WEBVTT - Caravan Episode: Black Caps Vs England - 1st Test Day 1

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<v Speaker 1>As Ruga as a tail ender on strike.

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<v Speaker 2>This is the alternative commentary collective. Oh thanks to the

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<v Speaker 2>great New Zealanders at max Raft.

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<v Speaker 3>I had an absolute debarkle where I I got a

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<v Speaker 3>nap that was cheer yoga app, but doing for doing

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<v Speaker 3>yoga and a cheer right, there's no shit you need

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<v Speaker 3>an that.

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<v Speaker 4>It was an app, And so I went.

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<v Speaker 3>I was sart fifteen bucks a month and I was like, okay,

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<v Speaker 3>that's okay, that's that's good.

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<v Speaker 1>Did they send you the chair or you why?

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<v Speaker 3>No, you can just use your own cheer. This is

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<v Speaker 3>defended by Latham anyway. So I was doing that for

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<v Speaker 3>three or four months. I did it twice, say yeah

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<v Speaker 3>looking good, Yeah, thank you. Yeah, it's nothing to do

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<v Speaker 3>with the yoga app though, And so I've been doing

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<v Speaker 3>it for three or four months and then my wife

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<v Speaker 3>said to me, what the hell is this?

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<v Speaker 4>Eighty bucks a month for a yoga app? And I

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<v Speaker 4>was like what?

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<v Speaker 3>And so I've been paying eighty bucks a month for

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<v Speaker 3>a cheer yoga app.

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<v Speaker 4>That I didn't even use.

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<v Speaker 1>For someone to tell you what a chair. It was ridiculous.

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<v Speaker 3>As Atkinson comes in again full and dug out by

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<v Speaker 3>lath And they'll get another couple here as it beats

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<v Speaker 3>a man.

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<v Speaker 4>At mid ONN So are the runs flowing at the moment.

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<v Speaker 5>I don't know why, Jas, but I just feel like

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<v Speaker 5>you're the kind of guy who would sign up for

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<v Speaker 5>a lot of apps and probably get lurid into that

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<v Speaker 5>idea that you get the first month free, but then

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<v Speaker 5>you give them your credit card and then after the

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<v Speaker 5>first month they charge you.

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<v Speaker 1>But you would have forgotten that you've.

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<v Speaker 5>Given them the credit card, and you don't know how

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<v Speaker 5>to unsubscribe. You don't know how to unsubscribe, so you

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<v Speaker 5>just sign up for everything because you think it's free,

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<v Speaker 5>but then it ends up costing you.

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<v Speaker 4>Well, am I right?

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<v Speaker 1>Probably paying two thousand dollars a month on apps? Yeah?

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<v Speaker 3>I probably am I. This says driven beautifully by length

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<v Speaker 3>and but straight to the man at CAPA, I didn't

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<v Speaker 3>have a on You know how you do that you

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<v Speaker 3>scan the QR codes, and I didn't have one on

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<v Speaker 3>my phone, so.

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<v Speaker 1>So you download you bought one. I bought one online.

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<v Speaker 3>Online, a QR code scanner, and cost me one hundred

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<v Speaker 3>and eighty bucks. That was I know, It's just think

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<v Speaker 3>what I probably would have been a month and keys

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<v Speaker 3>he said to me, it costs you one hundred and

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<v Speaker 3>eighty bucks.

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<v Speaker 4>Jase, you've got one on your phone, you idiot.

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<v Speaker 1>So yeah, I probably.

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<v Speaker 3>Spend about two and a half k on unwanted apps. Well,

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<v Speaker 3>you know, case in point, the meteor app. It's not

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<v Speaker 3>even a weather app. I mean it tells me where

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<v Speaker 3>the meteors are going to hit out.

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<v Speaker 1>And once you know it's in three and a half

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<v Speaker 1>thousand years, you don't need to check it again.

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<v Speaker 4>With exactly it's going to be three and a half

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<v Speaker 4>thousand years.

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<v Speaker 1>You don't check it every week to see if it's

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<v Speaker 1>only coming closer.

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<v Speaker 6>You know, I think exactly in a situation, Jase, you've

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<v Speaker 6>got to get rid of all your credit cards because

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<v Speaker 6>that means all your subscriptions will automatically stop, yes, and

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<v Speaker 6>then they'll email you straight away your email than minutes,

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<v Speaker 6>and then you can work out the ones that you

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<v Speaker 6>want the ones that you don't.

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<v Speaker 1>When you leave your credit card, it's great, wakes to Williamson.

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<v Speaker 4>Just outside of the off stump. He leaves alone.

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<v Speaker 1>There's no run and you see these apps. You had

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<v Speaker 1>no idea what they are. You know, Asian hearties, top couple.

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<v Speaker 1>You know it's ridiculous. You know where did they how

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<v Speaker 1>did they jump onto you?

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<v Speaker 4>Is there an Asian Holly app?

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<v Speaker 1>Is it just an example?

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<v Speaker 5>So New Zealand currently fourth on the World Test Championship standings,

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<v Speaker 5>England haven't got a hope in hell of getting anywhere

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<v Speaker 5>at the moment.

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<v Speaker 3>Woke by Williamson just fall short of the man at

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<v Speaker 3>third slap. It's just sort of a length again and

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<v Speaker 3>it was a loose shot from Williamson.

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<v Speaker 5>Wokes has really settled onto a good line and linked

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<v Speaker 5>to Williamson the right handle, which is interesting. He's played

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<v Speaker 5>in Miss a couple of times. That was a beautiful delivery,

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<v Speaker 5>a little bit shorter and Williamson on the back foot,

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<v Speaker 5>but it nipped away a bit, didn't it soft enough

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<v Speaker 5>hands to make it drop before for slip?

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<v Speaker 3>It's still too short in my view, Jerry, Yeah, I

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<v Speaker 3>think you're right, Jay, it's just a fraction and I

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<v Speaker 3>think you know this is defeated again by Williams. And

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<v Speaker 3>if I had Asian hotties as an app, my wife

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<v Speaker 3>would probably notice that.

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<v Speaker 1>Yeah, they knew notice that much.

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<v Speaker 4>Be like, why am I what's this?

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<v Speaker 3>One hundred and fifty bucks for Asian hotties on this,

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<v Speaker 3>you know I had I.

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<v Speaker 1>Had a nap which is more of a sort of

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<v Speaker 1>explain it, and again I didn't like it. Came it's

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<v Speaker 1>called Asian driver. Nothing so right I'm driving. It will

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<v Speaker 1>sense where an Asian driver is around me, right, so

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<v Speaker 1>you might say turn left, turn right in it will

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<v Speaker 1>take me towards Asian drivers.

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<v Speaker 3>Or you can set it so you're gonna you're gonna

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<v Speaker 3>have it in a avoidance setting or are coming together settings?

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<v Speaker 1>Exactly right, yes, once again.

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<v Speaker 3>Too short by Wokes and this is left alone outside

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<v Speaker 3>the up stump, not challenging to the batsman at all.

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<v Speaker 1>Can set it to dating or dating setting or crash

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<v Speaker 1>avoidances up to you.

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<v Speaker 3>Whatever you choose, we'll both Yeah.

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<v Speaker 1>Yeah, useful air piece, you say, can you share that

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<v Speaker 1>with me?

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<v Speaker 2>No third umpire, no rewinds, just raw dog commentary. This

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<v Speaker 2>is the alternative commentary collective.

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<v Speaker 1>Oh thanks to the great New Zealanders. At Rasin.

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<v Speaker 7>Looks like he bawls the heavy foot.

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<v Speaker 8>He's already dug up a bit of a dividend there,

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<v Speaker 8>bowler's end.

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<v Speaker 5>Here he comes bride and cast upon three slips. That's

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<v Speaker 5>a bit of delivery. It's full angle into middle and off.

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<v Speaker 1>It's been about four extras so far in this match.

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<v Speaker 1>If I'm just looking at my brain, are you looking

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<v Speaker 1>at your brain? Well? I tend to, you know, it's

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<v Speaker 1>I'm visualized. I see my brain working.

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<v Speaker 5>He sort of look at your brain and a way,

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<v Speaker 5>don't you ye.

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<v Speaker 1>Great when you're steamed, because it's it's like watching it's

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<v Speaker 1>like going to a core Play concert.

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<v Speaker 5>It just cuts Williams forces him back when some jumps

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<v Speaker 5>on the crease, guides that to cover point for a single.

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<v Speaker 1>He's off the mark, came Williams.

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<v Speaker 5>He's taken them fourteen balls.

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<v Speaker 1>That's Lee. I know you're a big cold Play fan,

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<v Speaker 1>and you mentioned the concert twice I think when they

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<v Speaker 1>were here, and that's all the wristbands here. I know

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<v Speaker 1>you went as well with the kids. Imagine everybody that

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<v Speaker 1>leeducated all those things at one time. What a should

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<v Speaker 1>show that would have been?

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<v Speaker 7>Could someone have hacked the system?

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<v Speaker 1>Talking about by the Israelis.

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<v Speaker 8>Or the or the Iranians for that matter, Mossad.

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<v Speaker 1>So what he's saying is everyone's probably not the right

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<v Speaker 1>format for that chat, but it's it's worth you know,

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<v Speaker 1>it's worth discussion. Lath and monstrike.

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<v Speaker 5>He's on thirty two, facing cars coming over the wicket

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<v Speaker 5>edges through the vacant fourth slip region and that all

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<v Speaker 5>race their way for four. It's a good delivery from cars,

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<v Speaker 5>head Latham driving in a little bit of extra bounce,

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<v Speaker 5>a little movement away, a little bit lucky thrown Latham.

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<v Speaker 1>I think I'm just weary of technology. I think I

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<v Speaker 1>think that's the thing. Just you know, how far is

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<v Speaker 1>it going to go? Anyone's locked in on these wristbands

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<v Speaker 1>that light up at the same time with the music.

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<v Speaker 1>You know, I don't want to be controlled on that.

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<v Speaker 7>Yeah, I'm with you on that.

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<v Speaker 8>I don't want to be controlled by Elon Musk or

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<v Speaker 8>anyone else.

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<v Speaker 5>Was that who was controlling?

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<v Speaker 7>Was it? Think he controls everything?

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<v Speaker 1>Now?

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<v Speaker 5>He was like in a DJ booth, this is short

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<v Speaker 5>from cars and let them swayze out of the way.

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<v Speaker 5>So on thirty six Williamson's one New Zealand forty three

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<v Speaker 5>for one after team, I.

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<v Speaker 8>Mean, what's the worst you can do hacking into fifty

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<v Speaker 8>thousand people's electric wristbands?

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<v Speaker 7>What's the capability of those ristbands? Kill everybody?

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<v Speaker 1>And welcome to the starting there is.

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<v Speaker 8>I wonder who that was? That was someone on the

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<v Speaker 8>rival broadcast TV and Z. It's called a fanbassador. I

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<v Speaker 8>like that, Yes, yes, fanbassador.

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<v Speaker 1>Good lucking man.

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<v Speaker 8>Speaking of crowd technology that can be deployed to enhanced

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<v Speaker 8>viewing experience. Can can you get groundeers New Zealand grounds

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<v Speaker 8>where you can tune into the commentary.

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<v Speaker 7>Because that's something waiting to happen. Why don't we have

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<v Speaker 7>that huge.

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<v Speaker 5>To have that with the ACC we had some terrible

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<v Speaker 5>problems with.

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<v Speaker 8>With that and we were pioneers on the wrong side

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<v Speaker 8>of history with that technology.

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<v Speaker 5>Is Williamson facing Wikes. It's full and straight and played

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<v Speaker 5>with a straight back by Williamson.

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<v Speaker 1>No run, but yeah, it was that. I think the

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<v Speaker 1>problem with how grand is if I remember rightly, I

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<v Speaker 1>know what match it was. But the problem with our

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<v Speaker 1>grand is they were playing the match previous, you know,

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<v Speaker 1>to the match that people were watching, because you know

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<v Speaker 1>they weren't we're actually playing last week's match. What's the

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<v Speaker 1>kind of pointless.

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<v Speaker 7>We just put our best foot forward.

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<v Speaker 8>We thought it was some of our best works, so

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<v Speaker 8>you didn't realize the audience really wanted live common.

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<v Speaker 1>Try get to for one and get this game and

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<v Speaker 1>last week's game.

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<v Speaker 7>I mean we're an in statement product.

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<v Speaker 8>I'm pretty sure the story of that features in the

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<v Speaker 8>a SEC Almanac.

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<v Speaker 7>Mounting Yeah out now. Of course they're all good bookstores.

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<v Speaker 5>Worke's boiling with four slips in a galley, comes into Williamson,

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<v Speaker 5>who's own one. This one seems backstrokes Williamson on the

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<v Speaker 5>pad and there's no run. I think our first ever

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<v Speaker 5>broadcast with those years and the ground years, someone accidentally

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<v Speaker 5>tuned in and they got the I think they thought

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<v Speaker 5>they were getting possibly the rady in New Zealand broadcast

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<v Speaker 5>and I think Lee you were describing there was a

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<v Speaker 5>complaint made to the Broadcasting Standards Authority. You were describing

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<v Speaker 5>how you'd buried your dead cat in the Upfield park.

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<v Speaker 5>It's a true story, of course. But there's Wokes again,

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<v Speaker 5>and there's time. It's let go by Williamson. You pay

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<v Speaker 5>for your ground is. That's maybe not what you signed

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<v Speaker 5>up for.

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<v Speaker 1>I don't know we would call it bonus footage, bonus audio,

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<v Speaker 1>but hey, you know, ish their own.

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<v Speaker 5>Sometimes you'd see people who were who were where in

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<v Speaker 5>the ground is and they were reasonably close to the caravan.

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<v Speaker 5>You could tell that they'd accidentally purchased them and they

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<v Speaker 5>didn't purchase them because they were listening to us, and

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<v Speaker 5>you just watch their faces.

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<v Speaker 1>You were delivering lines. You see someone vomiting sometimes.

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<v Speaker 5>Well ebsent on one facing Wokes, it's full. Williamson resists

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<v Speaker 5>the big drive, just defends it with soft hands to Gully,

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<v Speaker 5>no run forty three for one.

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<v Speaker 8>The incident you're referring to, gentlemen, is of course preserved

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<v Speaker 8>for posterity in the ACC Almanac, which is out now.

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<v Speaker 7>And it was a letter that came in from Barry.

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<v Speaker 8>I think of Takabooner for memory, who had got the

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<v Speaker 8>ground is very excited. Was expecting I think, I guess

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<v Speaker 8>you'd call the mainstream commentary got the ACC instead. But

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<v Speaker 8>what was remarkable is that he remembered so much of

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<v Speaker 8>the detail of what we were talking about, which I'll

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<v Speaker 8>take money through.

0:11:32.679 --> 0:11:37.280
<v Speaker 5>In the minute works again, Sir Williamson defends watchfully off

0:11:37.320 --> 0:11:38.439
<v Speaker 5>the front foot no run.

0:11:38.920 --> 0:11:41.199
<v Speaker 8>So Barry said, there was a ten to fifteen minute

0:11:41.240 --> 0:11:43.920
<v Speaker 8>slot where one commentator was obsessed with the different types

0:11:43.960 --> 0:11:47.200
<v Speaker 8>of protective cricket boxes and continue to talk about the

0:11:47.240 --> 0:11:50.720
<v Speaker 8>intricate details of that part of the male anatomy protected.

0:11:51.920 --> 0:11:54.240
<v Speaker 8>Then there was an account of taking a cat to

0:11:54.280 --> 0:11:57.440
<v Speaker 8>eaton park, with the suggestion by another commentator that this

0:11:57.480 --> 0:11:59.600
<v Speaker 8>could have been useful to smuggle a bottle of vodka

0:11:59.720 --> 0:12:00.480
<v Speaker 8>up at anus.

0:12:05.040 --> 0:12:08.680
<v Speaker 5>I remember that, well Is Williamson on one face quote

0:12:09.200 --> 0:12:10.600
<v Speaker 5>goes backs down there.

0:12:10.600 --> 0:12:11.880
<v Speaker 1>That sounds stupid now, But it's all.

0:12:11.800 --> 0:12:15.079
<v Speaker 8>About context, that's right, I mean, And that's not really that,

0:12:15.080 --> 0:12:17.160
<v Speaker 8>that's not the key part. The fact is we went on,

0:12:17.320 --> 0:12:20.800
<v Speaker 8>we explored that option that led to a description this

0:12:20.880 --> 0:12:23.400
<v Speaker 8>is barrier talking of how the cat was buried under

0:12:23.440 --> 0:12:26.280
<v Speaker 8>the Eden Park turf and opened up into a full

0:12:26.280 --> 0:12:28.840
<v Speaker 8>discussion of how to dispose of human remains, with an

0:12:28.840 --> 0:12:32.040
<v Speaker 8>account of how one commentated disposed of his stepfather's ashes.

0:12:32.920 --> 0:12:35.960
<v Speaker 8>Listeners were then invited to talk about how they had disposed.

0:12:35.520 --> 0:12:36.559
<v Speaker 7>Of ashes.

0:12:38.800 --> 0:12:41.200
<v Speaker 1>Those of the glory days, you know.

0:12:42.920 --> 0:12:44.959
<v Speaker 7>They really were Actually this is classic casey see.

0:12:45.000 --> 0:12:48.120
<v Speaker 8>Then there were comments on the smallness of Trent Bolt's mouth,

0:12:48.520 --> 0:12:51.520
<v Speaker 8>with a suggestion that his mother probably had small nipples,

0:12:51.840 --> 0:12:54.640
<v Speaker 8>followed by discussion on one of the Australian players being

0:12:54.679 --> 0:12:58.560
<v Speaker 8>a lesbian. This is a barrier of tacaparity, and we

0:12:58.600 --> 0:13:00.640
<v Speaker 8>went on to conclude a product like this which is

0:13:00.679 --> 0:13:04.880
<v Speaker 8>officially sponsored by New Zealand cricket brings your organization and

0:13:05.000 --> 0:13:06.439
<v Speaker 8>the game into some serious disrepute.

0:13:06.480 --> 0:13:07.760
<v Speaker 1>I'm just peace to call it a product.

0:13:08.040 --> 0:13:16.160
<v Speaker 2>Yeah, boundary pushing commentary with no pets. This is the

0:13:16.280 --> 0:13:18.800
<v Speaker 2>alternative commentary collective.

0:13:19.440 --> 0:13:22.720
<v Speaker 1>Oh thanks to the great New Zealanders Atrazine.

0:13:23.280 --> 0:13:26.520
<v Speaker 4>I wasn't likely. I preferred not to have a full erection.

0:13:27.920 --> 0:13:33.280
<v Speaker 3>I would go sei, yeah, because I always I always

0:13:33.280 --> 0:13:36.040
<v Speaker 3>felt a semi is more impressive and less intimidated, or

0:13:37.440 --> 0:13:39.880
<v Speaker 3>a semi is more attractive than a full rager.

0:13:40.280 --> 0:13:42.800
<v Speaker 9>And please forgive me if this is asking too much,

0:13:42.880 --> 0:13:45.880
<v Speaker 9>jas I'm just trying to get a mental image circumcised.

0:13:46.120 --> 0:13:51.080
<v Speaker 1>Yes so, but the you know, but if you had

0:13:51.120 --> 0:13:54.480
<v Speaker 1>a full erection is suggesting Jason limits some of your shots.

0:13:54.600 --> 0:13:55.000
<v Speaker 4>It does.

0:13:56.320 --> 0:13:58.640
<v Speaker 3>Well, that's actually what stopped me from going out with

0:13:58.679 --> 0:14:02.000
<v Speaker 3>a full erection. I tried to play a non drive

0:14:02.120 --> 0:14:06.280
<v Speaker 3>one day and nearly snapped it in half armed. So yeah,

0:14:06.320 --> 0:14:07.880
<v Speaker 3>that was that was a lesson learned.

0:14:08.360 --> 0:14:11.440
<v Speaker 9>And is the physio offer their services when you do

0:14:11.679 --> 0:14:12.360
<v Speaker 9>get an abrasion.

0:14:12.480 --> 0:14:16.440
<v Speaker 3>It brought out the magic spray, which just makes it worse,

0:14:16.600 --> 0:14:19.360
<v Speaker 3>makes it worse, actually stiffens it up a bit.

0:14:22.240 --> 0:14:24.280
<v Speaker 9>That's got any magic spray floating around the studio. Do

0:14:24.360 --> 0:14:26.640
<v Speaker 9>we wouldn't mind a we spray on the downstairs. Just

0:14:26.640 --> 0:14:27.600
<v Speaker 9>want to rate myself.

0:14:27.720 --> 0:14:29.200
<v Speaker 1>Yeah, well you've gotta be careful the first time to

0:14:29.280 --> 0:14:30.720
<v Speaker 1>do it. You might just blow your bone.

0:14:32.760 --> 0:14:46.200
<v Speaker 4>It's been done before, beautiful day Christ your fool.

0:14:46.240 --> 0:14:46.680
<v Speaker 1>Look at that.

0:14:46.680 --> 0:14:47.720
<v Speaker 4>That's magnificent.

0:14:48.400 --> 0:14:50.800
<v Speaker 3>Is ack and some cums and bowls to ratching outside

0:14:50.840 --> 0:14:51.440
<v Speaker 3>the off stump.

0:14:51.960 --> 0:14:54.720
<v Speaker 1>And it is the same pogitical game. I remember you

0:14:54.760 --> 0:14:56.680
<v Speaker 1>used to go out as you say, no box aren't

0:14:56.720 --> 0:15:01.040
<v Speaker 1>clearly with an erection semi probably your case, but with

0:15:01.160 --> 0:15:05.680
<v Speaker 1>the box taped to your head, yes, helmet suggesting this

0:15:05.720 --> 0:15:07.480
<v Speaker 1>is how I'm going to play. So how he bolt

0:15:08.080 --> 0:15:09.119
<v Speaker 1>he bowlders among.

0:15:08.840 --> 0:15:11.800
<v Speaker 4>That exactly exactly confused the bowler.

0:15:11.800 --> 0:15:13.360
<v Speaker 9>And would you wear it sort of over your nose

0:15:13.400 --> 0:15:16.640
<v Speaker 9>and mouth like a bay on my forehead like a rhino.

0:15:16.840 --> 0:15:22.840
<v Speaker 3>Yeah, you've got to be back in the day that

0:15:22.840 --> 0:15:24.480
<v Speaker 3>the helmets wasn't such a big thing.

0:15:24.640 --> 0:15:26.680
<v Speaker 4>No, it wasn't so no helmet it was.

0:15:26.720 --> 0:15:29.000
<v Speaker 3>It was frowned upon if you wore a helmet back

0:15:29.040 --> 0:15:35.200
<v Speaker 3>in the day. Atkinson now comes into ratchet Revenger who

0:15:35.520 --> 0:15:38.200
<v Speaker 3>hingles the bat and beats the man at gully with

0:15:38.280 --> 0:15:39.920
<v Speaker 3>the miss field actually and they'll get a single.

0:15:40.400 --> 0:15:42.000
<v Speaker 9>So just to get this correct, so it's frowned upon

0:15:42.000 --> 0:15:44.360
<v Speaker 9>to wear a helmet, but walking out with a full

0:15:44.440 --> 0:15:47.160
<v Speaker 9>or semi erexed penis and a box strapped your head,

0:15:47.160 --> 0:15:49.560
<v Speaker 9>that was that was Koshit exactly.

0:15:49.240 --> 0:15:51.360
<v Speaker 4>Right, It's exactly that's exactly how it was.

0:15:55.640 --> 0:15:58.520
<v Speaker 9>We're looking at some of these ideas through the black caps.

0:16:00.240 --> 0:16:02.680
<v Speaker 1>That's old school stuff. You say that now and people

0:16:02.680 --> 0:16:04.440
<v Speaker 1>go they don't believe it, But that's that's how it

0:16:04.520 --> 0:16:04.880
<v Speaker 1>used to be.

0:16:05.120 --> 0:16:09.680
<v Speaker 9>Absolutely, you were never worried about copping one on the

0:16:09.720 --> 0:16:10.160
<v Speaker 9>end of the dob.

0:16:11.320 --> 0:16:13.560
<v Speaker 1>Well, this is the point. If you don't have a

0:16:13.600 --> 0:16:16.440
<v Speaker 1>box on, you're you're less likely, if you know what

0:16:16.440 --> 0:16:17.960
<v Speaker 1>i mean. If you've got a helmet on, you're less

0:16:17.960 --> 0:16:19.400
<v Speaker 1>you're more likely to take one in the head than

0:16:19.400 --> 0:16:22.040
<v Speaker 1>if you don't. You know what I'm saying. You get

0:16:22.080 --> 0:16:22.600
<v Speaker 1>out of the way.

0:16:22.960 --> 0:16:26.640
<v Speaker 3>Atkinson outside the off stump to Williamson, no run it

0:16:26.760 --> 0:16:31.600
<v Speaker 3>and it Tony. It portrays to the bowler when you're

0:16:31.600 --> 0:16:34.720
<v Speaker 3>out there with a full erection, I'm confident.

0:16:34.280 --> 0:16:35.520
<v Speaker 1>You're not going to hit my erection.

0:16:35.880 --> 0:16:40.240
<v Speaker 3>Yeah, that's how good my batting is I'm coming out

0:16:40.280 --> 0:16:43.920
<v Speaker 3>here with a full erection. Yeah, and it's let's be frank,

0:16:43.960 --> 0:16:44.760
<v Speaker 3>a big target and.

0:16:44.800 --> 0:16:47.560
<v Speaker 1>Puts them off their line. They start bowling at it,

0:16:47.600 --> 0:16:49.080
<v Speaker 1>and that's the last thing that says done.

0:16:49.200 --> 0:16:50.800
<v Speaker 4>Yeah, you're just tucking it off your hip.

0:16:50.840 --> 0:16:52.440
<v Speaker 9>Then it's a red rag to a ball. I can

0:16:52.480 --> 0:16:54.840
<v Speaker 9>see that now, no glove.

0:16:55.080 --> 0:17:01.320
<v Speaker 2>Just bear knuckle broadcasting. This is the alternative Jerry collective.

0:17:02.000 --> 0:17:05.240
<v Speaker 1>Oh, thanks to the great New Zealanders at resume.

0:17:08.040 --> 0:17:10.159
<v Speaker 5>You know, there was a very strange situation when we

0:17:10.160 --> 0:17:12.640
<v Speaker 5>were at commentary school. Wasn't there LEAs cast comes in again,

0:17:12.760 --> 0:17:15.200
<v Speaker 5>goes to Mitchell, tickles it away behind square, I think

0:17:15.200 --> 0:17:17.600
<v Speaker 5>about two, but it's not there.

0:17:18.280 --> 0:17:18.800
<v Speaker 1>And it was.

0:17:19.720 --> 0:17:22.160
<v Speaker 5>It was Brian Waddell and Jeremy Coney who were our

0:17:22.240 --> 0:17:29.640
<v Speaker 5>teachers at commentary schools, And well, let's just say that

0:17:30.240 --> 0:17:32.679
<v Speaker 5>Brian Model was doing something to Jeremy Coney that was

0:17:32.800 --> 0:17:35.680
<v Speaker 5>very difficult for him to commentate while he was doing.

0:17:37.000 --> 0:17:39.160
<v Speaker 1>It's his mouth was full.

0:17:40.920 --> 0:17:45.280
<v Speaker 5>Of Jeremy Coney actually a part of Jeremy Coney anyway,

0:17:45.440 --> 0:17:47.880
<v Speaker 5>and really proved the point.

0:17:47.680 --> 0:17:54.679
<v Speaker 1>To us coming what the point was? Though, why do

0:17:54.640 --> 0:17:56.800
<v Speaker 1>you remember that day? Though? I think then we break

0:17:56.840 --> 0:18:01.199
<v Speaker 1>for lunchon we in the afternoon, we now afternoon. I

0:18:01.240 --> 0:18:06.920
<v Speaker 1>think We've talked about microphone technique and what I've learned.

0:18:06.960 --> 0:18:09.080
<v Speaker 1>You know, just because you've gone to commentary school, you've

0:18:09.080 --> 0:18:12.120
<v Speaker 1>got a degree in commentary, doesn't mean you're a good commentator.

0:18:12.160 --> 0:18:13.720
<v Speaker 1>That really annoys me that you get these people that

0:18:13.800 --> 0:18:17.359
<v Speaker 1>come through that you know, because they've got a degree

0:18:17.359 --> 0:18:19.680
<v Speaker 1>in commentary, they think a good commentator is they're not.

0:18:20.280 --> 0:18:23.720
<v Speaker 1>You know, it doesn't give you the right to be

0:18:23.720 --> 0:18:24.440
<v Speaker 1>a top commentator.

0:18:24.440 --> 0:18:26.400
<v Speaker 9>No, it's somethings you learn on the job. Like Glane's

0:18:26.400 --> 0:18:28.360
<v Speaker 9>maybe do that to him countless times on the call

0:18:28.400 --> 0:18:29.000
<v Speaker 9>for no reason.

0:18:29.200 --> 0:18:30.800
<v Speaker 1>It's car sicking in three slips.

0:18:30.920 --> 0:18:34.199
<v Speaker 5>Right, there's Williamson going back and rising and guiding it

0:18:34.240 --> 0:18:35.920
<v Speaker 5>to the first of the second gullies.

0:18:37.600 --> 0:18:40.080
<v Speaker 1>The main thing I learned from commentary school is schedules.

0:18:40.440 --> 0:18:44.760
<v Speaker 1>I mean, if they say can you do commentary on Thursday,

0:18:45.400 --> 0:18:48.320
<v Speaker 1>and go no, not up, but how I'm good for

0:18:48.400 --> 0:18:52.120
<v Speaker 1>Wednesday And they say, well, the test doesn't start till Thursday,

0:18:52.200 --> 0:18:53.480
<v Speaker 1>and then you go, well, it's not good to me.

0:18:53.680 --> 0:18:56.760
<v Speaker 1>So you've got to fit in with what's happening with

0:18:56.960 --> 0:18:59.320
<v Speaker 1>the game. And that's the first thing you learn, and

0:18:59.400 --> 0:19:01.359
<v Speaker 1>it's that simple. And once you learn that, it's a

0:19:01.440 --> 0:19:03.919
<v Speaker 1>lot easier you stop ringing up and saying, look, I'm

0:19:03.960 --> 0:19:06.040
<v Speaker 1>not available, or can you change it? You know.

0:19:08.560 --> 0:19:11.760
<v Speaker 9>Yeah, there's been carless days here at the AC studio

0:19:11.800 --> 0:19:13.920
<v Speaker 9>where I have come in for various reasons and seeing

0:19:13.960 --> 0:19:16.120
<v Speaker 9>you here sort of looking around saying when are we commentating?

0:19:16.119 --> 0:19:17.480
<v Speaker 9>And I have to say, you know, there's no test

0:19:17.800 --> 0:19:18.280
<v Speaker 9>this month.

0:19:18.560 --> 0:19:19.119
<v Speaker 1>That's no good to me.

0:19:19.240 --> 0:19:19.920
<v Speaker 9>Can in the middle of winter?

0:19:20.000 --> 0:19:21.640
<v Speaker 1>Can't we pre record my bits? Yeah?

0:19:21.920 --> 0:19:25.080
<v Speaker 9>Time later before a super rugby ficture. Perhaps we'll be

0:19:25.080 --> 0:19:27.960
<v Speaker 9>here seven o'clock on a Saturday night. She's about play

0:19:28.000 --> 0:19:30.080
<v Speaker 9>the Highlands and you're walking, you know, ready for a

0:19:30.080 --> 0:19:31.040
<v Speaker 9>credit commentary.

0:19:31.040 --> 0:19:33.439
<v Speaker 1>I'm just doing carlor stuff. Anyway, it's not going to change.

0:19:33.560 --> 0:19:35.600
<v Speaker 1>I can pre record that. Whack it in there.

0:19:35.680 --> 0:19:37.680
<v Speaker 9>Later we could get a button bar with just some

0:19:38.600 --> 0:19:41.480
<v Speaker 9>lee Hart chat help with fire off any stage. To

0:19:41.480 --> 0:19:42.760
<v Speaker 9>be honest, this conversation could be.

0:19:43.359 --> 0:19:44.440
<v Speaker 1>I mean a lot of the stands haying going to

0:19:44.520 --> 0:19:48.320
<v Speaker 1>change within the day, you know, I've talked to Mike

0:19:48.359 --> 0:19:51.560
<v Speaker 1>about that. Later I might get a year's with a

0:19:51.600 --> 0:19:52.240
<v Speaker 1>commentary done.

0:19:52.880 --> 0:19:54.080
<v Speaker 9>We could blanket and voice.

0:19:54.200 --> 0:19:58.040
<v Speaker 5>Williamson forces him back, pushes it to cover point no

0:19:58.160 --> 0:20:00.399
<v Speaker 5>run cars is one for thirty three or fight point

0:20:00.400 --> 0:20:02.400
<v Speaker 5>five New Zealand one thirty two for three.

0:20:02.560 --> 0:20:05.159
<v Speaker 9>We could also preload into this button bar, maybe some

0:20:05.240 --> 0:20:08.800
<v Speaker 9>problematic comments about an app that identifies the ethnicities of

0:20:08.840 --> 0:20:11.760
<v Speaker 9>different drivers, until we fire that off from timetime as well.

0:20:11.720 --> 0:20:17.679
<v Speaker 1>Totally pre record a whole lot of apologies in previous commentaries.

0:20:21.920 --> 0:20:23.639
<v Speaker 9>There must be a collection somewhere.

0:20:23.320 --> 0:20:24.600
<v Speaker 1>Well used to get a whole lot of things. Come

0:20:24.680 --> 0:20:27.040
<v Speaker 1>back to Youj's back to you, Jerry back to you,

0:20:27.119 --> 0:20:29.040
<v Speaker 1>Toney you know jack him in.

0:20:31.640 --> 0:20:35.680
<v Speaker 5>Cast again bowling to Williamson. He goes, pulls it away nicely.

0:20:36.920 --> 0:20:37.360
<v Speaker 4>In time.

0:20:37.440 --> 0:20:40.920
<v Speaker 5>It perfectly for sheer runs around from deep back with

0:20:41.040 --> 0:20:43.760
<v Speaker 5>square or do the fielding. They'll get two and Williamson

0:20:43.840 --> 0:20:47.760
<v Speaker 5>moves to forty New Zealand one thirty four for three.

0:20:48.359 --> 0:20:50.760
<v Speaker 9>Hel on a rugby commentary once We did famously cross

0:20:50.800 --> 0:20:52.960
<v Speaker 9>the g lane for some pre recorded commentary at the

0:20:53.000 --> 0:20:56.240
<v Speaker 9>ground and was unfortunately some of the worst content you

0:20:56.280 --> 0:20:59.080
<v Speaker 9>will ever hear. He may as well have been in

0:20:59.160 --> 0:21:02.760
<v Speaker 9>the different room just imagining he was there. It's very

0:21:02.800 --> 0:21:05.080
<v Speaker 9>uninsightful stuff. So he might be reluctant to allow you

0:21:06.200 --> 0:21:07.880
<v Speaker 9>such loose parameters.

0:21:08.040 --> 0:21:10.879
<v Speaker 1>Nearly I knew re member I was banned from the

0:21:10.920 --> 0:21:14.479
<v Speaker 1>Black Clash commentary. I believe I was field report off

0:21:14.520 --> 0:21:17.320
<v Speaker 1>in the quarterback and houd on the field. I think

0:21:17.480 --> 0:21:19.480
<v Speaker 1>Mike or something. I think he's been banned as well,

0:21:19.560 --> 0:21:22.399
<v Speaker 1>now for for all the other reasons. But Lee, what's

0:21:22.440 --> 0:21:24.800
<v Speaker 1>the vibe down on the ground by the chips? And and

0:21:24.760 --> 0:21:26.680
<v Speaker 1>I said, I don't know when you come down, phone

0:21:26.680 --> 0:21:29.720
<v Speaker 1>out yourself, you know what I mean? And for some

0:21:29.800 --> 0:21:34.080
<v Speaker 1>reason they didn't resonate with the TIVYDD crew. I was just,

0:21:34.160 --> 0:21:36.480
<v Speaker 1>you know, I just how would I know any different?

0:21:36.600 --> 0:21:39.240
<v Speaker 9>Well, I often find that infuriating when the commentator this,

0:21:39.680 --> 0:21:41.159
<v Speaker 9>how's the vibe down there in the stands, You're like,

0:21:41.200 --> 0:21:41.600
<v Speaker 9>you can see it?

0:21:41.680 --> 0:21:42.719
<v Speaker 1>Yeah, Yeah, he's stupid.

0:21:42.880 --> 0:21:44.480
<v Speaker 9>You assume how it is. You can hear it, you

0:21:44.480 --> 0:21:46.280
<v Speaker 9>can see it. You've been your crew game before. Yeah,

0:21:46.880 --> 0:21:47.280
<v Speaker 9>make it.

0:21:47.280 --> 0:21:49.960
<v Speaker 1>Up, old peace, no protection.

0:21:50.640 --> 0:21:55.720
<v Speaker 2>This is the Alternative commentary Collective, all thanks.

0:21:55.359 --> 0:21:59.240
<v Speaker 1>To the great New Zealanders at Max ra Per.

0:22:00.320 --> 0:22:02.240
<v Speaker 9>You ever fired off any photos of the downstairs sooner

0:22:02.320 --> 0:22:04.399
<v Speaker 9>and liha, No, thank you?

0:22:04.720 --> 0:22:05.320
<v Speaker 1>I not really?

0:22:05.359 --> 0:22:10.600
<v Speaker 5>No, not really is so that's an interesting answer.

0:22:10.640 --> 0:22:13.600
<v Speaker 1>There's room there. Yeah, can you hear member, Mike, because

0:22:13.640 --> 0:22:16.879
<v Speaker 1>it and are out. I can't. Yeah, not really Like

0:22:17.240 --> 0:22:19.919
<v Speaker 1>back in my heyday when that might have been a

0:22:20.920 --> 0:22:22.520
<v Speaker 1>I'd have to go to one hour photo lab, get

0:22:22.560 --> 0:22:25.639
<v Speaker 1>them printed out, you know, and then post them to

0:22:25.720 --> 0:22:28.320
<v Speaker 1>the person that's it doesn't hold up in court.

0:22:28.359 --> 0:22:30.240
<v Speaker 9>So well, yeah, there's the person with the big black

0:22:30.240 --> 0:22:33.919
<v Speaker 9>hood over them, sort of bursting some phosphorus to flash it.

0:22:34.520 --> 0:22:37.439
<v Speaker 1>And sometimes those photos would come out out the window.

0:22:37.560 --> 0:22:39.600
<v Speaker 1>You know. You could see the photos coming out with

0:22:39.680 --> 0:22:41.479
<v Speaker 1>the one alfho lab everybody else's photos.

0:22:41.520 --> 0:22:45.879
<v Speaker 9>Yeah, you can see them being developed. There were some

0:22:45.920 --> 0:22:48.200
<v Speaker 9>Sheldan waiting for their ball photos. They get a ball

0:22:48.200 --> 0:22:48.800
<v Speaker 9>photo of yours.

0:22:48.920 --> 0:22:51.320
<v Speaker 1>And then the chemist was a chemist somebody who go

0:22:51.560 --> 0:22:55.720
<v Speaker 1>do you want those enlarged sir? Okay?

0:22:56.880 --> 0:23:04.240
<v Speaker 5>Best following to Williams those full defensey on the pitch, I.

0:23:04.320 --> 0:23:06.440
<v Speaker 1>Met us half tiny, you're you're a bit of a.

0:23:08.040 --> 0:23:08.480
<v Speaker 10>I can'ts a.

0:23:09.680 --> 0:23:11.280
<v Speaker 9>You can say I'm often firing off.

0:23:12.040 --> 0:23:13.960
<v Speaker 1>It's very hard. I mean, I'm not saying I've tried,

0:23:14.000 --> 0:23:15.479
<v Speaker 1>but it's very hard to get a good photo it.

0:23:16.080 --> 0:23:20.360
<v Speaker 9>I think she just use other people's no one needs

0:23:20.359 --> 0:23:22.280
<v Speaker 9>to know that it is indeed mine, just as long

0:23:22.359 --> 0:23:24.919
<v Speaker 9>as it If it's apeck, then it's that's our pit.

0:23:25.119 --> 0:23:27.280
<v Speaker 1>You just got to get the right color. Don't you

0:23:26.880 --> 0:23:29.199
<v Speaker 1>send it? You go online? I suppose you can download

0:23:29.200 --> 0:23:29.600
<v Speaker 1>a photo.

0:23:29.760 --> 0:23:31.760
<v Speaker 9>I have to find the colors a little bit off anyway,

0:23:31.760 --> 0:23:33.479
<v Speaker 9>even on my own. There's something going on down there.

0:23:33.520 --> 0:23:34.720
<v Speaker 9>It's maybe a few shades up.

0:23:35.840 --> 0:23:40.080
<v Speaker 5>We're down this year again, bowling to Williamson, a little

0:23:40.080 --> 0:23:42.200
<v Speaker 5>bit wider and looked up using the breeze.

0:23:42.920 --> 0:23:45.879
<v Speaker 1>Defended by Williamson one for three.

0:23:45.840 --> 0:23:47.560
<v Speaker 9>Find if you go a few shades darky, you'll think

0:23:47.560 --> 0:23:49.080
<v Speaker 9>you'd a couple more centimeters as well.

0:23:49.160 --> 0:23:53.040
<v Speaker 1>So in the winter, if you got a tan on you,

0:23:53.840 --> 0:23:54.840
<v Speaker 1>it looks healthier, doesn't it.

0:23:54.840 --> 0:24:02.440
<v Speaker 9>Well, especially if it's not yours, it looks incredibly healthy.

0:24:04.440 --> 0:24:07.479
<v Speaker 1>Defended the Williamson. I've just got a member to take

0:24:07.520 --> 0:24:10.719
<v Speaker 1>that stop photo kind of embossed.

0:24:11.080 --> 0:24:12.960
<v Speaker 9>Yeah, the Giddy's image part off the side.

0:24:13.000 --> 0:24:14.360
<v Speaker 1>To take that off, pop that out.

0:24:14.600 --> 0:24:16.720
<v Speaker 9>It's a lot to pay for a Giddy sponsorship just

0:24:16.760 --> 0:24:21.400
<v Speaker 9>to send a picture for someone cover it out on photoshop.

0:24:21.400 --> 0:24:25.080
<v Speaker 9>But they can tell the watermark off the picture. They'll

0:24:25.080 --> 0:24:26.120
<v Speaker 9>get you in trouble.

0:24:30.600 --> 0:24:34.800
<v Speaker 1>From the shir But I remember you telling me this, Jerry.

0:24:34.800 --> 0:24:37.640
<v Speaker 1>I mean, if you're going to be sending a deck peck,

0:24:38.359 --> 0:24:40.040
<v Speaker 1>you know you don't want to be. You know, it's

0:24:40.080 --> 0:24:42.320
<v Speaker 1>not something you want to do often. So make it count.

0:24:42.480 --> 0:24:44.879
<v Speaker 1>Send it to thirty forty people at once, you know

0:24:45.200 --> 0:24:47.199
<v Speaker 1>it kind of canvass them if you like.

0:24:48.200 --> 0:24:50.199
<v Speaker 9>I find doing it by email is very effective. So

0:24:50.240 --> 0:24:52.399
<v Speaker 9>you can actually put on the email address, you know,

0:24:52.640 --> 0:24:56.880
<v Speaker 9>put yourself in the sind column, but you.

0:24:56.840 --> 0:24:58.920
<v Speaker 1>Don't blame copy it. So you make sure you can

0:24:58.920 --> 0:25:00.119
<v Speaker 1>see everyone else, that god.

0:25:00.160 --> 0:25:00.680
<v Speaker 10>Everyone else.

0:25:00.720 --> 0:25:03.280
<v Speaker 9>You want to have maybe thirty forty people in the CC.

0:25:03.840 --> 0:25:06.320
<v Speaker 9>They can see friend's emails. They know that there's some competition.

0:25:07.240 --> 0:25:08.080
<v Speaker 9>Open the attachment.

0:25:08.200 --> 0:25:10.320
<v Speaker 1>A few of them are gonna go, oh yeah, yak yak,

0:25:10.359 --> 0:25:12.280
<v Speaker 1>and they might talk to each other about it, but

0:25:12.359 --> 0:25:14.200
<v Speaker 1>a lot of them will be as you say, I've

0:25:14.200 --> 0:25:16.440
<v Speaker 1>got competition here, and this guy has sent my deck

0:25:16.480 --> 0:25:18.960
<v Speaker 1>back to forty people on his friends list.

0:25:19.040 --> 0:25:24.600
<v Speaker 9>Yeah, it's a silly A lot to think about. Do

0:25:24.640 --> 0:25:30.440
<v Speaker 9>you leave your work email signature on the email? Sweet worker?

0:25:30.440 --> 0:25:37.480
<v Speaker 1>Suppose that's pretty harmless fun though, really, isn't it?

0:25:37.480 --> 0:25:42.120
<v Speaker 9>You know, silly can be.

0:25:51.680 --> 0:25:52.639
<v Speaker 1>He comes Outkinson.

0:25:53.160 --> 0:25:56.240
<v Speaker 5>Oh, this is nipped back off the sceam as Mitchell's

0:25:56.240 --> 0:26:00.280
<v Speaker 5>shoulders arms, but it was too high. Just a half

0:26:00.280 --> 0:26:04.280
<v Speaker 5>shout from the England team. One forty eight for three.

0:26:05.160 --> 0:26:08.440
<v Speaker 5>This one really noodled back. Actually has been a little

0:26:08.440 --> 0:26:12.920
<v Speaker 5>bit of c movement in the last week while so

0:26:13.000 --> 0:26:15.240
<v Speaker 5>pitch dries out a little bit bit of extra bounce

0:26:15.359 --> 0:26:16.720
<v Speaker 5>on the Haglely oval track.

0:26:18.200 --> 0:26:22.000
<v Speaker 9>Look to leave it struck him right on the legs.

0:26:23.720 --> 0:26:26.800
<v Speaker 5>Mitchell's three or eight William since fifty two from one

0:26:26.880 --> 0:26:35.359
<v Speaker 5>hundred and four deliveries, striking exactly fifty Zatkinson comes in again,

0:26:37.240 --> 0:26:40.879
<v Speaker 5>digging it in, sliding down the leg side just underneath

0:26:41.440 --> 0:26:43.760
<v Speaker 5>the armpit of Mitchell.

0:26:45.240 --> 0:26:47.159
<v Speaker 1>Proll be good hit.

0:26:52.000 --> 0:26:54.639
<v Speaker 9>And Atkinson's got a little bit of it looks like

0:26:55.080 --> 0:26:56.600
<v Speaker 9>zinc on the end of the Schneiers, but I only

0:26:56.640 --> 0:26:58.280
<v Speaker 9>needed the schneiz so it looks like he's maybe been

0:27:00.040 --> 0:27:03.639
<v Speaker 9>eating a donut or having a pint of guinness. Dipped

0:27:03.640 --> 0:27:08.080
<v Speaker 9>his nose in and carried on with his day.

0:27:09.359 --> 0:27:12.560
<v Speaker 5>One for three is Atkinson comes in again too, Matchell.

0:27:13.280 --> 0:27:16.200
<v Speaker 5>This is short which it goes back, just works the

0:27:16.240 --> 0:27:19.720
<v Speaker 5>behind square on the legs side for a single Yeah,

0:27:19.720 --> 0:27:20.560
<v Speaker 5>the whole Dick pic.

0:27:20.520 --> 0:27:25.400
<v Speaker 1>Thing Tony is interesting concept, doesn't it. I mean, very work.

0:27:25.600 --> 0:27:26.919
<v Speaker 1>When did that? When did that start?

0:27:28.640 --> 0:27:31.000
<v Speaker 9>I'd say it's as old as time. I'd say, when

0:27:31.040 --> 0:27:34.520
<v Speaker 9>you see that in Pompei, you see the penises carved

0:27:34.520 --> 0:27:36.520
<v Speaker 9>into the stone, I think that was probably someone sending

0:27:36.520 --> 0:27:41.160
<v Speaker 9>a dictic they were chiseling in their manhood and hope

0:27:41.200 --> 0:27:43.280
<v Speaker 9>that someone else might see it at some point. Yeah,

0:27:43.280 --> 0:27:45.640
<v Speaker 9>I say, for long of men have had venises, they've

0:27:45.640 --> 0:27:47.879
<v Speaker 9>probably have been sending pictures of them to ladies and

0:27:47.920 --> 0:27:48.560
<v Speaker 9>men for that matter.

0:27:48.880 --> 0:27:50.720
<v Speaker 5>So do something you don't see a lot of nowadays,

0:27:50.720 --> 0:27:54.800
<v Speaker 5>and that's flashing. No very popular in the nineteen seventies,

0:27:54.840 --> 0:27:58.320
<v Speaker 5>nineteen eighties. It's fallen by the wayside in recent years.

0:27:58.400 --> 0:27:59.320
<v Speaker 9>How did he get the coats?

0:27:59.320 --> 0:28:01.000
<v Speaker 7>I reckon it constant.

0:28:00.720 --> 0:28:03.800
<v Speaker 5>Again this short Williamson sways out of the way of it.

0:28:04.119 --> 0:28:06.720
<v Speaker 1>Yeah. Again, flashing is quite cool because it's very quick

0:28:06.800 --> 0:28:08.840
<v Speaker 1>kit and a lot of it's to your imagination. Where

0:28:08.960 --> 0:28:11.080
<v Speaker 1>is looking, Dick. Think the's something that's there for all

0:28:11.080 --> 0:28:13.600
<v Speaker 1>the time, downloaded and whatever.

0:28:14.119 --> 0:28:16.760
<v Speaker 9>I've been flashed. I've been victim of a flashing on

0:28:16.800 --> 0:28:18.960
<v Speaker 9>a train and going to tell you very disconcerting. It's

0:28:19.080 --> 0:28:21.480
<v Speaker 9>very it takes your singing to realize what's going on.

0:28:22.520 --> 0:28:24.439
<v Speaker 9>Just a young gentleman. He's actually wasn't young at all.

0:28:24.480 --> 0:28:27.080
<v Speaker 9>He was older fella down the other end, and he

0:28:27.160 --> 0:28:28.640
<v Speaker 9>was looking at me for a long period of time

0:28:28.680 --> 0:28:30.399
<v Speaker 9>and he's making ye contact with me, and I was

0:28:31.920 --> 0:28:34.200
<v Speaker 9>it's with a female companion at the time.

0:28:36.280 --> 0:28:36.800
<v Speaker 1>At consent.

0:28:37.200 --> 0:28:39.600
<v Speaker 5>This is short and Williamson gets out of the way

0:28:39.600 --> 0:28:41.560
<v Speaker 5>of it for nine to three.

0:28:41.720 --> 0:28:43.320
<v Speaker 9>And I was looking down and thinking, what is this guy?

0:28:43.360 --> 0:28:44.760
<v Speaker 9>He's looking at us at what does he want? And

0:28:44.800 --> 0:28:46.800
<v Speaker 9>as I was looking at and I sort of glanced

0:28:46.880 --> 0:28:50.080
<v Speaker 9>down and he just he has his piece out just

0:28:50.200 --> 0:28:52.160
<v Speaker 9>in hand, steering at us, grinning.

0:28:52.280 --> 0:28:53.080
<v Speaker 1>What was he wearing.

0:28:53.480 --> 0:28:55.880
<v Speaker 9>It's a very very very normal clothes, very typical. He

0:28:55.920 --> 0:28:58.240
<v Speaker 9>wasn't in the classic jump you know, the big old

0:28:58.400 --> 0:29:00.880
<v Speaker 9>flash head round, which is what I would have expected.

0:29:00.960 --> 0:29:02.800
<v Speaker 9>I looked down, Oh, there's the piece. He granted us

0:29:02.840 --> 0:29:03.719
<v Speaker 9>to it, gave us a wencoln.

0:29:03.920 --> 0:29:05.720
<v Speaker 1>So how did he face it to you?

0:29:05.800 --> 0:29:08.840
<v Speaker 9>He just very casually exposed himself. He pulled his pans down,

0:29:08.920 --> 0:29:10.760
<v Speaker 9>don't know, just sit about the front over the top

0:29:10.760 --> 0:29:11.120
<v Speaker 9>of the pad.

0:29:11.600 --> 0:29:12.400
<v Speaker 1>Good on him.

0:29:13.400 --> 0:29:16.560
<v Speaker 5>A short and again Williamson sways out of the waiver

0:29:16.720 --> 0:29:19.320
<v Speaker 5>into the over. We must come back to this thirty

0:29:19.360 --> 0:29:20.840
<v Speaker 5>seven gone one, forty nine to three.

0:29:21.480 --> 0:29:26.160
<v Speaker 2>The commentary that makes even doc Balls sound good. This

0:29:26.320 --> 0:29:29.200
<v Speaker 2>is the alternative commentary collective.

0:29:29.640 --> 0:29:33.200
<v Speaker 1>Oh, thanks to the great New Zealanders at max RA.

0:29:36.200 --> 0:29:39.520
<v Speaker 1>You were talking about nichols before, and which I suppose

0:29:39.640 --> 0:29:43.880
<v Speaker 1>is related to breasts. Yes, I met a you know,

0:29:43.920 --> 0:29:51.000
<v Speaker 1>an olden wine and she had press, Yes, with a punt.

0:29:52.440 --> 0:29:54.520
<v Speaker 1>Is it normally silicon? Silicon?

0:29:54.600 --> 0:29:58.160
<v Speaker 11>I think that's just yeah, I know what you're talking about.

0:29:58.600 --> 0:29:59.200
<v Speaker 10>Augmentation.

0:29:59.440 --> 0:30:04.040
<v Speaker 1>Yes, she's done is quite clever. She's put wine.

0:30:03.800 --> 0:30:08.840
<v Speaker 11>Casks in there, that's cast the ass short and ducked

0:30:08.880 --> 0:30:13.239
<v Speaker 11>under by Williamson. Okay, so do you refel, refill them

0:30:13.280 --> 0:30:14.200
<v Speaker 11>up and drain them.

0:30:15.440 --> 0:30:22.280
<v Speaker 1>She's got those taps literally on her nipples.

0:30:21.920 --> 0:30:25.160
<v Speaker 10>Oh right, the cast from the little plastic. And so

0:30:25.200 --> 0:30:26.720
<v Speaker 10>she's got a couple of goon sets.

0:30:26.440 --> 0:30:31.560
<v Speaker 1>In there, well literally and one side of shadona the

0:30:31.640 --> 0:30:32.840
<v Speaker 1>other is sad.

0:30:33.400 --> 0:30:37.280
<v Speaker 7>And so she's gone all white. She couldn't go white red.

0:30:37.280 --> 0:30:42.120
<v Speaker 1>Stand of night. She's got quite big hooters.

0:30:45.000 --> 0:30:48.920
<v Speaker 11>Cass short and pulled by Williamson, ou to mid wicket,

0:30:48.920 --> 0:30:50.520
<v Speaker 11>but there's a man back for the pool shop.

0:30:51.200 --> 0:30:52.800
<v Speaker 10>He thought, let's get a single.

0:30:53.840 --> 0:30:56.800
<v Speaker 1>By the end of the night. By the end of the

0:30:56.880 --> 0:31:02.400
<v Speaker 1>night not so big, well drewpy, but everyone's read out.

0:31:04.200 --> 0:31:07.040
<v Speaker 8>They're so drunk they don't notice that her breasts are

0:31:07.160 --> 0:31:10.240
<v Speaker 8>shrunk one and they're not size anymore.

0:31:10.520 --> 0:31:12.120
<v Speaker 10>But you can refill them pretty easily.

0:31:12.160 --> 0:31:13.520
<v Speaker 7>Case, how do you read them?

0:31:14.520 --> 0:31:16.280
<v Speaker 1>Well, I'm not.

0:31:19.840 --> 0:31:24.120
<v Speaker 10>Cascassie Ayes too short, Mitchell Pulse. This one it's up

0:31:24.120 --> 0:31:26.640
<v Speaker 10>in the air. It's up in the air. Man underneath.

0:31:26.680 --> 0:31:27.680
<v Speaker 1>It takes a catch.

0:31:30.320 --> 0:31:32.640
<v Speaker 2>He looked at Pollard and he ended up flying down

0:31:32.680 --> 0:31:34.600
<v Speaker 2>to third man, Old Pete.

0:31:35.080 --> 0:31:36.080
<v Speaker 1>No prodiction.

0:31:36.720 --> 0:31:41.800
<v Speaker 2>This is the Alternative Commentary collective poll thanks.

0:31:41.440 --> 0:31:44.320
<v Speaker 1>To the great New Zealanders at Max Raw.

0:31:45.160 --> 0:31:47.120
<v Speaker 7>It's a nice castile chat.

0:31:47.240 --> 0:31:48.640
<v Speaker 10>Well, yeah, that's going back.

0:31:48.680 --> 0:31:52.160
<v Speaker 11>That is when I was experimenting, well we were experimenting

0:31:52.200 --> 0:31:56.400
<v Speaker 11>with a girlfriend and you know, I decided to. There

0:31:56.440 --> 0:31:59.480
<v Speaker 11>was a little bit of pushback around changing lanes.

0:32:00.720 --> 0:32:00.959
<v Speaker 1>Was it.

0:32:01.040 --> 0:32:04.640
<v Speaker 11>Yeah, so I decided to. I was exploring myself in

0:32:04.680 --> 0:32:08.320
<v Speaker 11>the showers and comes quicks back just fiends as Williamson

0:32:08.360 --> 0:32:10.280
<v Speaker 11>and know it was back there, just cleaning things up

0:32:10.320 --> 0:32:14.680
<v Speaker 11>and I thought, you know, I find about to I

0:32:14.760 --> 0:32:16.120
<v Speaker 11>need to get the feeling of it, and so I

0:32:16.160 --> 0:32:17.920
<v Speaker 11>wept it, take of soap up.

0:32:17.920 --> 0:32:20.600
<v Speaker 7>Mass and it was a nice castile, was it?

0:32:20.680 --> 0:32:20.880
<v Speaker 1>Yeah?

0:32:21.080 --> 0:32:21.680
<v Speaker 10>Sharp hitches?

0:32:23.080 --> 0:32:25.320
<v Speaker 1>I mean you don't want to use a brand new one.

0:32:25.160 --> 0:32:26.960
<v Speaker 1>Why did you have sharp sharp edges?

0:32:27.280 --> 0:32:29.320
<v Speaker 11>Well, you know the nights the new Cake of Knights

0:32:29.360 --> 0:32:30.440
<v Speaker 11>castile is quite sharp.

0:32:31.560 --> 0:32:32.960
<v Speaker 10>I just got the corner of it up there.

0:32:33.040 --> 0:32:36.000
<v Speaker 11>You took it out of the back of eight Yeah, yeah, yeah, yes, yeah,

0:32:36.000 --> 0:32:40.640
<v Speaker 11>I took it quos odd edged old just fall short

0:32:40.720 --> 0:32:42.080
<v Speaker 11>of root at first slip.

0:32:42.600 --> 0:32:44.600
<v Speaker 10>It was a genuine edge from Williamson.

0:32:45.480 --> 0:32:47.440
<v Speaker 11>Just didn't quite carry to Joe route.

0:32:47.920 --> 0:32:51.040
<v Speaker 1>But that had a rope on it that it was No, no, didn't.

0:32:51.440 --> 0:32:52.240
<v Speaker 10>It's quite dangerous.

0:32:52.280 --> 0:32:54.040
<v Speaker 1>I'd be more comfortable if they had a rope on it.

0:32:54.240 --> 0:32:56.680
<v Speaker 10>Yes, So there's a lot of things that were going wrong.

0:32:56.560 --> 0:32:58.240
<v Speaker 1>With that's why it was invented.

0:32:58.880 --> 0:33:01.240
<v Speaker 8>Yeah, I'll tell you what that That is what we

0:33:01.280 --> 0:33:04.760
<v Speaker 8>love about Cain Williamson. Soap on the rope, the nice castille,

0:33:04.760 --> 0:33:07.160
<v Speaker 8>but the soft hands, soft enough that it dropped a

0:33:07.160 --> 0:33:10.360
<v Speaker 8>good foot before Joe root first slip, and thank God for.

0:33:10.360 --> 0:33:13.160
<v Speaker 10>That, and say soft hands of Kam Willimson. He's eighty

0:33:13.240 --> 0:33:13.560
<v Speaker 10>not out.

0:33:14.720 --> 0:33:16.960
<v Speaker 8>Well, maybe that's why his hands are so soft. Years

0:33:17.040 --> 0:33:17.960
<v Speaker 8>of Night's Casteele.

0:33:18.600 --> 0:33:20.480
<v Speaker 10>Yeah, but that was that was a long long time ago.

0:33:20.920 --> 0:33:21.920
<v Speaker 10>I mean I was, I'm talking.

0:33:22.040 --> 0:33:25.200
<v Speaker 1>It doesn't make any twenties. It doesn't make it correct,

0:33:25.680 --> 0:33:25.880
<v Speaker 1>you know.

0:33:26.040 --> 0:33:30.360
<v Speaker 11>No, it's just very conscious about, you know, making sure

0:33:30.400 --> 0:33:32.840
<v Speaker 11>if it did change lanes, that it was legal.

0:33:34.760 --> 0:33:39.960
<v Speaker 10>Any consensure. Then comes murder She works until Williamson. Williamson

0:33:40.080 --> 0:33:42.200
<v Speaker 10>back defends. It's a good ball, just back of a

0:33:42.280 --> 0:33:47.280
<v Speaker 10>length from murder. He murder she Wokes.

0:33:49.000 --> 0:33:50.400
<v Speaker 7>So you're calling a murder she Wokes.

0:33:50.440 --> 0:33:55.080
<v Speaker 8>That's our initial nickname for Chris Wokes. But Tony Larle

0:33:55.120 --> 0:33:57.960
<v Speaker 8>prefers the woke's mind virus to feel it's a bit

0:33:58.000 --> 0:33:59.160
<v Speaker 8>more twenty twenty four.

0:33:59.120 --> 0:34:01.640
<v Speaker 10>Right, Okay, how many people know murder she works?

0:34:02.400 --> 0:34:04.960
<v Speaker 7>It's nice. I like it. It's a nice pop culture reference.

0:34:05.240 --> 0:34:07.640
<v Speaker 10>What was the one? Was a bone was going for.

0:34:07.880 --> 0:34:11.360
<v Speaker 8>Angela Sainsbury tea bone's going for a woke's mind virus.

0:34:12.360 --> 0:34:15.120
<v Speaker 11>Well, that's another good delivery from Wolkes.

0:34:15.640 --> 0:34:21.200
<v Speaker 8>Angela Lansbury, Angela Lansbury or she was murdered?

0:34:21.239 --> 0:34:28.320
<v Speaker 7>She she wrote, Yes.

0:34:28.239 --> 0:34:30.760
<v Speaker 8>I'm not sure how many valousners would know would recognize

0:34:30.760 --> 0:34:31.120
<v Speaker 8>that name.

0:34:32.480 --> 0:34:35.719
<v Speaker 11>But she's bouncing all over the place. Don't we snap

0:34:35.800 --> 0:34:36.480
<v Speaker 11>on a rope?

0:34:37.400 --> 0:34:38.719
<v Speaker 7>Let's still make soap on a rope?

0:34:38.760 --> 0:34:40.040
<v Speaker 10>Oh yeah, now are you?

0:34:40.239 --> 0:34:41.160
<v Speaker 7>Why is it on a road?

0:34:41.680 --> 0:34:45.040
<v Speaker 11>Exactly what Lisa is incomes Wokes and it's wide and

0:34:45.160 --> 0:34:48.440
<v Speaker 11>cut by Williamson down to the boundary for four. Too

0:34:48.480 --> 0:34:52.839
<v Speaker 11>much wet from Quokes and Williamson goes to eighty four

0:34:53.040 --> 0:34:54.719
<v Speaker 11>in New Zealand two hundred and seven for four. But

0:34:54.840 --> 0:34:57.439
<v Speaker 11>it's it's obvious, Lee Baker. Why it's got to break

0:34:57.480 --> 0:34:59.880
<v Speaker 11>on it as Lisa? So if you do lose it

0:35:00.040 --> 0:35:02.480
<v Speaker 11>up your backside, you can pull it back out again, right, Yeah,

0:35:05.239 --> 0:35:05.920
<v Speaker 11>what do you think it's.

0:35:05.920 --> 0:35:07.239
<v Speaker 1>Why do you think a whold of fruit and veges

0:35:07.280 --> 0:35:08.239
<v Speaker 1>has got to rope on it? Yeah?

0:35:08.880 --> 0:35:10.319
<v Speaker 7>Why do I think a whole lot of fruit vegees

0:35:10.360 --> 0:35:11.160
<v Speaker 7>has got to rope on it?

0:35:11.360 --> 0:35:12.000
<v Speaker 1>In its name? Blake?

0:35:12.080 --> 0:35:14.600
<v Speaker 7>He said in my space All.

0:35:14.640 --> 0:35:18.120
<v Speaker 8>Right, yeah, it's gonna say, I loc market. None of

0:35:18.160 --> 0:35:20.080
<v Speaker 8>the fruit vegees have got ropes on them.

0:35:20.320 --> 0:35:24.960
<v Speaker 2>The commentary that makes even top balls sound good. This

0:35:25.120 --> 0:35:29.680
<v Speaker 2>is the alternative commentary Collective, all thanks.

0:35:29.320 --> 0:35:32.200
<v Speaker 1>To the great New Zealanders at Max Rath.

0:35:33.400 --> 0:35:36.319
<v Speaker 10>It's good. It's got an electric chord coming out of it,

0:35:36.400 --> 0:35:37.439
<v Speaker 10>so it must.

0:35:36.920 --> 0:35:38.719
<v Speaker 4>Have lighter we'll speaking to you.

0:35:38.719 --> 0:35:40.400
<v Speaker 1>Remember that girl I was talking about who had the

0:35:41.040 --> 0:35:44.240
<v Speaker 1>wine cart and plants and the breasts. Yes, there's a future.

0:35:44.280 --> 0:35:47.759
<v Speaker 1>I didn't a feature I didn't actually mention. So you've

0:35:47.760 --> 0:35:50.680
<v Speaker 1>obviously got like a red or white wine option left

0:35:50.760 --> 0:35:53.759
<v Speaker 1>or right with charonay Rose whatever you know. You can

0:35:53.840 --> 0:35:54.239
<v Speaker 1>change it.

0:35:54.200 --> 0:35:54.640
<v Speaker 7>As you do.

0:35:55.000 --> 0:35:57.719
<v Speaker 1>What she also had, which I thought was an ingenious thing,

0:35:57.960 --> 0:36:01.560
<v Speaker 1>was a vape charger called well, you know a thing

0:36:01.640 --> 0:36:02.400
<v Speaker 1>that is worth.

0:36:02.280 --> 0:36:03.200
<v Speaker 10>Like a USB port?

0:36:03.280 --> 0:36:07.640
<v Speaker 1>Yes, full delivery from emity. People drink wine and they

0:36:07.719 --> 0:36:09.120
<v Speaker 1>always want to charge their babes.

0:36:09.400 --> 0:36:13.040
<v Speaker 8>Now I dare I ask where was the USB port

0:36:13.160 --> 0:36:13.720
<v Speaker 8>on her body?

0:36:14.200 --> 0:36:18.680
<v Speaker 1>Or just it was between the breasts? Okay, between the cleavage. Yep.

0:36:19.360 --> 0:36:23.280
<v Speaker 7>Wow, this woman is some piece of bionary.

0:36:23.440 --> 0:36:24.920
<v Speaker 1>See why she's popular ound parties.

0:36:25.520 --> 0:36:28.879
<v Speaker 9>Absolutely sounds like the total package, total.

0:36:28.640 --> 0:36:34.760
<v Speaker 1>Package, so literally the full package.

0:36:34.800 --> 0:36:37.240
<v Speaker 7>Can she charged the laptop off that USB one hundred

0:36:37.239 --> 0:36:37.560
<v Speaker 7>and twenty?

0:36:37.560 --> 0:36:40.720
<v Speaker 11>What's Atkinson? And to Smith, he's back across and defense.

0:36:40.760 --> 0:36:43.760
<v Speaker 11>He's defended his first three balls in test cricket.

0:36:43.840 --> 0:36:44.360
<v Speaker 1>Comfortably?

0:36:44.560 --> 0:36:46.080
<v Speaker 7>Is it USB B or USBC.

0:36:46.239 --> 0:36:48.320
<v Speaker 1>Well, this is the problem, you see, because it keeps changing.

0:36:49.040 --> 0:36:52.960
<v Speaker 1>Everything's upgraded, so you know, I think you had like

0:36:53.000 --> 0:36:55.439
<v Speaker 1>an adapter thing there so you could actually put your friend.

0:36:56.239 --> 0:36:58.799
<v Speaker 10>Well I like about the charging pad? Is it because

0:36:58.840 --> 0:36:59.719
<v Speaker 10>just put your phone on it?

0:37:00.080 --> 0:37:00.279
<v Speaker 1>Yeah?

0:37:00.360 --> 0:37:03.680
<v Speaker 8>See if a modern woman would be wireless, if she's

0:37:03.760 --> 0:37:06.359
<v Speaker 8>doing it today, would be do you want rose?

0:37:06.560 --> 0:37:09.560
<v Speaker 7>Do you want Chardonnay? Put your phone in my wireless?

0:37:09.800 --> 0:37:10.080
<v Speaker 10>Yest?

0:37:10.600 --> 0:37:12.520
<v Speaker 1>Can I have a glass wine? And can I change

0:37:12.520 --> 0:37:14.960
<v Speaker 1>my phone? I don't want to talk to you, but

0:37:15.360 --> 0:37:15.759
<v Speaker 1>you know what I mean.

0:37:15.840 --> 0:37:19.920
<v Speaker 8>That's and the phone can just slip between if she's wireless, though,

0:37:19.920 --> 0:37:21.719
<v Speaker 8>she's probably going to have to be horizontal for that

0:37:21.840 --> 0:37:23.160
<v Speaker 8>wireless charging pad to work.

0:37:23.280 --> 0:37:24.880
<v Speaker 10>No, not if you put it in between.

0:37:25.400 --> 0:37:27.759
<v Speaker 1>I mean, well ironically off and she was.

0:37:34.600 --> 0:37:36.520
<v Speaker 7>It's just amazing what they can do nowadays.

0:37:38.000 --> 0:37:39.800
<v Speaker 1>Just because you can do something, that doesn't mean you

0:37:39.840 --> 0:37:41.680
<v Speaker 1>should though. That's that's what I always say.

0:37:41.960 --> 0:37:45.880
<v Speaker 11>But she into Phillips Zippy from Rainbow was back and

0:37:46.800 --> 0:37:47.920
<v Speaker 11>fins back to the bowl.

0:37:48.320 --> 0:37:51.520
<v Speaker 8>I mean, what a great marketing opportunity this woman must

0:37:51.520 --> 0:37:54.600
<v Speaker 8>have been to wine makers. What a great way to

0:37:54.640 --> 0:38:02.160
<v Speaker 8>showcase new Zealand Wine to the world, take her abroad, yep.

0:38:02.239 --> 0:38:06.160
<v Speaker 1>I mean she's she's a wine festival floats this brash

0:38:06.200 --> 0:38:07.000
<v Speaker 1>year full toss.

0:38:08.000 --> 0:38:11.560
<v Speaker 11>There was cash in near Phillips, but he scampers through

0:38:11.640 --> 0:38:14.759
<v Speaker 11>for a single. Was a big rank full toss. But

0:38:14.800 --> 0:38:15.319
<v Speaker 11>he couldn't be.

0:38:15.400 --> 0:38:17.840
<v Speaker 1>The man festival and stilettos. That's what she was.

0:38:17.960 --> 0:38:18.640
<v Speaker 7>Did she have cuts?

0:38:18.680 --> 0:38:22.160
<v Speaker 8>She must have custom made bras and stuff, right, because

0:38:22.320 --> 0:38:24.600
<v Speaker 8>the size of the breasts are going to change.

0:38:24.840 --> 0:38:28.400
<v Speaker 1>Yes, So how does that work? It's kind of like

0:38:28.560 --> 0:38:31.719
<v Speaker 1>it's above it's above my pay grade. I don't know,

0:38:31.800 --> 0:38:33.919
<v Speaker 1>but you know, I think I think maybe the wine

0:38:33.960 --> 0:38:35.040
<v Speaker 1>company made the bra for him.

0:38:36.360 --> 0:38:37.800
<v Speaker 10>My year into Smith.

0:38:41.040 --> 0:38:44.360
<v Speaker 11>In my head, I've never I've never met this, this

0:38:44.360 --> 0:38:46.759
<v Speaker 11>this person. But in my head I'm imagine like a

0:38:46.800 --> 0:38:54.879
<v Speaker 11>fembot kind of look, you know, and powers. But with yeah,

0:38:54.960 --> 0:38:57.839
<v Speaker 11>year into Smith and Smith we'll get off the mark.

0:38:58.120 --> 0:39:01.319
<v Speaker 11>The beautiful shot, well timed through the we'll just get

0:39:01.360 --> 0:39:05.840
<v Speaker 11>too but he's off the mark successfully. There's Nathan Smith

0:39:05.920 --> 0:39:08.440
<v Speaker 11>and he gets a nice round of applause, and the

0:39:08.440 --> 0:39:10.759
<v Speaker 11>two fifty is up as well for using on turn

0:39:10.800 --> 0:39:14.560
<v Speaker 11>and fifty for six in the sixty eighth over Zach.

0:39:14.320 --> 0:39:16.480
<v Speaker 1>Who won't make you know she she's an detected woman,

0:39:17.440 --> 0:39:21.520
<v Speaker 1>you know, in every sense of the word beautiful person.

0:39:22.000 --> 0:39:25.719
<v Speaker 1>But has these wine cask gress and why not?

0:39:27.360 --> 0:39:28.799
<v Speaker 7>I want to make it clear. The breasts are not

0:39:28.920 --> 0:39:29.960
<v Speaker 7>square like a cast.

0:39:30.440 --> 0:39:33.319
<v Speaker 1>No, no, no, they're taking the box off and it's

0:39:33.400 --> 0:39:37.240
<v Speaker 1>just the silver or the or the plastic, the goockladders,

0:39:37.840 --> 0:39:38.359
<v Speaker 1>the good sack.

0:39:38.440 --> 0:39:38.520
<v Speaker 11>Ye.

0:39:38.960 --> 0:39:40.440
<v Speaker 8>So it's funny that this is a lot about you,

0:39:40.480 --> 0:39:43.640
<v Speaker 8>Mike Land, that you're imagining. You are imagining torpedo tests

0:39:43.640 --> 0:39:48.319
<v Speaker 8>because where I'm thinking goon sack, I'm thinking like angelous

0:39:48.400 --> 0:39:49.640
<v Speaker 8>breasts of wine.

0:39:51.120 --> 0:39:54.359
<v Speaker 11>Lash here and to Smith, he drives this confidently wide

0:39:54.400 --> 0:39:58.320
<v Speaker 11>of I've met off, and you'll get a single confident

0:39:58.440 --> 0:40:00.319
<v Speaker 11>cricket from the dead Tom.

0:40:00.960 --> 0:40:03.200
<v Speaker 10>That's the end of the over. In New Zealander two

0:40:03.280 --> 0:40:04.600
<v Speaker 10>hundred and fifty one.

0:40:04.560 --> 0:40:08.799
<v Speaker 2>Per six coverage, you'll never leave, even when it's outside

0:40:08.880 --> 0:40:13.480
<v Speaker 2>the line. This is the alternative commentary collective.

0:40:13.880 --> 0:40:17.080
<v Speaker 1>Oh thanks to the great New Zealanders at Regime