1 00:00:00,040 --> 00:00:05,200 Speaker 1: Are you guys ready Yes, fan of the Darky Big 2 00:00:05,200 --> 00:00:07,960 Speaker 1: Show podcast, make sure you check out more from Jay, 3 00:00:08,039 --> 00:00:10,959 Speaker 1: Smike and Key on their Instagram at Hodaky Big Show, 4 00:00:11,160 --> 00:00:14,800 Speaker 1: unching into them four to seven every weekday on Radio Hdarky. 5 00:00:17,040 --> 00:00:17,840 Speaker 1: Thanks mate. 6 00:00:18,120 --> 00:00:19,720 Speaker 2: So I get home last night. 7 00:00:21,320 --> 00:00:24,000 Speaker 3: And pag Son of course told us that he's released 8 00:00:24,880 --> 00:00:26,160 Speaker 3: the full length video. 9 00:00:26,640 --> 00:00:28,120 Speaker 4: Hey fellows, Hi. 10 00:00:29,240 --> 00:00:31,480 Speaker 3: Let's just get straight to the point. Just forget the formal. 11 00:00:31,520 --> 00:00:35,959 Speaker 3: Evis al right about me recording the. 12 00:00:35,960 --> 00:00:41,080 Speaker 5: B of no Yeah, yeah yeah. 13 00:00:41,360 --> 00:00:42,760 Speaker 3: And so I go on the YouTube and look at 14 00:00:42,760 --> 00:00:45,520 Speaker 3: that and I see the title of it is podcast 15 00:00:45,640 --> 00:00:48,199 Speaker 3: host loses the plot. 16 00:00:48,600 --> 00:00:50,560 Speaker 2: And I just go, oh, good one. 17 00:00:50,760 --> 00:00:53,040 Speaker 3: Because there was a similar thing that went round with 18 00:00:53,080 --> 00:00:56,200 Speaker 3: the Nadia Limb scenario that I had many years ago. 19 00:00:56,760 --> 00:00:59,040 Speaker 2: Like I'm some sort of psychopath. 20 00:01:00,280 --> 00:01:02,880 Speaker 3: Today and I'm wearing my leather jacket, guys, you know 21 00:01:03,120 --> 00:01:08,240 Speaker 3: this brown leather jacket. And pugsn says to me, what 22 00:01:08,280 --> 00:01:11,080 Speaker 3: do you got in your pocket? And I said what 23 00:01:11,120 --> 00:01:12,520 Speaker 3: do you mean? You said what do you got in 24 00:01:12,560 --> 00:01:13,480 Speaker 3: your pocket. 25 00:01:13,240 --> 00:01:13,920 Speaker 2: Of my jacket? 26 00:01:13,959 --> 00:01:16,840 Speaker 3: And I said nothing, why? And he said, You've got 27 00:01:16,840 --> 00:01:20,479 Speaker 3: so many fucking zips. I just wondered, wow, And I 28 00:01:20,520 --> 00:01:26,759 Speaker 3: was like wow, excuse me, Pugson. 29 00:01:27,280 --> 00:01:30,040 Speaker 5: Fucking hell, that's outrageous. 30 00:01:29,480 --> 00:01:32,199 Speaker 4: It's so full of what a dog move? 31 00:01:32,480 --> 00:01:36,400 Speaker 2: Well, I just went, what the hell is going on? 32 00:01:36,560 --> 00:01:38,080 Speaker 4: I think you're more of a radio host and a 33 00:01:38,120 --> 00:01:39,839 Speaker 4: podcast host exactly. 34 00:01:40,040 --> 00:01:42,319 Speaker 2: Yeah, but it just loses the plot. 35 00:01:43,120 --> 00:01:44,679 Speaker 4: Oh god, you did though. 36 00:01:45,120 --> 00:01:46,480 Speaker 2: Yeah, I was pretty shitty. 37 00:01:47,760 --> 00:01:50,400 Speaker 4: But sadly, when you get shitty like that, it's funny. 38 00:01:50,440 --> 00:01:53,080 Speaker 4: It's really funny, and it's got to be infuriating as well. 39 00:01:54,720 --> 00:01:57,800 Speaker 2: There's nothing worse than when you're infuriated. Yeah, you know, 40 00:01:57,840 --> 00:02:01,800 Speaker 2: people are going, that is so funny, and you're. 41 00:02:01,680 --> 00:02:05,520 Speaker 5: Just like, I can't tell if you're actually annoyed because 42 00:02:05,560 --> 00:02:08,440 Speaker 5: you're also like laughing and smiling, but you're furious. 43 00:02:08,480 --> 00:02:10,200 Speaker 4: He's trying to hide the fact that he's so angry. 44 00:02:10,320 --> 00:02:12,440 Speaker 2: Yes, that's that's me hiding my rage. 45 00:02:12,720 --> 00:02:16,080 Speaker 4: Yeah, far right. Well, it was hilarious. It's good and 46 00:02:16,120 --> 00:02:18,320 Speaker 4: please go along, and it's if you're looking for it. 47 00:02:18,320 --> 00:02:22,560 Speaker 4: It's on Radio Hoeks YouTube page, not the Big Shows 48 00:02:22,600 --> 00:02:23,920 Speaker 4: YouTube page. Yeah. 49 00:02:24,040 --> 00:02:26,160 Speaker 5: This, this actual, this outro we're doing right now is 50 00:02:26,200 --> 00:02:27,960 Speaker 5: on YouTube as well, So just go down to the 51 00:02:28,000 --> 00:02:28,400 Speaker 5: next video. 52 00:02:28,440 --> 00:02:29,600 Speaker 4: It's probably that one. Yeah. 53 00:02:29,639 --> 00:02:31,720 Speaker 3: Weirdly enough, they just show up and when I go 54 00:02:31,760 --> 00:02:33,079 Speaker 3: on YouTube now they're just there. 55 00:02:33,120 --> 00:02:36,560 Speaker 2: I find it. I find it weirdly disconcerting. Actually algorithm. 56 00:02:36,560 --> 00:02:40,000 Speaker 3: But in between my Trump videos and the American politics, 57 00:02:40,080 --> 00:02:40,919 Speaker 3: there's the. 58 00:02:40,919 --> 00:02:43,400 Speaker 2: Big show and I'm like, oh, what's that one about? 59 00:02:43,400 --> 00:02:44,680 Speaker 2: What's what's going on? 60 00:02:44,800 --> 00:02:46,040 Speaker 4: That's Keesy being up to? 61 00:02:46,160 --> 00:02:46,280 Speaker 2: Now? 62 00:02:46,320 --> 00:02:48,240 Speaker 4: Speaking of old Kezy, what's old keys he been up to? 63 00:02:48,720 --> 00:02:51,560 Speaker 5: I didn't audition today, my first ever proper, actual audition. 64 00:02:52,760 --> 00:02:55,799 Speaker 2: Great stuff, Thank you, it's pretty. 65 00:02:56,080 --> 00:02:59,519 Speaker 4: Can you give us the character summation there? I don't 66 00:02:59,520 --> 00:03:02,560 Speaker 4: know if I can you well, you can vaguely get it. 67 00:03:02,600 --> 00:03:04,720 Speaker 4: You don't have to say exactly what it is. But 68 00:03:05,040 --> 00:03:06,239 Speaker 4: the product, the key. 69 00:03:06,040 --> 00:03:11,040 Speaker 5: Trait, okay, character was I am from America, Yeah, that's good, 70 00:03:11,080 --> 00:03:13,680 Speaker 5: and the eighteen hundred, sure, and I am in a 71 00:03:13,800 --> 00:03:14,480 Speaker 5: small town. 72 00:03:16,040 --> 00:03:18,200 Speaker 4: But like, what are the character traits? 73 00:03:18,200 --> 00:03:18,280 Speaker 2: Not? 74 00:03:18,880 --> 00:03:23,400 Speaker 3: What do you mean by that goofy, goofy, funny? Yeah, 75 00:03:23,639 --> 00:03:25,639 Speaker 3: get the heart? Yeah that is a shilling. 76 00:03:25,760 --> 00:03:28,960 Speaker 5: The description was the complete opposite of the first character. 77 00:03:29,000 --> 00:03:34,239 Speaker 5: The character number two is almost anti masculine, like Tech, 78 00:03:34,320 --> 00:03:38,960 Speaker 5: a goofy dude, tech, almost bookish tech, someone who looks 79 00:03:39,000 --> 00:03:40,120 Speaker 5: out of place in the setting. 80 00:03:40,320 --> 00:03:40,600 Speaker 2: Tech. 81 00:03:41,560 --> 00:03:43,000 Speaker 5: And I'm reading this on about he thanks. 82 00:03:42,800 --> 00:03:46,320 Speaker 3: For putting forod for that ten backs ten backs right now, 83 00:03:46,760 --> 00:03:47,280 Speaker 3: you'll get. 84 00:03:47,160 --> 00:03:51,640 Speaker 4: It, but also cheeky cheeky as well. Yeah, yeah, that 85 00:03:51,760 --> 00:03:53,880 Speaker 4: was a positive. So talk us through it. How are 86 00:03:53,920 --> 00:03:54,600 Speaker 4: you feeling, mate? 87 00:03:54,680 --> 00:03:55,440 Speaker 5: I was nervous. 88 00:03:55,600 --> 00:03:56,040 Speaker 4: Yeah. 89 00:03:56,120 --> 00:03:58,560 Speaker 5: So the thing with me is I can go and 90 00:03:58,600 --> 00:04:02,000 Speaker 5: do like live tele or something and I don't care. 91 00:04:02,200 --> 00:04:06,000 Speaker 5: I can see something on stage and I don't care. Yeah, 92 00:04:06,040 --> 00:04:08,760 Speaker 5: but something like an audition where I know you've got 93 00:04:08,840 --> 00:04:11,840 Speaker 5: one shot, one opportunity, camp has a chance to blow 94 00:04:12,400 --> 00:04:14,920 Speaker 5: you know, Mum's spaghetti. That freaks me out. 95 00:04:15,080 --> 00:04:18,280 Speaker 3: No, but that's not the reality, right. You don't have 96 00:04:18,320 --> 00:04:20,400 Speaker 3: one shot. You can do multiple takes. 97 00:04:20,640 --> 00:04:22,599 Speaker 5: Well we only did one one or two takes? 98 00:04:22,640 --> 00:04:26,360 Speaker 3: Yeah, yeah, but you can go, oh you know, can 99 00:04:26,400 --> 00:04:28,120 Speaker 3: I do one more? I didn't quite get there. 100 00:04:28,279 --> 00:04:29,440 Speaker 5: Okay, I was lucky with. 101 00:04:29,440 --> 00:04:32,440 Speaker 4: The first audition I have. But did she said it 102 00:04:32,480 --> 00:04:36,200 Speaker 4: was Liz Mulane, Yes, and she said we did two 103 00:04:36,240 --> 00:04:38,760 Speaker 4: takes and she said her happy with that, And it 104 00:04:38,800 --> 00:04:40,880 Speaker 4: was the first time. It's weird going into those rooms. 105 00:04:40,920 --> 00:04:41,520 Speaker 5: It's so weird. 106 00:04:41,680 --> 00:04:43,440 Speaker 4: Yeah, and then she goes, you're happy with that? And 107 00:04:43,480 --> 00:04:49,159 Speaker 4: I was like, in my brain, I wanted to leave. Yeah, 108 00:04:49,200 --> 00:04:51,120 Speaker 4: but I was also like, no, I'm not happy with that, 109 00:04:51,720 --> 00:04:53,640 Speaker 4: And so we did one more and that one felt 110 00:04:53,680 --> 00:04:54,800 Speaker 4: really good, and then I got the job. 111 00:04:54,880 --> 00:04:57,040 Speaker 5: I will see. That is so good to know, Yes, 112 00:04:57,080 --> 00:04:59,240 Speaker 5: because I actually found I left a lot of goofiness 113 00:04:59,240 --> 00:05:00,000 Speaker 5: out there on the table. 114 00:05:00,160 --> 00:05:00,760 Speaker 4: Yeah. Right. 115 00:05:01,560 --> 00:05:06,280 Speaker 3: I was the same when I sat. Yeah, when I 116 00:05:06,320 --> 00:05:07,320 Speaker 3: started off was the same. 117 00:05:07,400 --> 00:05:10,440 Speaker 2: I was like, oh, that was so bad. I want 118 00:05:10,480 --> 00:05:11,719 Speaker 2: to do another one. I want to do another one. 119 00:05:11,720 --> 00:05:13,560 Speaker 2: I don't want to do another one. 120 00:05:13,920 --> 00:05:16,920 Speaker 3: But then I reached a point of do it and 121 00:05:16,920 --> 00:05:18,159 Speaker 3: they go, you're happy with that? 122 00:05:18,200 --> 00:05:19,960 Speaker 2: Okay? Yeah, and then I. 123 00:05:20,080 --> 00:05:24,159 Speaker 3: Go but but absolutely, And that's the whole point they're filming. 124 00:05:24,240 --> 00:05:26,839 Speaker 3: So it's not like, oh my god, you only get 125 00:05:26,839 --> 00:05:30,360 Speaker 3: one shot up, that's you. You fall, just chill man, 126 00:05:30,480 --> 00:05:32,200 Speaker 3: but just got I didn't quite know that. 127 00:05:32,240 --> 00:05:32,960 Speaker 2: Can I have another? 128 00:05:33,160 --> 00:05:34,800 Speaker 5: So okay, that's good to know for the future. So 129 00:05:34,960 --> 00:05:37,000 Speaker 5: I arrive, I park around the corner. I don't even 130 00:05:37,000 --> 00:05:37,960 Speaker 5: know where the place is, so I go for a 131 00:05:37,960 --> 00:05:39,840 Speaker 5: bit of a walk around the block. It's just a 132 00:05:39,839 --> 00:05:45,240 Speaker 5: weird door steerway up. They always a dark room where 133 00:05:45,279 --> 00:05:46,479 Speaker 5: there's no signers or anything. 134 00:05:46,480 --> 00:05:46,920 Speaker 2: No one's there. 135 00:05:46,960 --> 00:05:48,520 Speaker 5: Oh hi, are you here? For the blah blah blah. 136 00:05:48,640 --> 00:05:52,080 Speaker 5: It's just empty. A guy comes out the toilet, nice fella, 137 00:05:52,279 --> 00:05:54,080 Speaker 5: and I go, hey, I'm here for an audishes are 138 00:05:54,800 --> 00:05:56,360 Speaker 5: one of the blah blahs? And I was like, yeah, 139 00:05:56,440 --> 00:05:58,800 Speaker 5: that's me. Is me too? And then he showed me 140 00:05:58,800 --> 00:06:00,640 Speaker 5: what to do, right, So went over to a ki 141 00:06:00,680 --> 00:06:02,440 Speaker 5: ask and put my details and had to measure my 142 00:06:02,520 --> 00:06:06,920 Speaker 5: chest and my hips and put all that in. Yes, 143 00:06:07,440 --> 00:06:08,760 Speaker 5: and then you just sit down there and then the 144 00:06:08,800 --> 00:06:10,600 Speaker 5: guy comes out and goes, hey, we're ready for you. 145 00:06:10,680 --> 00:06:10,800 Speaker 3: Now. 146 00:06:10,880 --> 00:06:13,080 Speaker 5: Then you walk in. You hold up a sign like 147 00:06:13,080 --> 00:06:16,440 Speaker 5: you're in a mug shot with my name written easy 148 00:06:16,520 --> 00:06:19,440 Speaker 5: written on it. Yeah, and then he goes and then 149 00:06:19,480 --> 00:06:22,000 Speaker 5: you're like those dates are good. You're like, yeah, they 150 00:06:22,000 --> 00:06:24,680 Speaker 5: should be fine. It's okay. And are you in any 151 00:06:24,720 --> 00:06:29,880 Speaker 5: other ads? It's like, nap, it's okay. Tim to the side. Yeah, 152 00:06:30,040 --> 00:06:31,240 Speaker 5: there's a honker on you. 153 00:06:32,480 --> 00:06:33,040 Speaker 4: They didn't. 154 00:06:33,120 --> 00:06:35,039 Speaker 5: But then and then it's literally just like straight into 155 00:06:35,040 --> 00:06:36,799 Speaker 5: the scene, all right. So you stay there, you stand 156 00:06:36,800 --> 00:06:39,080 Speaker 5: on that tape and you just deliver that line right. 157 00:06:39,640 --> 00:06:42,880 Speaker 5: And I did it, but I couldn't figure out if 158 00:06:42,880 --> 00:06:44,440 Speaker 5: they wanted me to go American or Kiwi. 159 00:06:44,880 --> 00:06:47,680 Speaker 3: Another good thing to do too, keysy when you're in 160 00:06:47,680 --> 00:06:49,880 Speaker 3: that scenario is to sort of get an idea of 161 00:06:49,920 --> 00:06:53,320 Speaker 3: what what size shot they're taking, like is it a 162 00:06:53,320 --> 00:06:54,240 Speaker 3: close up face? 163 00:06:54,320 --> 00:06:55,680 Speaker 2: Is it the whole body? Is it? 164 00:06:56,120 --> 00:06:56,640 Speaker 4: Is it mid? 165 00:06:56,760 --> 00:06:57,880 Speaker 2: Yeah? Great? 166 00:06:58,040 --> 00:07:01,440 Speaker 4: As a rule though, and aud that is always sort 167 00:07:01,440 --> 00:07:03,920 Speaker 4: of knee up because they can punch in, so that 168 00:07:03,960 --> 00:07:05,760 Speaker 4: it would be pretty rare for them to be in 169 00:07:05,800 --> 00:07:06,480 Speaker 4: a close up. 170 00:07:06,960 --> 00:07:09,200 Speaker 5: Because the guy who was doing with once again Lovely Fella, 171 00:07:09,279 --> 00:07:11,280 Speaker 5: they did close on him first and then the same 172 00:07:11,320 --> 00:07:13,280 Speaker 5: thing again wider, so I was like, cool, I'll get 173 00:07:13,280 --> 00:07:15,560 Speaker 5: through it twice once close one whier. It was just 174 00:07:15,560 --> 00:07:16,240 Speaker 5: like nap just. 175 00:07:16,200 --> 00:07:17,760 Speaker 4: Once, really, just once for it. 176 00:07:19,240 --> 00:07:21,160 Speaker 2: May very well be that you nailed it. 177 00:07:21,240 --> 00:07:22,840 Speaker 5: I hope. So, I mean, the guy was laughing. 178 00:07:22,880 --> 00:07:23,280 Speaker 4: I don't know. 179 00:07:24,040 --> 00:07:24,720 Speaker 2: Yeah, this was a. 180 00:07:26,240 --> 00:07:28,400 Speaker 4: Good to everyone under your belt, man, you're off to 181 00:07:28,440 --> 00:07:29,160 Speaker 4: the races now. 182 00:07:29,320 --> 00:07:31,440 Speaker 5: It was, and the guy I meant was really friendly. 183 00:07:31,480 --> 00:07:33,400 Speaker 5: The guy who was also auditioning, and then another guy 184 00:07:33,440 --> 00:07:36,440 Speaker 5: I was in balley with really came out and I 185 00:07:36,480 --> 00:07:38,720 Speaker 5: was like, oh, you were listening for barbos like yeah, 186 00:07:38,800 --> 00:07:40,320 Speaker 5: And I'm like, oh man, you look way more like 187 00:07:40,320 --> 00:07:41,880 Speaker 5: a blah blah than I do it. He's like nah, Man, 188 00:07:41,920 --> 00:07:43,120 Speaker 5: you look like a blah blah. 189 00:07:42,920 --> 00:07:45,840 Speaker 3: Isn't isn't that classic no mogie? You know, you turned 190 00:07:45,880 --> 00:07:47,520 Speaker 3: up to the audition and they go and you think 191 00:07:47,520 --> 00:07:48,440 Speaker 3: to yourself. 192 00:07:48,480 --> 00:07:50,200 Speaker 2: He looks way fucking better for the past. 193 00:07:50,360 --> 00:07:54,880 Speaker 4: Yeah, the whole ky Big Show wee days from four 194 00:07:55,320 --> 00:07:59,520 Speaker 4: on radio Hurraarchy with the whole Wracky Big Show podcast. 195 00:07:59,680 --> 00:08:02,440 Speaker 3: Over my career, you developed nemesis. You know, you'd have 196 00:08:02,600 --> 00:08:04,280 Speaker 3: guys that would turn up and you go, oh, okay, 197 00:08:04,280 --> 00:08:05,200 Speaker 3: I'm fucking going home. 198 00:08:05,240 --> 00:08:06,640 Speaker 2: I'm not even bothering with it. 199 00:08:06,840 --> 00:08:10,400 Speaker 3: Superstars, your anthony stars and stuff like that. 200 00:08:11,760 --> 00:08:12,000 Speaker 2: Than you. 201 00:08:12,160 --> 00:08:14,560 Speaker 5: Yeah, I know, but you know, Joel, were you supposed 202 00:08:14,560 --> 00:08:16,600 Speaker 5: to be Homelander on The Boys? 203 00:08:18,360 --> 00:08:20,320 Speaker 2: Mitchison Mark Mitchison. 204 00:08:20,080 --> 00:08:23,720 Speaker 5: It's like in Toast of London he's got his nemesis, 205 00:08:24,320 --> 00:08:27,760 Speaker 5: Ray pet Chess and so that's obviously like yeah, and 206 00:08:27,800 --> 00:08:29,960 Speaker 5: every time he goes to get a part, Ray Purchase 207 00:08:30,000 --> 00:08:32,320 Speaker 5: gets it yeah, or throws him off in the auditional. 208 00:08:32,400 --> 00:08:35,240 Speaker 5: So it's like, it's amazing the experience. What I loved 209 00:08:35,240 --> 00:08:36,800 Speaker 5: every second of it. At the end, I was like 210 00:08:36,840 --> 00:08:38,640 Speaker 5: shaking the guy who filmed his hands. Thanks for making 211 00:08:38,640 --> 00:08:42,800 Speaker 5: that easy. Man is no worries like green. 212 00:08:45,000 --> 00:08:46,839 Speaker 4: I was fresh off the bous has got a bit 213 00:08:46,880 --> 00:08:48,439 Speaker 4: of straw in between his teeth. 214 00:08:48,720 --> 00:08:51,800 Speaker 5: Yeah, got to make it big in the big city. 215 00:08:51,960 --> 00:08:53,400 Speaker 4: Yeah, boy, but good ship. 216 00:08:53,520 --> 00:08:53,960 Speaker 5: I loved it. 217 00:08:54,080 --> 00:08:54,600 Speaker 4: We're great. 218 00:08:54,800 --> 00:08:57,199 Speaker 5: It was really funny. Yeah good And I left the 219 00:08:57,240 --> 00:08:58,480 Speaker 5: big grin on my face. Go, well, I don't know 220 00:08:58,480 --> 00:08:58,839 Speaker 5: if I get that. 221 00:08:58,920 --> 00:09:00,400 Speaker 4: Well, that's good because most of the time you're leaving 222 00:09:00,400 --> 00:09:01,760 Speaker 4: you want to fucking kill yourself. 223 00:09:03,679 --> 00:09:06,640 Speaker 3: Well, I got really good at just shutting it down. 224 00:09:06,760 --> 00:09:09,680 Speaker 3: As soon as I finished, I went all right. That 225 00:09:09,800 --> 00:09:12,240 Speaker 3: was always a pleasant surprise if I got a call 226 00:09:12,240 --> 00:09:14,439 Speaker 3: from my agent and I'd say and even then it 227 00:09:14,480 --> 00:09:17,800 Speaker 3: would be like, you're on the short list. Okay, thank you, hotel, 228 00:09:17,880 --> 00:09:19,480 Speaker 3: it's all done, and don't worry. 229 00:09:19,559 --> 00:09:20,199 Speaker 4: Yeah, that's right. 230 00:09:20,240 --> 00:09:22,280 Speaker 5: What's a callback? Because that come back and do it again. 231 00:09:22,360 --> 00:09:25,520 Speaker 4: You're going to narrow it down to three or four people, right, 232 00:09:25,600 --> 00:09:29,960 Speaker 4: so you do another run through? Okay, sometimes often with 233 00:09:30,040 --> 00:09:32,120 Speaker 4: the director, Yes as well. 234 00:09:32,480 --> 00:09:32,920 Speaker 2: My wife. 235 00:09:33,200 --> 00:09:35,199 Speaker 3: Having said that, my wife did a call back a 236 00:09:35,240 --> 00:09:37,440 Speaker 3: little while ago and there was like eight people there. 237 00:09:37,760 --> 00:09:41,199 Speaker 5: Right, Yeah, that was like, do you ever try to 238 00:09:41,240 --> 00:09:45,040 Speaker 5: she got it? He's a question. So I was wearing 239 00:09:45,080 --> 00:09:46,800 Speaker 5: this jacket today and I didn't even think about it. 240 00:09:46,880 --> 00:09:50,000 Speaker 3: Yeah, that's what's going to ruin it for you. 241 00:09:50,480 --> 00:09:51,160 Speaker 4: Twink that out. 242 00:09:51,160 --> 00:09:55,000 Speaker 6: One would you blah blah jacket your blah blah And 243 00:09:55,200 --> 00:09:56,880 Speaker 6: one of the guys I walked in. The guy was like, 244 00:09:56,960 --> 00:10:02,040 Speaker 6: oh damn, you actually looked like a blah blah. 245 00:10:02,440 --> 00:10:06,320 Speaker 5: I guess like you're going forward dressing sort of. 246 00:10:06,559 --> 00:10:09,559 Speaker 4: They will tell you that will be in the brief 247 00:10:09,600 --> 00:10:11,880 Speaker 4: that comes out. Yeah, it tells you what to wear, 248 00:10:12,280 --> 00:10:15,840 Speaker 4: but you could seriously embarrass yourself turning up dressing like 249 00:10:15,840 --> 00:10:17,000 Speaker 4: a blah blah. 250 00:10:17,400 --> 00:10:21,440 Speaker 5: Not fool blah blah, just a sprinkling of blah blah. 251 00:10:21,559 --> 00:10:26,640 Speaker 2: Yeah, a little bit, but yeah, I never, I never really. 252 00:10:26,960 --> 00:10:31,880 Speaker 4: That's just as Jason when the brief comes through years Okay, Yeah, 253 00:10:31,920 --> 00:10:32,840 Speaker 4: it was a great experience. 254 00:10:32,880 --> 00:10:35,280 Speaker 3: Guys, generally speaking, it doesn't matter what you're wear. They 255 00:10:35,320 --> 00:10:36,120 Speaker 3: look at your face and go. 256 00:10:36,080 --> 00:10:39,600 Speaker 4: Gnat right and then and what's what the thing about 257 00:10:39,720 --> 00:10:41,560 Speaker 4: is a great place to get to is to just 258 00:10:41,559 --> 00:10:43,640 Speaker 4: to realize that it's got nothing to do with you. 259 00:10:43,640 --> 00:10:44,960 Speaker 5: No, they've got a look in mind, right. 260 00:10:45,120 --> 00:10:48,200 Speaker 4: Well, but also it's they've got a look in mind 261 00:10:48,640 --> 00:10:53,120 Speaker 4: and depending on who the director is, the look that 262 00:10:53,120 --> 00:10:55,000 Speaker 4: they've got in their mind about what the look should 263 00:10:55,000 --> 00:10:56,800 Speaker 4: be will be different. So if you've got ten directors, 264 00:10:56,800 --> 00:10:59,480 Speaker 4: they will probably cast ten different people. Yeah, right, and 265 00:10:59,520 --> 00:11:02,280 Speaker 4: then if it's for another for a product, then depending 266 00:11:02,320 --> 00:11:04,040 Speaker 4: on what product that's for, then it could be another 267 00:11:04,080 --> 00:11:04,600 Speaker 4: ten people. 268 00:11:04,679 --> 00:11:04,839 Speaker 2: Yea. 269 00:11:05,120 --> 00:11:07,440 Speaker 4: So it's there's so many things that have to align 270 00:11:07,480 --> 00:11:09,120 Speaker 4: for it to be you. But all you can do 271 00:11:09,400 --> 00:11:13,439 Speaker 4: is know your lines be on time, and then when 272 00:11:13,440 --> 00:11:16,400 Speaker 4: you're doing it, have a certain air of not giving 273 00:11:16,400 --> 00:11:18,400 Speaker 4: a fuck, like just going in there and I'm just 274 00:11:18,440 --> 00:11:21,199 Speaker 4: here to help. I'm helping you find out if hey, 275 00:11:22,120 --> 00:11:24,319 Speaker 4: if I'm not the right guy, at least you know that. 276 00:11:24,360 --> 00:11:26,839 Speaker 4: So I've helped the I've helped this process out. And 277 00:11:26,880 --> 00:11:28,280 Speaker 4: if you're going in there and you're just like that 278 00:11:28,440 --> 00:11:30,520 Speaker 4: and you're shaking people's hands, then it's fucking well that 279 00:11:30,600 --> 00:11:30,760 Speaker 4: was me. 280 00:11:30,840 --> 00:11:33,000 Speaker 5: Yeah, yeah, yeah, And that's that is the crucial part. 281 00:11:33,040 --> 00:11:35,200 Speaker 5: Is because I do the show every day and there's 282 00:11:35,200 --> 00:11:36,439 Speaker 5: other stuff going on, it's like. 283 00:11:37,120 --> 00:11:39,480 Speaker 4: It's when you need it. If you're just an actor 284 00:11:39,520 --> 00:11:41,040 Speaker 4: and you've got so much like back in the day 285 00:11:41,040 --> 00:11:43,960 Speaker 4: for Jason when he was broke, only an actor and 286 00:11:44,000 --> 00:11:47,240 Speaker 4: you need it, you are so fucked Yes, you're so 287 00:11:47,360 --> 00:11:50,280 Speaker 4: fucked because you're desperate. It's like, you know, approaching a 288 00:11:50,360 --> 00:11:51,760 Speaker 4: dude in a bar and you want to make love 289 00:11:51,800 --> 00:11:54,400 Speaker 4: to him. He can smell that desperation. Actually, probably different 290 00:11:54,400 --> 00:11:56,680 Speaker 4: with a dude, he'd be keen. If you're approaching a woman. 291 00:11:56,840 --> 00:11:59,520 Speaker 2: Yeah, and then you would get it. And to take 292 00:11:59,559 --> 00:12:02,079 Speaker 2: three months to be paid. It didn't matter anyway. You're 293 00:12:02,280 --> 00:12:06,040 Speaker 2: destitute and broke all your life. You're trying to feed your. 294 00:12:07,000 --> 00:12:09,360 Speaker 5: Yeah, good on your keysy, thanks fous enough. I've got it, but. 295 00:12:09,760 --> 00:12:12,199 Speaker 2: Ten bucks mate, then I get it. Yeah, you'll be 296 00:12:12,240 --> 00:12:13,640 Speaker 2: able to afford to pay me if you do get 297 00:12:13,679 --> 00:12:14,160 Speaker 2: it too. 298 00:12:14,640 --> 00:12:17,679 Speaker 5: Yeah, keen. So if I if I don't get it, 299 00:12:17,800 --> 00:12:19,720 Speaker 5: you give me ten dollars. Yeah, so I get paid any. 300 00:12:20,280 --> 00:12:22,480 Speaker 4: Yeah, Yeah, you're going to take out of it. 301 00:12:25,160 --> 00:12:26,320 Speaker 2: Three backs all. 302 00:12:26,280 --> 00:12:29,240 Speaker 5: Right, really clammy handshake. Listen to the Huidarcky Big Show 303 00:12:29,280 --> 00:12:31,320 Speaker 5: four or seven on Hducky every weekday. It's really good. 304 00:12:31,320 --> 00:12:31,800 Speaker 5: You'll love it. 305 00:12:31,800 --> 00:12:32,400 Speaker 4: It's so good.