1 00:00:00,080 --> 00:00:02,520 Speaker 1: Ben Elton. On his way back, he joins a veritable 2 00:00:02,520 --> 00:00:04,920 Speaker 1: flotilla of British comics who seem to be hitting the 3 00:00:04,960 --> 00:00:07,840 Speaker 1: road these days, David Williams, Graham Norton, Stephen Fry among others. 4 00:00:07,880 --> 00:00:10,320 Speaker 1: So what's he got for us, ben Elton? As well 5 00:00:10,320 --> 00:00:11,160 Speaker 1: as very good morning? 6 00:00:11,600 --> 00:00:14,200 Speaker 2: Good morning indeed, and thank you for having me, very 7 00:00:14,240 --> 00:00:15,200 Speaker 2: pleased to be here. 8 00:00:15,120 --> 00:00:16,959 Speaker 1: No worries it or just to quick catch up the 9 00:00:17,600 --> 00:00:22,280 Speaker 1: tours receiving rave reviews and goods? Is this a comfortable 10 00:00:22,280 --> 00:00:24,520 Speaker 1: time of life where it doesn't matter anymore? It's all 11 00:00:24,560 --> 00:00:25,400 Speaker 1: cream on the cake. 12 00:00:27,280 --> 00:00:28,480 Speaker 3: Well, I certainly wouldn't say that. 13 00:00:28,640 --> 00:00:32,559 Speaker 2: No, I think it's as I certainly find it as 14 00:00:32,760 --> 00:00:37,120 Speaker 2: as kind of, you know, important and vaguely intimidating as 15 00:00:37,159 --> 00:00:38,519 Speaker 2: I did when I was young. I mean, I think 16 00:00:38,520 --> 00:00:41,160 Speaker 2: I'm better at it now and I certainly enjoy stand 17 00:00:41,200 --> 00:00:44,919 Speaker 2: up comedy more so as much as I think. I 18 00:00:44,960 --> 00:00:46,839 Speaker 2: know the audience have come because they want to see me, 19 00:00:47,320 --> 00:00:48,960 Speaker 2: So you know, I've got to be I've got to 20 00:00:49,000 --> 00:00:50,239 Speaker 2: kind of be bad, you know what I mean. 21 00:00:50,240 --> 00:00:50,720 Speaker 3: I've got to. 22 00:00:50,760 --> 00:00:54,600 Speaker 2: Prove myself, but I do have to justify myself. No, 23 00:00:54,800 --> 00:00:57,520 Speaker 2: I'm certainly not you know, sitting back on the big 24 00:00:57,560 --> 00:01:01,520 Speaker 2: fat Lauras. As my wife would say, I'm you know, 25 00:01:01,640 --> 00:01:04,479 Speaker 2: I took every gig very seriously. You know, a theater 26 00:01:04,560 --> 00:01:06,440 Speaker 2: full of people are going to invest in me for 27 00:01:06,480 --> 00:01:09,920 Speaker 2: the evening. That is a big responsibility. And also I 28 00:01:09,920 --> 00:01:12,280 Speaker 2: wouldn't do it if I didn't if the passion didn't 29 00:01:12,319 --> 00:01:16,000 Speaker 2: still burn. I mean, I have not lost the desire 30 00:01:16,120 --> 00:01:18,959 Speaker 2: to shout and swear and pontificate about all and sundry. 31 00:01:19,440 --> 00:01:22,759 Speaker 2: So no, I don't really feel much different. How I ever, 32 00:01:22,840 --> 00:01:25,640 Speaker 2: did you know I deal with this on stage? We 33 00:01:25,760 --> 00:01:28,760 Speaker 2: all we all feel twenty one inside. Our characters are 34 00:01:28,840 --> 00:01:31,000 Speaker 2: largely formed by the time we're in our twenties, and 35 00:01:31,760 --> 00:01:35,240 Speaker 2: that's who we remain. Meanwhile, the world passes on, which 36 00:01:35,319 --> 00:01:38,080 Speaker 2: is moves on, and you know, we who were once 37 00:01:38,160 --> 00:01:41,000 Speaker 2: the cutting edge and the change find ourselves being bewildered 38 00:01:41,040 --> 00:01:43,520 Speaker 2: and having to having to deal with a whole new 39 00:01:43,600 --> 00:01:46,440 Speaker 2: generations changes. And that's a lot of what I talk 40 00:01:46,480 --> 00:01:51,320 Speaker 2: about on stage, unpacking my bewilderment, having standing my truth. 41 00:01:52,800 --> 00:01:54,760 Speaker 1: Having said that, I wonder if your success is partly 42 00:01:54,800 --> 00:01:58,120 Speaker 1: somebody I read over the holidays. See in difficult times, 43 00:01:58,120 --> 00:02:01,000 Speaker 1: you've always got one foot in nostilgia, So we longed 44 00:02:01,000 --> 00:02:01,640 Speaker 1: for what was? 45 00:02:03,280 --> 00:02:05,240 Speaker 2: Is that that's something that they're not quote, not talking 46 00:02:05,280 --> 00:02:06,960 Speaker 2: about me. That's just a general. 47 00:02:06,760 --> 00:02:08,720 Speaker 1: That's a general observation that you know. 48 00:02:08,880 --> 00:02:13,000 Speaker 2: Yeah, well, I think everyone has a sense of nostalgia, 49 00:02:13,040 --> 00:02:17,360 Speaker 2: whether the times are difficult or not. You know, I think, 50 00:02:17,520 --> 00:02:19,480 Speaker 2: you know, the current you know, the current right wing 51 00:02:19,520 --> 00:02:21,480 Speaker 2: resurgence is in, you know, and sort of you know, 52 00:02:21,919 --> 00:02:24,600 Speaker 2: the white patriarchy is for a world that you know, 53 00:02:24,720 --> 00:02:27,320 Speaker 2: never really existed in their dreams, but they but I 54 00:02:27,360 --> 00:02:29,720 Speaker 2: think they were nostalgic for it even while it was happening. 55 00:02:30,160 --> 00:02:32,320 Speaker 2: You know, if you watched sort of John Wayne movies, 56 00:02:32,360 --> 00:02:34,440 Speaker 2: there's a sort of like, you know, the Old West, 57 00:02:34,760 --> 00:02:36,880 Speaker 2: that was the when real men were men, and now 58 00:02:37,120 --> 00:02:39,280 Speaker 2: now the sort of equivalent of John like you know, 59 00:02:39,400 --> 00:02:42,280 Speaker 2: now Sylvester Saalone is is saying, oh, when John Wayne 60 00:02:42,320 --> 00:02:44,079 Speaker 2: was a man, that was when real men were men. 61 00:02:44,200 --> 00:02:46,720 Speaker 2: So I don't think I don't think the times people 62 00:02:46,760 --> 00:02:49,440 Speaker 2: are nostalgic for necessarily ever existed. But I think we 63 00:02:49,480 --> 00:02:53,040 Speaker 2: all love a bit of nostalgia. You know, my personal 64 00:02:53,600 --> 00:02:55,560 Speaker 2: you know, if you know the great what what would 65 00:02:55,600 --> 00:02:57,160 Speaker 2: you wish for? If you had one wish I'd love 66 00:02:57,160 --> 00:03:01,040 Speaker 2: a time machine. I cannot imagine joy to be able 67 00:03:01,080 --> 00:03:03,120 Speaker 2: to go to the theater and see the opening of 68 00:03:03,160 --> 00:03:05,960 Speaker 2: a George Bernard Shaw, or see the Beatles at the 69 00:03:06,000 --> 00:03:08,760 Speaker 2: Cavin Club, or yes, drop in on the colise. Yes, 70 00:03:08,800 --> 00:03:12,799 Speaker 2: I'm a bloke. I'm interested in the in the Roman Empire. Yeah, 71 00:03:12,800 --> 00:03:14,760 Speaker 2: I think we all got good. Times are bad. We 72 00:03:14,840 --> 00:03:16,200 Speaker 2: love a bit of nostalgia. 73 00:03:16,280 --> 00:03:19,799 Speaker 1: Speaking of time machines, there seemed to be a lot 74 00:03:19,840 --> 00:03:22,320 Speaker 1: of writing about it. But you were talking about Blackhead, 75 00:03:22,360 --> 00:03:25,320 Speaker 1: of the possibility of and you seem to rule it out. 76 00:03:25,400 --> 00:03:27,720 Speaker 1: Where did that come from? I just read a lot 77 00:03:27,720 --> 00:03:29,160 Speaker 1: of articles about it. There's a lot of you know, 78 00:03:29,440 --> 00:03:31,079 Speaker 1: they why don't we bring it? 79 00:03:32,800 --> 00:03:33,200 Speaker 3: And so. 80 00:03:35,160 --> 00:03:38,440 Speaker 1: Show no, no, not not blackheaded? Where did the speculation 81 00:03:38,600 --> 00:03:41,480 Speaker 1: that there could be another one? And so I'm reading 82 00:03:41,560 --> 00:03:43,800 Speaker 1: you you said, there isn't one. Don't worry about it. 83 00:03:43,800 --> 00:03:44,440 Speaker 1: We're all moving on. 84 00:03:46,160 --> 00:03:47,520 Speaker 3: Yeah, it happens all the time. 85 00:03:47,560 --> 00:03:51,600 Speaker 2: I think whenever Tony Robinson's got a new show or 86 00:03:51,640 --> 00:03:54,600 Speaker 2: a new book out, he said, well, we're still talking 87 00:03:54,640 --> 00:03:58,120 Speaker 2: about so you can always hope. I'll always bring a 88 00:03:58,160 --> 00:04:02,560 Speaker 2: turner when balder It's doing an interview. I think that's 89 00:04:02,800 --> 00:04:04,440 Speaker 2: unfair really, because it's the same over all of us. 90 00:04:04,480 --> 00:04:07,360 Speaker 3: You you get asked, you say, well, you know, we're 91 00:04:07,400 --> 00:04:08,320 Speaker 3: not We've got no plans. 92 00:04:08,320 --> 00:04:10,080 Speaker 2: I shouldn't think it'll ever happen, but it'd be fun 93 00:04:10,120 --> 00:04:12,360 Speaker 2: and before you know it, the sun will say, you know, 94 00:04:13,360 --> 00:04:16,279 Speaker 2: hints of a new black Adder. I think you know, 95 00:04:16,360 --> 00:04:18,599 Speaker 2: it's obviously not something I'm complaining about. I mean, the 96 00:04:18,640 --> 00:04:21,840 Speaker 2: ongoing interest in Blackadder is is nothing short of. 97 00:04:21,800 --> 00:04:23,080 Speaker 3: Miraculous for all of us. 98 00:04:23,080 --> 00:04:25,960 Speaker 2: I mean, every single person involved in that show had 99 00:04:26,000 --> 00:04:30,880 Speaker 2: the unique privilege of really contributing to something that's sort 100 00:04:30,920 --> 00:04:34,920 Speaker 2: of bedded into British culture. And that's that's I think, 101 00:04:34,960 --> 00:04:37,719 Speaker 2: for for popular artists, and I think all artists really 102 00:04:37,720 --> 00:04:39,960 Speaker 2: want to be popular, but at least popular artists don't 103 00:04:40,000 --> 00:04:44,680 Speaker 2: lie about it. I think that's the that's that's the 104 00:04:44,760 --> 00:04:46,839 Speaker 2: you know, that's the that's the greatest thing you could do. 105 00:04:46,960 --> 00:04:50,320 Speaker 2: Is it have to have our whole generation to generations 106 00:04:50,400 --> 00:04:53,239 Speaker 2: since we finished it. You know, the last black Adder 107 00:04:53,240 --> 00:04:54,720 Speaker 2: when they go over the Top, that was shot in 108 00:04:54,800 --> 00:04:57,599 Speaker 2: nineteen eighty nine, so it's a long time ago, forty 109 00:04:57,720 --> 00:05:01,800 Speaker 2: six years, isn't it. So yeah, I mean I'm delighted 110 00:05:01,839 --> 00:05:04,919 Speaker 2: that there's still that speculation, but I can assure you 111 00:05:04,960 --> 00:05:08,120 Speaker 2: there is apps there is you know, look, there are 112 00:05:08,120 --> 00:05:10,560 Speaker 2: no plans, it will never happen. But then I was say, 113 00:05:10,560 --> 00:05:13,160 Speaker 2: well you know who knows? And then then oh well, 114 00:05:13,160 --> 00:05:15,120 Speaker 2: Ben Elton leaves door open to a new black Adder, 115 00:05:15,200 --> 00:05:16,120 Speaker 2: so you can't really win. 116 00:05:16,200 --> 00:05:17,920 Speaker 3: But hey, it's a lovely game to play. 117 00:05:18,040 --> 00:05:21,240 Speaker 1: Exactly which doves tails with my nostalgia question. I wonder 118 00:05:21,240 --> 00:05:24,160 Speaker 1: if it's like Faulty Towers, because it was so brilliant 119 00:05:24,600 --> 00:05:29,039 Speaker 1: and comparatively speaking, compact and short, we're desperate for something more. 120 00:05:30,760 --> 00:05:33,920 Speaker 2: Well, yeah, that Rick Mail, my dear friend, the late 121 00:05:33,920 --> 00:05:36,120 Speaker 2: great Rick Mail, always used to say that about the 122 00:05:36,160 --> 00:05:38,000 Speaker 2: young Ones. We only did twelve young ones, and he 123 00:05:38,040 --> 00:05:39,800 Speaker 2: always said, we've only got to do twelve. They only 124 00:05:39,839 --> 00:05:41,880 Speaker 2: did twelve forty towers, you know, And I always thought 125 00:05:41,920 --> 00:05:44,880 Speaker 2: it was stupid because they did loads of Dad's Armies, 126 00:05:45,320 --> 00:05:47,720 Speaker 2: they did loads of Steptos and Sons. More recently they 127 00:05:47,720 --> 00:05:49,960 Speaker 2: did about a million friends. I don't think you're right 128 00:05:50,040 --> 00:05:52,040 Speaker 2: about that. I think if you can keep the if 129 00:05:52,040 --> 00:05:55,359 Speaker 2: you can keep the standard up and Golton and Simpson, 130 00:05:55,360 --> 00:05:57,880 Speaker 2: I don't know if you remember, no, you won't remember 131 00:05:58,000 --> 00:06:00,320 Speaker 2: dad's a Steptoe and Son. But it was a very 132 00:06:00,320 --> 00:06:03,280 Speaker 2: famous I mean even I don't quite I mean I did, 133 00:06:03,440 --> 00:06:05,800 Speaker 2: I was in on the tail end of it. But 134 00:06:05,800 --> 00:06:08,000 Speaker 2: what I'm saying is you don't necessarily have to have 135 00:06:08,000 --> 00:06:09,840 Speaker 2: a whole writer's room like to have on Friends. I mean, 136 00:06:10,040 --> 00:06:12,039 Speaker 2: if the BBC for us, I've just done a show 137 00:06:12,080 --> 00:06:14,839 Speaker 2: called up Stark Crow, which was a stars David Mitchell 138 00:06:14,880 --> 00:06:18,080 Speaker 2: about Shakespeare, a bit of an adderish sort of take 139 00:06:18,160 --> 00:06:20,080 Speaker 2: on Shakespeare, and it was going great guns. 140 00:06:20,320 --> 00:06:22,160 Speaker 3: But you know, the BBC only have a certain budget, 141 00:06:22,200 --> 00:06:23,320 Speaker 3: so they stopped after three. 142 00:06:23,480 --> 00:06:25,880 Speaker 2: I think fourth would have been even better and it 143 00:06:25,920 --> 00:06:28,159 Speaker 2: would have built even more. So I don't really agree 144 00:06:28,160 --> 00:06:30,520 Speaker 2: with you about that, but there's no doubt about it 145 00:06:30,560 --> 00:06:34,040 Speaker 2: that there is a certain cachet to having that mystery. 146 00:06:34,120 --> 00:06:36,800 Speaker 2: I mean, it's certainly intrigued Rick because he never shut 147 00:06:36,880 --> 00:06:39,080 Speaker 2: up about the fact we can't do more than twelve. 148 00:06:39,320 --> 00:06:41,360 Speaker 1: Rowan Atkinson I'm dying to know about. The Only reason 149 00:06:41,400 --> 00:06:43,520 Speaker 1: I ask that is because of course all you guys too, 150 00:06:43,520 --> 00:06:46,720 Speaker 1: are you working? But is he actually active? I mean, 151 00:06:46,720 --> 00:06:47,400 Speaker 1: what does he do. 152 00:06:49,120 --> 00:06:49,400 Speaker 3: Well? 153 00:06:49,440 --> 00:06:51,800 Speaker 2: He's got you know, he's got his love, he's got 154 00:06:51,880 --> 00:06:55,960 Speaker 2: quite a young child. So that's a lovely thing. I 155 00:06:56,120 --> 00:06:59,360 Speaker 2: spoke at his birthday party only recently. I was very 156 00:06:59,360 --> 00:07:00,440 Speaker 2: privileged to big. 157 00:07:00,480 --> 00:07:02,920 Speaker 3: He's a very well adjusted, lovely man. 158 00:07:02,960 --> 00:07:04,799 Speaker 2: He has a lot of interest. I'm sure you're away. 159 00:07:04,839 --> 00:07:08,960 Speaker 2: He's very interested in cars. He's he's he was an engineer. 160 00:07:09,040 --> 00:07:12,480 Speaker 2: He did his under under he did his MSc, his 161 00:07:12,520 --> 00:07:14,840 Speaker 2: master's in engineering. I mean that when he first met 162 00:07:14,920 --> 00:07:18,080 Speaker 2: Richard Curtis and started their wonderful collaboration, he was an 163 00:07:18,120 --> 00:07:21,640 Speaker 2: engineering student. I mean, you know, he's a fascinating bloke 164 00:07:21,640 --> 00:07:24,080 Speaker 2: and he lives around in life. He has many friends 165 00:07:24,080 --> 00:07:26,360 Speaker 2: of whom I'm very proud and happy to call myself one. 166 00:07:26,400 --> 00:07:28,640 Speaker 3: And yeah, I mean I don't think he works as 167 00:07:28,640 --> 00:07:33,119 Speaker 3: hard as I do. No, well, he does work very hard, 168 00:07:33,160 --> 00:07:35,080 Speaker 3: but on a project. 169 00:07:35,160 --> 00:07:37,680 Speaker 2: So he'll spend a year on Man versus B or 170 00:07:37,680 --> 00:07:39,960 Speaker 2: something of the last thing he did for Netflix or something. 171 00:07:40,040 --> 00:07:43,120 Speaker 2: So yeah, I mean he's very, very focused and perhaps 172 00:07:43,160 --> 00:07:48,200 Speaker 2: not as eclectically energetic as some, but he certainly knows 173 00:07:48,240 --> 00:07:49,760 Speaker 2: sort of you know, some people have this idea of 174 00:07:49,760 --> 00:07:52,800 Speaker 2: this sort of Monkish weirdo. He's I mean, he's he's 175 00:07:52,840 --> 00:07:55,520 Speaker 2: a quiet bloke, I mean, and he won't you know, 176 00:07:55,600 --> 00:07:57,600 Speaker 2: he won't. He doesn't do many interviews. I don't know 177 00:07:57,640 --> 00:08:01,040 Speaker 2: if he does any interviews. Actually not for a long time. 178 00:08:01,120 --> 00:08:05,520 Speaker 2: But no, he's he's pretty well adjusted. I saw him 179 00:08:05,560 --> 00:08:07,400 Speaker 2: only a couple of weeks ago, as I say, at 180 00:08:07,400 --> 00:08:08,280 Speaker 2: his birthday party. 181 00:08:08,400 --> 00:08:12,280 Speaker 1: Fantastic. Just now, last time you're on the show was 182 00:08:12,480 --> 00:08:14,960 Speaker 1: five years ago. You won't remember any of this, of course, 183 00:08:15,120 --> 00:08:17,280 Speaker 1: you're on five years ago. But you came to the 184 00:08:17,280 --> 00:08:21,040 Speaker 1: country in the ensuing period, I think twenty one twenty two, 185 00:08:21,200 --> 00:08:24,480 Speaker 1: something like that, and there was a review on the 186 00:08:24,520 --> 00:08:27,240 Speaker 1: paper and you apparently. 187 00:08:26,880 --> 00:08:29,360 Speaker 3: You would go quoting reviews at me. 188 00:08:30,400 --> 00:08:35,679 Speaker 1: You apparently you attacked me, or you had you had 189 00:08:35,720 --> 00:08:36,160 Speaker 1: to go at me. 190 00:08:36,280 --> 00:08:36,840 Speaker 3: I have been. 191 00:08:38,720 --> 00:08:39,600 Speaker 1: I have no idea. 192 00:08:39,640 --> 00:08:40,439 Speaker 3: Wasn't an attack. 193 00:08:41,280 --> 00:08:45,320 Speaker 2: You were my peers, Morgan replacement, and I always felt 194 00:08:45,360 --> 00:08:47,040 Speaker 2: a bit bad about it, because I don't feel it's 195 00:08:47,040 --> 00:08:49,280 Speaker 2: the same at all. All are peers and I have 196 00:08:49,360 --> 00:08:52,480 Speaker 2: always got on, you know, when we meet, but as 197 00:08:52,600 --> 00:08:53,160 Speaker 2: you and I do. 198 00:08:53,360 --> 00:08:55,120 Speaker 3: Look, you know, I. 199 00:08:55,120 --> 00:08:57,320 Speaker 2: Won't say all's fair in love and war, but I 200 00:08:57,400 --> 00:09:02,120 Speaker 2: was using you as an example, certainly, not of right 201 00:09:02,280 --> 00:09:08,239 Speaker 2: wing commentating, but of the robust male voice on radio. Okay, 202 00:09:09,160 --> 00:09:11,959 Speaker 2: and if that doesn't make you hard with man love. 203 00:09:12,040 --> 00:09:13,520 Speaker 3: I don't know what will. 204 00:09:15,600 --> 00:09:18,600 Speaker 1: I love it? Oh well that's good. Well it didn't 205 00:09:18,600 --> 00:09:20,560 Speaker 1: bother me either way. It's just the review. I thought, 206 00:09:20,600 --> 00:09:23,280 Speaker 1: I wonder what he said. So anyway, we got that 207 00:09:23,480 --> 00:09:24,040 Speaker 1: cleared up. 208 00:09:24,840 --> 00:09:27,800 Speaker 2: It was in the middle of I might say something 209 00:09:27,800 --> 00:09:32,160 Speaker 2: which could be interpreted as a Wokes killing comedy, which 210 00:09:32,360 --> 00:09:34,760 Speaker 2: I don't think it is. But there is a case 211 00:09:34,800 --> 00:09:39,240 Speaker 2: to answer in a sort of new Maoist cultural revolutionary 212 00:09:39,280 --> 00:09:42,760 Speaker 2: absolutism on the fringes of good politics. As always you 213 00:09:42,800 --> 00:09:46,920 Speaker 2: have the the absolutists who suddenly you know, only the 214 00:09:46,960 --> 00:09:49,000 Speaker 2: purest line will do, and if you don't follow the 215 00:09:49,000 --> 00:09:49,880 Speaker 2: purest line, you need. 216 00:09:49,800 --> 00:09:51,360 Speaker 3: To be sent to a re education camp. 217 00:09:51,720 --> 00:09:53,719 Speaker 2: And I was saying, if I say something like that, 218 00:09:53,760 --> 00:09:56,040 Speaker 2: I'll end up getting depended by someone like you, and 219 00:09:56,120 --> 00:09:59,240 Speaker 2: before I know it, I'm in the other You know, yeah, 220 00:09:59,280 --> 00:09:59,839 Speaker 2: because we. 221 00:09:59,840 --> 00:10:02,920 Speaker 3: Have common ground. I'm talking living a democracy. 222 00:10:03,240 --> 00:10:05,280 Speaker 1: Do you think that's an age thing? Because, funnily, you 223 00:10:05,280 --> 00:10:07,800 Speaker 1: should say, because I've dealt with this my whole career, 224 00:10:07,960 --> 00:10:10,440 Speaker 1: and that is it. Like like, I don't know about 225 00:10:10,480 --> 00:10:12,079 Speaker 1: your I mean, I can get you politics, so I 226 00:10:12,120 --> 00:10:14,320 Speaker 1: don't really care. I like you. You're a clearer guy. 227 00:10:14,480 --> 00:10:16,439 Speaker 1: We have a chat. That's all good. Whereas a lot 228 00:10:16,440 --> 00:10:19,280 Speaker 1: of the artists look at somebody like me publicly and go, 229 00:10:19,600 --> 00:10:21,760 Speaker 1: hang on, there's something not you know what I'm saying. 230 00:10:23,040 --> 00:10:26,319 Speaker 2: I do, but I mean, I'm I'm I talk about 231 00:10:26,320 --> 00:10:28,720 Speaker 2: this on stage. I talk about how many I have 232 00:10:28,760 --> 00:10:31,120 Speaker 2: many friends who are Tories. You know, I wrote a 233 00:10:31,200 --> 00:10:33,560 Speaker 2: musical with a Tory, in fact, dropping a big name. 234 00:10:33,600 --> 00:10:34,800 Speaker 3: I got an email from him. 235 00:10:34,679 --> 00:10:37,960 Speaker 2: About five minutes ago, and that's Lord Lloyd Webber to you, mate, 236 00:10:39,200 --> 00:10:42,280 Speaker 2: and yeah, we wrote musical together back in the back 237 00:10:42,280 --> 00:10:45,600 Speaker 2: in the late nineties. So you know, I mean, I 238 00:10:45,640 --> 00:10:48,720 Speaker 2: think Donald Trump has shown us what happens when kind 239 00:10:48,800 --> 00:10:52,160 Speaker 2: of hatred and contempt is weaponized, when when you basically 240 00:10:52,240 --> 00:10:55,240 Speaker 2: are only interested in your tribe. I mean, I think 241 00:10:55,240 --> 00:10:57,319 Speaker 2: that goes for some of the zelots on the left 242 00:10:57,360 --> 00:10:59,920 Speaker 2: as well. You know, if you're not with us, you're 243 00:11:00,080 --> 00:11:03,360 Speaker 2: you're against us. And I think that way leads down 244 00:11:03,400 --> 00:11:07,760 Speaker 2: a very very very rocky path, indeed, and so within 245 00:11:08,160 --> 00:11:12,079 Speaker 2: you know, within a great deal of laxivity. I'm you know, 246 00:11:12,440 --> 00:11:15,400 Speaker 2: I'm happy to for one. Then, when I wrote that 247 00:11:15,520 --> 00:11:18,360 Speaker 2: musical with Andrew, you know, some people said, because I 248 00:11:18,840 --> 00:11:21,800 Speaker 2: publicly support the Labor Party in Britain, he publicly supports 249 00:11:21,880 --> 00:11:25,599 Speaker 2: Labor Conservatives, and I was accused. 250 00:11:25,200 --> 00:11:27,959 Speaker 3: Of hypocrisy and I couldn't believe it. I said, I'm 251 00:11:28,000 --> 00:11:28,480 Speaker 3: an artist. 252 00:11:28,520 --> 00:11:30,560 Speaker 2: When you think I asked what somebody votes when I 253 00:11:30,559 --> 00:11:32,280 Speaker 2: write a lyric with them, I mean, I have no 254 00:11:32,400 --> 00:11:33,760 Speaker 2: idea what Rowan votes. 255 00:11:33,920 --> 00:11:35,640 Speaker 3: I really genuinely have no idea. 256 00:11:35,720 --> 00:11:37,640 Speaker 2: And I'm sure he wouldn't tell me because he's very, 257 00:11:37,720 --> 00:11:40,000 Speaker 2: very English in that sort of way, and he would say, 258 00:11:40,040 --> 00:11:43,040 Speaker 2: that's you know, that's my business. I mean, you know me, 259 00:11:43,240 --> 00:11:45,760 Speaker 2: I wear my heart on my sleeve and if somebody 260 00:11:45,760 --> 00:11:48,920 Speaker 2: asked me, I'll tell them. But I really thought it 261 00:11:49,040 --> 00:11:52,680 Speaker 2: was genuinely crazy that I was. I came under a 262 00:11:52,679 --> 00:11:55,440 Speaker 2: lot of flak for working with a toy. I wasn't 263 00:11:55,440 --> 00:11:57,560 Speaker 2: working with a toy to get a Tory government elected. 264 00:11:57,600 --> 00:12:00,920 Speaker 2: I was working with him to write a musical and I. 265 00:12:00,920 --> 00:12:02,520 Speaker 3: Was very proud and happy to do so. And as 266 00:12:02,559 --> 00:12:04,680 Speaker 3: I say, he only dropped me a line just today. 267 00:12:04,880 --> 00:12:07,120 Speaker 1: Well, as always, we're looking forward to seeing you back 268 00:12:07,120 --> 00:12:09,040 Speaker 1: in the country again, So go well on the tour 269 00:12:09,040 --> 00:12:11,120 Speaker 1: in the meantime and maybe catch up when you're here. 270 00:12:12,080 --> 00:12:14,080 Speaker 3: Yeah, well I hope, so come and please come and 271 00:12:14,080 --> 00:12:17,040 Speaker 3: see the show. I think, I think, I think you're 272 00:12:17,080 --> 00:12:17,720 Speaker 3: going to enjoy it. 273 00:12:18,040 --> 00:12:20,079 Speaker 1: I really do, all right, mate, ketchup so I appreciate it. 274 00:12:20,120 --> 00:12:25,120 Speaker 1: Ben Elton, Wellington in twenty six April, Auckland twenty eight April, 275 00:12:25,440 --> 00:12:26,800 Speaker 1: takes a couple of days off and then on the 276 00:12:26,800 --> 00:12:29,160 Speaker 1: second of May is in Christ Judge ben Elton. 277 00:12:29,679 --> 00:12:32,560 Speaker 2: For more from the Mic Asking Breakfast, listen live to 278 00:12:32,679 --> 00:12:33,240 Speaker 2: news talks. 279 00:12:33,240 --> 00:12:36,439 Speaker 1: It'd be from six am weekdays, or follow the podcast 280 00:12:36,480 --> 00:12:37,360 Speaker 1: on iHeartRadio.