1 00:00:00,080 --> 00:00:02,759 Speaker 1: Well, I need to know that you guys are ready. 2 00:00:02,840 --> 00:00:03,640 Speaker 2: I've been ready for. 3 00:00:06,480 --> 00:00:06,680 Speaker 3: Came. 4 00:00:07,320 --> 00:00:09,360 Speaker 1: Hey, I'm going to play the thing here. We can't 5 00:00:09,400 --> 00:00:09,959 Speaker 1: just talk over it. 6 00:00:10,480 --> 00:00:11,240 Speaker 2: Why it's a. 7 00:00:13,800 --> 00:00:14,200 Speaker 4: Fan of. 8 00:00:16,160 --> 00:00:18,200 Speaker 2: Make sure you check out more from Jay, Smike and 9 00:00:18,280 --> 00:00:20,959 Speaker 2: Kezy on your Instagram at Hodaky Big Show. 10 00:00:20,880 --> 00:00:26,120 Speaker 3: Fortuing into them four to seven every weekday on radio. 11 00:00:27,760 --> 00:00:28,520 Speaker 3: Watches over me. 12 00:00:29,440 --> 00:00:33,440 Speaker 2: Yeah, same for a change. I don't I don't even 13 00:00:33,479 --> 00:00:35,800 Speaker 2: readister it my head. 14 00:00:35,880 --> 00:00:38,400 Speaker 5: Did you make that, Pugs? Was that you that made that? No, 15 00:00:38,720 --> 00:00:40,440 Speaker 5: someone else made it. So we should get Pugs to 16 00:00:40,479 --> 00:00:44,000 Speaker 5: put his only if he's got speed chance in the 17 00:00:44,040 --> 00:00:44,919 Speaker 5: next sort of month. 18 00:00:45,040 --> 00:00:47,800 Speaker 3: Just any time, because he's got a lot of stuff 19 00:00:47,880 --> 00:00:48,199 Speaker 3: going on. 20 00:00:48,880 --> 00:00:52,839 Speaker 2: Pass I said to him earlier before I went into 21 00:00:52,840 --> 00:00:55,120 Speaker 2: the studio, can you get the headphones in there please? 22 00:00:56,200 --> 00:00:57,640 Speaker 1: And he was like, yeah, I'd have a lot of 23 00:00:57,640 --> 00:00:58,240 Speaker 1: stuff on too. 24 00:00:58,760 --> 00:01:02,160 Speaker 3: Spoke to me and he was of a response. Man, 25 00:01:02,960 --> 00:01:05,080 Speaker 3: those ones sitting right in front of you on that table. 26 00:01:04,959 --> 00:01:06,280 Speaker 2: They were right in front of me. But it's not 27 00:01:06,319 --> 00:01:07,760 Speaker 2: my job to pick them up and bring them in. 28 00:01:07,800 --> 00:01:10,000 Speaker 5: Well, actually it is, but Pugs is such a great 29 00:01:10,040 --> 00:01:11,480 Speaker 5: guy he started doing it for us. 30 00:01:12,040 --> 00:01:16,400 Speaker 3: Fortunately, he's made a rod for his own back. So 31 00:01:16,440 --> 00:01:19,600 Speaker 3: the expectations have been seats, so he doesn't do it. 32 00:01:19,600 --> 00:01:21,319 Speaker 3: It's not like he gets credit now for doing it, 33 00:01:21,360 --> 00:01:23,199 Speaker 3: but if he doesn't do it, he loses credit. 34 00:01:24,160 --> 00:01:25,880 Speaker 2: And also there's the whole thing. I I don't want 35 00:01:25,920 --> 00:01:31,320 Speaker 2: to interrupt his flow, his routine, and I can imagine that, 36 00:01:31,360 --> 00:01:33,560 Speaker 2: you know, he goes to do the job and then 37 00:01:33,959 --> 00:01:36,399 Speaker 2: he finds that one of the peers are missing because 38 00:01:36,440 --> 00:01:40,240 Speaker 2: haughty Jay's taking some initiative and done it himself, and 39 00:01:40,280 --> 00:01:43,000 Speaker 2: he's like, oh, for fuck's sake, and then he's been 40 00:01:44,120 --> 00:01:46,840 Speaker 2: twenty minutes trying to find the missing headphones and that 41 00:01:46,920 --> 00:01:48,720 Speaker 2: ruins his entire day because he has a lot of 42 00:01:48,720 --> 00:01:49,200 Speaker 2: stuff to do. 43 00:01:49,320 --> 00:01:52,240 Speaker 1: Man, it takes quite a lot to ruin his routine. 44 00:01:52,280 --> 00:01:54,200 Speaker 2: Well, this is what surprised me because he's quite a 45 00:01:54,240 --> 00:01:57,600 Speaker 2: mild mannered chap, very very nice man. 46 00:01:57,640 --> 00:01:59,800 Speaker 3: I think it is real self as stones come through. 47 00:02:00,040 --> 00:02:01,280 Speaker 3: Actually is a moody. 48 00:02:01,080 --> 00:02:03,560 Speaker 2: Yeah, he had a swing at me. Mogie had a 49 00:02:03,600 --> 00:02:05,160 Speaker 2: swing with. 50 00:02:05,280 --> 00:02:09,160 Speaker 1: His first or his foot with his first Did he connect? 51 00:02:09,880 --> 00:02:11,200 Speaker 2: Nah, I'm too quick. 52 00:02:11,480 --> 00:02:12,400 Speaker 1: Oh you Bob and Weave? 53 00:02:12,480 --> 00:02:14,640 Speaker 2: Yeah, yeah, so. 54 00:02:14,760 --> 00:02:16,720 Speaker 3: You're Bob and Weaver or did you kneel and Bob. 55 00:02:16,880 --> 00:02:19,120 Speaker 2: I didn't move. He just was way off target. 56 00:02:20,680 --> 00:02:22,840 Speaker 1: So you didn't move at all, and he missed because he's. 57 00:02:22,760 --> 00:02:23,320 Speaker 2: Quite on co. 58 00:02:27,440 --> 00:02:27,920 Speaker 3: So good. 59 00:02:28,000 --> 00:02:30,040 Speaker 2: I'm looking at him in Studio B now and he's 60 00:02:30,200 --> 00:02:32,480 Speaker 2: not happy. He is not happy. 61 00:02:33,360 --> 00:02:35,120 Speaker 1: He's life cutting this for YouTube as well. 62 00:02:35,160 --> 00:02:39,760 Speaker 3: As I noticed he started chewing gum waited as a 63 00:02:39,760 --> 00:02:42,320 Speaker 3: way to get rid of the tension. Sure, it only 64 00:02:42,320 --> 00:02:44,320 Speaker 3: starts chewing gum just before we turn out. 65 00:02:44,400 --> 00:02:45,840 Speaker 5: Well, he was saying on Friday night when I was 66 00:02:45,880 --> 00:02:47,919 Speaker 5: at his house when he invited me in for a drink, 67 00:02:48,919 --> 00:02:50,520 Speaker 5: that he's going to become like a guy who's got 68 00:02:50,520 --> 00:02:52,840 Speaker 5: a thing and he couldn't decide between having a toothpeck 69 00:02:52,880 --> 00:02:54,320 Speaker 5: all the time or chewing gum. 70 00:02:54,440 --> 00:02:57,600 Speaker 3: I think toothpeck is good. Sylvester still owned that in 71 00:02:57,639 --> 00:03:00,840 Speaker 3: the movie Cobra. Oh actually I think his was a No. 72 00:03:00,880 --> 00:03:02,560 Speaker 3: I think it was a tooth, but not a match stick, 73 00:03:02,680 --> 00:03:04,640 Speaker 3: because that's another thing you can do a match stick 74 00:03:04,680 --> 00:03:05,320 Speaker 3: a match stick. 75 00:03:05,480 --> 00:03:09,120 Speaker 2: I would like to see pugsn take up chewing backy 76 00:03:10,280 --> 00:03:15,040 Speaker 2: chewing and have like a little bowl or a spatoon. 77 00:03:16,680 --> 00:03:18,880 Speaker 3: Or a pis ball end. 78 00:03:21,240 --> 00:03:24,840 Speaker 2: Yeah, you're going to need some heavy machinery for that. 79 00:03:25,000 --> 00:03:27,400 Speaker 1: You're going to need like a chattering. 80 00:03:29,400 --> 00:03:34,720 Speaker 3: Half put through a hoop? Yeah, yeah, so good. 81 00:03:35,000 --> 00:03:36,880 Speaker 1: How was filming last night, Jason? 82 00:03:36,280 --> 00:03:38,960 Speaker 3: Was it? Was it good? Yeah? It was. 83 00:03:39,360 --> 00:03:42,120 Speaker 2: It was one of those scenes where it was fucking 84 00:03:42,160 --> 00:03:44,160 Speaker 2: cold again winter? 85 00:03:44,320 --> 00:03:46,080 Speaker 3: Was it at night outside of winter? 86 00:03:46,280 --> 00:03:51,280 Speaker 2: Ridiculous? But it was one of those scenes where you went, okay, 87 00:03:51,440 --> 00:03:55,080 Speaker 2: oh yeah, this could be multiple setups. And so we're 88 00:03:55,160 --> 00:03:57,119 Speaker 2: all all of us that were involved in the sem. 89 00:03:58,440 --> 00:04:00,560 Speaker 3: How many people were involved? How many actors head lines? 90 00:04:01,720 --> 00:04:05,840 Speaker 2: Three people had lines and one person was lying down? 91 00:04:06,280 --> 00:04:07,760 Speaker 3: Lie down? Were they did? 92 00:04:07,960 --> 00:04:08,160 Speaker 2: Yes? 93 00:04:08,280 --> 00:04:11,160 Speaker 3: They sound like they were dead? Yes, spoiler alert? 94 00:04:12,560 --> 00:04:13,360 Speaker 1: What was your line? 95 00:04:13,400 --> 00:04:15,720 Speaker 3: I've had people hitting me up in my messages just 96 00:04:15,840 --> 00:04:17,520 Speaker 3: say and I just want to be clear because people 97 00:04:17,560 --> 00:04:19,120 Speaker 3: are dying to know what this says. I just want 98 00:04:19,160 --> 00:04:21,200 Speaker 3: to be very very clear that this is not Broken 99 00:04:21,200 --> 00:04:21,920 Speaker 3: Wood Mysteries. 100 00:04:22,120 --> 00:04:25,040 Speaker 5: No, absolutely, I want to be clear that this is 101 00:04:25,120 --> 00:04:26,600 Speaker 5: late night, big Breakfast, and it's back. 102 00:04:27,720 --> 00:04:28,240 Speaker 3: Sure is. 103 00:04:28,320 --> 00:04:32,320 Speaker 2: Men, three of us hadlines. Make you better. It had 104 00:04:32,360 --> 00:04:37,240 Speaker 2: the potential to be complicated, sure, but they directed did 105 00:04:37,240 --> 00:04:39,240 Speaker 2: a very good job and it wasn't great. And so 106 00:04:39,360 --> 00:04:42,039 Speaker 2: we only had three setups. It sounds like a three 107 00:04:42,040 --> 00:04:44,640 Speaker 2: set and the good thing was that mentally. 108 00:04:44,520 --> 00:04:46,880 Speaker 3: Two shot one single well. 109 00:04:46,680 --> 00:04:50,080 Speaker 2: Yeah, one why as well? One in that direction sort 110 00:04:50,120 --> 00:04:52,440 Speaker 2: of closer up, and then one focus the other way. 111 00:04:52,640 --> 00:04:55,200 Speaker 3: And was there two people in one of those other ways? Yes? 112 00:04:55,279 --> 00:04:55,760 Speaker 5: Yeah, yeah. 113 00:04:58,000 --> 00:04:58,679 Speaker 1: Isn't that interesting? 114 00:04:58,760 --> 00:05:02,200 Speaker 2: I think because so archologically and because it was so cold, 115 00:05:02,200 --> 00:05:03,960 Speaker 2: we're barred up for the fact that. 116 00:05:03,920 --> 00:05:06,320 Speaker 1: It could be go on a bit, what's a direction 117 00:05:06,440 --> 00:05:06,600 Speaker 1: going to? 118 00:05:06,720 --> 00:05:09,800 Speaker 2: So we were very stated when they went Okay, that's 119 00:05:09,800 --> 00:05:10,239 Speaker 2: the scene. 120 00:05:10,279 --> 00:05:12,400 Speaker 3: We were like, whoa, it's a treat. 121 00:05:12,880 --> 00:05:13,320 Speaker 2: Yeah it is. 122 00:05:13,360 --> 00:05:14,640 Speaker 3: It is a tree and you're far bit to go 123 00:05:14,720 --> 00:05:16,680 Speaker 3: in that way the amount of times that you've been 124 00:05:16,720 --> 00:05:19,320 Speaker 3: on there and you're like, fuck, I think we might 125 00:05:19,360 --> 00:05:21,760 Speaker 3: get out of here. Only today is looking really good 126 00:05:23,520 --> 00:05:24,040 Speaker 3: over time. 127 00:05:24,480 --> 00:05:25,159 Speaker 2: Fatal move. 128 00:05:25,240 --> 00:05:29,279 Speaker 3: God, it sucks. The whole Archy Big Show week days 129 00:05:29,320 --> 00:05:35,000 Speaker 3: from four on Radio Hurarchy. Remember the Warky Big Show podcast. 130 00:05:34,760 --> 00:05:37,400 Speaker 5: Just on the camera angles thing, the classic. Because I 131 00:05:37,480 --> 00:05:39,800 Speaker 5: obviously did like a sort of form of journalism, I guess, 132 00:05:39,839 --> 00:05:41,400 Speaker 5: and my old job but not really. But I'd be 133 00:05:41,440 --> 00:05:43,960 Speaker 5: involved with a lot of journalists and you'd go to 134 00:05:44,040 --> 00:05:46,039 Speaker 5: a media set up, right, so it'd be like Sean 135 00:05:46,120 --> 00:05:48,640 Speaker 5: Johnson's retiring, all the media comes down and then you 136 00:05:48,720 --> 00:05:51,480 Speaker 5: have people from like TVs News for example, they would 137 00:05:51,480 --> 00:05:55,720 Speaker 5: have two camera people, one to film Sean Johnson and 138 00:05:55,800 --> 00:05:59,360 Speaker 5: one to film the journalist nodding. They would have two 139 00:05:59,520 --> 00:06:02,320 Speaker 5: they'd have to generally you only have the one camera correct, 140 00:06:02,480 --> 00:06:04,880 Speaker 5: and then you would record the noddies later if the 141 00:06:05,000 --> 00:06:08,080 Speaker 5: call is noddy. So somebody says something, the journalist nods 142 00:06:08,120 --> 00:06:11,039 Speaker 5: is head yet interesting yes? 143 00:06:11,160 --> 00:06:13,920 Speaker 3: Or her head yes? And you just cut away to 144 00:06:13,960 --> 00:06:15,800 Speaker 3: that and it's all fake. That's a way I wouldn't 145 00:06:15,800 --> 00:06:16,920 Speaker 3: be playing that extra person. 146 00:06:17,000 --> 00:06:18,599 Speaker 5: But the reason they do it is because some of 147 00:06:18,600 --> 00:06:21,040 Speaker 5: the big dogs like to and they you'll see this 148 00:06:21,160 --> 00:06:24,760 Speaker 5: at media conferences. They'll interrupt someone halfway through their explanation 149 00:06:24,920 --> 00:06:27,120 Speaker 5: and to show that it was them that had the question, 150 00:06:27,440 --> 00:06:29,120 Speaker 5: so that if you want to use that reply, you 151 00:06:29,240 --> 00:06:32,080 Speaker 5: have to have the big dogs question in there as well. 152 00:06:32,240 --> 00:06:34,280 Speaker 5: So it'd be like Jace, you know you're retiring, mat, 153 00:06:34,320 --> 00:06:36,719 Speaker 5: how do you feel great? 154 00:06:38,400 --> 00:06:42,000 Speaker 3: Thanks? I'm retiring. I feel really good about it, CAZy. 155 00:06:42,040 --> 00:06:43,880 Speaker 3: I mean, obviously it's not something that I wanted to 156 00:06:43,920 --> 00:06:44,760 Speaker 3: do at this stage. 157 00:06:44,920 --> 00:06:46,400 Speaker 1: It's not something you wanted to do, So what made 158 00:06:46,440 --> 00:06:47,040 Speaker 1: you want to do it? 159 00:06:47,839 --> 00:06:50,039 Speaker 3: Look, I just haven't been playing you wanted to do 160 00:06:50,120 --> 00:06:50,720 Speaker 3: an example. 161 00:06:51,360 --> 00:06:56,320 Speaker 5: Yeah, you just kind of crushed it there, and they 162 00:06:56,320 --> 00:06:58,960 Speaker 5: will demand two cameras to get them asking that question, 163 00:06:59,080 --> 00:07:02,200 Speaker 5: to make sure the whole world knows that was their question. 164 00:07:02,320 --> 00:07:04,039 Speaker 5: We're an actual fact back at home, no one even 165 00:07:04,040 --> 00:07:04,760 Speaker 5: knows what gives a ship. 166 00:07:05,000 --> 00:07:08,880 Speaker 2: I was going to say, who gives a I don't 167 00:07:08,920 --> 00:07:11,560 Speaker 2: give a fuck if someone's nodding or not nodding, fuck you. 168 00:07:11,680 --> 00:07:14,760 Speaker 5: So my favorite thing back in the day was the 169 00:07:14,880 --> 00:07:17,440 Speaker 5: media set up starts. No, it wasn't that we're on YouTube. 170 00:07:17,480 --> 00:07:20,040 Speaker 5: Don't forget we're on YouTube. 171 00:07:20,920 --> 00:07:23,160 Speaker 1: But as soon as we're set up, that. 172 00:07:23,160 --> 00:07:25,320 Speaker 2: Was a good head bob. By the way, maybe. 173 00:07:25,000 --> 00:07:27,520 Speaker 5: There'd be certain big dog journalists, let's say, like you're 174 00:07:27,560 --> 00:07:28,400 Speaker 5: Andrew Saviles. 175 00:07:29,320 --> 00:07:32,080 Speaker 1: Yeah, they call them Jim Kay's and all that. 176 00:07:32,080 --> 00:07:34,760 Speaker 5: Back in the day, Jim and their whole stick was 177 00:07:34,880 --> 00:07:36,960 Speaker 5: I'm first, I'll ask five questions and then you guys 178 00:07:37,000 --> 00:07:39,520 Speaker 5: can eat. And so as soon the players, not even riddy, 179 00:07:39,680 --> 00:07:41,680 Speaker 5: everyone's half set up and I'm straight into it, how's 180 00:07:41,680 --> 00:07:45,360 Speaker 5: the mood? And camp every time the same question, just 181 00:07:45,400 --> 00:07:47,360 Speaker 5: to get the ball rolling. And then I got two questions, 182 00:07:47,400 --> 00:07:49,559 Speaker 5: and then I'd ask stupid ones because it was Craig 183 00:07:49,560 --> 00:07:51,080 Speaker 5: as well, and then we'd be out of there and 184 00:07:51,080 --> 00:07:53,680 Speaker 5: our thing was just to beat the big dogs so 185 00:07:53,760 --> 00:07:55,400 Speaker 5: that they don't get to start good ship. 186 00:07:55,480 --> 00:07:58,480 Speaker 3: Can how do we get onto that? 187 00:07:58,600 --> 00:08:02,760 Speaker 2: Oh yeah, angle, Yeah, because there's all that, there's all 188 00:08:02,760 --> 00:08:04,880 Speaker 2: the thing called crossing the line and all that sort 189 00:08:04,920 --> 00:08:07,000 Speaker 2: of stuff, which I still can't be bothered. 190 00:08:07,240 --> 00:08:09,320 Speaker 1: I understand it's hard to wrap your hit around. 191 00:08:09,400 --> 00:08:12,520 Speaker 3: Yes, you'll be on set and that. Even a DP 192 00:08:12,640 --> 00:08:13,440 Speaker 3: can be struggling with that. 193 00:08:13,680 --> 00:08:15,480 Speaker 5: So what's crossing the line. It's making sure that the 194 00:08:15,520 --> 00:08:18,760 Speaker 5: camera angles. It makes sense visually right looking at that's right. 195 00:08:18,960 --> 00:08:21,560 Speaker 3: So if there's two people in a conversation, it's so 196 00:08:21,600 --> 00:08:24,800 Speaker 3: you've got two cheers facing each other and the people 197 00:08:24,840 --> 00:08:27,720 Speaker 3: are having a conversation, you've got to make sure that 198 00:08:27,760 --> 00:08:30,200 Speaker 3: they're both looking to the right side of the cameras, 199 00:08:30,440 --> 00:08:32,720 Speaker 3: to the correct side of the game. That's right. Sometimes 200 00:08:32,720 --> 00:08:35,120 Speaker 3: if you if you've fucked up the line, it looks 201 00:08:35,160 --> 00:08:36,960 Speaker 3: like they're not looking at each other, they're looking at 202 00:08:36,960 --> 00:08:40,280 Speaker 3: opposite directions. Yeah, yes, it's always really funny. So what 203 00:08:40,320 --> 00:08:43,120 Speaker 3: that means is you just need to draw an imaginary 204 00:08:43,160 --> 00:08:45,880 Speaker 3: line down the room and you keep both of the 205 00:08:45,880 --> 00:08:49,280 Speaker 3: people on the same side of the line. Yeah right, okay, keasy, 206 00:08:49,600 --> 00:08:53,480 Speaker 3: right mate? Yeah, I mean I knew that it's good stuff. 207 00:08:53,920 --> 00:08:56,720 Speaker 3: That's interesting. It's interesting. 208 00:08:56,880 --> 00:08:59,120 Speaker 2: To answer your question, it was fine, it's good. It's 209 00:08:59,320 --> 00:09:00,920 Speaker 2: home earlier than I did the night. 210 00:09:01,679 --> 00:09:02,200 Speaker 3: That was nice. 211 00:09:02,240 --> 00:09:07,000 Speaker 2: And can I make a confession. This is going to 212 00:09:07,040 --> 00:09:09,840 Speaker 2: shock you fellers. You know what time I woke up today? 213 00:09:10,400 --> 00:09:14,040 Speaker 3: Eight thirty, no, eleven thirty. 214 00:09:13,920 --> 00:09:20,640 Speaker 2: None, ten thirty what? I fucking shit you not to 215 00:09:20,720 --> 00:09:26,440 Speaker 2: bed about coke to two holy ship, that's good? And 216 00:09:26,520 --> 00:09:28,560 Speaker 2: I and I was lying in bed and I thought 217 00:09:28,559 --> 00:09:30,240 Speaker 2: my wife was still there, and I sort of went in. 218 00:09:30,400 --> 00:09:38,680 Speaker 4: I was feeling pretty just around there, fondle did they 219 00:09:40,080 --> 00:09:42,960 Speaker 4: but anyway, and she wasn't there, and I thought, oh, 220 00:09:42,960 --> 00:09:43,839 Speaker 4: I thought she was still there. 221 00:09:43,840 --> 00:09:47,800 Speaker 2: And I snoozed. Can I phrase it that way? And 222 00:09:47,840 --> 00:09:52,120 Speaker 2: then woke up and it was a beautiful day, felling 223 00:09:52,160 --> 00:09:55,320 Speaker 2: it continues to be and it continues to be magnificent. 224 00:09:55,840 --> 00:09:57,959 Speaker 2: And looked at my clock. I looked at my phone 225 00:09:57,960 --> 00:10:03,439 Speaker 2: and went what I actually my cop first yes, still 226 00:10:03,480 --> 00:10:07,840 Speaker 2: got it, And then ten thirty I was like, what 227 00:10:07,920 --> 00:10:12,360 Speaker 2: the hell? So I immediately messaged my wife to say, 228 00:10:12,720 --> 00:10:15,520 Speaker 2: how's that coffee coming? Along love, but she was out 229 00:10:15,559 --> 00:10:16,520 Speaker 2: for a walk with the dog. 230 00:10:17,280 --> 00:10:19,520 Speaker 5: So when you message our group at eleven oh one 231 00:10:19,640 --> 00:10:21,679 Speaker 5: saying what a stunning day feels like spring, you were 232 00:10:21,720 --> 00:10:22,360 Speaker 5: not long out. 233 00:10:22,200 --> 00:10:25,400 Speaker 1: Of beard indeed, Man, yes, great, did you feel good? 234 00:10:25,520 --> 00:10:29,040 Speaker 2: I felt so good? And because it was such a 235 00:10:29,080 --> 00:10:32,520 Speaker 2: beautiful day, I was like, this is the bomb that. 236 00:10:34,240 --> 00:10:34,720 Speaker 3: It was good? 237 00:10:34,760 --> 00:10:37,120 Speaker 2: Actually, yeah, that was a good one. It was a 238 00:10:37,120 --> 00:10:37,600 Speaker 2: good one. 239 00:10:37,679 --> 00:10:40,280 Speaker 1: Oh that's good. That's really yeah. 240 00:10:40,440 --> 00:10:42,079 Speaker 2: Yeah, yeah, I'm just gonna. 241 00:10:42,000 --> 00:10:43,640 Speaker 3: On a day like that. You've had a good sleeper 242 00:10:43,640 --> 00:10:46,040 Speaker 3: and you've waken up, nobody's home. You make yourself a 243 00:10:46,040 --> 00:10:49,520 Speaker 3: little coffee, go outside a beautiful day, have a ciggie. 244 00:10:50,320 --> 00:10:50,920 Speaker 3: It's good eating. 245 00:10:50,920 --> 00:10:52,079 Speaker 2: It's just going to go and get a water. But 246 00:10:52,120 --> 00:10:55,000 Speaker 2: I've got to go through Studio B and fucking I 247 00:10:55,640 --> 00:10:57,040 Speaker 2: cross old again. 248 00:10:57,080 --> 00:10:59,040 Speaker 1: Do you think I should just wa I reckon, I'll 249 00:10:59,040 --> 00:10:59,920 Speaker 1: go get any game? 250 00:11:00,040 --> 00:11:00,240 Speaker 3: Yeah? 251 00:11:00,240 --> 00:11:01,360 Speaker 1: Thanks, because he is in. 252 00:11:02,480 --> 00:11:04,160 Speaker 5: Do we need like a hoo of a mood sting? 253 00:11:05,080 --> 00:11:08,000 Speaker 5: Whenever someone accuses someone of being a who of a mood, 254 00:11:08,120 --> 00:11:09,360 Speaker 5: it's like an alert or something. 255 00:11:09,480 --> 00:11:12,560 Speaker 3: Maybe maybe the problem is that you get accused most 256 00:11:12,600 --> 00:11:13,000 Speaker 3: of the time. 257 00:11:13,040 --> 00:11:14,199 Speaker 1: Yeah, like about three times a week. 258 00:11:14,320 --> 00:11:15,800 Speaker 3: Yeah, but you won't push the button. 259 00:11:15,920 --> 00:11:19,280 Speaker 1: No, here we go. 260 00:11:20,080 --> 00:11:22,679 Speaker 5: Follow, Listen whatever the Hurdarky Big Show, four or seven 261 00:11:22,800 --> 00:11:23,760 Speaker 5: every single. 262 00:11:23,480 --> 00:11:25,920 Speaker 1: Weekday on Radio Hurdarcky. It's so great.