1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack Team podcast 2 00:00:10,573 --> 00:00:11,693 Speaker 1: from News Talk SEDB. 3 00:00:30,613 --> 00:00:34,093 Speaker 2: The song is called Cherry Pie. Cherry Pie. 4 00:00:34,133 --> 00:00:37,773 Speaker 3: That's by Phaser Days, whose real name is Amelia Murray, 5 00:00:37,973 --> 00:00:41,653 Speaker 3: and Phaser Days is nominated for the Tate Music Prize, 6 00:00:41,933 --> 00:00:45,493 Speaker 3: which is going to be announced on Tuesday. Her album 7 00:00:45,533 --> 00:00:49,133 Speaker 3: that is nominated is called Soft Power and it was 8 00:00:49,213 --> 00:00:52,693 Speaker 3: Rolling Stone's number one key we album of twenty twenty four. 9 00:00:52,853 --> 00:00:56,413 Speaker 3: Ain't no thing anyway, we're kind of getting into awards. 10 00:00:55,933 --> 00:00:57,533 Speaker 2: Mode this morning on News Talks. 11 00:00:57,533 --> 00:00:59,493 Speaker 3: He'd be because before ten o'clock we're talking about the 12 00:00:59,533 --> 00:01:03,133 Speaker 3: Outstanding Food Producer Awards, and then a little later in 13 00:01:03,173 --> 00:01:05,493 Speaker 3: the show we're going to look at the Tate Music Prize. 14 00:01:05,533 --> 00:01:08,173 Speaker 3: Who's likely to take out the top gong? This week 15 00:01:08,293 --> 00:01:09,973 Speaker 3: we're going to play some of the music that has 16 00:01:09,973 --> 00:01:11,053 Speaker 3: been nominated. 17 00:01:10,573 --> 00:01:12,813 Speaker 2: As well for the Tape Music Prize. So yeah, looking 18 00:01:12,813 --> 00:01:13,933 Speaker 2: forward to that right now. 19 00:01:13,973 --> 00:01:15,773 Speaker 3: Though it is twenty four to ten on New Stalks, 20 00:01:15,773 --> 00:01:17,893 Speaker 3: he'd be in our film review of Francesca Rudkin is 21 00:01:17,893 --> 00:01:19,013 Speaker 3: here with us this morning. 22 00:01:19,093 --> 00:01:20,973 Speaker 2: KIELDA good morning. 23 00:01:21,213 --> 00:01:25,493 Speaker 3: So a Minecraft movie for anyone who thinks that people 24 00:01:25,533 --> 00:01:28,733 Speaker 3: don't go to the movies anymore. Has just completely smashed 25 00:01:28,733 --> 00:01:30,573 Speaker 3: all the records this week, right, so you were telling 26 00:01:30,813 --> 00:01:32,733 Speaker 3: us about it last week. It's probably a movie that's 27 00:01:32,733 --> 00:01:34,493 Speaker 3: going to, you know, get the kids, rows of the excited. 28 00:01:34,493 --> 00:01:37,173 Speaker 3: It's not necessarily for all of us, but it has 29 00:01:37,213 --> 00:01:40,213 Speaker 3: broken all sorts of records. It's become the highest opening 30 00:01:40,373 --> 00:01:43,253 Speaker 3: video game movie of all time. It made three hundred 31 00:01:43,733 --> 00:01:46,853 Speaker 3: million US dollars and it's opening weekend, so more than 32 00:01:46,893 --> 00:01:49,093 Speaker 3: half a billion New Zealand dollars. 33 00:01:49,493 --> 00:01:50,213 Speaker 2: That's crazy. 34 00:01:50,373 --> 00:01:53,013 Speaker 3: It's crazy what a big business movie still are like. 35 00:01:53,093 --> 00:01:54,853 Speaker 2: That is extraordinary. 36 00:01:56,013 --> 00:01:58,693 Speaker 4: Yeah, no, it's awesome, and it's really great. I mean 37 00:01:58,693 --> 00:02:00,973 Speaker 4: we've heard we heard the cry talking about awards. We 38 00:02:01,093 --> 00:02:04,533 Speaker 4: heard the cry from filmmakers at the Oscars and various 39 00:02:04,573 --> 00:02:06,293 Speaker 4: other awards at the beginning of the year, going hey, 40 00:02:06,453 --> 00:02:08,973 Speaker 4: we make movies for the big screen. It is this 41 00:02:09,133 --> 00:02:11,973 Speaker 4: experience we had. But we've also seen it with Tina, 42 00:02:12,373 --> 00:02:15,213 Speaker 4: you know, which until Line Straft came along. And I'm 43 00:02:15,253 --> 00:02:17,533 Speaker 4: still talking to people who say to me, I went 44 00:02:17,573 --> 00:02:19,573 Speaker 4: to the movie. I went to the cinema and saw it, 45 00:02:19,653 --> 00:02:21,933 Speaker 4: and I laughed with everybody else, and I cried with 46 00:02:21,973 --> 00:02:24,933 Speaker 4: everybody else, And I get it. It's this communal we're 47 00:02:24,973 --> 00:02:27,733 Speaker 4: all in it together. You get something, it goes to 48 00:02:27,733 --> 00:02:30,013 Speaker 4: a whole other level when you share it with other people, 49 00:02:30,093 --> 00:02:32,293 Speaker 4: regardless of whether you know them or not. And that's 50 00:02:32,333 --> 00:02:34,613 Speaker 4: the wonderful thing about seeing a movie in a cinema. 51 00:02:34,733 --> 00:02:37,213 Speaker 2: Oh so good. All right, we have a couple of 52 00:02:37,213 --> 00:02:37,973 Speaker 2: options this week. 53 00:02:38,173 --> 00:02:40,253 Speaker 3: Only one of them is showing in cinema, So let's 54 00:02:40,253 --> 00:02:43,853 Speaker 3: start off with the one that is showing at home 55 00:02:43,893 --> 00:02:44,293 Speaker 3: this morning. 56 00:02:44,373 --> 00:02:49,453 Speaker 2: Let's have it listened to G twenty. Madam President, we 57 00:02:49,533 --> 00:02:55,853 Speaker 2: have a situation. I implore all world leaders to join me. 58 00:02:57,533 --> 00:03:03,613 Speaker 1: At the G twenty summit, the twenty most powerful world 59 00:03:03,733 --> 00:03:08,173 Speaker 1: leaders together going dark in three two. 60 00:03:08,853 --> 00:03:16,813 Speaker 3: Why Bam Bam star in Viola Davis and of course 61 00:03:16,933 --> 00:03:20,293 Speaker 3: Kee We star Anthonista tell us about G twenty. 62 00:03:21,653 --> 00:03:25,493 Speaker 4: So Viola Davis, who has won an Oscar, a Tony 63 00:03:25,533 --> 00:03:28,453 Speaker 4: and Emmy, Abafta, a Golden Globe, and a Grammy would 64 00:03:28,533 --> 00:03:31,653 Speaker 4: probably hate me making this comparison, but she's almost becoming 65 00:03:32,093 --> 00:03:36,693 Speaker 4: the female Liam Nixon of action films. She's fifteen, she's 66 00:03:36,733 --> 00:03:39,733 Speaker 4: fifty nine years old, and she is totally kicking butt 67 00:03:39,813 --> 00:03:42,853 Speaker 4: in this action for a G twenty screening on Prime 68 00:03:42,933 --> 00:03:45,773 Speaker 4: Video and you may remember the last film that she 69 00:03:45,893 --> 00:03:48,173 Speaker 4: kind of played in lead in was The Woman King, 70 00:03:48,213 --> 00:03:52,213 Speaker 4: which also another very sort of full on action fleck. 71 00:03:52,253 --> 00:03:56,093 Speaker 4: As well. She plays President Sutton, the President of the 72 00:03:56,213 --> 00:03:59,093 Speaker 4: United States. She also happens to be a former soldier. 73 00:04:00,133 --> 00:04:03,213 Speaker 4: She uses her brains and her brawn to overcome a 74 00:04:03,293 --> 00:04:06,693 Speaker 4: terrorist attack on a G twenty summit. Leading the attack 75 00:04:06,893 --> 00:04:13,093 Speaker 4: is the Boys Baddie Kiwi actor Anthony Starr, and he 76 00:04:13,293 --> 00:04:16,213 Speaker 4: plans to use deep fakes to convince the world that 77 00:04:16,293 --> 00:04:18,333 Speaker 4: all these leaders at the G twenty are going to 78 00:04:18,333 --> 00:04:21,453 Speaker 4: take control of some other countries finances and everybody must 79 00:04:21,493 --> 00:04:24,013 Speaker 4: turnto crypto and he's trying to collapse kind of the 80 00:04:24,053 --> 00:04:27,453 Speaker 4: world financial order. To be honest with you, this is 81 00:04:27,493 --> 00:04:29,733 Speaker 4: probably you know what. You just kind of let the 82 00:04:29,733 --> 00:04:33,493 Speaker 4: premise go. It's all quite lovely and ridiculous. I wouldn't 83 00:04:33,533 --> 00:04:36,333 Speaker 4: worry about it too much. It's all far fetched, but 84 00:04:36,373 --> 00:04:40,173 Speaker 4: it's really fun watching Davis and Stargo head to head. 85 00:04:40,573 --> 00:04:44,733 Speaker 4: As always, Anthony Starr is completely committed to his character. 86 00:04:44,853 --> 00:04:48,413 Speaker 4: He manages to bring a range of emotions to a 87 00:04:48,493 --> 00:04:52,653 Speaker 4: pretty simple villain role. He really is fabulous, and Davis 88 00:04:53,293 --> 00:04:56,173 Speaker 4: is much like she was in previous films we've seeing her. 89 00:04:56,253 --> 00:04:59,093 Speaker 4: She is very good at being you know, she has 90 00:04:59,133 --> 00:05:01,813 Speaker 4: a commanding present. She convinces us she's a leader, but 91 00:05:01,893 --> 00:05:06,293 Speaker 4: she's also a very good physical adversary. And these two 92 00:05:06,453 --> 00:05:08,653 Speaker 4: work really well together, and I think it's almost a 93 00:05:08,653 --> 00:05:11,893 Speaker 4: little bit of a slight waste of talent. There's a 94 00:05:11,933 --> 00:05:14,373 Speaker 4: couple of scenes where they kind of spar with each 95 00:05:14,413 --> 00:05:18,173 Speaker 4: other with words as opposed to action, and they're great together. 96 00:05:18,253 --> 00:05:20,893 Speaker 4: And I think they're both pretty intelligent actors and could 97 00:05:20,933 --> 00:05:22,453 Speaker 4: have handled a little bit more of that. But the 98 00:05:22,453 --> 00:05:24,413 Speaker 4: film is like, hey, we're going to keep this pacy, 99 00:05:24,613 --> 00:05:26,053 Speaker 4: We're going to keep this all about the action. We're 100 00:05:26,053 --> 00:05:28,013 Speaker 4: going to keep this moving along. So they haven't really 101 00:05:28,053 --> 00:05:30,533 Speaker 4: focused a huge amount on the script. So it's a 102 00:05:30,533 --> 00:05:31,653 Speaker 4: bit of a shame because I think the two of 103 00:05:31,733 --> 00:05:34,813 Speaker 4: them could have really sparked this, you know, spacked up 104 00:05:35,453 --> 00:05:38,773 Speaker 4: even further. And there's some quite fun, nice sort of 105 00:05:38,853 --> 00:05:42,493 Speaker 4: side performances here. Douglas Hodge plays a British PM who's 106 00:05:42,533 --> 00:05:44,573 Speaker 4: sort of a bit bumbling and quite funny, and there's 107 00:05:44,573 --> 00:05:47,093 Speaker 4: a couple of nice sort of side performances and things. 108 00:05:47,133 --> 00:05:50,093 Speaker 4: But look, this Sunday afternoon, if you need. If you're 109 00:05:50,093 --> 00:05:52,453 Speaker 4: having some couch time and you're looking for a little 110 00:05:52,453 --> 00:05:54,813 Speaker 4: bit of escapism, then you might want to try G twenty. 111 00:05:55,053 --> 00:05:57,453 Speaker 3: Yeah, okay, I mean it sounds a little bit ridiculous 112 00:05:57,453 --> 00:06:00,893 Speaker 3: before asked it is a little bit ridiculous. Yeah, yeah, 113 00:06:00,893 --> 00:06:02,973 Speaker 3: a little bit of escapism on a Sunday afternoon. 114 00:06:02,973 --> 00:06:04,613 Speaker 2: Now we're into that, Francisca. That's all right. 115 00:06:04,613 --> 00:06:07,293 Speaker 3: We're not too snobby if you are like something a 116 00:06:07,373 --> 00:06:10,493 Speaker 3: little bit different. Showing cinemas at the moment is a 117 00:06:10,493 --> 00:06:14,533 Speaker 3: film called Crossing, and this is. 118 00:06:14,533 --> 00:06:17,893 Speaker 4: A beautiful piece of world cinema. It's a Georgian Turkish drama. 119 00:06:18,173 --> 00:06:22,493 Speaker 4: It's by Levan Unkin, who directed And Then We Danced, 120 00:06:22,533 --> 00:06:25,933 Speaker 4: which maybe some people might be familiar with. It follows 121 00:06:25,973 --> 00:06:29,133 Speaker 4: a Georgian woman. She is a retired teacher. She is 122 00:06:29,933 --> 00:06:36,453 Speaker 4: a single, kind of slightly unhappy, quite grumpy, slightly stern woman. 123 00:06:36,653 --> 00:06:40,053 Speaker 4: And she has made a promise, She made a promise 124 00:06:40,053 --> 00:06:44,053 Speaker 4: to her dying sister that she would find her estranged 125 00:06:44,213 --> 00:06:47,253 Speaker 4: trans niece. And she goes off on this journey and 126 00:06:47,573 --> 00:06:52,413 Speaker 4: she gets someone says to her that Tecla has moved 127 00:06:52,413 --> 00:06:55,773 Speaker 4: to Istanbul, and so she heads off on this journey 128 00:06:55,773 --> 00:06:58,533 Speaker 4: to Istanbul. She's accompanied by a young man who is 129 00:06:58,693 --> 00:07:01,533 Speaker 4: also a little bit lost in life, but claims to 130 00:07:01,533 --> 00:07:03,813 Speaker 4: have an address for Tecler and the two of them 131 00:07:03,853 --> 00:07:06,253 Speaker 4: head off to Istanbul. They don't have a huge amount 132 00:07:06,253 --> 00:07:08,973 Speaker 4: of they kind of find themselves in the trans community 133 00:07:09,013 --> 00:07:12,533 Speaker 4: and they kind of meet some very welcoming people who 134 00:07:12,613 --> 00:07:14,173 Speaker 4: try and help them along the way. And at the 135 00:07:14,173 --> 00:07:17,493 Speaker 4: same time we're also introduced to this trans woman who 136 00:07:17,573 --> 00:07:19,853 Speaker 4: is a lawyer who works within this community as well, 137 00:07:19,893 --> 00:07:22,133 Speaker 4: and we almost led to believe the director almost says 138 00:07:22,173 --> 00:07:24,693 Speaker 4: this really that maybe this is techler, but it's not. 139 00:07:24,813 --> 00:07:27,133 Speaker 4: But they come together and help each other along the way. 140 00:07:27,733 --> 00:07:30,693 Speaker 4: But this obviously the film is called Crossing. It is 141 00:07:30,733 --> 00:07:33,493 Speaker 4: a film about crossings and transitions, but more mental and 142 00:07:33,533 --> 00:07:36,653 Speaker 4: emotional than physical ones. This is a story about, you know, 143 00:07:36,693 --> 00:07:40,293 Speaker 4: a woman having a change of heart. And also, I 144 00:07:40,333 --> 00:07:43,013 Speaker 4: think in this film there's the realization that maybe this 145 00:07:43,213 --> 00:07:46,453 Speaker 4: young woman, Tecla, doesn't need to be found, doesn't need 146 00:07:46,493 --> 00:07:51,613 Speaker 4: to be saved. It's more about this retired teacher doing 147 00:07:51,613 --> 00:07:56,413 Speaker 4: what she needs to do for herself and to kind of, 148 00:07:57,093 --> 00:07:59,853 Speaker 4: you know, find some redemption and things there. So look, 149 00:07:59,933 --> 00:08:03,813 Speaker 4: it's a beautifully moving film superbly acted. And what I 150 00:08:03,853 --> 00:08:06,173 Speaker 4: love about this film is that they don't wrap everything 151 00:08:06,213 --> 00:08:09,813 Speaker 4: up and a nice both for you, because life is messy, Jack, 152 00:08:10,013 --> 00:08:12,253 Speaker 4: and this film kind of celebrates that. 153 00:08:12,973 --> 00:08:14,573 Speaker 2: And what we love about you is that you bring 154 00:08:14,653 --> 00:08:15,493 Speaker 2: us a range of films. 155 00:08:15,533 --> 00:08:17,253 Speaker 4: Friendchessa something for everybody. 156 00:08:17,533 --> 00:08:20,813 Speaker 3: G twenty two, Crossing, Yeah, very good at George and 157 00:08:20,893 --> 00:08:24,453 Speaker 3: Turkish Crossover. Hey, thank you so much for that, really 158 00:08:24,453 --> 00:08:25,933 Speaker 3: appreciate it. We're going to make sure both of those 159 00:08:25,973 --> 00:08:27,493 Speaker 3: films all the details are where you can see them 160 00:08:27,533 --> 00:08:30,053 Speaker 3: are up and available on the News Talk Z'B website. 161 00:08:30,133 --> 00:08:34,013 Speaker 3: So G twenty is screening on Prime Video. Crossing is 162 00:08:34,173 --> 00:08:35,893 Speaker 3: in select cinemas now. 163 00:08:36,613 --> 00:08:39,733 Speaker 1: For more from Saturday Morning with Jack Tame, listen live 164 00:08:39,813 --> 00:08:43,013 Speaker 1: to News talks 'B from nine am Saturday, or follow 165 00:08:43,053 --> 00:08:44,613 Speaker 1: the podcast on iHeartRadio