1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack team podcast 2 00:00:10,573 --> 00:00:11,773 Speaker 1: from news Talks at. 3 00:00:11,653 --> 00:00:15,773 Speaker 2: Be Francisca Rudkin our film reviewers here, which it depicts 4 00:00:15,773 --> 00:00:16,453 Speaker 2: for this weekend. 5 00:00:16,973 --> 00:00:18,453 Speaker 1: Enough, good morning. 6 00:00:18,693 --> 00:00:21,133 Speaker 2: Okay, we've got two films, both of them showing and 7 00:00:21,173 --> 00:00:23,853 Speaker 2: cinemas this morning, very different indeed to one another, but 8 00:00:23,933 --> 00:00:25,293 Speaker 2: let's start off by having a little bit of a 9 00:00:25,333 --> 00:00:28,133 Speaker 2: Listen to the first one. This is Prime Minister. 10 00:00:29,253 --> 00:00:32,093 Speaker 3: I have three years to do as much as we can. 11 00:00:32,253 --> 00:00:34,173 Speaker 3: But in the back of my mind I thought, now, 12 00:00:34,213 --> 00:00:35,493 Speaker 3: am I going to do this with a baby? 13 00:00:37,613 --> 00:00:40,013 Speaker 2: I just feel sorry for myself listening to that, because 14 00:00:40,013 --> 00:00:41,573 Speaker 2: I just have no idea what's coming. 15 00:00:42,293 --> 00:00:44,693 Speaker 3: There were two groups on the island, those who were 16 00:00:44,773 --> 00:00:48,213 Speaker 3: evacuated and those close to the eruption. We only have 17 00:00:48,333 --> 00:00:51,813 Speaker 3: six cases at the moment. This can only be described 18 00:00:51,933 --> 00:00:57,693 Speaker 3: as a terrorist attack. Crises make governments and they break governments. 19 00:00:58,453 --> 00:01:00,733 Speaker 2: That is, of course, the voice of JASINDERA durn This 20 00:01:00,813 --> 00:01:04,773 Speaker 2: is the desindera DRN documentary tell us about Prime Minister Francesca. 21 00:01:05,693 --> 00:01:08,053 Speaker 3: Okay, I think the most important thing you need to 22 00:01:08,093 --> 00:01:10,253 Speaker 3: know about this film is that if you're looking for 23 00:01:10,373 --> 00:01:14,773 Speaker 3: an objective examination of her government's policies, the achievements and failures. 24 00:01:14,813 --> 00:01:17,493 Speaker 3: You're not going to get that here. That wasn't really 25 00:01:17,533 --> 00:01:23,053 Speaker 3: the intention of the filmmakers or for this film. This 26 00:01:23,133 --> 00:01:27,533 Speaker 3: is more a This film offers actually something quite unique 27 00:01:27,573 --> 00:01:29,893 Speaker 3: that we don't see very often. It's very sort of 28 00:01:29,933 --> 00:01:32,653 Speaker 3: intimate and personal look behind the scenes at the toll. 29 00:01:32,733 --> 00:01:35,053 Speaker 3: The job takes on a person, and let's be honest, 30 00:01:35,053 --> 00:01:36,613 Speaker 3: not that you must get to do this job right, 31 00:01:37,693 --> 00:01:39,773 Speaker 3: so you know, we don't have the experience of what 32 00:01:39,773 --> 00:01:42,653 Speaker 3: it would be like, and you kind of what we 33 00:01:42,813 --> 00:01:46,853 Speaker 3: show in here is the unrelenting, cumulative impacts of dealing 34 00:01:46,893 --> 00:01:49,653 Speaker 3: with some of the biggest tragedies New Zealand's faced in 35 00:01:50,013 --> 00:01:53,213 Speaker 3: recent times. The film sort of starts off in twenty 36 00:01:53,293 --> 00:01:55,933 Speaker 3: twenty four in the US, where the Prime Minister is 37 00:01:55,973 --> 00:01:57,893 Speaker 3: working at Harvard. She's also starting to work on the 38 00:01:57,933 --> 00:02:00,133 Speaker 3: memoir and as part of that she's listened to a 39 00:02:00,173 --> 00:02:04,093 Speaker 3: lot of her political diaries or history projects, and the 40 00:02:04,093 --> 00:02:06,573 Speaker 3: filmmakers kind of come in and sort of speak her. 41 00:02:06,613 --> 00:02:09,853 Speaker 3: Lindsay Hoots and Michelle Waltz kind of talk to her about, 42 00:02:09,933 --> 00:02:12,013 Speaker 3: you know, what it's like for her to go back 43 00:02:12,053 --> 00:02:14,453 Speaker 3: and listen and reminisce about this and things. I think 44 00:02:14,493 --> 00:02:16,773 Speaker 3: they could have pushed a little bit further because actually 45 00:02:16,853 --> 00:02:19,133 Speaker 3: the Prime Minister is pretty candid and it is pretty open, 46 00:02:19,173 --> 00:02:21,413 Speaker 3: and I think that they could have maybe pushed a 47 00:02:21,493 --> 00:02:24,813 Speaker 3: little bit further with her to sort of see what 48 00:02:24,893 --> 00:02:27,853 Speaker 3: else that she would reveal. But and the structure of 49 00:02:27,893 --> 00:02:30,973 Speaker 3: the documentary is quite straightforward. We kind of go back 50 00:02:31,013 --> 00:02:35,133 Speaker 3: and we start with, you know, the sort of creating 51 00:02:35,133 --> 00:02:37,653 Speaker 3: a coalition with Winston Peters, and then we work our 52 00:02:37,653 --> 00:02:41,333 Speaker 3: way through, you know, her pregnancy in office, the terror attack, 53 00:02:41,813 --> 00:02:44,013 Speaker 3: you know, the twenty twenty general election for Charlie White 54 00:02:44,053 --> 00:02:45,773 Speaker 3: Island and of course COVID nineteen. So it kind of 55 00:02:45,773 --> 00:02:48,293 Speaker 3: texts all those boxes of the things that the Primeister 56 00:02:48,413 --> 00:02:51,093 Speaker 3: went through, but you know, they were pretty unprecedented things. 57 00:02:51,373 --> 00:02:53,173 Speaker 3: So but it's quite interesting to go behind the scenes 58 00:02:53,213 --> 00:02:55,533 Speaker 3: and watch it. I think what makes the documentary is 59 00:02:55,613 --> 00:03:00,933 Speaker 3: Kurt Gayford very I think, very sensibly kind of when 60 00:03:00,973 --> 00:03:02,733 Speaker 3: she became Prime Minister, he was kind of looking around, 61 00:03:02,773 --> 00:03:06,893 Speaker 3: going this is kind of quite crazy. And he's a filmmaker, right, storyteller, 62 00:03:06,933 --> 00:03:08,773 Speaker 3: and he was walking around. No one's filming this, so 63 00:03:08,853 --> 00:03:12,053 Speaker 3: he started filming and in little moments behind the scenes 64 00:03:12,093 --> 00:03:15,373 Speaker 3: and he just kind of kept going and I think 65 00:03:15,413 --> 00:03:18,213 Speaker 3: that that's the kind of footage and they're the insights 66 00:03:18,253 --> 00:03:21,093 Speaker 3: that really make this documentary contrary and look, to be 67 00:03:21,093 --> 00:03:23,013 Speaker 3: honest with you, I quite like having a poke around 68 00:03:23,013 --> 00:03:25,613 Speaker 3: Premiere House. Quite like seeing you know, the bee hive 69 00:03:25,693 --> 00:03:28,253 Speaker 3: and what you know. A lot of us were not 70 00:03:28,293 --> 00:03:31,093 Speaker 3: subjected to that. So yeah, I know that, you know, 71 00:03:31,253 --> 00:03:33,333 Speaker 3: the potential subjects can be triggering, but if you take 72 00:03:33,373 --> 00:03:35,053 Speaker 3: a sort of a step back, it is quite an 73 00:03:35,133 --> 00:03:39,373 Speaker 3: interesting look at the role of leadership and you know, 74 00:03:39,453 --> 00:03:41,893 Speaker 3: and of what it really entails being a prime minister. 75 00:03:42,093 --> 00:03:45,453 Speaker 2: Okay, yeah, very interesting. So that is Prime Minister that 76 00:03:45,613 --> 00:03:48,653 Speaker 2: is showing in cinemas right now. Also showing in cinemas. 77 00:03:48,893 --> 00:03:51,773 Speaker 2: Tell us about the French film Holy cow. 78 00:03:51,853 --> 00:03:54,813 Speaker 3: Oh look, this is just so delightful. This is a 79 00:03:54,813 --> 00:03:58,933 Speaker 3: film from a French director, Louise Corvasier, and it was 80 00:03:58,933 --> 00:04:00,973 Speaker 3: her first, her first feature film, and it was sort 81 00:04:00,973 --> 00:04:03,413 Speaker 3: of a bit no one sort of really saw it coming, 82 00:04:03,493 --> 00:04:05,733 Speaker 3: and it turned out to be a huge hat surprise, 83 00:04:05,773 --> 00:04:07,533 Speaker 3: Hat and Frag that won the Youth Prize it Can 84 00:04:07,893 --> 00:04:10,333 Speaker 3: and won a couple of season awards and things. It's 85 00:04:10,333 --> 00:04:13,853 Speaker 3: a social realist drama slash comedy, but it's not grim 86 00:04:13,893 --> 00:04:17,013 Speaker 3: and gritty. It's actually it's filled with lots of heart 87 00:04:17,053 --> 00:04:19,973 Speaker 3: and hope and sunshine and things. And we're in the 88 00:04:20,693 --> 00:04:24,733 Speaker 3: Jura region, so we're in quite a remote rural area. 89 00:04:24,933 --> 00:04:27,973 Speaker 3: The main characters is eighteen year old teenage boy who's 90 00:04:28,093 --> 00:04:30,533 Speaker 3: very much an eighteen year old teenage boy as fart 91 00:04:30,573 --> 00:04:33,533 Speaker 3: as a cheesemaker. He's got a young seven year old sister. 92 00:04:33,973 --> 00:04:38,333 Speaker 3: His father dies and he is really left to look 93 00:04:38,373 --> 00:04:42,213 Speaker 3: after this young sister and try and work out how 94 00:04:42,253 --> 00:04:46,213 Speaker 3: to manage his grief and how to make a living. Essentially, 95 00:04:46,253 --> 00:04:48,733 Speaker 3: he's really not a ques to deal with what's happened 96 00:04:48,773 --> 00:04:51,173 Speaker 3: to him. It's a real struggle. But along with some 97 00:04:51,253 --> 00:04:53,613 Speaker 3: of this friends, he comes up with this pretty unrealistic 98 00:04:53,693 --> 00:04:57,013 Speaker 3: idea to become an award winning cheesemaker and off we 99 00:04:57,133 --> 00:05:00,293 Speaker 3: kind of go. What is fabulous about this film, Jack, 100 00:05:00,493 --> 00:05:02,853 Speaker 3: is that everybody in it none of them are actors. 101 00:05:02,853 --> 00:05:08,333 Speaker 3: They're non professional actors. Clement for O, who plays touton 102 00:05:08,493 --> 00:05:11,253 Speaker 3: our main character, he's actually a chicken farmer in real life, 103 00:05:11,973 --> 00:05:14,933 Speaker 3: and you really get that sense, and I think that's 104 00:05:14,973 --> 00:05:17,533 Speaker 3: what makes it. There is this sort of authenticity to 105 00:05:17,693 --> 00:05:21,733 Speaker 3: this story you kind of Yeah, no, it's just really delightful. 106 00:05:21,773 --> 00:05:22,733 Speaker 3: I thoroughly enjoyed it. 107 00:05:22,933 --> 00:05:25,733 Speaker 2: That sounds really good. Okay, cool here something completely different 108 00:05:25,773 --> 00:05:28,413 Speaker 2: as well. So that's Holy Cow that is showing in cinemas. 109 00:05:28,413 --> 00:05:30,853 Speaker 2: That's a French film. Prime Minister as Francisca's first pick 110 00:05:30,893 --> 00:05:32,653 Speaker 2: for us this week. Thank you so much, Francisca, I 111 00:05:32,653 --> 00:05:33,253 Speaker 2: appreciate it. 112 00:05:33,733 --> 00:05:36,813 Speaker 1: For more from Saturday Morning with Jack Tame, listen live 113 00:05:36,933 --> 00:05:39,733 Speaker 1: to news Talks ed B from nine am Saturday, or 114 00:05:39,813 --> 00:05:41,653 Speaker 1: follow the podcast on iHeartRadio