1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack team podcast 2 00:00:10,573 --> 00:00:17,573 Speaker 1: from News Talks at Back. 3 00:00:15,053 --> 00:00:26,413 Speaker 2: Stalbaster Stacketer Bred Far Brick Stalbaster Stacketer. 4 00:00:29,693 --> 00:00:33,693 Speaker 3: This is Mel Parson's new track. It's called Brick by Brick. 5 00:00:33,933 --> 00:00:36,493 Speaker 3: She's got a tour kicking off really soon, and a 6 00:00:36,533 --> 00:00:38,533 Speaker 3: little Booty has told us that a new album is 7 00:00:38,573 --> 00:00:41,053 Speaker 3: not far away as well. It is twenty five minutes 8 00:00:41,093 --> 00:00:42,933 Speaker 3: to teen on News Talks at B, which means it's 9 00:00:42,933 --> 00:00:45,413 Speaker 3: time to get your film pics for this weekend. Francisca Radkin, 10 00:00:45,533 --> 00:00:50,173 Speaker 3: our film reviewer, is here this morning. Hey Francisca, good morning. Okay, 11 00:00:50,293 --> 00:00:53,493 Speaker 3: we've got two films, both of them showing in cinemas 12 00:00:53,533 --> 00:00:55,333 Speaker 3: this morning, so let's start off by having a little 13 00:00:55,333 --> 00:00:59,013 Speaker 3: bit of a listen to the Salt Path. What is 14 00:00:59,053 --> 00:01:00,293 Speaker 3: it five hundred miles? 15 00:01:00,973 --> 00:01:02,013 Speaker 4: Oh like six hundred? 16 00:01:04,013 --> 00:01:05,813 Speaker 2: Are you walking the path yesterday? 17 00:01:08,413 --> 00:01:09,293 Speaker 3: It's a long old hike. 18 00:01:09,493 --> 00:01:15,493 Speaker 2: Yeah, retired homeless. Actually you're ready. I can't legs, but 19 00:01:15,773 --> 00:01:16,573 Speaker 2: often that good go. 20 00:01:19,573 --> 00:01:22,453 Speaker 3: This has the great Jillian Anderson and Jason Isaacs tell 21 00:01:22,493 --> 00:01:23,293 Speaker 3: us about the whole path. 22 00:01:23,973 --> 00:01:25,853 Speaker 4: Oh well, you know that I love a good walk, 23 00:01:26,453 --> 00:01:27,053 Speaker 4: don't you, Jack? 24 00:01:28,253 --> 00:01:30,093 Speaker 3: You usually run your walks that's the difference. 25 00:01:30,213 --> 00:01:32,853 Speaker 4: Yeah, Yeah, it's absolutely beautiful up in the white taxes, 26 00:01:32,853 --> 00:01:34,453 Speaker 4: this srning if you look for something to do, if you're. 27 00:01:34,293 --> 00:01:37,333 Speaker 3: Ant, I mean what I have ridiculous to even start 28 00:01:37,373 --> 00:01:40,773 Speaker 3: off with a with a brag like that, you've already 29 00:01:40,933 --> 00:01:44,173 Speaker 3: you've already been out. Yeah, I haven't even broken ten am, 30 00:01:44,253 --> 00:01:46,373 Speaker 3: and Francis has already made her way up into the 31 00:01:46,453 --> 00:01:49,013 Speaker 3: white tack and she's done. I'm probably she's probably done, 32 00:01:49,053 --> 00:01:51,933 Speaker 3: like a half marathon or something like that. It's a short, 33 00:01:52,413 --> 00:01:55,613 Speaker 3: and there's not all all the regular here's an oxymoron. 34 00:01:55,773 --> 00:01:57,253 Speaker 3: A short ten a. 35 00:01:57,293 --> 00:02:00,933 Speaker 4: Short t Now look to the film so but it 36 00:02:01,013 --> 00:02:03,853 Speaker 4: will make you want to go walking. It's this film 37 00:02:03,933 --> 00:02:07,613 Speaker 4: is based on the Southwest Coast Path and Southwest England, 38 00:02:07,773 --> 00:02:11,093 Speaker 4: six hundred and thirty miles, but it's also a film 39 00:02:11,133 --> 00:02:13,453 Speaker 4: about a middle aged couple who lose their home. They 40 00:02:13,573 --> 00:02:17,093 Speaker 4: lose their farm through a bad investment. The kids are 41 00:02:17,133 --> 00:02:19,133 Speaker 4: off studying and working and so the kids are sort 42 00:02:19,133 --> 00:02:21,013 Speaker 4: of able to look after themselves a bit, but they 43 00:02:21,373 --> 00:02:24,053 Speaker 4: find themselves homeless and they're living on a benefit which 44 00:02:24,133 --> 00:02:26,293 Speaker 4: is forty pounds a week, and they have no idea 45 00:02:27,053 --> 00:02:28,733 Speaker 4: what they're going to do and how they're going to survive, 46 00:02:29,013 --> 00:02:31,453 Speaker 4: and they come up with this idea they'll go, They'll 47 00:02:31,573 --> 00:02:34,813 Speaker 4: just walk. They'll walk and they'll camp on this track. 48 00:02:38,293 --> 00:02:40,133 Speaker 4: Win and Moth are the names of these people. This 49 00:02:40,213 --> 00:02:46,573 Speaker 4: is actually based on Win's book that she wrote about 50 00:02:47,653 --> 00:02:51,213 Speaker 4: Sorry Rayner's book ray Want to Win, her book that 51 00:02:51,333 --> 00:02:54,253 Speaker 4: she wrote about the Walk, and so it's based on 52 00:02:54,293 --> 00:02:56,733 Speaker 4: a true story. Moth has also just been had a 53 00:02:56,853 --> 00:02:59,533 Speaker 4: terminal diagnosis and he's actually really struggling to walk. So 54 00:02:59,653 --> 00:03:02,893 Speaker 4: he's got this kind of very very rare disease and 55 00:03:02,973 --> 00:03:05,413 Speaker 4: things and it's terminal and things don't look good, and 56 00:03:05,533 --> 00:03:09,133 Speaker 4: yet they still go, this is our only option. Beautiful 57 00:03:09,213 --> 00:03:12,093 Speaker 4: performances by the two. There is absolutely no vanity in 58 00:03:12,173 --> 00:03:14,733 Speaker 4: their portrayal of these characters. You know, they are just 59 00:03:15,213 --> 00:03:19,533 Speaker 4: You see them become very windblowing and sun burnt as 60 00:03:19,573 --> 00:03:23,013 Speaker 4: you would expect. The scenery is beautiful, as you would expect. 61 00:03:23,093 --> 00:03:25,693 Speaker 4: But what I loved about this story is it's kind 62 00:03:25,733 --> 00:03:28,173 Speaker 4: of really it's a bit of a love story. Actually, 63 00:03:28,293 --> 00:03:31,173 Speaker 4: it's very touching. It's about two people who find themselves 64 00:03:31,213 --> 00:03:35,533 Speaker 4: in a really difficult situation, who embrace their adversity and 65 00:03:35,813 --> 00:03:37,213 Speaker 4: kind of get on with it, and you see all 66 00:03:37,213 --> 00:03:40,813 Speaker 4: the nuances of this challenge. You see the physical difficulties, 67 00:03:40,893 --> 00:03:43,333 Speaker 4: you see it, you know, obviously homelessness, and then when 68 00:03:43,413 --> 00:03:46,293 Speaker 4: winter arrives, the helplessness they feel when it comes to 69 00:03:46,373 --> 00:03:48,573 Speaker 4: their children and not being there for them and the 70 00:03:48,613 --> 00:03:52,613 Speaker 4: hopelessness of their situation. And as time goes by, you know, 71 00:03:52,773 --> 00:03:57,213 Speaker 4: walking they sort of become at one with nature, they 72 00:03:57,333 --> 00:03:59,853 Speaker 4: learn about themselves, and they even though they take a 73 00:03:59,893 --> 00:04:01,973 Speaker 4: break over winter, they kind of look at each other 74 00:04:02,053 --> 00:04:04,493 Speaker 4: and go, actually, we need to be on this. We 75 00:04:04,613 --> 00:04:06,293 Speaker 4: need to be walking, We need to be on this part. 76 00:04:06,973 --> 00:04:09,013 Speaker 4: So not the scenery does do a lot of work 77 00:04:09,053 --> 00:04:11,333 Speaker 4: for this film, but I think it's the performances that 78 00:04:11,533 --> 00:04:13,853 Speaker 4: draw you in on this journey really is sabulous. 79 00:04:13,933 --> 00:04:15,773 Speaker 3: Okay, great, Okay, And that's the salt path. I do 80 00:04:15,893 --> 00:04:18,733 Speaker 3: love Jillian Anderson so alone. 81 00:04:19,733 --> 00:04:22,373 Speaker 4: She's beautiful in that. She really is fantastic. 82 00:04:22,453 --> 00:04:24,773 Speaker 3: Okay. So that's the salt path that showing in cinemas. 83 00:04:25,053 --> 00:04:30,533 Speaker 3: Also showing in cinemas something completely different. Final Destination, Bloodlines. 84 00:04:33,293 --> 00:04:33,653 Speaker 2: Family. 85 00:04:34,173 --> 00:04:36,333 Speaker 4: You don't get to pick the one you get, just 86 00:04:36,413 --> 00:04:37,573 Speaker 4: gotta love the one you got. 87 00:04:37,653 --> 00:04:49,573 Speaker 2: It death is coming for our family, right well, it sounds. 88 00:04:52,173 --> 00:04:52,373 Speaker 3: Yeah. 89 00:04:52,933 --> 00:04:53,133 Speaker 1: Yeah. 90 00:04:53,493 --> 00:04:55,693 Speaker 4: So normally by the time you get to a sixth 91 00:04:55,733 --> 00:04:59,813 Speaker 4: film and a franchise, Jack, I'm losing interesting. But interestingly, 92 00:04:59,973 --> 00:05:04,253 Speaker 4: there might just be life in this franchise yet. This 93 00:05:04,453 --> 00:05:07,293 Speaker 4: is the sixth film. It's been going for twenty five years. 94 00:05:07,413 --> 00:05:10,773 Speaker 4: It's been fourteen years without a new movie, so I 95 00:05:10,813 --> 00:05:12,453 Speaker 4: was quite intrigued to see what they did here. And 96 00:05:12,533 --> 00:05:15,373 Speaker 4: I wouldn't call it so much a reboot, but they 97 00:05:15,493 --> 00:05:16,973 Speaker 4: have kind of tried to put a bit of a 98 00:05:17,053 --> 00:05:21,213 Speaker 4: twist on the formula, the Final Destination formula, and they've 99 00:05:21,213 --> 00:05:24,173 Speaker 4: also kind of the films have often always been very standalone, 100 00:05:25,213 --> 00:05:27,653 Speaker 4: but they have made some lovely connections here back to 101 00:05:27,933 --> 00:05:30,093 Speaker 4: previous films, but you don't need to have seen any 102 00:05:30,173 --> 00:05:32,933 Speaker 4: of them. It opens in the sixties. This young couple 103 00:05:33,693 --> 00:05:36,893 Speaker 4: head to this new Skyview restaurant, which is like the 104 00:05:36,933 --> 00:05:38,933 Speaker 4: Sky Tower in Aukland. They're going up the elevator and 105 00:05:38,973 --> 00:05:41,653 Speaker 4: they're told that the tower was completed ahead of time, 106 00:05:41,733 --> 00:05:44,493 Speaker 4: which makes Iris a little bit concerned that maybe that's 107 00:05:44,533 --> 00:05:47,213 Speaker 4: not such a good thing. And as the night wears on, 108 00:05:47,373 --> 00:05:50,733 Speaker 4: the dance for in this restaurant gives way Jack, leading 109 00:05:50,813 --> 00:05:54,653 Speaker 4: to the most gruesome series of deaths as the tower collapses. 110 00:05:54,973 --> 00:05:56,613 Speaker 4: And I should probably say at this point, look, the 111 00:05:56,733 --> 00:06:00,013 Speaker 4: Final Destination films are all about how a small series 112 00:06:00,013 --> 00:06:02,293 Speaker 4: of events like flipping a coin off the top of 113 00:06:02,333 --> 00:06:06,933 Speaker 4: this tower can lead to massive traumatic accidences, accidents, and 114 00:06:07,173 --> 00:06:13,333 Speaker 4: you know, and they are known for very creative, gruesome death. 115 00:06:13,613 --> 00:06:17,173 Speaker 4: This film loves to be gory but also really funny, 116 00:06:17,973 --> 00:06:20,333 Speaker 4: and death is kind of a main unseen character in 117 00:06:20,413 --> 00:06:22,733 Speaker 4: these films, so that's kind of that's the way they roll. 118 00:06:23,253 --> 00:06:26,373 Speaker 4: But this restaurant scene is both a premonition and a dream. 119 00:06:26,973 --> 00:06:30,853 Speaker 4: A dream. So Iris has this premonition in the sixties 120 00:06:30,933 --> 00:06:34,413 Speaker 4: and she saves all these people, but her granddaughter Stefani, 121 00:06:34,533 --> 00:06:36,973 Speaker 4: many years later, is having the same dream as well. 122 00:06:37,133 --> 00:06:39,893 Speaker 4: And what happens is that if you cheat death, death 123 00:06:39,973 --> 00:06:42,733 Speaker 4: does not forget that and death will come after you. 124 00:06:43,293 --> 00:06:46,813 Speaker 4: And Stefani, like her grandmother, Iris, can see it in 125 00:06:46,893 --> 00:06:49,733 Speaker 4: the universe and feel death coming. Oh it's totally batty 126 00:06:49,773 --> 00:06:53,333 Speaker 4: and just great son. So she works out the Iris. Yeah, 127 00:06:53,533 --> 00:06:56,013 Speaker 4: so Iris didn't die, but now the whole family does 128 00:06:56,093 --> 00:06:57,893 Speaker 4: have to die, and they have to stop trying and 129 00:06:57,933 --> 00:06:59,653 Speaker 4: find a way to prevent that from happening. They have 130 00:06:59,733 --> 00:07:03,533 Speaker 4: to cheat death again. Look once again, the deaths are ghastly, 131 00:07:03,773 --> 00:07:07,653 Speaker 4: really imaginative. I laughed as much as I kind of 132 00:07:08,573 --> 00:07:12,213 Speaker 4: flail balms around. Right in this film, there's as many 133 00:07:12,293 --> 00:07:14,333 Speaker 4: frights as there are lives. And actually, I'm going to 134 00:07:14,373 --> 00:07:16,053 Speaker 4: give them some credit here. I think they've actually done 135 00:07:16,053 --> 00:07:18,693 Speaker 4: a really good job of bringing you know, bringing this 136 00:07:18,933 --> 00:07:22,533 Speaker 4: bringing this franchise back and entertaining the audience who have 137 00:07:22,613 --> 00:07:23,813 Speaker 4: loved it for twenty five years. 138 00:07:24,053 --> 00:07:28,253 Speaker 3: Oh very good. Okay, that's Final Destination blood Lines, Francisca's 139 00:07:28,293 --> 00:07:30,613 Speaker 3: first film, The Salt Path. Both of those are in 140 00:07:30,693 --> 00:07:32,173 Speaker 3: cinemas at the moment, and we'll put all of the 141 00:07:32,253 --> 00:07:35,333 Speaker 3: details up on the news talks. He'd be website. Thank you, Francisca. 142 00:07:35,373 --> 00:07:37,133 Speaker 3: You will let you just go and I don't know, 143 00:07:37,253 --> 00:07:39,813 Speaker 3: do an ultra marathon this afternoon or something just really 144 00:07:39,893 --> 00:07:42,373 Speaker 3: casual and chill like that. Oh she's gone, there's it, 145 00:07:42,773 --> 00:07:44,413 Speaker 3: she's on the track. You see, this is the problem. 146 00:07:45,973 --> 00:07:49,173 Speaker 3: Don't forget if you feel like, I don't know, maybe 147 00:07:49,413 --> 00:07:53,693 Speaker 3: after watching Final Destination blood Lines you feel like something 148 00:07:53,813 --> 00:07:56,653 Speaker 3: just a little bit different. The French Film Festival is 149 00:07:56,733 --> 00:07:59,093 Speaker 3: kicking off later this month from Keddy Kendy to duned 150 00:07:59,133 --> 00:08:00,893 Speaker 3: and there are going to be twenty three films showing 151 00:08:00,933 --> 00:08:04,573 Speaker 3: in the festival this year, from thrillers, dramas, comedies and 152 00:08:05,013 --> 00:08:07,213 Speaker 3: you can win tickets. So if you got how do NEWSTALKSIDB, 153 00:08:07,333 --> 00:08:10,533 Speaker 3: dot co dot nz forward slash win, you can enter 154 00:08:10,613 --> 00:08:12,253 Speaker 3: there and find out a bit more information about the 155 00:08:12,293 --> 00:08:14,573 Speaker 3: French Film Festival twenty twenty five. 156 00:08:15,613 --> 00:08:18,693 Speaker 1: For more from Saturday Morning with Jack Tame, listen live 157 00:08:18,813 --> 00:08:21,973 Speaker 1: to News Talks EDB from nine am Saturday, or follow 158 00:08:22,053 --> 00:08:23,573 Speaker 1: the podcast on iHeartRadio