1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack Team podcast 2 00:00:10,613 --> 00:00:35,893 Speaker 1: from News Talks at b It's an all time classic, 3 00:00:36,733 --> 00:00:39,933 Speaker 1: is it not. That's Lady Hawk in My Delirium. So 4 00:00:40,053 --> 00:00:42,773 Speaker 1: Lady Hawk's going to be making a return with the 5 00:00:42,813 --> 00:00:45,573 Speaker 1: performance of songs from her debut album was announced yesterday. 6 00:00:45,613 --> 00:00:47,853 Speaker 1: She's going to make up part of the lineup of 7 00:00:47,893 --> 00:00:52,093 Speaker 1: the Other's Way, others Way Yet the Other's Way Festival. 8 00:00:52,933 --> 00:00:55,693 Speaker 1: It's Auckland's favorite street party, that's how they describe it. 9 00:00:55,773 --> 00:00:58,133 Speaker 1: And so Lady Hawk's going to be performing alongside Lady 10 00:00:58,173 --> 00:01:02,653 Speaker 1: six Princess Chelsea Savage. It's happening in November, the end 11 00:01:02,653 --> 00:01:05,573 Speaker 1: of November. So yeah, that should be that should be 12 00:01:05,613 --> 00:01:07,613 Speaker 1: good fun. Nay I love it. Song twenty five to 13 00:01:07,613 --> 00:01:09,213 Speaker 1: ten on News Talks. It'd be time to catch up 14 00:01:09,213 --> 00:01:12,213 Speaker 1: with our film reviewer Francesca Rudkin, who is with us 15 00:01:12,213 --> 00:01:15,373 Speaker 1: this morning. More than good morning, good morning. Really looking 16 00:01:15,413 --> 00:01:17,853 Speaker 1: forward to getting your thoughts on our first film this morning. 17 00:01:18,253 --> 00:01:21,173 Speaker 1: This is the new key we release have listened to. 18 00:01:21,293 --> 00:01:26,893 Speaker 1: We were dangerous, as Island has a long history of 19 00:01:26,933 --> 00:01:28,773 Speaker 1: accommodating dubious characters. 20 00:01:29,213 --> 00:01:33,213 Speaker 2: We've got all sorts waste, straight sex, delinquent. That's a 21 00:01:33,253 --> 00:01:35,453 Speaker 2: new one. Hi, I'm Nillie. 22 00:01:35,773 --> 00:01:37,293 Speaker 1: That's Daisy. 23 00:01:37,613 --> 00:01:39,093 Speaker 2: We're three girls in the Leaky Hub. 24 00:01:39,853 --> 00:01:43,013 Speaker 1: Okay, we of course had the stars of We Were 25 00:01:43,093 --> 00:01:46,493 Speaker 1: Dangerous on our show this time last week. Francisc you've 26 00:01:46,493 --> 00:01:48,253 Speaker 1: had an opportunity to see the film, so tell us 27 00:01:48,293 --> 00:01:49,373 Speaker 1: about it. Yeah. 28 00:01:49,413 --> 00:01:51,653 Speaker 2: So this is the debut feature film from Josephine Stewart 29 00:01:51,653 --> 00:01:55,653 Speaker 2: to Few, and I really enjoyed this film. I think 30 00:01:55,693 --> 00:02:00,093 Speaker 2: she has told this story so beautifully. Everything is considered 31 00:02:00,173 --> 00:02:05,653 Speaker 2: in this film, Jack, from the actors who played the parts, 32 00:02:05,853 --> 00:02:10,333 Speaker 2: to the to the location, the cinematography, to the costume. 33 00:02:10,933 --> 00:02:15,213 Speaker 2: Everything kind of works together so beautifully. And I just 34 00:02:15,333 --> 00:02:19,693 Speaker 2: love that about this film and about Josephine as a storyteller. 35 00:02:20,053 --> 00:02:22,493 Speaker 2: You can just tell so much kind of care and 36 00:02:22,573 --> 00:02:25,613 Speaker 2: thought has gone into how to present this story. Set 37 00:02:25,653 --> 00:02:29,533 Speaker 2: in nineteen fifty four, it's about a group of teenage girls, 38 00:02:29,573 --> 00:02:31,893 Speaker 2: young girls who were sent to an island where they 39 00:02:31,893 --> 00:02:36,133 Speaker 2: attend to multi school for encouragible and delinquent girls. And 40 00:02:36,213 --> 00:02:38,653 Speaker 2: as you heard, they're wets and strays and now they've 41 00:02:38,693 --> 00:02:41,653 Speaker 2: got few sex delinquents there as well. It is very 42 00:02:41,773 --> 00:02:45,093 Speaker 2: much a coming of age drama. It's a social commentary 43 00:02:45,133 --> 00:02:49,253 Speaker 2: on colonization and patriarchy and godliness and abuse and care, 44 00:02:49,293 --> 00:02:53,333 Speaker 2: which I think is just very timely obviously. But what 45 00:02:53,413 --> 00:02:57,893 Speaker 2: I really enjoy is these are pretty heavy, serious topics 46 00:02:57,933 --> 00:03:01,613 Speaker 2: to discuss, but they also dealt with a lightness. There 47 00:03:01,693 --> 00:03:05,893 Speaker 2: is humor here, There is hope here. There are characters 48 00:03:06,013 --> 00:03:10,133 Speaker 2: who maybe a sort of set up to be the 49 00:03:10,213 --> 00:03:13,653 Speaker 2: villains in this film, but the door is just a 50 00:03:13,773 --> 00:03:15,653 Speaker 2: jar a little bit that we see that they have 51 00:03:15,733 --> 00:03:19,173 Speaker 2: some heart and maybe realize that the way they're doing 52 00:03:19,213 --> 00:03:22,853 Speaker 2: things isn't the right way to do things. Wonderful young cast, 53 00:03:23,053 --> 00:03:26,373 Speaker 2: They're really fantastic. This film has been getting sort of 54 00:03:26,373 --> 00:03:30,053 Speaker 2: critical acclaim and winning awards overseas. It won the Special 55 00:03:30,133 --> 00:03:34,453 Speaker 2: Dury Prize when it was screened in Stuff by Southwest 56 00:03:34,733 --> 00:03:36,493 Speaker 2: earlier in the year, and I think that that is 57 00:03:36,533 --> 00:03:38,213 Speaker 2: going to continue on. I think this will become a 58 00:03:38,253 --> 00:03:40,733 Speaker 2: festival favorite around the world. But I also think that 59 00:03:40,773 --> 00:03:43,573 Speaker 2: New Zealand is there. You're going to love them. Yes, Yeah, 60 00:03:43,573 --> 00:03:44,373 Speaker 2: it's really wonderful. 61 00:03:44,533 --> 00:03:47,933 Speaker 1: Ah so good. A couple of things. First of all, 62 00:03:48,813 --> 00:03:51,453 Speaker 1: didn't include anything it didn't need to in our tweety 63 00:03:51,493 --> 00:03:54,853 Speaker 1: something right, so nice and nice and like snappy, good storytelling. 64 00:03:54,933 --> 00:03:58,413 Speaker 1: But also I think that point about the way in 65 00:03:58,453 --> 00:04:02,733 Speaker 1: which it manages to deal with very heavy themes, but 66 00:04:02,893 --> 00:04:05,573 Speaker 1: not in a way that's kind of preachy or feels heavy. 67 00:04:05,933 --> 00:04:09,533 Speaker 1: I don't know how to articulate that anymore succinctly, but 68 00:04:10,133 --> 00:04:13,533 Speaker 1: there are these heavy, timely important themes about abuse and 69 00:04:13,573 --> 00:04:16,053 Speaker 1: state care, all of this kind of stuff, but it's 70 00:04:16,133 --> 00:04:18,053 Speaker 1: kind of done with. There's a real lightness to it. 71 00:04:18,733 --> 00:04:21,413 Speaker 2: And look, you'll know, Jack, I never talk about endings 72 00:04:21,413 --> 00:04:23,733 Speaker 2: of films. I very very many will talk about an 73 00:04:23,813 --> 00:04:26,333 Speaker 2: ending of a film. But this film you walk out 74 00:04:26,933 --> 00:04:28,893 Speaker 2: just with the smile on your face and a little 75 00:04:29,013 --> 00:04:32,653 Speaker 2: skipping your step and thinking it's not so bad being rebellious, 76 00:04:32,853 --> 00:04:35,493 Speaker 2: you know what I mean? Like it you leave uplifted 77 00:04:35,693 --> 00:04:38,053 Speaker 2: and kind of you know, as opposed to just go, 78 00:04:38,733 --> 00:04:41,893 Speaker 2: oh my gosh, you know, it's just horrible and terrible, 79 00:04:42,213 --> 00:04:44,653 Speaker 2: you know. So I think that it's something that Josephine's 80 00:04:44,653 --> 00:04:47,693 Speaker 2: just balanced really really nicely. Is the heaviness with the lightness, 81 00:04:47,773 --> 00:04:49,853 Speaker 2: just getting that balance right, and that's really hard to do. 82 00:04:50,173 --> 00:04:52,813 Speaker 1: I well, see, okay, so that's we were dangerous it 83 00:04:52,933 --> 00:04:56,053 Speaker 1: is in cinemas. Now, let's haven't listened to another film 84 00:04:56,093 --> 00:04:58,773 Speaker 1: showing at the theater at the moment. This is minus Man. 85 00:05:00,853 --> 00:05:05,253 Speaker 1: He know, my name is Spranistein, my name is John Lennon, 86 00:05:07,213 --> 00:05:08,373 Speaker 1: my name is Paula. 87 00:05:10,293 --> 00:05:15,933 Speaker 2: George Hanson the Pete first when I saw it at Steade, 88 00:05:16,053 --> 00:05:18,853 Speaker 2: I shall never forget it. I want to represent you 89 00:05:19,173 --> 00:05:21,573 Speaker 2: be a manager, but you've got to experience mister Brian. 90 00:05:25,533 --> 00:05:29,533 Speaker 1: Okay, that's minus Man. A story that feels relatively familiar. 91 00:05:30,413 --> 00:05:32,813 Speaker 2: Yes, so this is the story of the first Beatle, 92 00:05:33,253 --> 00:05:37,653 Speaker 2: Brian Epstein, who was their manager. And he is Brian 93 00:05:37,773 --> 00:05:42,013 Speaker 2: is this lovely, sort of closeted, gay Jewish young man. 94 00:05:42,053 --> 00:05:45,013 Speaker 2: He runs the family record stores. And in nineteen sixty one, 95 00:05:45,213 --> 00:05:47,453 Speaker 2: get this, he goes to a lunchtime gig. I want 96 00:05:47,453 --> 00:05:49,373 Speaker 2: to bring back lunchtime gigs. I think that would be 97 00:05:49,373 --> 00:05:53,373 Speaker 2: so much fun to see this unknown band called the Beatles. 98 00:05:53,373 --> 00:05:56,013 Speaker 2: They're playing in Liverpool, and he just looks around and goes, 99 00:05:56,493 --> 00:05:59,653 Speaker 2: these guys have something and off we go. And he 100 00:05:59,733 --> 00:06:02,493 Speaker 2: approaches them and asks if you know he could be 101 00:06:02,573 --> 00:06:07,053 Speaker 2: their manager, and they tease him quite a lot about 102 00:06:07,053 --> 00:06:10,573 Speaker 2: his posh ways, but yeah, off they go on this journey. 103 00:06:10,853 --> 00:06:14,133 Speaker 2: So it is a relationship that kind of saw this 104 00:06:14,253 --> 00:06:16,253 Speaker 2: band become one of the biggest bands in the world, 105 00:06:16,253 --> 00:06:18,693 Speaker 2: and you sort of see Brian he just had these 106 00:06:18,693 --> 00:06:21,933 Speaker 2: incredible instincts. He just understood the potential of the Beatles, 107 00:06:22,133 --> 00:06:25,493 Speaker 2: he got great deals, he knew what was needed to 108 00:06:25,613 --> 00:06:28,253 Speaker 2: kind of break them internationally, and so that's what we 109 00:06:28,373 --> 00:06:31,853 Speaker 2: kind of get. That look behind the scenes of it 110 00:06:31,893 --> 00:06:34,973 Speaker 2: doesn't show away from his struggle with addiction and gambling 111 00:06:35,133 --> 00:06:39,213 Speaker 2: and his sexuality. Obviously, the huge success that the Beatles 112 00:06:39,293 --> 00:06:41,453 Speaker 2: have that comes with a huge amount of stress and 113 00:06:41,453 --> 00:06:43,413 Speaker 2: a huge amount of struggles, so you kind of see 114 00:06:43,693 --> 00:06:47,053 Speaker 2: all that taking place. It's very much about him as 115 00:06:47,093 --> 00:06:50,373 Speaker 2: opposed to the Beatles and how they sort of dealt 116 00:06:50,373 --> 00:06:54,613 Speaker 2: with fame. It's very actually jack very little Beatles music 117 00:06:54,613 --> 00:06:57,733 Speaker 2: in this film, which may have been an issue about 118 00:06:57,733 --> 00:07:00,533 Speaker 2: getting the rights for it. Look in this in general, 119 00:07:00,573 --> 00:07:02,613 Speaker 2: I think the story is told well. It is a 120 00:07:02,613 --> 00:07:05,773 Speaker 2: great story, a fascinating story to tell. They've tried to 121 00:07:05,893 --> 00:07:08,573 Speaker 2: kind of like it up and tell it in an 122 00:07:08,573 --> 00:07:10,893 Speaker 2: interesting way, and occasionally the fourth wall was broken down 123 00:07:10,933 --> 00:07:12,773 Speaker 2: and Brian talks directly to us, and it tries to 124 00:07:12,773 --> 00:07:15,333 Speaker 2: have sort of once again a lightness to it, but 125 00:07:15,373 --> 00:07:17,413 Speaker 2: I'm not sure they quite nailed the balance. I felt 126 00:07:17,453 --> 00:07:19,853 Speaker 2: like this film we actually did need to go into 127 00:07:19,893 --> 00:07:23,813 Speaker 2: a little bit more depth as to what was happening. Yeah, 128 00:07:25,133 --> 00:07:27,893 Speaker 2: a fun, fun, fun look at a period in time 129 00:07:27,933 --> 00:07:29,333 Speaker 2: that a lot of people will. 130 00:07:29,133 --> 00:07:31,133 Speaker 1: Remember and enjoy. I mean far back from me to 131 00:07:31,213 --> 00:07:36,413 Speaker 1: judge something from twelve seconds of trailer that were but no, 132 00:07:36,493 --> 00:07:38,853 Speaker 1: but give it a go. Well, it just it sounded 133 00:07:38,933 --> 00:07:41,773 Speaker 1: like it sounded like the actual the band members, but 134 00:07:41,933 --> 00:07:44,493 Speaker 1: Paul McCartney and John then were maybe a little hammed up. 135 00:07:47,813 --> 00:07:51,133 Speaker 2: Yeah, possibly, And I'm not sure we really sort of 136 00:07:51,333 --> 00:07:53,813 Speaker 2: got I think we learned more about Brian than we 137 00:07:53,853 --> 00:07:57,933 Speaker 2: did necessarily about his relationship with them. It's sort of 138 00:07:57,973 --> 00:08:01,893 Speaker 2: like almost behind the scenes of how they became world famous. 139 00:08:01,573 --> 00:08:04,533 Speaker 1: Right, Okay, that makes lot sense. Yeah, well, lunchtime gigs 140 00:08:04,533 --> 00:08:06,213 Speaker 1: previously a thing? Was it all? 141 00:08:06,893 --> 00:08:09,013 Speaker 2: I don't know. I never I'd never heard of lunchtime gigs, 142 00:08:09,013 --> 00:08:11,493 Speaker 2: But it's quite fun. How good that half of us 143 00:08:11,573 --> 00:08:13,093 Speaker 2: kind even step away from our desk to have our 144 00:08:13,133 --> 00:08:15,173 Speaker 2: lunch these days? But it's how good we go. I'm 145 00:08:15,213 --> 00:08:16,573 Speaker 2: just popping out for half and how to see some 146 00:08:16,653 --> 00:08:18,893 Speaker 2: young band and how invigorated would you go? Back to work. 147 00:08:18,933 --> 00:08:19,733 Speaker 2: I think it would be great. 148 00:08:20,213 --> 00:08:20,933 Speaker 1: That's a good idea. 149 00:08:21,493 --> 00:08:22,853 Speaker 2: Yeah, I wonder why we don't do that if your 150 00:08:22,893 --> 00:08:25,533 Speaker 2: world durre in. Yeah, I think it's probably pretty obvious 151 00:08:25,573 --> 00:08:28,013 Speaker 2: reasons why we. I think there's a lot of bands 152 00:08:28,013 --> 00:08:30,173 Speaker 2: that are like young going to play behalf in our lunchtime. Yeah, 153 00:08:30,573 --> 00:08:32,533 Speaker 2: and we wouldn't have the time really to do it, 154 00:08:32,573 --> 00:08:34,373 Speaker 2: but it is quite fun. Yeah. They went down into 155 00:08:34,373 --> 00:08:38,133 Speaker 2: the sort of dark, dark venue. Yeah, band at lunchtime. 156 00:08:38,173 --> 00:08:40,093 Speaker 1: And we used to do it at schools, you know, 157 00:08:40,213 --> 00:08:43,893 Speaker 1: like our school school bands would do it. My ill 158 00:08:43,933 --> 00:08:46,253 Speaker 1: fated school band. You had a couple of big lunchtime 159 00:08:46,293 --> 00:08:51,333 Speaker 1: gigs over the years. We're still talking about those today. No, 160 00:08:51,453 --> 00:08:53,293 Speaker 1: but yeah, I think it's a good idea. I'm into it, 161 00:08:53,413 --> 00:08:56,453 Speaker 1: very good. Okay, that's minus man, Thank you friends, you skip. 162 00:08:56,813 --> 00:08:59,373 Speaker 1: That's showing in cinemas now. So as We Were Dangerous, 163 00:08:59,453 --> 00:09:01,493 Speaker 1: jax is Laura. I saw that film We Were Dangerous 164 00:09:01,533 --> 00:09:03,493 Speaker 1: last week and the team that I really enjoyed it. 165 00:09:03,493 --> 00:09:06,773 Speaker 1: It is a great New Zealand film. So Laura adds 166 00:09:06,773 --> 00:09:09,293 Speaker 1: to Francesca's recommendation, there go along and see We Were 167 00:09:09,373 --> 00:09:13,333 Speaker 1: Dangerous For more from Saturday Morning with Jack Tame. Listen 168 00:09:13,413 --> 00:09:16,173 Speaker 1: live to News Talks ed b from nine am Saturday, 169 00:09:16,453 --> 00:09:18,453 Speaker 1: or follow the podcast on iHeartRadio