1 00:00:00,960 --> 00:00:03,760 Speaker 1: The whole Aching Big Show with Jason, Mike and Keyzy. 2 00:00:03,920 --> 00:00:07,040 Speaker 1: Tune in week days at four on Radio Hodal. 3 00:00:06,680 --> 00:00:08,000 Speaker 2: Talking Heads Here on the radio. 4 00:00:08,080 --> 00:00:11,840 Speaker 3: Hold Anky Big Show this Wednesday evening, and I believe 5 00:00:11,880 --> 00:00:22,120 Speaker 3: it's time to give out some advice. Sixteen in touch 6 00:00:22,880 --> 00:00:23,919 Speaker 3: with Fels. 7 00:00:24,200 --> 00:00:27,920 Speaker 4: Can we can we stop? Maybe we just play this 8 00:00:28,000 --> 00:00:29,400 Speaker 4: thing and don't talk over the top of it. 9 00:00:30,320 --> 00:00:32,280 Speaker 2: It's just it's just one of those things that you 10 00:00:32,400 --> 00:00:33,760 Speaker 2: just have to sing along to give. 11 00:00:33,800 --> 00:00:36,200 Speaker 4: If we're not seeing any more, Moggi's going. 12 00:00:38,240 --> 00:00:40,120 Speaker 3: Yeah, I know what's going on with Moggie, but I'm 13 00:00:40,120 --> 00:00:42,240 Speaker 3: singing a beautifully. 14 00:00:42,040 --> 00:00:45,600 Speaker 4: Totally Meet Patty Nips sixty nine at gmail dot com. 15 00:00:45,600 --> 00:00:47,720 Speaker 4: It is a real email address. Do get in touch 16 00:00:47,760 --> 00:00:49,519 Speaker 4: if you need advice. One hundred percent anonymous, and you 17 00:00:49,520 --> 00:00:51,720 Speaker 4: can get yourself a fifty dollars reburg about you? 18 00:00:51,960 --> 00:00:52,720 Speaker 2: How good? 19 00:00:53,080 --> 00:00:55,000 Speaker 4: Get a feelers. This is from anonymous. 20 00:00:55,040 --> 00:00:57,680 Speaker 5: Yeah, your dirty laundry on here. You'll give you a 21 00:00:57,720 --> 00:00:58,920 Speaker 5: fifty dollars reburg about you. 22 00:00:59,600 --> 00:01:01,320 Speaker 4: You do laundry, We'll give you burgers. 23 00:01:04,280 --> 00:01:05,760 Speaker 5: Take less in your gob and shout it. 24 00:01:05,920 --> 00:01:10,960 Speaker 4: This is from anonymous. Get a Fiella's and Jason, I 25 00:01:10,959 --> 00:01:13,440 Speaker 4: don't know why separated you. Yeah, that's that's weird. 26 00:01:13,520 --> 00:01:15,319 Speaker 2: Well I am pretty special. 27 00:01:15,080 --> 00:01:19,080 Speaker 4: That's true. My wife says that I find myself in 28 00:01:19,120 --> 00:01:23,320 Speaker 4: a work conundrum Recently. They've been working into the absolute backbone, 29 00:01:23,360 --> 00:01:26,720 Speaker 4: and I'm at the point of physical exhaustion. I considered 30 00:01:26,720 --> 00:01:29,039 Speaker 4: calling in Sect tomorrow to extend out my weekend, but 31 00:01:29,080 --> 00:01:32,200 Speaker 4: felt the tug of the moral compass and was concerned 32 00:01:32,240 --> 00:01:35,319 Speaker 4: about work being done. A meeting today then concluded that 33 00:01:35,319 --> 00:01:38,080 Speaker 4: there wasn't actually much for me to do tomorrow anyway. 34 00:01:38,120 --> 00:01:39,560 Speaker 4: So now it seems like I have been given an 35 00:01:39,560 --> 00:01:42,040 Speaker 4: absolute setter on the moral compass front. 36 00:01:42,319 --> 00:01:42,880 Speaker 2: Yeah. 37 00:01:42,920 --> 00:01:45,360 Speaker 4: Do I take a seci knowing work will be fine? 38 00:01:45,680 --> 00:01:49,040 Speaker 4: Or do I just shut up and get on with it? 39 00:01:49,120 --> 00:01:52,560 Speaker 4: Cheer is anonymous and this like physical exhaustion man? 40 00:01:52,920 --> 00:01:56,520 Speaker 2: Yeah? Absolutely? 41 00:01:57,320 --> 00:01:58,680 Speaker 4: Or do you be upfront with it honest? 42 00:01:58,800 --> 00:02:02,200 Speaker 5: No, We've got a certain amountind of sick days available 43 00:02:02,240 --> 00:02:04,520 Speaker 5: to you, I imagine, Yes, exactly right, and so they 44 00:02:04,560 --> 00:02:09,520 Speaker 5: are there to be used. You feel physically exhausted fair enough? Yeah, 45 00:02:09,560 --> 00:02:11,639 Speaker 5: I mean by all means, I mean there will let 46 00:02:11,680 --> 00:02:14,840 Speaker 5: down your workmates, you know, right when they need you, 47 00:02:14,960 --> 00:02:16,560 Speaker 5: right when you at the finish line. 48 00:02:16,639 --> 00:02:18,880 Speaker 4: Bag of then turn up. 49 00:02:18,760 --> 00:02:20,919 Speaker 5: At work even though there's nothing for you to do tomorrow. 50 00:02:22,200 --> 00:02:24,080 Speaker 5: You can turn up and do nothing and get paid 51 00:02:24,120 --> 00:02:26,360 Speaker 5: for it and just be there to support your mate. 52 00:02:26,440 --> 00:02:28,359 Speaker 4: But all good, Well, hang on because it sounds like 53 00:02:28,400 --> 00:02:30,240 Speaker 4: they've been really pushing them hard. 54 00:02:30,360 --> 00:02:32,760 Speaker 5: You know, the work mats or the bosses. This is 55 00:02:32,760 --> 00:02:34,919 Speaker 5: the thing you're going to punish your workmates for the 56 00:02:34,960 --> 00:02:35,440 Speaker 5: position the. 57 00:02:35,440 --> 00:02:37,960 Speaker 2: Boss rates sod the workmates? 58 00:02:38,080 --> 00:02:38,600 Speaker 5: What's sode? 59 00:02:38,639 --> 00:02:41,520 Speaker 2: Short for sod the workmates? 60 00:02:41,760 --> 00:02:42,120 Speaker 4: Hang on? 61 00:02:42,480 --> 00:02:45,880 Speaker 2: I just go and short for it's about what he 62 00:02:45,919 --> 00:02:46,600 Speaker 2: wants to do. 63 00:02:48,080 --> 00:02:50,120 Speaker 4: I don't think you can do that and don out 64 00:02:50,120 --> 00:02:50,800 Speaker 4: their permission. 65 00:02:51,400 --> 00:02:53,079 Speaker 2: Just go for it, man, life's short. 66 00:02:53,639 --> 00:02:56,000 Speaker 3: The biggest regret that people have when they done before 67 00:02:56,040 --> 00:02:59,240 Speaker 3: they die is the biggest regret that they have is 68 00:02:59,280 --> 00:03:01,560 Speaker 3: that they work to him and I agree with that. 69 00:03:03,280 --> 00:03:06,280 Speaker 2: Yeah, they didn't take time out and take take time 70 00:03:06,320 --> 00:03:07,320 Speaker 2: to enjoy life. 71 00:03:07,560 --> 00:03:10,519 Speaker 4: You're not worried that you work too much? Are you? 72 00:03:10,560 --> 00:03:10,960 Speaker 2: Oh? Hell? 73 00:03:11,080 --> 00:03:11,160 Speaker 4: No? 74 00:03:11,880 --> 00:03:15,840 Speaker 5: Okay, good, You've got an unquenchable thirst for work. 75 00:03:16,280 --> 00:03:19,400 Speaker 2: I do, I do. And but just like the moral 76 00:03:19,480 --> 00:03:21,600 Speaker 2: compass though you. 77 00:03:21,560 --> 00:03:24,120 Speaker 3: Know, it's a legit thing where you go, oh god, 78 00:03:24,160 --> 00:03:25,960 Speaker 3: my daughters are like that too. Oh dad, I'm not 79 00:03:26,000 --> 00:03:28,880 Speaker 3: feeling great, but I feel bad about leaving work and 80 00:03:28,919 --> 00:03:31,480 Speaker 3: I'm like, no, just leave, just do it. 81 00:03:31,520 --> 00:03:34,560 Speaker 4: So you're the guy that's been like, sod your moral values, yes, 82 00:03:34,760 --> 00:03:36,160 Speaker 4: and just do what's best for you. 83 00:03:36,360 --> 00:03:39,200 Speaker 2: Yeah, totally man, and sod your workmates. 84 00:03:40,400 --> 00:03:44,800 Speaker 1: The Hierarchy Big Show weekdays from four on Radio Hdarchy. 85 00:03:44,440 --> 00:03:47,880 Speaker 3: Faith No More There on the Radio Holarkey Big Show. 86 00:03:48,320 --> 00:03:49,360 Speaker 2: This Monday afternoon. 87 00:03:49,400 --> 00:03:54,080 Speaker 3: Now fellas made a lovely weekend with my wife and 88 00:03:54,200 --> 00:04:01,880 Speaker 3: yesterday we decided to go to the beach and. 89 00:03:59,840 --> 00:04:02,440 Speaker 2: And the tide was right. 90 00:04:02,480 --> 00:04:05,040 Speaker 3: It was about midday and it was a high tide, 91 00:04:06,160 --> 00:04:07,680 Speaker 3: which means that we could go for a swim. And 92 00:04:07,680 --> 00:04:09,520 Speaker 3: I said to my wife, let's go for a swim. 93 00:04:10,320 --> 00:04:12,280 Speaker 3: And so we went to our little local beach which 94 00:04:12,320 --> 00:04:15,160 Speaker 3: is very picturesque. I'm not going to name it because 95 00:04:15,160 --> 00:04:18,080 Speaker 3: I don't want other filth going there and annoying me. 96 00:04:19,880 --> 00:04:27,679 Speaker 3: But things turned very sexy very quickly. Picture if you will, 97 00:04:29,400 --> 00:04:35,360 Speaker 3: Hoidy Jane his beach shorts. Nothing else on fields, just. 98 00:04:35,279 --> 00:04:36,279 Speaker 4: That your togs. 99 00:04:36,360 --> 00:04:41,200 Speaker 3: Yeah, and my wife went, whoa, you already got a 100 00:04:41,200 --> 00:04:42,840 Speaker 3: golf tan going on there? 101 00:04:44,839 --> 00:04:46,200 Speaker 4: What was she wearing? 102 00:04:46,279 --> 00:04:53,480 Speaker 3: So my pendulous white breasts juxtaposed against my bronze Marbley 103 00:04:53,720 --> 00:04:59,040 Speaker 3: arms and withered pins. Anyway, we went for a swim 104 00:04:59,080 --> 00:05:01,680 Speaker 3: and it was very nice, very nice. 105 00:05:01,960 --> 00:05:06,359 Speaker 2: A few cold currants underneath. Got out, was dripping wet. 106 00:05:06,960 --> 00:05:12,040 Speaker 2: Toweled myself off and I laid down. To my left. 107 00:05:13,279 --> 00:05:19,200 Speaker 3: A young couple, very cool, very sort of pugs and 108 00:05:19,600 --> 00:05:26,040 Speaker 3: kind of age and similarly, well, I was going to say, 109 00:05:26,080 --> 00:05:31,880 Speaker 3: similarly with weird crazy tad action going on, and I went, God, 110 00:05:31,960 --> 00:05:33,480 Speaker 3: pugs would love these people. 111 00:05:33,640 --> 00:05:34,720 Speaker 4: How far away were they? 112 00:05:34,800 --> 00:05:36,440 Speaker 2: They are probably about. 113 00:05:38,120 --> 00:05:40,760 Speaker 3: And they had a little shelter out like a shade, 114 00:05:40,880 --> 00:05:42,560 Speaker 3: but it was open on both sides, so I could 115 00:05:42,600 --> 00:05:47,040 Speaker 3: see right in there. And I've got to say things 116 00:05:47,040 --> 00:05:49,880 Speaker 3: got very sexy between the two of them, very quick. 117 00:05:49,960 --> 00:05:53,599 Speaker 3: And I'm not joking. They broke out the old baby 118 00:05:53,680 --> 00:05:57,880 Speaker 3: oil and she was giving him a real good rub down. 119 00:05:57,920 --> 00:05:59,080 Speaker 4: I don't think it was suntan lotion. 120 00:05:59,279 --> 00:06:00,560 Speaker 2: No, it wasn't some ten lotion. 121 00:06:00,720 --> 00:06:02,720 Speaker 4: It was oil, and she was rubbing him down. 122 00:06:02,800 --> 00:06:05,359 Speaker 3: She was rubbing him down, and it was getting I 123 00:06:05,440 --> 00:06:07,080 Speaker 3: had to look away, right. 124 00:06:07,640 --> 00:06:10,680 Speaker 4: Because because your wife was watching you. 125 00:06:11,640 --> 00:06:16,440 Speaker 3: On the other side, there was a woman about my age, 126 00:06:17,400 --> 00:06:19,159 Speaker 3: thirty nine, thirty. 127 00:06:18,920 --> 00:06:21,560 Speaker 2: Nine, i'd say, about thirty thirty forties. 128 00:06:23,480 --> 00:06:30,520 Speaker 3: Who was sunbathing topless, right, And can I say no, 129 00:06:30,640 --> 00:06:31,160 Speaker 3: I can't. 130 00:06:32,160 --> 00:06:35,880 Speaker 2: But let's just say no, I can't say that. 131 00:06:36,080 --> 00:06:39,760 Speaker 4: He's going to say she had large busies, she. 132 00:06:39,760 --> 00:06:45,040 Speaker 3: Hit a heavy buzzy yeah, m but to her credit, 133 00:06:45,120 --> 00:06:46,960 Speaker 3: she was and she looked like the sort of person. 134 00:06:46,760 --> 00:06:50,520 Speaker 2: That tanned all the time, had a dark, darkn holiday. 135 00:06:51,600 --> 00:06:53,480 Speaker 2: But she was lying on his stomach, and so that. 136 00:06:53,560 --> 00:06:57,479 Speaker 5: Was I'm furious, absolutely seething, were you? 137 00:06:58,000 --> 00:07:00,240 Speaker 3: And so occasionally though, she would sort of say that, 138 00:07:01,080 --> 00:07:05,440 Speaker 3: and I'd be just inadvertently looking that way, sure, and 139 00:07:05,480 --> 00:07:08,640 Speaker 3: I'd be like, god, gere's a heavy bosom, and then 140 00:07:08,680 --> 00:07:13,520 Speaker 3: I look away, saying that no, she she was unaware 141 00:07:13,560 --> 00:07:14,680 Speaker 3: of these things going on. 142 00:07:14,720 --> 00:07:17,200 Speaker 2: And then so I'd look away, and then my shop 143 00:07:17,320 --> 00:07:20,680 Speaker 2: turned to my list. Yes, just in time, just in 144 00:07:20,760 --> 00:07:24,240 Speaker 2: time to see the young couple getting even more into it, 145 00:07:24,800 --> 00:07:26,600 Speaker 2: you know, the oil, like she was. 146 00:07:26,680 --> 00:07:31,120 Speaker 3: Squirting it on the oil, the oil. You know, let's 147 00:07:31,120 --> 00:07:34,400 Speaker 3: not have another one of those. And it got to 148 00:07:34,400 --> 00:07:36,000 Speaker 3: the point where I didn't know it a lock fell. 149 00:07:36,080 --> 00:07:38,200 Speaker 3: I mean, I know there's a bit of a joke 150 00:07:38,280 --> 00:07:40,680 Speaker 3: that floats around the place that old Hoidy j is 151 00:07:40,680 --> 00:07:43,320 Speaker 3: a bit of a PERV couldn't be further from the truth. 152 00:07:44,240 --> 00:07:45,760 Speaker 5: You sort of bag it up because were they both 153 00:07:45,800 --> 00:07:48,680 Speaker 5: there when you arrived. They were both there, and you 154 00:07:48,800 --> 00:07:50,960 Speaker 5: bagging it up by sitting in the middle. Because now 155 00:07:51,000 --> 00:07:54,320 Speaker 5: you're looking left and right like you're a You're at Wimbledon, 156 00:07:54,320 --> 00:07:56,840 Speaker 5: aren't you? Like I should have done was just said 157 00:07:56,880 --> 00:07:58,440 Speaker 5: on one side or the other, so you could just 158 00:07:58,480 --> 00:08:00,400 Speaker 5: look at this and then look past the other one, 159 00:08:00,560 --> 00:08:03,160 Speaker 5: back and forth and back and forth. But you're not 160 00:08:03,240 --> 00:08:05,760 Speaker 5: moving your head around of making things obvious. 161 00:08:06,120 --> 00:08:07,040 Speaker 2: Well, what ended up. 162 00:08:06,920 --> 00:08:11,320 Speaker 3: Happening is I'd have to just stare straight out to sea, right. 163 00:08:11,480 --> 00:08:11,640 Speaker 6: Ah. 164 00:08:11,760 --> 00:08:15,720 Speaker 7: You've always struggled with those to the front because, as 165 00:08:15,760 --> 00:08:18,200 Speaker 7: I say, to my right was a heavy bosom, yeah, 166 00:08:18,640 --> 00:08:23,240 Speaker 7: and to my left heavy pitting, heavy pitting, yeah, disgraceful, 167 00:08:23,440 --> 00:08:24,160 Speaker 7: heavy pitting. 168 00:08:24,560 --> 00:08:25,960 Speaker 4: So you chose this beach, right? 169 00:08:26,080 --> 00:08:26,760 Speaker 2: I chose this? 170 00:08:28,160 --> 00:08:30,400 Speaker 4: Is it because it's close to your house? Or is 171 00:08:30,400 --> 00:08:32,200 Speaker 4: it because of all the stuff that goes on there? 172 00:08:33,240 --> 00:08:33,480 Speaker 3: Why? 173 00:08:33,800 --> 00:08:35,160 Speaker 4: How far away from your house is it? 174 00:08:35,400 --> 00:08:35,600 Speaker 5: Why? 175 00:08:35,720 --> 00:08:40,120 Speaker 2: Twenty minutes? Yeah. I had to go and have a 176 00:08:40,160 --> 00:08:41,880 Speaker 2: swim in the end, just to cool off, if you 177 00:08:41,920 --> 00:08:42,480 Speaker 2: know what I mean. 178 00:08:42,720 --> 00:08:43,000 Speaker 5: Ah. 179 00:08:43,120 --> 00:08:44,120 Speaker 2: Yeah, And then I. 180 00:08:44,040 --> 00:08:46,960 Speaker 3: Was in the beat was in the water, and I 181 00:08:46,960 --> 00:08:48,640 Speaker 3: could see both of them from the water. 182 00:08:48,880 --> 00:08:51,960 Speaker 2: Yeah, so I couldn't leave the water. You know what 183 00:08:52,000 --> 00:08:52,320 Speaker 2: I mean? 184 00:08:52,679 --> 00:08:55,280 Speaker 5: Was that Jase? 185 00:08:57,440 --> 00:08:59,120 Speaker 2: Well, I could see both of them. Mode. 186 00:08:59,240 --> 00:09:00,880 Speaker 4: Why can't you leave water? Why did you have to 187 00:09:00,880 --> 00:09:01,600 Speaker 4: stay under the water? 188 00:09:01,760 --> 00:09:04,040 Speaker 5: I just oh, hang on a minute day. 189 00:09:06,440 --> 00:09:09,280 Speaker 1: The hold Aching Big Show with Jason, Mike and Kezy. 190 00:09:09,400 --> 00:09:12,800 Speaker 1: Tune in weekdays at four on Radio Hodarkey Faith. 191 00:09:12,640 --> 00:09:15,840 Speaker 3: No More There on the Radio Hot Archy Big Show 192 00:09:15,880 --> 00:09:18,120 Speaker 3: this Thursday evening. By the way, send you texts in 193 00:09:18,280 --> 00:09:22,000 Speaker 3: on three four eight three for what's on the dinner 194 00:09:22,040 --> 00:09:23,199 Speaker 3: with me? Kee? 195 00:09:23,480 --> 00:09:25,840 Speaker 4: It's we do now on Tuesday and Thursday. 196 00:09:25,960 --> 00:09:29,080 Speaker 2: What do you mean a mogie Tuesdays and Thursdays? 197 00:09:29,320 --> 00:09:31,520 Speaker 3: Everyone that sends in a text on three four eight 198 00:09:31,559 --> 00:09:34,400 Speaker 3: three for what's on the dinner with me? Kezy goes 199 00:09:34,480 --> 00:09:37,520 Speaker 3: in the draw, by the way for a fifty dollars 200 00:09:37,520 --> 00:09:38,520 Speaker 3: reburg about you. 201 00:09:38,880 --> 00:09:41,280 Speaker 4: We've got to start discussing when we're going to plug 202 00:09:41,360 --> 00:09:42,839 Speaker 4: what's on the dinner. Because I didn't know this was 203 00:09:42,840 --> 00:09:44,640 Speaker 4: going to happen. I have not prepped for the sea. 204 00:09:44,640 --> 00:09:46,560 Speaker 2: I gotta pray you don't have to be people seeing 205 00:09:46,600 --> 00:09:48,040 Speaker 2: in this stuff. And then you read it. 206 00:09:48,040 --> 00:09:51,040 Speaker 4: It's not that easy, Jason. I wish it was that easy. God, 207 00:09:51,120 --> 00:09:54,120 Speaker 4: I do it every day. What I was going to 208 00:09:54,160 --> 00:09:58,440 Speaker 4: talk about here was went to that theater show on 209 00:09:58,559 --> 00:10:01,520 Speaker 4: Tuesday night. Yes, Christmas, Carol, very good show. It's on 210 00:10:01,559 --> 00:10:05,360 Speaker 4: for another few days. Really didn't understand a few things. 211 00:10:05,360 --> 00:10:08,560 Speaker 4: The main one was at the end of the show, 212 00:10:09,120 --> 00:10:11,440 Speaker 4: the cast are all there, and then they come out 213 00:10:11,480 --> 00:10:14,679 Speaker 4: together and they each bow one by one and sort 214 00:10:14,720 --> 00:10:17,520 Speaker 4: of gesture to one another, and then they all hold 215 00:10:17,600 --> 00:10:22,840 Speaker 4: hands bow together the ensemble, the ensemble at the theater, 216 00:10:23,679 --> 00:10:28,600 Speaker 4: and then they walk off stage, and then five seconds 217 00:10:28,679 --> 00:10:32,360 Speaker 4: later they walk back out on stage and then bow again. 218 00:10:33,080 --> 00:10:35,360 Speaker 4: But sort of like, what what is that? Like a tradition? 219 00:10:35,520 --> 00:10:36,160 Speaker 4: What is that? 220 00:10:37,000 --> 00:10:40,000 Speaker 3: Well, it is a tradition, and it's also often depending 221 00:10:40,040 --> 00:10:41,960 Speaker 3: on what kind of reaction they've got. 222 00:10:42,120 --> 00:10:43,880 Speaker 4: Yes, that was a great reaction, everyone loved it. 223 00:10:43,960 --> 00:10:45,120 Speaker 2: Well, then there you go. 224 00:10:45,320 --> 00:10:47,760 Speaker 3: Generally, if you if you had a shitter and there 225 00:10:47,800 --> 00:10:50,920 Speaker 3: was a few splattering, sort of claps, spit of coughing, 226 00:10:51,080 --> 00:10:54,320 Speaker 3: you wouldn't come back on for a second encore. 227 00:10:54,120 --> 00:10:58,360 Speaker 5: The sound of cheers scraping the ground. Yeah, yeah, Well, 228 00:10:58,360 --> 00:11:00,959 Speaker 5: there's a couple of things geez. The one is well, 229 00:11:01,000 --> 00:11:03,200 Speaker 5: first of all, when you tell somebody to break a leg, 230 00:11:04,240 --> 00:11:07,480 Speaker 5: what that means is at the end when you bow. 231 00:11:07,559 --> 00:11:09,560 Speaker 5: That is when you're breaking your leg, when you're bending 232 00:11:09,600 --> 00:11:12,040 Speaker 5: your knee. So the idea is that you hope that 233 00:11:12,080 --> 00:11:14,559 Speaker 5: the show is so good that you get an opportunity 234 00:11:14,600 --> 00:11:15,240 Speaker 5: to bow at. 235 00:11:15,160 --> 00:11:16,120 Speaker 4: The end, right, okay. 236 00:11:16,200 --> 00:11:18,520 Speaker 5: So there's two things going on. One is the audience 237 00:11:19,000 --> 00:11:21,560 Speaker 5: gets an opportunity to say thank you to the performers, 238 00:11:22,040 --> 00:11:24,720 Speaker 5: but also the performers with the bow giving up. It's 239 00:11:24,800 --> 00:11:28,960 Speaker 5: them saying thank you to the audience for sharing their attention, 240 00:11:29,160 --> 00:11:31,480 Speaker 5: being present and and just turning up for the show. 241 00:11:31,640 --> 00:11:34,560 Speaker 4: Yeah right, okay. And they also gestured to up to 242 00:11:34,640 --> 00:11:35,839 Speaker 4: the back of the doing the light. 243 00:11:36,000 --> 00:11:37,360 Speaker 2: Yes, yeah right technicians. 244 00:11:37,400 --> 00:11:38,960 Speaker 4: Yeah, yeah, because that was really interesting. I was, I 245 00:11:39,000 --> 00:11:41,160 Speaker 4: just did so that was That's the theater version of 246 00:11:41,160 --> 00:11:41,680 Speaker 4: an encore. 247 00:11:42,200 --> 00:11:42,400 Speaker 2: Yes. 248 00:11:42,720 --> 00:11:45,360 Speaker 4: The other thing too, was in quite a few sand 249 00:11:45,480 --> 00:11:48,440 Speaker 4: like stage shows. It's very mellow, dramatic. The acting is 250 00:11:48,440 --> 00:11:50,680 Speaker 4: over the top because you might be sitting miles away. 251 00:11:50,679 --> 00:11:52,360 Speaker 4: You need to be able to see what they're doing. Yes, 252 00:11:53,120 --> 00:11:55,920 Speaker 4: a lot of the sort of character. There was about 253 00:11:55,960 --> 00:11:59,640 Speaker 4: seven actors that played all different characters and so you 254 00:11:59,760 --> 00:12:01,439 Speaker 4: got are used to the same actors but in different 255 00:12:01,440 --> 00:12:03,520 Speaker 4: outfits and stuff, but quite often they'd be in the 256 00:12:03,559 --> 00:12:06,880 Speaker 4: background pretending to have conversations with one another. Yeah, is 257 00:12:07,080 --> 00:12:09,840 Speaker 4: because I know that there's a rumor that people say watermelon, watermelon, 258 00:12:09,920 --> 00:12:13,760 Speaker 4: watermelon because it looks like you're saying something. Yeah, but like, 259 00:12:13,840 --> 00:12:15,199 Speaker 4: have you ever done a role like that where you've 260 00:12:15,240 --> 00:12:17,319 Speaker 4: had to like pretend to have a conversation with people. 261 00:12:17,400 --> 00:12:18,560 Speaker 5: I've only ever been in the lead. 262 00:12:19,360 --> 00:12:27,559 Speaker 4: Yeah, okay, I mean you've never talked to anyone there. 263 00:12:27,559 --> 00:12:30,359 Speaker 5: I mean, I can tell you that watermelon automaton watermelon 264 00:12:30,520 --> 00:12:33,719 Speaker 5: is for cameras, so it doesn't apply to theater, right, 265 00:12:33,960 --> 00:12:36,600 Speaker 5: But oftentimes it's just people sort of making plans about 266 00:12:36,640 --> 00:12:38,760 Speaker 5: what they're going to do that evening, cetera, et cetera. 267 00:12:39,040 --> 00:12:41,000 Speaker 3: If I was ever in that scenario, I can tell 268 00:12:41,000 --> 00:12:42,480 Speaker 3: you what I was talking about is what I was 269 00:12:42,520 --> 00:12:45,480 Speaker 3: going to eat next, right, Okay, you know it's just you, 270 00:12:46,240 --> 00:12:49,320 Speaker 3: And often when you're doing a theater production, you're involved 271 00:12:49,360 --> 00:12:52,120 Speaker 3: in a passionate affair as well. So you might be 272 00:12:52,120 --> 00:12:53,760 Speaker 3: talking to that person saying, so, we are we going 273 00:12:53,800 --> 00:12:54,880 Speaker 3: to meet up afterwards? 274 00:12:54,920 --> 00:12:56,360 Speaker 2: And did you know. 275 00:12:57,280 --> 00:12:59,440 Speaker 4: Yeah, okay, cool, because I didn't think about that, because 276 00:12:59,440 --> 00:13:00,679 Speaker 4: you know, you've got to do stage shows to get 277 00:13:00,800 --> 00:13:03,120 Speaker 4: quite often the kissing. There's romance, and it must be 278 00:13:03,240 --> 00:13:03,920 Speaker 4: so many affairs. 279 00:13:04,040 --> 00:13:07,120 Speaker 2: Oh yes, actually, my wife's just signed up to do 280 00:13:07,679 --> 00:13:13,959 Speaker 2: a show. Oh really, yeah, yeah, what's it called? Lady Chattels. 281 00:13:15,160 --> 00:13:18,959 Speaker 1: The Darchy Big Show weekdays from four on Radio hod I. 282 00:13:19,240 --> 00:13:23,880 Speaker 3: Flipper there on the Radio Hodarchy Big Show this Friday afternoon. 283 00:13:23,960 --> 00:13:25,160 Speaker 2: Pugs is back with us again. 284 00:13:26,760 --> 00:13:27,319 Speaker 5: It's gone on. 285 00:13:35,400 --> 00:13:37,760 Speaker 4: The reason Pugs is it is because we earlier in 286 00:13:37,800 --> 00:13:41,559 Speaker 4: the show I talked about we chose our top four 287 00:13:41,679 --> 00:13:43,920 Speaker 4: most played songs for the year for each of us. 288 00:13:44,240 --> 00:13:46,800 Speaker 4: Our number one was The Throbber. YadA, YadA, YadA. Pugs, 289 00:13:46,840 --> 00:13:48,520 Speaker 4: on the other hand, has very different tastes of music 290 00:13:48,600 --> 00:13:51,800 Speaker 4: to all of us, and he's got a very interesting 291 00:13:51,880 --> 00:13:55,000 Speaker 4: Spotify wrapped. His top four songs are very interesting. Apo. 292 00:13:55,280 --> 00:13:58,000 Speaker 6: Yeah, there's quite there's sort of a diverse range there. 293 00:13:58,400 --> 00:14:00,400 Speaker 6: I generally I tend to listen to more of music, 294 00:14:00,440 --> 00:14:01,800 Speaker 6: not a hell of a lot of classics. 295 00:14:01,920 --> 00:14:04,000 Speaker 5: You listen to two songs at once, Yeah, a lot. 296 00:14:03,960 --> 00:14:04,319 Speaker 2: Of the time. 297 00:14:04,360 --> 00:14:05,880 Speaker 8: A lot of the songs I listen to sound like 298 00:14:05,880 --> 00:14:06,640 Speaker 8: two songs at once. 299 00:14:06,679 --> 00:14:10,679 Speaker 4: They do off rhythm, and my brain can't compute the Yeah, 300 00:14:10,760 --> 00:14:13,040 Speaker 4: come on, guys, he's like, listen to the thing. He's 301 00:14:13,080 --> 00:14:14,360 Speaker 4: trying to tap his foot along to it. 302 00:14:14,360 --> 00:14:16,720 Speaker 8: It's like Chris has seen that happen. 303 00:14:16,760 --> 00:14:19,000 Speaker 5: It's really hard that I've seen that can actually dance 304 00:14:19,000 --> 00:14:21,280 Speaker 5: to it. As the content director, Toddy. 305 00:14:21,880 --> 00:14:24,440 Speaker 8: Yeah, and I'm playing my songs for Toddy. 306 00:14:24,120 --> 00:14:24,880 Speaker 2: All of the time. 307 00:14:24,960 --> 00:14:25,480 Speaker 4: It's weird. 308 00:14:25,600 --> 00:14:28,720 Speaker 2: Yeah, it's like it's offbeat. That's what it is. 309 00:14:29,360 --> 00:14:33,320 Speaker 3: It's offbeat, and that's actually a very highly sophisticated rhythm. 310 00:14:33,400 --> 00:14:35,800 Speaker 4: But the thing with being off me and being sophisticated 311 00:14:35,880 --> 00:14:38,040 Speaker 4: is people that know about music, so it's sophisticated, and 312 00:14:38,040 --> 00:14:40,280 Speaker 4: then people that listen to music. Though this just sounds weird. 313 00:14:40,680 --> 00:14:42,640 Speaker 6: A lot of these songs in this top four you'll 314 00:14:42,640 --> 00:14:44,520 Speaker 6: find it are pretty easy to find the beat. 315 00:14:44,600 --> 00:14:47,240 Speaker 4: Okay, well, here's here's number four. 316 00:14:47,120 --> 00:14:48,800 Speaker 8: To go, number four. This is this is a song 317 00:14:48,840 --> 00:14:49,600 Speaker 8: called a Little Bit More. 318 00:14:49,680 --> 00:14:52,120 Speaker 6: It's a closing song on I second to closing song 319 00:14:52,200 --> 00:14:54,360 Speaker 6: off my favorite album from last year, McGee. 320 00:15:04,920 --> 00:15:06,480 Speaker 4: It sounds like a guy taking the past what is 321 00:15:06,520 --> 00:15:06,840 Speaker 4: his name? 322 00:15:06,920 --> 00:15:07,200 Speaker 5: Mcguin? 323 00:15:09,000 --> 00:15:13,880 Speaker 8: It does though, great album chill. I quite like it, 324 00:15:14,160 --> 00:15:16,440 Speaker 8: very chill, very chill. He draws a lot from the police. 325 00:15:17,280 --> 00:15:20,240 Speaker 4: Number three, so he's a sketch artist for the police. 326 00:15:20,720 --> 00:15:21,880 Speaker 4: Yeah what. 327 00:15:22,160 --> 00:15:22,240 Speaker 6: No. 328 00:15:24,200 --> 00:15:27,480 Speaker 8: Number four was a guy called Mike. He's a rapper, right, okay, 329 00:15:27,560 --> 00:15:28,640 Speaker 8: this is called Burning Desire. 330 00:15:28,680 --> 00:15:30,720 Speaker 4: There's number three? You mean three? What did I say? 331 00:15:39,080 --> 00:15:40,040 Speaker 4: I don't mind that as well? 332 00:15:40,200 --> 00:15:42,520 Speaker 8: Mike yea, his name is Mike in Capital Leaders. 333 00:15:42,520 --> 00:15:44,360 Speaker 3: Can I just say, fellows, that song was playing when 334 00:15:44,360 --> 00:15:47,600 Speaker 3: I walked in on Punk Sam kissing his girlfriend today 335 00:15:47,600 --> 00:15:49,680 Speaker 3: in the studios. 336 00:15:50,840 --> 00:15:53,880 Speaker 6: Far We're going to take a little bit of a 337 00:15:53,880 --> 00:15:56,680 Speaker 6: pivot here for number two. This is a song by 338 00:15:56,720 --> 00:16:03,840 Speaker 6: Scrillicks and Space Laces. 339 00:16:06,560 --> 00:16:10,920 Speaker 4: Oh god, Oh that's hot garbage, isn't it? 340 00:16:11,080 --> 00:16:11,280 Speaker 2: Yeah? 341 00:16:11,520 --> 00:16:12,360 Speaker 5: Get the skip from me. 342 00:16:12,720 --> 00:16:15,320 Speaker 4: That's someber It sounds like I've walked into a factory 343 00:16:15,440 --> 00:16:16,120 Speaker 4: or something, and the. 344 00:16:16,600 --> 00:16:19,239 Speaker 2: Singing sounded like one of your rebooger characters. 345 00:16:19,560 --> 00:16:22,720 Speaker 6: Yeah, let's why I get the inspiration from scrillic songs. Now, 346 00:16:22,800 --> 00:16:24,440 Speaker 6: Number one I got massively stitched up. 347 00:16:24,480 --> 00:16:26,280 Speaker 4: Basically, we just play it. 348 00:16:26,280 --> 00:16:26,840 Speaker 2: Oh you want me to? 349 00:16:26,920 --> 00:16:28,040 Speaker 8: Can I give the context now? 350 00:16:28,400 --> 00:16:30,120 Speaker 2: After? Okay? 351 00:16:30,200 --> 00:16:33,160 Speaker 4: All right, Here is Pugs's number one one most played song. 352 00:16:33,200 --> 00:16:35,000 Speaker 4: Of twenty twenty five, and I had. 353 00:16:35,040 --> 00:16:36,600 Speaker 2: Laugh, dam damning. 354 00:16:47,880 --> 00:16:53,680 Speaker 5: Can I just say song number one hens love? 355 00:16:54,720 --> 00:16:58,160 Speaker 3: It feels more like a Keysy kind of tune, but yeah, 356 00:16:58,480 --> 00:16:59,440 Speaker 3: good on you bugs. 357 00:16:59,520 --> 00:16:59,760 Speaker 4: Listen. 358 00:16:59,760 --> 00:17:02,200 Speaker 6: I'm not going to deny the musical telling of Elvis Prisley, 359 00:17:02,240 --> 00:17:04,359 Speaker 6: but I got stitched up there. I was leaving a 360 00:17:04,359 --> 00:17:06,080 Speaker 6: bar and I got into my car and I was 361 00:17:06,080 --> 00:17:09,000 Speaker 6: sober driving my partner and her friend home, who's an 362 00:17:09,040 --> 00:17:12,280 Speaker 6: ex musical theater student who's obsessed with the karaoke song, 363 00:17:12,320 --> 00:17:14,760 Speaker 6: which was Joe House Rock. She sang it three times 364 00:17:14,760 --> 00:17:17,680 Speaker 6: in the car in a row, and then I ended 365 00:17:17,720 --> 00:17:22,400 Speaker 6: up in my on repeat playlist, right shuffle, Bloody Jailhouse 366 00:17:22,480 --> 00:17:23,760 Speaker 6: Rock comes on and then it's. 367 00:17:23,600 --> 00:17:25,600 Speaker 5: My number one song, but you can turn it off? 368 00:17:26,560 --> 00:17:30,199 Speaker 2: How to do that? Come on, I'll help you after this. 369 00:17:30,359 --> 00:17:33,800 Speaker 4: Yeah, my Spotify, that'd be great. 370 00:17:33,560 --> 00:17:42,800 Speaker 2: No worries. What's your re are you reading? Age the hold? 371 00:17:42,840 --> 00:17:43,080 Speaker 8: Aching? 372 00:17:43,160 --> 00:17:46,600 Speaker 1: Big Show with Mike and Tune in week days and 373 00:17:46,680 --> 00:17:48,200 Speaker 1: four on Radio Hodaki