1 00:00:02,000 --> 00:00:05,400 Speaker 1: It's been good movie watching weather Joe Danielson, isn't it? Yeah, 2 00:00:05,480 --> 00:00:07,760 Speaker 1: it really has. So you've been around to the Regents 3 00:00:07,880 --> 00:00:10,319 Speaker 1: once again to catch one of the most infamous love 4 00:00:10,400 --> 00:00:14,680 Speaker 1: stories of all time, Wuthering Heights. Yes, I have you 5 00:00:14,760 --> 00:00:17,119 Speaker 1: read the book? No, I'm not a big have you 6 00:00:17,120 --> 00:00:21,239 Speaker 1: seen any of the previous movies or TV shows? I 7 00:00:21,239 --> 00:00:23,479 Speaker 1: saw the trailer? Okay, that makes two of us because 8 00:00:23,520 --> 00:00:26,200 Speaker 1: I have no idea. This is how clueless I am. 9 00:00:26,239 --> 00:00:28,600 Speaker 1: The song that we're playing Kate Bush, which I understands 10 00:00:28,600 --> 00:00:31,040 Speaker 1: from the UK TV series. I always thought it said 11 00:00:31,360 --> 00:00:36,400 Speaker 1: it's me on caffeine, come home now, do be fair. 12 00:00:36,520 --> 00:00:39,519 Speaker 2: I haven't seen the TV series, so I might be 13 00:00:39,560 --> 00:00:40,440 Speaker 2: the words who. 14 00:00:40,280 --> 00:00:43,559 Speaker 1: Knows it's a good way to describe my mornings. So no, 15 00:00:43,680 --> 00:00:49,360 Speaker 1: what she's actually saying is Kathy, which is Katherine Earnshaw, 16 00:00:50,000 --> 00:00:53,520 Speaker 1: the character which is taken on by Margo Robbie. And this, yes, 17 00:00:53,560 --> 00:00:55,560 Speaker 1: give us a rundown on the story. Fill me in? 18 00:00:55,560 --> 00:00:56,120 Speaker 1: What's it about? 19 00:00:56,320 --> 00:00:59,240 Speaker 2: Uh? So, for those of you who haven't read the 20 00:00:59,280 --> 00:01:03,960 Speaker 2: book like myself have, Essentially, it's like a love story 21 00:01:04,120 --> 00:01:10,319 Speaker 2: between Kathy and Heathcliff. They grow up together, they drift apart, 22 00:01:10,480 --> 00:01:13,759 Speaker 2: but their love has just become so intoxicating that they 23 00:01:13,840 --> 00:01:14,560 Speaker 2: just can't. 24 00:01:14,319 --> 00:01:19,600 Speaker 1: Be intoxicating like Catheine. Yes, yes, David Vabel stress is 25 00:01:19,640 --> 00:01:22,840 Speaker 1: to note that he reckons it's more of a revenge story. 26 00:01:23,480 --> 00:01:27,800 Speaker 2: It seems like it like a part way near the end, 27 00:01:28,000 --> 00:01:32,000 Speaker 2: things sort of take a turn in the other direction 28 00:01:32,160 --> 00:01:34,640 Speaker 2: where it sort of goes from a nice love story 29 00:01:34,680 --> 00:01:37,200 Speaker 2: to ah, they're just taking digs at each other and. 30 00:01:37,200 --> 00:01:40,200 Speaker 1: Now sounds a bit like marriage forced up to be fair. 31 00:01:41,160 --> 00:01:44,119 Speaker 1: I wouldn't know. So Marga Robbie gets a promotion from 32 00:01:44,160 --> 00:01:47,320 Speaker 1: Barbie to human in this and then Jacob a Lordie 33 00:01:47,400 --> 00:01:52,280 Speaker 1: is Heathcliff. That's a, as you mentioned, famously intense relationship. 34 00:01:52,280 --> 00:01:54,280 Speaker 1: They're doing good job of capturing the chemistry. 35 00:01:53,960 --> 00:01:56,440 Speaker 2: There, they really do. It was said in a couple 36 00:01:56,480 --> 00:01:59,680 Speaker 2: of the interviews that they've done that they've just had 37 00:01:59,720 --> 00:02:03,520 Speaker 2: like amazing, amazing chemistry with each other. Wouldn't know the 38 00:02:03,560 --> 00:02:04,520 Speaker 2: reason behind it, but. 39 00:02:04,840 --> 00:02:07,400 Speaker 1: Yeah, right, they're both Aussies, so maybe that helps. Maybe 40 00:02:08,040 --> 00:02:11,960 Speaker 1: they can understand each other's extent the story. It's set 41 00:02:12,120 --> 00:02:14,280 Speaker 1: sort of the turn of the nineteenth century, So is 42 00:02:14,280 --> 00:02:19,040 Speaker 1: this full of like grand manners, big dresses? Oh, bridgeton vibes. 43 00:02:19,120 --> 00:02:21,680 Speaker 2: Sort of bridget and vibes. Yeah, yeah, I mean the 44 00:02:21,720 --> 00:02:23,919 Speaker 2: story starts off in like a little less of a 45 00:02:24,000 --> 00:02:27,720 Speaker 2: granger place, but then about thirty minutes and a nice, 46 00:02:27,840 --> 00:02:29,440 Speaker 2: bigger place comes in. 47 00:02:29,639 --> 00:02:32,680 Speaker 1: And is it markedly different from the book? Do you know? 48 00:02:34,240 --> 00:02:36,480 Speaker 2: I mean I wouldn't know, but I talked to my 49 00:02:36,520 --> 00:02:39,080 Speaker 2: mother who's watched it and read the books, and she 50 00:02:39,160 --> 00:02:42,840 Speaker 2: says they are quite similar. But of course the movie 51 00:02:42,880 --> 00:02:46,280 Speaker 2: does compact a lot into two hours. 52 00:02:46,800 --> 00:02:50,079 Speaker 1: They chop and change telescope things, but a creative direction. Yeah. 53 00:02:50,160 --> 00:02:51,960 Speaker 1: How many curtsies out of five would you give this? 54 00:02:53,200 --> 00:02:56,480 Speaker 2: For myself, I'll give it a three out of five, 55 00:02:56,840 --> 00:02:59,000 Speaker 2: But if you've read the book, I would highly recommend 56 00:02:59,000 --> 00:03:01,800 Speaker 2: watching it, so i'd give there are four out of five. 57 00:03:02,160 --> 00:03:05,680 Speaker 1: Ah, so based on a bit of the reconnaissance that 58 00:03:05,720 --> 00:03:07,640 Speaker 1: you've done here, Yeah, if you're a fan, you're going 59 00:03:07,680 --> 00:03:08,800 Speaker 1: to get a lot more out of it. 60 00:03:08,880 --> 00:03:09,520 Speaker 2: I feel like it. 61 00:03:09,600 --> 00:03:13,120 Speaker 1: Yeah, yeah, right, it's okay. Chairs for your take. Movie man, 62 00:03:13,160 --> 00:03:13,720 Speaker 1: have a fair boy,