1 00:00:00,280 --> 00:00:03,240 Speaker 1: It is several minutes past. Say well, Jeremy Piven is 2 00:00:03,279 --> 00:00:05,200 Speaker 1: a couple of different things to most of us. For 3 00:00:05,240 --> 00:00:07,680 Speaker 1: some he's our gold of course from Entourage, or if 4 00:00:07,680 --> 00:00:10,040 Speaker 1: you like me, he was the star of Mister Selfridge. 5 00:00:10,039 --> 00:00:13,800 Speaker 1: More recently we got the wilder release coming of the Performance, 6 00:00:13,800 --> 00:00:16,200 Speaker 1: which is quite the movie. Now that isn't enough that dimension. 7 00:00:16,239 --> 00:00:17,799 Speaker 1: He's funny, he does stand up, and he's on his 8 00:00:17,840 --> 00:00:19,960 Speaker 1: way here anyway, Jeremy Piven is with us. 9 00:00:20,040 --> 00:00:23,840 Speaker 2: Very good morning, good morning. Good look, you. 10 00:00:23,840 --> 00:00:26,400 Speaker 1: Look like you're in pain for a start, So what's 11 00:00:26,400 --> 00:00:29,480 Speaker 1: happening here? Like you're holding your head? The interview's barely 12 00:00:29,520 --> 00:00:30,600 Speaker 1: begun for goodness sake. 13 00:00:31,480 --> 00:00:36,640 Speaker 3: Yeah, no, listen, I you know what I'm hoping is 14 00:00:36,840 --> 00:00:41,240 Speaker 3: you ask me what can we expect from you when 15 00:00:41,280 --> 00:00:44,720 Speaker 3: you come to do stand up comedy? Right, that's the question. 16 00:00:45,320 --> 00:00:48,919 Speaker 3: I'm just at. My life will be peeking. 17 00:00:49,360 --> 00:00:49,720 Speaker 2: Okay. 18 00:00:49,920 --> 00:00:52,720 Speaker 3: If I can explain why I'm funny to you, I 19 00:00:52,800 --> 00:00:57,200 Speaker 3: will literally my pleasure glad will be exploded. 20 00:00:57,360 --> 00:00:59,560 Speaker 1: Okay, Listen, what I do, because I've been in this 21 00:00:59,600 --> 00:01:01,560 Speaker 1: game of very long time. What I do is I 22 00:01:02,320 --> 00:01:04,160 Speaker 1: build up to that because I don't want. 23 00:01:04,040 --> 00:01:06,199 Speaker 3: To build up to it. Oh yeah, let me explode together. 24 00:01:06,280 --> 00:01:07,240 Speaker 2: Yeah, we explode together. 25 00:01:07,240 --> 00:01:08,399 Speaker 1: You don't want to you don't want to do this 26 00:01:08,760 --> 00:01:11,919 Speaker 1: in minute number one because by a minute twelve to thirteen, 27 00:01:11,959 --> 00:01:13,800 Speaker 1: and to be so boring, it's just like, you know. 28 00:01:15,800 --> 00:01:18,040 Speaker 3: Well I need yes. Absolutely. 29 00:01:19,560 --> 00:01:19,800 Speaker 2: Now. 30 00:01:20,200 --> 00:01:22,119 Speaker 1: Now let me ask you a couple of questions. First 31 00:01:22,160 --> 00:01:25,520 Speaker 1: of all, I read I don't know this to be true, 32 00:01:25,640 --> 00:01:28,559 Speaker 1: but I read you live in Malibu. If that's true. One, 33 00:01:28,680 --> 00:01:30,120 Speaker 1: were you affected by the fires? 34 00:01:30,440 --> 00:01:32,920 Speaker 2: Two? If even if you weren't, what's been the rebuild? 35 00:01:35,360 --> 00:01:38,399 Speaker 3: I no longer live in Malibu. There is no rebuild. 36 00:01:38,600 --> 00:01:44,280 Speaker 3: It's it's all just sitting there. We we had a 37 00:01:44,280 --> 00:01:48,080 Speaker 3: fire captain whose priority was diversity. I thought it would 38 00:01:48,080 --> 00:01:51,920 Speaker 3: be water. You know she didn't. She did a great job. 39 00:01:52,960 --> 00:01:58,120 Speaker 3: We're we're scrambling, my man, We're scrambling. It's tragic. These 40 00:01:58,160 --> 00:02:03,360 Speaker 3: people have all been displaced in the Palisades. I I'm 41 00:02:03,440 --> 00:02:07,640 Speaker 3: up in the hills and got very lucky. The windside 42 00:02:07,680 --> 00:02:11,600 Speaker 3: down and the helicopters sprayed some water and we got 43 00:02:11,720 --> 00:02:15,320 Speaker 3: very lucky out here. But it's tragic, and you know, 44 00:02:16,160 --> 00:02:17,760 Speaker 3: you know, all of us can say you got to 45 00:02:17,800 --> 00:02:20,360 Speaker 3: do better, but I don't know what it's like to 46 00:02:20,880 --> 00:02:25,840 Speaker 3: have a reservoir where there's no water. Listen, I am 47 00:02:25,840 --> 00:02:28,320 Speaker 3: to be honest with you. I unpacked a lot of 48 00:02:28,320 --> 00:02:34,440 Speaker 3: this in my stand up because it's frustrating. And yet 49 00:02:34,760 --> 00:02:38,840 Speaker 3: we we all need to come together and laugh, you know, 50 00:02:38,960 --> 00:02:43,240 Speaker 3: because we've we've everyone's been through it. Man, We're we're all, 51 00:02:43,360 --> 00:02:47,679 Speaker 3: you know, very confused about life, and so what better 52 00:02:47,720 --> 00:02:49,600 Speaker 3: way to all get together and have a good laugh. 53 00:02:49,919 --> 00:02:52,720 Speaker 1: That is true sickond question. I answered, well, because it's 54 00:02:52,800 --> 00:02:55,440 Speaker 1: it's interesting the news cycle. Even here in New Zealand. 55 00:02:55,960 --> 00:02:58,880 Speaker 1: We were absorbed by what was going on in in 56 00:02:59,000 --> 00:03:00,400 Speaker 1: the Palisades and the hills and all that sort of 57 00:03:00,440 --> 00:03:03,120 Speaker 1: stuff for a period of time. Then suddenly, not knowing kids, 58 00:03:03,120 --> 00:03:05,560 Speaker 1: we've all moved on. But I'm assuming there's a lot 59 00:03:05,639 --> 00:03:08,440 Speaker 1: of people who are still suffering, still looking for insurance, 60 00:03:08,440 --> 00:03:09,440 Speaker 1: still trying to rebuild. 61 00:03:09,600 --> 00:03:09,840 Speaker 2: Still. 62 00:03:10,080 --> 00:03:12,240 Speaker 3: I think the reason why you're not hearing about it. 63 00:03:12,440 --> 00:03:16,480 Speaker 3: And this is a much longer conversation, but uh, you know, 64 00:03:16,639 --> 00:03:19,760 Speaker 3: the media is a is a is a funny, fickled beast, 65 00:03:19,960 --> 00:03:22,639 Speaker 3: and there's a twenty four hour news cycle that you're 66 00:03:22,919 --> 00:03:26,720 Speaker 3: you know, well aware of, and you know you do 67 00:03:27,080 --> 00:03:29,520 Speaker 3: get to see some guys who are out there who 68 00:03:29,520 --> 00:03:34,559 Speaker 3: are thrown some drones up and nothing's been touched whatsoever. 69 00:03:35,200 --> 00:03:39,600 Speaker 3: In Malibu, for instance, nothing has been done, and something 70 00:03:39,680 --> 00:03:44,400 Speaker 3: needs to be done. We you know, we're these people. 71 00:03:44,840 --> 00:03:46,920 Speaker 3: You know, they want to get back in at some points. 72 00:03:47,760 --> 00:03:50,240 Speaker 3: We all pay a lot in taxes, so we're curious 73 00:03:50,280 --> 00:03:50,960 Speaker 3: what's happening. 74 00:03:51,240 --> 00:03:55,880 Speaker 1: Yeah, exactly, dubbed tiling in, but slightly separate the strike 75 00:03:55,920 --> 00:03:59,400 Speaker 1: of Hollywood. I read the industry has never comeback. So 76 00:03:59,400 --> 00:04:01,600 Speaker 1: in other words, they've got what they wanted. AI's coming, 77 00:04:01,640 --> 00:04:04,160 Speaker 1: pay me some more money, but then people got laid off. 78 00:04:04,200 --> 00:04:06,360 Speaker 1: The number of productions made these days, there's nothing like 79 00:04:06,400 --> 00:04:08,960 Speaker 1: it used to be. Hollywood's in trouble. The work drives up, 80 00:04:09,280 --> 00:04:11,920 Speaker 1: Is that true? 81 00:04:12,200 --> 00:04:15,720 Speaker 3: You know there's so many different variables that go into 82 00:04:15,760 --> 00:04:19,919 Speaker 3: all this. I can't tell what has led to what, 83 00:04:20,560 --> 00:04:23,680 Speaker 3: you know what I mean, it's my job. I just 84 00:04:23,720 --> 00:04:29,320 Speaker 3: finished the movie in the UK called Past Lives, and 85 00:04:30,120 --> 00:04:32,920 Speaker 3: I've been on the road doing stand up and it's 86 00:04:32,960 --> 00:04:35,839 Speaker 3: my job right now just to kind of run around 87 00:04:35,880 --> 00:04:38,599 Speaker 3: and get up on stage and interact with people and 88 00:04:38,600 --> 00:04:42,040 Speaker 3: have a great time and make people laugh and set up. 89 00:04:42,040 --> 00:04:45,240 Speaker 3: Comedy has never been more popular, I think because of 90 00:04:45,279 --> 00:04:48,200 Speaker 3: all the frustrations that that we're unpacking here. 91 00:04:48,839 --> 00:04:51,800 Speaker 1: If I watched Mister Selfridge, which I did, by the way, 92 00:04:51,880 --> 00:04:54,520 Speaker 1: and I thought that was the greatest show, it was just. 93 00:04:54,839 --> 00:04:56,960 Speaker 2: I take it. It was a hit. It seemed like 94 00:04:57,000 --> 00:04:58,000 Speaker 2: a hit to me, was it. 95 00:05:00,000 --> 00:05:02,320 Speaker 3: Well, I'll put it to put it in this perspective, 96 00:05:04,360 --> 00:05:06,560 Speaker 3: we sold We sold that show to one hundred and 97 00:05:06,600 --> 00:05:07,600 Speaker 3: sixty five countries. 98 00:05:07,680 --> 00:05:08,080 Speaker 2: Wow. 99 00:05:08,360 --> 00:05:12,120 Speaker 3: And yeah, and that's more than Entourage. Now in the States, 100 00:05:12,360 --> 00:05:15,760 Speaker 3: no one's seen it because it was on PBS and 101 00:05:15,800 --> 00:05:19,640 Speaker 3: they're incredible. I watched PBS, but it's it's it's funded 102 00:05:19,680 --> 00:05:22,920 Speaker 3: by the public, so they get annually about eleven dollars 103 00:05:23,320 --> 00:05:26,520 Speaker 3: to play with and to kind of disperse it evenly 104 00:05:26,560 --> 00:05:31,080 Speaker 3: amongst you know, all the billboards. I mean, it was 105 00:05:31,160 --> 00:05:34,080 Speaker 3: a it was a rude awakening for me. I was like, 106 00:05:34,120 --> 00:05:36,360 Speaker 3: I got this show, guys, let's go. And they're like, 107 00:05:36,680 --> 00:05:39,880 Speaker 3: we don't have any money. We don't have any money. Oh, 108 00:05:39,960 --> 00:05:43,919 Speaker 3: no money, seriously, And and so the show in the 109 00:05:43,960 --> 00:05:46,520 Speaker 3: States went under the radar. Listen, there are people of 110 00:05:46,560 --> 00:05:49,800 Speaker 3: certain demographics that watch PBS that love the show. In 111 00:05:49,839 --> 00:05:52,400 Speaker 3: the UK it was huge, and Ireland it was huge. 112 00:05:53,080 --> 00:05:54,400 Speaker 3: Maybe with you guys, I hope. 113 00:05:54,440 --> 00:05:57,320 Speaker 1: Oh well, it was fantastic. That's why I just these 114 00:05:57,360 --> 00:05:59,920 Speaker 1: days you never can't tell because something gets a bit 115 00:05:59,920 --> 00:06:01,360 Speaker 1: of noise, is it really a hit? 116 00:06:01,400 --> 00:06:01,760 Speaker 3: I don't. 117 00:06:01,760 --> 00:06:04,040 Speaker 2: I loved it, so that's all that counts. 118 00:06:05,080 --> 00:06:07,920 Speaker 3: That is other counts. And I was wondering who was 119 00:06:07,960 --> 00:06:09,280 Speaker 3: watching and you're the guy. 120 00:06:09,640 --> 00:06:11,520 Speaker 2: That was me, that was you? 121 00:06:11,640 --> 00:06:12,200 Speaker 3: Well done? 122 00:06:12,320 --> 00:06:15,359 Speaker 2: Okay, listen, hold on, Jeremy Pivens with us. 123 00:06:15,400 --> 00:06:17,760 Speaker 1: We'll come back to Ontourage and we'll come to Ontourage 124 00:06:17,800 --> 00:06:19,920 Speaker 1: in just a couple of moments. The teen past Me, 125 00:06:19,960 --> 00:06:22,400 Speaker 1: sixteen past dight. Jeremy Pivens is coming to the country 126 00:06:22,400 --> 00:06:24,200 Speaker 1: for his comedy. Sha'll give you the dates and just 127 00:06:25,040 --> 00:06:27,239 Speaker 1: a couple of mins. Now listen, Jeremy, can I admit 128 00:06:27,279 --> 00:06:29,320 Speaker 1: to you, First of all, I've never watched Ontourage. I 129 00:06:29,360 --> 00:06:31,440 Speaker 1: mean we talked about Selfridge before the break. I've never 130 00:06:31,440 --> 00:06:34,720 Speaker 1: watched Entourage, but as I said, I saw Selfridge, which 131 00:06:34,880 --> 00:06:37,919 Speaker 1: was brilliant. So so I mean, I guess everyone's a 132 00:06:37,920 --> 00:06:38,680 Speaker 1: fan until they're not. 133 00:06:39,440 --> 00:06:42,359 Speaker 3: Yeah, well, listen, thank you. You're an anomaly in my 134 00:06:42,440 --> 00:06:45,440 Speaker 3: life and I love that because you know, when I 135 00:06:45,480 --> 00:06:49,360 Speaker 3: tour around doing stand up you know, they're screaming. You know, 136 00:06:49,680 --> 00:06:53,200 Speaker 3: I'm a douchebag because of you. Ari. You know, let's 137 00:06:53,240 --> 00:06:56,440 Speaker 3: hug it out, bitch, and these things mean nothing to you. 138 00:06:56,880 --> 00:07:03,760 Speaker 3: Maybe someday they will, but they really you know Ari's demeanor. 139 00:07:03,920 --> 00:07:07,120 Speaker 3: He was always taking the piss and they love it 140 00:07:07,240 --> 00:07:10,680 Speaker 3: New Zealand and the UK and Australia. So I know 141 00:07:10,880 --> 00:07:14,880 Speaker 3: in those countries when I hear that accent, you know, 142 00:07:15,000 --> 00:07:17,400 Speaker 3: I know they're coming over. So, for instance, I could 143 00:07:17,400 --> 00:07:20,080 Speaker 3: reach out to Joe Parker and then he and I 144 00:07:20,120 --> 00:07:22,000 Speaker 3: could go back and forth, and I'm gonna you know, 145 00:07:22,080 --> 00:07:24,240 Speaker 3: he's one of your own. He's a superstar. 146 00:07:24,840 --> 00:07:26,640 Speaker 2: Where are you getting this stuff from? 147 00:07:26,640 --> 00:07:26,720 Speaker 3: This? 148 00:07:26,880 --> 00:07:28,720 Speaker 2: Joe Parker is? This is a hang on? 149 00:07:28,920 --> 00:07:31,280 Speaker 1: Here is if you done as a comedian, I'll do 150 00:07:31,400 --> 00:07:34,360 Speaker 1: the local intel and I'll drop in a New Zealand name. Well, 151 00:07:34,360 --> 00:07:36,840 Speaker 1: do you know Joe Packer. We love Joe Pocket. Joe 152 00:07:36,880 --> 00:07:37,720 Speaker 1: Packer is my friend. 153 00:07:38,720 --> 00:07:41,160 Speaker 3: He's he's one of the he's one of the good guys. 154 00:07:41,440 --> 00:07:44,720 Speaker 3: And when those guys win, it makes makes you really happy. 155 00:07:45,120 --> 00:07:47,280 Speaker 1: That is that is true. He's bigger, He's bigger than 156 00:07:47,320 --> 00:07:51,040 Speaker 1: he's able being. He's going to be I think, uh 157 00:07:51,160 --> 00:07:52,960 Speaker 1: title holder he's going to be a world champion. 158 00:07:53,160 --> 00:07:55,440 Speaker 3: Wouldn't that be incredible? I just got the chills because 159 00:07:55,880 --> 00:07:59,680 Speaker 3: that's one of those stories where you know a guy 160 00:07:59,720 --> 00:08:03,600 Speaker 3: works his ass off. Yeah, and you know under the 161 00:08:03,720 --> 00:08:07,000 Speaker 3: Radar has always been really good. They counted him out 162 00:08:07,040 --> 00:08:09,680 Speaker 3: and he never gave up. So I love that. 163 00:08:10,000 --> 00:08:10,720 Speaker 2: I love that. 164 00:08:10,600 --> 00:08:10,760 Speaker 3: Is that? 165 00:08:10,960 --> 00:08:13,280 Speaker 2: Do you support the Bulls or the Beers? I couldn't 166 00:08:13,280 --> 00:08:13,720 Speaker 2: get that right. 167 00:08:13,760 --> 00:08:15,960 Speaker 1: Do you support because that's that's applicable to the Beers 168 00:08:15,960 --> 00:08:17,960 Speaker 1: because they constantly get good? Or is it the Bulls 169 00:08:18,000 --> 00:08:18,520 Speaker 1: you support? 170 00:08:18,840 --> 00:08:21,760 Speaker 3: I only support guys that Josh Giddy and people in 171 00:08:21,800 --> 00:08:25,520 Speaker 3: Australia play for, and that would be the Chicago Bulls. See, 172 00:08:25,560 --> 00:08:28,280 Speaker 3: I'm tailor making all of this. This is to your region. 173 00:08:28,560 --> 00:08:30,280 Speaker 2: This is incredible. Now listen. 174 00:08:30,320 --> 00:08:31,920 Speaker 1: The other thing I need to cover off with you, 175 00:08:32,000 --> 00:08:33,800 Speaker 1: because I've gone through it a couple of months ago. 176 00:08:33,920 --> 00:08:36,439 Speaker 1: I'm lead to believe you tuned sixty in July. Am 177 00:08:36,480 --> 00:08:37,400 Speaker 1: not correct in saying this? 178 00:08:38,559 --> 00:08:41,880 Speaker 3: No? I mean, look at me. They have it all wrong. No. 179 00:08:42,240 --> 00:08:44,839 Speaker 1: I mean, obviously, if I look at you, you can't 180 00:08:44,880 --> 00:08:47,720 Speaker 1: be turning sixty. But I'm lead to believe from research 181 00:08:47,760 --> 00:08:48,840 Speaker 1: that it could be sixty. 182 00:08:49,760 --> 00:08:53,400 Speaker 3: No, it's forty fifty. It's something, right, I don't know 183 00:08:53,440 --> 00:08:55,160 Speaker 3: where it is right exactly. 184 00:08:55,200 --> 00:08:57,240 Speaker 2: I'm not a fan of numbers. 185 00:08:58,200 --> 00:09:00,640 Speaker 3: No, I'm like a Cuban baseball player. I just I 186 00:09:02,320 --> 00:09:03,560 Speaker 3: am whatever I feel. 187 00:09:04,760 --> 00:09:05,840 Speaker 2: There's nothing wrong with that. 188 00:09:06,120 --> 00:09:08,160 Speaker 3: We need to go into the skincare game. 189 00:09:08,840 --> 00:09:10,640 Speaker 2: Oh really, you damn strike you do it. 190 00:09:10,760 --> 00:09:12,160 Speaker 1: But having said that, are you going to be doing 191 00:09:12,240 --> 00:09:15,400 Speaker 1: something in July for forty to fifty whatever you feel. 192 00:09:15,200 --> 00:09:19,440 Speaker 3: Or you you know, I haven't even gotten there yet, right, 193 00:09:19,720 --> 00:09:22,240 Speaker 3: but I do need to do something sure, And you 194 00:09:22,280 --> 00:09:25,240 Speaker 3: know I love performing. I love getting up on stage. 195 00:09:25,679 --> 00:09:28,440 Speaker 3: I'll be in my hometown of Chicago performing at the VIC. 196 00:09:29,000 --> 00:09:30,840 Speaker 3: I know. I'm with you guys in New Zealand. What 197 00:09:30,920 --> 00:09:31,720 Speaker 3: theater am I at? 198 00:09:31,840 --> 00:09:34,560 Speaker 1: You know, well, it depends where you are. I mean, 199 00:09:34,600 --> 00:09:35,880 Speaker 1: where do you want to be. I mean I've got 200 00:09:35,920 --> 00:09:38,880 Speaker 1: you at Sky in Auckland, Sky Theater in Auckland's That's 201 00:09:38,880 --> 00:09:39,480 Speaker 1: a good place. 202 00:09:40,360 --> 00:09:43,120 Speaker 3: That's a beautiful place. I'm very lucky. What is the 203 00:09:43,200 --> 00:09:44,200 Speaker 3: date that I'm performing? 204 00:09:44,240 --> 00:09:45,199 Speaker 2: Do you know this is? 205 00:09:45,440 --> 00:09:47,360 Speaker 1: This is very clever, Jeremy. You've been in this game 206 00:09:47,440 --> 00:09:49,440 Speaker 1: quite a while. You've been in this game at a 207 00:09:49,480 --> 00:09:52,280 Speaker 1: long time. It happens. I have it in front of 208 00:09:52,320 --> 00:09:55,040 Speaker 1: me because I too of them, probably with details ready 209 00:09:55,040 --> 00:09:55,320 Speaker 1: to handle. 210 00:09:55,360 --> 00:09:58,040 Speaker 2: Are you there? Thursday, July thirty one. 211 00:09:58,679 --> 00:10:01,440 Speaker 3: Wow, So you're the first show that I'm doing after 212 00:10:01,520 --> 00:10:02,160 Speaker 3: my birthday? 213 00:10:04,080 --> 00:10:06,920 Speaker 2: First shot forty or fifty or sixty, whatever it. 214 00:10:06,920 --> 00:10:10,120 Speaker 3: Is, whatever it is, what I'll do is why don't 215 00:10:10,120 --> 00:10:14,480 Speaker 3: we all celebrate my birthday together there? Because I'm still 216 00:10:14,520 --> 00:10:20,160 Speaker 3: going to be drunk. Let's be honest, all right, I'm 217 00:10:20,200 --> 00:10:23,520 Speaker 3: a total degenerate, right and I'm gonna play through with 218 00:10:23,559 --> 00:10:26,160 Speaker 3: some adult beverages and we're all gonna hug it out. 219 00:10:26,559 --> 00:10:28,280 Speaker 3: I'm saying things that you don't even know what hug 220 00:10:28,320 --> 00:10:28,880 Speaker 3: it out means. 221 00:10:29,040 --> 00:10:30,599 Speaker 1: I know what hug it out means. What are you 222 00:10:30,720 --> 00:10:32,880 Speaker 1: talking about? You hug it out? Come on, hug it out, 223 00:10:32,920 --> 00:10:33,480 Speaker 1: that's what you do. 224 00:10:33,600 --> 00:10:38,240 Speaker 3: Oh well, that's my catchphrase from Ntrage was let's hug 225 00:10:38,280 --> 00:10:38,960 Speaker 3: it out, bitch. 226 00:10:39,320 --> 00:10:40,760 Speaker 2: No, I didn't know the bitch bit, but. 227 00:10:41,520 --> 00:10:44,600 Speaker 3: Well, hug it out. If you know that it comes 228 00:10:44,600 --> 00:10:47,360 Speaker 3: from me, that comes from an improv that I did 229 00:10:47,720 --> 00:10:50,240 Speaker 3: on Entrage. I feel like I'm explaining a joke. 230 00:10:51,480 --> 00:10:53,000 Speaker 2: You did not invent. 231 00:10:53,120 --> 00:10:57,960 Speaker 1: Hug it out thousand percent on your life hand on 232 00:10:58,040 --> 00:10:59,400 Speaker 1: Hot You invented hug it out? 233 00:11:00,679 --> 00:11:04,719 Speaker 3: Well, I improvised the line in Entourage and it did 234 00:11:04,760 --> 00:11:07,400 Speaker 3: become a catchphrase. Why don't you ask some of your 235 00:11:07,840 --> 00:11:09,559 Speaker 3: if you have any friends, to ask. 236 00:11:09,440 --> 00:11:16,080 Speaker 1: Them listen the we're looking forward to We're looking forward 237 00:11:16,080 --> 00:11:17,880 Speaker 1: to seeing you in the country post your birthday, on 238 00:11:17,920 --> 00:11:20,719 Speaker 1: your birthday, whatever it is, and and and and it's 239 00:11:20,720 --> 00:11:22,520 Speaker 1: been a joy to meet and talk with you and 240 00:11:22,840 --> 00:11:23,920 Speaker 1: maybe maybe become Listen. 241 00:11:24,679 --> 00:11:26,760 Speaker 3: Joe Parker is going to be at the show. Okay, 242 00:11:26,800 --> 00:11:28,520 Speaker 3: of course he's gonna approve to you that he's a 243 00:11:28,559 --> 00:11:29,120 Speaker 3: friend of mine. 244 00:11:29,200 --> 00:11:31,120 Speaker 1: Well, I don't not believe that he's not a friend. 245 00:11:31,160 --> 00:11:33,000 Speaker 1: I just don't believe you invented hug it out. I 246 00:11:33,040 --> 00:11:35,319 Speaker 1: believe that Joe's a friend. I believe you might or 247 00:11:35,400 --> 00:11:39,280 Speaker 1: might not be turning sixty. I don't believe you invented 248 00:11:39,360 --> 00:11:41,880 Speaker 1: hug it out. But either way, we'll sort it out 249 00:11:41,960 --> 00:11:44,040 Speaker 1: when you're hear coming and see us and we'll chat 250 00:11:44,080 --> 00:11:44,440 Speaker 1: some more. 251 00:11:45,200 --> 00:11:47,440 Speaker 3: I would be honored to come by and visit. Why 252 00:11:47,440 --> 00:11:50,120 Speaker 3: don't you call Joe a text show? And you asked 253 00:11:50,200 --> 00:11:52,920 Speaker 3: him about that question hug it out? Bitch? Did that 254 00:11:52,960 --> 00:11:56,440 Speaker 3: come from Piven on Entourage? And you're gonna you're gonna 255 00:11:56,440 --> 00:11:57,680 Speaker 3: see that I'm a man of by word. 256 00:11:57,840 --> 00:12:01,640 Speaker 2: Okay, well I got it for now, Jeremy. By the way, 257 00:12:01,679 --> 00:12:05,080 Speaker 2: I'm living like Piven, I live like I'm living like Piven. 258 00:12:06,000 --> 00:12:07,720 Speaker 3: I love it. How you living, Jay Peven? 259 00:12:07,920 --> 00:12:10,360 Speaker 1: I'm living jar I love it. I'm living like Jay Piven. 260 00:12:10,520 --> 00:12:12,679 Speaker 1: Lovely to talk and chat with you and come see 261 00:12:12,720 --> 00:12:13,640 Speaker 1: us when you're in the country. 262 00:12:14,320 --> 00:12:15,160 Speaker 3: I'll see you soon. 263 00:12:15,280 --> 00:12:15,680 Speaker 2: There you go. 264 00:12:16,160 --> 00:12:20,720 Speaker 1: He's crazy. So the I'm Living like Joe Peven is 265 00:12:20,720 --> 00:12:23,760 Speaker 1: his podcast. I don't even know if his podcast goes anymore, 266 00:12:23,800 --> 00:12:25,440 Speaker 1: but that's yet more research I did for him. 267 00:12:25,480 --> 00:12:26,720 Speaker 2: It doesn't go anymore anyway. 268 00:12:26,679 --> 00:12:28,920 Speaker 1: He had a podcast called I'm Living Like Jay Piven, 269 00:12:28,920 --> 00:12:31,320 Speaker 1: and I thought that's quite a clever podcast thing. So 270 00:12:31,640 --> 00:12:34,360 Speaker 1: he's here on the end of July July thirty one 271 00:12:34,760 --> 00:12:37,640 Speaker 1: at as we mentioned, sky City eight twenty two. For 272 00:12:37,760 --> 00:12:41,120 Speaker 1: more from the mic Asking Breakfast, listen live to news talks. 273 00:12:41,160 --> 00:12:44,319 Speaker 1: It'd be from six am weekdays, or follow the podcast 274 00:12:44,360 --> 00:12:45,240 Speaker 1: on iHeartRadio.