1
00:00:00,080 --> 00:00:03,480
Speaker 1: Think it's a good song, but engineered in a way

2
00:00:03,680 --> 00:00:08,320
Speaker 1: of haste, and unfortunately had to use the word Minneapolis,

3
00:00:08,480 --> 00:00:13,400
Speaker 1: which doesn't in certain circumstances flow all that well. It'll

4
00:00:13,400 --> 00:00:15,440
Speaker 1: be interesting to see how it unfolds in the next

5
00:00:15,440 --> 00:00:17,280
Speaker 1: couple of days. But if you're not up on this,

6
00:00:17,560 --> 00:00:21,920
Speaker 1: it's it's obviously a protest song that Bruce Springsteen right

7
00:00:21,960 --> 00:00:23,759
Speaker 1: in the day, put together the next day and is

8
00:00:23,840 --> 00:00:29,720
Speaker 1: released yesterday, and of course the ensuing fallout has begun.

9
00:00:30,360 --> 00:00:32,199
Speaker 1: And the fascinating thing about it, by the way, it's

10
00:00:32,200 --> 00:00:35,199
Speaker 1: a minutes past eight. Tim Wilson K Hawk's be good morning,

11
00:00:35,240 --> 00:00:38,320
Speaker 1: good morning, good morning, good morning, good morning, good morning.

12
00:00:38,400 --> 00:00:41,840
Speaker 2: Protest them for the boomers.

13
00:00:43,120 --> 00:00:45,840
Speaker 3: He's not the boss. He's not the boss anymore. He's

14
00:00:45,880 --> 00:00:48,040
Speaker 3: the servant of some agenda.

15
00:00:47,640 --> 00:00:50,320
Speaker 2: Saying more than this song, this time stamps.

16
00:00:50,800 --> 00:00:54,400
Speaker 1: He I listened to this on the way to work

17
00:00:54,440 --> 00:00:57,680
Speaker 1: this morning, and I I not that I was, and

18
00:00:57,800 --> 00:01:00,360
Speaker 1: everyone ago youth, you were not that I was around

19
00:01:00,360 --> 00:01:04,280
Speaker 1: in the sixties. But this is the sixties all over again,

20
00:01:04,319 --> 00:01:07,639
Speaker 1: isn't it. It could be Bob Dylan, it could be Martin

21
00:01:07,720 --> 00:01:10,760
Speaker 1: Luther King, it could be you know, anything in America

22
00:01:10,760 --> 00:01:12,200
Speaker 1: in the sixties and seventies. Goodn't it.

23
00:01:12,680 --> 00:01:16,040
Speaker 3: But it's it's made on the assumption that these sort

24
00:01:16,080 --> 00:01:21,640
Speaker 3: of you know, these these figures stars, musicians, actors have

25
00:01:21,760 --> 00:01:25,360
Speaker 3: a moral compass that can somehow instruct us. So it's like,

26
00:01:25,400 --> 00:01:26,920
Speaker 3: this is like when when.

27
00:01:27,040 --> 00:01:29,639
Speaker 1: Taylor Swerves told happening for hundreds of years.

28
00:01:30,200 --> 00:01:30,640
Speaker 2: No, no, no.

29
00:01:30,720 --> 00:01:32,720
Speaker 3: But there's like when Taylor Swift said, oh, you should

30
00:01:32,720 --> 00:01:36,440
Speaker 3: all vote for KRMLA, and she actually, I think Donald

31
00:01:36,480 --> 00:01:39,400
Speaker 3: Trump and that demographic got more than no, actually, Karmala

32
00:01:39,480 --> 00:01:43,320
Speaker 3: got less than Joe Biden, who was one hundred and

33
00:01:43,400 --> 00:01:46,800
Speaker 3: twenty at that time, got in the Taylor Swift demographics.

34
00:01:46,800 --> 00:01:48,840
Speaker 3: So people just don't care about these guys anymore.

35
00:01:48,880 --> 00:01:51,080
Speaker 1: Do you think you've lost your sense of humor? Toon,

36
00:01:54,960 --> 00:01:59,120
Speaker 1: I'm thinking, what's the difference between the Stranger in Our Midst,

37
00:01:59,240 --> 00:02:01,640
Speaker 1: which I think is the best line in the song,

38
00:02:01,720 --> 00:02:04,240
Speaker 1: the Stranger in Our Midst, and the answer to my

39
00:02:04,320 --> 00:02:05,720
Speaker 1: friend is Blowing in the wind?

40
00:02:06,560 --> 00:02:08,200
Speaker 2: Oh, the answer my friend is Blowing in the Wind

41
00:02:08,280 --> 00:02:10,000
Speaker 2: is a thousand times a better song than this.

42
00:02:11,000 --> 00:02:14,320
Speaker 1: It was a solutive, it's lighter, but it's the story

43
00:02:14,360 --> 00:02:16,959
Speaker 1: of music through the ages. It's a story as old

44
00:02:16,960 --> 00:02:19,919
Speaker 1: as time, isn't it. It's it's through through song and

45
00:02:20,120 --> 00:02:23,320
Speaker 1: line and lyric that you put out a thought. It's

46
00:02:23,320 --> 00:02:24,960
Speaker 1: no different to you and I sitting here chatting and

47
00:02:24,960 --> 00:02:28,040
Speaker 1: we just don't have music in the background, spoken.

48
00:02:27,720 --> 00:02:28,520
Speaker 2: Like a true boomer.

49
00:02:30,840 --> 00:02:34,160
Speaker 3: Okay, kay, listen, listen? Can you stop? Look? I know Mike,

50
00:02:34,440 --> 00:02:37,040
Speaker 3: Mike got a gold card this week with his birthday.

51
00:02:37,400 --> 00:02:40,239
Speaker 3: But you don't need to keep raising this stuff. It's painful.

52
00:02:40,520 --> 00:02:42,960
Speaker 1: No, it's not actually painful, to be honest either. It'll

53
00:02:43,000 --> 00:02:46,400
Speaker 1: be interesting what the reaction in yours is. Tim is

54
00:02:46,440 --> 00:02:49,040
Speaker 1: typical of the reaction so far, and that is who's

55
00:02:49,120 --> 00:02:52,520
Speaker 1: he to say anything? And and the weird thing to

56
00:02:52,560 --> 00:02:55,840
Speaker 1: me about that is, who is he not to say something?

57
00:02:55,919 --> 00:02:57,040
Speaker 1: Everyone's saying something?

58
00:02:57,760 --> 00:03:00,560
Speaker 2: In a three everyone agrees with the scene. I mean,

59
00:03:00,600 --> 00:03:02,160
Speaker 2: nobody's nobody's a fan of ice.

60
00:03:02,960 --> 00:03:05,280
Speaker 1: No, no, hold on, it's not even the sentiment. It's just

61
00:03:05,320 --> 00:03:07,920
Speaker 1: the ability to say say what you think. He's only

62
00:03:07,960 --> 00:03:09,520
Speaker 1: saying what he thinks. Why isn't he allowed to say

63
00:03:09,520 --> 00:03:11,000
Speaker 1: what he thinks the same way I am, you am

64
00:03:11,000 --> 00:03:16,799
Speaker 1: and everyone else? Is why a free speech? Until whoops? Song?

65
00:03:16,800 --> 00:03:21,000
Speaker 1: And now we don't want to listen to it? You

66
00:03:21,080 --> 00:03:23,399
Speaker 1: either like free speech or you don't. You either want

67
00:03:23,440 --> 00:03:25,720
Speaker 1: people to have a say or you don't.

68
00:03:25,800 --> 00:03:28,680
Speaker 3: Oka Hey, Hey, I'm just I'm just saying. It's a

69
00:03:28,680 --> 00:03:30,280
Speaker 3: bit painful. That's my free speech.

70
00:03:31,600 --> 00:03:35,440
Speaker 1: Painful because it's Bruce. Is it painful because you don't

71
00:03:35,440 --> 00:03:36,520
Speaker 1: agree with what he's saying.

72
00:03:38,120 --> 00:03:41,080
Speaker 3: It's painful because I think you hit the nail on

73
00:03:41,120 --> 00:03:43,680
Speaker 3: the head when when Minneapolis came up. And that's why

74
00:03:44,920 --> 00:03:48,760
Speaker 3: Blowing in the Wind is a lighter, more agile sort

75
00:03:48,760 --> 00:03:50,520
Speaker 3: of piece. This is. This is actually not a free

76
00:03:50,520 --> 00:03:53,520
Speaker 3: speech discussion. It's an aesthetic discussion about what makes a

77
00:03:53,560 --> 00:03:54,040
Speaker 3: good song.

78
00:03:55,560 --> 00:03:57,640
Speaker 1: If it goes to number one, does that then make

79
00:03:57,680 --> 00:03:58,520
Speaker 1: it a good song or not?

80
00:03:59,520 --> 00:04:01,000
Speaker 2: They won't go number one.

81
00:04:00,960 --> 00:04:03,160
Speaker 1: Okay, I'll open a book. I'll open a book on that.

82
00:04:03,280 --> 00:04:08,240
Speaker 1: On Spotify, let's have a buck. I say, I say

83
00:04:08,280 --> 00:04:09,760
Speaker 1: it goes number one within a week.

84
00:04:11,560 --> 00:04:14,160
Speaker 2: If my dad had Spotify, he would take it to

85
00:04:14,240 --> 00:04:16,680
Speaker 2: number one thousand times.

86
00:04:16,760 --> 00:04:19,000
Speaker 1: The people who will love this song don't know what

87
00:04:19,040 --> 00:04:21,320
Speaker 1: Spotify is, so unfortunately it's not going to go anywhere

88
00:04:21,320 --> 00:04:24,719
Speaker 1: on Spotify, okay.

89
00:04:24,800 --> 00:04:29,120
Speaker 3: But on Casey's Coast to Coast Casey case is American

90
00:04:29,200 --> 00:04:31,599
Speaker 3: Top forty the golden number one.

91
00:04:31,839 --> 00:04:36,440
Speaker 1: Okay, the Q and marbicks and shops like it will

92
00:04:36,480 --> 00:04:37,359
Speaker 1: go round the block.

93
00:04:38,080 --> 00:04:40,719
Speaker 3: No, no, Mike, Mike Marbis has been shut down.

94
00:04:41,560 --> 00:04:43,359
Speaker 1: Do they know? Do they know that as they go

95
00:04:43,440 --> 00:04:50,680
Speaker 1: to Q up to buy the forty five? It's probably generational?

96
00:04:50,720 --> 00:04:53,320
Speaker 1: You're right, Tim? Do you have av you on Judith

97
00:04:53,320 --> 00:04:55,080
Speaker 1: Collins speaking of boomers?

98
00:04:56,200 --> 00:05:01,560
Speaker 3: Yeap? What what? What I've loved Actually the plaudits that

99
00:05:01,680 --> 00:05:04,920
Speaker 3: she's received is notes about her loyalty to her staff,

100
00:05:05,279 --> 00:05:07,840
Speaker 3: and I think that shows a out. You know, the

101
00:05:08,520 --> 00:05:12,320
Speaker 3: front of house is crusher Collins, rough, tough, resilient, but

102
00:05:12,440 --> 00:05:16,200
Speaker 3: there's a private side to her that people are alluding to.

103
00:05:16,360 --> 00:05:18,359
Speaker 3: And I've I've been impressed by that.

104
00:05:19,560 --> 00:05:21,599
Speaker 1: Well about you, Katie, Yeah.

105
00:05:21,400 --> 00:05:23,800
Speaker 2: We've seen that softness to her. I think a gentle

106
00:05:23,800 --> 00:05:25,960
Speaker 2: giant I would describe her as embracing. I think it

107
00:05:25,960 --> 00:05:28,080
Speaker 2: was John Key who said she was happy to wear

108
00:05:28,120 --> 00:05:30,680
Speaker 2: that moniker of Crusher Collins, and I think part of

109
00:05:30,800 --> 00:05:33,920
Speaker 2: being happy to do that is her public persona was

110
00:05:34,000 --> 00:05:37,279
Speaker 2: quite tough, but she's actually a big hearted, soft hearted,

111
00:05:37,960 --> 00:05:40,320
Speaker 2: very kind and we saw her a lot wandering around

112
00:05:40,320 --> 00:05:42,040
Speaker 2: the street because you know, we live in a similar

113
00:05:42,040 --> 00:05:45,800
Speaker 2: area to her for a while, and she was incredibly

114
00:05:45,839 --> 00:05:48,760
Speaker 2: lovely to everybody that she encountered and had plenty of

115
00:05:48,800 --> 00:05:51,240
Speaker 2: time for people. And you know, I think at the

116
00:05:51,279 --> 00:05:53,960
Speaker 2: heart of it is quite a kind, loyal person.

117
00:05:54,160 --> 00:05:59,640
Speaker 3: Actually, actually Kate Kate, rough and tough on the outside, incisive, hard,

118
00:06:00,240 --> 00:06:03,960
Speaker 3: cold publicly, but a big, softy and private. Remind you

119
00:06:04,000 --> 00:06:04,479
Speaker 3: of anyone.

120
00:06:05,440 --> 00:06:09,040
Speaker 1: Mike Springsteen's song is relevant. That's the point. It's brilliant

121
00:06:09,040 --> 00:06:11,320
Speaker 1: in its words. It will upset Trump now. En protest

122
00:06:11,440 --> 00:06:14,400
Speaker 1: songs are not the most melodic. Someone had to stand

123
00:06:14,480 --> 00:06:17,600
Speaker 1: up and he did. Good on him. The gap between

124
00:06:17,640 --> 00:06:22,520
Speaker 1: the American dream and the American reality, that's my territory.

125
00:06:23,360 --> 00:06:25,920
Speaker 1: One of the great quotes of all time. Bruce Springsteen. Mike,

126
00:06:25,960 --> 00:06:28,960
Speaker 1: you're right, Bruce is absolutely allowed to speak out. But

127
00:06:29,000 --> 00:06:31,480
Speaker 1: I think what annoys people is the hypocrisy. I supported

128
00:06:31,520 --> 00:06:34,120
Speaker 1: millions under previous presidents with zero protest. I guess these

129
00:06:34,200 --> 00:06:36,039
Speaker 1: artists just need to be honest about their protests.

130
00:06:36,120 --> 00:06:38,960
Speaker 3: It's like, I don't know what you're frock Obama tion

131
00:06:39,240 --> 00:06:41,360
Speaker 3: two million deportations, But.

132
00:06:41,360 --> 00:06:44,960
Speaker 1: I mean, do you expect anything other than what you

133
00:06:45,040 --> 00:06:47,880
Speaker 1: got from Springsteen? They're all essentially the same. They're left wingers,

134
00:06:47,920 --> 00:06:48,880
Speaker 1: and they're allowed to be, aren't they.

135
00:06:50,839 --> 00:06:53,480
Speaker 2: That's what he does, and his market will be lapping

136
00:06:53,520 --> 00:06:55,120
Speaker 2: it up and loving it. In fact, that text you

137
00:06:55,120 --> 00:06:58,280
Speaker 2: read out at the beginning is probably my dad texting you,

138
00:06:58,320 --> 00:07:00,160
Speaker 2: and it probably has taken it all morning to to

139
00:07:00,960 --> 00:07:01,719
Speaker 2: type that up for you.

140
00:07:01,800 --> 00:07:04,719
Speaker 3: So well, first he had to type it on a

141
00:07:04,720 --> 00:07:06,919
Speaker 3: typewriter and then take a picture of it.

142
00:07:10,120 --> 00:07:13,960
Speaker 1: About Judith Collins and see I go back, So when

143
00:07:14,000 --> 00:07:16,360
Speaker 1: she was leader of the National Party and in the

144
00:07:16,400 --> 00:07:20,040
Speaker 1: election campaign, we do these election breakfasts, right, and we

145
00:07:20,120 --> 00:07:21,800
Speaker 1: have the leaders of the two major parties on for

146
00:07:21,800 --> 00:07:24,040
Speaker 1: two hours in the morning. And it came seven o'clock

147
00:07:24,040 --> 00:07:25,600
Speaker 1: in the morning. Collins was supposed to be here, and

148
00:07:25,640 --> 00:07:30,239
Speaker 1: Collins wasn't here, and we thought, how is this possible? Anyway,

149
00:07:30,280 --> 00:07:32,320
Speaker 1: it turns out the people who were looking after her

150
00:07:32,360 --> 00:07:35,520
Speaker 1: at the time they had forgotten or put it in

151
00:07:35,560 --> 00:07:37,880
Speaker 1: the wrong diary, or didn't know how to use their

152
00:07:37,920 --> 00:07:39,960
Speaker 1: phones or whatever it was. So she was stuck in traffic.

153
00:07:40,000 --> 00:07:41,680
Speaker 1: So the start of the program started with her on

154
00:07:41,680 --> 00:07:43,920
Speaker 1: the phone, wandering through the streets, up the building, into

155
00:07:43,960 --> 00:07:46,320
Speaker 1: the lift and into the studio, and for the whole

156
00:07:46,320 --> 00:07:49,080
Speaker 1: two hours she wouldn't let it go, and each had break.

157
00:07:49,160 --> 00:07:51,520
Speaker 1: She'd say, I want to kill them, I hate them.

158
00:07:51,600 --> 00:07:53,800
Speaker 1: Why am I being let down so badly? It's shocking,

159
00:07:53,840 --> 00:07:56,320
Speaker 1: it's appalling. And I thought to myself, I try. I said, look,

160
00:07:56,680 --> 00:07:59,040
Speaker 1: obviously nothing's going to change between here and the end

161
00:07:59,040 --> 00:08:01,440
Speaker 1: of this program, so maybe let it go. But at

162
00:08:01,440 --> 00:08:04,200
Speaker 1: the end of the day, you wonder how many circumstances

163
00:08:04,240 --> 00:08:07,480
Speaker 1: that these people operate in that if they were supported

164
00:08:07,520 --> 00:08:10,440
Speaker 1: and surrounded by professionals who actually knew what they were doing,

165
00:08:11,080 --> 00:08:12,920
Speaker 1: the whole story would have been completely different.

166
00:08:13,880 --> 00:08:17,640
Speaker 3: Mm hmm. But sort of like I think that that's

167
00:08:17,640 --> 00:08:19,880
Speaker 3: why in some sense, maybe she was the you know,

168
00:08:20,280 --> 00:08:22,800
Speaker 3: she was like the pre focused group kind of politician,

169
00:08:23,200 --> 00:08:27,480
Speaker 3: you know, the crusher visceral. But what I reckon what's

170
00:08:27,520 --> 00:08:30,040
Speaker 3: interesting is we're going back to that kind of politician

171
00:08:30,400 --> 00:08:33,120
Speaker 3: in the sense that we're in the post focus group,

172
00:08:33,240 --> 00:08:36,920
Speaker 3: you know, postcomms politician era. Because the ones that are

173
00:08:36,960 --> 00:08:41,040
Speaker 3: doing well, politicians like Winston Peters. You think of Pauline

174
00:08:41,040 --> 00:08:44,760
Speaker 3: Hanson in Australia, Farage over in the UK, Trump, well,

175
00:08:45,000 --> 00:08:47,520
Speaker 3: actually he's not doing well. He's doing very badly. Logo era,

176
00:08:47,559 --> 00:08:52,360
Speaker 3: et cetera. But that kind of populist and authentic kind

177
00:08:52,360 --> 00:08:54,560
Speaker 3: of vibe.

178
00:08:55,120 --> 00:08:58,640
Speaker 1: Exactly right. That's why Key was so good. The if

179
00:08:58,679 --> 00:09:01,240
Speaker 1: I so, I tell you this, Tim, Katie and I

180
00:09:01,320 --> 00:09:02,600
Speaker 1: were on the tennis court yesterday.

181
00:09:03,760 --> 00:09:05,920
Speaker 3: No, no, but she's but she's injured.

182
00:09:06,120 --> 00:09:09,320
Speaker 2: No, I had had my little elbow brace on. Don't

183
00:09:09,320 --> 00:09:09,960
Speaker 2: you worry about that?

184
00:09:10,360 --> 00:09:12,800
Speaker 1: I'd had the elbow brace on. And she done look

185
00:09:13,520 --> 00:09:15,360
Speaker 1: to be fair, No you didn't. You look really good.

186
00:09:15,640 --> 00:09:19,120
Speaker 1: She wears interestingly enough, Tom, she wears a sun visor,

187
00:09:19,280 --> 00:09:22,480
Speaker 1: not a hat, not a cap, but a sun visor.

188
00:09:23,480 --> 00:09:25,079
Speaker 1: So if the hat with a hole in it, well,

189
00:09:25,400 --> 00:09:27,280
Speaker 1: basically a hat with a hole in it. Anyway, my

190
00:09:27,400 --> 00:09:29,920
Speaker 1: point and my question. So we're out there yesterday and

191
00:09:30,000 --> 00:09:32,600
Speaker 1: she's got the special band of John and so the

192
00:09:32,600 --> 00:09:35,760
Speaker 1: the tennis elbows coming together nicely. She played Peccal earlier

193
00:09:35,760 --> 00:09:37,960
Speaker 1: on in the week and it didn't hurt too badly.

194
00:09:38,360 --> 00:09:40,760
Speaker 1: So we got our rackets over Christmas, we got our

195
00:09:40,800 --> 00:09:42,840
Speaker 1: fresh can of balls. We cracked a new can of

196
00:09:42,840 --> 00:09:45,800
Speaker 1: balls open yesterday and it was fantastic. And we got

197
00:09:45,840 --> 00:09:48,480
Speaker 1: out there and I just thought, see the thing is, Katie,

198
00:09:48,520 --> 00:09:52,439
Speaker 1: if I started smashing my racket right like Coco GoF died.

199
00:09:53,600 --> 00:09:57,120
Speaker 1: Would you mind or would you go that's a waste

200
00:09:57,120 --> 00:09:59,760
Speaker 1: of a racket or why are you doing that? And

201
00:09:59,800 --> 00:10:01,680
Speaker 1: that it's going to be another three hundred dollars for

202
00:10:01,720 --> 00:10:02,439
Speaker 1: another Wilson.

203
00:10:02,760 --> 00:10:05,560
Speaker 2: Yeah, I mean, most of all, I'd be disappointed in

204
00:10:05,720 --> 00:10:10,480
Speaker 2: such petulant antics because that is just uncool. It's needlessly aggressive.

205
00:10:11,080 --> 00:10:13,160
Speaker 2: I can't stand it when people smash up their gear.

206
00:10:13,280 --> 00:10:16,480
Speaker 2: It's like it's sort of taking it out. It's I

207
00:10:16,480 --> 00:10:18,840
Speaker 2: don't like it. It's like people who punch walls, you know,

208
00:10:19,000 --> 00:10:22,080
Speaker 2: like find a better way of dealing with your upset

209
00:10:22,160 --> 00:10:22,800
Speaker 2: and aggression.

210
00:10:23,480 --> 00:10:24,600
Speaker 1: Yeah, yeah, that's interesting.

211
00:10:24,679 --> 00:10:28,040
Speaker 3: Yeah, it's sort of like like I get it when

212
00:10:28,080 --> 00:10:30,600
Speaker 3: our three year old does stuff like that, because he

213
00:10:30,640 --> 00:10:33,559
Speaker 3: does when Otto has a tantrum. He's a three and agent.

214
00:10:33,600 --> 00:10:36,959
Speaker 3: Now stuff goes flying through the lounge and that's fine,

215
00:10:37,000 --> 00:10:40,480
Speaker 3: But in an adult, forget about it. Control yourself, channel

216
00:10:40,559 --> 00:10:42,120
Speaker 3: it somewhere else, put it into the game.

217
00:10:43,120 --> 00:10:45,040
Speaker 1: Are they animals in a zoo.

218
00:10:47,720 --> 00:10:48,600
Speaker 2: The tennis players.

219
00:10:48,679 --> 00:10:50,800
Speaker 1: Yeah, that was the claim this week. They are animals

220
00:10:50,840 --> 00:10:51,280
Speaker 1: in a zoo.

221
00:10:54,679 --> 00:10:57,440
Speaker 3: They're people in public. It's like, this is a public forum.

222
00:10:57,760 --> 00:11:04,240
Speaker 3: This is so you try and conduct yourself. I'm glad

223
00:11:05,240 --> 00:11:08,800
Speaker 3: we can't agree too much. Let us smash the damn racket.

224
00:11:09,040 --> 00:11:11,960
Speaker 3: I was feeling. I was expressing her feelings.

225
00:11:12,000 --> 00:11:15,680
Speaker 1: It's it's Rome, isn't it. It's two thousand years fast forward.

226
00:11:15,920 --> 00:11:17,120
Speaker 1: It's a circular stadium.

227
00:11:17,600 --> 00:11:18,680
Speaker 3: We're at circus.

228
00:11:18,960 --> 00:11:22,000
Speaker 1: We've paid money, and they are, in a sense animals

229
00:11:22,040 --> 00:11:25,840
Speaker 1: in the zoo, aren't they're they're paid performers for our entertainment.

230
00:11:25,880 --> 00:11:27,200
Speaker 1: That's what it boils down to, isn't it.

231
00:11:29,480 --> 00:11:32,000
Speaker 2: Yeah, we seemingly lap it up.

232
00:11:32,200 --> 00:11:33,840
Speaker 1: Yeah, we love it, we love it.

233
00:11:34,360 --> 00:11:37,560
Speaker 3: Yeah. Yeah, like us, we're just people expressing our opinions.

234
00:11:37,920 --> 00:11:41,000
Speaker 2: Well, not expected from them because young people are watching that.

235
00:11:43,120 --> 00:11:45,600
Speaker 3: Don't get a katie, don't get all boomer online.

236
00:11:45,679 --> 00:11:50,080
Speaker 1: It's then be free. Just speak your mind, sing a song,

237
00:11:50,160 --> 00:11:52,320
Speaker 1: and be free. That's what we're all about, aren't we. Anyway,

238
00:11:52,440 --> 00:11:54,800
Speaker 1: there's nicessy. You guys have a good weekend. Appreciate them.

239
00:11:56,320 --> 00:11:58,200
Speaker 2: Yeah, Hey, are you bumming out my visor?

240
00:11:58,400 --> 00:11:59,080
Speaker 1: Because I don't.

241
00:11:59,120 --> 00:12:00,880
Speaker 2: I don't want any as a prejudice.

242
00:12:01,120 --> 00:12:03,520
Speaker 1: No, your body, it's a new.

243
00:12:03,400 --> 00:12:06,640
Speaker 2: Addition because hats caps get too hot on the top

244
00:12:06,679 --> 00:12:08,040
Speaker 2: of your head, and if you've got a big high

245
00:12:08,080 --> 00:12:10,559
Speaker 2: ponytail like I was running you need to hear the

246
00:12:10,640 --> 00:12:13,640
Speaker 2: ponytail at the top, so you've got to wear the visor.

247
00:12:13,400 --> 00:12:18,800
Speaker 1: The high pony, the high for freedom, Mike, wear sing

248
00:12:19,040 --> 00:12:20,680
Speaker 1: and say whatever you want.

249
00:12:21,160 --> 00:12:24,040
Speaker 3: For more from the Mic Asking Breakfast, listen live to

250
00:12:24,160 --> 00:12:27,240
Speaker 3: news talks it'd be from six am weekdays, or follow

251
00:12:27,280 --> 00:12:28,840
Speaker 3: the podcast on iHeartRadio