1 00:00:00,080 --> 00:00:02,719 Speaker 1: Good news for some of Beckronger's back. Her sixth studio 2 00:00:02,800 --> 00:00:05,440 Speaker 1: album is called Red Sunset. There's a two coming as well. 3 00:00:05,519 --> 00:00:08,360 Speaker 1: First album, first original album in some fifteen years, which 4 00:00:08,440 --> 00:00:10,840 Speaker 1: I find hard to believe. Anyway, Beck Wrong is up 5 00:00:10,880 --> 00:00:14,480 Speaker 1: early ish for us in Sydney. Good morning to you. 6 00:00:15,200 --> 00:00:16,360 Speaker 2: Good morning. How are you. 7 00:00:16,400 --> 00:00:18,159 Speaker 1: I'm very well, indeed lovely to catch up with you. 8 00:00:18,200 --> 00:00:19,239 Speaker 1: What are you doing in Sydney? 9 00:00:20,560 --> 00:00:23,040 Speaker 2: Well, I'm just here for business, you know, I've got 10 00:00:23,040 --> 00:00:26,279 Speaker 2: my aperate board role and I've got like I'm meeting 11 00:00:26,280 --> 00:00:28,880 Speaker 2: my record label and publisher. Yeah, just getting to get 12 00:00:28,880 --> 00:00:30,840 Speaker 2: in to work, just doing some work. I don't live here, 13 00:00:31,400 --> 00:00:32,760 Speaker 2: so you know, I'm avantasically. 14 00:00:33,479 --> 00:00:35,960 Speaker 1: Now is that fifteen years? The first album? 15 00:00:36,000 --> 00:00:36,080 Speaker 2: So? 16 00:00:36,200 --> 00:00:39,360 Speaker 1: Is this first original material, completely original material in fifteen years? 17 00:00:39,440 --> 00:00:41,520 Speaker 1: Is that right? It is right? 18 00:00:41,640 --> 00:00:44,760 Speaker 2: Yeah, I mean I made a covers album maybe eight 19 00:00:44,880 --> 00:00:47,720 Speaker 2: or ten years ago. But you know, yeah, I've actually 20 00:00:47,800 --> 00:00:50,400 Speaker 2: had all these songs kicking round in different forms, but 21 00:00:51,280 --> 00:00:54,320 Speaker 2: you know, I haven't really had a chance to properly 22 00:00:54,520 --> 00:00:57,840 Speaker 2: focus on a new release. But yeah, it's a good time. Now. 23 00:00:58,040 --> 00:00:59,920 Speaker 1: Are you excited by it? Nervous? 24 00:01:00,200 --> 00:01:03,279 Speaker 2: I'm really excited. Yeah, I'm nervous about it, but it's 25 00:01:03,320 --> 00:01:05,320 Speaker 2: called to hear that track that you just played, because 26 00:01:05,360 --> 00:01:07,639 Speaker 2: that's one of the songs and I haven't. It's funny 27 00:01:07,680 --> 00:01:10,880 Speaker 2: having it out in the world because yeah, and it's 28 00:01:10,880 --> 00:01:13,400 Speaker 2: a bit of a reinvention some of it, so you know, 29 00:01:13,480 --> 00:01:16,600 Speaker 2: that's never easy to do, but it's either reinvent or 30 00:01:16,640 --> 00:01:19,280 Speaker 2: just repeat yourself. So you know, I really kind of 31 00:01:19,400 --> 00:01:20,520 Speaker 2: wanted to try something else. 32 00:01:20,720 --> 00:01:24,520 Speaker 1: Did something happen specifically, did you go I must do 33 00:01:24,640 --> 00:01:27,319 Speaker 1: an album or did someone go, hey, how come you 34 00:01:27,360 --> 00:01:28,160 Speaker 1: haven't done an album? 35 00:01:29,000 --> 00:01:32,280 Speaker 2: To be honest, it's actually because I mean I think 36 00:01:32,280 --> 00:01:35,160 Speaker 2: I've said to you before and interviews that you know, 37 00:01:35,200 --> 00:01:38,680 Speaker 2: I just really got really busy with family and now 38 00:01:38,720 --> 00:01:41,280 Speaker 2: one of my kids is moving out and next year 39 00:01:41,400 --> 00:01:43,640 Speaker 2: going to university in Wellington. So I was just like, whoa, 40 00:01:43,880 --> 00:01:46,760 Speaker 2: this is this is new. I might have to actually 41 00:01:47,000 --> 00:01:51,120 Speaker 2: get a life, and so I really made a concerted 42 00:01:51,160 --> 00:01:53,360 Speaker 2: effort to kind of go, oh, no, I'm going to 43 00:01:53,720 --> 00:01:56,240 Speaker 2: I'm going to I'm going to hurt next year, so 44 00:01:56,360 --> 00:01:59,040 Speaker 2: I really need to. Yeah, so I've been actively trying 45 00:01:59,080 --> 00:02:00,240 Speaker 2: to get back it. 46 00:02:00,760 --> 00:02:02,520 Speaker 1: Well, okay, so let me talk to you about this 47 00:02:02,560 --> 00:02:04,640 Speaker 1: as a parent then and here's my take on it, 48 00:02:04,680 --> 00:02:06,800 Speaker 1: because I've had kids move out too, and I hear 49 00:02:07,000 --> 00:02:09,400 Speaker 1: you're you're in the majority, right, so you go, I'm 50 00:02:09,440 --> 00:02:11,079 Speaker 1: going to miss them. Oh it's really going to hurt. 51 00:02:11,360 --> 00:02:17,280 Speaker 1: I'm the opposite. I love giving them out. Wow, I 52 00:02:17,440 --> 00:02:20,320 Speaker 1: love No, I love seeing them in the world, really 53 00:02:20,520 --> 00:02:23,760 Speaker 1: doing doing their own thing. They're they're they're evolving and doing. 54 00:02:23,720 --> 00:02:28,320 Speaker 2: The Yeah, that's pretty cool. Yeah, I hear you. Yeah, 55 00:02:28,560 --> 00:02:31,320 Speaker 2: that's all really exciting. Yeah, I'm loving that watching that. 56 00:02:31,880 --> 00:02:35,400 Speaker 1: The French thing with this whole thing was recorded in 57 00:02:35,440 --> 00:02:37,639 Speaker 1: the winter. When I say the winter, I'm taking what's 58 00:02:37,680 --> 00:02:39,120 Speaker 1: that January February of this year. 59 00:02:39,400 --> 00:02:42,520 Speaker 2: Yeah, it was, yeah, and what were you doing now? 60 00:02:43,240 --> 00:02:45,400 Speaker 2: Well again, it was like trying to book in those 61 00:02:45,560 --> 00:02:47,960 Speaker 2: parent years because you know, I used to live in 62 00:02:48,000 --> 00:02:50,800 Speaker 2: Paris and I you know, that was like the dream 63 00:02:50,840 --> 00:02:52,639 Speaker 2: of my life to live there, and then when I 64 00:02:52,639 --> 00:02:54,720 Speaker 2: had my family, I was just like, nah, maybe I'm 65 00:02:54,760 --> 00:02:56,560 Speaker 2: never going to go back there at all, you know. 66 00:02:56,720 --> 00:02:59,360 Speaker 2: So it was about taking the kids there and like 67 00:02:59,520 --> 00:03:03,320 Speaker 2: sort of as a last trip to show them Paris, 68 00:03:03,320 --> 00:03:05,440 Speaker 2: and then we we just rented a house with a 69 00:03:05,440 --> 00:03:08,160 Speaker 2: piano and really knocked the record out. It was just 70 00:03:08,200 --> 00:03:12,160 Speaker 2: like just made an effort to finish it. And yeah, 71 00:03:12,400 --> 00:03:14,560 Speaker 2: so and just I wanted it to have some of 72 00:03:14,560 --> 00:03:18,200 Speaker 2: that vibe and just remembering my life before, you know, 73 00:03:18,280 --> 00:03:19,600 Speaker 2: the kids said, I don't know, it was just the 74 00:03:19,639 --> 00:03:20,880 Speaker 2: sort of nostalgia. 75 00:03:20,520 --> 00:03:24,040 Speaker 1: Trip was it was it fantastic, It was fantastic. 76 00:03:24,040 --> 00:03:27,079 Speaker 2: It was to get a vibe, you know, into the music, Yeah, 77 00:03:27,160 --> 00:03:30,320 Speaker 2: rather than just the sort of mundane of domestic stuff. Then. 78 00:03:30,440 --> 00:03:34,920 Speaker 1: Yeah, and what when you say you rented a house 79 00:03:34,920 --> 00:03:36,400 Speaker 1: with a piano, is that where the piano and the 80 00:03:36,440 --> 00:03:39,400 Speaker 1: song comes from? The old piano, the eighteen oh seven piano. 81 00:03:40,160 --> 00:03:43,040 Speaker 2: Yes, yes, there was this amazing grand piano. And I 82 00:03:43,080 --> 00:03:44,760 Speaker 2: didn't know this, but there's a thing where you know, 83 00:03:44,880 --> 00:03:48,400 Speaker 2: you can I seldom use airbnb, but you know there's 84 00:03:48,480 --> 00:03:51,160 Speaker 2: these I was just like, wow, there's pools the piano. 85 00:03:51,360 --> 00:03:52,920 Speaker 2: You know. I was just like, come on, we're gonna 86 00:03:52,920 --> 00:03:54,640 Speaker 2: do this. It was kind of like, sort of seems 87 00:03:54,640 --> 00:03:56,520 Speaker 2: crazy not to actually record while we was there. 88 00:03:56,920 --> 00:03:59,680 Speaker 1: And so so you you literally written so you airedb 89 00:03:59,800 --> 00:04:05,160 Speaker 1: and your holiday and so you literally recorded the album 90 00:04:05,600 --> 00:04:07,360 Speaker 1: in the house while you're on holiday. 91 00:04:08,200 --> 00:04:11,520 Speaker 2: Yes, correct, Yeah, wow, yeah, and yeah, because some of 92 00:04:11,560 --> 00:04:14,640 Speaker 2: these songs, some of the fragments of this were from 93 00:04:14,680 --> 00:04:18,360 Speaker 2: twenty five years ago. There's unfinished songs from the second 94 00:04:18,400 --> 00:04:20,479 Speaker 2: record that that didn't make the second record, and then 95 00:04:20,520 --> 00:04:24,960 Speaker 2: they've been you know, have been finished. And okay, yeah that's. 96 00:04:24,720 --> 00:04:28,039 Speaker 1: Cool because here's the other thing, because this just makes 97 00:04:28,080 --> 00:04:31,520 Speaker 1: me soundly old. But the albums? Am I right in 98 00:04:31,680 --> 00:04:33,920 Speaker 1: saying the album's not out yet, but you've done this. 99 00:04:34,160 --> 00:04:35,600 Speaker 1: Three singles are already out. 100 00:04:36,640 --> 00:04:40,160 Speaker 2: Yeah, that's right. Yeah, it's not out till February thirteenth, 101 00:04:40,480 --> 00:04:43,200 Speaker 2: but the first three songs are out. And yeah, we 102 00:04:43,320 --> 00:04:46,800 Speaker 2: just we just announced the tour, the Olden date and 103 00:04:46,839 --> 00:04:47,440 Speaker 2: the tour dates. 104 00:04:47,560 --> 00:04:48,960 Speaker 1: Well, I'll come to the tour in just a couple 105 00:04:48,960 --> 00:04:51,640 Speaker 1: of moments. So the three songs that are that are out. 106 00:04:51,640 --> 00:04:54,320 Speaker 1: So I listened to all of those yesterday, so they're 107 00:04:54,360 --> 00:04:56,800 Speaker 1: all great. What's it feel like to have that bit 108 00:04:56,880 --> 00:04:58,040 Speaker 1: out with more to come? 109 00:04:59,200 --> 00:05:02,960 Speaker 2: Oh, it's excited. It's really exciting. But you know, I 110 00:05:03,000 --> 00:05:05,520 Speaker 2: do really appreciate you talking to me this moment because 111 00:05:05,600 --> 00:05:07,719 Speaker 2: but but because what it feels like is it's a 112 00:05:07,760 --> 00:05:11,160 Speaker 2: really different landscape. It's like there's no there's not a 113 00:05:11,200 --> 00:05:13,239 Speaker 2: lot of music media, there's not a lot of people 114 00:05:13,279 --> 00:05:16,560 Speaker 2: reviewing albums and you know, the last time it made 115 00:05:16,560 --> 00:05:19,560 Speaker 2: a record, there's quite a lot more media and so 116 00:05:20,000 --> 00:05:21,680 Speaker 2: it's a really different landscape. 117 00:05:21,839 --> 00:05:23,720 Speaker 1: Yeah, there used to be a lot. There's used to 118 00:05:23,800 --> 00:05:25,520 Speaker 1: be a lot more media. Bag that is true. 119 00:05:25,600 --> 00:05:26,800 Speaker 2: Yeah, he's crazy. 120 00:05:27,000 --> 00:05:32,200 Speaker 1: You mentioned opera. Does opra still work? Is that still 121 00:05:32,200 --> 00:05:35,360 Speaker 1: a thing for artists and the money flows and the envelopes? 122 00:05:35,960 --> 00:05:39,200 Speaker 2: Oh, yes, it does still work. And so it's the 123 00:05:39,240 --> 00:05:43,360 Speaker 2: Australasian Performing Rights Association and you know, it's a three 124 00:05:43,440 --> 00:05:46,080 Speaker 2: quarter of a billion dollar business and just in those 125 00:05:46,120 --> 00:05:49,080 Speaker 2: regions and I'm on the board, and you know, it's 126 00:05:49,120 --> 00:05:51,800 Speaker 2: every year we were doing better and better and it's 127 00:05:51,800 --> 00:05:56,920 Speaker 2: about getting songwriting royalties back to songwriters exactly. It works 128 00:05:56,960 --> 00:05:57,479 Speaker 2: really well. 129 00:05:57,600 --> 00:06:00,200 Speaker 1: Do you battle with the streamers in terms of what 130 00:06:00,240 --> 00:06:00,720 Speaker 1: they pay? 131 00:06:02,600 --> 00:06:05,400 Speaker 2: We negotiate prices with them and then you know, no, 132 00:06:05,480 --> 00:06:08,360 Speaker 2: we don't battle with them. We you know, it's they 133 00:06:08,880 --> 00:06:09,960 Speaker 2: know we partner with them. 134 00:06:12,360 --> 00:06:16,880 Speaker 1: There we go. There's the board member talk. It's just 135 00:06:16,960 --> 00:06:19,760 Speaker 1: every time we had Page in the other day. She's 136 00:06:19,800 --> 00:06:21,400 Speaker 1: a young artist, a lot of talent, all of that 137 00:06:21,400 --> 00:06:23,320 Speaker 1: sort of stuff, and I'm always i always ask them 138 00:06:23,360 --> 00:06:26,680 Speaker 1: about revenue streams and you know, where they get their 139 00:06:26,680 --> 00:06:28,880 Speaker 1: money from and how it works and stuff. And I 140 00:06:29,080 --> 00:06:32,279 Speaker 1: just worry, and this makes me sound old again that 141 00:06:32,680 --> 00:06:35,600 Speaker 1: I worry that they're not surrounded by people who are 142 00:06:35,640 --> 00:06:38,080 Speaker 1: giving them the sort of advice that that this is 143 00:06:38,080 --> 00:06:40,479 Speaker 1: a model, this is a business, that this is your living, 144 00:06:40,560 --> 00:06:41,960 Speaker 1: that you know you need to take care of it, 145 00:06:42,040 --> 00:06:45,000 Speaker 1: because they're all sort of loving the creativity. 146 00:06:45,160 --> 00:06:47,440 Speaker 2: Yeah, I don't know an artist that hasn't had to 147 00:06:47,520 --> 00:06:49,880 Speaker 2: learn the hard way. You know, you go into it 148 00:06:49,920 --> 00:06:52,120 Speaker 2: with like, you know, eyes wide open and all you 149 00:06:52,160 --> 00:06:54,600 Speaker 2: want to do is make music. But yeah, no, it's 150 00:06:54,600 --> 00:06:56,520 Speaker 2: a it's a bit of a dirty business really, like 151 00:06:56,560 --> 00:07:00,600 Speaker 2: if you're not careful, definitely, But I didn't need recently, 152 00:07:00,600 --> 00:07:03,360 Speaker 2: and I just I loved how she knew deep down 153 00:07:03,560 --> 00:07:06,240 Speaker 2: what was going on, and I think that I think 154 00:07:06,279 --> 00:07:08,159 Speaker 2: a lot of musicians actually do. But you sort of 155 00:07:08,160 --> 00:07:10,440 Speaker 2: have to have blinkers on to just to get through 156 00:07:10,440 --> 00:07:13,440 Speaker 2: it because it's actually it's it is full of skullduggery. 157 00:07:13,520 --> 00:07:15,960 Speaker 2: And you know, the music industry is not a great Yeah, 158 00:07:16,000 --> 00:07:17,520 Speaker 2: it's not great environmental exactly? 159 00:07:17,680 --> 00:07:19,840 Speaker 1: Is this all cream on the cake for you these days? 160 00:07:19,840 --> 00:07:21,440 Speaker 1: Did you get to a point that you've been so 161 00:07:21,440 --> 00:07:23,960 Speaker 1: successful that everything's just a bonus and the gold medal. 162 00:07:24,920 --> 00:07:29,120 Speaker 2: Oh no, I kind of always committed to being a musician, 163 00:07:29,560 --> 00:07:31,520 Speaker 2: you know, right from an early age, from eleven, I 164 00:07:31,600 --> 00:07:33,680 Speaker 2: knew I wanted to be a musician. So I was 165 00:07:33,760 --> 00:07:35,680 Speaker 2: always in it for the long haul, even when it 166 00:07:35,760 --> 00:07:38,480 Speaker 2: just felt like it was going badly. You know, you 167 00:07:38,560 --> 00:07:41,080 Speaker 2: never lose that sense of yourself as a musician. I 168 00:07:41,560 --> 00:07:44,640 Speaker 2: couldn't retire because I know, I feel like I'd lost 169 00:07:44,720 --> 00:07:47,120 Speaker 2: my sense of self. So yeah, it's good. Yeah, I've 170 00:07:47,160 --> 00:07:48,520 Speaker 2: got no choice but to keep going. 171 00:07:48,840 --> 00:07:51,520 Speaker 1: When did it go badly? It's never gone badly for you. 172 00:07:51,880 --> 00:07:54,720 Speaker 2: Well, you know, it's one of those things where you 173 00:07:54,720 --> 00:07:57,800 Speaker 2: you know, you can't stay on top all the time. 174 00:07:57,880 --> 00:08:00,280 Speaker 2: And you know I had hits early, so you know, 175 00:08:00,320 --> 00:08:04,400 Speaker 2: there's a lot of like, you know, just noodling around 176 00:08:04,440 --> 00:08:06,760 Speaker 2: the house and thinking, am I ever going to do 177 00:08:06,920 --> 00:08:10,320 Speaker 2: this again? But yeah, but you know I'm here. I'm 178 00:08:10,360 --> 00:08:11,280 Speaker 2: still here. 179 00:08:11,160 --> 00:08:14,120 Speaker 1: Noodling around the house. So what was So what are 180 00:08:14,160 --> 00:08:15,760 Speaker 1: your expectations on this album? 181 00:08:15,800 --> 00:08:15,960 Speaker 2: Then? 182 00:08:16,000 --> 00:08:19,680 Speaker 1: Do you have expectations and hits or what? 183 00:08:20,000 --> 00:08:22,160 Speaker 2: I love it? Yeah. No, That's the thing with being 184 00:08:22,200 --> 00:08:25,440 Speaker 2: where I'm at is I learned how to manage expectations, 185 00:08:25,520 --> 00:08:27,880 Speaker 2: and that's that's the healthiest way to go about it. 186 00:08:27,920 --> 00:08:30,800 Speaker 2: So I'm really you know, I've really I'm happy with 187 00:08:30,840 --> 00:08:34,319 Speaker 2: myself that I finally made new music and and every 188 00:08:34,360 --> 00:08:37,120 Speaker 2: time someone really connects with the music, I realize that's 189 00:08:37,160 --> 00:08:40,240 Speaker 2: the that's the thing that matters. And yeah, so so 190 00:08:40,360 --> 00:08:43,319 Speaker 2: it's problem, it's probably not going to be there's no 191 00:08:43,480 --> 00:08:47,200 Speaker 2: hits anymore. It's really real and it's hard, so you know, yeah, 192 00:08:47,280 --> 00:08:49,520 Speaker 2: it's I'm just happy with where I'm at it. 193 00:08:50,120 --> 00:08:52,120 Speaker 1: What about the road, what about the tours? What about 194 00:08:52,120 --> 00:08:54,320 Speaker 1: the concerts? And is that still a thrill? 195 00:08:55,280 --> 00:08:57,320 Speaker 2: I still love that? And that's the bit that I 196 00:08:57,400 --> 00:09:00,240 Speaker 2: spent decades trying to get better at. So that's the 197 00:09:00,280 --> 00:09:04,360 Speaker 2: thing that you know, I feel that I can control 198 00:09:04,400 --> 00:09:06,760 Speaker 2: and I really you know, that's the good part for me. 199 00:09:07,080 --> 00:09:09,520 Speaker 1: Good. You've got to show on Wellington I note with 200 00:09:09,520 --> 00:09:12,600 Speaker 1: the Nzso is that being recorded? Yes? 201 00:09:12,760 --> 00:09:14,880 Speaker 2: Yeah, we just did one with the APO as well, 202 00:09:14,920 --> 00:09:17,800 Speaker 2: and yeah, I loved it. So we you know, once 203 00:09:17,800 --> 00:09:19,440 Speaker 2: you build a show like that and you commission all 204 00:09:19,440 --> 00:09:21,480 Speaker 2: the arrangements, you know you could do that forever and 205 00:09:21,520 --> 00:09:23,920 Speaker 2: it's it was really exciting. It was just such an 206 00:09:23,920 --> 00:09:26,240 Speaker 2: efficient practice and you know, you just show up and 207 00:09:26,280 --> 00:09:28,679 Speaker 2: you sing and you just nail every song with the conductor. 208 00:09:28,720 --> 00:09:31,920 Speaker 2: And then then then mvso approached us to do one. 209 00:09:32,400 --> 00:09:34,720 Speaker 2: So that was you know, like I could do this forever. 210 00:09:34,840 --> 00:09:37,040 Speaker 2: This is so fun. Yeah, I love it. 211 00:09:37,280 --> 00:09:39,760 Speaker 1: Well, well, I've got your schedule. I'll give them people 212 00:09:39,800 --> 00:09:41,839 Speaker 1: the details in just a moment. It's all happening in March. 213 00:09:41,880 --> 00:09:43,400 Speaker 1: What are you doing for the holidays. You're going away 214 00:09:43,400 --> 00:09:44,760 Speaker 1: for Christmas, You're relaxing, you. 215 00:09:46,240 --> 00:09:49,720 Speaker 2: I've got we're starting to get going outside of the 216 00:09:50,200 --> 00:09:51,960 Speaker 2: you know, we're going to the Philippines and we're going 217 00:09:52,000 --> 00:09:55,520 Speaker 2: to Thailand and for work, you know, so that's really exciting. 218 00:09:55,640 --> 00:09:59,480 Speaker 2: Those are big markets for me because you're streaming markets 219 00:09:59,480 --> 00:10:01,959 Speaker 2: for me. Some good going and playing bear and having 220 00:10:02,080 --> 00:10:04,040 Speaker 2: meetings here. So I'll take the family to that. 221 00:10:04,400 --> 00:10:07,600 Speaker 1: Yeah, fantastic. Maybe the piano. 222 00:10:08,480 --> 00:10:10,679 Speaker 2: Yeah, but my mum's in Malaysia, so we will all 223 00:10:10,679 --> 00:10:11,520 Speaker 2: go there as well. 224 00:10:11,679 --> 00:10:12,400 Speaker 1: I love you mum. 225 00:10:13,240 --> 00:10:14,559 Speaker 2: Oh yeah, my mom loves you too. 226 00:10:14,840 --> 00:10:17,080 Speaker 1: I love it and I love you too. Listen lovely 227 00:10:17,120 --> 00:10:19,640 Speaker 1: to Lovely to catch up with you. Have a great holiday, 228 00:10:19,679 --> 00:10:21,319 Speaker 1: and good luck with the oldum and all the concerts 229 00:10:21,320 --> 00:10:23,720 Speaker 1: and stuff. Nice to talk, take care, thanks for having us. 230 00:10:24,240 --> 00:10:24,520 Speaker 2: Cheers. 231 00:10:25,040 --> 00:10:27,400 Speaker 1: I mean, is she the world's most lovely person or what? 232 00:10:27,960 --> 00:10:30,880 Speaker 1: For more from the Mi Casking Breakfast Listen live to 233 00:10:30,960 --> 00:10:34,040 Speaker 1: news talks. It'd be from six am weekdays, or follow 234 00:10:34,080 --> 00:10:35,640 Speaker 1: the podcast on iHeartRadio