1 00:00:00,120 --> 00:00:02,200 Speaker 1: You've been along to the Regent Cinema as you do 2 00:00:02,279 --> 00:00:05,000 Speaker 1: so well, catching the biggest movie of the year so far, 3 00:00:05,160 --> 00:00:08,039 Speaker 1: Project Hail Mary. Yes, what's this one. 4 00:00:07,880 --> 00:00:11,799 Speaker 2: About Ryan Gosling? That's all you need to know. No, 5 00:00:13,880 --> 00:00:17,880 Speaker 2: Ryan Gosling goes of space to save the Earth from dying, 6 00:00:20,040 --> 00:00:22,320 Speaker 2: makes a rock friend along the way. 7 00:00:23,960 --> 00:00:26,880 Speaker 1: As you do Alien. Yeah, so he kind of wakes 8 00:00:26,960 --> 00:00:30,120 Speaker 1: up on the space ship from a coma and struggles 9 00:00:30,160 --> 00:00:32,199 Speaker 1: to remember what he's doing there, and eventually it sort 10 00:00:32,200 --> 00:00:34,240 Speaker 1: of makes sense. I saw a story on seven Sharp 11 00:00:34,280 --> 00:00:37,239 Speaker 1: the other night about this. Apparently it's drawn from an 12 00:00:37,400 --> 00:00:39,239 Speaker 1: Andy Weir novel, so it's another. 13 00:00:39,120 --> 00:00:41,040 Speaker 2: Book to another book based on movie. 14 00:00:42,440 --> 00:00:45,279 Speaker 1: Project. He's the guy that wrote The Martian, which ended 15 00:00:45,320 --> 00:00:47,880 Speaker 1: up being a Ridley Scott movie with Matt Domon. Yes, 16 00:00:48,240 --> 00:00:50,040 Speaker 1: and that's just got a couple of Oscar nods. So 17 00:00:50,080 --> 00:00:54,600 Speaker 1: there's yeah, absolutely similar sort of feeling to this. 18 00:00:54,840 --> 00:00:58,760 Speaker 2: Yeah, it's it's a space adventure, less like Star Trek 19 00:00:59,400 --> 00:01:03,520 Speaker 2: like more or takes homage from the Martian based thing 20 00:01:03,800 --> 00:01:06,880 Speaker 2: where it's sort of set in one specific area rather 21 00:01:06,959 --> 00:01:10,759 Speaker 2: than ah so dancing from planet to planet sort of thing. 22 00:01:10,920 --> 00:01:12,680 Speaker 1: Yeah, it's all sort to contained within the ship. 23 00:01:12,840 --> 00:01:13,479 Speaker 2: Yeah, yeah. 24 00:01:13,600 --> 00:01:16,399 Speaker 1: Essentially directed by Phil Laud and Christopher Miller, who have 25 00:01:16,400 --> 00:01:19,119 Speaker 1: worked together on twenty one Jump Street in the Lego movie, 26 00:01:19,160 --> 00:01:21,360 Speaker 1: So that seems like it seems like a change of 27 00:01:21,360 --> 00:01:24,120 Speaker 1: pace for them and also for Ryan Gosling when we 28 00:01:24,160 --> 00:01:26,199 Speaker 1: think his last big projects was the Barbie movie. 29 00:01:26,280 --> 00:01:29,560 Speaker 2: Yeah, yeah, definitely, this one is one of his most 30 00:01:29,600 --> 00:01:31,840 Speaker 2: grounded performances I've seen in quite a wee. 31 00:01:31,840 --> 00:01:36,120 Speaker 1: While I'd say, yeah, gotcha, you mentioned Rocky Who's the 32 00:01:36,600 --> 00:01:39,720 Speaker 1: alien again on severn chart the other night. Despite living 33 00:01:39,760 --> 00:01:44,120 Speaker 1: in the CGI computerized age that we are, Rocky apparently 34 00:01:44,200 --> 00:01:46,360 Speaker 1: was mainly done using old school puppetry. 35 00:01:46,480 --> 00:01:46,920 Speaker 2: Puppetry. 36 00:01:47,000 --> 00:01:50,600 Speaker 1: There were dudes with sticks and materials like paper mashe whatnot. 37 00:01:51,320 --> 00:01:54,840 Speaker 2: It's quite good because, like CGI is great in everything, 38 00:01:55,160 --> 00:01:58,560 Speaker 2: but to a certain extent, it does look very fake, 39 00:01:58,720 --> 00:02:02,880 Speaker 2: which can be a bit of like a fourth wall 40 00:02:02,920 --> 00:02:08,200 Speaker 2: break for the audience. But pupetry it also helps the 41 00:02:08,240 --> 00:02:11,040 Speaker 2: actor see where they need to act towards. 42 00:02:11,639 --> 00:02:13,600 Speaker 1: Well, Rocky's right there playing out in front of him. 43 00:02:13,680 --> 00:02:17,320 Speaker 2: Yeah, not just a tennis ball on a stick, that's right. 44 00:02:18,280 --> 00:02:20,800 Speaker 1: So is this how would you have sort of described 45 00:02:20,800 --> 00:02:23,240 Speaker 1: this movie? 46 00:02:24,200 --> 00:02:27,320 Speaker 2: Oh? As I said before, quite grounded? I would say 47 00:02:27,360 --> 00:02:31,040 Speaker 2: from Ryan Gosling's end, but it's got a few laughs 48 00:02:31,040 --> 00:02:34,480 Speaker 2: in there, mainly from Rocky Okay, so it. 49 00:02:34,280 --> 00:02:36,639 Speaker 1: Breaks up the sort of heavy nature of things. 50 00:02:36,840 --> 00:02:44,600 Speaker 2: Yeah, yeah, breaks up the heavy nature. But I'm utterly speechless, honestly. Yeah, right, 51 00:02:45,160 --> 00:02:48,360 Speaker 2: I quite I really like this movie, expecting not to, 52 00:02:49,480 --> 00:02:55,360 Speaker 2: but no, it's yeah, lag of words. 53 00:02:56,120 --> 00:02:58,200 Speaker 1: The graphics quite stunning. 54 00:02:58,400 --> 00:02:59,280 Speaker 2: It's quite good. 55 00:02:59,360 --> 00:02:59,760 Speaker 1: Yeah. Yeah. 56 00:02:59,800 --> 00:03:03,760 Speaker 2: Yeah. There's this one scene where they sort of go 57 00:03:03,880 --> 00:03:07,720 Speaker 2: to are we planet there and that just looks absolutely amazing. 58 00:03:08,600 --> 00:03:10,320 Speaker 1: Really, so they're taking a detour on the way to 59 00:03:10,360 --> 00:03:12,640 Speaker 1: the Sun sort. 60 00:03:12,400 --> 00:03:15,440 Speaker 2: Of they go to a planet where it's not being affected. 61 00:03:16,280 --> 00:03:19,000 Speaker 1: I love this. Oh god cha, I love this out 62 00:03:19,000 --> 00:03:22,680 Speaker 1: of world stuff. What was the one with Matthew McConaughey 63 00:03:22,680 --> 00:03:25,720 Speaker 1: Interstellar that was a mind bender? Is this a mind bender? 64 00:03:25,760 --> 00:03:26,359 Speaker 1: In that sceense? 65 00:03:26,600 --> 00:03:30,040 Speaker 2: A little bit? Yeah, Because there's a problem that Earth faces, 66 00:03:30,360 --> 00:03:33,400 Speaker 2: they ship Ryan Gosling out into space to see if 67 00:03:33,400 --> 00:03:38,920 Speaker 2: he can fix it. But yeah, it's it's very much 68 00:03:38,960 --> 00:03:39,640 Speaker 2: out of this world. 69 00:03:40,800 --> 00:03:43,520 Speaker 1: I like to think that it will have a happy ending, 70 00:03:43,560 --> 00:03:45,400 Speaker 1: but I'm not going to ask because I feel like 71 00:03:45,440 --> 00:03:48,560 Speaker 1: that would be a spoiler. Which case, how many after 72 00:03:48,600 --> 00:03:49,680 Speaker 1: burners out of five. 73 00:03:50,840 --> 00:03:52,240 Speaker 2: I would give it a four and a half. 74 00:03:52,520 --> 00:03:55,240 Speaker 1: Wow, all right, that explains what it's carving up at 75 00:03:55,240 --> 00:03:57,360 Speaker 1: the box office. Then absolutely it's all good. 76 00:03:57,560 --> 00:03:59,520 Speaker 2: Yeah, quite good, quite good. 77 00:04:00,160 --> 00:04:04,400 Speaker 1: Is one into the school holidays, Yeah, that's coming up quickly. 78 00:04:04,400 --> 00:04:07,200 Speaker 1: In that you can find the full list of times 79 00:04:07,200 --> 00:04:08,760 Speaker 1: at Regent Cinema, dot Kur dot m Z