00:10:33,040 Speaker 1: Happened in New Zealand. Anybody that's making any money, Yeah. 239 00:10:32,880 --> 00:10:35,120 Speaker 2: Yeah, totally. I was just like, oh fucking hell, yeah, jeez. 240 00:10:35,200 --> 00:10:36,439 Speaker 2: And I was, you know, because I was going to 241 00:10:36,440 --> 00:10:38,200 Speaker 2: be a comedian there for a but feelers, I. 242 00:10:38,080 --> 00:10:40,360 Speaker 1: Need you that you could add writers and everything. Yeah, 243 00:10:40,600 --> 00:10:41,640 Speaker 1: we could write your gags. 244 00:10:41,800 --> 00:10:43,800 Speaker 2: You could write me gags. I'd fucking hate to know. 245 00:10:45,679 --> 00:10:48,920 Speaker 1: Actually, a good name for your first stand up special, gagging? Oh, 246 00:10:49,040 --> 00:10:50,040 Speaker 1: kezy gagging? 247 00:10:51,480 --> 00:10:53,719 Speaker 2: Thanks Fellers, I like it, well you have, I can 248 00:10:53,760 --> 00:10:54,840 Speaker 2: see the poster for it. 249 00:10:54,880 --> 00:10:57,840 Speaker 1: Actually, again, what about gaging hard? That? Maybe that's the 250 00:10:57,880 --> 00:11:00,839 Speaker 1: second one you do still? And then a third but 251 00:11:00,960 --> 00:11:04,560 Speaker 1: I'm still gagging and then gagging like a motherfucker. 252 00:11:04,000 --> 00:11:05,959 Speaker 2: And then the last one's finally wrapped my lips around. 253 00:11:05,960 --> 00:11:08,800 Speaker 2: There's something out there and finally nailed it head. 254 00:11:09,440 --> 00:11:11,680 Speaker 1: Is that vague enough? Yeah, we'll work on it. 255 00:11:11,760 --> 00:11:14,120 Speaker 2: Yeah, we'll work shopping. Hey, this is the Big Show, 256 00:11:14,160 --> 00:11:17,160 Speaker 2: four or seven weekdays radio heard Acumen Stup