1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack Team podcast 2 00:00:10,613 --> 00:00:11,893 Speaker 1: from News Talks at by. 3 00:00:33,853 --> 00:00:36,973 Speaker 2: A little adventure of a lifetime there Coldplay. Of course. 4 00:00:37,013 --> 00:00:42,013 Speaker 2: Coldplay kicked off their tour, their Sphears World tour on 5 00:00:42,173 --> 00:00:44,453 Speaker 2: Wednesday in Auckland, mack In the first time they've played 6 00:00:44,453 --> 00:00:47,333 Speaker 2: in New Zealand since twenty sixteen. That was eight years ago. 7 00:00:47,853 --> 00:00:50,613 Speaker 2: They performed again last night. They've got another show tonight. 8 00:00:51,093 --> 00:00:54,093 Speaker 2: These three shows have just been hugely popular at Eden Park. 9 00:00:54,173 --> 00:00:57,293 Speaker 2: They're playing to over crowds of over fifty seven thousand 10 00:00:57,293 --> 00:01:00,573 Speaker 2: every night. Music reviewer Estale Clifford was there last night. 11 00:01:00,613 --> 00:01:02,613 Speaker 2: It was her birthday, so she was celebrating. We're going 12 00:01:02,653 --> 00:01:04,693 Speaker 2: to find out whether it was the best birthday ever. 13 00:01:05,133 --> 00:01:07,853 Speaker 2: But our entertainment cars at this morning. Chris Schultz was 14 00:01:07,893 --> 00:01:10,333 Speaker 2: also there last night, and from the look on your face, 15 00:01:10,413 --> 00:01:14,613 Speaker 2: something tells me that you, unlike everybody else I've spoken to, 16 00:01:15,213 --> 00:01:16,493 Speaker 2: didn't enjoyed Coldplay. 17 00:01:16,613 --> 00:01:19,133 Speaker 3: Oh look, I don't want to rain on everyone's parade. 18 00:01:19,253 --> 00:01:21,693 Speaker 3: There's one hundred and sixty odd thousand people going to 19 00:01:21,733 --> 00:01:24,093 Speaker 3: these shows. I just found it a little bit like 20 00:01:24,173 --> 00:01:27,733 Speaker 3: a Hallmark greeting card come to life, mixed with like 21 00:01:27,773 --> 00:01:29,053 Speaker 3: a kid's TV show. 22 00:01:29,413 --> 00:01:32,453 Speaker 2: So I've always said Colplay never do a bad gig. 23 00:01:32,693 --> 00:01:35,293 Speaker 2: You know, they're so professional, they're so good at what 24 00:01:35,333 --> 00:01:38,733 Speaker 2: they do. They've got the fireworks, they've got the screens. 25 00:01:38,933 --> 00:01:41,853 Speaker 2: It's so entertaining. But you, I mean, I know that 26 00:01:41,893 --> 00:01:43,573 Speaker 2: you go to a lot of concerts. Did you just 27 00:01:43,573 --> 00:01:45,653 Speaker 2: feel it that we're going through the motions? 28 00:01:45,973 --> 00:01:48,533 Speaker 3: Yeah, this is the two hundred and seventieth show I 29 00:01:48,573 --> 00:01:51,013 Speaker 3: think on this tour. So yeah, it did feel a 30 00:01:51,093 --> 00:01:53,293 Speaker 3: little like it was just so well rehearsed. You know, 31 00:01:53,333 --> 00:01:56,613 Speaker 3: every time Chris Martin swoops his arms out, the armbands 32 00:01:57,133 --> 00:01:59,133 Speaker 3: change color and they light up or they go off, 33 00:01:59,133 --> 00:02:03,653 Speaker 3: and it just felt very rehearsed. Let's just put it 34 00:02:03,693 --> 00:02:03,933 Speaker 3: that way. 35 00:02:03,973 --> 00:02:06,293 Speaker 2: There we go. Let's move on to movies, which is 36 00:02:06,453 --> 00:02:08,093 Speaker 2: what you're here to do. Let's have a listen to 37 00:02:08,093 --> 00:02:09,733 Speaker 2: Gladiator too. 38 00:02:11,333 --> 00:02:18,533 Speaker 1: It is an art choosing gladiators. They're usually prisoners of war. 39 00:02:19,893 --> 00:02:21,013 Speaker 2: I own you now. 40 00:02:22,533 --> 00:02:27,213 Speaker 3: Rome has taken everything from me, but I will have 41 00:02:27,293 --> 00:02:28,053 Speaker 3: my vengeance. 42 00:02:31,213 --> 00:02:33,573 Speaker 2: Well, we've been waiting years for this number, haven't we 43 00:02:33,813 --> 00:02:38,133 Speaker 2: Twenty four years? It's back and it's I've got a 44 00:02:38,133 --> 00:02:40,013 Speaker 2: bit of a mix. I've got mixed thoughts on it. 45 00:02:40,133 --> 00:02:42,413 Speaker 2: You tell me what you thought about Ridley Scott's sent 46 00:02:42,493 --> 00:02:43,733 Speaker 2: you back into the world of Gladiator. 47 00:02:43,813 --> 00:02:47,213 Speaker 3: Ridley Scott is eighty six years old. He does not 48 00:02:47,333 --> 00:02:49,093 Speaker 3: have to be doing this, He doesn't need to be 49 00:02:49,133 --> 00:02:52,413 Speaker 3: making movies. This ver scirl, this falon. I mean, this 50 00:02:52,493 --> 00:02:57,973 Speaker 3: is a violent, uber violent film, right, Like hands and 51 00:02:58,013 --> 00:03:00,173 Speaker 3: heads are lopped off, swords are going in places where 52 00:03:00,213 --> 00:03:03,733 Speaker 3: they really shouldn't. I kind of enjoyed it. I liked 53 00:03:03,773 --> 00:03:07,013 Speaker 3: how they built up the suspense. You know, it's about 54 00:03:07,093 --> 00:03:13,613 Speaker 3: these fights, these these Colisseum battles. They have the political 55 00:03:13,653 --> 00:03:15,973 Speaker 3: stuff going on in the background, raising the stakes for 56 00:03:16,013 --> 00:03:18,253 Speaker 3: each of these fights. It's very much the first film, right, 57 00:03:18,253 --> 00:03:22,133 Speaker 3: It's the first film, completely remade with different actors and 58 00:03:22,173 --> 00:03:23,373 Speaker 3: a bit of Russell. 59 00:03:23,093 --> 00:03:25,173 Speaker 2: Crow and a new generation backstory. 60 00:03:25,253 --> 00:03:27,973 Speaker 3: Yeah, Paul wasn't Messkill is great. I think he's not 61 00:03:28,053 --> 00:03:32,613 Speaker 3: as like solid as Russell Crowe. He's a little more understated. 62 00:03:32,973 --> 00:03:37,213 Speaker 2: I have the gravitass as Russell Crowe for me. Yeah, well, look, 63 00:03:37,293 --> 00:03:39,013 Speaker 2: I completely agree with you. I thought it was great 64 00:03:39,013 --> 00:03:41,973 Speaker 2: production design. I think the decision, the expensive decision to 65 00:03:42,013 --> 00:03:46,173 Speaker 2: actually build the Colisseum and not UCGI worked brilliantly. I 66 00:03:46,253 --> 00:03:49,333 Speaker 2: thought it, you know, it looked convincing. I thought that 67 00:03:49,453 --> 00:03:54,933 Speaker 2: the action was shot brilliantly. It was, you know, hugely entertaining. 68 00:03:55,013 --> 00:03:57,773 Speaker 2: There was sort of plenty of camp craziness. But I 69 00:03:57,853 --> 00:03:59,973 Speaker 2: was a bit disappointed at how similar the plot was. 70 00:04:00,333 --> 00:04:03,493 Speaker 2: And I wasn't one hundred percent sure about Paul And 71 00:04:03,573 --> 00:04:07,453 Speaker 2: what about Denzil Washington and those sleeves. He has this 72 00:04:07,493 --> 00:04:10,093 Speaker 2: big costume with these massive sleeves and he cannot stop 73 00:04:10,133 --> 00:04:12,533 Speaker 2: playing with them, and I was just like, is he 74 00:04:12,613 --> 00:04:14,853 Speaker 2: trying to tell the costume designer that the costume isn't 75 00:04:14,893 --> 00:04:15,413 Speaker 2: working for him? 76 00:04:15,533 --> 00:04:18,093 Speaker 3: The costumes were awesome. I love the costume. I thought 77 00:04:18,133 --> 00:04:20,493 Speaker 3: Denzel Washington was great. You know, in a trailer he 78 00:04:20,533 --> 00:04:23,573 Speaker 3: looked really out of place and everyone was complaining about it. 79 00:04:23,653 --> 00:04:25,813 Speaker 3: And I think in the movie he actually steals the show. 80 00:04:26,053 --> 00:04:28,093 Speaker 3: I haven't seen him playing a role like that where 81 00:04:28,133 --> 00:04:31,973 Speaker 3: he's sort of this manipulative ladder climber, right, He's trying 82 00:04:31,973 --> 00:04:33,693 Speaker 3: to get to the top, and he's playing everyone off 83 00:04:33,693 --> 00:04:35,413 Speaker 3: against each other. I thought he was perfect, and he 84 00:04:35,493 --> 00:04:37,813 Speaker 3: uses his words beautifully. He delivers it a little bit 85 00:04:37,853 --> 00:04:40,933 Speaker 3: like like Shakespeare. His life very Shakespeare. 86 00:04:40,933 --> 00:04:42,173 Speaker 2: It really has fun with it. 87 00:04:42,333 --> 00:04:44,733 Speaker 3: You know what, I reckon. Ridley Scott had one scene 88 00:04:44,773 --> 00:04:47,253 Speaker 3: in mind when he first set out to make this movie, 89 00:04:47,293 --> 00:04:49,453 Speaker 3: and you know what, it's the middle scene. It's a 90 00:04:49,453 --> 00:04:51,813 Speaker 3: battle in the Colosseum. They filled it with water. They 91 00:04:51,813 --> 00:04:53,973 Speaker 3: bring out these two warships and they fight to the 92 00:04:54,053 --> 00:04:57,493 Speaker 3: death and there are sharks in the water. It's so 93 00:04:57,613 --> 00:05:00,373 Speaker 3: over the top. I don't know how historically accurate that is. 94 00:05:00,453 --> 00:05:03,093 Speaker 3: Did that ever happened? I don't know, but it looks incredible. 95 00:05:03,453 --> 00:05:05,253 Speaker 2: Yeah, no, no, I don't think we should be looking 96 00:05:05,253 --> 00:05:08,453 Speaker 2: for historical accuracy, but you should definitely go and see 97 00:05:08,453 --> 00:05:10,493 Speaker 2: it on the big screen. It is worth it. And 98 00:05:10,613 --> 00:05:14,773 Speaker 2: let's have her listen to my old ass. I thought 99 00:05:14,773 --> 00:05:19,173 Speaker 2: i'd be happier at forty. You are happy. You don't 100 00:05:19,213 --> 00:05:22,773 Speaker 2: look happy. I feel like you're having a midlife crisis. Well, 101 00:05:22,853 --> 00:05:24,893 Speaker 2: I feel like you're high on mushrooms. So you don't 102 00:05:24,933 --> 00:05:28,933 Speaker 2: know too, Elliott, No, not the whole lag. 103 00:05:29,133 --> 00:05:31,773 Speaker 1: May you experience a new level of consciousness to make 104 00:05:33,173 --> 00:05:34,853 Speaker 1: Oh my god, are you guys tripping? 105 00:05:37,013 --> 00:05:39,013 Speaker 2: I love an edgy coming of age story, and this 106 00:05:39,053 --> 00:05:41,533 Speaker 2: one is screening on Prime video and I'll watch anything 107 00:05:41,533 --> 00:05:42,573 Speaker 2: with Aubrey Plaza in it. 108 00:05:42,613 --> 00:05:45,173 Speaker 3: Oh, she's almost like a genre into herself, right, I'm 109 00:05:45,253 --> 00:05:47,373 Speaker 3: the last three Aubrey Plaza films I've seen are like 110 00:05:47,373 --> 00:05:51,333 Speaker 3: an awkward crime caper, an awkward Indie rom comm and 111 00:05:51,333 --> 00:05:54,213 Speaker 3: then like a Jason Statham action movie. But everything sort 112 00:05:54,253 --> 00:05:58,893 Speaker 3: of like bends towards her and those I haven't seen 113 00:05:58,893 --> 00:06:00,333 Speaker 3: that yet friends get no. 114 00:06:00,493 --> 00:06:02,293 Speaker 2: But that's a category all of its all. 115 00:06:03,413 --> 00:06:05,573 Speaker 3: I think she's great, She's actually not in this that much. 116 00:06:05,613 --> 00:06:08,613 Speaker 3: So this is a film about an eighteen year old 117 00:06:08,653 --> 00:06:11,693 Speaker 3: she's leaving her parents Cranberry farm. She's she's leaving her 118 00:06:11,733 --> 00:06:14,733 Speaker 3: small town life, and she's going off to university and 119 00:06:14,773 --> 00:06:16,653 Speaker 3: then she meets a boy. But in the meantime, she 120 00:06:16,733 --> 00:06:18,773 Speaker 3: goes into the woods, she takes mushrooms with her friends, 121 00:06:18,773 --> 00:06:21,453 Speaker 3: and her thirty nine year old older self shows up. 122 00:06:21,933 --> 00:06:24,373 Speaker 3: And so it's sort of that question of how much 123 00:06:24,413 --> 00:06:27,093 Speaker 3: do you want to know about what's coming and would 124 00:06:27,133 --> 00:06:29,973 Speaker 3: you change anything along the way. This actually got me 125 00:06:30,213 --> 00:06:33,893 Speaker 3: a little bit at It's very emotional. I it caught 126 00:06:33,893 --> 00:06:35,613 Speaker 3: me in a bit of a low moment in the day. 127 00:06:35,693 --> 00:06:37,573 Speaker 3: And look, I'm not going to confirm or deny whether 128 00:06:37,613 --> 00:06:40,973 Speaker 3: it was raining on my face, but it may have been. 129 00:06:41,053 --> 00:06:42,973 Speaker 2: As a parent of a teenager who was about to 130 00:06:43,013 --> 00:06:46,093 Speaker 2: leave home and you're trying to sort of you got 131 00:06:46,093 --> 00:06:48,133 Speaker 2: this moment where you're trying to sort of impress some 132 00:06:48,373 --> 00:06:51,813 Speaker 2: I don't know, just some life knowledge or wisdom on 133 00:06:51,813 --> 00:06:53,493 Speaker 2: them before they head off on their own. And they 134 00:06:53,653 --> 00:06:56,293 Speaker 2: really just in the car they've sat on the horse 135 00:06:56,333 --> 00:06:57,093 Speaker 2: near galloping off. 136 00:06:57,413 --> 00:06:57,653 Speaker 1: You know. 137 00:06:58,213 --> 00:07:00,053 Speaker 2: It kind of did speak to me a little bit. 138 00:07:00,293 --> 00:07:01,733 Speaker 2: I love the way they did this. I just thought 139 00:07:01,773 --> 00:07:03,493 Speaker 2: this was really quirky and a little bit different. 140 00:07:03,613 --> 00:07:06,853 Speaker 3: Mazy Stella, the lead actor is the camera loves her. 141 00:07:06,893 --> 00:07:08,813 Speaker 3: She's going to be a big Stara. I think she's 142 00:07:08,853 --> 00:07:10,733 Speaker 3: so good on us, and it's a real good platform 143 00:07:10,773 --> 00:07:11,973 Speaker 3: for her just to show off her talent. 144 00:07:12,373 --> 00:07:13,973 Speaker 2: I thought, I know that name, and I used to 145 00:07:13,973 --> 00:07:17,173 Speaker 2: watch that show Nashville, you know, the Country's Singing. She 146 00:07:17,293 --> 00:07:20,293 Speaker 2: was one of the kids. She's like this crazy talented kid, 147 00:07:20,373 --> 00:07:22,653 Speaker 2: you know, singer. She's a singer and a songwriter as 148 00:07:22,693 --> 00:07:25,093 Speaker 2: well as an actor. And she was one of the 149 00:07:25,133 --> 00:07:25,973 Speaker 2: kids in Nashville. 150 00:07:26,373 --> 00:07:28,133 Speaker 3: Yeah, okay, there we go. 151 00:07:28,653 --> 00:07:32,733 Speaker 2: Okay, all right, then brilliant two recommendations. They're Gladiator two, 152 00:07:32,773 --> 00:07:35,733 Speaker 2: which go to the cinemas and just watch it. It 153 00:07:35,853 --> 00:07:39,333 Speaker 2: is great entertainment and my old ass which you will 154 00:07:39,333 --> 00:07:42,213 Speaker 2: find on Prime Video. Hey, we were talking about the 155 00:07:42,293 --> 00:07:44,853 Speaker 2: rugby before and I meant to mention that, of course, 156 00:07:45,093 --> 00:07:48,133 Speaker 2: being the home of sport, the game will be live 157 00:07:48,213 --> 00:07:50,853 Speaker 2: here on News Talks. He'd be tomorrow morning at nine 158 00:07:51,013 --> 00:07:54,453 Speaker 2: ten a m. The All Blacks will be wearing white, 159 00:07:54,933 --> 00:07:57,533 Speaker 2: but Elliott Smith will have that live commentary for you 160 00:07:58,333 --> 00:08:02,373 Speaker 2: Sunday session. Won't be with you unfortunately tomorrow, but can't 161 00:08:02,373 --> 00:08:04,133 Speaker 2: wait to see how the rugby goes. 162 00:08:05,133 --> 00:08:08,213 Speaker 1: For more from Saturday Morning with Jack Tame, Listen live 163 00:08:08,333 --> 00:08:11,133 Speaker 1: to News Talks at b from nine am Saturday, or 164 00:08:11,213 --> 00:08:13,053 Speaker 1: follow the podcast on iHeartRadio